01 Aladdin Suite tekst 01

Carl Nielsen Udgaven CN 00030 i

C A R L N I E L S E N

V R K E R

W O R K S

01 Aladdin Suite tekst 01 15/11/02, 13:221

Carl Nielsen Udgaven CN 00030 iii

Udgivet af

Edited by

Niels Krabbe

Edition Wilhelm HansenCopenhagen 2002

C A R L N I E L S E N

A L A D D I N S U I T E

S U I T E A F A L A D D I N


ivCarl Nielsen Udgaven CN 00030

The present work is based on THE CARL NIELSEN EDITION, Series I.

Stage Music. Volume 8: Carl Nielsen, Aladdin or the Wonderful Lamp.

Dramatic Tale in five Acts, edited by David Fanning, Copenhagen 2000

Orchestral parts are available

Graphic design Kontrapunkt A/S, Copenhagen

Music set in SCORE by New Notations, London

Text set in Swift

Printed by Quickly Tryk A/S, Copenhagen

CN 00030

ISBN 87-598-1115-3

ISMN M-66134-109-3

Distribution Edition Wilhelm Hansen A/S, Bornholmsgade 1, DK-1266 Copenhagen K

Translation James Manley

2002 Carl Nielsen Udgaven, Det Kongelige Bibliotek, Kbenhavn

All rights reserved 2002


atgeBY-NC-ND CC-licens

Carl Nielsen Udgaven CN 00030 v

I N D H O L D

C O N T E N T S

Preface vii Forord

Composers Note on the Performance x Komponistens Anmrkning

of The Market-Place in Ispahan til Foredraget af Torvet i Ispahan

ALADDIN SUITE SUITE AF ALADDIN

No. 1 Oriental Festive Marsch 1 No. 1 Orientalsk Festmarch

No. 2 Aladdins Dream and Dance of the Morning Mists 18 No. 2. Aladdins Drm og Morgentaagernes Dans

No. 3. Hindu Dance 28 No. 3 Hindu Dans

No. 4 Chineese Dance 33 No. 4 Kinerserdans

No. 5 The Market Place in Ispahan 48 No. 5 Torvet i Ispahan

No. 6 Prisoners Dance 51 No. 6 Fangernes Dans

No. 7 Negro Dance 71 No. 7 Negerdans

Abbreviations 100 Forkortelser

Critical Commentary 101 Kritisk beretning


Carl Nielsen Udgaven CN 00030 vii

This edition of Aladdin Suite is based on the Carl NielsenEditions version of the collected stage music from 1919for Adam Oehlenschlgers play, as it appears inVolume I/8, edited by David Fanning.1 As will be evident from

the preserved sources and from the composers own many

performances of extracts of the stage music,2 Carl Nielsen fully

approved of such a selection for concert use.

Shortly before the premiere of the new production

of Aladdin at the Royal Theatre in Copenhagen, Carl Nielsen

had presented five of the pieces in a concert performance,3 and

later various extracts from the Aladdin music became very

frequently performed items conducted by the composer in

Denmark and abroad.4 From a core of seven pieces those

presented in this edition Carl Nielsen chose varying selec-

tions in varying orders for his concerts, although in a few cases

he included other pieces from the play.

From Carl Nielsens own lifetime we have two

sources for such a selection: CCCCC, a score in a copyists hand of

seven pieces (itself the source for the later printed edition of

1940, DDDDD) and OOOOO, printed parts for five pieces, four of which

appeared in 1926 and the fifth in 1937. The following overview

shows the content of these sources and the placing of the

pieces in the Carl Nielsen Edition Vol. I/8, based on AAAAA, Carl

Nielsens own fair copy of the full score for Aladdin. To this

should be added a set of handwritten string parts from the

Denne udgave af Suite af Aladdin bygger p Carl NielsenUdgavens version af den samlede scenemusik tilOehlenschlgers skuespil fra 1919, som den forelig-ger i bind I/8, udgivet af David Fanning.1 Som det fremgr af

kildeoverleveringen og af komponistens egne mange opfrelser

af uddrag af skuespilmusikken,2 billigede Carl Nielsen fuldt ud

et sdant udvalg til koncertbrug.

Allerede kort fr premieren p Aladdin p Det

Kongelige Teater havde Carl Nielsen ved en koncertopfrelse

prsenteret fem satser af musikken,3 og siden blev netop

forskellige uddrag af Aladdin-musikken et af de meget hyppigt

opfrte vrker under komponistens egen ledelse i ind- og

udland.4 Blandt en krne p syv stykker de, som foreligger i

nrvrende udgave valgte Carl Nielsen ved sine koncerter

skiftende udvalg i skiftende rkkeflge, selvom han ved

enkelte lejligheder ogs inddrog andre stykker fra skuespillet.

Fra Carl Nielsens levetid foreligger kilder til to sdanne udvalg:

CCCCC, partiturkopi af syv stykker (forlg for den senere trykte

udgave fra 1940, DDDDD) samt OOOOO, trykte stemmer til fem stykker,

hvoraf de fire udkom i 1926 og det femte i 1937. Efterflgende

oversigt viser indholdet af disse kilder samt stykkernes place-

ring i Carl Nielsen udgaven bd. I/8, byggende p AAAAA, Carl Niel-

sens egenhndige renskrift af det samlede partitur til Aladdin.

Hertil skal fjes et st strygerstemmer i Tivoli, som har vret

1 Carl Nielsen, Works, Series I, Stage Music. Volume 8.

Aladdin or The Wonderful Lamp, Dramatic Tale in Five Acts.

Text by Adam Oehlenschlger, edited by David Fanning,

Copenhagen 2000.

2 For a more detailed account of the sources for the

Aladdin music (including the use of source names)

reference may be made to the Carl Nielsen Edition Vol.

I/8, Preface and Critical Commentary.

3 Concert in the Odd Fellow-Palet 6.2.1919: Kinesisk Dans,

Fangernes Dans, Hindudans, Markedsmusik paa Torvet i

Ispahan (Tre smaa Orkestre og en Gruppe hylende Dervischer),

Afrikansk Negerdans (according to program in DK-Kk,

Dolleris Programsamling)

4 Among many others 9.12.1922 in Berlin, 9.2.1923 in the

Odd Fellow Pal, 22.6.1923 in London, January 1926 in

Oslo, 21.10.1926 in Paris, 2.11.1928 in Odense, 5.12.1928

in Stockholm, 7.12.1928 on Swedish Radio.

1 Carl Nielsen, Works, Series I, Stage Music. Volume 8.

Aladdin eller Den Forunderlige Lampe, dramatisk Eventyr i

fem Akter. Tekst af Adam Oehlenschlger. Udgivet af

David Fanning, Copenhagen 2000.

2 For en mere detaljeret redegrelse omkring kildefor-

holdene til Aladdin-musikken (herunder anvendelsen af

kildebetegnelser) henvises til Carl Nielsen Udgaven

bind I/8, Preface og Critical Commentary.

3 Koncert i Odd Fellow-Palet 6.2.1919: Kinesisk Dans,

Fangernes Dans, Hindudans, Markedsmusik paa Torvet i

Ispahan (Tre smaa Orkestre og en Gruppe hylende Dervischer),

Afrikansk Negerdans (iflge program i DK-Kk, Dolleris

Programsamling).

4 Blandt mange kan nvnes: 9.12.1922 i Berlin, 9.2.1923 i

Odd Fellow Palet, 22.6.1923 i London, januar 1926 i

Oslo, 21.10.1926 i Paris, 2.11.1928 i Odense, 5.12.1928 i

Stockholm, 7.12.1928 i Sveriges Radio.

