2018 - Amazon S3

2018

Pokrovitelji festivala / With a support of

DIREKTORICA FESTIVALA / FESTIVAL DIRECTOR: Ana Vukotić

UMJETNIČKI SAVJET FESTIVALA / FESTIVAL ART COUNCIL

Sonja Vukićević, predsjednica savjeta, koreografkinja i balerina (Srbija) /

president of the Council, choreographer, ballerina (Serbia)

Dejan Projkovski, reditelj (Makedonija) / director (Macedonia)

Željka Udovičić, dramaturškinja (Hrvatska) / dramaturge (Croatia)

Dino Mustafić, reditelj (Bosna i Hercegovina) / director (Bosnia & Herzegovina)

Branko Baletić, reditelj (Crna Gora) / director (Montenegro)

Biljana Srbljanović, dramska spisateljica (Srbija) / dramatic writer (Serbia)

Aleksandar Milosavljević, teatrolog, (Srbija) /

theatrologist, (Serbia)

Ljubomir Đurković, dramski pisac (Crna Gora) / dramatic writer (Montenegro)

Boris Liješević, reditelj (Crna Gora) / director (Montenegro)

Oliver Frljić, reditelj (Hrvatska) / director (Croatia)

Izdavač: Festival internacionalnog alternativnog teatra / Publisher: Festival of International Alternative Theatre I Za izdavača / For publisher: Ana Vukotić IUrednica kataloga / Catalogue editor Iva Đurović I Prevod / Translation: Ana Đurković I Uvodni tekst / Introduction by: Ana Vujošević IDizajn kataloga / Catalogue design: Roman Đuranović I Štampa / Print: Fotografika, Podgorica I Tiraž / Circulation: 300 I © Fiat - Podgorica 2018

SELEKTORKA FESTIVALA / FESTIVAL SELECTOR

Ana Vujošević, glumica (Crna Gora) / actress (Montenegro)

ŽIRI / JURY

Sonja Vukićević, koreografkinja i predsjedinca žirija (Srbija) / choreographer

and president of the jury (Serbia)

Andrej Cvetanovski, reditelj (Makedonija) / director (Macedonia)

Žana Gardašević, glumica (Crna Gora) / actress (Montenegro)

NAGRADE / AWARDS

Nagrada za najbolju predstavu / Award for Best Show

Nagrada za najbolju režiju (autora) / Award for Best Director

Nagrada za najbolju žensku ulogu / Award for Best Actress

Nagrada za najbolju mušku ulogu / Award for Best Actor

Crna GoraMinistarstvo kulture

Grad Podgorica

www.fiat-montenegro.org 7 - 16. SEPTEMBAR 2018.

IZVRŠNA PRODUKCIJA / EXECUTIVE PRODUCTION: NU FIAT

FIAT TIM / FIAT TEAM

Izvršna producentkinja / Executive producer: Vukosava Tomović

PR: Iva Đurović

Organizatori / Organisers: Ana Janković, Janja Ražnatović, Marija Zogović

Prevod / Translation: Ana Đurković

Računovodstvo / Accounting: Dobrana Perović

UREDNIK FILMSKOG PROGRAMA / EDITOR OF THE FILM PROGRAM

Vladimir Vučinić, filmski snimatelj / cinematographer

UREDNIK / EDITOR OF CREATIVE INDUSTRY ART MARKET

Edin Jašarović, producent / producer

Total dizajn / Total design: Roman Đuranović

Dizajn nagrade / Design of the award: Aleksandar Saša Vukotić

Fotograf festivala / Festival photographer: Duško Miljanić

FIAT TEHNIČKA PODRŠKA

Doktor svijetla / doctor of light: Mili Malović

Magistar tona / phd of sound: Mladen Nikčević

Tonac / Sound technician: Dražen Milić

Video genije / video genius: Goran Brnović

Alfa i omega scene / stage alpha and omega: Miloš Novaković

Izvađen iz naftalina / out of closet: Radivoje Beli Lopičić

Mađioničar / magician: Željko Jovanović Glatki

Majstorica higijene / hygiene expert: Mirjana Vuković

Mjesečar / moonwalker: Miško Caušević

Šankeri / Bartenders: Milan, Vlado i Nina

I moja malenkost / and me: Dejan Radonjić

PARTNERI FESTIVALA / FESTIVAL PARTNERS

Telenor fondacija

Sekretarijat za kulturu i sport Podgorica /

Secretariat for Culture and Sports Podgorica

Crnogorsko narodno pozorište / Montenegrin National Theatre

KIC „Budo Tomović“ Podgorica /

Cultural and Informative Centre “Budo Tomović“

JU Muzeji i galerije Podgorice / Podgorica Museums and Galleries

Kulturni centar „Nikola Đurković“ Kotor /

Culture centre “Nikola Đurković“ Kotor

Mas trade Cetinje

Francuski institut Crna Gora / French Institute Montenegro

Ambasada Mađarske u Podgorici / Embassy of Hungary in Podgorica

Ambasada Izraela u Beogradu / Embassy of Israel in Belgrade

Crnogorska kinoteka / Montenegrin Cinematheque

Institut ramon llull, Catalan Language and Culture, Barselona, Spain

Arhimed

Fleka

Ovogodišnje, 33. izdanje FIAT-a bazira se na raznolikosti umjetničkog izraza, koja će neupitno motivisati publiku da se adaptira, i za-jedno sa izvođačima traga, razumije i doživljava…Zadatak alternativnog teatra jeste, drugačiji, eksperimentalan i autentičan izraz, koji odstupa od uobičajenog, te se ove godine FIAT vraća svojoj suštini…Putem konkursa, što će se nastaviti kao praksa i u budućnosti, prijavilo se 67 projekata iz cijelog svijeta.Nakon odgledanog materijala, odabrane su nadahnute, i u sredstvima izražajne predstave koje dolaze iz Španije, Mađarske, Crne Gore, Francuske, Hrvatske, Srbije, Izraela, Makedonije i Albanije.Svaka predstava je intimno putovanje kojem se prepuštamo.Zajednički motiv je borba. U životu i u umjetnosti uvijek prisutna, neophodna.Borba sa sobom (dušom, umom, tijelom), sa strahom, samoćom, ludilom, borba sa društvom, sa starim i novim, sa uspjehom, porazom, sa muzikom, riječima, predrasudama i licemjerjem, sa bolom, zločinom, tišinom, sa ljubavlju i istinom, sa………………. Pitamo se…Šta naše izmučeno biće može i ne može?Možemo li osposobiti sebe za sve što nam život nameće?Borba ne prestaje!FIAT se ne predaje!

Selektorka: Ana Vujošević

FESTIVAL INTERNACIONALNOG ALTERNATIVNOG TEATRA

FESTIVAL OF INTERNATIONALALTERNATIVE THEATRE

Selector: Ana Vujošević

This year’s 33rd edition of FIAT is based on different artistic expressions which will by all means motivate audience to adapt and seek, comprehend and experience together with the artists. The goal of alternative theatre is a different, experimental and authentic expression, one that differs from the usual, thus this year’s FIAT is going back to its purpose.An open call, a practise that would continue in the future, resulted in 67 projects from all over the world submitted to the Council. After considering all presented materials, the selection of aspiring and expressive performances from Spain, Hungary, Montenegro, France, Croatia, Serbia, Israel, Macedonia and Albania had been made. Each of these performances is an intimate journey we indulge in.The collective motif is fight. Ever present and necessary in both life and art.The fight with one self (spirit, mind and body), with fear, loneliness, craze, a fight against the society, the old and the new, the success and failure, music, words, prejudice and hypocrisy, fight with pain, crime, silence, with love and truth, with………….. We ask ourself…What our tortured being can and cannot?Could we prepare ourselves for everything life imposes on us?The fight doesn’t end!FIAT doesn’t give up!

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ŠPANIJA / BARSELONA

7. septembar 2018.21.00h / Dvorište Kuslevove kuće / 50min.

Insectotropics

GALAKTIČKA CRVENKAPICArežija: Insectotropics

gluma: Mar Nicolás muzičar: Danio Catanutoslikar: Xanu and iex videoartist: Laia Ribas videoartist: André Cruzvideoartist i producent:: Maria Thorson

Što bi bilo da je Crvenkapica odlučila da ignoriše svoju mamu, da se prepustila intuiciji da je vodi i uronila duboko u šumu svojih strahova? Što se dešava kada ne možemo da uradimo ništa protiv ustaljenih normi? Da li ste ikad nekoga ispratili na put inicijacije…? Galaktička Crvenkapica je multimedijalna predstava bazirana na poznatoj priči o Crvenkapici, koja pruža jedinstven pogled na ovu problematiku. Multidisciplinarni komad istražuje različite varijante umjetničkog izraza, kombinacija koje rezultiraju novom i originalnom ekspresivnom formom koja zaokuplja publiku. U predstavi se susreću tri video umjetnika, dva slikara, muzičar i glumica, i zajedno stvaraju “live” film na takav način da publika može jednako uživati u finalnom proizvodu, projekciji na velikom platnu, istovremeno gledajući i njen “making of”.

