ASIAN ART · 2017-05-16 · Francesco Petrucci +39 348 5101534 [email protected] Torino Chiara Benevolo Caroni +39 330 592697 [email protected] Venezia Christiane

ASIAN ART

14 JUN

E 2017G

E226

wannenesgroup.com

ASIAN ARTGenoa 14 June 2017

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Lot 72

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front page:Lot 26

La partecipazione all’Asta implica l’integrale e incondizionata accettazione delle Condizioni di Vendita riportate in questo catalogo

I lotti potranno essere ritirati a partire da Giovedì 15 Giugno esclusivamente previo appuntamento telefonico +39 010 2530097

Taking part in the Auction implies the entire and uncondItional acceptance of the Conditions of Sale outlined in this Catalogue.

The lots may be collected from Thursday 15 June, by telephone appointment calling +39 010 25 300 97.

ASIAN ARTGENOA, 14 JUNE 2017

Lot 13

ASTA - AUCTIONGenovaPalazzo del MelogranoPiazza Campetto, 2

MERCOLEDÌ 14 GIUGNOWednesday 14 June

Tornata Unicaore 15.00 lotti 1 - 174Single Sessionat 3pm (local time) lots 1 - 174

ESPOSIZIONE - VIEWINGGenovaPalazzo del MelogranoPiazza Campetto, 2

SABATO 10 GIUGNOore 10-13 14-18Saturday 10 June10am to 1pm - 2 to 6pm

DOMENICA 11 GIUGNOore 10-13 14-18Sunday 11 June10am to 1pm - 2 to 6pm

LUNEDÌ 12 GIUGNOore 10-13 14-18Monday 12 June10am to 1pm - 2 to 6pm

MARTEDÌ 13 GIUGNOore 10-13 14-18Tuesday 13 June10am to 1pm - 2 to 6pm

I lotti contrassegnati con il simbolo "*" al momento della stampa sono stati identifi-cati come contenenti materiali organici che possono essere sottoposti a restrizioniper l'importazione o l'esportazione. Chi fosse interessato è pregato di mettersi incontatto con i nostri uffici prima dell'asta.

Lots with this symbol "*" have been identified at the time of cataloguing as contai-ning organic material which may be subject to restrictions regarding import or ex-port. For further information contact the Management of WANNENES ARTAUCTIONS before the sale.

在编目时已经识别出含有此符号“*”的批次可能受进出口限制的有机材料。有关更多信息，请联系WANNENES ART管理层拍卖前拍卖。

4 54 5

INFORMAZIONI RIGUARDANTIQUESTA VENDITAAUCTION ENQUIRIES AND INFORMATION

ESPERTISPECIALISTS

Arte OrientaleAlessandra [email protected]

AMMINISTRAZIONEVENDITORI - COMPRATORIPAYMENT BUYERS - SELLERSAlessandro Vigo+39 010 [email protected]

ASSISTENZA CLIENTICOMMISSIONI D’ACQUISTOOFFERTE TELEFONICHECLIENT SERVICESABSENTEE BIDSChiara [email protected] [email protected]+39 010 2530097

RISULTATI D’ASTAAUCTION RESULTSRoberta Podestà+39 010 [email protected]

STATO DI CONSERVAZIONECONDITION REPORTTel. +39 010 2530097Fax +39 010 [email protected]

GenovaPalazzo del MelogranoPiazza Campetto, 216123 GenovaTel. +39 010 2530097Fax +39 010 2517767

MilanoVia Santa Marta, 2520123 MilanoTel. +39 02 72023790Fax +39 02 89015908

RomaVia Avezzana, 800195 RomaTel. +39 06 69200565Fax +39 06 69208044

DIPARTIMENTI

Argenti, Avori, Iconee Oggetti d’Arte RussaTommaso [email protected]

Arte Modernae ContemporaneaGuido [email protected] [email protected] [email protected]

Arti Decorativee Design del XX SecoloGilberto [email protected] [email protected]

Asian ArtAlessandra [email protected]

Ceramiche e VetriLuca [email protected]

Dipinti AntichiAntonio [email protected]

Dipinti del XIX SecoloRosanna [email protected]

GioielliBenedetta [email protected] [email protected]

Mobili, Sculture e Oggetti d’ArteMauro [email protected]

Monete e MedaglieDaniele [email protected]

Tappeti e Tessuti AntichiDavid [email protected]

Guido WannenesAmministratore [email protected]

Stefano Della Croce di DojolaDirettore [email protected]

Luca MelegatiDirettore [email protected]

Giulia Checcucci WannenesResponsabile Personale e Total [email protected]

Luca VioloMedia & [email protected]

Chiara GuiducciResponsabile Assistenza [email protected]

Barbara BaiardiAssistenza Clienti [email protected]

Roberta PodestàAssistenza Clienti [email protected]

Ilaria De PianAssistenza Clienti [email protected]

Costanza da SchioAssistenza Clienti [email protected]

Alessandro VigoAmministrazione e Servizio [email protected]

Luca RedentiResponsabile Sala d’Asta

Marco AlatiVincenzo AlatiSpedizioni e Ritiri

Servizio [email protected]

ASSOCIATI

FirenzeOliva Rucellai+39 349 [email protected]

GenovaAlessandro Pernecco+39 329 0399096Paola Bertolini+39 366 [email protected]

LecceFrancesco Petrucci+39 348 [email protected]

TorinoChiara Benevolo Caroni+39 330 [email protected]

VeneziaChristiane d’Albis+39 338 [email protected]

FranciaClaudia Pucci di Benisichi+33 607 [email protected]

SvizzeraNiccolò Orsini De Marzo+41 795 [email protected]

Lot 99

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RULES TO BID 競投規則

A money deposit of € 5.000,00 to 10,000.00 will be requested to participate to the bid ( cash, bank tran-sfer or credit card Visa - Mastercard)欲參與競投者，需先交付 € 5.000,00 - € 10,000.00的保證金(接受以現金、銀行匯款或信用卡支付)In the case of not getting the lot, the amount will be immediately, or within 24 hours, returned after thesale在沒有投到拍品的情況下，該金額將立即，或在售後24小時內退還

Telephone bid and written offer must be made maximum 48h before the Auction以電話競投或書面出價競投的參與者，請於拍賣開始前48小時內完成申請

"Premium Lot " deposit : to bid the premium lot, a guarantee deposit of € 10.000 will be requested ( to sendat least 5 working days before the Auction) “高额“保證金：投標溢價很多，為 € 10,000保證金將被要求提交（在拍賣之前至少5個工作日)

All the bidders in the room must have a paddle nr. and be regularly registered (personal data, copy of pas-sport or ID card; in the case they bid for a third person all the data of the third person must be registeredbefore the sale所有房間內的投標人必須有一個競標號碼牌。定期進行登記（個人資料，護照或身份證複印件，第三方代表須在競拍三日之前註冊登記）

All the data for the invoicing must be conferred immediately after the sale, before leaving the saleroom發表日期必須在售後馬上確定

The entirely amount must be paid within 7 working days from the date of the Auction 該款項必須從拍賣之日7個工作日內完全支付After 10 working days of non payment bank interests will be added 10個工作日內後不付款到將被添加銀行的利益

MONEY TRANSFER : 匯款：ART AUCTIONS Srl (WANNENES) UNICREDIT BANK – Via Dante 1 – 16121 GenoaIBAN IT 02 H 02008 01400 000110001195 SWIFT UNCRITMMAll the CREDIT CARD PAYMENTS for Caution deposit or for lot payment must be made in CNY value or acommission will be requested) 所有信用卡付款的注意事項：保證金付款必須在人民幣價值呢或者的佣金）

For long distance authorization payments (caution deposit or payment of invoice) with CREDIT CARD,WANNENES will provide you a Form to full fill and return by fax or email to the registration desk 對於長距離的付款：（保證金或付款發票）使用信用卡，Wannenes將為您提供一個表格，请填寫完整並傳真或電郵至登記處

Fax nr. 傳真號碼 0039 010 2517767 Email 郵箱 : [email protected] –[email protected]

CONDITION REPORTAnswering your request, we gently provide you the “condition report” of the objects described in the ca-talogue. As we are not restorers or professional conservators, all the possible buyers should inspect thelots by themselves or consult a professional restorer of their trust during the viewing before the auction.Any statement made by WANNENES is a subjective opinion. WANNENES offers and sell all lots in accordancewith the “General condition of sale” (art. 8) printed in the catalogue.狀況報告拍卖会

应您的要求，我们为您提供目录中描述对象的“状况报告”。因為沒有修复的专业人士，我们建议每一个可能的买家亲自或由其信任的人在每次竞拍曝光前检测卖品。WANNENES 的任何聲明是主觀意見。Wannenes按照印在目录的 “条款和条件” 提供和销售所有拍卖品（见第8条条款）Lot 53

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TORNATA UNICAMERCOLEDì 14 GIUGNO 2017 ORE 15.00LOTTI 1 - 174

SINGLE SESSIONWEDNESDAY 14 JUNE 2017 AT 3PM

LOTS 1 - 174

Lot 27Lot 27

1110

3

THANGKA RAFFIGURANTE LA TREDICESIMA DIVINITÀ YAMANTAKA YAB YUM, SINO-TIBET, XIX SECOLO

THE THIRTEEN-DEITY YAMANTAKA FATHER-MOTHER, SINO-TIBET, 19TH CENTURYGouache on cotton. On an horizonless ultramarine blue sky, the Deity of the sixteen-legged, thirty-fourarmed, buffalo-headed Yamantaka Vajrabhairava holds his pale blue consort, Vajravetali in the blissfulunion that symbolizes the union of compassion and wisdom, encircled by a ring of flames. Minorwear on color.

66 cm high, 52 cm wide

€ 300 - 500

欢喜佛唐卡，西藏，十九世纪高66cm，宽52cm

FROM THE PRIVATE COLLECTION OF A MILANESE GENTLEMAN来自米兰绅士私藏

2

RUOTA DELLE PREGHIERE IN ARGENTO E LEGNO,SINO-TIBET, XIX SECOLO

A SILVER AND WOOD PRAYER WHEEL,SINO-TIBET, 19TH CENTURYInside the paper roll of prayers. In goodcondition.


€ 300 - 500

木银质经轮，西藏，十九世纪

高32cm，宽8cm

1

COLLANA IN ARGENTO, METALLO E PIETREDURE, CON PLACCA DECORATA A RILIEVO,CINA, TARDO XIX SECOLO

A SILVER AND HARD STONES NECKLACE,CHINA, LATE 19TH CENTURY

55 cm long

€ 300 - 500

银质宝石项链，中国，十九世纪长55cm

1312

5

THANGKA RAFFIGURANTE AVALOKITESHVARA, SINO-TIBET, XIX SECOLO

ELEVEN-FACED, EIGHT-ARMED AVALOKITESHVARA THANGKA, SINO-TIBET, 19TH CENTURYGouache on cotton portraying Avalokiteshvara the archangel of compassion. The ten facessymbolize that he has mastered all ten Bodhisattva stages and at the top a Buddha Amithaba face.The first two hands are held at level of the solar plexus, the others holding a lotus flower in bloom,and arrow and a bow, the vase for immortality elixir and the wheel of spiritual teaching and a rosary


€ 300 - 500

唐卡，西藏，十九二十世纪高81cm，宽52cm

4

THANGKA RAFFIGURANTE SAKYA PANDITA, SINO-TIBET, XIX SECOLO

SAKYA PANDITA LAMA THANGKA, SINO-TIBET, 19TH CENTURYGouache on cotton. Minor wear on color.


€ 300 - 500

高 78 cm，宽 53 cm萨迦·班智达唐卡，西藏，十九世纪高78cm，宽53cm

1514

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SCATOLA DA VIAGGIO IN ARGENTO, INDIA,KASHMIR, XIX SECOLO

A FINE SILVER TRAVEL BOX, INDIA, KASHMIR,19TH CENTURY

12 cm high, 22 cm diam.

€ 800 - 1.200

银盒，印度，克什米尔，十九世纪高12cm，直径22cm

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PICCOLA FIGURA DI DIVINITA’ SEDUTA INBRONZO DORATO, INDIA, XIII - XIV SECOLO

A SMALL BRONZE FIGURE OF A SEATED DEITY,INDIA, 13TH-14TH CENTURYWear on surface, probably the base not ofthe period.

12 cm high, 8,2 cm wide

€ 300 - 500

鎏金铜像，印度，十三十四世纪高12cm，宽8,2cm

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DUE DIVINITÀ IN BRONZO SU BASE IN PIETRADURA , INDIA , XVII SECOLO

TWO BRONZE DEITIES ON HARDSTONEBASE, INDIA, 17TH CENTURYWear on surface.


€ 600 - 800

两尊铜像，宝石底座，印度，十七世纪高7cm，宽4cm

1716

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FIGURA IN BRONZO DI DIVINITÀ, INDIA, XIXSECOLO

A BRONZE FIGURE OF A DEITY, INDIA, 19THCENTURY


€ 300 - 500

神像，印度，十九世纪高20cm，宽11cm

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VASO TRIPODE DA RITUALE IN BRONZO ARCAISTICO, CINA,XVIII - XIX SECOLO, MARCHIO ALLA BASE

AN ARCHAISTIC BRONZE RITUAL VESSEL, CHINA,18TH-19TH CENTURYFour characters marked at the base. Minor wear onthe surface.


€ 600 - 800

仿古三脚青铜礼器，中国，十八十九世纪，底座有印章高26cm，宽17cm

Lot 12

1918

11

SGABELLO DA GIARDINO IN PORCELLANA BIANCA E BLU, CINA, TARDA DINASTIA QING

A BLUE AND WHITE PORCELAIN GARDEN STOOL, CHINA, LATE QING DYNASTYWith a convex shape on the sides and the flat pierced (Cash) seat and half raised spheres, on one side birds amongsttrees decoration and on the other side two pierced Cash, on the top a band with Buddhist symbols. In good condition.


€ 500 - 700

青花花园瓷凳，中国，清朝晚期高 38 cm，直径36cm

FROM THE PRIVATE COLLECTION OF A SICILIAN GENTLEMAN意大利南方紳士持有

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COPPIA DI GRANDI VASI CANTON IN PORCELLANA “FAMIGLIA ROSA” , CINA, DINASTIA QING, XIX SECOLO

A RARE AND VERY LARGE PAIR OF CANTON “FAMILLE ROSE” PORCELAIN BALUSTER VASES, CHINA, QING DYNASTY, 19 TH CENTURYEach of baluster shape, the shoulder slightly protruding lobed rising to a neck that ends into a trumpet with an evertedlobed rim. Enameled with two large rectangular panels enclosing scenes depicting soldiers riding in battle, with twoother smaller panels with related scenes of dignitary in pavilion at the neck. Two pair of Chilongs applied in high reliefon the shoulder divided by two confronted Buddhist lion and cub. On one rim a small piece missing and a hairline onthe shoulder of a vase: overall in good condition, surface slightly wear and firing imperfections.


€ 4.000 - 7.000

大型罕见花瓶瓷器，清代，十九世纪93cm高37cm直径

2120

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COPPIA DI GRANDI VASI A BALAUSTRA IN PORCELLANA CON DRAGO, CINA, DINASTIA QING, METÀ DEL XIX SECOLO

A PAIR OF LARGE CHINESE "DRAGON" BALUSTER VASES, CHINA, QING DYNASTY, HALF OF 19TH CENTURY (2)Each with two confronted Buddhist lion cubs handles and chilong relief on the shoulder, decorated, on a turquoiseground, with a big dragon facing a tiger between rocks, pines and flowers. Below lappets and on the end of the necka continuous ruyi band. On the lobed rim a decoration of four bats and Buddhist Emblems. On both vases a metalplaque inserted with a relief decoration and an inscription. One vase in good conditions, the other broken in part ofthe body but with its own pieces re-stuck.

86 cm high

€ 800 - 1.200

一对大龙花瓶，中国，清朝，十九世纪前叶高 86cm

FROM A FRENCH PRIVATE PROPERTY私人收藏

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SGABELLO DA GIARDINO IN PORCELLANA “FAMIGLIA ROSA” CANTON, CINA, TARDO XIX SECOLO

A CANTON “FAMILLE ROSE” PORCELAIN GARDEN STOOL, CHINA, LATE 19TH CENTURYWith a convex shape on the sides and the flat pierced Cash seat and half raised spheresdecorated with two large square reserves depicting two phoenixes by peonies trees inbloom, separating the two large reserves two large turquoise pierced Cash medallions.In good conditions, just a small hairline above the cash symbol of ca. 7 cm., slightly wearand minor firing imperfections.

48 cm high, 36 cm wide, seat 30 cm diam.

€ 900 - 1.200

“粉彩”廣州瓷園凳，中國，19世纪48cm高36cm宽30cm直径

2322

Lot 15

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GRANDE VASO IN PORCELLANA “ FAMIGLIAROSA”, CINA, QING DYNASTY, EPOCADAOGUANG (1821-1850)

A LARGE “FAMILLE ROSE” PORCELAINVASE, CHINA, QING DYNASTY,DAOGUANG PERIOD (1821-1850)The body of ovoid shape, resting on ashort spreading foot, with a long wastedneck flanked by a pair of openworkarchaistic dragon handles, finely paintedin bright enamels on a celadon ground,two large reserves depicted, with scenesof dignitary in a garden with servants,all over the body and the neck in reliefsix five clawed dragons amongst cloudsand Buddhist symbols.At the base a continuous waves motifand by the rim a ruyi head band. Oldrestorations: some pieces re- stuck on themouth rim and on the body, difficult todetect.

88,3 cm high, 38 cm wide

€ 4.000 - 6.000

花瓷瓶，清代，十八世纪高88.3cm宽38cm

PRIVATE PROPERTY OF A GENTLEMAN IN ROME罗马绅士私藏

2524

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VASO IN PORCELLANA A FONDO BLU E“FAMIGLIA ROSA”, CINA, TARDA DINASTIAQING

A BLUE GROUND AND ”FAMILLE ROSE”PORCELAIN VASE, CHINA, LATE QINGDYNASTYOn a vivid blue ground, depicting theEight Immortals. A chip on the mouth rim,few firing imperfections.