F O R O R D

P R E F A C E


viiiCarl Nielsen Udgaven CN 00030

Tivoli Garden Archives which were used at some of Carl

Nielsens own performances (see Critical Commentary, p. 101)

CNU Vol. I/8 Seven Pieces Five Pieces5

(Source AAAAA) (Source CCCCC) (Source OOOOO)

No. 11 (p. 49) No. 1 No. 1

March March Orientalsk Festmarsch Orientalsk Festmarsch

No. 22 (p. 171) No. 2 No. 2

Aladdins Drm (og Aladdins Drm Aladdins Drm

Morgentaagernes og Morgentaagernes og Morgentaagernes

dans) Aladdins Dans Dans

Dream (and Dance of

theMorning Mists)

No. 16 (p. 110) No. 3 No. 3

Hindu-dans Hindudans Hindudans

Hindu Dance

No. 14 (p. 75) No. 4 No. 4

Kineserdans Kineserdans

No. 7 (p. 33) No. 5

En skjn Plads i Torvet i Ispahan

Ispahan A Beautiful

square in Ispahan

No. 15 (p. 90) No. 6

Dans af Fanger Fangernes Dans

Prisoners Dance

No. 17 (p. 115) No. 7 No. 5

Negerdans Negerdans Negerdans

Negro Dance

In later times CCCCC has gained a status as the most frequently

performed concert version of the Aladdin music. Although this

source was probably copied during Carl Nielsens own lifetime,6

neither additions in his own hand nor anything else suggest

benyttet ved nogle af Carl Nielsens egne opfrelser (se Critical

Commentary, s. 101)

CNU bd. I/8 Syv Stykker Fem Stykker5

(Kilde AAAAA) (Kilde CCCCC) (Kilde OOOOO)

No. 11 (s. 49) No. 1 No. 1

March Orientalsk Festmarsch Orientalsk Festmarsch

No. 22 (s. 171) No. 2 No. 2

Aladdins Drm Aladdins Drm Aladdins Drm

og Morgentaagernes og Morgentaagernes og Morgentaagernes

Dans Dans Dans

No. 16 (s. 110) No. 3 No. 3

Hindu-dans Hindudans Hindudans

No. 14 (s. 75) No. 4 No. 4

Kineserdans Kineserdans

No. 7 (s. 33) No. 5

En skjn Plads i Torvet i Ispahan

Ispahan

No. 15 (s. 90) No. 6

Dans af Fanger Fangernes Dans

No. 17 (s. 115) No. 7 No. 5

Negerdans Negerdans Negerdans

I eftertiden har CCCCC vundet hvd som den hyppigst opfrte

koncertversion af Aladdin musikken. Selvom denne kilde

formentlig er kopieret i Carl Nielsens egen levetid,6 tyder

hverken egenhndige tilfjelser eller andet p, at han selv har

anvendt den i forbindelse med sine opfrelser af Aladdin suiten.

5 Arranged for small orchestra, Nos. 1, 3, 4 og 5 appeared

in 1926. No. 2 appeared in 1937.

6 On the title page there are two publishers stamps:

Borups Musikforlag, Palgade 2, crossed out in pencil,

and Skandinavisk og Borups Musikforlag [...] Bredgade

31; the former is the publishers address in the 1920s,

the latter its address when the seven pieces were

published in 1940. This, along with what we know from

other sources about plans for an edition of the suite

from Borups musikforlag in 1926 (see Description of

Sources in CNU I/8), indicates that CCCCC was copied during

the composers lifetime.

5 Arrangeret for lille salonorkester. Nos. 1, 3, 4 og 5.

udkom i 1926. No. 2 udkom i 1937.

6 P titelbladet er anfrt to stempler: Borups Musikforlag,

Palgade 2, udstreget med blyant, og Skandinavisk og

Borups Musikforlag [] Bredgade 31; frstnvnte er

forlagets adresse i 1920erne, sidstnvnte adressen, da

de syv stykker udkom i 1940. Dette forhold, sammen-

holdt med, at det fra anden side vides, at der var planer

om en udgave af suiten p Borups musikforlag i 1926

(se kildebeskrivelsen i CNU I/8), peger p, at CCCCC er

kopieret i komponistens levetid.


Carl Nielsen Udgaven CN 00030 ix

that he used it in connection with his performances of the

Aladdin suite.

This edition follows CCCCC for the order of the pieces,

their titles and the rehearsal letters, while with the exception

mentioned below the music corresponds to CNU I/8, whose

main source is obviously AAAAA.

In both CCCCC and in the printed Source DDDDD from 1940 the perform-

ance instructions for the music for four orchestras in the

Ispahan movement differ from those in AAAAA, not least because the

music has been detached from the action of the play, and as an

introduction to the printed edition (DDDDD) a long note is given with

the authors name Carl Nielsen (reproduced in its entirety on

p. x). As far as these performance instructions are concerned,

the present edition also follows CCCCC.

In the critical commentary an account is given of a number of

pencil corrections and other relevant variants in CCCCC. For revi-

sions in the music in general, reference may be made to the

editorial commentary in CNU I/8.

In No. 5, The Market Place in Ispahan, in CCCCC in Orkester III, a part

is notated for Coro ad lib. The use of a choir in this piece is due

to the action of the play, and it is recommended that the choral

part should be omitted in concert performances.

The choral part of No. 7, Negro Dance, can also be

omitted, although in CCCCC it is not explicitly marked ad lib.

Niels Krabbe

Nrvrende udgave flger CCCCC med hensyn til sats-

flge, satsbetegnelser og orienterings-bogstaver, mens den

med nedenstende undtagelse for nodetekstens vedkom-

mende svarer til CNU I/8, hvis hovedkilde selvsagt er AAAAA.

I bde CCCCC og i den trykte kilde DDDDD fra 1940 afviger anvisningerne

p udfrelsen af musikken for fire orkestre i Ispahan-satsen

fra de tilsvarende anvisninger i AAAAA, ikke mindst dikteret af det

forhold, at musikken er lsrevet fra skuespillets handling, og

som indledning til den trykte udgave (DDDDD) er gengivet en lang

note med forfatterangivelsen Carl Nielsen (gengivet i sin

helhed s. x). Hvad disse udfrelsesmssige anvisninger angr,

flger nrvrende udgave ligeledes CCCCC.

I revisionsberetningen gres der rede for en rkke blyants-

rettelser og andre relevante varianter i CCCCC. For revisioner i

nodeteksten i vrigt henvises til revisionsberetningen i CNU I/8.

I Nr. 5, Torvet i Ispahan, er i CCCCC i Orkester III noteret en stemme

for Coro ad lib. Brugen af kor i denne sats beror p scenegangen

i skuespillet, og det anbefales at udelade korstemmen ved

koncertopfrelser.

Ogs korstemmen i No. 7, Negerdans, kan udelades,

selvom den i CCCCC ikke udtrykkeligt er anfrt som ad lib.

Niels Krabbe


xCarl Nielsen Udgaven CN 00030

Composers Note on the Performance of

T H E M A R K E T - P L A C E I N I S P A H A N

Orchestra I begins the piece in the tempo = c. 80 and plays onundaunted despite the fact that Orchestra II (at O in the score)

enters in a new key and time (the conductor, who has shortly

before this stopped conducting, marks the new time in the

tempo = 104). After Orchestra II has played through both itsreprises, the conductor (who has shortly before this stopped

marking the beat) gives the sign for Orchestra III to come in,

and for a while marks the new time. When Orchestra III has

likewise played through its strophe (all three orchestras thus

keep playing) Orchestra IV comes in, and the four different

groups now play separately without worrying about one

another. In the meantime the conductor gives the sign to now

one, now another orchestra to play louder or softer, as if the

wind on the market square swells one or the other of the

orchestral groups. The conductor, who has finally stressed

Orchestra IV strongly, now quietens it down and gives it the

sign to stop gradually, and he repeats the same procedure with

Orchestras III and II, which thus little by little (as far as possible

not all the instruments at the same time) cease playing. In this

connection the conductor must ensure that Orchestra II ends

at the beginning of the oboe and cor anglais strophe in Orches-

tra I, such that the reprise of this strophe is played by Orchestra

I alone with a long diminuendo, which is continued by the

clarinets. In the repetition of the clarinets strophe the accom-

panying instruments disappear one after the other (ending

with the first clarinet). Only the second clarinet remains

hardly audible and ends the piece on some note in the

middle of the penultimate bar of the second volta with an

effect as if the wind carries the notes away and this makes it

impossible to hear the piece right to the end.