U saradnji sa: Institut ramon llull, Catalan Language and Culture, Barcelona, Spain


SPAIN / BARCELONA

7th September 201821.00h / Garden of the Kuslev’s House / 50min

Insectotropics

LA CAPUTXETA GALACTICAdirected by: Insectotropics

actress: Mar Nicolás musician: Danio Catanuto painter: Xanu and iexvideoartist: Laia Ribas videoartist: André Cruzvideoartist and producer: Maria Thorson

What if the Little Red Riding Hood decided to ignore her mother, to be led by her intuition and delve deep into the forest of her fears? What happens when we react against the established norm? Have you ever accompanied someone on a voyage of initiation…?La Caputxeta Galàctica is a multimedia stage show based on the well-known tale of Little Red Riding Hood, offering a unique view of the popular story. This multidisciplinary piece explores various modes of artistic expression, the combination of which results in a new and original expressive form which immerses the audience.The show brings together three video artists, two painters, a musician and an actress, who together create a film ‘live’ in such a way that the audience can enjoy both the finished work – projected on a large screen – and simultaneously see its ‘making of’.

With the support of: Institut ramon llull, Catalan Language and Culture, Barcelona, Spain


SLOVENIJA / SRBIJA / BOSNA I HERCEGOVINA

8. septembar 2018.20.00h / KIC “Budo Tomović” / Velika scena / 30 min.

Festival Velenje Slovenia, Tanzelarija BIH, PUBS Serbia, Institute for contemporary dance Belgrade and Balkan Dance Project 2017

Po motivima istoimene farse Ivana Cankara

SABLAZAN U DOLINI ŠENTFLORIJANARežija: Aleksandar Nikolić

Plesači : Mojca Majcen, Ema Janković / Miona Petrović, Zulejha Kećo, Branko Mitrović, Luka Živković / Nikola Pavlović and Jakša Filipovac

Koreografija: Aleksandar Ilić Kostimografkinje: Neira Sinanbašić i Melisa MusićMuzička obrada: Lana TokovićInspicijent: Nemanja NaumoskiDizajner svijetla: Davorin Štorgelj

Sablast, sva satkana od sjajnih boja života, strasti, ljubavi, izazova, kao tektonska kataklizma izbacuje na površinu svo samoljublje,laž, dvojni moral, pohlepu, tako brižljivo sakrivane pod plaštom nedužnosti i poštenja. U svojoj burlesci Sablast u dolini Sentflorijanskoj Ivan Cankar izvrgava ruglu svu opasnost društvenog licemjerja suprostavljajući malograđanskim odličnicima dvoje mladih vagabunda, avanturista i kriminalaca – Petra i Jacintu, koji svojom iskrenom željom za ispunjenim životom kao uragan protutnje kroz Dolinu i živote njenih stanovnika, za trenutak uzvitlavši prašinu, sablaznivši sve i na kraju ih izdavši.

Ono najvažnije što želimo da naučite od naših plesača je - sloboda. Oni nam na sceni pokazuju kako igrati zajedno, kako dati jedno drugom šansu da pokažete ono najbolje. Oni igraju - solo, pa u duetu, pa opet u grupi, svi zajedno, sinhronizovano, snažno. Oni dijele snagu, ljepotu, ljubav i strast za stvaranjem…


SLOVENIA / SERBIA / BOSNIA ANd HERZEGOVINA

8th September 2018.20.00h / Cultural and Informative Centre “Budo Tomović” / Great Scene / 30min.

Festival Velenje Slovenia, Tanzelarija BIH, PUBS Serbia, Institute for contemporary dance Belgrade and Balkan Dance Project 2017

Based on the motifs of the same name farce by Ivan Cankar

SCANDAL IN ST. FLORIAN VALLEYdirected by: Aleksandar Nikolić

dancers: Mojca Majcen, Ema Janković / Miona Petrović, Zulejha Kećo, Branko Mitrović, Luka Živković / Nikola Pavlović and Jakša Filipovac

Choreographer: Aleksandar IlićCostume designers: Neira Sinanbašić and Melisa MusićSound designer: Lana TokovićStage manager: Nemanja NaumoskiLight designer: Davorin Štorgelj

The scandal, all made up of shinny colours of life, passion, love, challenges, like the tectonic cataclysm spits out all of the self-admiration, lies, two-faced moral and greed being carefully kept under the coat of innocence and virtue. In his burlesque “Scandal in St. Florian Valley”, Ivan Cankar ridicules all the dangers of the social hypocrisy by confronting the provincials with two young vagabonds, adventurists and criminals Petar and Jacinta. Led by their honest wish to have a full-filled life, they venture through the valley and the life of its citizens like a tornado, rising the layers of dust and betraying them all at the end.

The most important thing we want you to learn from our dancers is freedom. On stage, they show us how to dance together, how to give each other a chance to perform the best you can. They dance solo, than in pairs, then again in groups, all together, synchronised, powerful. They share the power, the beauty, love and passion for creation…


MAKEdONIJA / SKOPLJE

8. septembar 2018.22.00h / Dvorište Kuslevove kuće / 100min

UDRUŽENJE ĆAO PRIJATNO

ĆAO, PRIJATNO!režija: Siniša Evtimov

glumci: Atanas Atanasovski, Valentin Kostadinovski

ĆAO PRIJATNO je komedija koja se kreće na ivici dokumentarnog teatra, ali u jednom trenutku ismijava ovaj žanr i transformiše se u teatarski dokumentarac. Potpuno je bazirana na netačnim činjenicama o životima i karijeri dva glumca koji je i izvode. Napaljeni dedica, ludi taksista, Isus i afteri, Otelo, čudna ciganka, Betmen, političar i nekoliko drugih, dočaravaju život uopšte, pokušavajući da odgonetnu njegovo značenje, istražujući univerzum kroz oči pozorišta. Ovo je stominutni vrtlog glumačke izvrsnosti, dobrih dijaloga, mnoštva političke satire i istorijsko histeričnog haosa. Sam komad je montažna adaptacija kompilacije velikih umjetnika i pisaca koji su ubijeđeni da su bogovi. Peter Cook, Dudley Moore, NickKroll, John Mulaney, The Monty Python, Douglas Adams, Joseph Heller, Franz Kafka i svim drugima koji počivaju u miru - veliko hvala!

“Kritikujemo banalnost televizije, jutarnje programe koji tretiraju neprikladne teme za taj termin, televizija ima mnogo promašaja u tom smislu. Svaka scena je komentar. Kritikujemo i političare koji i pored velikih plata uredno ne plaćaju svoje troškove, voze se besplatno u našoj predstavi kao što smo vidjeli u sceni sa taksistom“, Atanas Atanasovski.

“Ovo je moderna komedija, cijela predstava predstavlja jedan komentar na teatar u našoj zemlji. Ismijavamo običaj našeg naroda da se ponaša neprikladno, na primjer da razgovara telefonom u pozorištu“, Valentin Kostadinovski.

FIAT PUTOVANJE / KOTORU saradnji sa JU KC „Nikola Đurković“

NEĐELJA 9. SEPTEMBAR / Pjaca od kina / 22.00 h / 100 min


MACEdONIA / SKOPJE

8th September 201822.00h / Garden of the Kuslev´s House / 100min

Association Ciao Goodbye

CIAO, GOODBYE!directed by: Siniša Evtimov

Cast: Atanas Atanasovski, Valentin Kostadinovski

CIAO GOODByE is a comedy which surfs on the edge of documentary theatre, but suddenly decides to mock the genre and transform into a theatre mockumentary. It is entirely based on false facts about the lives and careers of the two actors who performing in it. Horny grandad, crazy taxi driver, Jesus and after-hour parties, Othello, a strange gypsy woman, Batman, a politician, and few others, take accounts on life in general, trying to decode its meaning, while exploring the universe and everything else, through the eyes of the theatre. This is a 100 minute whirlwind of actors’ excellence, great dialogues, lots of political satire and historical/hysterical mayhem. The piece itself is a montage adaptation. compilation of great artists and writers that we strongly believe are gods. Thanks to: Peter Cook, Dudley Moore, Nick Kroll, John Mulaney, The Monty Python, Douglas Adams, Joseph Heller, Franz Kafka and all the rest in peace.

