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A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

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Page 1: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

ACT� UNI�. S�PIENTI�E, FILM �N �E I� ST� IE�, � �2��3) �5�9�

h �rt�go of th �ngl �m�g:

�rom th �l�ss�c ��rr�t�� �Gl�tch� to th

�ost-��nm�t�c �d�pt�t�ons of ���nt�ngs1

��e ��e��y �� ���e��e!�a"��y �� ��"� �a# #� �a� $��$e���a�e! e���e� ���%�!a�e��a" �##%e# �� ��e �e"a����# &e�wee� $��e�a a�! ��e ���e� �e!�a ��.e. ����w ��e#e �e"a����# $a� &e 'e�$e�ie!, ���e�'�e�e! �� $a�e(���*e!), �� ���!e����y��( ��(%�a����# �� ���e��e!�a"��y, a�! ie�y "���"e a��e����� �a# &ee� 'a�!�� ��e way $e��a�� ��(%�a����# ���e�a$� w��� ��e �a��a��ie $���ex� ��ey a''ea� ��,

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z^q>@[{ ?BH|X}>KDBV~Kq>@[}`Xq

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�OHV{ ��OH >V ZB�H} _>OO>HX[XK@`>[b =Bq@XH@` >D� ZO>DVqB�@>[ �??OX>`|BV� H|>H HXX�?[>`B @D »>O@Vb ¼B`Bq�BO ½ ¾b ¿À¸¿} »>OH@`@?>H@XD >H H|@V `XDYBOBD`B >D� H|BOBVB>O`| YXO H|B >OH@`[B �>V ?>OH[W Vu??XOHB� �W > KO>DH XYYBOB� �W H|B =`@BDH@Y@`kBVB>O`| ¼B?>OHqBDH XY H|B =>?@BDH@> QD@RBOV@HWb H|B ºDVH@HuHB XY kBVB>O`|»OXKO>qV}

Page 2: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

66 ����� �����

o to the elt�onsh�i bet�een �ntemed�l�t nd c�nemt�c nt���t �n

genel.2

Ch�st�n Metz�s desc�it�on of th�s elt�onsh�i cn be sed s f�st

steii�ng stone �n exind�ng on th�s �de hee. �n h�s book F��� ����u���� A

S�������� �� ��� ������ he ��tes the follo��ng: �The le of the !sto � �s so

io�ef l tht the �mge, �h�ch �s s�d to be the mjo const�t ent of f�lm,

�n�shes beh�nd the ilot �t hs �o�en ["], so tht the c�nem �s onl �n theo

the t of �mges. #�lm, �h�ch b nt e one �o ld th�nk dited to tns�esl

ed�ng, tho gh the le�s el �n�est�gt�on of the ��s l content of ech shot,

becomes lmost �mmed�tel the s bject of long�t d�nl ed�ng, �h�ch �s

iec�i�to s, !nx�o s,� nd concened onl ��th !�ht�s next.� $�� ��%u���� &���

��� ��r��� ��� ��&�v�&u�� �����; �� �uppr����� ����.� (Metz '99', 4)�*, emihs�s

m�ne, +. -./ The sme �de �s h�ghl�ghted b 0ndé 1 de lt�s metiho, �ho

cl�ms tht �c�nem �s mch�ne doomed to tell sto�es� ('997, '7'/. 0nd �e

kno� tht th�s �mch�ne� fo nd �ts �del fom �n the clss�cl Holl �ood

nt��e f�lm �h�ch l�d do�n the go nd les fo the so clled �cnon�c sto �

iomoted b ��o s ioi l genes nd b sceen��t�ng mn ls i to the

�n ecent es ntolog hs beg n to fo �nto nchteed

te�to�es of �nte3t elt�onsh�is tho gh �ts i s �t of tnsmed�l conceits

nd models, nd ltho gh the �de of tnsmed�l�t el�es on tnsm tb�l�t

�nsted of the emihs�s on med� d�ffeences, on the �hole, the sech fo

tnsmed�l def�n�t�on of nt���t hs lso, �mil�c�tl , l nched the chllenge

to 5 est�on the elt�onsh�i bet�een nt���t nd med� m siec�f�c�t , o to

exiloe e�en moe siec�f�c connect�ons bet�een nt���t nd �ntemed�l�t .

M�e3L e R n concl des he ess O� ��� $���r������ F�u�&������ ��

$r�����&��� a�rr������y ��th these �ods tht io�nt �n th�s d�ect�on: �the

d��es�t of gmes tht nt��e cn il ��th the eso ces of �ts med� m �s

one of the mn esons tht mke the �ntesect�on of ntolog nd med�

st d�es, n e st�ll lgel nexiloed, �nto iod ct��e f�eld of

�n�est�gt�on.� (8<<), 8'./ The chllenge fo c�nem �s esiec�ll �nt�g �ng, s

�n the cse of c�nem, these �gmes tht nt��e cn il ��th the eso ces of

�ts med� m� e e�en moe ele�nt d e to the it�c l elt�onsh�i �n f�lm

bet�een the nfold�ng nt��e nd �ht const�t tes �ts siec�f�c med� m: the

mo��ng �mge. =o m ch so �n fct tht �e m�ght e�en s tht thee �s

cont�n o s �t g of �� bet�een ��mge� nd �nt��e,� �t g of �� tht �s

s bod�nted to the �negot�t�on� bet�een �nfomt�on ece��ed �� �ht

hiiens>o �ht �s told, nd �� �ht �s sho�n o �mil�ed b s�ngle �mges.

? @ BDEGIJK KNPKQEUDB UB EVUW XKWQKPE UW EVK YDJZ\K ^_`qw{q|}~�}`� ~_| �`�w�`q��}_�

�?���� K�UEK� I� �GXUK��GZXK ��GB GB� �GXUBG �XUWVG�DYG �VUPV �KGEZXKW WKYKXGJGXEUPJKW �KGJUB� �UEV \DEUDB QUPEZXKW�

Page 3: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

T�e Vertig� �f t�e �ing�e mage 6�

p�����.3

h� cl����c�l olly�oo� �������� ��l� � �� �o����ll (1���� 1�2�

�xpl���� � co������ o� �o�y�ll��� �ch���u�� ��� p����� o� ���u�l

co�po���o� h� ����c�� h� �������� ����o� �o o����� h� co���pl��o�

o� h� p�co���l �u�l���� o� h� ����� bu o����� h� co�p��h����o� o� h� plo

��� h� u����������� o� coh���� c�u�� ��� ����c� �� ��ll �� ��� ��� �p�c�

��l��o�� �� ��l�. h�� �o c�ll�� ���l�-����c���� �yl� ��� h� ���������

p����u��� �c��� ������ h� p��c�p�o� o� ����ul�� ������ h�� b��� ��ply

���cu���� �� ��l� h�o�y.4

I� cou���p�� c�� b� ��������� �� �h� o� �u����� ���c��b�� �� �

���ou�ly ��ou��-b������� ���cl� �� h� �c����� o� ���c�o��� (1��0�.