After Orchestra IVs entry the conductor need no

longer beat time and can mark the dynamics of the various

groups by stretching out his left-hand fingers (four fingers =

Orchestra IV, three fingers = Orchestra III etc.) and by raising or

lowering his hand.

The different orchestral groups can be marked by

bending down the left-hand fingers with the right hand.

Komponistens Anmrkning til Foredraget af

T O R V E T I I S P A H A N

Orkester I begynder Stykket i Tempo: = ca. 80 og spiller uanfg-tet videre til Trods for, at Orkester II (ved: O i Partituret) stter

ind i ny Tone- og Takt-Art, (Dirigenten, der lidt forinden er

ophrt at dirigere, markerer den nye Taktart i Tempo: = 104).Efter at Orkester II har gennemspillet begge sine Repriser, giver

Dirigenten, (der noget fr er ophrt med at taktere), Tegnet til

at Orkester III skal falde ind, og markerer i nogen Tid den nye

Taktart. Naar Orkester III ligeledes har gennemspillet sin Strofe

(alle 3 Orkestre spiller altsaa fortsat videre) falder Orkester IV

ind, og de 4 forskellige Grupper spiller nu hver for sig videre

uden at bekymre sig om hinanden. Herunder giver Dirigenten

snart det ene Orkester, snart det andet Tegn til at spille str-

kere eller svagere, ligesom om Vinden paa Torvet fremhvede

den ene eller den anden af Orkestergrupperne. Dirigenten, der

til sidst har trukket Orkester IV strkt frem, dmper det nu

ned og giver det Tegn til efterhaanden at standse, og det

samme gentager han med Orkester III og II, som altsaa lidt

efter lidt (saa vidt mulig ikke alle Instrumenter samtidigt)

ophrer at spille. Herved maa Dirigenten agte paa, at Orkester

II slutter ved Begyndelsen af Oboens og Engelsk Hornets Strofe i

Orkester I, saaledes at Reprisen af denne Strofe spilles alene af

Orkester I med et langt Diminuendo, som viderefres af

Klarinetterne. Ved Gentagelsen af Klarinetternes Strofe forsvin-

der Ledsage-Instrumenterne det ene efter det andet (tilsidst

1ste Klarinet). Kun 2den Klarinet bliver nppe hrlig tilbage

og slutter Stykket paa en eller anden Tone midt i nstsidste

Takt af 2. Volta, saaledes at det virker ligesom om Vinden

frer Tonerne vk og derved umuliggr det at hre Stykket til

Ende.

Dirigenten behver efter Orkester IVs Indsats ikke

lnger at slaa Takt og kan markere de enkelte Gruppers

Dynamik ved at strkke venstre Haands Fingre ud (4 Fingre =

Orkester IV, 3 Fingre = Orkester III o.s.v.) og ved at hve eller

snke denne Haand.

De enkelte Orkestergruppers Forsvinden kan marke-

res derved, at venstre Haands udstrakte Fingre bliver bjet ned

med hjre Haand.


xiiCarl Nielsen Udgaven CN 00030

B E S T N I N G

O R C H E S T R A

3 flauti / flauto piccolo

2 oboi

corno inglese

2 clarinetti

2 fagotti

4 corni

2 trombe

3 tromboni

tuba

timpani

tamburino

tamburo piccolo

triangolo

gran casa

piatti

castagnette

xilofono

celesta

archi


Contrabbasso

Violoncello

Viola

Violino 2

Violino 1

Gran cassa

Tamburo piccolo

Triangolo

Piatti

Timpani

Tuba

Trombonebasso

Trombonetenore

12

Tromba (F)12

Corno (F)

34

12

Fagotto12

Clarinetto (A)12

Oboe12

Flauto 2

(Flauto piccolo)Flauto 1

No. 1

(A, E)

ORIENTAL FESTIVE MARCHORIENTALSK FESTMARSCH

senza sord.

A L A D D I N S U I T E S U I T E A F A L A D D I N

Copyright 2002 by Carl Nielsen Udgaven, The Royal Library, Copenhagen

02 Aladdin Suite 001-032 15/11/02, 13:221

2Carl Nielsen Udgaven CN 00030

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02 Aladdin Suite 001-032 15/11/02, 13:222


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02 Aladdin Suite 001-032 15/11/02, 13:223


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02 Aladdin Suite 001-032 15/11/02, 13:235


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02 Aladdin Suite 001-032 15/11/02, 13:236


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02 Aladdin Suite 001-032 15/11/02, 13:237


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02 Aladdin Suite 001-032 15/11/02, 13:238


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02 Aladdin Suite 001-032 15/11/02, 13:239


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02 Aladdin Suite 001-032 15/11/02, 13:2310


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02 Aladdin Suite 001-032 15/11/02, 13:2311


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02 Aladdin Suite 001-032 15/11/02, 13:2312


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cresc.

12

cresc.

Fg.12

cresc.

Cl. (A)12

a2

7 cresc.

4

Ob.12

cresc.

Fl. 27

Picc.

54

7

muta in fl.gr.

cresc.

02 Aladdin Suite 001-032 15/11/02, 13:2313


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Tamb.picc.

Trgl.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (A)12

Ob.12

2

Fl.

1

58

02 Aladdin Suite 001-032 15/11/02, 13:2314


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Tamb.picc.

Trgl.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

a2

12

a2

Fg.12

a2

Cl. (A)12

Ob.12

2

Fl.

1

63 muta in picc.

02 Aladdin Suite 001-032 15/11/02, 13:2315


Cb.

cresc.

Vc.

cresc.

Va.

cresc.

Vl. 2

cresc.

Vl. 1

cresc.

Gr.c.cresc.

Tamb.picc.cresc.

Trgl.cresc.

Ptti.cresc.

Timp.

cresc.

Tb.

cresc.

Trb.b.

cresc.

Trb.t.12

cresc.

Tr. (F)12

cresc.

Cor. (F)

34

a2

cresc.

12

a2

cresc.

Fg.12

a2

cresc.

Cl. (A)12

cresc.

Ob.12

cresc.

a2

Fl. 2

cresc.

Picc.

68

02 Aladdin Suite 001-032 15/11/02, 13:2316


Cb.

Vc.

Va.

Vl. 2

Vl. 1

rall.

Gr.c.

Tamb.picc.

Trgl.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

a2

12

a2

Fg.12

a2

Cl. (A)12

Ob.12

a2

Fl. 2

Picc.

72 rall.

02 Aladdin Suite 001-032 15/11/02, 13:2317


Contrabbasso

Violoncello

con sord.

3

Viola

con sord.

Violino 2

con sord.

3

Violino 1

con sord.Poco adagio

3 3

Celesta

Triangolo

Tamburino

Corno (F) 12

Fagotto 12

Clarinetto (A) 12

Oboe 12

Flauto 2

Flauto piccolo

( = 79)Poco adagio

No. 2

ALADDINS DREAM AND DANCE OF THE MORNING MISTSALADDINS DRM OG MORGENTAAGERNES DANS

( = 79)

02 Aladdin Suite 001-032 15/11/02, 13:2318


Cb.

Vc.

3 3

Va.

3

3

3 3 3

Vl. 2

33

Vl. 1

pizz.Tempo di Valse

3

arco

3 3

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fl. 23 3

Picc.

14

3

Tempo di Valse

3

Vc.

dim. dim. dim.

Va.

dim. dim. dim.

Vl. 2

dim. dim. dim.

Vl. 1

7

dim. dim.

rall. a tempo rall.

dim.

pizz.

pizz.

02 Aladdin Suite 001-032 15/11/02, 13:2319


Cb.

