1. Baker, Mags2. Baker, Mags3. Broad, Hilary4. Broad, Hilary5. Broad, Hilary6. Broad, Hilary7. Calvert, Pauline8. Calvert, Pauline9. Calvert, Pauline10. Calvert, Pauline11. Crump, Amanda12. Crump, Amanda13. Crump, Amanda14. Crump, Amanda15. Dodd, Susan16. Dodd, Susan17. Dodd, Susan18. Duvall, Judith 19. Duvall, Judith20. Duvall, Judith21. Fearn, Judith22. Fearn, Judith23. Fearn, Judith24. Fearn, Judith25. Fearne, Peggy26. Fearne, Peggy27. Fearne, Peggy28. Fearne, Peggy29. Gilder, Diane30. Gilder, Diane31. Gilder, Diane32. Gilder, Diane33. Harpham, Angela34. Harpham, Angela35. Harpham, Angela36. Harpham, Angela37. Haywood, Susanne38. Haywood, Susanne39. Hill, Clare40. Hill, Clare41. Hill, Clare42. Hill, Clare43. Hodgson, Sonya

HelleborePoppyColourful CallaModest MagnoliaManarola - ItalyRiber CastleOver the TopsWinter at Yeld Farm, BaslowWinter SunCornish Sea ShorePortia (Warthog)Chulsum (Buffalo)Wangari (Leopard)Cayman (Aligator)Infanta and her ApeForget-Me-NotAncestorsTulip MoonEntryChimeApples ‘5 A Day’Pears ‘5 A Day’Flowers (1)Flowers (2)Summer of 18MeadowStudy in BlueSummer MeadowMeadow in PinkAutumn (October 2016)Poppy FieldSea BirdsCoast Re - Imagined 1Dawn Rise - Deep BlueDawn Rise - MagentaBlue GreenhouseEden IIHadrian’s WallLlandudnoAskrigg RoadIcelandic LupinsTulips and AcerFuchsias

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Artist Title Media Price

44. Hodgson, Sonya45. Houlton, Chris46. Houlton, Chris47. Houlton, Chris48. Houlton, Chris49. Howe, Vivien50. Howe, Vivien51. Howe, Vivien52. Howe, Vivien53. Jannetta, Louise54. Jannetta, Louise55. Jannetta, Louise56. Jannetta, Louise57. Brian Jeffcoate58. Brian Jeffcoate59. Brian Jeffcoate60. LensFlair Group61. LensFlair Group62. LensFlair Group63. May, Alison64. May, Alison65. May, Alison66. May, Alison67. Owen, Jo68. Owen, Jo69. Owen, Jo70. Owen, Jo71. Sabatini, Carmen72. Sabatini, Carmen73. Sabatini, Carmen74. Sabatini, Carmen75. Salter, Liz76. Salter, Liz77. Salter, Liz78. Salter, Liz79. Salter, Saul80. Salter, Saul81. Salter, Saul82. Salter, Saul83. Slater, Helen84. Slater, Helen85. Slater, Helen86. Slater, Helen

Rhododrendron ‘Princess Diana’Voodoo MagicBoxed HollyI Smell a RatI Can See YouSing 1 Series 1The song I Heard you SingingWalking Man 1Walking Man 2Brilliant DuskIn the heartKissed by the Sun (Collagraph Plate)This AutumnDiamond Girl Province - FranceAix En Province - FranceCarl Wark & Higger TorSalt Cellar Rock, Derwent EdgeSunrise on Curbar EdgeShasta daisiesSnowdropsPoppy FieldTeasels at Rother ValleyRepetitionHuman FormLifeIonaKnock KnockOld DoorSouth WoldNaousa ParosLooking at the MountainOut to SeaOut with the BoysUp in the HillsRough DonegalEdge of LochSummer BluesBright SummerDark Peak GritstoneDark Peak TrailManaslu Region, NepalAnnapurna Region, Nepal