45,5 cm high, 15,5 cm diam.

€ 300 - 500

蓝色底粉彩花瓶，清代，晚清时期45.5cm高，直径15.5cm

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VASO CILINDRICO IN PORCELLANA CON DECORO DIDRAGHI SU FONDO NERO, CINA, TARDA DINASTIA QING

A NINE DRAGONS CYLINDRICAL BLACK GROUNDPORCELAIN VASE, CHINA, LATE QING DYNASTYOn a black ground depicting five clawed ninedragons amongst stylized clouds, a waves band atthe bottom and a ruyi band at the top. A small piecemissing under the base and a Y hairline of 27 cm bythe rim.

60 cm high, 21,5 cm diam.

€ 500 - 800

玖龙圆柱瓷瓶，清代，晚清时期高60cm，直径21.5cm

Lot 31

2726

IMPORTANT CHINESE PORCELAIN AND WORKS OF ART FROM THE PRIVATECOLLECTION OF ANDREW AND NIKKI CONSTABLE MAXWELL AND SOME OFTHE HEIRS LIVING IN ITALY安德鲁和妮基康斯特勃麦克斯韦私人收藏的意大利中国瓷器工艺

An accomplished collector with an excellent eye, prodigious, great knowledge and a truly outstanding memory, Nik-

ki Constable Maxwell and her late husband Andrew, a decorated WW2 (second world war) soldier and successful

businessman built up an important collection of valuable items. Between the 1950’s-1970’s they accumulated a large

number of pieces that they found interesting to them personally, not such that were necessarily in vogue at the time. In-

ternationally, they were best known for their outstanding collection of ancient glass, which was mostly sold in 1979 at

Sotheby’s for then record prices, both for the collection as a whole and also for an individual piece, a glass “diatre-

tum” or cage cup which bears their name. They also had a sale of rare books also at Sotheby’s in the late 1980’s.

Following a house move to a smaller home, they then concentrated on reducing their possessions. Those pieces now

offered for sale are the last remaining items, particular because they appealed to Nikki for various personal reasons.

Andrew died in 1991, age 83 and Nikki his widow in 2016, at the age of 95.

一位成功的收藏家，绝佳的眼光，丰富的知识和高超的记忆，妮基·康斯特勃麦克斯韦和她已故的丈夫安德鲁，

一个战士（第二次世界大战）和一个成功的企业家建立了一个重要的贵重物品收藏。在50年代和70年代之间，

他们已经积累了数目可观的他们个人爱好的收藏，，并不一定是那些风靡一时的物件。在国际上，他们以其优

秀的古董玻璃收藏而闻名，大部分在1979年在苏富比拍卖行出售，其中一个当时创纪录的价格，作为一个整体

收藏，还有一个单独的作品，名为“diatretum”玻璃。他们还于80年代末在苏富比拍卖了一些藏书。离开一所大

房子，搬到一个较小的房子，他们集中在降低他们的财产。现在拍卖的这些作品是最后剩下的，是因为尼克个

人特别喜欢的原因。安德鲁于1991年去世，83岁，尼克，他的遗孀在2016年去世，享年95岁。

2928

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COPPIA DI GRANDI SCATOLE IN GRES CON COPERCHIO AFORMA DI ZUCCA, CINA, XIX SECOLO

A PAIR OF LARGE POLYCHROME STONEWARE PUMPKINBOXES AND COVERS, CHINA, 19TH CENTURY (2)The boxes well modeled as pumpkin with the stalk slightlytwisted, open at two third of the body, each with thebody enameled in sancai pattern with yellow and greenand a cream color for the stalk-knobs. In very goodcondition, with just a little restoration to one of the stalk,each with few very minor flakes to the enamel and minorfiring imperfections.


€ 700 - 1.200

南瓜盒附盖，清代，十九世纪高28 cm，宽18cm

20

GRUPPO DI DUE PICCOLI VASI TURCHESI, CINA,XVIII-XIX SECOLO

TWO SMALL TURQUOISE GLAZED VASES,CHINA, 18TH-19TH CENTURY (2)One of round section, worked in openworkdepicting bamboo and foliate, the other ofsquare cong shape with the yin-yang symbol.The cylindrical one with some pieces restuckon the open work, the other one in goodcondition, with light wear on enamel.

12,5 cm high, 7 cm diam.

€ 300 - 500

双绿松石石釉面瓷花瓶，清代，十八十九世纪高12.5cm，宽7cm

19

FIGURA DI GUANYIN CON BAMBINO IN GRESSMALTATO, CINA, XVIII SECOLO

A GLAZED-BISCUIT FIGURE OF GUANYINAND CHILD, CHINA, 18TH CENTURYThe figure modeled seated on a rockholding a child seated on her lap, the figuremostly enameled in turquoise color with thefaces, the hands and the feet left unglazed.In good conditions, with minor firingimperfections and very minor flakes toenamel.


€ 600 - 800

童身影观音像，清朝，十八世纪高30cm，宽17 cm

3130

22

FIGURA DI GUANYIN SEDUTA, IN GRES SMALTATO, CINA, FINE DINASTIA MING, XVI - XVII SECOLO

A BISCUIT-GLAZED FIGURE OF A SEATED GUANYIN, CHINA, LATE MING DYNASTY, 16TH - 17TH CENTURYThe bodhisatva Avalokiteshvara is shown seated on rocky stepped plinth, wearing a loosely draped robe falling ingraceful fold and hiding her hands underneath and a long cowl that falls over the shoulders from where it is drapedover the two tall with beside a urna vase, the top decorated with a looped crown centered by a figure of Amitabha,her face finely modeled with a serene expression. In overall good conditions, two minor flakes and minor firingimperfections.


€ 1.000 - 1.500

观音坐像瓷器，明朝后期，十六十七世纪高23cm，宽15 cm

21

FIGURA CON DUE ACCOLITI IN GRES SMALTATO, CINA, DINASTIA MING, XVII SECOLO

A GRES TURQUOISE FIGURE WITH TWO ACOLYTES, CHINA, MING DYNASTY 17TH CENTURYThe sage on a stepped throne, is depicted seated wearing a long draped robe, with at the two sides two standingacolytes, enameled mostly in turquoise the faces left unglazed. In good conditions, with only minor defects, one smallrestoration and minor firing imperfections.

27 cm high,13 cm wide

€ 300 - 500

绿松石釉瓷，明代，十七世纪高27cm，宽13 cm

32

23

RARA E GRANDE FIGURA DI GUANYIN SEDUTA, DI TIPO CIZHOUIN GRES SMALTATO, CINA, INIZIO DINASTIA MING (1368-1644)

A RARE AND LARGE CIZHOU STONEWARE FIGURE OF ASEATED GUANYIN, CHINA, EARLY MING DYNASTY (1368-1644)Representing an 'Avalokitesvara', the compassionate hearerof prayer, modeled seated on a rocky elevation guarded bya dragon. The divinity is clad in ancient form, wear anecklace and a tiara, and is shown with halo or nimbus.The right hand rests upon the raised knee, close to whichappears a parrot, the left arm rests on the rock with her handholding a rosary. Coated with a deep ivory-white glazewhich in part is relieved by pale russet-red and dark browntones. In very good conditions, just a very small hole closeto the her left knee, possibly could have been anaccompanied figure of a small boy, characteristic minorfiring imperfections, very minor wear.


€ 9.000 - 15.000

罕见珍惜就坐观世音瓷器磁州窑，明朝初期，(1368-1644）高35.5cm，宽20cm

Note: only another closer example seems to be published on the remarkablecollection of the Imperial Prince Kung of 7 Collection. New York: 1913 Ca-talogue American Art Galleries, Madison Square South n. 489

注：最近的展出是在帝国恭亲王中国收集。纽约：1913年目录美国艺术画廊，麦迪逊广场南号489

34

25

RARA COPPA A STELO “DOUCAI”, CINA, MARCHIO CENGHUA, POSSIBILMENTE DEL PERIODO KANGXI (1665-1722)

A RARE “DOUCAI” STEM CUP, CHINA, CHENGHUA MARK, POSSIBLY OF THE PERIOD OF KANGXI (1665-1722)With a deep U-shaped form the cup, supported on a tall splayed foot bordered, with a raised fillet, the exteriordecorated in under-glaze blue, red, yellow and green enamels with four medallions of roses wreathed by foliage, twoblooms in red and the other two in yellow, all between stylized floral and pearls motifs at the rim and an undulatingborder supporting ruyi-heads below, the underside of the stem inscribed in under-glaze blue with a six characters markwritten in a semi-circle. in quite good condition, the cup in the high section broken and re-stuck, as visible from thecatalogue illustration, the stem cup would need a professional restoration.


€ 8.000 - 12.000

罕见“斗彩”瓷碗，中国，成化印章，推测是康熙时期，（1665年至1722年）高7.9cm，直径6.2cm

24

RARO BRUCIA PROFUMI RETTANGOLARE IN PORCELLANA “BLANC-DE-CHINE”, CINA, XVII SECOLO

A VERY RARE PORCELAIN “BLANC-DE-CHINE” RECTANGULAR CENSER BURNER , CHINA, 17TH CENTURYOf rectangular form supported on four chilong feet, the body arising with gently flared walls to a flat mouth-rim, the exterior top rim decorated with an alternate geometrical band, under the base in the centre a seal mark,the top with an prunus flower and foliate openwork wood cover with a finial jade representing a recumbentmystical beast. In overall very good conditions, with a very small flake on one side of the top mouth-rim andtypical minor firing imperfections.


€ 1.000 – 2.000

精品罕见瓷器香炉，清代，十七世纪高度16cm，宽19cm

35

Note: a similar vase sold atChristie’s South Kensington,London, on 16th May 2014, lot1238 £ 116.500,00 USD 195.487,00

注：在2014年5月16日在伦敦克里斯蒂斯 ·南肯辛顿Christies� South� Kensington销售的类似花瓶，大量1238英镑116.500,00195.487,00美元

verso

recto

26 PREMIUM LOT

RARO ED IMPORTANTE VASO MEIPING IN PORCELLANA CON SMALTI IN BLU E ROSSO DI RAME SOTTO SMALTO, CINA, DINASTIA QING, PERIODO YONGZHENG (1723-1735)

A VERY RARE AND IMPRESSIVE UNDERGLAZE-BLUE AND COPPER-RED MEIPING VASE, CHINA, QING DYNASTY,YONGZHENG PERIOD (1723-1735)

This magnificent vase elegantlysturdily and skillfully modeledwith a round body rising from aslightly recessed base to thehigh flared shoulder slopingand taper towards below ashort waisted neck with aneverted rim, the exterior finelydecorated with a continuousscene with a striking design ofa trunk prunus tree with gnarledflowering branches that brancharound the vase, the prunustree and his branches andleaves painted in shades ofunder-glaze bright intense inky-cobalt blue and the prunusblooms picked out in under-glaze copper-red ofraspberry-red tone, the slightlyrecessed base unglazed showsthe white porcelaneous ware.In overall very good conditions,with only very minor firingimperfections.


€ 30.000 – 50.000

罕见铜美花瓶瓷器，清代雍正年间，1723年至1735年）53cm高，宽22cm

36 37

3938

27 PREMIUM LOT

RARA COPPIA DI PIATTI CONCAVI IN PORCELLANA”DOUCAI”, CINA, DINASTIA QING, MARCA A SIGILLO E DEL PERIODO DI QIANLONG(1736-1795)

A RARE AND FINE PAIR OF “DOUCAI” SAUCER-DISHES, CHINA, QING DYNASTY, SEAL MARK AND PERIOD OFQIANLONG (1736-1795) (2)Perfectly potted with flaring sides rising to an everted rim, each painted in fine enamels and decorated on the interiorwith a central medallion of interlaced foliate scroll forming a ruyi-head band enclosing shou characters forming a star-pattern, the exterior with archaistic shield-shaped designs flanked by foliate scrolls below C-shaped ornaments at therim, the base inscribed in under-glaze blue with a six-character seal mark. Both in very fine conditions, a insignificantfiring spot on one of the dishes, visible on the catalogue illustration.

20,7 cm diam., 4,7 cm high

€ 30.000 - 50.000

罕见“斗彩”盘一对，中国，清代，乾隆时期印章（1736年至1795年）直径20.7cm，高4.7cm

Note: one same dish sold at Christies Hong Kong on 4 April 2017, lot 132 HK$ 325.000,00 US$ 42.000,00注意：在Christie's H.K.销售的同一道菜。 2017年4月4日，132号�HK$ 325.000,00 US$ 42.000,00

4140

28

RARA COPPIA DI FIGURE DI LUOHAN-BUDAI IN PORCELLANA “FAMIGLIA ROSA “, CINA, DINASTIA QING, EPOCA QIANLONG(1736-1795)

A RARE AND FINE PAIR OF ”FAMILLE ROSE” PORCELAIN FIGURES OF LUOHAN-BUDAI,CHINA QING DYNASTY,QIANLONG PERIOD (1736-1795) (2)Each Budai well modeled with finely features delicately colored and engraved details, seated with their face carvedwith a laughing expression, holding a pearl in their raised hand and in their other hand a flambé vase resting in theirknees, wearing a rouge-de-fer flowing robe with long sleeves decorated with alternate medallions painted withlandscape in grisaille and bordered with a yellow band, open to the waist revealing their large belly. One in very goodcondition with just some fingers missing as visible on the catalogue image and very minor firing imperfections and onechip to the base rim, the other with a restored areas on the lower section and to the head.

19,2 cm high, 13,5 cm wide and 19,3 cm high, 13,7 cm wide

€ 4.500 – 6.500

罕见珍品粉彩罗汉-布袋图，乾隆年间,（1736-1795）高19.2cm，宽13.5cm和高19.3cm，13.7cm

Note: Bu dai was a Buddhist monk who lived about 900 AD. In Chinese art he always depicted as obese, laughing and with naked chest and sto-mach.

注：布袋是一个和尚大约公元900年，在中国艺术他总是描绘成肥胖，笑着，赤裸的胸膛和腹部

4342

29

COPPIA DI CANI IN PORCELLANA A CANDELIERE, CINA, DINASTIA QING, PERIODO JAJING (1796-1820)

A FINE PAIR OF FIGURES OF CANDLE-HOLDERS SHAPED AS DOGS, CHINA, QING DYNASTY, JAJING PERIOD (1796-1820) (2)Modeled affronté, each recumbent with their head raised in expectant attitude black eyes and nose and a slightlyopen mouth and a joyful expression, with a gilt-dashed iron-red coat and bushy tail, a cloth draped over is backdecorated with reserves of foliate stems with blossom flowers in a white and gilded ground, supporting on his back atrumped-form candle nozzle encircled with green leaves between flowered. In overall very good condition, just verysmall wears on the surface, and very minor firing imperfections.


€ 900 – 1.500

烛台狗精致瓷器，清代，1796年至1820年高10cm，宽20cm

30

INUSUALE GRUPPO DI OTTO SCATOLE FODERATE CON CARTA DIPINTA, CINA, EPOCA TARDO XVIII - XIX SECOLO

AN UNUSUAL SET OF EIGHT PAINTED PAPER TRAVEL BOXES, CHINA, LATE 18TH - 19TH CENTURY (8)Of various size each painted with different subjects, five of which are painted with flowers, the other three with figures,all with hinges and lateral handles. In good conditions, some surface wear and scratches.

35,5 max high, cm 76 max wide, 53,5 cm max depth (the bigger )15 max high, cm 33 max wide, 19 cm max depth (the smallest)

€ 6.000 - 9.000

画材框，清代，十八十九世纪高35.5cm，宽76cm, 深度 53.3cm（较大）高15cm，宽33cm, 深度19cm（较小）

4544

31

GRUPPO DI VENTIQUATTRO ACQUARELLI DIPINTI SU CARTA DI MIDOLLO, CINA, DINASTIA QING, INIZIO XIX SECOLO

A SET OF TWENTY-FOUR WATERCOLOUR PAINTINGS, CHINA, QING DYNASTY EARLY 19TH CENTURY (24)All painted with ink and colors on pith paper, each depicting figures engaged in various pursuits. All with losses mostlyon the borders.


€ 2.000 - 3.000

二十四具象水彩画，清代，十九世纪

高25 cm，宽17cm

Note: probably acquired at Sotheby's London the 03-07-1991 lot 1089 from the envelope where they was kept.注：可能收购在伦敦苏富比1991年7月3日

parte di lotto

4746

32

RARA COPPA FLOREALE RETICOLATA IN GIADA CELADON PALLIDO, CINA, TARDA DINASTIA MING, XVI-XVII SECOLO

A RARE RETICULATED PALE CELADON JADE FLORAL BRUSH WASHER, CHINA, LATE MING DYNASTY 16TH - 17THCENTURYSkillfully carved in the form of a well rounded flower bloom with curled petals, borne on gnarled leafy branches issuingvarious flowers buds, the base stems branching out to form the foot, the interior with a half spherical bowl incised withthe yin and yang motif, the stone of a pale green color with cloudy-white inclusions. In very good conditions, with justvery minor flaws in the stone, a possibly crack in one of the branches and in the bowl, very minor losses and insignificantnibbles on the extremities.


€ 2.000 - 3.000

名贵石白玉，明朝，十六十七世纪高8cm，宽16 cm

Note: for a similar example see the Victoria & Albert Museum, Far Eastern Series,Chinese Jades by Ming Wilson pag. 44 plate 42, First Published in 2004注意：类似的例子看到维多利亚和阿尔伯特博物馆，远东系列，中国玉器致明·威尔逊页面44板42，首次发表于2004

33

DUE PLACCHE IN PIETRA DURA BIANCO-CREMA, CINA, TARDA DINASTIA MING XVI-XVII SECOLO

TWO THICK WHITE-CREAM HARD STONE PLAQUES, CHINA, LATE MING DYNASTY,16TH- 17TH CENTURY (2)Of rectangular form each carved with a garnish steps, one decorated with a flower pot issuing overwith stems and flowers, the other carved with four of the eight Immortals with their owns attributes.In very good conditions, only very few small chips which the most important are present on thecorners of the two plaques and some other very minor nicks on the extremities and scratches onboth.