Acco����� o �u����� ���ly ��l� c�� b� ������� �o �� � �o�� o� �o�y�ll��� bu

�� � �p�c�cl� p������ly �ocu��� o� h� �h��������� o� ����b�l�y�� o� h�

������o� o� ����u�l �u�p����.� A� �u����� ����� �h� �����o����o� o� ��l��c

���cou��� �! h� l���] bou�� c������c ���������� o h� ������o� o� �o���� ���

h� c����o� o� � ��l�-��clo��� ������c u�������� (1��0� �0�� �.�. h� p�oc��� h�

�ubo������� h� ��ho����� o h� ��ll����� c�� ����ly b� ���� �� �� ��h����

����l�y� ��� � "��� ��� Ab�l �o�y� ��h �������� �����l��� h� ���c��

po���b�l���� o� � you�� �co�ocl���c �o�� o� ����������� (1��0� �0�.5

N����h�l���� h�� oppo���o� c�� o�ly b� po���� ��h � co�������bl� ������ o�

���pl���c��o�� h� �u� o� ���� o�c�ll��o� b����� �o����ou����� h� ����� ���

�o����ou����� h� �������� �� � ��c�o� ��l�� ����� ���ul� �� h� o�l �u�������

o� o�� o� h� oh��. #u����� ���u�l co�po���o�� o��� co���u� ����c����

�o���� ��h�� h� ��ll o�l�� �������� ��ucu�� o� �����p����� ������y o�

cl����c�l ����� ��l�� �� ��ll�$

��� o��� ���� ��l�� ��h �o c�ll�� �������l���

������o� u��ol���� ������ � ��ch� ���u�l �yl�� b���� ��o pl�y ��������y

��������� o� �������� �xp�c��o�� o � ������ h� h�y c�� b� ���� �o �o

�uch �� ����c��� bu �� ��co���uc��� o� ���ply op�� ����� ���������.7

Allo���� �o� � �o�� �u��c�� ���� upo� h� ������l��o��h�p o� ����� ���

�o�y�ll���� ��� ��ploy��� � p�ycho���ly�c ������o��� �� � �uch-��holo��z��

% &') *+,d/8),9/: ):)8),9; <* 9'=; >?/,<,=? ;9<@BC 9'/9 D<@dw):: d);?@=E); =, '=;

E<<F Garrati�n in t�e HiJti�n Hi�m KLMOPQ ?<@@);R<,d 9< 9') *)/9+@); =d),9=*=)d EB

S/@=)UW/+@) XB/, =, w'/9 ;') ?/::; 9') >?<Y,=9=Z) 9)8R:/9) ?<,;9=9+9=Z) <*

,/@@/9=Z)C =, =9; 8<;9 Y),)@/:[ 9@/,;8)d=/: ;),;) K\^^P[ _ PQ`

_ j<@ / @)?),9 Z=)w <, 9') ;+Ek)?9 ;)) q)@;9@/9),s; /,/:B;=; K\^^MQ`

P v),?)[ ){9),d=,Y 9') 9)@8[ @)?),9 ,)w 9@),d; 9'/9 /Y/=, R:/?) 9') )8R'/;=; <, 9')

;'))@ Z=;+/: ){R)@=),?) <* 9') =8/Y) /@) ?<,;=d)@)d /; ;<8) F=,d <* @)9+@, 9< 9'=;

R@)U,/@@/9=Z) R/@/d=Y8 =, 9') *<@8 <* 9') >?=,)8/ <* /99@/?9=<,; @):</d)dC

K|9@/+Z),[ \^^6Q`

6 j<@ ){/8R:); <* 9'=; ;)) ;)Z)@/: );;/B; =, 9') Z<:+8) T�e }inema �f ~ttraJti�n�

�e��a�e� K\^^6Q`

� �`Y` 9'=; =; 9') ?/;) <* 9') *@/Y8),9)d 8<d)@,=;9 ,/@@/9=Z); <* S=?'):/,Y):<

�,9<,=<,= /,d '=; *<::<w)@;`

Page 4: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

6� ����� ����

eay n ��iua� �eaure in narra�i�e cine�a�� �aura Mu��ey �a ana�yed ��e

way ��e i�age � w �en in c�aica� � ��yw d � �ie arre� ��e �� w � ��e

narra�i�e and � w c�aica� narra�i�e dea� wi�� uc� � �en�� and �a�ed ��a�:

�T�e reence � w �an i an indi enab�e e�e�en� � ec�ac�e in n r�a�

narra�i�e �i��� ye� �er �iua� reence �end � w rk again� ��e de�e� �en� � a

� ry �ine� � f���z� th� flo� of ��t�o� �� mom��ts of ��ot�� �o�t�mpl�t�o�. T�i

a�ien reence ��en �a � be in�egra�ed in� c �ei n wi�� ��e narra�i�e.� �1975�

11� e� �ai �ine� �. �.) Fe�ini� and Freudian in�er re�a�i n � ��e ga�e aide�

��i i �rue n � n�y � r ��e i�age � ��e bjec�i�ied r ae��e�ici�ed w �an in ��e

�eyday � � ��yw d genre �i��� bu� � r any �a��rac�i�e� ing�e i�age in ��e

cine�a� a we��. !n a �a�er b k en�i��ed D��th "# $ � %��o�&' %t�ll��ss ��& th�

(ov��* Im�*� �2++0) Mu��ey �ere�� c nider cae in w�ic� � �en� �

�i��ne break ��e �� w � � �ing i�age� and � uing ,ay� nd -e�� ur� �er� /

crea�e a � eni�e ec�a� r� w� can n � n�y �e3 erience ��e kind � re�erie ��a�

-ar��e a cia�ed wi�� ��e � � gra � a� ne� bu� ��i re�erie reac�e u� � ��e

na�ure � cine�a i�e��. T�i aue � r ��e ec�a� r� uua��y ��urried� by ��e

� �e�en� � b �� �i�� and narra�i�e� en a ace � r c nci une � ��e �i��

�ra�e wi��in ��e � �ing i�age��8

F cuing n ��e �eer �iua� �eaure � �i��ne �ean bec �ing c nci u

� ��e ing�e i�age in cine�a and e3 eriencing i� d ub�e re�eae �r �: a) being

incribed wi��in and ubu�ed by ��e narra�i�e �� w� and b) �r � e3 eriencing

i� ri�ari�y a an inde3 � a r 4�i��ic rea�i�y� th;s �$p��������* �ts

<�m�*���ss= �s som�th��* mo�� op�q;�. And w�ene�er ��e i�age �c� e u �

u n i�e�� in ��i way� a� ��e a�e �i�e i� �ay a� � en u � � ward i��u ry

in�er4�edia and in�er4ar� ��rangrei n�

�e��ing ��a� i �uua��y c ncea�ed by ��e

�i��� � �e�en�� [and] i� ar�icu�ar�y �r ng incri �i n � ��e inde3� �Mu��ey

2++0� 1>0).