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Artist Title Media Price

87. Slinn, Carole88. Slinn, Carole89. Slinn, Carole90. Slinn, Carole91. Smith, Brian92. Smith, Brian93. Smith, Brian94. Smith, Brian95. Smith, Leigh96. Smith, Leigh97. Smith, Leigh98. Smith, Leigh99. Sutcliffe, John100. Sutcliffe, John101. Sutcliffe, John102. Sutcliffe, John103. Taylor, Steph104. Taylor, Steph105. Taylor, Steph106. Tomlinson, Sandra107. Tomlinson, Sandra Tomlinson, Sandra Turk, Anne Turk, Anne Turk, Anne Turk, Anne Wilkinson, Lynne Wilkinson, Lynne Wilkinson, Lynne Wilkinson, Lynne Williams, Brenda Williams, Brenda Williams, Brenda Williams, Brenda Ludlam, Christine Ludlam, Christine Marion Rout Marion Rout Marion Rout Marion Rout

Unspeakable IIGeorge EllisAncient Narrative IVDemeter IVaranusCurbar Edge, DerbyshireSt. Marks Square, VeniceNearing Dusk, Robin Hood’s BayIn Safe HandsGirl on a SwingAlpha WolfBeneath the SeaDark Peak ShiningThe Edge AproachesScramblingRed Light, Stanage EdgeThe Blessed LiquidOur Lady of the Syrup IOur Lady of the Syrup IILying FigureCornish LandscapeWest ScotlandRosePoised for FlightRamboTerracotta WarriorsLadies DayHare RaisingClouds of Colour - embellishedHeading HomeTrees in the SunlightWindblown PetalsRed GloryEscape to FreedomAlisonThe ModelSri Lankan FishermenTuk TukFlamingoesSunlight & Shadows

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Artist Title Media Price

109.110.111.112.113.114.115.116.117.118.119.120.121.122.123.124.125.126.127.

Prizes sponsored by Westcourt Financial Services Ltd -westcourt4advice.com & Jacksons Art Supplies - www.jacksonsart.com

ALISON MAY BA (Hons)After a 20 year hiatus, I have rediscovered my passion for art using, in particular, watercolour as my predominant medium. I enjoy experimenting with various watercolour techniques and utilise other mediums to enhance my paintings, giving them a textured, expressive quality.63, 64, 65, 66

AMANDA CRUMPMy artwork is an investigation into the relationship between ourselves and the creatures we share our world with. There are untold lessons to be learned from an animal’s sense of self, pride, survival and innate dignity that we humans start our lives with but often lose on our journey through the trappings of our modern existence. I try to imbue my figures with a quiet self-assertion and poetic quality – they are giving you a moment of their time, despite wanting to get on with their own thing!11, 12, 13, 14

ANGELA HARPHAM - MIXED MEDIA ARTIST PRINTMAKER AND PHOTOGRAPHER.Visual art developed in middle life, especially during an access course in art and design at Chesterfield College of Art. Places visited and often photographed evoke certain memories, thoughts and feelings and I express these and the essential elements of a place or time in my work. Recurring motifs: circles, moons, suns, trees, waves, plants and landscape. The written word has inspired me since childhood, words and phrases spark ideas and are sometimes included in my works.33, 34, 35, 36

ANNE TURKMy career as an artist began in 1989 when I sold my first painting in The Great Sheffield Art Show. Initially I concentrated on pastel landscapes and flower paintings but later discovered I had a talent for representing animals and that now accounts for most of my commissioned work. For my own pleasure I still enjoy vibrant flowers and the occasional sortie into still life.110, 111, 112, 113