€ 500 - 700

两个硬石粉，明朝，十六十七世纪高14cm，宽10.5cm

4948

34

COPPA IN GIADA CELADON PALLIDO A FORMA DI “PESCA”,CINA, DINASTIA QING, XVII - XVIII SECOLO

A FINE PALE CELADON JADE “PEACH” SCHOLAR WASHERCUP, CHINA, QING DYNASTY 17TH - 18TH CENTURYSkillfully carved in the form of a well rounded peach borneon a gnarled leafy stem branching out to form the foot, seton the side with a sinuous chilong clambering up to thebroadside, the interior the line of the half sides of the fruitin relief, the lustrously stone of a pale white-celadon color.In very good conditions, with just very minor flaws in thestone and insignificant nibbles on the extremities.


€ 2.000 - 3.000

桃花纹笔洗青玉瓷，清代，十七十八世纪高6cm，宽13cm

35

COPPA LAVA PENNELLI IN GIADA CELADON PALLIDO AFORMA DI FIORE, CINA, TARDA DINASTIA MING XVI-XVIISECOLO, O PIÙ TARDO

A PALE CELADON JADE NARCISSUS CHILONGBRUSH WASHER, CHINA, LATE MING DYNASTY16TH - 17TH CENTURY , OR LATERCarved in the form of a well rounded narcissusborne on a gnarled leafy stem, branching out toform the foot, set on the side with a blossomnarcissus flower and on the other side with asinuous chilong clambering up to the broadside,the lustrously stone of a pale celadon color andsome russet patch. In very good conditions, withjust very minor flaws in the stone and insignificantnibbles on the extremities.


€ 1.800 – 2.500

水仙赤龙青瓷，明朝后期，十六十七世纪高6cm，宽20cm

50

36

VASO IN GIADA COLOR CELADON PALLIDO A FORMA DI FOGLIA DI LOTO, CINA, XVIII SECOLO

A FINE PALE CELADON COLOUR JADE LOTUS LEAF-FORM VASE, CHINA, 18TH CENTURYCarved as a large curled leaf raised on a network of long stems, leafs and lotus buds which form the openwork base,the veins rendered in low relief on the exterior with a bird flying over along one side adjacent to a large lotus flower,the stone of even tone with some pale brown and whitish inclusion. With its original wood base. In very goodconditions, with just very minor flaws in the stone and insignificant nibbles on the extremities, a very minor flake to aleaf and very small areas of russet patch in the stone.


€ 3.500 – 5.500

青瓷色翡翠荷叶花瓶瓷器，清代，十八世纪高10.5cm宽16cm

51

recto verso

37 premium lot

ELEGANTE SCETTRO IN GIADA COLOR CELADON PALLIDO, FINEMENTE INTAGLIATA, CINA, DINASTIA QING, EPOCA QIANLONG(1736-1795)

A FINE CARVED PALE CELADON WHITE TONE JADE RUYI SCEPTER, CHINA, QING DYNASTY, PERIOD OF QIANLONG(1736-1795)Skillfully carved in high relief with a long and narrow sagging handle embossed with waves breaking against craggyrocks below, a phoenix keeping in her mouth a long stem with flowers and foliage, the head of the scepter finishedwith another phoenix that wrapped around it and in her mouth holding a blossom foliate twig, the stone is of an evenpale celadon white tone. In perfect condition, a little russet area on the waves at the bottom of the handle.

31,1 cm long, 7,7 cm wide

€ 20.000 - 30.000

精雕玉如意，中国，清代，乾隆年间（1736年至1795年）长31.1cm，宽7.7cm

5352

5554

38

RARA COPPIA DI GIARDINIERE IN GIADA E PIETREDURE GUARNITE CON FIORI DI NARCISO, CINA,DINASTIA QING, TARDO XVIII INIZIO XIX SECOLO

A RARE AND HIGHLY ATTRACTIVE PAIR OF JADEAND HARDSTONE NARCISSUS GARNISHJARDINIERES, QING DYNASTY LATE 18TH EARLY19TH CENTURY (2)Modeling Chinese New Year shuixian pen,resting on four small short hollow feet supportingthe jardinières of pale green jade carved in rectangular form and indented corner rising gently with flared walls toa flat everted rim, on the centre each with three bulbs of white hard-stone arising from rock crystal water, issuing longcurved translucent green leaves and stems supporting numerous white narcissus flowers, centered with yellow stoneand seed pearls. In very good conditions but as typical of this type of works of art there are some minor losses tothe hard-stones and very minor nibbles on the extremities.


€ 1.000 - 2.000

罕见水仙玉石花瓶，清代，十八十九世纪高23cm，宽13cm

Note: for similar works of art see Sotheby's Hong Kong, 27 and 28 April 1993, lot 690 and Treasure of Imperial Court The Complete Col-lection of Treasure of the Palace Museum 2009, pg. 48 plate 41注：对艺术的作品相似香港苏富比看朝廷的27和281993年4月和很多690珍宝故宫博物院珍宝全集

39

TEIERA IN GIADA, CINA, XIX SECOLO

A SMALL WHITE JADE TEAPOT, CHINA, 19THCENTURYA very small chip on the spout.


€ 200 - 500

白玉茶壶，瓷器清代，十九世纪高6cm，宽12.5cm

40

COPPIA DI PICCOLE COPPE IN GIADA BIANCA, CINA, TARDA DINASTIA MING, XVI - XVII SECOLO O PIÙ TARDO

A WHITE JADE PAIR OF SMALL CUPS, CHINA, LATE MING DYNASTY 16TH - 17TH CENTURY OR LATER (2)Of rounded shape rising from a straight short foot to a gently flaring mouth rim, the sides with two opposite handlesin the form a stylized chilong, the stone of a white pale color with cloudy-white inclusions. In very good conditions,very minor nibbles on the extremities.


€ 800 - 1.200

白玉杯，明朝，十六十七世纪高3.5cm ,宽9cm

43

COPPIA DI GIARDINIERE IN BRONZO CLOISONNÉ EPIETRE DURE, CINA, EPOCA TARDO XIX INIZIO XX SECOLO

A PAIR OF HARDSTONE ANDCLOISONNÉ FLOWERINGJARDINIERES, CHINA, LATE 19THEARLY 20TH CENTURY (2)Supporting on four short feet thejardinières decorated withsheep and rams on cloisonnéenamels, of rectangular formwith flared walls to a flat evertedrim, each with shrubs issuingwith arising stems with foliatedifferent type of hard-stone. Bothwith some losses to the appliedhard-stone decoration, very minornibbles to the extremities, very smalllosses to the cloisonné enamels and minorpitting, a jardinere with a bump in one corner.

35 cm high

€ 1.000 - 2.000

青铜景泰蓝花瓶一对，清代，十九二十世纪高35cm

56

41

PICCOLA COPPA UNITA AD UN PICCOLOVASO IN GIADA, CINA, XIX SECOLO

TWO SMALL JADE OBJECTS, BOWL ANDVASE, CHINA, 19TH CENTURY (2)The bowl in a green yellowish shade withdarker inclusions, the cylindrical vase of apale celadon colour. In good condition

5,5 cm max high, 10 cm max wide

€ 300 - 500

玉器花瓷碗，清朝，十九世纪高5.5cm，宽10 cm

42

DUE LAVAPENNELLI A FORMA DI PESCA IN AGATA EDIN CRISTALLO DI ROCCA, CINA, XIX SECOLO

TWO PEACH-SHAPED BRUSH WASHERS ONE INAGATE, THE OTHER ROCK CRYSTAL, CHINA, 19THCENTURY (2)In good condition.

8,5 cm long, 7 cm wide

€ 300 - 500

二桃玛瑙水晶石，清代，十九世纪长�8.5 cm，宽�7 cm

57

44

INCENSIERE TRIPODE DI FORMA ARCAICA CONCOPERCHIO, IN PIETRA DURA, CINA, XX SECOLO

AN ARCHAISTIC SHAPED HARDSTONE TRIPODINCENSE BURNER, CHINA, 20TH CENTURYWith the handles in the shape of dragon headwith movable rings, on the cover animalBuddhist lion shaped finial. In good condition,with natural white and beige shade inclusions.


€ 300 - 500

香炉附盖瓷器，中国，二十世纪高18.5cm，宽19 cm

59

45

GRANDE VASO IN BRONZO CON 'CHILONG', GIAPPONE, XIXSECOLO

A LARGE 'CHILONG' BRONZE VASE, JAPAN, 19TH CENTUTYWith a compressed globular body and steep shoulder risingto a tall flaring trumpet mouth, and cast with a sinuous chilong,under the base in the centre an incised two sign mark. Inoverall good condition, with only minor nick and scratches,very minor surface wear.


€ 900 – 1.400

赤龙青铜花瓶，日本，十九世纪

高32cm，宽24cm

46

VASO CON COPERCHIO IN PORCELLANA A DECOROIMARI, GIAPPONE, FINE XVII SECOLO

A LARGE IMARI PORCELAIN VASE AND COVER,JAPAN, LATE 17TH CENTURYDepicting reserved flower in bloom branches in aterrace; on the shoulder of the jar and on the cover,reserved flower decoration. An hairline of 12 cm inthe cover, a small piece re-stuck inside the rim of thecover and a small chip at the base of the jar andminor wears on the surface.

60 cm high

€ 600 - 800

伊万里瓷瓶，日本，十七世纪高60cm

FROM AN IMPORTANT BRITISH PRIVATE COLLECTION英国人重要的私人收藏

47

RARA PICCOLA COPPA IN PORCELLANA “FAMIGLIA ROSA”, CINA, DINASTIA QING, MARCA AQUATTRO CARATTERI DEL PERIODO YONGZHENG (1723-1735); GLI SMALTI POSSIBILMENTESUCCESSIVI

A FINE AND RARE SMALL “FAMILLE” ROSE PORCELAIN BOWL,CHINA, QINGDYNASTY, FOUR-CHARACTER MARK OF THE PERIOD YONGZHENG (1723-1735);POSSIBLY LATER ENAMELSDelicately potted with deep rounded sides rising from a short foot, vividlypainted on the gently curving exterior with blossoms of a pink rose, a prunustree and a nandina branch heavily laden with red berries issuing fromgnarled branch all amongst foliage, the interior left blank, the base inscribedin under-glaze blue with a four-character reign mark in a double square. Invery good conditions, just only few minor firing imperfections.

9,1 cm diam, 3,9 cm high

€ 10.000 - 15.000

珍贵粉彩瓷碗，中国清代，1723年-1735年直径9.1cm，高3.9cm

Note: a close pair to our example sold at Sotheby's London, 13 July 2005 lot 258 £ 42.000,00 and sold it again in Christie's Hong Kong on 6 April 2015, lot 240 HK$ 925.000,00注：我们的例子在苏富比的伦敦，2005年7月13日卖出的价格为258£42.000,00并于2015年4月6日在佳士得香港再次出售240多万港币925.000,00元

58

6160

49

VASO IN PORCELLANA SMALTATO IN “CLAIRE-DE-LUNE”, CINA, DINASTIAQING, MARCA A SEI CARATTERI KANGXI

A FINE PORCELAIN “CLAIRE-DE-LUNE” BOTTLE VASE, CHINA, QINGDYNASTY, SIX CHARACTER MARK KANGXIWell potted with a baluster body rising from a domed foot to acylindrical neck and a dished mouth. The vessel is covered overall witha smooth pale blue glaze. The middle of the neck is further decoratedwith one slightly raised thin ring. The base on the centre inscribed withan under-glaze blue six-character Kangxi mark. In good condition, asmall chip-flake inside the edge of the mouth rim as well as a very minorsmall chip on the exterior of the mouth rim and expected very minorfiring imperfections.

12,4 cm high, 6,2 cm wide

€ 2.000 - 3.000

釉瓷花瓶，中国清代，康熙六字印章高12.4cm，宽6.2cm

48

GRANDE GIARA GLOBULARE BIANCA E BLU DECORATA NELLO STILE-MING, CINA, DINASTIA QING, TARDO XVIII INIZIO XIX SECOLO

A LARGE MING-STYLE BLUE AND WHITE GLOBULAR JAR , CHINA, QING DYNASTY, LATE 18TH EARLY 19TH CENTURYThe jar is heavily potted, it is raised on a flat foot ring, with a tapering globular body, short neck and thick lipped rim.The sumptuous body is painted in under glaze blue in the early Ming style with simulated 'heaping and piling' effectdecorated with a motif of chilongs and flight phoenix interlocking between lotus and seasonal flowers borne on scrollingfoliage, below a collar of lingzhi around the neck, the unglazed base shows the white porcellain ware. In very goodcondition, very minor firing imperfections and minor scratches.


€ 7.000 - 10.000

大型青花瓶明式，晚清时期，十八十九世纪高31cm，直径30cm

62

FROM AN IMPORTANT PRIVATE MANSION IN THE SOUTH OF ITALY来自意大利南部重要的私人豪宅

49BIS PREMIUM LOT

BELLA COPPIA DI COPPE IN PORCELLANA A FONDO RUBINO SGRAFFIATO E MEDAGLIONI “FAMIGLIA ROSA”, CINA, DINASTIAQING, MARCHIO A SIGILLO E DEL PERIODO DAOGUANG (1821-1850)

A PAIR OF FINE SGRAFFIATO RUBY-GROUND “FAMILLE-ROSE” MEDALLION PORCELAIN BOWLS, CHINA, QING DYNASTY,SEAL MARK AND OF THE PERIOD OF DAOGUANG (1821-1850)Each finely potted with the rounded sides rising from a short straight foot to a slightly everted rim, the exterior delicatelypainted with four circular medallions decorated with spray of peach, pomegranate, chrysanthemum, lychee, rose, twoof the medallion accompanied with aster design, interspersed with pair of lotus spray, all reserved on a ruby groundexquisitely incised with feathery, scrolling tendrils, the interior painted in shadow of under glaze-blue with a medallionof a basket containing peaches, chrysanthemums and rose, beneath spray of aster, pomegranate and lingzhi in thecavetto, underneath the base a seal mark in underglaze blue. In good condition, one with a minor flake of 0,6 by 0,3cm and the other with a hairline of 4 cm from the mouth rim, both with light scratches inside on the centre.


€ 12.000 - 20.000

一对精美粉彩瓷瓶，红宝石底色，中国，清代，道光年间印章，（1821年 -1850年）高6,3cm，直径14,7cm

Provenance: acquired by the family in 1972-73 at Gianetti Antonia Antichità – Via Gesù 3 - Milan来源：购于1972-73年安东尼古玩店， Gesù街3号，米兰

Note: one very similar sold at Christie's Hong Kong, 28 May 2014, lot 3472, HKD 600.000,00 - USD 77.726,00注意：在佳士得的香港销售非常接近，2014年5月28日，3472，HKD 600.000,00 - USD 77.726,00

6564

49TER

RARA TEIERA CON COPERCHIO, IN PORCELLANA A RISERVE “FAMIGLIA ROSA” SU FONDO GIALLO,CINA, DINASTIA QING, MARCATA A SEI CARATTERI E DEL PERIODO XIANFENG (1851-1861)

A FINE AND RARE YELLOW-GROUND “FAMILLE ROSE” PORCELAIN TEAPOT AND COVER, CHI-NA, QING DYNASTY, SIX IRON RED CHARACTER XIANFENG MARK AND OF THE PERIOD(1851-1861)The finely potted globular body with a short slightly tapering mouth with a geometric continuousband, on one side has a curved upright spout and opposed an elegant ear-shaped loop handle. The body of the teapotdecorated with two lobed panels surrounded by colorful scrolling lotus, flowers and foliate sprays, all reserved on abright imperial yellow ground, with a petal lappet decoration rising above the base and a band of ruyi head belowthe rim. The two panels decorated with a vase with lotus flowers, two flying bats and Buddhist symbols. The cover alsodecorated with scrolling flowers and the round finial with a flower on the top. The spout with a bat and a Shoucharacter. The base with a six-character iron-red mark . In very good conditions.


€ 1.000 - 1.500

精致稀罕茶壶，有盖，粉彩瓷，黄底，中国，清代，六字印章，咸丰时期�（1851年�-�1861年）

高14cm，宽22cm

6766

FROM THE PRIVATE PROPERTY OF A LADY FROM CENTRAL ITALY 来自意大利中部一位女士私藏

FROM A NORTH ITALIAN GENTLEMAN COLLECTION从意大利北部绅士收藏

50

DIPINTO CINESE IN CARTA SU TELA,CINA, XVIII SECOLO

A FINE PAINTING ON PAPER ONCANVAS, CHINA, 18TH CENTURYInk color on paper depicting alady painting at her desk,surrounded by four children. Onthe back ground a landscape ofmountains and houses by a river.A few wears in color, minorlosses and few retouch of color.


€ 1.300 - 2.000

中华纸绘画，清代，十八世纪高108cm，宽56.5cm

Lot 51

68

51 PREMIUM LOT

VERSATOIO TRIPODE IN BRONZO DA RITUALE PER ILVINO , CINA, DINASTIA SHANG, XII - XI SECOLO A.C.

AN ARCHAIC BRONZE RITUAL TRIPOD WINEVESSEL, JUE, CHINA, LATE SHANG DYNASTY,12TH - 11TH CENTURY B.C.Supported on three long triangular-sectionblade-like legs, the U-shaped body terminatesin a curved spout flanked by two posts withdomed caps, decorated with whorl patterns,and triangular tail. The C form handle is set onone side of the body over a two-characterinscription. The body is cast with a frieze of twolarge taotie masks with protruding eyes andleiwen scroll and quills, one mask is bisected bya vertical flange, and the other by theinscription. The soft greyish-green surface hassome malachite encrustation. The jue in goodcondition, X-ray shows the vessel in goodcondition with no break on the body, only avisible shaped short Y-crack and a chip re-stuckon top of the body where the handle joint thecaps of the body of the vessel and two crackson the handle, where the handle joint to thebody and re-stuck, some patch of malachiteencrustation to the decorated sides and someminor blistering to the flat surface, inside somevisible mud with traces of path of malachiteencrustation.