?

� P@BCEGH JKL EN@HL OEJK JKL BCL QR GLO JLSKGQUQHELC N@V K@WL @ CENEU@X LRRLSJY EZLZ

N@V \^XEGH JQ JKL SEGLN@ JKL XLCQG@GSL QR JKL CJEUU _KQJQHX@_K` x{BUWLV |}}6Y ~�6�Z� � K@WL �ECSBCCL� JKL XLU@JEQGCKE_ ^LJOLLG \Q_@�BL` EN@HLGLCC @G� EUUBCQXV EGJLX�@XJ

JX@GCHXLCCEQG QR JKL EN@HL RXQN @ �ERRLXLGJ @GHUL EG �K@_JLX �KXLL QR NV ^QQ�x������ ��� ��������������� ��� ������� ��� ��� ��� ��¡����Y LGJEJUL� ��� ¢���� ��� £���� £�¤�¥ ¦���§�� ��� ¦��§¨�§��� ©���¡��� �� �������������� �� ��� ��������¨���ª� «¬­®¯° ±²³³´ µ¶·~¸��Z

bec �ing � re �ike a ing�e

� � gra � r a ain�ing. ¹e can ee an e� ºuen� e3a� �e � ��i in ��e cae �

cer�ain eºuence � cued n ��e r�rai� � Mar�ene »ie�ric� in ¼ e� � n

½�ernberg� �i�� �ee in Fig. 1 i�age �r � ��e r � nged c� e u �r � ��e

%h��*h�� ¾$p��ss� 19¿2� a c� e u ��a� �a bec �e ne � ��e � � ��en

re r duced � � gra � � Mar�ene »ie�ric�). Àr we �ay e3 erience a i�i�ar

�en �en n in � dern cine�a w�ere �i�� c � i�i n ��en c nci u�y

Page 5: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

T�e Vertig� �f t�e �ing�e mage 6�

b���k �ow �� b������s b�w�� c�� � �� �� o��� ��su�l ��s, �� ��� o��

s�u���� w�� sy bol�s .1�

��us ��� ����l�y �� o-�������y, o� ��l�� �� ������� ��� usu�lly

s�o�ly bou� o�����

��� �l�y�ul ������� ������ sc�� ��o �� cl�ss�c

us�c�l ����c�� by ����l�s ��l��s, �h� !�"��# $�#�%� (&9')* �k�s ��s

��oc�ss s�l�-���l�x���ly �x�l�c�. [+��. /.] H��� w� s�� bo� �� w�y � wo � �s

����� l�k� � ��cu�� �� �ow suc� � ����s�� � ��� b�co �s � ���s�ol�

b�w�� c�� � �� ������c ��s. +��s w� ���� � �#02p� ��0��� s��� ��ol���

� o�ol�ss o��l �� � �����, w���� ����lly w� co�us� �� l���� o��l

w�� � ��cu�� �s �� w����� o� �� ��� � �����ls �� �� o��l �s � ��c

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such hrough he fi�� � o� such �n �nscr�� �on,1� I �ro�ose o ou t�ne �s ��oss��te st�ce o� � n�rr� otog�c�t �ers�ec ��e o�er �n ermed��t� l w� h�n ��tmsome o� he modes �n wh�ch s�ec���c ��gur� �ons o� �n ermed��t� l c�n �n er�c w� h he n�rr� ��e s ruc ure o� � ��tm, �ns �nces o� �n ermed��t� l h� �reex�er�enced somehow ��� he consc�ousness o� s�ngte �m�ges, or some k�nd o���m�geness.�1� As � �ur her det�m� � �on I �ro�ose o �resen ontl �ns �nces h� c�n �e �� ed �n he c� egorl o� �i�� �� �ia� � f � �� � �n � s n�rrow sense,1�

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�a�n �ngs �ec��ng �re han prps �n a se �ng fr a narra ��e al a�s �r�ngan e�cess f s�gn�f�ca �n c�ne�a �c represen a �n ha �s n eas�l� def�ned.�a�n �ngs �n c�ne�a al a�s cas a cer a�n �aura� arund he�r referen , and he�are al a�s �a rac �ns� capa�le f �ec��ng ��pr�n s f he en angle�en fgrea e� �ns. � nder ha f�l� n�r narra ��es are full f pa�n �ngs (f enpr ra� s f he�r e��le�a �c charac er, he ��mm� ������), and allur�ng,pa�n erl� c�ps� �ns acc�pan��ng une�pec ed pl �s s, and �er-��l�ng ens�ns. Accrd�ng !h�as "lsaesser (2002) a pa�n �ng �n a f�l� s�gn�f�es a he sa�e ��e � h �uch (seen �n he cn e� f he h�s r� f ar ) and l� le (�erel� an her ��age, a��ds he �an� hers ha �ake up a f�l�). Heals cns�ders ha �a pa�n �ng �n a f�l� f en crea es a gap h�ch he narra ��ehas � ��a e,� and h�s gap can �e f�lled e� her �� he presen a �n f an ar �s

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� �� � �ouc� o� ����� s� ���� �o�s ��ll � �� ��� ��lod���� c ���� ���y

��� �� ���y �� � ��ly ����c� �� bo�� � �oc�l " �� ��� ��o� o��l c����s o�

��� s�oy� sus�� � �� ��� sus��s� �s � ddl�� ��d � �c� �� �s � ���� bl� �o� o�

�� �� ���� c co����� ���� c�� b� o�ly � �s��k ��ly ��d ���� �ully �luc d���d.