Vc.

Va.3 3 3

Vl. 2

Vl. 13 3 3

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fg.12

a2

Cl. (A)12

Ob.12

Fl. 2

Picc.

20

02 Aladdin Suite 001-032 15/11/02, 13:2320


Cb.

Vc.

Va.3 3 3 3 3 3 3 3 3 3

Vl. 2

Vl. 13 3 3 3 3 3 3 3 3 3

Cel.3

Trgl.

3

Tbno.

Cor. (F) 12

Fg.12

Cl. (A)12

Ob.12

Fl. 23 3 3 3 3 3

Picc.

26

3 3 3 3 3 3

02 Aladdin Suite 001-032 15/11/02, 13:2321


Cb.

Vc.

Va.3 3 3 3 3

Vl. 2

Vl. 1

1

3 3

2

3 3 3

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fg.12

a2

Cl. (A)12

Ob.12

Fl. 23 3 3 3 3

Picc.

33 1

3 3

2

3 3 3

5

02 Aladdin Suite 001-032 15/11/02, 13:2322


Cb.

Vc.

Va.

Vl. 2

Vl. 1

1 2

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fg.12

Cl. (A)12

Ob.12

Fl. 2

Picc.

39 1 2

a2

02 Aladdin Suite 001-032 15/11/02, 13:2323


Cb.

dim.

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

dim.

Cel.

Trgl.dim.

Tbno.

Cor. (F) 12dim.

Fg.12

dim.

Cl. (A)12

dim.

Ob.12

dim.

Fl. 2

dim.

Picc.

42

dim.

calando

calando

02 Aladdin Suite 001-032 15/11/02, 13:2324


Cb.

Vc.

Va.3 3 3 3 3 3

Vl. 2

Vl. 1

poco rall.

3

a tempo

3 3 3 3 3

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fg.12

a2

Cl. (A)12

Ob.12

Fl. 2

Picc.

49 poco rall. a tempo

02 Aladdin Suite 001-032 15/11/02, 13:2325


Cb.

Vc.

Va.

Vl. 2

Vl. 1

1 2

Cel.

Trgl.

Tbno.

Cor. (F) 12

Fg.12

Cl. (A)12

Ob.12

Fl. 2

Picc.

56 1 2

a2

6

02 Aladdin Suite 001-032 15/11/02, 13:2326


Vc.

dim.

Va.

8

dim.

Vl. 2

dim.

Vl. 1

dim.

Cel.3

Ob.12

dim.

Fl. 2 3

Picc.

65

3

Vc.

arco

Vl. 2

Vl. 1

8

Cel.

Cl. (A)12

Fl. 2

Picc.

60

8

1.

02 Aladdin Suite 001-032 15/11/02, 13:2327


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Fg.21

Fl. 1

6

Contrabbasso

pizz.

Violoncello

Viola

con sord.

Violino 2

senza sord.

Violino 1

Andantino con motocon sord.

Corno (F)12

Fagotto12

Clarinetto (A) 1

Oboe21

Flauto 1

Andantino con moto

No. 3HINDU DANCEHINDU DANS

02 Aladdin Suite 001-032 15/11/02, 13:2328


Cor. (F)12

1.

Fg.12

Cl. (A) 1

Ob.12

Fl. 1

23

Cor. (F)12

1.

Fg.12

Ob.12

Fl. 1

18

Cb.

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

poco rall. a tempo

Fg.21

dim.

dim.

7

Ob.12

espressivo

Fl. 1

12poco rall.

dim.

a tempo

senza sord.

02 Aladdin Suite 001-032 15/11/02, 13:2329


Cor. (F)12

Fg.12

Cl. (A)

Ob.12

Fl.

39

poco rall.

Fg.12

Cl. (A) 1

Ob.12

Fl.

1

33

Cor. (F)12

Fg.12

Cl. (A) 1

Fl. 1

28

8

1

1

1.

02 Aladdin Suite 001-032 15/11/02, 13:2330


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Fg.12

Cl. (A) 1

Ob.12

1.

Fl. 1

51

Cb.

Vc.

Va.

Vl. 2

Vl. 1

a tempo

Ob.12

45a tempo1.

9

02 Aladdin Suite 001-032 15/11/02, 13:2331


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Cor. (F)12

Fg.12

Cl. (A) 1

Ob.12

Fl. 1

56

1.

02 Aladdin Suite 001-032 15/11/02, 13:2332


Contrabbasso

pizz.

Violoncello

pizz.

Viola

div.

Violino 2

Violino 1

Allegretto un poco

Triangolo

Corno (F)12

Fagotto12

Clarinetto (A)12

Oboe12

3 3 3 3

Flauto2

Flauto piccolo

Allegretto un poco

3 3

No. 4

3 3

arco

arco

1.

3

CHINESE DANCEKINESERDANS

03 Aladdin Suite 033-064 15/11/02, 13:2433


Cb.

Vc.

Va.

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

3 3 33

Fl.2

3 3 33

Cb.

Vc.

Va.

Vl. 2

Vl. 1

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

3 3 3 3 3

Ob.12

Fl.3 3 3 3 3 3

12

6

1.

pizz.

pizz.

1.

2

2.

2.

3

03 Aladdin Suite 033-064 15/11/02, 13:2434


Cb.

pizz.

Vc.

pizz.

Va.

a tempounis.

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

1.

3 3 3 3

Fl.

3

2

Picc.

24 a tempo

3 3 3 3

Cb.

dim.

arco

Vc.

dim.

arco

Va.

dim.

rall.

Cor. (F)12

dim.

10

Fg.12

dim.

Cl. (A)12

3

1.

dim.3 3 3 3 3

Fl.2

18

3dim.

3 3 3 3 3

rall.

1.

3

2.

03 Aladdin Suite 033-064 15/11/02, 13:2435


Cb.

Vc.

dim.

Vl. 2

Vl. 1

Fg.12

dim.

Ob.12

37 a2

dim.

Cb.

arco

Vc.

arco

Va.

Vl. 2

3 3 3 3

Vl. 1

33

33

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

a2

Fl.32

31

10a

03 Aladdin Suite 033-064 15/11/02, 13:2436


Cb.

Vc.

Va

Vl. 2

3 3

Vl. 1

33

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

a2

Fl.32

51

Cb.

Vc.

Va.

Vl. 2

33

Vl. 1

33

Trgl.

11

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

a2

Fl.32

45

03 Aladdin Suite 033-064 15/11/02, 13:2437


Vc.

Va.

Vl. 2

Vl. 1

Cor. (F)12

65

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

dim.

Cor. (F)12

dim.

Fg.12

58

03 Aladdin Suite 033-064 15/11/02, 13:2438


Cb.

Vc.

Va.

Vl. 2

div.

Vl. 1

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

a2

Fl.32

7912

Vc.

Va.

Vl. 2

Vl. 1

Cor. (F)12

Fg.12

Cl. (A)12

Fl.32

72

03 Aladdin Suite 033-064 15/11/02, 13:2439


Cb.

Vc.

Va.

Vl. 2

3 3

3 3 3

3

Vl. 1 3 3 3 3 3 3

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12 3 3 3

33 3

Ob.12

a2

3 33

3 3

3

Fl.32

85a2

3 3 3 3 3 3

03 Aladdin Suite 033-064 15/11/02, 13:2440


Cb.

Vc.

Va.

Vl. 2

3 3 33

Vl. 13 3 3

3

Cor. (F)

Trgl.

12

Fg.12

Cl. (A)12 3 3 3

3

Ob.21

3 3 33

Fl.23

91 a2

3 3 33

03 Aladdin Suite 033-064 15/11/02, 13:2441


Cb.

pizz.

Vc.

pizz.

Va.

div.

Vl. 2

Vl. 1

rall.

3

3a tempo

Trgl.

Cor. (F)12

Fg.12

Ob.12

1.

3 3 3 3

Picc.

103 rall. a tempo

3 3 3 3

Cb.

dim.