”We criticise the banality of television, the morning shows which deal with unsuitable subject for such prime time and have so many mistakes concerning this matter. Every scene is a commentary. We criticise politicians who fail to pay their dues besides having large salaries, who drive for free, as we have seen in the taxi scene.” Atanas Atanasovski

“This is a modern comedy, the whole performance is a single commentary on theatre in our country. We ridicule the habit of our people to behave inappropriately, for example to use cellphone inside the theatre,” Valentin Kostadinovski.

FIAT JOURNEY / KOTORWith a support of CC “Nikola Đurković”

SUNDAy 9TH SEPTEMBER / Pjaca od kina / 22.00 h / 100 min


CRNA GORA / CETINJE

9. septembar 2018.20.00h / KIC “Budo Tomović”, Velika scena / 150 min

Kraljevsko pozorište Zetski Dom

Mirjana Medojević

SIN režija: Mirko Radonjić

Glumci: Srđan Grahovac, Marija Đurić, Omar Bajramspahićdramaturškinja: Mirjana Medojevićkostimografkinja: Lina Lekovićdizajn svijetla i seta: Mirko Radonjićasistentkinja reditelja: Marija Backović

Sin Senad je odlučan u svojoj namjeri da započne osvetu protiv svog biološkog oca – čovjeka koji je silovao njegovu majku za vrijeme rata u Bosni. Jedne Božićne večeri Senad se pojavljuje na vratima svog oca predstavljajući se kao prijatelj njegove kćerke. Isplanirana osveta pretvara se u ljudski kontakt koji mijenja sve, zajedno sa Senadovom željom da ubije oca koja prelazi u želju za očevim zagrljajem. Predstava se suočava sa pitanjima odgovornosti, krivice i oproštaja koristeći malu priču o čovjeku i njegovoj djeci koja podstiče univerzalna pitanja o mrtvima koje nismo sahranili pa nas progone. Takođe se i postavlja pitanje: kakav svijet ostavljamo našoj djeci?


MONTENEGRO / CETINJE

9th September 201820.00h / Cultural and Informative Centre “Budo Tomović” / Great Scene / 150 min

Royal Theatre Zetski Dom

Mirjana Medojević

THE SONdirected by: Mirko Radonjić

cast: Srđan Grahovac, Marija Đurić, Omar Bajramspahićdramaturge: Mirjana Medojevićcostume designer: Lina Lekovićset and light designer: Mirko Radonjićassistant to director: Marija Backovićorganiser: Aleksandra Maksimović

Son Senad is decisive about taking a revenge on his biological father - a man who had raped his mother during a war in Bosnia. One Christmas Eve, Senad appears in front of his doors introducing himself as a friend of his daughter. What was meant to be a well prepared revenge turns into a human contact that changes everyone, with Senad’s wish to kill his father being transformed into a need for a fatherly arms. The performance deals with questions of responsibility, guilt and forgiveness. Through a little story about the man and his children it induces the universal questions about the dead which we have not buried thus they arise to haunt us. As well as the question: what kind of world are we leaving to our children?


FRANCUSKA / PARIZ

10. septembar 2018.KIC “Budo Tomović” / Velika scena / 50min

Oriantheatre Dance Company

KA-F-KAkoncept, režija, koreografija i izvedba: Mehdi Farajpour muzika: Arnaud Rollat video: Stéphane Bordonaro (po konceptu Mehdija Farajpura)tehnički direktor: Arnaud Rollat

KA-F-KA je priča o svima i ni o kome. Čovjek, izgubljen u životnoj rutini, budi se i otkriva da se preobrazio u neko drugo biće. Pati od usamljenosti, gladi i bola, ali i dalje nastavlja jurnjavu oko svakodnevnih socijalno-ličnih obaveza. KA-F-KA Mehdija Farajpura je slobodna interpretacija inspirisana Kafkinim vizuelnim univerzumom uopšte i naročito Metamofrozom. Jednako kao u drugim predstavama Farajpura, KA-F-KA je takođe izgrađen na interdisciplinarnoj (a ne multidisciplinarnoj) strukturi, što znači da ona šeta između različitih disciplina umjesto što ih miješa samo radi efekta.

U saradnji sa Francuskim institutom Crne Gore


FRANCE / PARIS

10th September 2018Cultural and Informative Centre “Budo Tomović” / Great Scene / 50 min

Oriantheatre Dance Company

KA-F-KAConcept, Direction & Choreography: Mehdi Farajpour

Music: Arnaud Rollat Video artist: Stéphane Bordonaro (based on original concepts of Mehdi Farajpour) Technical Director: Arnaud Rollat

KA-FKA is the story about everyone and no one. A man, lost in the routine of his life, awakes to discover that he is transformed into another being. He suffers from isolation, solitude, hunger and pain but yet keeps running through out his social-individual obligations. KA-F-KA by Mehdi FARAJPOUR is a free interpretation based on Franz Kafka’s visual universe in general and his Metamorphosis in particular. Likewise Mehdi’s other performances, KA-F-KA is built up on an interdisciplinary (and not multidisciplinary) structure which means, walking in between different disciplines instead of mixing them just for the sake of it.

With the support of The France Institute Montenegro


ALBANIJA / TIRANA

11. septembar 2018.20.00h / KIC “Budo Tomović”, Velika scena ∕ 70 min

M.A.M. Fondation of Contemporary Art

Jon Fosse

MAJKA I DIJETErežija: Dino Mustafić

glumci: Ema Andrea, Matia Llupamuzika: Ilir Bajri scenograf: Klod Dedjakostimografkinja: Berina Kokona koreograf: Gjergj Prevazi dramaturškinja: Željka Udovičić — Pleštinaasistentkinja reditelja: Melisa Bećovićpijanista: Jonatan Crew

Majka se susreće sa svojim sinom nakon mnogo godina odsustva. Oboje tragaju za izgubljenom komunikacijom. Seksualne frustracije, socijalne frustracije, mržnja i ljubav su tenzije u dijalogu koji otkriva istine i patologije. Potres vjere i sjećanja. Dva svijeta koja nijesu otvoreno komunicirala do samog kraja. Ostaju samo dva usamljena svijeta. Osuđeni bez krivice!


ALBANIA / TIRANA

11th September 201820.00h / Cultural and Informative Centre “Budo Tomović / Great Scene ∕ 70 min

M.A.M. Fondation of Contemporary Art

Jon Fosse

MOTHER AND CHILDDirected by: Dino Mustafić

Cast: Ema Andrea Matia LlupaMusic: Ilir Bajri Set designer: Klod Dedja Costume designer: Berina KokonaChoreography: Gjergj Prevazi Dramaturg: Željka Udovičić — PleštinaDirector Melisa Bećović Pianist: Jonatan Crew

Mother is meeting with her son after many years of absence. Both are in search of lost communications. Sexual frustrations, social frustration, hatred and love are the tensions of a dialogue that reveals truths and pathologies. Concussion of faith and memories. Two worlds that did not communicate openly to the end. Two lonely worlds that remain. Guilty without fault!


IZRAEL / TEL AVIV

13. septembar 201820.00h / Crnogorsko narodno pozorište / Velika scena / 60min

Ayit ansambl

Vizualna adaptacija “Dnevnik jednog ludaka” N. V. Gogolj

BPOLARrežija: Yoav Michaeli

Glumci: Ofer Freeman, Tal Shlachtman, Avihay Cohen, Reut Gil Atias, Oren Atias, Roi Gurproducent: Lotem Bergelsvjetlosni efekti: Ronen Ben Harushtehničar: Itzik Menasherov

Ovo je savremena vizualna adaptacija Gogoljeve klasične kratke priče “Dnevnik ludaka” bez ijedne izgovorene riječi na sceni. Predstava kombinuje muziku, pokret, lutkarstvo, nijemo igranje i mnoštvo umjetničkih video projekcija kako bi kreirala jedinstven scenski jezik koji je u raskoraku između “živog bioskopa” i sineastičnog teatra.