!s ���� ���� ��� d���c� �� s�oy ��c��s �s closu�� suc� s�o �s ��� �bly

����s� �o ��� �s s���c� o� ��� �y�� o� ��� �scu��bl� ���u� o� ��� � � �y�

so���� �� ���� s bo�� �l�u���d ��d �o��� ���old�d by ��� � �� �� o� �

�o���. !� ��� s��� � ��� ���s� � �� ��s �� �lso �ok �� �ss��� �lly o� ��

�����d �l l���l by �x� b � �� � ���u�l co��o���� o� b������ ���

��s����� o��l �od�s o� c ���� ��d � �� ��� o �� �� � ��� � �s +ls��ss�

su���s�s � �o ��� su� o �y o� ��� �o� �� c�u� o�� ��� �x�ssly �b�d

� �� ��� by ���� �� �s�l� �� ��� �s��s o� � c�o �l �o� ��� c ���� ��l�d

bu� �� � ��� �lso

s�y � +ls��ss� �dds � ���� � �c� ����s o�� o� ,odoo��s o�� �s o� ���

�����s� c� � �o�� ��� � co�s s���� u�d�c d�b l �y o� d scous�s.� '� � l�s l k�

���o /�� ����s L���� $&944)� 0 �" 1����s 3�� W56�� �� ��� W��85w $&944)�

J�c�u�s ,ou��u�s E;p���6��� P���<5�� $&944)� = �c�cock�s >�?�@@� $&94%) o

A�����5 $&9CD)� ��d s����l o���s �o� ��� � l� �o c��o�� ���� �� o����

u��olds �s � s��-by-s�� cl� � c�� o� o� �� �� ��� ��bod �d � � � �� ��.

[0 �. C.]

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Page 10: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

7� ����� ����

t nsume� ��00�) r reversel� t t�e superirit� f t�e painting ��

fregrunding t�e limits f its me �ani all� reprdu tive nature. In mdernist

art inema t�e mannerism indu ed �� t�e �its �� prtrait disappears and

w�ile t�e �asi fun tin f t�e pi ture as a riddle wit�in t�e narrative is

preserved its media reflexive ptential �uilding n t�e tensin �etween t�e tw

art frms is mu � mre emp�ati and sp�isti ated.2�

On t�e t�er �and t�e ex ess f signifi atin sensed in a painting t�at is

intrdu ed in a film an nt nl� ma�e it li�e a sp�inx t�at guards a m�ster�

�ut an smetimes ma�e t�e painting �e n eived literall� as a �representatin

t�at �ides ant�er.� A pi ture t�at a rding t ppular �elief is alwa�s

�wrt� a t�usand wrds � an �e used as a representatin t en r�pt a

narrative t �ide a str� a str� t�at needs t �e uneart�ed and de ip�ered

t�rug� t�e plt. ��us we �ave film narratives feeding n t�e s�eer ex itement

f a �arn �eing unravelled frm t�e �a-narrative� ex ess f visual

representatin and present paintings as fssili�ed stries t�at preserve

fragments f private and pu�li �istr�. One su � film is Th� V����h��� Po���

�C� ��� ��� !��" o�� #�: $� %!��è&� '������, �00() dire ted �� *aurent de

Bartillat in w�i � finding t�e presumed lve str� f +atteau and �is muse

�idden �� a painting is s�wn in parallel wit� �and allegri�ed ��) t�e

un vering f a pi ture wit�in a pi ture and a painting underneat� a painting

and in w�i � t�e t�rill f dete ting t�e str� itself f explring s anning t�e

minute details f a painting f getting immersed int t�e visual wrld f a

painter equals t�e ex itements f a dete tive str�.22

/1 34568 9;<=5>? 4@=DE54? <;?cF??;8G HJ;? KF8cH;L8 LK HJ4 E=;8H;8G? 45LMF48H5N

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T�e Vertig� �f t�e �ing�e mage 7�

�l�o � �ood �x�pl� o � ����� ��� �� �h��h h� �x���� �� �������� �o��d�� ���d �� � p��� ��� ��old� �y ��y o ������� �� (o� h�� o�y) �� p���� �h�� o�y. �� h��� h� ��� p� ��� �� h� G��� w��� � ����� ������� (!� ��������, "##3), $%��&é�u��: '�� N�*�+ M�-� (/999) �y B���� L���, o� �� !� ��0�������y�� N����w��1���� ("##2). 4� ���h o h��� ����� h� �l o��� ������ ��� �o� �x ��l�z� �o� o � ����l� ��l���. 56��. 2.] B�l8� ;�d�l ("#/"�)�d�� ���d ���h � ������� �� � <�y ����� �� h�� o����l ��op��� �h��h o ���o�� ��� h��� � o���� �� � <��d o =p�y�ho>�<p������ =��o��d � � ��h> ��l���� h� �� �ho�� �� h�� � h� ��������� o� � h� �o��l���o� o h� �l (�.�.���?�b���@ /999, ���?�b���@ ��� G%�+�� A��@ "##2, o�C '�� Du���, "##EFH ;�d�l�l�o po�� � o� h� h� ��l� �o��h�p �� ���h h�� o����l o� =h��� ��� �l���� ���� �p�� ��l� ��d ����� ��� �� h�� ����� �d, �� h� � o�y =���o�� ���l��o�� � ��p �o� ��o��d h� � ��h> ��l���. 56��. I.] 4� '�� ���&��� J�&�s %KO���P $QQQ ��d '�� M�+��ss %K R��� G�%��� h� ��l��� �� �� �od���d � h���������� o h� �l, �lo� �� � y h���l po�� o o����� o� h��� �� �o�� h� ���< o� h� �� ��h��d h� p��l�� ����� (;�d�l, "#/"�, S").

UW XYZ [Z\Z^_`cvZ jk^qZ k{ |}_~Z�� �kvc\~ {^k}

|\��c^_`ck\ `k ��_�`_`ck\

���� �������� �� ��������� ��� ���������

0��� � d����d p��� �x � �� h� = h���hold� o �� ��p�� � �o�,� o� ��o ���!h�l�pp� L������, �� = h� ����� o h� 5p��� �d] �x �h��h �� ���l� y �o� �ol�o���� �hol� ���d��� 5o h� �x ]� (/992, "). 4� �����, �o� ���, �o �x � �� ��������� o �o���� � p��� ���� ��� ���d o �� �od��� h� �l, p��� �����pp������ �� h� ���<��o��d ���� �po� �h��h h� op����� ���d� � ���oll, o�� ��d��� �� ���� h� � l� ��d h� �ody o h� �l � ��l. 4� ���h ����� �o h h��d��l d������� ( h� �x ���l o h������) p����p ��l� �� h� p��� ����, ��d h����o��� �o�� ������ �d �y h� ���h o h� ��l��� p��� ����, d��� h� �p�� � o��o � oo ���ly �����o� �� h� � o�y, �o�� � � ��� �� =o�� ��l�� h� h�� o ����<�o�l�d��d ��d p�������d �� o�� ��d�, ��d �� � =���o�� o �h��h �����p�� h� �� ��ll ���d o �� ��� � �� h����� ���� h� �hol� �l o loo< �� oo��� o�� �� o�d�� o ��� h� �hol� p�� ��� o�� �l���ly ( h��, �o h� ���y���������, ���h � d����� �� �l�o �������� � ��<�dly ��l�x���, �o�>l�����=���d���� o h� �l). ���h ����� ��� �l��y� p�lp��l� =����� ��� h� ���p h� � o�y, ��d = h���hold� o �� ��p�� � �o�� ���o�d. ��d �h�� � �o�� o�� ��p�� � �o�, h�y o �� po�� o�� ���� �o�� h�� ���� �������, h� h���y ��d����� �� = �x ���l� y� o h� p��� ��� old��� o� o ��d ���p��� �� o h�

Page 12: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

7� ����� ����

cne�a�c �a e� �ha� f�ll�w, h�wever, w�h�u� �� �l��e�� ever �en �lu�e�

�� �he narra�ve�

An�re iark�v�k� �ake� �he vewer c�n�e� la�e a �e�al �f �e�nar�� �a

Vnc�� unfn�he� an� al���� ��n�chr��e an�n , T�� �do����o� o� ���

M�g� a� �he ca�era l�e� �l�wl� a��ve �he �urface �f �he canva� a� �he

�e nnn �f T�� S�������� (!986), n�r��ucn n�� �nl� ke� ���f� �f �he fl�,

�u� e��a�l�hn a ra �r� w�h �he cne�a�c �a e �ha� � ��lar �� rel �u�

c�n� �ne ��uche� an� �eh�l�� w�h reverence, a ra �r� �ha� iark�v�k� �f�en

un�er�c�re� n h� fl��� Bernar�� Ber��lucc ha� �hree fl�� �ha� nv�e �her

� ec�a��r� �� ��e �ver �he �hre�h�l�� �f an�n � �ef�re �en ��er�e� n �he

�e e�c w�rl� �ha� � en� u n �he cne�a�c �a e�� T�� L�"� T��go �� #���"

(!9$2) �� la�� �w� an�n � �� %ranc� Bac�n n �he ��le �equence� ihe�e

an�n � are u�e� a� ara�ex�� �ha� �e� �he ���� f�r �he ���r� �ha� wll unf�l� n

�he fl�, �n�n �� a ��urce �f n� ra��n �ha� enera�e� �he � ecfc

ex ec�a��n� �ha� �he fl� a��e� �� �� equal (�h� n� ra��n � la�er renf�rce�

n �h� ca�e �� �he re�e��lance n �he �r�ra�al �f �he r��a �n�� �� �he �r�ra�

�f Bac�n h��elf)� &% � 9�] '�larl�, No*�����o (!9$6) �e n� w�h �he

re r��uc��n �f +u�e e -ell..a �a V�l e���� an�n , �he Fo/��� 0"����

(Q/���o S���o, !91!) an� �hu� f�re�ha��w� n�� �nl� �� �e�l� cal c�n�en� �u�

al�� a narra�ve ��ul�e� a� a �ere� �f l���el� c�nnec�e� (h���rcal) �a�leaux�

T�� Sp�d���" S�����g�m (!9$1), an a�a �a��n �f a �e�afc��nal �e�ec�ve ���r�

�� 3�r e �u� B�r e� (T�� T��m� o� ��� T����o� ��d ��� 4��o), �e n� w�h �he

en �a�cal an�al �����l�� �f �he naïve an�n � �f An��n� � a�ue (an�

renf�rce� �he un�ec�a�l�� �e�ween �u�jec�ve an� ��jec�ve vew �n��

�hr�u h ara hra�e� �f 5a r��e an� :e ;hrc� la�er �n n �he fl�)�

We can al�� ���n u�h an even fur�her ��e n �he u�e �f an�n � n �h�

re� ec�, when we have a �n�al�� narra�ve (�r a narra�ve fra �en�) �ha� �

en�rel� c�njure� u �� a���ca��n� �� �n le c�ure� a� �her re<�ex��� ih�

la��er f�r�, h�wever, � revalen� n�� �� �uch n fc��n fl��, �u� n v�e�

n��alla��n� �r ex er�en�al �h�r� fl�� charac�er��c �f �he �� calle� ���<

cne�a�c a e� We �a� l�� here �uch ex er�en�� a� =ve 'u���an�� �ran�<

�e�al.a��n �f L�" M�����", en��le� >? S��o�d" �� �@�áz�� (211C), &% � !1�] a

h h<�efn��n v�e� n��alla��n ex an�n �he w�rl� �f �he VelD.que.

�a��er ece n�� a ��rn �f �a e� a��n whch �he �ne �een n �he �r nal

an�n � �erel� �he � rn� �f 89 �ec�n�� (�a��e que���nn �� ��a�u� �f a

re nan� ���en�) w�hn a w�rl� n er e�ual ����n, �r Bll V�la�� �everal

v�e� ar� r�jec�� n� re� �� fa��u� an�n �, lke T�� G������g (!99E) �a�e�

�n �he H�"�����o� (!E28�29) �� �he I�alan ar��� -�n��r��� Al�h�u h �uch

r�jec�� are u�uall� n�er re�e� fr�� �he �n� �f vew �f �her rela��n�h ��

�e� �ral�� (a� �he f ure� �f �he an�n �r nall� c�nceve� n rela��n� �f

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T�e Vertig� �f t�e �ing�e mage 77