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

dim.

Cor. (F)12

dim.

Fg.12

dim.

Cl. (A)12

dim.

Ob.12

Fl.32

97a2

03 Aladdin Suite 033-064 15/11/02, 13:2442


Cb.

cresc.

arco

Vc.

cresc.

arco

Va.

unis.

cresc.

Vl. 2

cresc.

Vl. 1

cresc.

Trgl.

Cor. (F)12

cresc.

a2

Fg.12

cresc.

Cl. (A)12

cresc.

Ob.12

1. a2

Fl.23

cresc.

2.

Picc.

109

03 Aladdin Suite 033-064 15/11/02, 13:2443


Cb.

pizz.

Vc.

pizz.

Va.

unis. div.

Vl. 2

Vl. 1

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

3 3 3 3

Fl.2

Picc.

115

3 3 3 3

3

2.

13

03 Aladdin Suite 033-064 15/11/02, 13:2444


Cb.

arco

Vc.

arco

Va.

unis.

Vl. 2

Vl. 1

Trgl.

Cor. (F)12

Fg.12

a2 a2

Cl. (A)12

Ob.12

a2

Fl.32

Picc.

121

03 Aladdin Suite 033-064 15/11/02, 13:2445


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Trgl.

Cor. (F)12

Fg.12

a2

Cl. (A)12

a2

Ob.12

a2

Fl.32

127 a2

03 Aladdin Suite 033-064 15/11/02, 13:2446


Cb.

dim.

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

dim.

Trgl.

Cor. (F)12

Fg.12

Cl. (A)12

Ob.12

dim.

Fl.32

138

Cb.

dim.

Vc.

dim.

Va.

dim.

Vl. 2

dim.

Vl. 1

dim.

Cor. (F)12

dim.

a2

Fg.12

1.

dim.

Cl. (A)12

1.

dim.

Ob.12

1.

dim.

Fl.32

133

03 Aladdin Suite 033-064 15/11/02, 13:2447


* See composers notes for performance on p. x (editors note)

Tam-tam

2

Orkester IV Orchestra 4

Flauto piccolo

1

(untuned)

4 Timpani

Tromba (F) 1

Corno (F)34

CORO ad lib.

Contrabbasso (2)

Violoncello (2)

Viola (2)

Violino 2 (3)

Orkester II Orchestra 2

Violino 1 (4)

Triangolo

NB Primo ed ultima volta assai piano

Corno (F)34

Fagotto12

Clarinetto (B )21

33

Corno inglese

NB

3 3 3 3

3

Orkester I Orchestra 1

Oboe 1

Andantino ( = 80)THE MARKET PLACE IN ISPAHANTORVET I ISPAHAN

3 3 3

No. 5

3

*

3

Orkester III Orchestra 3

(uden Stemning)

03 Aladdin Suite 033-064 15/11/02, 13:2448


Cb.

Vc.

Va.

Vl. 2

Ork. II Orch. 2

Vl. 1

7

2 Cb.

2 Vc.

Va.

Vl. 2

Ork. II Orch. 2

Vl. 1

Allegretto ( = 104)

Trgl.

al

Dal Segno

Cor. (F)34

Fg.12

Cor.ingl.

3

3

3 3 3 3

3

Ork. I Orch. 1

Ob. 1

11

3 33 3 3 3 3

Trgl.

Cor. (F)34

Fg.12

Cl. (B )21

3

3

3 3

Cor.ingl.

3 3 3

Ork. I Orch. 1

Ob. 1

7 1 2

3 3 3

Dal Segno al ca. 4-5 MinutterDal Segno al for ca. 4 to 5 minutes

* Her falder Ork: II ind og Dirigenten, der allerede noget fr har hrt op at dirigere

*

ca. 5-6 Minuti

a4

a3

a2

giver = 104 til Ork: II. Naar II har spillet sine to repriser igennem, faar Ork. IIITakten og saa fremdeles, indtil alle fire Ork: spiller frit imellem hinanden; menDirigenten maa give Tegn til snart det ene snart det andet angaaende Nyancering.

* Here Orch. II comes in and the conductor, who has already a little before this stoppedconducting, gives = 104 to Orch. II. When II has played its two reprises through,

Orch. III gets the tempo and so on, until all four Orch. are playing freely among oneanother; but the conductor must make signs now to one, now to the other about shading.

03 Aladdin Suite 033-064 15/11/02, 13:2449


Adagio ( = ca. 66)Ork. III Orch. 3

CORO ad lib.

Ah Ah3

3

3a2con sord.

1Cor. (F)

2 33

3

con sord.

Tr. (F) 1

33

3

Timp.

3 3 3

Ork. III Orch. 3

CORO ad lib.

Ah! Ah! Ah! Ah! Ah! Ah! Ah! Ah!

43

3 3

a2

1Cor. (F)

23 3 3

Tr. (F) 13 3 3

Timp.

3 3 3

*Allegretto moderato ( = 96)Ork. IV Orch. 4

1

Picc.

2

Tam.

Ork. IV Orch. 4

1

Picc.

7

2

Tam.

* Fjerdedelene i denne Melodi er lidt langsommere end i Orkester II (Allegretto) Da Capo dal Segno ad lib.* The crochet beat in this melody is a little slower than in Orchestra 2 (Allegretto)

Da Capo dal Segno ad lib. 3-4 minuti.

03 Aladdin Suite 033-064 15/11/02, 13:2450


Contrabbasso

Violoncello

Viola

Violino 2

Violino 1

Moderato non troppo

Piatti

Timpani

Tuba

Trombone

Trombone 12

Tromba (F)12

Corno (F)

34

12

Fagotto12

Clarinetto (A)12

Oboe12

Flauto 2

Moderato non troppo

No. 6

a2

a2

Flauto 1(Flauto piccolo)

(B , C, D)

tenore

basso

PRISONERS DANCEFANGERNES DANS

03 Aladdin Suite 033-064 15/11/02, 13:2451


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (A)12

Ob.12

Fl.12

6

a2

a2

a2

03 Aladdin Suite 033-064 15/11/02, 13:2452


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

a2

Tr. (F)12

con sord.

Cor. (F)

34

con sord.

12

con sord.

Fg.12

Cl. (A)

14

Ob.12

Fl.

11

1

2

1

2

a2

03 Aladdin Suite 033-064 15/11/02, 13:2453


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

a2

12

Fg.12

Cl. (A)

Ob.12

Fl.

14

1

2

1

2

03 Aladdin Suite 033-064 15/11/02, 13:2454


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

a2

12

Fg.12

a2

Cl. (A)

Ob.12

a2

Fl.

17

1

2

1

2

03 Aladdin Suite 033-064 15/11/02, 13:2455


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

a2

Tr. (F)12

Cor. (F)

34

a2

12

a2

Fg.12

a2

Cl. (A)12

a2

Ob.12

a2

Fl.12

20 a2

15

03 Aladdin Suite 033-064 15/11/02, 13:2456


Cb.

dim.

Vc.

dim. dim.

Va.

dim.

Vl. 2

dim. dim.

Vl. 1

dim. dim.

Ptti.dim.

Timp.

dim. dim. dim.

Tb.

dim. dim. dim.

Trb.b.

dim. dim. dim.

Trb.t.12

a2

dim. dim. dim.

Tr. (F)12

dim.

Cor. (F)

34

a2

dim.

12

a2

dim.

Fg.12

dim.

Cl. (A)12

a2

dim.

Ob.12

a2

dim. dim.

2

dim. dim.

Fl.

1

26 muta in picc.

dim.

03 Aladdin Suite 033-064 15/11/02, 13:2457


Cb.

Vc.

Va.

33 3

33 3

Vl. 2

6 6

Vl. 1

6 6

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

3a2

3

Cor. (F)

34

3

a2

3 33

3 3

12

3

a2

3 33

3 3

Fg.12

Cl. (A)12

6

1.

6 6 6

Ob.12

2

6 6 6 6

Fl.