“Dirljiva tour de force sofisticirana adaptacija i moćna izvedba… komad koji prevazilazi okvire scene… “- Shani Ben David

“Dovitljiv način da se opiše poremećenost kroz kreiranje atraktivnog iskustva koje je fascinantno po svom opsegu. Ovo je hrabra avantura koju treba vidjeti.”- Ian Foster

U saradnji sa Ambasadom Izraela u Beogradu


ISRAEL / TEL AVIV

13th September 201820.00h / Montenegrin National Theatre / Great Scene / 60min

Ayit ensebmle

Visual adaptation of a “Diary of a Madman” by N. V. Gogol

BPOLARDirected by: Yoav Michaeli

Cast: Ofer Freeman, Tal Shlachtman, Avihay Cohen, Reut Gil Atias, Oren Atias, Roi Gur production manager: Lotem Bergellighting programmer: Ronen Ben Harushtechnician: Itzik Menasherov

Without a single word spoken onstage “Ayit” Ensemble performs a modern visual adaptation, of Gogol’s classic short story, “Diary of a Madman”. The show combines music, lighting, movement, puppetry, speechless acting, and extensive video art projections, to create a unique stage language which straddles the boundary between “live cinema” and cinematic theatre.

“A moving tour de force of sophisticated stage adaptation and powerful performance… a piece that extends well beyond the boundaries of the stage… a theatrical event worth the travel…”- Shani Ben David

“... A canny way of depicting mental illness by creating an immersive experience that is near-overwhelming in its scope… A boldly adventurous piece that deserves to be seen.”- Ian Foster

With the support of Embassy of Israel in Belgrade


MAĐARSKA / BUdIMPEŠTA

14. septembar 2018.20.00h / Crnogorsko narodno pozorište / Velika scena / 70 min.

Maladype Színház KH EGYESÜLET / Qaartsiluni Ensemble

Sándor Weöres

DOBAR ZVUK U NALETIMArežija: Zoltán Balázs

kompozitor: László Sáry László Borbély klavir Ildikó Duffek vokali:Kata Huszárik, László Kéringer, Anna Petrovics koncertna flauta: Anna Rákóczy, Lajos Rozmán klarinet Ágota Szilágyi Asistent producenta: Lórand Bartha Menadžer produkcije: Katalin Balázs Muzički režiser: Lajos Rozmán

Opera Lazla Sarija “Dobar zvuk u naletima” je savršen susret riječi i muzike. Prije Sarija, nikome ne bi palo na pamet da odabere poemu Šandora Voereša “Tema i varijacije” kao libreto za operu. Prema definiciji žanra, u polu-ozbiljnoj operi sve se dešava drugačije od onoga na šta smo navikli, ali sve što je potrebno za kamernu operu je tu: uvertira, dvanaest činova, arije, horovi i finale. Završni komadi su igre zasnovane na Sarijevoj kolekciji “Kreativne muzičke vježbe” dok je postlude parodija klasičnih finala komičnih opera.

Mimo glavnih djelova teksta i muzičkih krilatica, sve u Sarijevom djelu je melanholično i katarzično. Ovakvo predstavljanje rada Sarija pruža izvanrednu priliku za veličanje kompozitora koji u 2015. godini puni 75, a produkcija nudi i rijetku mješavinu savremene muzike i savremenog pozorišta publici. Predstavu je postavio Zoltana Balaša, umjetnički direktor teatra Maladipe. Kreativni odnos Balaš i Sarija počeo je priznatom scenskom adaptacijom kompozitorovog oratorijuma Teomači (Sandora Veoresa) 2003. godine.

U saradnji sa Ambasadom Mađarske u Podgorici

FIAT FOKUS

FIAT FOKUS


HUNGARY / BUdAPEST

14th september 2018.20.00h / Montenegrin National Theatre / Great Scene / 70 min.

Maladype Színház KH EGYESÜLET / Qaartsiluni Ensemble

Sándor Weöres

THE GREAT SOUND IN THE RUSHDirected by: Zoltán Balázs

Composer: László Sáry László Borbély Piano: Ildikó Duffek Vocal: Kata Huszárik, László Kéringer, Anna Petrovics concertflute: Anna Rákóczy, Lajos Rozmán clarinet: Ágota Szilágyi Assistants to the production: Lórand Bartha Production manager: Katalin Balázs Musical Director: Lajos Rozmán

László Sáry’s opera Great Sound in the Rush is a perfect encounter of words and music. Before Sáry it would have hardly occurred to anyone to choose Sándor Weöres’s poem “Theme and Variations” as a libretto for an opera. According to the definition of the genre, in a semi-serious opera everything happens differently from what we are used to, yet, all that is required for a chamber opera is given: overture, 12 acts, arias, recitatives, choruses, and a finale. The closing pieces are games based on Sáry’s collection Creative Musical Exercises, while the postlude is the parody ofclassical comic opera finales. Beyond the punch lines of the text and the musical quips, everything is poignant and cathartic in Sáry’s piece. Presenting Sáry’s work provides a remarkable opportunity for celebrating the composer who turns 75 in 2015, while the production also offers a rare interchange between contemporary music and contemporary theater to the audience. The performance is staged by Zoltán Balázs Artistic director of Maladype Theatre. Balázs’s creative relationship with Sáry began with the acclaimed stage adaptation of the composer’s oratorio Theomachia (by Sándor Weöres) in 2003.

With the support of Embassy of Hungary in Podgorica

FIAT FOCUS

FIAT FOCUS


MAĐARSKA / BUdIMPEŠTA

14. septembar 2018.22.00h / KIC “Budo Tomović” / DODEST / 70min

Katlan Group

MORGAN I FRIMENrežija: Ferenc Fehér

izvedba, muzika, koreografija i režija: Ferenc Fehér (kao inspiracija René Aubry)kostimografkinja: Judit Simon dizajner svijetla: Dávid Kovácsovics profesionalni konsultant: Judit Simon uz podršku: Emberi Erőforrások Minisztériuma, NKA, Katlan Group

Ovo je pametan i lud plesni komad sa nekim ko je sam po sebi lutak: mali oživljeni čovjek. Ime: FrimanVisina: 35 cm ili manjeBroj cipela: 5 cmZloćudnost: enormnaJe li prijateljski nastrojen? I ne baš…- Morgane kako bi opisao ovog malog čovjeka?

- Kada sam ga upoznao djelovao je kao fin momak, ali onda… Veoma je živahan, u mjeri u kojoj to postaje pokvareno. Veoma rado traži razloge da mi se podsmijava i izgleda da u tome baš uživa. Svakako, neću ovo trpjeti još dugo, možda će biti potrebno i da ga ubijem. Neću imati što drugo ako se ne promijeni. On? Da se promijeni? NIKAD. Već nešto smjera. Znam to. A još vam ništa nisam rekao o njegovom prijatelju zecu.

U saradnji sa Ambasadom Mađarske u Podgorici

FIAT FOKUS


HUNGARY / BUdAPEST

14th september 2018.22.00h / Cultural and Informative Centre “Budo Tomović” / DODEST / 70min

Katlan Group

MORGAN AND FREEMANdirected by: Ferenc Fehér

Performer: Ferenc FehérMusic: Ferenc Fehér (Inspired by René Aubry)Costumes: Judit Simon Lighting designer: Dávid Kovácsovics Professional consultant: Judit SimonChoreography: Ferenc FehérSupported by: Emberi Erőforrások Minisztériuma, NKA, Katlan Group

A smart and mad dance piece with someone who is a puppet himself: a little vivified man.Name: FreemanHeight: 35 cm or smallerShoe size: 5 cmViciousness: enormousIs he friendly? Not really…

- Morgan, how would you describe this little man?

- When I first met him he seemed to be a nice little bloke, but then… He is very lively, what’s more somewhat vicious. He is very eager to look for reasons to nag me and he really enjoys it. Surely, I’ll not take this for long, I might need to kill him out. I’ll have no choice unless he changes. He? Changes? NEVER. He is up to something. I know.And I have not talked about his friend, the rabbit yet.

With the support of Embassy of Hungary in Podgorica

FIAT FOCUS


HRVATSKA / ZAGREB

15. septembar 2018.22.00h / Dvorište Kuslevove kuće / 60min

Kazalište hotel Bulić, Tvornica kulture

Jelena Svilar i Morana Foretić

DREAM OF LIFErežija: Senka Bulić

izvođači: Senka Bulić, Stipe Kostanićmuzika: Neven Svilar, Mario Kovačević, Petar Alerajscenografija: Tomislav Ćurkovićkostimografija: Oliver Jularićdizajner svjetla: Nikša Mrkonjić

Predstava o životu Patti Smith je rezultat istraživanja na dugoj liniji odnosa između umjetnika i društva. Patti nije samo prvoborkinja pankerske revolucije, simbol “drugačijeg” r’n’r-la. Patti je simbol borbe za čistu umjetnost.Od Rimbauda, Whitmana do Jima Morrisona, ona utjelovljuje sestru blisku po osjećaju, erudiciji i snazi. Što znači danas utjeloviti njen prevratnički opus? Voljeti sadašnost, revoluciju, snagu. Bježimo od konvencionalnosti u poeziju, smjelost, jednako pjesnički, muzički, snovito!