€ 15.000 - 25.000

罕见珍贵青铜杯，商朝，十一十二世纪高20cm，宽18cm

Provenance: in the family since 1953.出身：自1953年以来的家庭。

69

70

52

COPPA IN GIADA CELADON CON MANICI A FORMA DI CHILONG, CINA, XIX SECOLO

A CELADON JADE CUP WITH CHILONG SHAPED HANDLES, CHINA, 19THCENTURYRising from a low cylindrical base the round shaped body ends with a slightlyeverted rim, the two handles in the shape of chilong ; a geometric continuousmotif incised externally under the rim. In good condition, natural deeper inclusions.


€ 1.300 - 2.000

青瓷赤龙玉杯，清代，十九世纪高5.2cm，宽12.5cm

FROM THE PRIVATE COLLECTION OF A NOBLE ITALIANCONSUL IN CHINA BETWEEN 1907 AND 1931

1907年 – 1931年意大利驻中国领事私人收藏

72

53

GRANDE DIPINTO A INCHIOSTRO E COLORI SU PERGAMENA CON GRU ED ISCRIZIONI CINESI, CINA, XVIII - XIX SECOLO

A LARGE INK AND COLOUR PAINTING ON PARCHMENT WITH CHINESE INSCRIPTIONS, CHINA, 18TH - 19TH CENTURYThe extensive painting decorated in ink and soft color with a wide scene of two fine cranes looking each other, perchedon large branches of pine tree, amongst blossoms flower, on the right inside of the painting a Chinese inscription andtwo seal mark. The painting with some wear and moisture stains on the surface throughout, and with some minor splitand minor losses.


€ 2.000 - 3.000

松树染画，中国，十八十九世纪高115cm，宽230cm

73

This is a private collection of objectscoming mainly from continental China.This collection reflects the taste forbeauty and craftsmanship excellence ofan Italian patrician and his spouse, aFrench lady, who lived at the highestlevel of life quality ot their times.The collectionist was a highest rankdiplomat who spent in China andneighbouring kingdoms more than twodecades from 1907 to 1931.Stemming from a patrician familyestablished in a NorthernTuscanyCommune since the tenth century, hestarted his diplomatic career inCostantinople (now Istambul) then inSao Paulo do Brasil followed by Bona(Algeria), with ever increasingresponsibilities.In 1907 he was moved for his first time toChina in Mongtze, where new raiwayconstruction was in course. Hankowfollowed where revolutionary eventsduring 1912 requested him to protectespecially the missions established in theregion.In 1916 he was moved to Shanghai asresponsible of the Italian Legation. In

1925 he was appointed Chargé d’Affaires of the then Kingdom of Italy in Beijing by the ImperialCourt.His last mission in Asia was as highest rank diplomat by the Kingdom of Siam (Thailand) until 1931.Other missions followed in Europe (Luxembourg and Bruxelles) but his very last mission regardingChina was his participation as highest representative of the Kingdom of Italy at the Society ofNations Conference in Geneve in 1932 for the solution of the Sino-Japanese controversy overManchuria.The collection build over the years of his stay in China, grew especially after his marriage in 1915with a French lady. She was living with her family in the French Legation in Shanghai. They fullyshared the taste for highest quality local craftsmanship valuing the manufacturing art more thanthe intrinsic value. Their aim was adorning their residences with attractive, significant objects tocreate a warm, exotic atmosphere fot them and their hosts.Being the highest rank diplomat and his wife, their social life was very active. Their residences werefrequently hosting official and private events. Their social life included sports, with special electionfor horse riding (both) and hunting. He owned his private hunting elephant while in Siam but bothhave especially loved dogs for hunting and as pets.He passed away in his estate in Tuscany in the early fifties while his beloved wife survived him untilthe mid seventies of last century.The collection was inheriteted by their only daughter who continued its preservation and finallytransmitted it to her heirs.

这些收藏品源于中国，藏品所具有的精湛工艺水平和华美的特征反应出意大利贵族与他法国妻子在当时所享受的高品质生活。

身居显位的收藏者曾在中国及其临近国家生活近二十五年（1907-1931）。来自意大利托斯卡纳北部十世纪的贵族家庭，自土耳其的伊斯坦布尔开始政治生涯，巴西圣保罗到非洲西北部的阿尔及利亚，丰富的人生阅历随着使命和责任的不断增进而增进。

在1907年清廷建设滇越铁路时，第一次到达云南省蒙自县。1912年，革命期间转到汉口，1916年到达上海，开始掌管意大利公使馆。1925年任命为意大利住北京的临时代理大使。最后一项在亚洲的工作是担任任意大利住泰国大使，该工作在1931年结束。在欧洲的工作包括，住卢森堡大公国及比利时布鲁塞尔大使。1932年，作为最高级别的官员代表意大利参加日内瓦裁军会议，并且协调中日关系。

在中国居住生活期间开始收藏，特别是在1915年与法国妻子婚后。法国妻子婚前居于上海的法租界。婚后夫妻双方充分享受和品味着具有高品质工艺水平的艺术品生活中。他们

希望用特殊而有意义的艺术品营造温馨和靓丽的家庭装饰氛围。

作为最高级别的行政官员，夫妇的社交生活十分活跃，他们的宅邸经常举办各类官方或私人的社交活动。他们的兴趣爱好广泛，喜爱各类运动，赛马以及打猎。

7574

54

GRANDE DIPINTO A INCHIOSTRO E COLORI SU PERGAMENA CON PAESAGGIO E FIGURE, CINA, XIX SECOLO

A LARGE INK AND COLOR PAINTING ON PARCHMENT WITH A LANDSCAPE AND FIGURES, CHINA, 19TH CENTURYThe large painting in ink and soft color, is decorated with an extensive continuous river landscape scene with on theright bank numerous personages amongst weeping willows trees and pavilions, on the left side a boat with figures whichcrossing the river and in the distance high mountains. The painting with some wear and moisture stains on the surfacethroughout, and with some minor split and minor losses.


€ 2.000 - 3.000

精致染画，中国，十九世纪高124cm，宽250cm

7776

The large painting in ink and soft color is decorated with an extensive continuous river landscape scene with on theright bank a little village and numerous personages amongst weeping willows and pine trees, near the centre of thepainting a boat with figures crossing the river, in the distance mountains. On the top left inside of the picture a Chineseinscription and two red seal. The painting with some wear and moisture stains on the surface throughout, and withsome minor split and minor losses.


€ 2.000 - 3.000

精致染画，中国，十九世纪高150cm，宽370cm

55

GRANDE DIPINTO A INCHIOSTRO E COLORI SU PERGAMENA CON PAESAGGIO E FIGURE ED ISCRIZIONI CINESI, CINA, XIX SECOLO

A LARGE INK AND COLOUR PAINTING ON PARCHMENT WITH A LANDSCAPE AND FIGURES AND INSCRIPTIONS, CHINA,19TH CENTURY

7978

56

CORNICE IN LEGNO INCISA CON DECORO DI DRAGHI, CINA, DINASTIA QING, TARDO XIX SECOLO

A WOOD DRAGON CARVED FRAME, CHINA, QING DYNASTY, LATE 19TH CENTURYThe wood finely incised in openwork with continuous motif of dragons and Shou characters. In good conditions, minorwear on wood surface.

Sizes 141 cm x 49 cm

€ 400 - 600

龙雕木框，中国，清朝，十九世纪末高 141，宽49cm

57

STAND DA INCENSO IN LEGNO HUANGHUALIINTAGLIATO, CINA, DINASTIA QING,SECONDA META' DEL XIX SECOLO

A FINE AND CARVED HUANGHUALIINCENSE STAND, CHINA, QING DYNASTY,SECOND HALF 19TH CENTURYThe tall stand of square shape, with twoshelves and a drawer, the wood finelycarved in three sides, with a motif of Shoucharacters linked together with flying batsand dragons among clouds and foliatemotif. The wood with a good warmpatina. The stand in overall very goodcondition, with only few age cracks in thewood panels and a gap on the topbetween the panel and the structure, verylight wear on the surface and small chipsand nicks on the edges and extremities.

93 cm high, 48 cm wide and deep

€ 1.300 -1.500

黄花梨木雕香炉，中国，清朝，十九世纪中期

尺寸 93x48x48 cm

FROM THE PRIVATE COLLECTIONOF A MAJOR OF ROYAL ITALIAN ARMY IN CHINA UNTIL 1903年選集意宽利皇家軍隊在中國的一個主要的私人收藏

A Major in the Royal Italian Army, was born in Liguria in 1863 (?). He died in Africa in fighting in Africa in 1913. He came froma family of venetian shipowners and great travellers. At 17 years of age he went to the military school in Modena and be-gan his military career. Lieutenant first and then colonel, he was sent to China as a Major to assume the command at Tien-Tsin: he stayed there till 1903. Thanks to his good work in China, he was awarded the cross of a Knight of the Ordine dellaCorona d’Italia and of the Ordine dei SS. Maurizio e Lazzaro.In 1906 he left for Eritrea where he stayed until 1910 and he was promoted to Lieutenant Colonel. Two years later, he wasin Cirenaica (Libya) where he fought heroically and died in 1913. He was awarded the gold medal for Military Excellence.The collection here illustrated is comprised of objects he collected and received in China (he held a high military positionand frequented embassy parties and high society milieux): the collection have since remained with his descendants.

意大利皇家军少校出生在力古里亚大区(1863?) 1913年在非洲战场战亡。他来自威尼斯一个船东家庭，指挥船只，17岁开始旅行，1882年加入摩德纳军事学校，开始他的军事生涯。先是中尉然后是上校，奉意大利国王的命令，以少校身份派到中国，指挥混合队伍，在天津总部直到1903年，奉命回国。回到祖国后，由于他的丰功伟绩，他获得意大利皇室和圣十字堂骑士勋章。随后，在1906年，他去厄立特里亚，在那里直到1910年，晋升为中校。两年后，他去往昔兰尼加（利比亚），在这里，上校，1913年英勇战亡。因为这次事件，他被授予金质勇气勋章。

下列展品是在他逗留中国期间，收集或被赠与的物件组成，（他在大使馆有一个重要军事地位，与最高层接触）

于是，这些收集品来到意大利，并保存在他的住所，后来流传给他的合法继承人。

8180

58

COPPIA DI ETAGERES APERTE ASIMMETRICHE IN LEGNO,CINA, DINASTIA QING, XVIII-XIX SECOLO

A FINE PAIR OF OPEN WOOD DISPLAY CABINETS,CHINA, QING DYNASTY, 18TH-19TH CENTURY (2)The upright rectangular form, with asymmetrical tieredarrangement of five shelves of varying size and differentheights, the feet slightly curved and joints together by aninclined apron carved with a double of curls designs, andsupported on a short cabriolet feet. In very good conditions,minor wear and scratches on the wood surface.

42 cm high, 30 cm wide, 10 cm deep

€ 900 -1.400

精致木架，中国，清朝，十八十九世纪高 42cm，宽 30cm，深10cm

Lot 59

8382

60

GIACCA IN SETA ROSSA CON COLLARE E BORDORICAMATI “AO”, CINA, DINASTIA QING, SECONDA META’DEL XIX SECOLO

AN UNUSUAL HAN CHINESE WOMAN’S CRIMSONSILK INFORMAL COAT “AO”, QING DYNASTY,SECOND HALF 19TH CENTURYWith side front closing, the crimson silk damaskpatterned with a inner black border, finely framed bythe embroidered “cloud” collar and applied ribbonboth embroidered with a delicate and multicolornaturalistic scenes. In very good conditions.


€ 600 - 800

红色丝绸外套，中国，清朝，十九世纪下半叶尺寸 98 cm x 134 cm

59

GONNA RICAMATA IN SETA “QUN”, CINA, DINASTIA QING,SECONDA META’ DEL XIX SECOLO

A HAN CHINESE WOMAN’S SILK SKIRT “QUN”, QINGDYNASTY, SECOND HALF 19TH CENTURY Made of amaranth silk woven finely embroidered onthe front panel with a dense multicolored flowers, thepleats similarly embroidered with further stems andbranches of flowers and butterflies, all within bordersembroidered in three shades of blue (sanlan) withsimilar decoration ending with fur, the waistbandof creamy cotton. In good conditions.

98 cm high

€ 300 - 500

绣花丝绸裙子，清朝，十九世纪下半年高 98cm

61

PARTE DI TESSUTO A FONDO NERO RICAMATO CONFARFALLE MULTICOLORI, CINA, DINASTIA QING, SECONDAMETA' DEL XIX SECOLO

A FRAGMENT OF BLACK TISSUE EMBROIDERED WITHMULTICOLORED BUTTERFLIES, CHINA, QING DYNASTY,SECOND HALF 19TH CENTURYTogether with other fragments of tissues.

Sizes 75cm x 90 cm

€ 300 - 500

绣有蝴蝶的一段黑底丝绸，中国，清朝，十九世纪中叶尺寸 75cmx 90 cm

Lot 60

8584

64

RARO CUBO ARCAISTICO IN BRONZO A OTTO SIGILLI, CINA, DINASTIA MING (1368-1644)

A RARE ARCHAISTIC BRONZE CUBIC WITH EIGHT SEALS, CHINA, MING DYNASTY (1368-1644)Each sides of the cube engraved with Chinese archaic characters or Zhuanshu script.In very good conditions, only slightly scratches on surface and nicks on the rims edges.

Sizes 3,2x3,2x3,2 cm

€ 300 - 500

仿古青铜印章，中国，明朝，(1368-1644)尺寸 3,2x3,2x3,2 cm

62

DUE FRUSTINI CON MANICO IN ARGENTO LAVORATO ARILIEVO ED UNA PIPA IN BAMBÙ, CINA, TARDO XIXSECOLO

TWO WHIPS WITH SILVER HANDLES, TOGETHER WITHA BAMBOO PIPE, CHINA, LATE 19TH CENTURY (3)Both whips with high relief decoration and Chinesecharacter inscriptions. In good conditions, one whipwith hair missing, the pipe with nozzle missing.

60, 40, 28 cm high

€ 200 - 500

两个竹管银质把手作物，中国，十九世纪末长60, 40, 28 cm

63

BRUCIA INCENSO TRIPODE IN BRONZO CONCOPERCHIO, CINA, DINASTIA QING, FINE DEL XVIII-INIZIO DEL XIX SECOLO

A BRONZE TRIPOD INCENSE BURNER AND COVER,CHINA, QING DYNASTY, LATE 18TH-EARLY 19THCENTURYCast with a globular body rising to a waisted neck,supported on three foot, the shoulders flanked bytwo handles, the domed cover pierced andsurmounted by a finial in the form of a mythicalanimal. In very good conditions, with very minorsurface wear and scratches, the cover with the rimslightly warped.


€ 100 - 500

三角有盖香炉，中国，清朝，十八世纪末十九世纪初高 24cm，直径 20cm

87

65

GRUPPO DI QUATTRO SIGILLI IN PIETRA DURA, CINA, DINASTIA QING, XVIII-XIX SECOLO

FOUR CARVED FOUR RUSSET-HARDSTONE SEALS, CHINA, QING DYNASTY, 18TH-19TH CENTURY (4) The four fine stones with shadows of russet tone inclusions, the square shape seal incised in Chinese, the other three sealsincised with Chinese traditional characters with two of square shape and one is of rectangular shape. The two seals of squareshape with incised Zhuanshu Chinese characters in very good conditions, with very light surface wear and scratches and withnatural flaws in the stone; the rectangular seal in very good conditions, with very light surface wear and scratches and withnatural flaws in the stone and with a small chip on the right bottom angle; the square seal incised in Kaishu Chinese in verygood conditions, with very light surface wear and scratches and with natural flaws in the stone with minor chips on the rimsedges of the seal face.


€ 1.000 – 1.200

一组精致玉石印章，四个，中国，清朝，十八十九世纪最高8,2cm，最宽4cm

8988

66

PICCOLA SCATOLA CON COPERCHIO IN GIADA, CINA,DINASTIA QING, PERIODO QIANLONG (1736-1795)

A SMALL JADE CIRCULAR BOX AND COVER,CHINA, QING DYNASTY, QIANLONG PERIOD(1736-1795)The box with rounded sides rising from a slightlyraised foot ring, the cover carved in low relief witha stylised Shou medallion within two incised circle,the stone of a white-celadon tone with naturalinclusions. In very good conditions, only few veryminor nibbles to the extremities.

6 cm diam, 3 cm high

€ 800 - 1.000

小盒，玉盖，中国, 清朝，乾隆年间（1736-1795）直径 6cm, 高 3cm

67

PICCOLO PIATTO DA FIUTO LOBATO IN GIADABIANCA, CINA, DINASTIA QING, PERIODO QIANLONG(1736-1795)

A FINE SMALL LOBED WHITE JADE SNUFF DISH,CHINA, QING DYNASTY, QIANLONG PERIOD(1736-1795)The lovely snuff dish with rounded sides rising froma short raised foot ring, the sides and the foot witha lobed shape. The jade stone of a white tone withnatural flaws in the stone. In very good conditions,with natural flaws and two very minor nicks on oneof the lobed sides.

5 cm diam.

€ 200 - 500

精美白玉小盘，中国，清朝，乾隆时期(1736-1795)直径5cm

68

GRUPPO COMPOSTO DA QUATTRO PICCOLE TEIERE “YIXING” CONCOPERCHIO, CINA, DINASTIA QING, XIX SECOLO

A GROUP OF FOUR SMALL “YIXING” TEAPOTS AND COVERS,CHINA, QING DYNASTY, 19TH CENTURY (4)Each teapot of compressed pear shape, with one of them with theshoulder inscribed and with the cover molded with a motif of foliatetea, each base incised and signed. In very good conditions, oneteapot with a flake with associated small chip on the mouth-rim, thelid does not fit well on the top of the teapot, suggesting thatprobably belong to another teapot, very minor firing imperfectionand very minor wear on the surface.