32

6 6 6 6

Picc.

a2

16

03 Aladdin Suite 033-064 15/11/02, 13:2458


Cb.

Vc.

Va.

Vl. 2

6 6 6 6 6 6 6 6

Vl. 1

6 6 6 6 6 6 6 6

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

a23 3

Cor. (F)

34

3

a2

3 3

3 3

12

3

a2

3 3

3 3

Fg.12 3

a2

3 33 3

3 3 33 3

Cl. (A)6 6 6 6 6

6 66

Ob.12

Fl.

6 6 6 6 6 6 6 6

Picc.

36

6 6 6 6 6 6 6 6

2

2

1

03 Aladdin Suite 033-064 15/11/02, 13:2459


Cb.

Vc.

Va.

3 3 3 3 3 3

Vl. 2

6 6

Vl. 1

6 6

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

3a2 3

Cor. (F)

34

3

a2

3

molto3

33 3

molto

12

3

a2

3

molto3

33 3

molto

Fg.12

Cl. (A)12

6

1.

6 6 6

Ob.12

Fl. 2

6 6 6 6

Picc.

40

6 6 6 6

03 Aladdin Suite 033-064 15/11/02, 13:2460


Cb.

cresc.3

3

3

33 3 3

Vc.3

cresc.

3 3 33

33

3 3

Va.

33 3 3

cresc.

3 3 3 33 3 3 3

Vl. 2

3

3cresc.

3 3 3 3

3 3

3 3

Vl. 1

33

cresc.3 3 3 3

3 3

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

3a2 3 3 3 3

poco a poco cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

Cor. (F)

34

a23

cresc.

3 3 3 3 33 3

a2 3 3

12

a2 3

cresc.

3 3 3 3 3 3a2 3 3

Fg.12 3

a2

3

17

3 3

poco a poco cresc.3 3

3 3

3

a2

3 3

Cl. (A)21

333 33 3

poco a poco cresc.3 33 33 33

33 33 33

a2

Ob.12

3 3 3

3

3

3

3

3

3poco a poco cresc.

3

3

3

3

3

3

3

3

3

3

3

3

3

Fl. 2 3 3

poco a poco cresc.

3 3 3 3 3 3

Picc.

44 muta in fl.gr.

3 3

poco a poco cresc.

3 3 3 3 3 3

3

3

3

03 Aladdin Suite 033-064 15/11/02, 13:2461


Cb.3

3 33

3 3

cresc.

3 3 3

Vc.3

3 33

3 3

cresc.

3 3 3

Va.

3trem.

cresc.

Vl. 23 3 cresc.

trem.

Vl. 13

cresc.

Ptti.

Timp.

3 3 3 3 3 3

Tb.

Trb.b.

Trb.t.12

3 3cresc.

Tr. (F)12

3 3 cresc.

Cor. (F)

34

a2 3 3 3 3 3 3

cresc.3 3 3

12

a2 3 3 3 3 3 3

cresc. 3 3 3

Fg.12

a2

33 3

33 3

cresc.

3 3 3

Cl. (A)12

a2

3

cresc.

Ob.12

3

3 3

cresc.

2 3

cresc.

Fl.

1

49

3cresc.

03 Aladdin Suite 033-064 15/11/02, 13:2562


Cb. 3 3 33 3 3 3

marcato

3 33

3 3

Vc. 3 3 33 3 3

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

3 3 3 3 3 3

Tb.3 3 3

Trb.b.

3 3 3

Trb.t.12

Tr. (F)12

Cor. (F)

34

3 3 3 3 3 3

12

3 3 3 3 3 3

Fg.12

18

3 3 33 3 3

Cl. (A)

Ob.12

Fl.

54 muta in picc.

1

2

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

12

a2

a2

a2

03 Aladdin Suite 033-064 15/11/02, 13:2563


Cor. (F)

Cl. (A)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Picc.

12

12

34

12

12

12

59

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

12

a2

Fl. 2

a2

a2

a2

a2

03 Aladdin Suite 033-064 15/11/02, 13:2564


Cb.

dim.

Vc.

div.

dim.

Va.

Vl. 2

dim.

Vl. 1

dim.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

dim.

12

dim.

Fg.12

a2

dim.

Cl. (A)12

dim.

Ob.12

a2

Fl. 2

dim.

Picc.

64 muta in fl.gr.

dim.

dim.

trem.

19

04 Aladdin Suite 065-100 15/11/02, 13:2565


Cb.

molto

Vc.

molto

Va.

trem.

molto

Vl. 2

molto

Vl. 1

Ptti.

Timp.

molto

B muta in A

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

dim.

Cor. (F)

34

12

Fg.12

molto

Cl. (A)21

Ob.12

dim.

Fl.12

70 a2

a2

04 Aladdin Suite 065-100 15/11/02, 13:2566


Cb.

3 3 3 3 3 3

Vc.

3 3 3 3 3 3

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

3 3 3 3 3 3

Tb.

3 3 3 3 3 3

Trb.b.

3 3 3 3 3 3 3 3

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (A)

Ob.12

Fl.12

77

20

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

dim.

a2

molto

molto

trem.

trem.

trem.

21

espressivo

04 Aladdin Suite 065-100 15/11/02, 13:2567


Cb.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Vc.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Va.

Vl. 2

Vl. 1

Ptti.

Timp.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Tb.

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Trb.b.

3 3 3 3 3 3

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (A)12

Ob.12

Fl.12

82

trem.

trem.

trem. trem.

trem.

trem. trem. trem.

trem. trem.

trem. trem.

a2

04 Aladdin Suite 065-100 15/11/02, 13:2568


Cb.

3 3 3

3 3 3 dim.

Vc.

3 3 3

3 3 3 dim.

Va.

dim.

Vl. 2

dim.

trem.

Vl. 1

dim.

trem.

Ptti.

Timp.

3 3 3

3 3 3 poco a poco dim.

Tb.

3 3 3

dim.

Trb.b.

dim.

Trb.t.12

dim.

Tr. (F)12

dim.

Cor. (F)

34

12

Fg.12

a2

poco a poco dim.

Cl. (A)12

a2

poco a poco dim.

Ob.12

poco a poco dim.

Fl.12

87a2

poco a poco dim.

poco a poco dim.

poco a poco dim.

04 Aladdin Suite 065-100 15/11/02, 13:2569


Cb.

3 3 3dim. dim.

Vc.

3 3 3dim. dim.

Va.

dim. dim.

Vl. 2

dim. dim.

Vl. 1

dim. dim.

Ptti.

Timp.

3 3 3dim.

dim.

Tb.

dim.

Trb.b.

dim.

Trb.t.12

dim.

Tr. (F)12

dim.

Cor. (F)

34

dim. dim.

12

dim. dim.

Fg.12

a2

dim. dim.

Cl. (A)

a2

dim. dim.

12

dim.dim.

Ob.

12

92 a2

dim. dim.

Fl.

21

04 Aladdin Suite 065-100 15/11/02, 13:2570


Contrabbasso

Violoncello

Viola

Violino 2

Violino 1

Allegro

CORO SATB

Xilofono

Gran cassa

Tamburo piccolo

Tamburino

Castagnette

Piatti

(G, C, F)Timpani

Tuba

Trombonebasso

Trombonetenore

12

Tromba (F)12

Corno (F)

34

12

Fagotto12

Clarinetto (B )12

a2

Corno inglese

Oboe 1

Flauto 2

Flauto piccolo

AllegroNEGRO DANCENEGERDANS No. 7

04 Aladdin Suite 065-100 15/11/02, 13:2571


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

a2

Cor. (F)

34

21

12

Fg.12

Cl. (B )12

Cor.ingl.

Ob. 1

Fl. 2

Picc.

9

a2

04 Aladdin Suite 065-100 15/11/02, 13:2572


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

22

Cor.ingl.

Ob. 1

Fl. 2

Picc.

