風格派：抽象的知覺經驗與現代性

劉瑞琪

• De Stijl, 1917-

Piet Mondrian (1872-1944)

Theo van Doesburg

Gerrit Rietveld

• grid （格子）

Piet Mondrian, Evolution (1910-1911)

Piet Mondrian, Still Life with Ginger Jar (1911-1912) vs. Piet Mondrian, Still Life with

Ginger Jar (1911-1912)

Piet Mondrian, The Red Tree (1908-1912) vs. Piet Mondrian, Gray Tree (1911)

Piet Mondrian, Flowering Apple Tree (1912) vs. Piet Mondrian, The Flowering Apple

Tree ((1912)

Piet Mondrian, Flowering Apple Tree (1912) vs. Piet Mondrian, Composition No. 2 (1914)

Piet Mondrian, Pier and Ocean, 1914

The Courtgard of 26 rue du Départ, Paris vs.

Piet Mondrian’s Paris Studio in 1926

André Kertéze, Photograph of Mondrian’s Studio (1926)

                                                                                                  

                      

Piet Mondrian, Composition with Red, Yellow, Blue, and Black (1921) vs. Piet Mondrian,

Composition (1921)

Piet Mondrian, Composition in Red, Blue and Yellow (1930) vs. Kazimir Malevich,

Black Square (1929)

Piet Mondrian, Lozenge Composition with Yellow, Black, Blue, Red, and Gray (1921)

Piet Mondrian, Broadway Boogie Woogie (1942-43)

Piet Mondrian, Broadway Boogie Woogie (1942-43)

Piet Mondrian, Broadway Boogie Woogie (1942-43) vs. Piet Mondrian, New York City

(1941-42)

Arnold Newman, Mondrian in His New York Studio, 1946 vs. Mondrian in His New

York Studio, 1942-43

Piet Mondrian, Broadway Boogie Woogie (1942-43) vs. Piet Mondrian, Composition in

Red, Blue and Yellow (1930)

Theo van Doesburg, Abstraction of a Cow (1917)

Theo van Doesburg, Simultaneous Counter Composition (1929) vs. Piet Mondrian,

Composition in Red, Blue and Yellow

(1930)

Gerrit Rietveld, Schroeder House, Utrech (1925)

第一次世界大戰之後的法國：戰後的秩序重建與現代性

劉瑞琪

• WWI 之後的法國

“call to order”

“reconstruction”

• 自然主義的繪畫在巴黎重新出現

• Purism （純粹主義）

Pablo Picasso, Three Women at the Spring (1921)

Pablo Picasso, Mother and Child (1922) vs. Pablo Picasso, Mother and Child (1921)

Pablo Picasso, Three Women at the Spring (1921) vs. V. F. Léger, Mother and Child (1922)

Picasso, Seated Harlequin (1923) vs. Gino Severini, The Two Punchinellos (1922)

André de Segonzac, Still Life with Eggs (1921) vs. Pablo Picasso, Glass and Bottle of Suze

(1912)

Constantin Brancusi, The Kiss (1907-08) vs. Constantin Brancusi, Adzm and Eve (1916-21)

Constantin Brancusi, The Newborn (1920) vs. Constantin Brancusi, The Newborn I (1920)

Cover of L’Esprit Nouveau vs. Charles-Édouard Jeanneret, Still-life with Pile of Plates

(1920)

Paintings by Charles-Édouard Jeanneret and vs. Charles-Édouard Jeanneret, Still-life with

Amédée Ozenfant, L’Esprit Nouveau, no. 17, Pile of Plates (1920)

p. 1993, 1922.

Paintings by Charles-Édouard Jeanneret and vs. Amédee Ozenfant, Glasses and Bottles Amédée Ozenfant, L’Esprit Nouveau, no. 17, (1922-26) p. 1993, 1922.