7 cm max high, 11 cm max wide

€ 700 - 900

四个宜兴有盖小茶壶，中国，清朝，十九世纪最高 7cm，最宽11cm

21

43

1

2

3

4

91

69

COLLANA IN GIADA CELADONPALLIDO, CINA, TARDO XIX SECOLO

A VERY PALE CELADON JADEITENECKLACE, CHINA, LATE 19THCENTURYComposed of a single row ofjadeite 49 jade beads, measuringapproximately 11mm diameter.Silver clasp.

64 cm long

€ 3.000 – 5.000

罕见精致玉器，清代，十九世纪长64cm

Provenance: in the family since beforethe First World War

来源：一战之前的一个家庭

PRIVATE PROPERTY OF A LADY IN THE NORTH OF ITALY

意大利北部一位女士私藏

FROM THE PRIVATE COLLECTION OF A MILANESE GENTLEMAN WHO FORMED ITIN THE LATE SEVENTIES AND BOUGHT MOSTLY

FROM THE ESKENAZI GALLERY IN MILAN来自70年代米兰私人收藏，购于埃斯凯纳齐米兰

90

93

70

GRANDE E RARA FIGURA IN PIETRA DI GANESH, INDIA, V SECOLO

A RARE MASSIVE STONE CARVED FIGURE OF GANESH, INDIA, 5TH CENTURYThe four-armed god depicted frontally, standing dancing. Wears on the surface ,one hand and one feet missing.

62 cm high, 42 cm wide, 16 cm deep

€ 18.000 - 25.000

大型珍贵罕见石雕图，印度，公元5世纪62cm高42cm宽，16个cm深

9594

73

INSIEME DI DUE FIGURE IN BRONZO, INDIA, XVIII - XIX SECOLO

TWO BRONZE FIGURES, INDIA, 17TH – 18TH CENTURYMinor wear on surface.


€ 1.500 - 2.500

双青铜，印度，十七十八世纪高14cm宽9cm

72

FIGURA IN PIETRA DI DIVINITA’ CONMANDORLA, INDIA, XVIII SECOLO

A STONE FIGURE OF DEITY WITHMANDORLA, INDIA, 18TH CENTURYWears on colors.


€ 3.000 - 5.000

杏仁石雕，印度，十八世纪高37.5cm，宽21cm

71

FIGURA DI GANDHARA IN PIETRA, INDIA, IVSECOLO

A STONE FIGURE OF SEATEDGANDHARA, INDIA, 4TH CENTURYWears on the surface.


€ 4.000 - 6.000

甘达拉石图，印度，公元4世纪高24cm，宽20cm

9796

74.

DIPINTO INDIANO MOGUL SU CARTA, RAFFIGURANTEDIVINITÀ SU TIGRE, INDIA, XVIII SECOLO

A MUGHAL INDIAN PAINTING ON PAPER, INDIA,18TH CENTURYInk color on paper. Depicting a sixteen armed Deityon a tiger back. Minor wear on colors.


€ 3.000 - 5.000

精品绘图，印度，十八世纪高21cm，宽15cm

75

DIPINTO INDIANO MOGUL SU CARTA, INDIA, XVIII SECOLO

A MUGHAL PAINTING ON PAPER, INDIA, 18TH CENTURYMinor wear on colors.


€ 3.000 - 5.000

莫卧儿绘图，印度，十八世纪高25cm，宽23cm

77

TANTRA, TEMPERA SU CARTA, INDIA, XIX SECOLO

A TANTRA PAINTING ON PAPER, INDIA, 19TH CENTURYInk color on paper. Wears on the surface and on color.


€ 900 - 1.500

密宗卷，印度，十九世纪52cm高17cm宽

76.

TANTRA, TEMPERA SU CARTA, INDIA, XIX SECOLO

A TANTRA ON PAPER, INDIA, 19TH CENTURYInk color on paper. Wears on the surface, losses of color.


€ 2.500 - 3.500

密宗卷，印度，十九世纪54cm高，宽40cm

9998

78

DIPINTO SU TESSUTO, RAFFIGURANTE DUEPERSONAGGI, INDIA, XVIII SECOLO

AN INDIAN PAINTING ON COTTON, WITHFIGURES, INDIA 18TH CENTURYGouache on cotton. Wears on the surface,a piece missing on the left side and losses incolors.

36 cm high , 48 cm wide

€ 800 - 1.200

人物绘画，印度，十八世纪高36cm宽48cm

81.

DIECI INCISIONI AD INCHIOSTRO SU PERGAMENA, TIBET, XIX SECOLO

TEN INK ON PARCHMENT DRAWING, TIBET, 19TH CENTURYDepicting various Deities. Overall in good condition, minor wear in ink.

56 cm high, 35 cm wide max.

€ 3.000 - 4.000

羊皮水墨画，西藏，十九世纪高56cm，最宽35cm

79

TANTRA SU CARTA, TIBET, XIX SECOLO

TANTRA ON PAPER, TIBET, 19TH CENTURYA small piece missing on the rim, minorwear in colors.


€ 1.200 – 1.800

密宗卷，西藏，十九世纪高30.5cm，宽30cm

80

PAGINA DI LIBRO DI PREGHIERE, TIBET, XVIIISECOLO

A PAGE EXTRACT FROM A PRAYER BOOK,TIBET, 18TH CENTURYInk color on paper. Minor wear on the surface.


€ 400 - 700

祈祷书一文，中国西藏，十八世纪高6.5cm，宽18cm

101

82

PICCOLO DIPINTO SU TESSUTO, TIBET, XVII SECOLO

A TIBETAN PAINTING ON CLOTH, 17TH CENTURYDepicting a guardian. Wear on the surface.


€ 400 - 700

藏族绘画，中国西藏，十七世纪高11.5cm宽8cm

100

84

THANGKA RAFFIGURANTE QUATTROARHATS, TIBET, XIX SECOLO

A FOUR ARHATS THANGKA, TIBET, 19THCENTURYGouache on cotton. With a verticalbreak, wear on surface an losses ofcolors.


€ 800 - 1.500

唐卡，西藏，十九世纪51cm高，宽40cm

83

PICCOLO THANGKA, MANDALA, TIBET,XVII-XVIII SECOLO

A SMALL MANDALA THANGKA,TIBET, 17TH-18TH CENTURYGouache on cotton. Wears andlosses in colors


€ 1.500 - 2.000

曼陀罗唐卡，中国西藏，十八世纪高42cm宽28cm

85

SHAMVARA YAB-YUM THANGKA, TIBET, XIX SECOLO

A SHAMVARA FATHER-MOTHERTHANGKA, TIBET, 19TH CENTURYGouache on cotton. DepictingShamvara, the blue body, four faces,twelve arms, standing on a red aurawith tongues of flames, in the embracewith his red body consort Vajravarahi.Wear on the surface with losses oncolors.


€ 800 - 1.500

唐卡，中国西藏，十九世纪高51cm，宽40cm

103102

86 premium lot

THANGKA BARDO MANDALA, TIBET, XVII SECOLO

A BARDO MANDALA THANGKA, TIBET, 17TH CENURYGouache on cotton with silk mount and the reverse withTibetan inscriptions and the stupa. The so called Bardothangka is about the between-state depiction showing thevarious forms of Deities who manifest themselves duringthe between (bard-do) state after death and beforerebirth, in circular realms related to the transmigratoryvision. In the concentric external circles an array ofvision of deities produced by the psyche of the deceasedimmediately after the death; a Lama (in the upper rightside of the painting) usually assists in instructing theperson before the death to prepare to face the vision . Inthe central circle the Six Buddhas of the Six Realms: demi-god, animal, infernal hungry ghost, human, God’s realm,who will try to seduce the deceased and bring him totheir Realm. On the sixth day the five Buddhas appeartogether to prevent the deceased to have bad visions andconsequently bad karma and the carmic energy of theindividual is transmigrated to a new beginning. In theupper register of the painting on the left the ShakyamuniBuddha (the founder of Buddhism). Wear on the surfaceand some losses in color.


€ 20.000 - 30.000

吟游曼陀罗唐卡，西藏十七世纪高75cm，宽50cm

105104

87 premium lot

GRANDE E RARA FIGURA DI BUDDHA RATNASAMBHAVA SEDUTO, IN RAME REPOUSSÉ DORATO, TIBET, XVII SECOLO

A LARGE AND RARE GILD REPOUSSÉ COPPER ALLOY SEATED FIGURE OF A RATNASAMBHAVA BUDDHA, TIBET, 17TH CENTURYRatnasambhava is one of the Five Dhyani Buddhas (or "Five Meditation Buddhas")Tantric Buddhism and he isassociated with the attempt to destroy greed and pride, can be represented with or without ornaments. The Buddhais finely cast seated with legs crossed in dhyanasana on double-lotus pedestals, one with his left hand inbhumisparsa mudra, his right hand varada mudra. He has a serene expression with downcast eyes below archedeyebrows and the urna on his forehead, flanked by pendulous earlobes, his "snailshell" hair are highlighted withblue pigments. The robe covers the left shoulder. The head is removable and inside there is a prayer roll.A knock in the back, some losses in gild and re-touches.


€ 20.000 - 30.000

坐像宝生佛，西藏，十七世纪43cm高31cm宽

107106

89

OGGETTO DA RITUALE A FORMA DI CONCHIGLIA, TIBET,XVIII - XIX SECOLO

A RITUAL CONCH SHELL OBJECT, SINO-TIBET, 18TH - 19TH CENTURYThe shell finely polished and mounted with a metalflange worked in relief with two dragons pursuing theflaming pearl amongst waves and clouds, the handleincised. Wears on the surface of the metal and a knockon the handle.


€ 2.000 - 3.000

海螺形饰物，中国西藏，十八十九世纪高31.5cm宽12cm

88

GRANDE INCENSIERE IN BRONZO, TIBET, TARDA DINASTIA MING (1368 - 1644)

A RARE IMPRESSIVE AND MASSIVE BRONZE CENSER BURNER, CHINA, LATE MING DYNASTY (1368 - 1644)Of wide flattened form raised on four short feet, cast decorated with ribbed bands to the shoulder of the globular bodyand to the everted rim, ribbed scrolling handles with ruyi motif to the body and everted upper sections. Wear on thesurface.

81 cm diam., cm high 25

€ 7.000 - 12.000

大铜香炉瓷器，明朝西藏，十三世纪-十六世纪直径81cm，高25cm

Note: for a very similar one see Christie's South Kensington 14 June 2001, lot 247注：一个非常相似的展品见佳士得南肯辛顿6月14日2001年247拍卖品

90

VASO CON COPERCHIO LEGNO E RAME,TIBET, XVIII SECOLO

A WOOD AND COPPER VASE ANDCOVER, TIBET, 18TH CENTURY


€ 1.500 - 2.000

铜花瓶附盖，西藏，十八世纪高21cm，宽17.5cm

109

93

FIGURA IN BRONZO PARZIALMENTE DORATOMONTATA A CANDELIERE, CINA, XVII SECOLO

A PARTIALLY GILD BRONZE FIGURECANDLESTICK, CHINA, 17TH CENTURY


€ 3.000 - 5.000

青铜瓷器，中国，十七世纪高37cm，13cm宽

108

92

GRUPPO DI DODICI FIGURINE IN BRONZO, XVIII SECOLO

TWELVE MISCELLANEOUS SMALL BRONZE FIGURES, 18TH CENTURYMinor wear on the surfaces.

7 cm max high

€ 2.000 - 3.000

十二件青铜雕像，十八世纪最大高7cm

91

FIGURA IN LEGNO POLICROMO, TIBET,XVII - XVIII SECOLO

A PAINTED WOOD FIGURE, TIBET, 17TH-18TH CENTURYThe Deity seated with crossed legs, avraja in the rised right hand and thebowl in the left. Wears on the surfaceand losses in colors.


€ 2.000 - 3.000

甲画材附图，西藏，十七十八世纪

高4cm，宽10cm

94

DUE PICCOLE TESTE IN BRONZO, CINA, XVIII SECOLO

TWO SMALL BRONZE HEADS, CHINA, 18TH CENTURY


€ 500 - 800

双件青铜瓷器，清代，十八世纪高8cm，宽7cm

111110

FROM VARIOUS NORTH ITALIAN MANSIONS

来自个意大利北部公馆

PROVENANCE: FROM A NORTH ITALIAN NOBLE FAMILY来自意大利北部贵族家庭

95

VASO IN PORCELLANA A FORMA DIBOTTIGLIA, SMALTATO IN ROSSOFLAMBÉ, CINA, DINASTIA QING,MARCHIO A SIGILLO E DEL PERIODOQIANLONG (1736 - 1795)

A RED FLAMBÉ-GLAZEDPORCELAIN BOTTLE VASE, QING DYNASTY, SEAL MARK ANDOF THE PERIOD QIANLONG (1736 - 1795)The vase is finely potted with apear-shaped body gently taperingto an everted rim and supportedon a slightly flaring foot. Anevident circular area of over fired,the vase in good condition. On agilt-bronze base.


€ 3.000 - 4.000

红色釉瓷特色花瓶，清代乾隆年间，十七世纪高30.3cm宽16cm

96

PICCOLO VASO IN PORCELLANA "TEA DUST", CINA, XVIII SECOLO

A SMALL “TEA DUST” GLAZED BOTTLE VASE, CHINA, 18TH CENTURYOf an opaque glaze of dark tea-dust colour, issuing from a slightly tapered foot, the globular body with gently curvingsides ending to a tall cylindrical neck with a flared mouth. In good condition


€ 1.000 - 2.000

茶叶末釉花瓶瓷器，清代，十八世纪高15.5cm，宽10cm

113

98

GRANDE VASCA PER PESCI IN PORCELLANA “FAMIGLIA VERDE”, CINA, TARDA DINASTIA QING (1644 - 1911)

A LARGE “FAMILLE VERTE” PORCELAIN FISH BOWL, CHINA, LATE QING DYNASTY (1644 - 1911)Depicting scenes of a Dignitary and his court of servants and guardians, in pavilions and gardens, inside carpsdecoration. Two restorations on the rim, minor wear on the surface and on the decoration inside.


€ 900 - 1.500

粉彩瓷鱼缸，清代末, 晚清时期高45cm，直径53cm

112

97

VASO IN PORCELLANA "TEA DUST" DI FORMA ZUN, CINA, XIX SECOLO

A “TEA DUST” GLAZED ZUN VASE, CHINA, 19TH CENTURYOf archaic form rising from a flared tall foot, the globular compressed body with on the side in relief two handle ringswith masks, a tapered wasted neck , of an opaque glaze of dark tea-dust color . In good condition, near one handlea leakage of glaze


€ 1.000 - 2.000

茶末釉花瓶，清代，十九世纪高25.6cm1，宽4.5cm

115

100

COPPIA DI GIARDINIERE IN PORCELLANA,“FAMIGLIA ROSA” CINA, PERIODO REPUBBLICA

A PAIR OF “FAMILLE ROSE” PORCELAINJARDINERE, CHINA, REPUBLIC PERIOD (2)With mirror decoration of crane on the rockand some flying by the sea and with aninscription of Chinese characters on theback. In good condition minor wear inenamels and some firing spots.


€ 500 - 800

粉彩瓷器一对，中国，中华民国时期高22.5cm，宽15.5cm

114

99

RARO E GRANDE PIATTO TRAFORATO IN PORCELLANA “FAMIGLIA ROSA” AFONDO GIALLO, CINA, DINASTIA QING, MARCHIO A SEI CARATTERIJIAQING

AN UNUSUAL AND LARGE “FAMILLE ROSE” AND YELLOW-GROUNDRETICULATED FOOTED PORCELAIN DISH, CHINA, QING DYNASTY, JIAQINGSEAL MARK IN IRON RED With shallow rounded sides and a round hollow holes everted rim,the dish is entirely decorated inside with a leafy lotus and flowersscroll interspersed with symmetrical geometric diamond shaped motifswith brilliant enamels on an imperial yellow ground; outside the samescroll but with passionflowers. On the rim a continuous ruyi headband. The underside glazed in turquoise with Jiaqing seal mark iniron red. A small chip with color retouch on the rim with a possiblerestoration.

39 cm diam.

€ 1.800 – 2.400

黄底粉彩瓷盘，中国，清朝，嘉庆六字印章直径39cm

117

103

GRANDE PIATTO IN PORCELLANA BIANCA E BLU, CINA, XVII SECOLO

A LARGE AND FINE BLUE AND WHITE PORCELAIN DISH, CHINA, 17TH CENTURYIn the centre three figures playing Weiqi in a landscape with rocks and bamboo.On the rim a motif of figures and bamboo branches. In good condition.

43 cm diam.

€ 1.200 – 2.000

大青花瓷，清朝，十七世纪直径43cm

116

101

VASO IN PORCELLANA BIANCA E BLU DI FORMA“YENYEN”, CINA, QING DYNASTY, PERIODO KANGXI(1662 - 1722)

A FINE BLUE AND WHITE “YENYEN” PORCELAINVASE, CHINA, QING DYNASTY, KANGXI PERIOD(1662 - 1722)The baluster body supported on a spreading footand surmounted by a tall trumpet neck, brightlypainted around the exterior, with stylized lotusflower-heads on scrolling branches with foliage,above a triangular diaper band at the rim. Mouthrim with a V-shaped break sections, in two pieces18cm wide and 7cm deep, on mouth rimanother C-shaped break sections in three pieces,14,5 cm wide and deep 5,5 cm , a star crackson the base max. cm 12; most probably a firingcrack all around the base of the trumpet neck, butdifficult to understand because is covered with ametal ring, not sign of spray around this areasinside and outside

46 cm high

Lot with no reserve 无底价拍卖

一款细致青花瓷瓶，中國，清代，康熙時期高46cm

102

SEI SNUFF BOTTLES IN PORCELLANA BIANCA E BLU,CINA, XIX-XX SECOLO

SIX BLUE AND WHITE PORCELAIN SNUFF BOTTLES,19TH-20TH CENTURY (6)Depicting dragons, figures and lotus decoration,two marks under the base. Minor wear, chips, onecap missing, one probably matched.