17

a2

04 Aladdin Suite 065-100 15/11/02, 13:2573


Cb.

col legno

Vc.

col legno

Va.

col legnosimile

Vl. 2

col legno simile

Vl. 1

col legno simile

Xil.

Tamb.picc.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

Cor.ingl.

simile

Ob. 1

simile

Fl. 2

simile

25

Picc.

04 Aladdin Suite 065-100 15/11/02, 13:2574


Cb.

Vc.

Va.

simile

Vl. 2

simile

Vl. 1

simile

CORO

Ah

Xil.

Tamb.picc.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

con sord.

Cor. (F)

34

12

con sord.

Fg.12

Cl. (B )12

Cor.ingl.

simile

Ob. 1

simile

Fl. 2

simile

33

Picc.

a2

a2

04 Aladdin Suite 065-100 15/11/02, 13:2575


Cb.

Vc.

pizz.

Va.

pizz.

Vl. 2

pizz.

Vl. 1

pizz.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

senza sord.

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

23

Fl. 2

Picc.

41

04 Aladdin Suite 065-100 15/11/02, 13:2576


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Picc.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

49

Ah

con sord.a2

con sord.a2

a2

04 Aladdin Suite 065-100 15/11/02, 13:2577


Cb.

nat.

Vc.

arco

Va.

arco

Vl. 2

arco

Vl. 1

arco

Gr.c.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

senza sord.

Cor. (F)

34

12

senza sord.

Fg.12

Cl. (B )12

a2

3 3

Cor.ingl.

24

Ob. 1

Fl. 2 3 3

Picc.

57

3 3

04 Aladdin Suite 065-100 15/11/02, 13:2578


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12 3 3

Cor.ingl.

Ob. 1

Fl. 2 3 3

Picc.

63

3 3

04 Aladdin Suite 065-100 15/11/02, 13:2579


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Tbno.

Trb.b.

Timp.

Trb.t.

Vl. 2

Cast.

Vl. 1

Picc.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

71

pizz.

pizz.

pizz.

a2

25

04 Aladdin Suite 065-100 15/11/02, 13:2580


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Tbno.

Trb.b.

Timp.

Trb.t.

Vl. 2

Cast.

Vl. 1

Picc.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

79

a2

1

1

2

2

arco

arco

arco

04 Aladdin Suite 065-100 15/11/02, 13:2581


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Cast.

Vl. 1

CORO

Picc.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

87

a2

Ah

con sord.a2

con sord.a2

04 Aladdin Suite 065-100 15/11/02, 13:2582


Cor.ingl.

Tamb.picc.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Cast.

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

96

Ah

a2

a2

a2

a2

cresc.

cresc.

cresc.

cresc.

cresc.

accel.Hui!

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

cresc.

accel.

Hui!

cresc.

Hui! Hui! Hui!

04 Aladdin Suite 065-100 15/11/02, 13:2583


Cor.ingl.

Tamb.picc.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

105

pi mosso

senza sord.a2

pi mosso

a2

senza sord.

26

04 Aladdin Suite 065-100 15/11/02, 13:2584


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

Cor.ingl.

Ob. 1

Fl. 2

Picc.

113

04 Aladdin Suite 065-100 15/11/02, 13:2585


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

121

a2

con sord.a2

con sord.a2

27

Ah

Tempo I

Tempo I

04 Aladdin Suite 065-100 15/11/02, 13:2586


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

129

a2

a2

Ah

a2senza sord.con sord.

senza sord.con sord.

04 Aladdin Suite 065-100 15/11/02, 13:2587


Cb.

Vc.

Va.

Vl. 2

Vl. 1

Gr.c.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

senza sord.

Cor. (F)

34

12

senza sord.

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

Fl. 2

Picc.

137

04 Aladdin Suite 065-100 15/11/02, 13:2588


Cb.

Vc.

pizz.

Va.

pizz.

Vl. 2

pizz.

Vl. 1

pizz.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

Fl. 2

Picc.

145

04 Aladdin Suite 065-100 15/11/02, 13:2589


Cb.

Vc.

Va.

Vl. 2

Vl. 1

CORO

Ah

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

con sord.a2

Cor. (F)

34

12

con sord.a2

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

Fl. 2

Picc.

153

04 Aladdin Suite 065-100 15/11/02, 13:2590


Tamb.picc.

Tbno.

Timp.

Vl. 2

Vl. 1

Cb.

Vc.

Va.

Xil.

pizz.

arco

arco

arco

pizz.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

senza sord.

Fg.12

Cl. (B )12

Cor.ingl.

Ob. 1

Fl. 2

Picc.

161

a2

a2

28

04 Aladdin Suite 065-100 15/11/02, 13:2691


Cb.

Vc.

Va.

pizz.

Vl. 2

pizz.

Vl. 1

pizz.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

Fl. 2

Picc.

169

04 Aladdin Suite 065-100 15/11/02, 13:2692


Cb.

Vc.

Va.

arco

Vl. 2

arco

Vl. 1

arco

Xil.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

12

Fg.12

Cl. (B )12

Cor.ingl.

Ob. 1

Fl. 2

177

Picc.

04 Aladdin Suite 065-100 15/11/02, 13:2693


Cb.

Vc.

cresc.

Va.

pizz.

cresc.

Vl. 2

pizz.

cresc.

Vl. 1

pizz.

cresc.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

Cor. (F)

34

cresc.

12

cresc.

Fg.12

cresc.

Cl. (B )12

a2

cresc.

Cor.ingl.

cresc.

29

Ob. 1

cresc.

Fl. 2

cresc.

Picc.

185

cresc.

04 Aladdin Suite 065-100 15/11/02, 13:2694


Cor.ingl.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

193

arco

arco

arco

arco

arco

a2

con sord.a2

con sord.a2

Ah

senza sord.

04 Aladdin Suite 065-100 15/11/02, 13:2695


Cb.

Vc.

Va.

Vl. 2

Vl. 1

CORO

Ah

Gr.c.

Ptti.

Timp.

Tb.

Trb.b.

Trb.t.12

Tr. (F)12

a2

Cor. (F)

34

12

a2

Fg.12

Cl. (B )12

a2

Cor.ingl.

Ob. 1

Fl. 2

Picc.

201

senza sord.

senza sord.

con sord.

con sord.

04 Aladdin Suite 065-100 15/11/02, 13:2696


Cor.ingl.

Tamb.picc.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

209

pi mosso

senza sord.

pi mosso

3

3

3

3senza sord.

30

04 Aladdin Suite 065-100 15/11/02, 13:2697


Tamb.picc.

Timp.

Vl. 2

Vl. 1

CORO

Gr.c.

Ptti.

Cb.

Vc.

Va.

Hi u hu! Hi u! Hi u hu!

Tb.

3

Trb.b.

3

Trb.t.12

3

Tr. (F)12

3

Cor. (F)

34

12

Fg.12

Cl. (B )12

Cor.ingl.

Ob. 1

Fl. 2

Picc.

218

04 Aladdin Suite 065-100 15/11/02, 13:2698


Cor.ingl.

Tamb.picc.

Cl. (B )

Cor. (F)

Tr. (F)

Trb.b.

Timp.

Trb.t.

Vl. 2

Vl. 1

CORO

Gr.c.

Picc.

Ptti.

Cb.

Vc.

Va.

Ob.

Tb.

Fg.

Fl.

12

12

34

12

12

12

1

2

227

Hi u! Ah!