Pojava Patti Smith na njujorškoj umjetničkoj i muzičkoj sceni početkom 70-ih godina bila je toliko silovita, njen uspon toliko brz i neočekivan, a uticaj toliko snažan da je iz današnje perspektive teško procijeniti njenu ulogu.

Predstava nastala iz teksta Jelene Svilar i Morane Foretić prati genezu umjetnika, rast kreacije iz duha vremena. Galerija likova izmjenjuje se kao fascinantan ringišpil, kalidoskopski umjetnički svijet u kojem se susreću Robert Mapplethorpe, Sam Shepard, Andy Warhol, Jimi Hendrix, Janis Joplin...umjetnici – tek djeca. Oni možda nisu važni, ali ono što je izraslo iz njih jeste. A to je ekspresija, nastup, muzika kao poslanje i kao sredstvo komunikacije s publikom.


CROATIA / ZAGREB

15th September 201822.00h / Kuslev´s House Garden / 60min

Jelena Svilar and Morana Foretić

DREAM OF LIFEDirected by: Senka Bulić

cast: Senka Bulić, Stipe Kostanićmusic by: Neven Svilar, Mario Kovačević, Petar Alerajset design by:Tomislav Ćurkovićcostume design by: Oliver Jularićlight design by: Nikša Mrkonjić

The performance about the life of Patti Smith is a result of exploration of the long line of the artist-society relation. Patti is not just the first in line of the punk revolution, the symbol of “different” rock and roll. Patti is a symbol of fight for pure art. From Rimbaud, Whitman to Jim Morrison, she embodies the sister by feeling, erudition and strength. What does it mean to embody her subversive work today? To love the present, revolution and the power. We escape conventionality through poetry, courage, equally poetical, musical, dream-like!

The appearance of Patti Smith on New york’s art and music scene at the beginning of seventies was so powerful, her rise fast and unexpended, and influence so strong that it is hard to evaluate her role even from today’s point of view.

The performance, based on a text by Jelena Slivar and Morana Foretić, follows the genesis of an artist, the rise of the creation from the spirit of time. The gallery of characters turns as a sort of fascinating merry-go-round, a kaleidoscope of the world of art where child artists Robert Mapplethorpe, Sam Shepard, Andy Warhol, Jimi Hendrix, Janis Joplin meet. They may not be important but what had gone out of them is. And it is an expression, the performance, the music as a mission and a mean of communicating with the audience.


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FIAT TEATAR GERILA

12. septembar 2018.18.00h / KIC “Budo Tomović” / DODEST / 90 min

Dramski eksperimentalni studio “Đeca cvijeća”

ZALUTALI METAKRežija: Branko Kovačević

Riječ je o autorskom projektu Branka Kovačevića u kojem jedinu ulogu tumači Đorđe Grujić.Ovo je priča o zgodama i nezgodama veterana Gospodina X, sakupljača sekundarnih sirovina, kada nelojalna konkurencija, suptilnim metodama, nastoji da ga otjera sa njegovog posjeda.

FIAT THEATRE GUERILLA

12th september 2018.18.00h / Montenegro Cultural and Informative Centre „Budo Tomović“” / DODEST / 90 min

Experimental drama studio “Đeca cvijeća”

STRAY BULLETdirected by: Branko Kovačević

This is an authorial project of Branko Kovačević with a main and only role played by Đorđe Grujić.This is a story about fortunate and unfortunate events of the veteran Mister X, the collector of the secondary raw materials, in times when the disloyal competitors try hard to force him out from his property through their subtle methods.


FIAT KNJIŽEVNOST 11. septembar 2018.22.00h / Dvorište Kuslevove kuće

Promocija knjiga Boža Koprivice

I dečak može obećati Fudbalski jezik je pâs. Dupli pâs.Damari nara krv mi pretvaraju u plam.Kad si u driblingu, srce te premaša.Dribling je lični sekund mitologije.Progonjeni jelen traži vodu.Dribling nema domovinu.Preplivati Crno jezero.Dribling je vaga krvi.Rano u nedelju obući belu košulju i predriblovati podne.Koliko mora stane u oko, toliko lepote stane u dribling.Dribling je čistiji san od sna.Produžiti liniju grčke vaze.Večito detinjstvo.

Božo Koprivica rođen je u Nikšiću 1950. Diplomirao je Svjetsku književnost na Filološkom fakultetu u Beogradu kod profesora Vojislava Đurića. Napisao je knjige: “Volej i sluh” (1992), “Vrijeme riječi”, “Razgovori sa Borislavom Pekićem” (1993), “Kiš”, “Borhes”, “Maradona” (1996), “Dribling 1001 noć” (2006), “Samo bogovi mogu obećati” (Ljevak, Zagreb, 2010; izmijenjeno i dopunjeno izdanje – Geopoetika, 2014). Priredio je “Zbornik o Danilu Kišu” za časopis Ars (Otvoreni kulturni forum, Cetinje, 2005, 2009).

Radio je kao dramaturg po pozivu u Jugoslovenskom dramskom pozorištu, Narodnom pozorištu, Bitef teatru, Zvezdara teatru, Kraljevskom pozorištu „Zetski dom“, Crnogorskom narodnom pozorištu, festivalu „Grad teatar“ u Budvi. Sa Emirom Kusturicom snimio je igrano-dokumentarni film „Sedam dana u životu jedne ptice” za francusku televiziju. Igrao je oca u filmu Boa Viderberga “Klinac, fudbalski reprezentativac”.Ima dvije kćeri, Ivanu i Jovanu. Obije su grobarke od rođenja.Živi u Beogradu. Navija za Partizan.

San ulice Učinio sam od sebe ono što nisam znao, a ono što sam mogao, to nisam učinio.Brecht ili Pesoa ili ja.... Zašto prognoza za licemjere? Zato što zanima-nje licemjera ima danas najviše preimućstva. To je Don Žuan, peti čin, pojava druga. Pa dalje: Šta misliš, koliko ja poznajem onih koji su sjaj-nom odorom skrili sramotne postupke svoje mladosti, koji se odjećom vjere služe kao štitom da bi se ponašali kao najveći podlaci....

SAN ULICA LOPTA

UČESNICI:Balša BrkovićBrano MilačićĐorđe KustudićAna Vujošević

Promotion of the books by Božo Koprivica

The boy could make a promise too The language of soccer is a pass. A double pass.The strength of pomegranate turn my blood into a fire.When you are dribbling, the heart upbeats you.Dribbling is a personal second of mythology.The haunted deer is seeking water.The dribbling has no homeland.To swim across the Black Lake.The dribbling is a scale of blood.To wear a white shirt on Sunday and dribble a Noon.The dribbling is clearer than the dream.To extend the line of the greek vase.Eternal childhood.

FIAT LITERATURE 11th September 201822.00h / Kuslev´s House Garden

Dream of the StreetI have done with myself what I did not know, and what I could have done, I didn’t doBrecht, Pessoa or me… Why the prognosis for hypocrites? Because being called a hypocrite has so many prerogatives today. It’s a Don Juan, fifth act, appearance two. And then: What do you think, how many of those who cover sinful deeds of their youth by the shinny robe do you think I know, those who use the robe of faith as a cover allowing them to act as the biggest villains…

Božo Koprivica was born in Nikšić in 1950. He gradueated world literature from the Faculty of Philology in Belgrade in a class of the professor Vojislav Đurić. He has written several books: “Volej i sluh” (Volley and hearing) (1992), “Vrijeme riječi” (The time of words), “Razgovori sa Borislavom Pekićem” (Discussions with Borislav Pekić) (1993), “Kiš”, “Borhes”, “Maradona” (1996), “Dribling 1001 noć” (Dribbling 1001 nights) (2006), “Samo bogovi mogu obećati” (Only gods could give a promise) (Ljevak, Zagreb, 2010; edited and revised edition – Geopoetika, 2014). He attributed to the “Zbornik o Danilu Kišu” (Collection on Danilo Kiš for the Ars Magazine (Otvoreni kulturni forum, Cetinje, 2005, 2009).