BRENDA WILLIAMSFollowing my retirement from the NHS in 2006, I initially studied Botanical Illustration at Sheffield University, after which I went onto study with the London Art College gaining a Diploma in Botanical Art in2012. During all the intervening years I joined and became the chair of the Northern Society of Botanical Art. The society gave me the opportunity to attend ongoing tutored workshops and to exhibit in various venues across South Yorkshire . Although my love of all things relating to flora and fauna remains, I do now class myself as a mixed media artist. After attending classes for digital art and enjoying the additional use of this medium, my style developed away from the exact detail of Botanical work to a more free, looser approach to a broader subject content. My work commences with an original pencil sketch, after which I will choose to use coloured pencils, acrylics or water colour. At this stage I upload the art work to my iPad Pro and complete the work digitally before sending for printing. I love this way of working as it allows me more freedom in expression of the chosen subject.118, 119, 120, 121

CARMEN SABATINIMy involvement in art started at a very early age and continues until now. Born in Italy, my favourite subject to paint is the sea.Recently I have switched my medium from water colours to acrylics. I have exhibited in the UK and abroad.71, 72, 73, 74

CAROLE SLINN - WHO DO YOU THINK YOU ARE?My work is concerned with identity – what makes a person who they are. My multi-media paintings represent an individual’s timeline by incorporating fragments and images from ancestral research, personal experiences and events of historical significance, through many layers of paint. They are worked, reworked and excavated and the surfaces aged and eroded to simulate the passing of time. Training as a fashion designer led to an early career in lecturing, teaching and fashion illustration for local newspapers. After further experience including family life and business I gained a Fine Art degree at Leeds University. This enabled me to produce work which has been exhibited and received awards in UK galleries and open exhibitions and also in Sindelfingen’s Oberlichtsaa Gallery, Germany.87, 88, 89, 90

CLARE HILLI’ve been painting for 20 years. It gives me the freedom of expression I never had as a structural engineering technician.A few years ago a group of women, including myself, formed “This Painting Malarkey”. We all paint together in Derbyshire and although we all are very different we all have one thing in common- we love colour! My inspiration tends to be places I’ve visited on holiday or my home city of Sheffield.39, 40, 41, 42

CHRIS HOULTON I have always been passionate about Art, always doodled through boring lectures and meetings and always wanted to do something different to everyone else. So after discovering an endless range of coloured biros in a stationary shop in Rouen, France I was on my way. The process of working in biro, especially coloured biro, is slow and at times unforgiving but mistakes can lead to creative thinking which in turn can lead to a more imaginative result. My work is framed behind Art Glass which is not cheap but it does help to protect it from UV light. It is also scratch proof and anti reflective which provides extra clarity, in other words it is like looking at a picture through a magnifying lens. As a result people seeing my work for the first time are inclined to think that they are looking at a photo. In 2011 I was fortunate enough to win the Judges Prize at the first ever Harley Gallery Open Art Competition.45, 46, 47, 48

HELEN R. SLATERI am an artist/educator working in both Saddleworth and South Yorkshire, where I now live. I teach art to adults and children. My practise is based on observation using mark making and layers of colour capturing large swathes of untamed nature, frequently wild seascapes or high mountains. I like to experiment with different ways to apply colour. Last year I returned to Nepal where I lived in the 1980s for two years. Nepal made me who I am and inspires much of my work including paintings of the Dark Peak.83, 84, 85, 86

JO OWENI look for an interaction between paper and cloth using textile and fine art techniques. The fascinating textural qualities produced by manipulating, layering, painting and stitching the fabric and paper are endlessly explored. Drawing the human figure has always preoccupied me, the studies are worked into with a variety of mediums. These don’t always work, but ideas emerge subconsciously as I think on paper and search for mediums that connect with me and are also suited to the work.67, 68, 69, 70

JOHN SUTCLIFFE MA - MULTI-MEDIA ARTIST AND TEACHERJohn’s current painting explores the relationship between abstraction and the landscape. He is interested in the way abstract marks can portray the emotive feelings we get when within the landscape. He will often begin his artistic process by writing poetry, which will provide a path in to areas of interest for his painting (and may be found within the layers of surfaces of the work). He enjoys painting because it is the basic ‘craft’ of seeing and expressing from which all other art forms are derived.