33

3

3

a2

a2

04 Aladdin Suite 065-100 15/11/02, 13:2699


F O R K O R T E L S E R

A B B R E V I A T I O N S

b. bar

bb. bars

cast. castagnette

cb. contrabbasso

cel. celesta

cl. clarinetto

CN Carl Nielsen

CNU Carl Nielsen Udgaven (The Carl Nielsen Edition)

cor. corno

cor.ingl. corno inglese

div. divisi

DK-Kk Det Kongelige Bibliotek, Kbenhavn

(The Royal Library, Copenhagen)

fg. fagotto

fl. flauto

fl.gr. flauto grande

gr.c. gran casa

marc. marcato

ob. oboe

picc. flauto piccolo

ptti. piatti

stacc. staccato

str. strings

tam. tam-tam

tamb.picc. tamburo piccolo

tb. tuba

tbno. tamburino

ten. tenuto

timp. timpani

trb.b. trombone basso

trb.t. trombone tenore

trgl. triangolo

va. viola

vc. violoncello

vl. violino

xil. xilofone

04 Aladdin Suite 065-100 15/11/02, 13:26100

Carl Nielsen Udgaven CN 00030 101

C R I T I C A L

C O M M E N T A R Y

The letter AAAAA refers to the fair copy of the complete score of

Aladdin

The letter CCCCC refers to the copyists score of Seven Pieces

The letter DDDDD refers to the published score of Seven Pieces

(see Critical Commentary of CNU, vol. I/8, p.248)

To these sources should be added a set of extra string parts kept

in the Tivoli Garden Archives (not included in the Description of

Sources of vol. I/8).1 The parts, carrying the call number 2755,

include the seven dances in an order different from source CCCCC.

Apart from titles and references to individual numbers by CN,

which show that in performances by him both the number and

the order of the dances varied, there are no corrections or

additions by the composer in the actual music. For this reason,

the parts have not been included in the revision of the Aladdin

Suite.

The set consists of the following parts: vl.1 (no. 2,

incomplete), vl.1 (no. 5), vl.1 (Fangernes Dans), vl. 2 (no. 4), va.

(no. 4), va. (Fangernes Dans), vc. (no. 3), cb. (no. 3), cb. (no. 3,

another copy), cb. (no. 2, one page with Aladdin no. 25).

1 Knud Ketting has kindly drawn the attention to these

parts.


Carl Nielsen Udgaven CN 00030 103

E D I T O R I A L E M E N D A T I O N SA N D A L T E R N A T I V ER E A D I N G S

1. ORIENTALSK FESTMARSCH ORIENTAL FESTIVE MARCHCNU, vol. I/8, No. 11

Bar Part CommentCCCCC: metronome marking in pencil and redcrayon [ ] = ca 108

44 fl. CCCCC: note 8: corrected in pencil to 44 fg.1 CCCCC: notes 2-4: marc. erased in pencil54 cor. CCCCC: note in the margin in pencil (Emil

Telmnyi) referring to the chord: indsatmed Blyant i Man. added in pencil in themanuscript

55 cl. CCCCC: note in the margin in pencil referringto the four : indsat med Blyant i Man.added in pencil in the manuscript

No 2. AL ADDINS DRM OG MORGENTA AGERNES DANS AL ADDINS DREAM AND DANCE OF THE MORNING MISTSCNU, vol. I/8, No. 22

Bar Part Comment1 AAAAA: Aladddins Drm; Morgentaagernes Dans is

subtitle above b. 14; CCCCC: [ ]=69, themetronome marking is probably due to amisinterpretation of CNs hand in AAAAA

14 CCCCC: (Morgentaagernes Dans) added inunknown hand

18 vl.1 CCCCC: corrected to 69 ob. vc. dim. added by analogy with vl., va.69 va. vc. erasedNo. 3 HINDUDANS HINDU DANCECNU, vol I/8, No. 16

Bar Part Comment1 vc. CCCCC: senza sord. added in pencil4-5 vc. CCCCC: tie erased in pencil with reference to

the following note in pencil: udstr. medBlyant i Man erased in pencil in themanuscript

8 str. CCCCC: erased in pencil17 CCCCC: Poco piu fluente erased in pencil59 CCCCC: rall.

No. 4 KINESERDANS CHINESE DANCECNU, I/8, No. 14

Bar Part CommentCCCCC: Footnote: N.B. Triangelstemmen er indfrtaf E. Temnyi iflge forefundne Skitser af C.Nielsen NB triangle part added by E.Telmnyi according to sketches by CarlNielsen (the same note to be found inthe fair copy (partly autograph) of theorchestral score, AAAAA)

6 vl.1,2 CCCCC: pizz.13-14 va. as pencil corrections in AAAAA and CCCCC; C C C C C:

footnote added in pencil (Emil Telmnyi):Her er i Manuskript dette rettet med Blyant tilin the manuscript this is corrected inpencil to; va. part prior to the correction:

Bar Part Comment

B

#

#

#

#

j

n

b

j

j

n

b

j

n

28-36 picc. fl.1 even if the first page of No. 4 and the ori-ginal notation of this passage only indi-cates picc. (played by fl.1) and fl.2, pencilcorrections in both AAAAA and CCCCC suggest thatthese bars should be played by picc., fl.1,2.The present edition, like the printed scoreDDDDD from 1940, takes over these corrections.Footnote in DDDDD: Ved Bestning med kun 2Fljter maa Fl.picc. her blse i UnderoktavenIf played by only two flutes the fl.picc.must here play in the lower octave

91-92 cor.1 CCCCC: tie erased in pencil91-92 fg.1,2 CCCCC: tie erased in pencil93-94 fg.1,2 CCCCC: tie erased in pencil95-96 fg.2 CCCCC: tie erased in pencil97-99 cor.2 CCCCC: ties erased in pencil111-112 cl. va. CCCCC: stacc. erased in pencil121 picc. fl. see commentary to bb. 28-36 above131, 133,135 va. vc. cb. CCCCC: note 1: stacc. erased in pencil

No. 5 . TORVET I ISPAHAN THE MARKET PL ACE IN ISPAHANCNU, I/8, No. 7

See composers note for performance on p. x; performance instructionsin this movement as in CCCCC

Bar Part Commentorch. I, 1 NB Primo ed ultima volta assai piano added

in accordance with CCCCCorch. III CORO in AAAAA sung by the four timpanistsorch. III, 8 at the repeat the tie to b. 1 note 1 should

obviously be omitted

No. 17 NEGERDANS NEGRO DANCECNU I/8, No. 17

Bar Part Comment1 CCCCC: [ =] 126 added in pencil32 vl.2, va. vc. cb. CCCCC: marc. erased in pencil33-40 CORO added in accordance with addition by

Emil Telmnyi in CCCCC (based on AAAAA), includ-ing the following note: NB. Efter forefundneSkitser af C.N. indfjet . E.T. NB. Accordingto sketches by C.N. added by E.T.

57-60 ob. cor.ingl. fg.cor. tr. trb. tb. CCCCC: all stacc. erased in pencil

80ii cor. va. vc. cb. emended in accordance with pencilmarkings in CCCCC (Emil Telmnyi) based onAAAAA, including the following note: iflgeC.N.s eget Haandskrift / Forandret I Basfigurer(som det staar skrevet med Blyant) accordingto CNs own manuscript, changed in thebass figuration (as written in pencil) ofthe IIda volta

81 va. vc. cb. CCCCC: added in pencil91 vl.1,2 CCCCC: added in pencil121 CCCCC: Tempo Imo added in pencil129 cor.1,2 tr. senza sord added by analogy with b. 9129-132 cor. tr. trb. tb.

timp. cb. stacc. added by analogy with b. 9-12



Bar Part Comment153-160 woodw. brass cb. CCCCC: stacc. erased in pencil161 vc. pizz. added by analogy with cb. and as in CCCCC161-162 cb. , added by analogy with vc. and as in CCCCC165-169 cb. , added by analogy with vc. and as in CCCCC189-208 CCCCC: poco a poco accelerando added in pencil201, 205 picc. fl. cl.

vl.1,2 va. vc. CCCCC: note 2: stacc. erased in pencil209-232 woodw. cor. str. CCCCC: stacc. erased in pencil235 CCCCC: addition by Emil Telmnyi in pencil:

(sidste Takt tilfjet af Carl Nielsen i 1926. E.T.)(last bar added by Carl Nielsen in 1926.E.T.)


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01 Aladdin Suite tekst 01