青花瓷鼻烟壶，清代，十九二十世纪最大7.5cm，最大6cm

119118

104

PIATTO IN PORCELLANA BIANCA E BLU, CINA , STILE YUAN

A LARGE BLUE AND WHITE PORCELAIN DISH, CHINA, YUAN STYLEAll over around the dish a continuous scroll of lotus and other flowers.

35 cm diam.

€ 900 - 1.500

仿元青花瓷盘，中国35cm直径

106

FIGURA DI GUANYN IN BLANC-DE-CHINE, TEHUA,CINA, DINASTIA QING (1644 - 1911)

A BLANC-DE-CHINE FIGURES OF GUANYIN,TEHUA, CHINA, QING DYNASTY (1644 - 1911)Seated on a open lotus flower under on aswirling wave with other flowers of lotus andleaves, wearing flowing robes and with astanding young acolyte at her side. Little piecesmissing.

27 cm high


特华观音像，中国, 清代高27cm

105

COPPA DA LIBAGIONE IN PORCELLANA BLANC- DE- CHINE, CINA, XVIII SECOLO

A BLANC-DE-CHINE LIBATION CUP, CINA, 18TH CENTURYThe cup molded with various animals andbloomy trees. In good condition, a very smallchip at the foot rim.


€ 400 - 600

祭酒瓚，清代，十八世纪高5.2cm，宽10cm

121120

107 *

VENTAGLIO TONDO IN SETA DECORATO SUI DUELATI, CINA, XIX SECOLO

A CIRCULAR SILK FAN DECORATED ON BOTHSIDES, CHINA, 19TH CENTURYInk color on silk depicting on both sides flowers,butterfly and pomegranate. On the top of theivory handle a finial with a duck and a lotusflower. In good conditions.

22,5 cm diam., 36 cm high (without frame)

€ 400 - 600

丝绸圆扇，中国，十九世纪直径 22,5cm，高 36cm （不含框）

108 *

VENTAGLIO TONDO IN SETA DECORATO SUI DUE LATI, CINA, XIX SECOLO

A CIRCULAR SILK FAN DECORATED ON BOTH SIDES, CHINA,19TH CENTURYInk color on silk depicting on one side peonies andbutterflies on the other side a landscape. The finialof the ivory handle with Shou character and bats.In good conditions.

25 cm diam., 38 cm high (without frame)

€ 600 - 900

丝绸圆扇，中国，十九世纪直径 25cm，高 38cm （不含框）

FROM A PRIVATE MANSION IN PIEDMONT源自意利皮尔蒙特大区私藏

123122

109 *

VENTAGLIO TONDO IN SETA DECORATO SUIDUE LATI, CINA, XIX SECOLO

A CIRCULAR SILK FAN DECORATED ON BOTHSIDES, CHINA, 19TH CENTURYInk color on silk depicting on one sidepeonies and butterflies on the other sidemountain landscape. The finial of the ivoryhandle with Shou character and bats. Ingood conditions.

26 cm diam., 40 cm high (without frame)

€ 400 - 600

丝绸圆扇，中国，十九世纪直径 26 cm，高 40 cm（不含框）

110 *


A CIRCULAR SILK FAN DECORATED ON BOTHSIDES, CHINA, 19TH CENTURYInk color on silk depicting on one side whiteflowers and bird on the other side yellow andpink flowers and bird. The finial of the ivoryhandle with Shou character and bats. In goodconditions.

22,5 cm diam., 36 cm high (without frame)

€ 400 - 600

丝绸圆扇，中国，十九世纪直径 22,5cm，高 36cm （不含框）

125124

111 *


A CIRCULAR SILK FAN DECORATED ON BOTHSIDES, CHINA, 19TH CENTURYInk color on silk depicting on one sidemountain landscape by a river on the otherside Chinese characters inscription. The finialwith a Shoulao and a deer on top of ivoryhandle. In good conditions.

24,5 cm diam. , 40 cm high (without frame)

€ 600 - 900

丝绸圆扇，中国，十九世纪直径 24,5 cm，高 40 cm （不含框）

112 *

SETTE TABACCHIERE IN MATERIALI DIVERSI, CINA,XIX-XX SECOLO

SEVEN SNUFF BOTTLES OF DIFFERENTMATERIALS, CHINA, 19TH-20TH CENTURY (7)Glass inside painted, lacquered, hard stone,porcelain.

7 cm max. high

€ 1.400 - 1.600

七鼻烟壶，中国，十九二十世纪高 7 cm

127126

113

FIGURA IN BRONZO DI GARUDA CONDIVINITA’ FEMMINILE IN YAB YUM, XIXSECOLO

A BRONZE “FATHER-MOTHER” FIGUREOF GARUDA AND A FEMALE DEITYWITH MANDORLA, 19TH CENTURY


€ 700 - 1.200

大鹏鸟欢喜佛青铜像，十九世纪高18cm，宽11cm

PRIVATE PROPERTY OF A LADY IN NORTH ITALY

意大利北部一位女士私藏

BOUGHT LOCALLY IN THE ‘70 - ‘80

114

FIGURA IN BRONZO DI TARA SEDUTALALITASANA, TIBET, XVIII - XIX SECOLO

A BRONZE SEATED FIGURE OF LALITASANATARA, TIBET, 18TH - 19TH CENTURY


€ 900 - 1.400

塔拉铜像，西藏，十八十九世纪高17cm，宽12cm

129128

115

FIGURA IN RAME RAFFIGURANTE BUDDHA SEDUTO, SINO-TIBET, XVIII-XIX SECOLO

A COPPER FIGURE OF SEATED BUDDHA, SINO-TIBET,18TH-19TH CENTURY


€ 900 - 1.400

坐佛铜像，西藏，十八十九世纪高14cm，宽10cm

116

FIGURA IN LEGNO DIPINTO DI KUBERA,INDIA, XVIIISECOLO

A PAINTED WOOD FIGURE OF KUBERA,INDIA, 18THCENTURYWear on the surface and color.


€ 300 - 500

俱毗羅木雕，印度，十八世纪高11cm，宽6.5cm

117

FIGURA DI SHAKYAMUNI IN BRONZO DORATO, CINA, DINASTIA MING

A GILT-BRONZE FIGURE OF SHAKYAMUNI, CHINA, MING DYNASTY The figure cast seated upon a lotus throne with stylized, oblong lotus petals surrounded by two beaded inpadmasana, with the right hand in bhumisparsamudra, the robes with gaskets and incised borders drapedover the left shoulder and gathering in folds around the base, the cast face with a serene expression andhair detailed with conical curls, surmounted by a bud-shaped usnisa. Wears on gilding and lacquer

10 cm high


銅鎏金釋迦牟尼，中國，明朝高10cm

VARIOUS PRIVATE PROPERTIES

其他屬性

131

121

TEIERA IN ARGENTO CON COPERCHIO,CINA, DINASTIA QING, XIX-XX SECOLO

A SILVER TEAPOT AND COVER, CHINA,QING DYNASTY, 19TH-20TH CENTURYStanding on a high feet, thecompressed globular body carved inmid relief depicting concentricmedallions with figures and animalsalternated with floral and foliate scrolls.In good conditions.

18,5 cm high, 24 cm wide ; 692 gr.weight

€ 100 - 500

銀壺蓋，中國，19-20世紀高18.5cm，宽24cm，重量692克

130

118

FIGURA DI LAMA SEDUTO IN BRONZO DORATO, SINO-TIBET,XVIII-XIX SECOLO

A GILD BRONZE SEATED FIGURE OF A LAMA, SINO-TIBET,18TH-19TH CENTURYSeated upon a lotus oblong petals throne, with crossedlegs under a smooth robe and with a very broad hat , theeyes slightly downcast the right hand inbhumisparsamudra.


€ 800 - 1.200

青铜坐像，西藏，十八十九世纪高21.7cm，宽15cm

120

INCENSIERE TRIPODE IN BRONZOCON COPERCHIO, MARCHIOAPOCRIFO XUANDE, CINA, DINASTIAQING (1644 - 1911)

A TRIPODE BRONZE CENSER ANDCOVER, CHINA, APOCRYPHALXUANDE MARK, QING DYNASTY(1644 - 1911)Of a globular form standing onthree lion mask shaped legs withan ovals pierced cover. In goodconditions some wear on thesurface.


€ 800 - 1.200

青铜三角香炉，清代，宣德书款高29cm，宽30.5cm

119

FIGURA IN BRONZO, SINO-TIBET, XIX SECOLO

A BRONZE SEATED FIGURE, SINO-TIBET,19TH CENTURY


€ 600 - 800

青铜坐像，西藏，十九世纪高18cm，宽11.7cm

133132

124 *

SIGILLO IN CORNO RAFFIGURANTE SHOULAO, CINA,XIX-XX SECOLO

A HORN SEAL DEPICTING A SHOULAO ON THETOP, CHINA, 19TH-20TH CENTURY


€ 300 - 500

喇叭描绘，中国，十九二十世纪高20.5cm，宽4.5cm

PRIVATE PROPERTY OF A NORTH ITALIAN FAMILY

意大利北部一个家族持有

123 *

SCATOLA TONDA IN METALLO DORATO CONPIETRE DURE, LAVORATA A FILIGRANA, TIBET,TARDO XIX SECOLO

A GILT METAL FILIGRANA AND HARDSTONES CIRCULAR BOX AND COVER, TIBET, LATE 19TH CENTURYIn good condition.

12 cm diam., cm high 3,5 cm high

€ 200 - 500

石雕金框，西藏，十九世纪直径12cm，高3.5cm

122 *

SCATOLA RETTANGOLARE IN METALLO DORATOCON PIETRE DURE, LAVORATA A FILIGRANA,TIBET, TARDO XIX SECOLO

A GILT METAL FILIGRANA AND HARDSTONESRECTANGULAR BOX AND COVER, TIBET, LATE19TH CENTURYIn good conditions.

10 cm long, 8 cm wide, 3,5 high

€ 200 - 500

石雕金框，西藏，十九世纪长10cm，宽8cm，高3.5

125

STATUA LIGNEA DIPINTA E DORATA, CINA, DINASTIA QING (1644 - 1911)

A PAINTED AND GILD WOOD FIGURE, CHINA, QING DYNASTY (1644 - 1911)Losses in color and few parts, natural crack of thewood.

25,5 cm high,15 cm wide

€ 300 - 500

金彩绘木雕，清代高25.5cm，宽15cm

135134

126

COPPIA DI PICCOLI VASI IN PORCELLANA“FAMIGLIA VERDE” CON DECORO DI DRAGHI,CINA, DINASTIA QING, XIX SECOLO, MARCHIOA SEI CARATTERI KANGXI

A PAIR OF ”FAMILLE VERTE” PORCELAINBOTTLE VASES , CHINA, QING DYNASTY ,SIX CHARACTERS KANGXI MARK, 19THCENTURY (2)Decorated with dragon in a reservesurrounded by flowers and foliate. In goodconditions, wear on the surface.


€ 500 - 800

龙形瓷器，清朝康熙，十九世纪高21.5cm，宽12

127

PIATTO CONCAVO INPORCELLANA BIANCA E BLU,CINA, DINASTIA MING O PIÙTARDO

A LARGE BLUE AND WHITEPORCELAIN DISH, CHINA, MINGDYNASTY OR LATERDepicting flower and animaldecoration. Six hairlines ( cm 6-4-3,3-2,5-2), few firing spots.

30,5 cm diam., 7 cm high

€ 300 - 500

珍品青花瓷盘，明代直径30.5cm，高7cm

VARIOUS PRIVATE PROPERTIES其他屬性

128

DUE VASI A TROMBA IN PORCELLANACANTON, CINA, TARDO XIX SECOLO

A PAIR OF TRUMPET CANTON PORCELAINVASES, CHINA, LATE 19TH CENTURYA small restoration on the neck and a starcrack hairline at the base.

29 cm high, 14,2 cm diam.

€ 300 - 500

一对瓷器花瓶，晚清，十九世纪末高29cm，直径14.2cm

129

VASO IN PORCELLANA ”FAMIGLIA ROSA”,CINA, TARDA DINASTIA QING (1644 - 1911)

A “FAMILLE ROSE” PORCELAIN VASE,CHINA, LATE QING DYNASTY (1644 - 1911)Of a globular body rising to a waisted neckon a pale blue ground depicting tworeserves with phoenixes on rock andamongst flowers repeated in smaller in theneck. The shoulder decorated with a banddepicting the Buddhist symbols and by therim a ruyi head band, the handles in theshape of Buddhist lions. In good conditions,minor wear on the surface.

38 cm high

€ 300 - 500

彩花瓶，清代，晚清高38cm

137136

132

PICCOLA COPPA CON COPERCHIO INPORCELLANA “FAMIGLIA ROSA”, CINA,XX SECOLO

A SMALL “FAMILLE ROSE”PORCELAIN BOWL AND COVER,CHINA, 20TH CENTURYQianlong apocryphal mark. Minorwears in enamels


€ 100 - 200

粉彩瓷碗，中国，二十世纪

高7cm，直径10cm

130

VASO IN PORCELLANA “FAMIGLIAROSA”, CINA, PERIODO REPUBBLICA

A “FAMILLE ROSE” PORCELAIN VASE,CHINA, REPUBLIC PERIODIn good conditions.


€ 200 - 500

珍品粉彩花瓶，中华民国时期高36cm，直径13cm

131

ZUPPIERA CON COPERCHIO INPORCELLANA “FAMIGLIA ROSA”, CINA,XX SECOLO

A “FAMILLE ROSE” PORCELAINTUREEN AND COVER, CHINA, 20THCENTURYDepicting birds on peonies flowerbranches. Mark at the base. Colorslightly worn.



粉彩瓷碗，中国，二十世纪高20cm，直径21cm

PRIVATE PROPERTY OF A LADY IN THE NORTH OF ITALY意大利北部一位女士私藏

139

134

GRANDE PIATTO IN PORCELLANA IMARI, CINA, XVIII SECOLO, FINE PERIODO KANGXI

A LARGE IMARI PORCELAIN DISH, CHINA, 18TH CENTURY, LATE KANGXI PERIODDepicting lotus flowers decoration with a medallion in the centre. In good conditions,minor wear on enamels.

39,3 cm diam.

€ 400 - 700

伊万里瓷器，清代，十八世纪，康熙末期直径39.3cm

138

133

GRANDE PIATTO CONCAVO LOBATO IN PORCELLANA IMARI, GIAPPONE, XIX SECOLO

A VERY LARGE LOBED IMARI PORCELAIN DISH, JAPAN, 19TH CENTURYWith reserved decoration depicting birds, flowers and fruits. In good conditions,minor wear on enamels.

46,5 cm diam.

€ 300 - 500

伊万里大瓷瓶，日本，十九世纪直径46.5cm

141

137

DIECI PIATTI IN PORCELLANA IMARI, CINA, XVIII SECOLO

TEN IMARI PORCELAIN DISHES, CHINA, 18TH CENTURY (10)Floral decoration with rocks. Six in good conditions andfour with hairlines an tiny chips.

22,5 cm diam.

€ 500 - 800

10中国伊万里瓷器，清朝，十八世纪直径22.5cm

140

135

GRANDE PIATTO IN PORCELLANA DECOROIMARI, CINA, XVIII SECOLO, PERIODOYONGZHENG

A LARGE IMARI PORCELAIN DISH, CHINA,18TH CENTURY, YONGZHENG PERIODFloral decoration. In good conditions,minor wear on enamels.

38,8 cm diam.

€ 400 - 700

伊万里瓷器，中国，十八世纪，雍正时期直径38.8cm

138

RARA COPPIA DI RAVIERE QUADRATE IN PORCELLANA IMARI,CINA, XVIII SECOLO

A RARE PAIR OF SQUARE IMARI PORCELAIN SERVINGBOWLS, CHINA, 18TH CENTURY (2)Inside floral decoration, outside decorated withpagodas. In good conditions, minor wear on enamels.

22,5cm wide

€ 400 - 600

方形伊万里瓷碗，中国，十八世纪宽22,5cm

136

GRANDE PIATTO IN PORCELLANA DECOROIMARI, CINA, XVIII SECOLO, PERIODOYONGZHENG

A LARGE IMARI PORCELAIN DISH, CHINA,18TH CENTURY, YONGZHENG PERIODFlowers decoration. In good conditions, minorwear on enamels.

35 cm diam.

€ 300 - 500

伊万里大瓷盘，中国，十八世纪，雍正年间直径35cm

143142

142

UNDICI PIATTI IN PORCELLANA IMARI, CINA,XVIII SECOLO

ELEVEN IMARI PORCELAIN DISHES, CHINA,18TH CENTURY (11)Floral decoration. Six dishes in goodconditions, five with hairline and fritting.

23,3 cm diam.

€ 400 - 800

11件中国伊万里，中国，十八世纪直径23.3cm

140

COPPIA DI PIATTI IN PORCELLANA IMARI,CINA, XVIII SECOLO

A PAIR OF IMARI PORCELAIN SAUCERDISHES. CHINA, 18TH CENTURY (2)In good conditions, minor wear onenamels.

23,3 cm diam.

€ 100 - 500

一对伊万里瓷碟，中国，十八世纪直径23.3cm

141

TRE PIATTI IN PORCELLANA IMARI, CINA, XVIIISECOLO

THREE IMARI PORCELAIN DISHES, CHINA,18TH CENTURY (3)With carps and flower decoration. Two ingood conditions and one with a 3 cm nontrespassing hairline.

23 cm diam.

€ 100 - 500

3件伊万里瓷盘，中国，十八世纪直径23cm

139

TRE PIATTI CONCAVI IN PORCELLANAIMARI, CINA, XVIII SECOLO, EPOCAQIANLONG

THREE IMARI PORCELAIN SAUCERDISHES, CHINA, 18TH CENTURY,QIANLONG PERIOD (3)Floral decoration. One in goodconditions, one with 6 cm hairline andone with a non trespassing hairline.

22,2 cm diam.

