Lcf portfolio(yu ting huang)

YU-TING HUANG PORTFOLIO

Sketchbook

-2016

Her Silence-2009

Plash from you. Ripples on me

-2010

URAHA 15/16 A/W

-2015

The Woman in a red coat, 2014 Pastel on colored paper 54cmx 39cm

The idea is originated from my personal sketch pastel painting, depicting a woman in a red coat sits on a chair. During the quick sketching, I only used few simple lines to represent colors and shades on a surface. These thin and thick lines look like sitting subjectively on a two-dimension paper.

When I reviewed the sketch and reconstructed it into three-dimension form, I have to provide specific forms to the original lines.

The work tries to keep the originality and drama of a sketch.

The organza as the base to increase the layering. The transparent effect is like light strokes.

Felted wool has a si

milar texture

with pastel paint.

It can show the same

effect as

the brush of chalk.

The idea is originated from my personal sketch pastel painting, depicting a woman in a red coat sits on a chair. During the quick sketching, I only used few simple lines to represent colors and shades on a surface. These thin and thick lines look like sitting subjectively on a two-dimension paper.

When I reviewed the sketch and reconstructed it into three-dimension form, I have to provide specific forms to the original lines.

The work tries to keep the originality and drama of a sketch.

Mmeditation, 2003 ink on rice paper 100cm x 190cm

Imagine a black thread falling into a basin of water, and the black pigment slowly blends into water. Just like Gandhanra, the ancient murals in Chinese fairy. It is silent but dynamic, demonstrating my perception of Chinese females. Their emotions are embedded deep down in their hearts. Such silence is glaring, and remains profoundly through time.

I incorporated traditional frameworks of Chinese painting, including Jiugongge and the folding fan, in the fabrics as symbols. Under the organized frame, the ink (emotion) is spreading and limited at the same time.

Mmeditation, 2003 ink on rice paper 100cm x 190cm

The ink blends into water.Its curves slowly spiral, precipitate and dissolute. Just like emotion.

Chinese traditional painting does not have a visible perspective. By using Marbling Paper, the trend of water can be truthfully represented. There is no three-dimensional space, just like a pencil brush. However, a specific form can not be shown by a single line. By converging abundance of lines, it leads to a direction and giving an essence of meaning.

The time was in the 1960s, and the background is the geometry of contemporary

architecture and symmetrical display. People dressed in formal around the pool.

When everything is like a mechanical runtime. There is a big splash, and then

everything dislocates with the water. The suits blend together and repeatedly.

SPRING 2009 READY-TO-WEAR Stella McCartney

It is the mix of swimming suit and formal suit. For instance, the collar ribbon and the intentional exposed pelvis.

The dislocation between stripes

and the

outline of the body caused by th

e water.

The outline of the contemporary architecture.

Le Plongeur (Paper Pool 18), 1978

I used the image of David Hockney’s Swimming Pool to design the printing pattern and tried to bring the atmosphere in the structures of this series. Meanwhile, I used the perspective of a peeper to emphasize the details of this work.

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Look 7

I have managed three seasons since 2014. Now, uraha has brick-and-mortar shops in Taiwan and sells products through on-line channels in China. It plans to expand to Hong Kong and Japan in 2016.

The name uraha is inspired by UraHarajuku in Tokyo, where

is the source of street fashion of Japan.

The brand merges the subculture, such as manga, rock and

hip-pop, and high fashion.