He had worked as a dramaturge upon call at the yugoslav Drama Theatre, National Theatre, Theatre Bitef, Theatre Zvezdara, Royal Theatre “Zetski Dom”, Montenegrin National Theatre, festival “City Theatre” Budva. He made a feature documentary film “Seven days in the life of a bird” with Emir Kusturica for a French TV station. He played the role of father in Bo Widerberg “Kid, a soccer representative”. He is a father of two daughters, Ivana and Jovana. They are both Partizan soccer fans - grobars. He lives in Belgrade. He supports Partizan.

A DREAM A STREET AND A BALL

PARTICIPANTS:Balša BrkovićBrano MilačićĐorđe KustudićAna Vujošević


LOVE IS IN THE AIR (Ljubav u vazduhu) je svjetlosna skulptura koja reaguje na okolne zvuke. Izrađena je od čelika, galvanizovane žice, optičkih vlakana i LED sijalica na ljeto 2018. godine.Katarina Tomašević Crawford, rođena je Titograđanka. Nakon završenih studija na Likovnoj akademiji na Cetinju i Ecole Regional D’ Expression Plastique u Lilu, u Francuskoj, istražila je raznovrsne umjetničke discipline, iako je vajanje i dalje njen najvažniji medijum. Pored vajarstva tu su i scenografija, kostimografija, modelovanje stakla u pećima, tradicionalno pravljenje namještaja od punog drveta, a radila je i kao likovni terapeut i likovni pedagog. Izlagala je na mnogim grupnim izložbama u Crnoj Gori, Španiji, Francuskoj i Engleskoj, od kojih se izdvaja „Shrinking childhoods“ iz 2005. godine u galeriji Tate Modern u Londonu. Nedavno se predstavila na „Montenegrin Cultural Symphony“ u Europe House Westminster u Londonu, u organizaciji Ambasade Crne Gore a na Southern Soul Festivalu u Ulcinju je izložila svoju prvu svjetlosnu instalaciju. Živi i radi u Londonu.

LOVE IS IN THE AIR is a light sculpture which reacts to the sounds from it’s surrounding. It was made out of steel, galvanised wire, fibre optic and sound reactive LED lights in summer of 2018. Katarina Tomašević Crawford was born in Titograd. After completing studies in Academy of Fine Arts in Cetinje and Ecole Regional D’ Expression Plastique in Lille, France, she ventured into exploration of different artistic disciplines. Nevertheless to her sculpting had always been most important medium. Besides sculpting, she does set design, costume design, furnace glass modelling, traditional wood furniture making and works as a painting therapist and pedagogue. She has presented her work in many collective exhibitions in Montenegro, Spain, France and UK with noticeable exhibition ”Shrinking childhoods“ from 2005 in Tate Modern Gallery in London. She has recently presented her work in ”Montenegrin Cultural Symphony“ in Europe House Westminster in London, hosted by the Montenegrin Embassy as well as the Southern Soul Festival in Ulcinj where she has exhibited her first light installation. She lives and works in London.

FIAT LIKOVNI PROGRAM / FIAT VISUAL ARTS PROGRAM Prodajne izložbe / Sales Exhibition

LOVE IS IN THE AIR

Katarina Tomašević Crawford

7 — 16. septembar2018.Dvorište Kuslevove kuće

7th— 16th September 2018Garden of the Kuslev’s House


Aleksandar Vukotić

ORGANIKA

“Vukotićevi piktogrami su pokušaj likovnih doživljaja, otkrivanja i fiksiranja a time i razumijevanja onoga što na nas ostavlja utisak ili čime smo opsjednuti, sa svojim energičnim vezama i napetošću - i u tom smislu, makar u jednoj tački donose svijetlo u zamućenost i sivilo našeg razasutog a opet kompaktnog svijeta.

Vukotić’s pictograms are an attempt to pictorially grasp, expose and fixate, as well as comprehend encounters that strike us or even obsess us with their energetic relations and tensions - thus, at least in puncta, they bring some light into the muddle and greyness of our dispersed yet compact world.”

Prof. Dr Phil. Vladimir Vukićević


7 — 16. septembar2018. / 7th— 16th September 2018Kusleva kuća / Kuslev’s House



U segmentu filmskog programa pod nazivom “Pomijeranje granica” na 33. FIAT-u biće prikazan film Au Revoir Montenegro, Gojka Kastratovića u okviru omaža našem reditelju a drugo veče kratki filmovi Normana McLaren-a. Pomijeranje granica jeste nešto što u mnogome opisuje rad Gojka Kastratovića. Počeo je karijeru u vrijeme velikog zamaha jugoslovenskog filma na projektima poput Neretve, Veljka Bulajića. Bio je autor brojnih dokumentarnih filmova koji su opisivali značajne crnogorske ličnosti i događaje. Kao direktor domaće produkcije Avala film producirao je neke od kultnih filmova: “Mi nismo anđeli”, “Kako je propao rokenrol”. Izbor teme, kao i temeljit i studiozan pristup, činili su da Kastratovićevi projekti postanu nezaobilazan reper.Norman McLaren je autor neobične imaginacije, društveno svjestan, humanista. Njegovi kratki filmovi tretiraju odnose u društvu i među ljudima na razne neobične načine, poigravajući se sa sinhronizacijom zvuka, muzike i slike, intervencijama na filmskoj traci, McLaren surealnim načinom priča zanimljive životne priče.

OMAŽ GOJKU KASTRATOVIĆUCrnogorski reditelj i producent Gojko Kastratović je rođen 1938. godine u Beranama. Fakultet dramskih umjetnosti, odsjek za filmsku i TV organizaciju završio je u Beogradu.Kao asistent, pomoćnik režisera i režiser II ekipe radio je na dugometražnim igranim filmovima: “Bitka na Neretvi”, “Sarajevski atentat”, “Čovjek koga treba ubiti”, “Veliki transport” i dr. Reditelj je televizijskih drama „Baraba“, gdje je bio i autor scenarija, „Pusta zemlja“ po djelu Mihaila Lalića i „Suđenje đeneralu Vešoviću“. Između ostalog, režirao je i dokumentarne TV serije „Tuđinci i izvanjci o Crnoj Gori“, „Glasoviti crnogorski junaci“ i „Dinastija Petrović Njegoš“, dokumentarne filmove “Evanđelje zla”, “Sili u inat”, “Jovan Tomašević”, te dokumentarne reportaže “Nenadna”, “Tragom pismenosti”, “Vojvoda Miljan Vukov”, “Iguman Mojsije Zečević”, “Luča mikrokozma” i druge.Kastratović je bio pomoćnik direktora Televizije Titograd za proizvodnju programa od 1977. do 1987. godine, u Avala film - Beograd bio je direktor proizvodnje domaćeg filma od 1987-1999. godine.Bio je producent i izvršni producent na filmovima poput „Mi nismo anđeli“ Srđana Dragojevića, „Početni udarac“ Darka Bajića, omnibusu „Kako je propao rokenrol“ Gorana Gajića, Zorana Peza i Vladimira Slavice, dokumentarnog filma „Lajbah: pobjeda pod suncem“ Gorana Gajića i dr.Autor je značajnih publikacija o istoriji filma u Crnoj Gori: „Crnogorska kinematografija i filmovi o Crnoj Gori“ (1999) i „Istorija crnogorskog filma“ (2006).Bio je predsjednik Udruženja filmskih radnika Crne Gore, član predsjedništva Saveza udruženja filmskih radnika SFRJ i član skupštine i predsjedništva Festivala jugoslovenskog igranog filma u Puli. Dobitnik je Trinaestojulske nagrade za 2014. godinu, kao i mnogih drugih priznanja za svoj rad u oblasti kinematografije.Kastratović je bio osnivač i prvi direktor Crnogorske kinoteke u periodu od 2000. do 2007. godine.

FIAT FILM / POMIJERANJE GRANICA

13. septembar 2018.22.00h / Dvorište Kuslevove kuće

Urednik filmskog programa: Vladimir Vučinić

POMIJERANJE GRANICA

Film Au Revoir Montenegro / 25 min

During 33rd FIAT and its film programme named “Shifting Boundaries”, we will have an opportunity to see the movie “Au Revoir Montenegro” by Gojko Kastratović, as a part of the hommage to Montenegrin director, and selection of short films by Norman McLaren.Title “Shifting boundaries” clearly describes the work of Gojko Kastratović. He had started his career during the great uplift of the yugoslav film, working on projects such as Veljko Bulajić’s “Neretva”. He was an author of documentaries depicting many important Montenegrin personalities and events. As a director of domestic production company “Avala” he produced films such as “Mi nismo anđeli” (We are not angles) and “Kako je propao rokenrol” (The fall of Rock&Roll). The selection of theme, as well as the thorough and studious approach made Kastratović’s movies become an unavoidable achievements.Norman McLaren was an author with unusual imagination, socially responsible, humanistic. His short films treat the relations inside the society and among people differently. Playing with music, sound and picture synchronisation, as well as the intervention on the film role, McLaren tells interesting, life stories in surreal manner.