‘When you paint, your hands get dirty and you become absolutely bound to the image, as a tangible object, (which is unlike my digital work, where I attempt to make readymade objects come to life momentarily). I make the frame, stretch the canvas, prime it myself with hot size and gesso so that the whole object is a tangible piece from my own hands.’

John has worked with Dronfield Hall Barn for a number of years where he is known for his large scale digital animations projected onto the exterior and interior of the building. His current digital AR (augmented reality) immersive artwork ‘Ocean World’ is being shown in The Peel Centre over the course of the Dronfield Arts Festival. He has excited and performed throughout the midlands. He is willing to undertake commissions either in traditional painting / drawing or in the digital projection field (through his company Hanging Boots Creative). His hand made prints are available at a number of shops in the area. He also runs art classes for those wanting more to develop their creativity and artistic skills (please email for more information).

John lives and works in Apperknowle.99, 100, 101, 102

JUDITH DUVALLMy first introduction to printmaking was on my Art Foundation course which largely consisted of two weeks drawing outdoors in a very cold snowy landscape and a week in the print room struggling with the complexities of plate lithography.This experience taught me two valuable lessons, the importance of drawing and the personal dedication needed to exploit the technical and creative challenges offered by fine art printmaking.My first and abiding love is lithography but I am equally happy working in a range of print techniques stimulated by the technical challenges involved. I am particularly interested in exploring ideas through drawing and mark making, allowing the processes of making prints to influence image making. The disciplines involved in this approach stimulate my thinking, and working practices. I like the idea of the ‘unknown and unexpected’ which gives me the opportunity to exploit any accidental marks and textures that emerge during the process and I do spend long periods of time proofing and experimenting. At some point the image ‘speaks’ and then I begin to consolidate the direction the print is taking.I take inspiration for my prints from various sources including, ancient landscapes, natural forms, historical monuments and social history.

Recent Exhibitions Include:

2019 Harley Gallery Open Exhibition2018 Doncaster Open (overall prize winner)2018 Derby Print Open Exhibition2017 Derbyshire Open Exhibition (commended)2017 ‘Printed Impressions’ St Marie’s Cathedral Sheffield18, 19, 20

LENSFLAIR GROUPLensflair Group is an advanced photography collective comprising seven Derbyshire and South Yorkshire photographers. Our mission is to create “still images that move”. The Peak District is close to our hearts, so creating our Peak Collection framed prints, a small selection of which feature in this exhibition, has been a real labour of love. Each print is unique, individually processed and optimised for its final inkjet printing on high quality specialist photographic paper. Our Peak Collection range of limited edition art cards is also on sale at Dronfield Hall Barn. We all have different photographic and image editing skills and interests, so the range of our work goes far beyond Peak District landscapes. 60, 61, 62

LIZ SALTERMy paintings reflect those landscapes that I enjoy exploring, especially the wild remote hills and moors in the UK and Ireland. I trudge these places armed with a sketchbook and a few basic drawing materials. Back in my studio I flick through the sketchbook until a drawing or series of drawings seem to speak. Then the adventure begins, exploring possibilities much as I explored new terrain. Images are built up, maybe using collage or liquid graphite, and layers of thin acrylic paint are intermingled with line. I draw on my memories as much as the sketches, remembering the scents on the wind and the changing light. When is the painting finished? When it speaks back to me of that remembered experience.I have always painted. A career in Theatre Design was followed by teaching textiles and embroidery in colleges in Yorkshire before taking up painting full time and gaining an MA in Fine Art at the University of Leeds. I exhibit widely in Britain and in Ireland and in 2012 received the award of “South Yorkshire Artist of the Year”. My work is in private collections in this country and abroad.75, 76, 77, 78

LYNNE WILKINSONAward winning artist, obtained a BA Honours Degree in Painting and Printing. I paint most days, working from my studio on the fringe of the Peak District. This rural environment provides my artistic stimulation to translate a passion for nature onto the canvas. My primary focus are Animals and Florals, I enjoy capturing life, light, and colour, ranging in style from naturalistic to having a contemporary edge. In my studio I have a variety of work including Landscapes, Portraits, Still Life and I am always happy to receive commissions for most subjects. Typically I have several paintings on the ‘go’ with a good selection of original work, a variety of Giclée canvas prints, offering hand embellished prints and greeting cards.