su���c�, sp�c�, co�poso� ��� ��co�c���d � �� ��ch�cu��l s�� ,

subo�d���d o ch�� �s � ��2�

), ��d ��o� h� po� o� ��w o� h� ���pl�y

b�w��� cl�ssc co�o ��phy ��d co���po���y sc���� culu��, dw�ll� o� h�

w�y � whch � �s � ��b�� ��011, �1) pu � �u�d�� h� �c��dulous �y�s o�

h� sp�c�o�, h� ���é� ���������� b�co��s h� ���é� ���é��������!�q��,�

���lu�� h�� ��o� h� p��sp�c�� o� ������y s p��h�ps �"u�lly ��l����#

$���s�o��� h� �oo�l�ss pcu�� �o � slowly �o�� s�"u��c� o� �� �s

� � w�y �lw�ys, p���doxc�lly, �������z�s� h� �o�-�������, h� d�sc�p��

"u�l�s o� p��� s, u��old� b��o�� ou� �y�s ��u� d��ls ���d ch�� �s) o�

� �co��l wo�ld �h�b�d by ch���c��s, ��d �o�� �ou�d� � d��sy �

�su��s, s��s�o�s, ��d ��oo�s# � h� s��� ��, h� ���s-��d�lz�o�

�lso �s�cul��z�s� h� ������d ��wo�k �s h� p��� ���s�u�s �o h� �o��

co��o� ���l� o� �o�� �� �s ��d h� ����ls ������� ����� o�

����yd�y �co�s ��d �su��s# %ow����, hs s �� ��b��l�� p�oc�ss: by

�� ��y� s�pl� �su��s ��d ���s� h�� wh h� ��so� o� c����c

������� �xp�c�o�s whl� p��s���� h� �������c� o h� p��� , h� �� �,

dsloc��d ��o� s o� ��l ����� ���d s�pp�d o� s o� ��l ���� ��� �u��),

do�s �o ���lly los� o�� s�us ��d ��s ��oh��, bu b�co��s susp��d�d � h�

��-b�w���� o� c���� ��d p��� #2&

Sho� �l�s lk� '��c�ll (�á�y*s +!� .��/ �133�) o� B�44�/ ��005) c�� b�

pl�c�d so��wh��� � b�w��� �ull blow� ������� �d�p�o�s o� s� l� �� �s,

Such pos-c����c p�oj�cs �lw�ys

�����lz� o� h� s��su�l h��sholds b�w��� �c����c� �o����� ��d h�

sll �� �, ��d �lso, ���k�dly, b�w��� ������y ��d �o�-������y, �s h�

�� �s do co����c� o u��old � possbl� so�y, y� hs s � h� s��� ��

�old�d b�ck, ��-�bso�b�d � h� ��xu��� o� h� �� � s�l� �o� ��yb�

���s�u�d o�o � �o�� ��ol�cul�� l���l� o us� D�l�uz�*s ���, �006): by h�

s��s�o� o� �o��s, colou�s, l hs, sh�dows, ��b�cs, ��d bod�s � �o�����#

89 ;<=><?< @A?CAE>=FG H8IJ8K AL<M>?AN OP �eQ�nRU at W�QXYar >? ZA[<=>\? =\ >=N

]Z\=\=^]A_ `>Av\ {A[|}~�A}�N �aU �eninaU_ <?� ]\>?=N \�= G\� @�NNM<?�N <Z=>N=>F

=AFG?>~�A_ =GA N=<v>?v \� [>vG=_ FG\ZA\vZ<]GA� M\EAMA?=_ N\�?�_ <?� vAN=�ZAN_ >?

]<Z=>F�[<Z_ �>[<=A =GA >M<vA �^ <M][>�^>?v =GA E>N�<[ FG<Z<F=AZ>N=>FN \� =GA \Z>v>?<[

�<Z\~�A ]<>?=>?v�

8� �v<M�A?�N <?<[^N>N \� �>?NAZ=>?v =>MA >? =GA >M<vAN� ��A[[N <[N\ \? =GA A��AF= \� <

?A�[^ HZAKF\?N=>=�=A� <�Z< \� =GA >M<vA =GZ\�vG =GA >?��N>\? \� M\=>\?� �A AL][<>?N�

�=GA N]AF=<=\Z ZA<[>}AN �>=G N�Z]Z>NA =G<= �G<= F<�vG= G>N <==A?=>\? >N ?\= ��N= =GA

<?>M<=>\? \� >M<vAN =G<= GA �<N �NA� =\ F\?N>�AZ>?v >MM\�>[A� �= >N_ Z<=GAZ_ <

=Z<?N�\ZM<=>\? =G<= F\?FAZ?N =GA EAZ^ ?<=�ZA \� =G\NA >M<vAN� �GA?_ >? =GA A?�_ =GA

>F\?\vZ<]G>F =GAMA G<N �AA? ZAF\M]\NA� <?� =GA >M<vAN NAAM =\ F\MA =\ ZAN=_ =GA^

G<EA <F=�<[[^ FG<ZvA� =GAMNA[EAN �>=G =>MA_ <[M\N= =\ =GA ]\>?= \� AL][\�>?v�

�ZAF>NA[^ =G>N C<>Z\[\v>F<[ N<=�Z<=>\? >M��AN =GAM �>=G < N\Z= \� =ZAM\Z =G<=

F\?N=>=�=AN =GA>Z ]<Z=>F�[<Z <�Z<� �EAZ^ >?N=<?=_ AEAZ^ >M<vA E>Z=�<[[^ <?=>F>]<=AN >=N

��=�ZA �AEA[\]MA?= <?� ZAMAM�AZN >=N �\ZMAZ vAN=�ZAN� H8IJJ_ �JK�

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7� ����� ����

and ini alist ideo installations. �oreoer, t�ese arti�ular exa les also

use t�eir inter edial referen�es to re resentations taken fro Western �ulture

in a ore �o lex intera�tion �it� t�eir suggested narraties grounded in a

s e�ifi� �ast �uro ean �istori�al �ontext, t�us i li�itl� also �onstituting

exa les not onl� of trans edial, but of trans-�ultural narratii�ations of

i�tures. �n t�e for er exa le t�e isual narratii�ation of a bla�k and ��ite

�otogra � b� t�e �ren�� �otogra �er �u�ien �eré �Th��� ��m��, ��5�� is

a��ieed t�roug� i ager� t�at �onne�ts bot� to a kind of !erna�ular�

i�onogra �� �i ages referring to s e�ifi� �ungarian �istor� filtered t�roug� t�e

st�li�ed !��oreogra ��� re inis�ent of t�e fil s of �ikl"s #an�s"� and to a

ore uniersal, �uro ean fil �istor� �t�e sa e �oto being ara �rased

t�roug� a si ilar �ir�ular �a era oe ent in #ean-�u� $odard�s ���%��&

ade in ��6'�. (�ig. ��.] )�roug� t�is t�ere is also anot�er kind of eta-

narratie tension t�at is introdu�ed into t�e fil : reading of t�e i lied

!narratie� is �ontinuall� os�illating bet�een t�e leels of reading t�e uniersal

s� bolis of i ages, and de�oding a ore s e�ifi�, !lo�al� signifi�ation, ��ere

t�e origin of t�e i ages ��eré�s �otogra �� and t�e origin of t�e �otogra �

��ran�e, *udin�ourt� �o es as a sur rising sur lus of infor ation t�at fra es

and re-fra es t�e fil ��it� t�e title being s�o�n at t�e beginning and t�e

original �otogra � itself being s�o�n at t�e er� end�. �án�i�s next si ilar

roje�t, B+//+& �0115�, ��i�� generates its i ages fro t�e sa e F�2�3h 483+3�

t�at 9ertolu��i used in N�v�c��3�, o erates er�a s een ore �ons�iousl�

�it� balan�ing in bet�een t�e effe�ts of �loseness and fa iliarit� on t�e one

�and, and distantiating abstra�tion, on t�e ot�er, onl� in anot�er �a�: t�is ti e

it is not t�e fa iliarit� of lo�al �fil � �istor� t�at attra�ts t�e ie�er, but t�e

s e�tator is literall� dra�n near to t�e surfa�e of t�e i age t�roug� t�e arked

�a ti� ;ualit� of t�e s e�ta�le, ��ereas t�e artifi�ialit� of t�e ainted

ba�kgrounds re inis�ent of <elli��a da Vol edo�s ainting �and t�us er�a s

een of 9ertolu��i�s fil � toget�er �it� t�e use of a fi�tie language �ae an

in�reased alienating effe�t.