HOMMAGE TO GOJKO KASTRATOVIĆMontenegrin director and producer Gojko Kastratović was born in Berane in 1938. He graduated in film and TV organisation from The Faculty of Dramatic Arts in Belgrade. As an assistant, assistant to director and director of the second crew, he worked on feature films: “Bitka na Neretvi” (The Battle of Neretva), “Sarajevski atentat” (The assassination of Archduke Franz Ferdinand in Sarajevo), “Čovjek koga treba ubiti” (The Man to Kill), “Veliki transport” (The Great Transport). He is a director of TV dramas “Baraba”, for which he had written the screenplay as well, “Pusta zemlja” based on Mihailo Lalić’s work as well as the “Suđenje đeneralu Vešoviću” He directed documentary TV shows „Tuđinci i izvanjci o Crnoj Gori“, „Glasoviti crnogorski junaci“ andi „Dinastija Petrović Njegoš“, documentaries “Evanđelje zla”, “Sili u inat”, “Jovan Tomašević”, as well as documentary coverage “Nenadna”, “Tragom pismenosti”, “Vojvoda Miljan Vukov”, “Iguman Mojsije Zečević”, “Luča mikrokozma” and other.Kastratović was the assistant of director of Television Titograd, managing the programme production from 1977 to 1987, and in Avala Film Belgrade, he worked as a director of domestic film production from 1987 to 1999.He was a producer and executive producer on movies such as “Mi nismo anđeli” (We are not angels) by Srđan Dragojević, “Početni udarac” (The Kick-off) by Darko Bajić, omnibus “Kako je propao rokenrol” (The fall of Rock&Roll) by Goran Bajić, Zoran Pez and Vladimir Slavica, documentary “Lajbah: pobjeda pod suncem” (Laibach - Victory under the Sun) by Goran Gajić.He is an author of important publications concerning the history of film in Montenegro: Crnogorska kinematografija i filmovi o Crnoj Gori“ (1999) (Montenegrin Cinematography and films about Montenegro) i „Istorija crnogorskog filma“ (2006) (History of Montenegrin Cinema).He was a president of Association of Film Workers of Montenegro, the member of chairmanship of the Association of Film Workers of SFRy and a member of the parliament and chairmanship of the Festival of yugoslav Feature Film in Pula.He received an state award “Trinaestojulska nagrada” in 2014 as well as many other award through out his work in cinematography.Kastratović was a founder and the first director of Montenegrin Cinematheques between 2000 and 2007.

13th September 201822.00h / Garden of the Kuslev’s House

Editor of the film program: Vladimir Vučinić

SHIFTING BOUNDARIES

FILM PROGRAM / SHIFTING BOUNDARIES


Norman McLaren (1914-1987) Kanadski autor škotskog porijekla, reditelj brojnih kratkih filmova koji su pomjerali granice kombinujući sliku sa zvukom, grabanje filmske trake, direknto farbanje na traku, bili su neki od metoda koje bi McLaren izabrao da ispriča priču. Za McLaren-a je, istoričar animacije, profesor Giannalberto Bendazzi rekao: “McLaren je bio introspektivni pesnik, delirični sanjar pokretnih geometrjskih formi i istraživač manje poznatih oblasti filmske umetnosti. Za jedan ljudski život i više nego dovoljno.”

Dobitenik je: Oskara, BAFTE, Srebnog medvjeda u Berlinu, Zlatne palme u Kanu i drugih nagrada. Njegovi filmovi su uvršteni u Uneskov program Memorija svijeta (UNESCO's Memory of the World Programme)

Normana McLaren-a možda najbolje opisuje anegdota za dobijanje Oskara. Naime, vijest o prestižnoj nagradi McLaren-a je zatekla u Indiji ( jedan u nizu njegovih socijalnih angažmana), a maestro je odgovorio: „Hvala, ali ko je taj Oskar?“

Norman McLaren (1914-1987) was a Canadian author with Scottish descent, the director of numerous short movies that had shifted the boundaries of film through graphical sound, hand-drawn animation, drawn-on-film animation, pixilation as some of the method he choose to tell the stories. Animation historian Giannalberto Bendazzi has said that McLaren was an introspective poet, a delirium dreamer of mobile geometric forms and explorer into the less known areas of the art of film. This is more than enough for a human life.”

He received many awards for his films: Oscar, BAFTA, Silver Bear in Berlin, Palme d’Or in Cannes and others. McLaren’s complete works were added to UNESCO’s “Memory of the World” programme.Maybe, the best way to describe McLaren is through the story concerning the Oscar Award he had received. The news on being awarded with this prestigious statue reached him while he was in India (as a part of his social engagement) and the maestros response was: “Thanks, but who is this Oscar?”.

NORMAN MCLARENBegone dull care (1949) 8 minA chairy tale (1957) 10 minHen Hop (1942) 3 minNeighbours (1952) 8 minPas de deux (1967) 13 min

14. septembar 2018.23.00h / Dvorište Kuslevove kuće / Garden of the Kuslev’s House

FIAT FILM / POMIJERANJE GRANICA FILM PROGRAM / SHIFTING BOUNDARIES


MARIJA BOŽOVIĆ

Marija Božović je rođena 1979. godine u Titogradu. Muzičku karijeru započinje kao vokalni solista, autor muzike i brojnih tekstova. Dobija brojne nagrade na festivalima i 2008. godine izdaje svoj prvi album pod nazivom “Bez najave”, a 2012. izdaje svoj prvi singl na engleskom jeziku, pjesmu “Misbehave” sa kojom se na MTV Adriji predstavila i regionalnoj publici. Godine 2018. uspješno brani magistarski rad na temu „Uloga riječi, muzike i mašte u usvajanju stranog jezika“ na Univerzitetu Mediteran.

Marija Bozović was born in 1979 in Titograd. She started her career as a vocal solo and an author of music and many lyrics. She received numerous festival awards and released her first album “Bez najave” (Without introduction) in 2008. In 2012 she released her first single in English - “Misbehave” thus presenting her work to the wider regional audience on MTV Adria. In 2018 she successfully completed her master studies in the University Mediteran with a thesis “The role of word, music and imagination in adopting the new language”.

16. septembar 2018.21.00h / Dvorište Kuslevove kuće / Garden of the Kuslev’s House

FIAT MUZIKA / FIAT MUSIC

FIAT MUZIKA / FIAT MUSIC Dvorište Kuslevove kuće / Garden of the Kuslev’s House

FM MIRDA

Klasično radijsko FM Mirda žanrovsko pretumbavanje u ključu Geschmackssache - It’s a matter fo taste - Pitanje je ukusa ili jednostavnim foršpanom rečeno - More of Everything 4 Everybody, sa pregrštom muzičkih bisera koji ne priznaju vremensku distancu.

Classical radio FM Mirda genre toss and turn - Geschmackssache - It’s a matter of taste or simply said More of Everything 4 Everybody with the handful of musical pearls not susceptible to the time distance.

DJ BRITNEY’S TEARS

Nikola Božović je podgorički producent/DJ koji je bio dio Hip Hop sastava BRT, a kasnije Trip Hop bend-a Deep Thoughts. Danas je dio sastava High Noon i pored toga kao DJ Britney’s Tears voli da zavrti retro zvuk 80-tih, 90-tih, Synthwave & Synthpop.

Nikola Božović is a producer/DJ from Podgorica who used to be a member of the HIP HOP band BRT, and later trip-hop band Deep Thoughts. Today, he is a member of High Noon who likes to spin the retro sounds of ‘80s, ‘90s, Synthwave & Synthpop as a DJ Britney’s Tears.

GEAR ACQUISITION SYNDROME

Gear Acquisition Syndrome je elektronski duo iz Podgorice koji čine Nemanja Bečanović i Ljubomir Baćović.

Gear Acquisition Syndrome is an electornic duo from Podgorica whose members are Nemanja Bečanović and Ljubomir Baćović.