€ 100 - 500

3件伊万里瓷盘，中国，十八世纪，乾隆时期直径22,2cm

145144

143

TRE PIATTI IN PORCELLANA IMARI, CINA,XVIII SECOLO

THREE IMARI PORCELAIN DISHES, CHINA,18TH CENTURY (3)In good conditions, minor wear onenamels.

22,2 cm diam.

€ 100 - 500

3件伊万里瓷器，中国，十八世纪直径22.2cm

144

QUATTRO PIATTI IN PORCELLANA IMARI,CINA, XVIII SECOLO

FOUR IMARI PORCELAIN DISHES.CHINA, 18TH CENTURY (4)Tobacco leaf decoration. In goodconditions, minor wear on enamels.

23,2 cm diam.

€ 200 - 500

4件伊万里瓷盘，中国，十八世纪直径23.2cm

145

SEI PIATTI IN PORCELLANA"FAMIGLIA ROSA", CINA, XVIIISECOLO

SIX “FAMILLE ROSE” PORCELAINDISHES, CHINA, 18TH CENTURY(6)Flower decoration. Four in goodconditions and two with minorchips, minor wear on enamels.

22,2 cm diam.

€ 300 - 500

6件粉彩瓷盘，中国，十八世纪直径22.2cm

146

COPPIA DI PIATTI OTTAGONALI INPORCELLANA A DECORO ”MANDARIN”,CINA, XVIII SECOLO

A PAIR OF PORCELAIN “MANDARINPALETTE” DISHES, CHINA, 18THCENTURY (2)Wears on enamels and minor frittingon the rim.

23 cm diam.


八角瓷器，清代，十八世纪直径 23cm

147146

147

GRANDE VASO IN PORCELLANA IMARI DIFORMA “GU”, CINA, DINASTIA QING, EPOCAKANGXI (1662 - 1722)

A NICE AND LARGE IMARI PORCELAIN“GU” VASE, CINA, QING DYNASTY,KANGXI PERIOD (1662 - 1722)The vase is decorated to the flared topsection with birds on rock amongst flowertrees in bloom, above a flower branchesto the mid section and flowers to the lowersection. At the base a continuous lappetband and between the different sectionand on the rim, even inside it, a triangulargeometric band. In perfect conditions.


€ 1.400 - 2.000

伊万里辛普森花瓶，清代康熙年间，(1662年至1722年）高54cm宽24cm

FROM A PRIVATE MANSION IN PIEDMONT源自意利皮尔蒙特大区私藏

148

COPPIA DI BOTTIGLIE IN PORCELLANA “FAMIGLIAROSA”, CINA, EPOCA QIANLONG (1735 - 1795)

A NICE PAIR OF “FAMILLE ROSE” PORCELAINBOTTLES, QIANLONG PERIOD (1735 - 1795) (2)Each of pear-shaped body rising from a shortstraight foot to a tall tapering neck surmountedby a slightly garlic neck with nodding flaredmouth rim, painted in nice enamels anddecorated around the body with a continuousscene of a fenced and rocky garden issuingwith beautiful blooming flowers on brancheswith leaves, with stylized band to the bulbneck of ruyi head in iron-red. Each with a verylittle chip on mouth-rim

23,3 cm high

€ 400 - 800

一对漂亮的”粉彩”瓶、乾隆时期高23,3cm

PROVENANCE: FROM AN ITALIAN NOBLEFAMILY来源：一位意大利贵族

149

RARA COPPIA DI PRESENTOIRS“FAMIGLIA ROSA” IN PORCELLANA,CINA, PERIODO QIANLONG (1736 - 1795)

A RARE PAIR OF “FAMILLE ROSE”STANDS, QIANLONG PERIOD (1736 - 1795) (2)Each of circular form with the straightcylindrical side rising from a plainbase with a flat everted rim,supported on three short bracketfeet, decorated with a large floralspray between scattered blooms ofsmaller sprigs, under a border of giltspearhead at the rim. Small frittingaround the rims.

23 cm diam.

€ 200 - 500

罕见瓷器，乾隆年间，十七世纪直径23cm

149

151

PICCOLO PENDENTE IN GIADA BIANCA EVERDE, CINA, XIX SECOLO

A SMALL GREEN AND WHITE JADEPENDANT, CHINA, 19TH CENTURYIncised Lingzhi fungus.

5,5 cm wide, 3 cm high

€ 200 - 500

精致绿色白玉瓷器，清代，十九世纪宽5.5cm，高3cm

152

FIGURA DI IMMORTALE IN GIADA VERDE, CINA,XX SECOLO

A LIGHT GREEN JADE FIGURE OF ANIMMORTAL, CHINA, 20TH CENTURYTwo small chips at the base


€ 400 - 600

翡翠雕件，中国，二十世纪高25cm，宽8cm

148

VARIOUS PRIVATE PROPERTIES其他屬性

150

DUE OGGETTI IN GIADA, CINA, TARDADINASTIA QING

TWO JADE FIGURES, CHINA, LATE QINGDYNASTYOne depicting a seated Guanyin, the othera crouched horse with a monkey on itsback.

7 cm max. high, 8 cm max. wide

€ 500 - 800

两件玉器，中国，晚清最高7cm，最大8cm

151150

153 *

COPPA DA LIBAGIONE IN SOSTANZA CORNEA ASSEMBLATA,CINA, PRIMA METÀ XX SECOLO

A CORNEOUS ASSEMBLED MATERIAL LIBATION CUP, CHINA, FIRSTHALF 20TH CENTURY

Of a reddish brown color, with relief chilongs figures over an archaisticmotifs incised.

Accompanied with CISGEM Certificate nr. 909 of 28 May 2015, declaring "Corneous substance assembled, composite product, dyed, gr. 577,1 weight,parts show a texture compatible with rhino horn texture"


€ 300 - 500

犀角祭杯，中国，二十世纪上半叶高 9,5cm，宽18cm

154 *

COPPA CIRCOLARE IN SOSTANZACORNEA ASSEMBLATA, CINA, PRIMAMETÀ XX SECOLO

A CORNEOUS ASSEMBLEDMATERIAL ROUND CUP, CHINA,FIRST HALF 20TH CENTURYOf a reddish brown color, withfour dragons motifs incisedreserved in an geometric motif.

Accompanied with CISGEMCertificate nr. 915 of 28 May2015, declaring " Corneoussubstance assembled, compositeproduct, dyed, gr. 356,6 weight,parts show a texture compatiblewith rhino horn texture"


€ 300 - 500

犀角圆杯，中国，二十世纪上半叶高 5,5cm，直径15,1cm

155 *

FIGURA IN AVORIO DI SAGGIO,CINA, PRIMA METÀ XX SECOLO

A SHOULAO IVORY FIGURE,CHINA, FIRST HALF 20TH CENTURYStanding holding a peach fruitbranch in the left hand, symbol oflongevity, and the wide frontsymbol of wisdom. In goodconditions

32 cm high

€ 450 - 750

象牙人雕，中国，二十世纪前半叶高32cm

156 *

DUE FIGURE MASCHILI IN AVORIO, CINA, INIZIO XX SECOLO

TWO IVORY STANDING FIGURES, CHINA, EARLY 20THCENTURY (2)One holding a fan and the other a fish. In good conditions

31 cm high

€ 700 - 1.200

精致象牙雕像，中国，二十世纪高31cm

157 *

GRANDE FIGURA DI IMMORTALE IN AVORIO,CINA, PRIMA METÀ DEL XX SECOLO

A LARGE IVORY FIGURE OF IMMORTAL,CHINA, FIRST HALF 20TH CENTURYElegantly depicted in shawls with engraveddecoration on the edges that softly drapethe figure, a serene expression, a hairstylein an elegant chignon decorated with aprecious clip In good conditions

51 cm high

€ 700 - 900

象牙仙人，中國，20世紀上半葉高51cm

153

161

DIPINTO FIRMATO MODERNO CON FIGURAFEMMINILE, CINA

A SIGNED MODERN PAINTING OF A LADY,CHINA


€ 100 - 500

淑女图，中国高54cm，宽38.5cm

152

158

DUE DIPINTI SU SETA, CINA, DINASTIA QING

TWO CHINESE PAINTING ON SILK, CHINA, (2)Ink and color on silk. One, depicting a green mountainlandscape with mangroves by a river with waterfall. Somehumidity stains.

the inscription tells the title ‘青山红树' the time ' 庚戌' 'GENGXU, and place '天香堂中'. The other depicting ariver with waterfall: the inscription tells the title ‘舞风瀑’and place '威堂'. Some humidity stains

135 cm high, 37cm wide and 132 cm high, 33cm wide

€ 600 - 900

丝绸画，中国，光绪时期, 丝绸画，中国，清朝尺寸135 x 37 cm,尺寸132 x 33 cm

159

DIPINTO SU CARTA RAFFIGURANTE UNAFENICE, CINA, DINASTIA QING

A PAPER PAINTING ON CANVAS, CHINA,QING DYNASTYInk color on paper depicting a phoenix.Wears and color losses and few restoration.


€ 400 - 600

凤凰纸画，清代

高135cm, 宽66cm

160

THANGKA RAFFIGURANTE DIVINITÀMAHAKALA, SINO TIBET, XIX-XX SECOLO,

MAHAKALA THANGKA, SINO-TIBET,19TH-20TH CENTURYGouache on cotton depictingMahakala , one of the most popularDeity in Tibet, is adorned by a longgarland of severed human heads, ona lotus leaf pedestal on his back redflames and all around other Tibetandeities. Wears on surface.

116,5 cm high, 81,5 cm wide (withoutframe)

€ 400 - 600

玛哈嘎拉，西藏，十九二十世纪116.5cm高81.5cm宽（不含框）

155

163

VENTAGLIO DIPINTO SU CARTA, CONBACCHETTE IN LEGNO LACCATO E DORATO,CANTON, CINA, TARDO XIX SECOLO

A PAINTED PAPER AND WOOD STICK FANIN A FRAME, CANTON, CHINA, LATE 19THCENTURYthe paper decorated with figures with ivoryfaces and a fan in their hand in a pavilionnearby a river. Sixteen wood sticks withgolden decoration of three figures in agarden and flowers; slightly worn in thepaper folds

50 cm diam. (open)

€ 200 - 500

金漆木框紙扇粵，中國，19世紀末直径50cm

PROVENANCE: FROM THE PRIVATE PROPER-TY OF A LADY IN ROME

來源：羅馬的夫人私人財產

164

BASE IN LEGNO, CINA, XX SECOLO

A LARGE WOOD STAND, CHINA, 20THCENTURY

70 cm high, 60 cm max. wide, 50 cm diam.

€ 450 – 750

木质基底，中国，二十世纪高70cm，最大60cm，直径50cm

154

162 GRANDE VASO IN PORCELLANA "FAMIGLIA ROSA" A FONDO ARANCIONE, CINA, INIZIO XX SECOLO

A LARGE “FAMILLE ROSE” PORCELAIN VASE, CHINA, EARLY 20 TH CENTURYThe body enameled with a lotus flower, pomegranate and foliate meander with two large round panels, depictinga mountain landscape by a river with pagodas and figures, separated by a smaller round reserve with inscription ofChinese characters. The flaring neck with a lotus flower and bath and foliate decoration, flanked by two archaistichandles, all on an orange ground. Restoration on the neck-rim, wears and losses in enamels.


€ 300 - 500

粉彩花瓶瓷器，中国，二十世纪高56cm，宽30cm

157

168

COPPIA DI INCENSIERI A FORMA DI ASINO IN BRONZOCLOISONNÉ, CINA, TARDA DINASTIA QING

A PAIR OF BRONZE CLOISONNÉ DONKEY SHAPEDCENSERS, CHINA, LATE QING DYNASTY (2)


€ 500 - 600

青铜景泰蓝香炉，清代，晚清时期高15cm，宽14.5

156

166

COPPIA DI INCENSIERI A FORMA DI VOLATILIIN BRONZO CLOISONNÉ, CINA, TARDADINASTIA QING

A PAIR OF BRONZE CLOISONNÉ BIRDSHAPED CENSERS, CHINA, LATE QINGDYNASTY(2)


€ 500 - 600

青铜紫泰蓝香炉，清代，晚清时期长9.5cm，宽16cm

165

COPPIA DI INCENSIERI A FORMA DI ANATRA INBRONZO CLOISONNÉ, CINA, TARDA DINASTIAQING

A PAIR OF BRONZE CLOISONNÉ DUCKSHAPED CENSERS, CHINA, LATE QINGDYNASTY (2)

7,5 cm high, 11cm wide

€ 300 - 500

青铜紫泰蓝香炉，清代，晚清时期高7.5cm，宽11cm

167

INCENSIERE A FORMA DI LEONE BUDDISTA IN BRONZOCLOISONNÉ, CINA, TARDA DINASTIA QING

A BUDDHIST LION BRONZE CLOISONNÉ CENSER,CHINA, LATE QING DYNASTY


€ 300 - 500

佛教青铜狮子景泰蓝香炉，清代，晚清时期高13.8cm，宽10.5cm

159

172

VASO IN PORCELLANA CON DECORO DI PESCHE,CINA, XX SECOLO

A “ PEACH” PORCELAIN BOTTLE VASE, CHINA,20TH CENTURY


€ 300 - 500

鱼身瓷瓶，中国，二十世纪高 43xm，直径24cm

158

169

PIATTO IN PORCELLANA BIANCA E BLU,GIAPPONE, XIX SECOLO

A BLUE AND WHITE PORCELAIN DISH,JAPAN, 19TH CENTURY



青花瓷盘，日本，十九世纪高 6cm，直径40cm

170

COPPIA DI VASI IN PORCELLANABIANCA E BLU, CINA, XX SECOLO

A PAIR OF BLUE AND WHITEPORCELAIN VASES, CINA, 20TH CENTURY (2)


€ 400 - 600

青花瓷瓶，一对，中国，二十世纪高43cm，宽19cm

171 DUE PIATTI ED UNA COPPA IN PORCELLANA IMARI,JAPAN, XIX –XX SECOLO

TWO IMARI PORCELAIN DISHES AND A BOWL,JAPAN, 19TH-20TH CENTURY (3)

45 cm diam , 28 cm diam , 24,5 cm diam

€ 300 - 500

伊万里瓷盘一对，碗一只，日本，十九-二十世纪直径45cm，直径28cm，直径24,5cm

ga di contattare Wannenes per maggiori informazioni.WANNENES ART AUCTIONS ha la possibilità, previo accordo con il vendito-re, di offrire agli acquirenti che ritenga affidabili la facoltà di pagare i lotti ac-quistati a cadenze dilazionate. I potenziali acquirenti che desideranoaccedere ad un pagamento dilazionato devono prendere contatto con la di-rezione di WANNENES ART AUCTIONS prima della vendita.

RITIRO DEI LOTTIGli acquirenti devono effettuare il ritiro dei lotti entro 15 giorni lavorativi dalla da-ta dell’asta. Decorso tale termine, WANNENES ART AUCTIONS non sarà più tenu-ta alla custodia né sarà responsabile di eventuali danni che possano arrecarsi ailotti che potranno essere trasferiti in un apposito magazzino. WANNENES ARTAUCTIONS addebiterà all’acquirente i costi di assicurazione e magazzinaggio se-condo la tabella a disposizione dei clienti presso la sede. Al momento del ritiro dellotto, l’acquirente dovrà fornire a WANNENES ART AUCTIONS un documento d’identità. Nel caso in cui l’acquirente incaricasse una terza persona di ritirare i lot-ti già pagati, occorre che quest’ultima sia munita di una delega scritta rilasciatadall’acquirente e di una fotocopia del documento di identità dell’acquirente. Ilotti saranno consegnati all’acquirente o alla persona delegata solo a pagamen-to avvenuto.In caso di ritardato ritiro dei lotti acquistati, la casa d’aste si riserva la possibilità diaddebitare i costi di magazzinaggio (per mese o frazione di mese), di seguitoelencati a titolo indicativo:€ 100 + IVA per i mobili€ 50 + IVA per i dipinti€ 25 + IVA per gli oggetti d’arte

SPEDIZIONE DEI LOTTIIl personale di WANNENES ART AUCTIONS sarà lieto di occuparsi della spedizione dei lot-ti acquistati seguendo le indicazioni comunicate per iscritto dagli acquirenti e dopo chequesti abbiano effettuato per intero il pagamento. La spedizione avverrà a rischio e spe-se dell’acquirente che dovrà manlevare per iscritto WANNENES ART AUCTIONS da ogniresponsabilità in merito. Il nostro personale è inoltre a disposizione per valutazioni econsigli relativi a tutti i metodi di spedizione e assicurazione dei lotti.

ESPORTAZIONE DEI LOTTI ACQUISTATIIl Dlgs n. 42 del 22 gennaio 2004 regola l’esportazione di Beni Culturali al di fuoridel territorio della Repubblica Italiana. Il Regolamento CEE n. 3911/92 del 9dicembre 1992, come modificato dal Regolamento CEE n. 2469/96 del 16 dicem-bre 1996 e dal Regolamento CEE n. 974/01 del 14 maggio 2001, regola invecel’esportazione dei Beni Culturali al di fuori dell’Unione europea.Per esportare fuori dall’Italia i Beni Culturali aventi più di 50 anni è necessaria la Li-cenza di Esportazione che l’acquirente è tenuto a procurarsi personalmente.WANNENES ART AUCTIONS non risponde per quanto riguarda tali permessi, népuò garantire il rilascio dei medesimi. WANNENES ART AUCTIONS, su richiestadell’acquirente, può provvedere all'espletamento delle pratiche relative alla con-cessione delle licenze di esportazione secondo il seguente tariffario:- euro 250,00 + IVA per singolo lotto o per il primo di una pratica- euro 100,00 + IVA per gli altri lotti facenti parte della medesima pratica

Il rimborso comprende la compilazione delle pratiche, le marche da bollo e lastampa delle fotografie a colori.La mancata concessione delle suddette autorizzazioni non può giustificare l’an-nullamento dell’acquisto né il mancato pagamento, salvo diverso accordo pre-so prima dell’Asta con WANNENES ART AUCTIONS.In riferimento alle norme contenute nell’art. 8, 1° comma, lettera B, del DPR633/72, si informano i gentili acquirenti che, nel caso in cui volessero trasportareil bene fuori dal territorio comunitario e ottenere il rimborso dell’Iva, è necessariorispettare le seguenti procedure: - completare le pratiche doganali e il trasporto fuori dal territorio U.E. entro 3

mesi a partire dalla data di fatturazione.- far pervenire entro lo stesso termine la bolla doganale originale o documentoequipollente direttamente a WANNENES ART AUCTIONS.