=>?> P@ACDEGHI JDIHAK@DALC @M OQRDSLGA@HUXSEDLGAY@HZ [ED@HEpMAM

* ainterl� �o osition or distortion of t�e i age �an sere as t�e arker for

etale ti� lea s bet�een e bedded and\or ontologi�al leels of t�e narratie

�e.g. t�e lea fro realit� to fi�tion\fantas� is often s�o�n in narraties t�is

�a�: �e �an re e ber in t�is res e�t t�e fa ous drea se;uen�e t�at a ears

Page 15: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

T�e Vertig� �f t�e �ing�e mage 7�

�s � ��l� ����� � �ov � � ���h�o�k�s Sp���b�u�d)�2�

�ow v �,

so� �� s � ��� �l� s�l����o h� h�s �s so��� � � w ll � �� � �o���s o�

�����s �� l��� � �s�s � � � � � �) �� �lso � � ��� � �s � �loo��

� w h s��j ��v�� o� h ����o�l �h���� � �� h � �-��s���s�v l v l

o� h ��ho�:2�

s���ll�� �oh h ���ho���l� �os��� � ss o� h v�s��l

�����v �� � �� ���� v�s�o ��ho� � � h �os��o�s ss o� h

�h���� ��2�

!h�s �s h ��s �o� x���l � ��l�s ��o� ���o�s ��� �s l�k

L�"� #$ %&� '�"#� �(oh *������, +998) �� s �� ���� s ��o� h l�� o�

F����s B��o [F��� +.�], o� C/0/"/11#� �� � k (����, +986), h� ��oj �

s�l�s�� � ��� s o� h �� �����s oo h s�� ��olo�� s�h � , l��h��

�h�3� s � (�����s ��l�, sk w � �o�s o� v� w, o�� ����� ��os o�

�o�� s, �� ���� ��so��os � h ��l� ��o� B��o, ��) � s� s wh��h �o

o � ss���l� � ��o��� ����l �����s�24

3.3. The Tableau Vivant from Hypotyposis to a Palimpsest of Narratives

�ow v �, h�s ��ho���l � �l �s�s

�� �lso � �os�� � � o� � �o� o� l ss ��h o����l� �� , � ���s v �� h

s�l����o x �s o s v ��l s� s, h�s s�l�� � ��l � soo � �o� s

���s��� � �� h v� w � �� � ��� �s � � h �� � �� wo�l�, �l�os �

h s�� �o�s��� � w�� �s � �s �o � h ��s o� �� �l�ss�� �����v ��l�,

�� �l��� l� h�s ��� ��h o� �ll�s�o �o s o h� � h ��s�� s����� o�

h �����v ��v �s � �5�� .;;6, .;<)�

I �s �����l �o�� h %/b��/u "#"/�% �� � s���l�� o h l� ���� �o� o�

&yp�%yp�$#$2=

>? @AA D EGHA JAKDMNAJ OHAPAQKDKMGQ GR KUA OGPPMWMNMKMAP GR MQKAHEAJMDNMKX DP EAKDNAOPMP

YZ \^ _Z_`^cYc qz{|}~ ����� �� ��ZèP �DHJD�P RMNEP RHGE KUMP OGMQK GR �MA��

>� � DE HARAHHMQ� UAHA KG KUA D�KUGH DQJ QGK KUA �EGQPKHDKGH� WA�D�PA D��GHJMQ� KG

�D�JHAD�NK� �KUA EGQPKHDKGH ��� MP D ON�HDN D�AQK JANA�DKAJ KG PG EDQX RD�AKP GR KUA

OHGJ��KMGQ KUDK �A �DQQGK �MA� MK DP D �KH�A RG�DN �GQP�MG�PQAPP� �QNM�A KUA KA�K�DN

QDHHDKGH� �>���  7>¡�

>7 �K MP KUA ANAEAQK GR MQKAHEAJMDN HARAHAQ�A KUDK ED�AP P��U D KA�UQM¢�A JMRRAHAQK RHGE

KUA KXOA GR �RHAA MQJMHA�K �MPMGQ� KUDK �A UD�A MQ EGJAHQMPK �MQAED�P ODMQKAHNX MED�AP�

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KUA NA�AN GR mi¥e¦en¦¥§¨ne  GQ KUA NA�AN GR KUA OHGRMNEM� �HADNMKX� D�DMKMQ� KUA AXA GR

KUA ODMQKAH �UG PAAP KUAE DQJ KHDQPRAHP KUAE GQ �DQ�DP �P��U P�AQAP �DQ WA PAAQ MQ

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MQPAHKP P��U D PA¢�AQ�A MQ KUA P�AQA KUDK PUG�P �AGH�A ®XAH�P JADKU MQ KUA EDQQAH

HAEMQMP�AQK GR ­D�GQ�P KHMOKX�U �MKU KUA PDEA P�W¯A�K�

>� °P D NMKAHDHX JA�M�A KUA EGPK HANA�DQK RADK�HAP GR KUMP KHGOA �DQ WA P�EEDHM±AJ MQ

KUMP �DX� �UXOGKXOGPMP ODMQKP KUMQ�P PG �M�MJNX DQJ �MKU P��U AQAH�X KUDK KUAX

WA�GEA MQ PGEA �DX �MPMWNA  MK DNPG K�HQP D QDHHDKM�A GH JAP�HMOKMGQ MQKG DQ MED�A  D

OM�K�HA  GH A�AQ D NM�MQ� P�AQA� �®�OHMA± ª��ª  >ª�²>>�¡� @MEMNAP  DNNA�GHMAP �DQ DNN

R�Q�KMGQ DP UXOGKXOGPMP �UAQ KUAX �ODMQK D OM�K�HA��

����� � v�v��, ��� �l� 3��l�� o h oh �w�s ��s���

Page 16: A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9A C T I . U N EE I P I S TN, L F M I N E I E I S , T 3 2 ) 5 9 h r to g o f t h g n l m g : or m h t l ss c rr t G l c