11. / 13. / 15. septembar 2018.22.00h / 23.00h / 23.00h

7. / 8. / 9. / 15. septembar 2018.22.00h / 23.00h / 22.00h / 23.00h

12. septembar 2018.21.00h / Dvorište Kuslevove kuće /Garden of the Kuslev’s House


Development of creative industries in Montenegro over the last years is marked by a powerful and growing rise of self-employment inside this sector. Such tendency is visible through a growing number of small design manufacturers, arts&crafts workshops, the much daring presentation of software and gaming developers, online portals, as well as the convergency of a new media. Following such circumstances, the changes inside the creative sector are conditioned by the necessary self-regulation through market. On the other hand, already unfavourable conditions of the system continue their negative impact on a clearer understanding of the creative sector and its overall needs. Thus, on this year’s FIAT, there is a need to systematically explore such state and dissect it in order to reach a much objective and practical point of view, with a goal not only to discuss development dilemmas inside the sector, but to present an unquestionably interesting collage of new actors of contemporary Montenegrin cultural production.

Razvoj kreativnih industrija u Crnoj Gori u proteklim godinama obilježen je snažnim i sve većim rastom samozaposlenih unutar sektora. Ova tendencija vidljiva je u sve većem broju malih pogona za dizajn, arts&crafts radionicama, ali i smjelijem nastupu aktera koji se bave razvojem softvera i gaminga, online portala, ali i konvergencijom novih medija. U takvim okolnostima promjene unutar kreativnog sektora uslovljene su nužnom samoregulacijom putem tržišta, dok sa druge strane, već poslovično nepovoljni sistemskim uslovi i dalje negativno utiču na jasnije razumijevanje kreativnog sektora i njegovih ukupnih potreba. Otuda na ovogodišnjem FIAT-u i potreba da se takvo stanje sistematski ispita i secira u svrhu objektivnijeg i praktičnijeg uvida koji ima za cilj ne samo da raspravi razvojne dileme unutar sektora nego i da pokaže jedan nesumnjivo zanimljiv kolaž novih aktera savremene crnogorske kulturne produkcije.

FIAT CREATIVE INDUSTRy ART MARKET

PROGRAMSKI UREDNIK FIAT CREATIVE INDUSTRy ART MARKETADoc. dr Edin Jašarović

Assistant professor, Phd Edin JašarovićEDITOR OF THE FIAT CREATIVE INDUSTRy ART MARKET


Nina Ilić Nina IlićIstoričarka umjetnostiStvarajući predmete od umjetničkog stakla i odašiljući u prostor i vrijeme energiju “slika u staklu”želim da stvorim bolji svijet. U ateljeu Glassdizajn se rađaju najrazličitiji oblici i boje inspirisani svim onim sto čini život: radost, tuga, sjećanje, stremljenje i želja. Nina će se na ovogodišnjem FIAT-u crnogorskoj publici predstaviti sa nekoliko svojih radova u staklu i metalu.

Luka JoksimovićAkademski slikarRođen u Bijelom Polju. Akademiju likovnih umjetnosti završio u Trebinju! Živi i stvara u jednoj, dvije, tri i više dimenzija. Na ovogodišnjem FIAT-u, Luka će nam se predstaviti sa svojim slikama I grafikama.

SinonimArts&crafts radionicaSinonim je otelotvorenje višegodišnjih misli skica, ljubavi, linija,(p)okreta, larpurlartizma naslaganih u glavama dvije arhitekte i jednog grafičkog dizajnera. Naš nakit konzumentu pruža slobodu da uz pomoć boja i jednostavnih oblika na diskretan način iskaže raskoš svog karaktera. Sinonim izrađuje dizajnirani nakit, odjevne detalje i upotrebne predmete, a sve ideje realizuje kreativni tim u sastavu: Miloš Radulović, Andjela Đaković i Milena Raspopović

Ja šilaModni dizajn studioJa šila je modni dizajnerski studio koji su osnovale dvije umjetnice (Ema Alihodžić i Marija Raosavljević) koje su svoje primarne profesije arhitekturu i muziku pretočile u ideje o drugačijoj crnogorskoj modnoj priči. Unikatan, ručno rađeni modni dizajn, prepoznaje se po veoma ekstravagantnim, dinamičnim formama i teksturama, čineći dizajnirane komade pristupačne svima. Marija i Ema će nam se na ovogodišnjem Creative Industry Art Marketu predstaviti sa svojim modnim kreacijama.

Andreja Pavićević-NahmijasDiplomirani arhitekta enterijera i Master inženjer urbanizma i regionalnog razvojaBavi se projektovanjem enterijera, dizajnom namještaja i rasvjete. U slobodno vrijeme crta, slika, proizvodi upotrebne predmete. Učestvovala na brojnim grupnim dizajn izložbama. Osnivač brenda Šestar i dizajn studija Parapet.

Anđelko Vasiljević PROSVJETLJENJE izrada i prodaja dekorativne kućne rasvjete


Luka Joksimović

Nina IlićArt HistorianBy creating objects made of artistic glass and emitting the energy of “painting in the glass” into a space and time, I wish to create a better world. The atelier ”Glassdizajn” is a place where different shapes and colours are born, inspired by all of those things the life itself is made of: joy, sadness, memory, aspiration and wish. She will present several of her her works made of glass and metal to the Montenegrin audi-ence during this year’s FIAT.

Luka JoksimovićPainterBorn in Bijelo Polje. Graduated from the Academy of Fine Arts in Trebinje! He lives and created in one, two, three and more dimensions. He will present his paintings and graphics during this year’s FIAT.

Sinonim (Synonim)Arts & Crafts workshop“Sinonim” is an embodiment of many years of drafting, love, line work, movements, l’art pour l’art -ism, all piled up in the heads of the two architects and one graphic designer. Our jewellery provides our consumers with freedom to use colours and simple shapes to discreetly show the grander of his/her character.

Ja šilaFashion design studio“Ja šila” is a fashion design studio founded by two artists (Ema Alihodžić i Marija Raosavljević) who transformed their major profession, architecture and music, into a different Montenegrin fashion story. Their unique and hand-made fashion design is recognised for its extravagancy, dynamic forms and textures, making these design pieces accessible to everyone. Marija and Ema will present their fashion creation during this year’s Creative Industry Art Market on FIAT.

Andreja Pavićević-Nahmijas Graduated in interior architecture and received a master degree in urbanism and regional development.She designs interiors, furniture and lighting.In her free time she draws, paints and creates everyday objects. She took part in many group design exhibitions.She is a founder of two brends “Šestar” and design studio ”Parapet”.

Anđelko Vasiljević ENLIGHTMENT decorative house lighting manufacture


Synonim Andreja Pavićević-Nahmijas Ja šila


Učesnici i sagovornici na Forumu biće predstavnici institucija: Univerzitet Mediteran u Podgorici, Institut za preduzetnike i ekonomski razvoj, a moderator razgovora biće doc dr. Edin Jašarović sa Fakulteta dramskih umjetnosti - Cetinje.

Participants and speakers at the Forum will represent the following institutions: University Mediterranean (Univerzitet Mediteran) in Podgorica, The Institute for Entrepreneurship and Economic Development (IEED). Discussion host would be assistant professor, Phd Edin Jašarović from the Faculty of Dramatic Arts in Cetinje.

FIAT FORUM FIAT FORUM

September 12th / 12:00h / Kuslev’s House

CHALLENGES FOR THE DEVELOPMENT OF CREATIVE INDUSTRIES IN MONTENEGRO

12. septembar / 12:00h / Kuslevova kuća

IZAZOVI RAZVOJA KREATIVNIH INDUSTRIJA U CRNOJ GORI

TEENLIFTING® elektrostimulacija mišića lica, tijela i zdjelice je neinvazivna metoda pomlađivanja i rehabilitacije, inovatorice dr. Sanje Malbaše Gošović. TEENLIFTING Lica je elektrostimulacija svih mišića lica i vrata u svrhu: zatezanja čela, podizanja obrva i kapaka, podizanja obraza, nestajanje podočnjaka, izvlačenje usana i brade, nestajanje podbratka, zatezanje vrata i sužavanje cijeloga lica.

TEENLIFTING® - electro-stimulation of the facial, body and pelvis muscles is a noninvasive method of rejuvenation and rehabilitation used by the innovator, doctor Sanja Malbaša Gošović. Facial TEENLIFTING is an electro-stimulation of all the facial and neck muscles with a goal to achieve facelifting, brows and eyelids lifting, cheek lifting, under eye bags diminishing, lips and chin boost, double chin diminishing, neck lifting and overall face constricting.

Crna GoraMinistarstvo kulture

Grad PodgoricaPokrovitelji

Partneri

Sponzori

Medijski partneri

CIP - Каталогизација у публикацијиНационална библиотека Црне Горе, Цетиње

ISSN 2536-5673 = FIATCOBISS.CG-ID 25582608

www.fiat-montenegro.org

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