“Lynne’s paintings are very popular, her animal portraits have an uncanny ability to engage the viewer. Regardless of subject matter her pictures are saturated with vivid colours and created with vigorous, uninhibited brush strokes. In many of the paintings, the animals stare out of the canvas so intently that the viewer cannot help but return their gaze and, in effect, become part of the composition”

Mike Smith - Derbyshire Life Magazine114, 115, 116, 117

MAGS BAKERI began painting 12 years ago when I moved to Dronfield. I joined a botanical illustration group initially to meet people. Soon, inspired by an amazing tutor, I began to appreciate the wonders of nature and the fascinating detail in plants and fungi as the seasons change. My style of painting is freer than traditional botanical illustration with its long history of recording plant parts before cameras were introduced. Today painting botanically is still a truer more accurate way of recording plants.It is a joy when a painting captures the essence of a subject.1, 2

MARION ROUTThe main focus of my work is colour and the interplay of light. Recently, I have been intrigued by the different light in tropical climes, particularly on two visits to Sri Lanka. I use mainly acrylic paint, but I quite often combine this with a range of papers, sand, and so on to introduce texture into the work.124, 125, 126, 127

PAULINE CALVERTMy work reflects the textures and colours found in nature and inspires me to translate this in my paintings as I see them, not always literal often in shapes and patterns. I work in acrylic or oil adding many layers of paint mainly with a palette knife, often adding collage to give extra texture.7, 8, 9, 10

SANDRA TOMLINSONI am a member of ‘ This Painting Malarkey’. I paint using acrylics, watercolour, oils and pastel. My favourite mediums are pastel and oil.106, 107, 109

SONYA HODGSONI have always been interested in art. After leaving work took up Botanical Illustration classes and have attended art workshops at the Barn and at Sheffield Botanical Gardens. I am also the artist for Dronfield Welldressing Group.43, 44

SUSANNE HAYWOODIn my work I am interested in working with varied fabrics and different structures and techniques. When I dye my fabrics I look at the different shapes I create and the subsequent treatment of the material is dictated by this.37, 38

SUSAN DODDBorn in Dronfield, studied at Chesterfield College of Art and Leeds University, returned to Dronfield after 40 years. Exhibited in London and north of England extensively, joint winner of the Harley Prize at this year’s open exhibition at the Harley Gallery in Welbeck. My work consists of building up layers of collage and found objects to make dense images. I have always been a collector and a hoarder and love making ordered images out of chaos.15, 16, 17

VIV HOWEAlthough much of my work is abstract and quite graphic, I also work from photographs I have taken of some of my favourite coastal locations in North Yorkshire and Cornwall. These photographs give me a range of images, colours, textures and marks to explore and work with. Using elements of these photographs, I can manipulate them and build up layers to produce digital collages. A recurring theme in my work has been geometric shapes, something I have returned to both as a printmaker and textile designer, alongside a fascination with layering and cutting through to reveal the underlayers. A background in printed textiles has influenced the work I do, with colour being very important to me. The use of repeating images is evident in much of my work. As well as landscape and geometry, urban architecture has been a further source of inspiration. I use Epson UltraChrome inks, and high quality Innova and Epson archival papers to produce long lasting digital inkjet prints.49, 50, 51, 52

Prizes sponsored by Westcourt Financial Services Ltd -westcourt4advice.com & Jacksons Art Supplies - www.jacksonsart.com

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THE BIG BARN Fundraiser

Dronfield

3rd - 7th May 2019