8� ����� ����

ciematic image, ad providig a quick rhetorical metaleptic ik at the

ko ledgeable �pectator. We ca �ee �uch a i�tace i �lbert e i�� ca�ual

������� ������ reproductio of Maet�� B�� �� ��� F����s-B������ (���2) i T��

P������ A�����s �� B�� A�� (�947), here the protagoi�t� are �ee eterig the

bar. !he momet he the actual tableau (almo�t) come� together i� quickl"

� ept a a", ad the character� all �eem igorat of alkig through a

ciematic paraphra�e of a paitig, but the effect of the i�ert ca remid u� of

#arthe��� de�criptio of the $��%��� i photograph", &a accidet that prick��

the �pectator (20�0, 27), a detail ithi the flo of movig image� that ca al�o

expad for a momet, thro the �igle image ito relief, ad ifu�e the

other i�e i�igificat ciematic frame ith a livelie�� ad a vibratio that i�

ot diegetic, that ha� othig to do ith dramatic te�io, but �eem� to

commuicate directl" ith the vie er. �� �uch it al�o fuctio� a� a rhetorical

metalep�i�, a a�ide. '*ig. �3.]

� �imilar example ca be �ee i Wood" �lle�� film, +�/����� �� P���s

(20��)1 at the begiig of the film the log �hot of the colourful park �cee

ith the ti" character� at the bridge i the backgroud ot ol" re�emble�

impre��ioi�t paitig� i geeral but at �ome poit the image recompo�e�56

I other ca�e�, ho ever, the figure appear� ot :u�t a� a media reflexive trope

� &a compo�ite mo�ter� a� ;a�cal #oit<er put it (�9�=, 3�), or a deliberate

tropig of the h"brid ature of the ciematic medium (cf. ;eucker 2002, 29=) �

but al�o a trope ith more complex arrative implicatio�, de�pite beig

u�uall" co�idered a a>arrative device.

oe of Moet�� ma" paitig� of ater lilie�. !he couter>�hot of the �ame

�cee, the rever�ed camera agle focu�ig o the character� pu�he� the Moet

image ito the backgroud ad proceed� ith the dialogue of the light>hearted

romatic comed". Wood" �lle�� �hot?couter>�hot �equece i� like a didactic

explaatio of ho the itermedial figure?groud, image?arrative d"amic�

ca ork i a film@ fir�t e �ee the itermedial figure (the paraphra�e of Moet)

comig to the foregroud, the, a� the character� come to the fore i a clo�e up,

the arrative �uppre��e� it, ad the figure i� vi�ible o more, the magical

&accidet,� the touch of impre��ioi�m over the ciematic image fade� a a".

ater a paraphra�e of Ca Dogh i the �tarlit �k" behid the character� ork�

much i the �ame a".

5E

G� HJK LNnKO QRSUK KRKVUKX YVNR OJK XKZ[Kn\K NY \QnKRSOQ\ QRSUKX R[\J Qn OJK XSRK

wSy SX wK XKK OJK NVQUQnS^ _SQnOQnU `KQnU VK\NnXOQO[OKj `y S RNzKRKnO OJSO X^Nw^yYQOX OJK _QK\KX ONUKOJKV Qn {zK |[XXRSn}X ~� ������� �� ����� Snj �Q^^ �QN^S}X���������

G� |KK OJK Z[NOSOQNn YVNR �K^�n �QjS^ KSV^QKV Qn OJQX SVOQ\^K�

#" cotra�tig �ta�i� ith motio, a

������� ������ ca be u�ed to couterpoit the flo of the arrative, ad a�

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T�e Vertig� �f t�e �ing�e mage 8�

such, �v�� �� s��l �h� ��d�qu�cy �� �� ��v� s� uc�u �s. ����-Luc ��d� d�s

P������ (�9�2), �� �x��pl�, us�s � c�����c �-���c����� �� � s� �s �� ����us

p����s �x�c�ly � �hs w�y, �s � s�� wh� � �h� p�l�ps�s�-l�� p������l �� �h�

c�����c ��� ��� �s ���s� c��v������l �� ��v� �xp�c�����s, ���� � �

pl���� � �ls� �� ��d �� �xplc� c �qu� �� � ��llyw��d-s�yl� s�� y��ll�.

I� � s�l� p���� w�d�d ��� �h� c�����c sp�c� w� �s l�� ������������,

�h�� � ���!"�# $�$���% � whch � p���� s � ��sp�s�d/�d�p��d �s � �� � � l�ss

s���c sc��� ���� �h� sc ���, �xc�ls � �s c��pl�x�y c��p� �bl� �� � p�l�ps�s�.

M� ��v� , such � ��bl��u, �s � hhly s��u ���d pc�u � �scll��� �-b��w��� �h�

�u������us, �dvdu�l ��� ��d �h� ��� sub� d����d �� �h� �� ��v�

s�qu��c�, �pp�� s ��� ��ly �� �h� c �ss-s�c��� �� s�v� �l � �s, bu� � c�� �ls�

�lw�ys b� p� c�v�d b��h �s � p�l�ps�s� �� d��� ��� �������$" ��&"� (�h�� ��

p����, c����, �h��� �/�p� �, �v�� l�� ��u � wh�� l��u�� s b �uh� ���

pl�y), �s w�ll �s � p�l�ps�s� �� �������$"�: wh� � �h� 's�� y� c��d��s�d ��� �h�

p���� (w�h �s �����c ch� �c�� s), �h� 's�� y� �� �h� p���� �s �� � �w� �

(��d �ll �s ���w� ��� p ������s) c�ll�ps� ��� �h� d���c s�� y u���ld� �

�h� �l� �h�� �c� p� ���s � ��d ���ds �� �*

W� h�v� � wh�l� ��cycl�p��d� �� �h� d��� ��� v� ����s �� �hs � �p� �

L�ch M�j�ws��s �l�s. +h� w� � �� �h� 0�lsh d �c�� , wh� s �ls� � ���w��d

p���� ��d w �� , s���ds �u� � �hs �sp�c� ��� ��ly b�c�us� �� �h� � �qu��cy

h� us�s �hs � �p� bu� �ls� b�c�us� �� �h� w�y h� �c��c�v�s �h� ���!"�# by

�xpl��� �s ����c�v�-p� �� ���v� ��d ��b�d�d �sp�c�s. 1�" 3�"4� 3���

(�997) s �c�u��� hs �w� l�� s�� y �h �uh ��bl��ux c��p�s���s ���d�

us �� ����us p����s �h�� �pp�� l�� �lly �s �h� s��su�us p �s��� �� �h� p�s�,

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���anne Aspden, �alter |ernhart, �[�[_. A�sterda�, oew �rk\ �dpi.

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