DIRITTO DI SEGUITOCon Dlgs n. 118 del 13/2/2006 è in vigore dal 9 Aprile 2006 in Italia il “Diritto di Se-guito” (Droit de Suite), ossia il diritto dell’autore (vivente o deceduto da meno di70 anni) di opere di arti figurative e di manoscritti a percepire una percentuale sul

prezzo di vendita degli originali delle proprie opere in occasione delle vendite suc-cessive alla prima. Tale diritto sarà a carico del Venditore e sarà calcolato sul prez-zo di aggiudicazione uguale o superiore ai 3.000,00 euro.Tale diritto non potrà comunque essere superiore ai 12.500,00 euro per ciascun lot-to. L’importo del diritto da corrispondere è così determinato:- 4% per la parte del prezzo di vendita fino a 50.000 euro- 3% per la parte del prezzo di vendita compresa fra 50.000,01 e 200.000 euro- 1% per la parte del prezzo di vendita compresa fra 200.000,01 e 350.000 euro- 0,50% per la parte del prezzo di vendita compresa fra 350.000,01 e 500.000 euro- 0,25% per la parte del prezzo di vendita oltre i 500.000 euroIl diritto di seguito addebitato al Venditore sarà versato dalla WANNENES ART AUC-TIONS alla SIAE in base a quanto stabilito dalla legge.

AVVERTENZATutti i lotti contenenti componenti elettriche vengono messi in vendita comenon funzionanti e da revisionare integralmente. WANNENES ART AUCTIONSsi manleva da qualsiasi responsabilità verso chiunque per uso improprio deilotti venduti o per la non osservanza delle avvertenze.Si ricorda la necessità, prima dell'utilizzo dei lotti, di far verificare da persona-

le esperto e di fiducia dell'acquirente, il corretto funzionamento di tutte le par-ti elettriche.La dicitura “...anni...” oppure la data riportata nella descrizione del lotto indicail periodo di inizio produzione del lotto in oggetto, salvo diversamente speci-ficato.Le immagini descrittive in catalogo e sul sito potrebbero non rappresentare fedel-mente i lotti proposti in asta. La Casa d’Aste consiglia sempre la visione diretta delleopere prima di effettuare offerte.In caso non fosse possibile visionare i lotti di persona si può richiedere un condition re-port per ricevere immagini aggiuntive e dettagliate degli oggetti.Parte acquirente espressamente autorizza Art Auctions s.r.l. al libero e gratuito utilizzodelle fotografie ritraenti i lotti oggetto dell’asta per qualsiasi fine nessuno escluso e/oeccettuato ivi compresi, in via esemplificativa ma non esaustiva, la pubblicità, la diffu-sione via internet e/o con qualsiasi altro mezzo, la pubblicazione su Magazine e/o ri-viste sia editate in proprio che da terzi.

TERMINOLOGIALe affermazioni riguardanti l’autore, l’attribuzione, l’origine, il periodo, la prove-nienza e le condizioni dei lotti in catalogo sono da considerarsi come un’opinionepersonale degli esperti e degli studiosi eventualmente consultati e non un datodi fatto.

TIZIANO: l’opera, secondo la nostra opinione, è opera dell’artista.ATTRIBUITO A TIZIANO: l’opera, secondo la nostra opinione, è probabilmente

opera dell’artista, ma non ve n’è certezza.BOTTEGA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittore

non conosciuto della bottega dell’artista che può averla eseguita sot-to la sua supervisione o meno.

CERCHIA DI TIZIANO: l’opera, secondo la nostra opinione, è di un pittorenon conosciuto, ma distinguibile, legato al suddetto artista, ma nonnecessariamente da un rapporto di alunnato.

STILE DI/SEGUACE DI TIZIANO: l’opera, secondo la nostra opinione, è di unpittore, contemporaneo o quasi contemporaneo, che lavora nello stiledell’artista, senza essere necessariamente legato a lui da un rapportodi alunnato.

MANIERA DI TIZIANO: l’opera, secondo la nostra opinione, è stata eseguitanello stile dell’artista, ma in epoca successiva.

DA TIZIANO: l’opera, secondo la nostra opinione, è una copia di undipinto dell’artista.

IN STILE...: l’opera, secondo la nostra opinione, è nello stile menzionato, madi epoca successiva.

FIRMATO – DATATO – ISCRITTO: secondo la nostra opinione, la firma e/o ladata e/o l’iscrizione sono di mano dell’artista.

RECANTE FIRMA – DATA - ISCRIZIONE: secondo la nostra opinione, la firmae/o la data e/o l’iscrizione sono state aggiunte.

Le dimensioni date sono prima l’altezza e poi la larghezza.

CONDIZIONI DI VENDITALa partecipazione all’asta implica l’integrale e incondizionata accettazione delleCondizioni di Vendita riportate di seguito su questo catalogo. Si raccomanda agliacquirenti di leggere con attenzione questa sezione contenente i termini di ac-quisto dei lotti posti in vendita da WANNENES ART AUCTIONS.

STIME Accanto a ciascuna descrizione dei lotti in catalogo è indicata una stima indicativaper i potenziali acquirenti. In ogni caso, tutti i lotti, a seconda dell’interesse del mer-cato, possono raggiungere prezzi sia superiori che inferiori ai valori di stima indicati.Le stime stampate sul catalogo d’asta possono essere soggette a revisione e noncomprendono la commissione d’acquisto e l’IVA.

RISERVAIl prezzo di riserva corrisponde al prezzo minimo confidenziale concordato tra WAN-NENES ART AUCTIONS e il venditore al di sotto del quale il lotto non sarà venduto. I lot-ti offerti senza riserva sono segnalati sul catalogo con la stima di colore rosso o con ladicitura O.l. e vengono aggiudicati al migliore offerente indipendentemente dalle sti-me pubblicate.

ESPOSIZIONE PRIMA DELL’ASTAOgni asta è preceduta da un’esposizione aperta al pubblico gratuitamente i cui ora-ri sono indicati nelle prime pagine di questo catalogo. L’esposizione ha lo scopo di per-mettere a tutti gli acquirenti di effettuare un congruo esame dei lotti posti in venditae di verificarne tutte le qualità, quali ad esempio, l’autenticità, lo stato di conservazio-ne, il materiale, la provenienza, ecc.

ACQUISTO DI OROLOGILe descrizioni degli orologi in catalogo, siano essi da tasca, da polso, domestici o di al-tra natura, anche relativamente allo stato di conservazione e ad eventuali restauri, ven-gono fornite a titolo di orientamento per i potenziali acquirenti, ma non possono innessun modo essere ritenute esaustive. Anche il condition report, che WANNENES ARTAUCTIONS invierà su richiesta del potenziale acquirente, non riveste carattere di tota-le completezza e potrebbe non segnalare difetti o restauri. Tali condition report sonoprodotti dai nostri Esperti dopo analisi al vero dei pezzi, ma su base soggettiva e noncostituiscono ad alcun titolo elemento di dichiarazione o garanzia che possano sosti-tuire l’esame diretto da parte degli interessati all’acquisto.Tutti gli orologi dovranno quindi essere preliminarmente esaminati in modo ade-guato dal potenziale acquirente per poterne completamente accertare lo stato,sia estetico che meccanico e funzionale. I lotti sono venduti nello stato di fatto ela mancata indicazione di un difetto o di un restauro non implica che tale difet-to o restauro non possa sussistere. Gli orologi, in quanto beni di natura meccani-ca e di uso, sono per loro stessa natura oggetti utilizzati e manutenuti, e, senecessario, riparati, nel corso della loro esistenza: essi vengono analizzati dagliEsperti di WANNENES ART AUCTIONS in fase di preparazione dell’asta, ma la Ca-sa d’Aste non assume alcuna garanzia circa il loro stato di funzionamento, la pre-senza di parti non originali o di restauri.Nel caso di orologi da polso dichiarati dal produttore come impermeabili, il loro esa-me ne ha richiesto l’apertura: WANNENES ART AUCTIONS suggerisce pertanto chel’acquirente, prima di utilizzarli in condizioni di presenza d’acqua, li porti a un centro as-sistenza qualificato per la verifica della loro tenuta.Nel caso di presenza di movimenti al quarzo non vengono date informazioni sullo sta-to di funzionamento, se la batteria interna, al momento della verifica da parte degliEsperti, risultasse scarica. I documenti relativi agli orologi, se non specificato diversa-mente, non sono presenti. I cinturini ed i bracciali, se non specificato diversamente,sono da ritenersi non originali. I cinturini, le custodie o le casse o altra parte degli in-volucri in materiale organico, eventualmente presenti, sono mostrati montati in fasedi prevendita a puro scopo di presentazione: i potenziali acquirenti sono consapevo-li che l’importazione in Paesi stranieri di materiali provenienti da specie in pericolo diestinzione, quali, a titolo di puro esempio, tartaruga ed avorio, è soggetta alla norma-tiva internazionale CITES. E’ quindi indispensabile che il potenziale acquirente provve-da ad informarsi adeguatamente, in fase preliminare, relativamente a tali restrizioni, seintende partecipare all’asta per un lotto che contenga, anche solo in parte, materiali diquesta tipologia. Le indicazioni relative al peso, se inserite in catalogo o presenti nel con-dition report, sono da intendersi al lordo e puramente indicative, così come le misuredelle casse e l’effettiva natura e le carature di eventuali pietre preziose o altri materialidi pregio presenti.

STATO DI CONSERVAZIONELe proprietà sono vendute nel loro stato attuale. Consigliamo quindi ai potenziali ac-

quirenti di assicurarsi dello stato di conservazione e della natura dei lotti prendendo-ne visione prima della vendita. Gli Esperti di WANNENES ART AUCTIONS saranno lietidi fornire su richiesta dei rapporti informativi sullo stato di conservazione dei lotti in ven-dita. Le descrizioni sui cataloghi rappresentano unicamente l’opinione dei nostri Esper-ti e potranno essere soggetti ad eventuali revisioni che saranno comunquecomunicate al pubblico durante l’Asta.

PARTECIPAZIONE ALL’ASTALa partecipazione all’Asta può avvenire attraverso la presenza in sala ovvero at-traverso offerte scritte e offerte telefoniche che WANNENES ART AUCTIONS saràlieta di eseguire in nome e per conto dei potenziali acquirenti. Si ricorda che il ser-vizio è gratuito e pertanto nessun tipo di responsabilità potrà essere addebitatoa WANNENES ART AUCTIONS che non sarà responsabile per offerte inavvertita-mente non eseguite o per errori relativi all’esecuzione delle stesse. I nuovi acqui-renti devono fornire adeguate referenze bancarie a mezzo lettera dipresentazione della propria Banca indirizzata a WANNENES ART AUCTIONS, piaz-za Campetto 2, 16124 Genova.

PARTECIPAZIONE IN SALAPer la partecipazione in sala i potenziali acquirenti devono registrarsi e ritirarel’apposito numero di partecipazione compilando l’apposito Modulo di Parteci-pazione all’Asta fornendo un valido documento di identità e il codice fiscale. Tut-ti i lotti venduti saranno fatturati al nome e all’indirizzo rilasciati al momentodell’assegnazione del numero di partecipazione e non potranno essere trasferitiad altri nomi e indirizzi. Qualora un potenziale acquirente voglia partecipare in no-me e per conto di terzi deve informare prima dell’Asta la direzione di WANNENESART AUCTIONS.

OFFERTE SCRITTE E OFFERTE TELEFONICHEPer la partecipazione attraverso offerte scritte e telefoniche i potenziali acquirentidevono compilare l’apposito Modulo di Offerta pubblicato in questo catalogoed inviarlo via fax al numero +39 010 2517767 almeno 7 ore prima dell’inizio del-l’asta. Le offerte devono essere in euro e sono al netto dei diritti d’asta e deglioneri fiscali previsti dalle leggi vigenti.Le Offerte Scritte saranno eseguite per conto dell’offerente al minimo prezzo possi-bile considerati il prezzo di riserva e le altre offerte. Le Offerte Scritte effettuate sui lot-ti senza riserva (contrassegnati dalla stima di colore rosso) in assenza di un’offertasuperiore saranno aggiudicati a circa il 50% della stima minima o alla cifra corri-spondente all’offerta, anche se inferiore al 50% della stima minima.Le Offerte Telefoniche saranno organizzate da WANNENES ART AUCTIONS nei limi-ti della disponibilità delle linee ed esclusivamente per lotti aventi una stima massi-ma di almeno 500 euro. I collegamenti telefonici durante l’Asta potranno essereregistrati. I potenziali acquirenti collegati telefonicamente acconsentono alla regi-strazione delle loro conversazioni.

ASTA LIVEè possibile partecipare alle aste live sul nostro sito www.wannenesgroup.comnella sezione asta on air e seguendo tutte le istruzioni scritte.

AGGIUDICAZIONIIl colpo di martello indica l’aggiudicazione del lotto e in quel momento il com-pratore si assume la piena responsabilità del lotto. Oltre al prezzo di aggiudica-zione l’acquirente dovrà corrispondere a WANNENES ART AUCTIONS i diritti d’astae gli oneri fiscali previsti dalle leggi vigenti.

PAGAMENTOGli acquirenti devono effettuare il pagamento dei lotti entro 10 giorni lavo-rativi dalla data dell’asta tramite:

A) Contanti per un importo inferiore a 3.000,00 euro

B) Assegno circolare italiano intestato ad Art Auctions SRL, previo incasso effet-tivo dell'importo e soggetto a preventiva verifica con l'istituto di emissione.

C) Bonifico bancario intestato ad Art Auctions S.r.l.:UNICREDIT BANCA, Via Dante 1, 16121 Genova SWIFT UNCRITMM – IBAN IT 02 H 02008 01400 000110001195

D) Alcune carte di credito/debito sono accettate in particolari sedi di Wan-nenes, con un ricarico del 3% sull'importo totale per le carte estere. Si pre-

INFORMAZIONI IMPORTANTI PER GLI ACQUIRENTI

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chasers who wish to undertake payment by instalments should contact the Mana-gement of WANNENES ART AUCTIONS before the Sale.

COLLECTION OF LOTSPurchasers must collect the Lot/s by 15 working days from the date of the Auction.At the end of this span of time, WANNENES ART AUCTIONS will not be responsibleeither for the custody of the Lot/s or for any damage that may occur to the Lot/supon their removal to an appropriate warehouse. WANNENES ART AUCTIONS willcharge the Purchaser with the costs of insurance and storage as laid down in theChart available to Customers in the headquarters of the Company. When collectingthe Lot/s, the Purchaser must provide WANNENES ART AUCTIONS with a valid do-cument of identity. Should the Purchaser request a Third Party to collect the Lot/s al-ready paid for, the latter should possess a piece of written permission signed by thePurchaser and a photocopy of the Purchaser’s document of identity. The Lot/s aregiven to the Purchaser or the Third Party only upon payment having taken place. Ifpurchased Lot/s are collected after the above-mentioned time limit the AuctionHouse may debit the costs of storage (by month or part of a month) as follows:100 euro + VAT for Furniture50 euro + VAT for Paintings25 euro + VAT for Objects

THE SHIPPING OF LOTSThe Staff at WANNENES ART AUCTIONS will be glad to ship Lots purchased accor-ding to written instructions given by the Purchaser, following payment of the Lot/sconcerned. Shipping will be at the risk and expense of the Purchaser who, by me-ans of a written communication, will have to subtract WANNENES ART AUCTIONSfrom any responsibility concerning such an operation. Furthermore, our Staff is avai-lable for evaluations and advice in relation to the shipping methods employed andinsurance of the Lot/s.

EXPORT OF THE LOTS PURCHASEDThe Law Decree no. 42 of January 22nd 2004 regulates the export of cultural heri-tage and goods outside the Republic of Italy. The EU Regulation no. 3911/92 of De-cember 9th 1992, as modified by EU Regulation no. 2469/96 of December 16th1996 and by EU Regulation no. 974/01 of May 14th 2001, regulates the export ofcultural heritage and goods outside the european Union. In order to export outsi-de Italy cultural heritage and goods that are over 50 years old need an Export Li-cence that the Purchaser has to procure for him/herself personally. WANNENES ARTAUCTIONS is not involved in the procurement of such permits and cannot therefo-re guarantee the relative issue of such permits. WANNENES ART AUCTIONS, upon therequest of the Purchaser, may undertake the operations necessary for the grantingof the Export Licence according to the following tarifs:- euro 250,00 + VAT for each single lot or the first lot of a series of lots- euro 100,00 + VAT for the stub sequent lots in a series of lotsincluding form-filling, taxation stamps and photographic (colour) documentation.Should the above-mentioned authorisation not be granted the Purchase of theLot/s is not nullified, neither is the payment of the Lot/s, unless prior agreement withWANNENES ART AUCTIONS was made before the Auction. With reference to the re-gulations contained in art. 8, 1st paragraph, letter B DPR 633/72. Purchasers have torespect the following procedures should they wish to take the Lot/s outside the eu-ropean Union and claim the VAT refund: The completion of CUSTOMS forms/papers and transport outside the europeanUnion within three months from the invoice date.The sending - within the same term - of the ORIGINAL CUSTOMS TAXATION STAMPOR EQUIVALENT DOCUMENT directly to WANNENES ART AUCTIONS.

THE ARTIST’S RESALE RIGHTThe Artist’s Resale Right has been in force in Italy since April 9th 2006 with the LawDecree no. 118 (13/02/2006). This represents the right of the Author/Artist (living ordeceased within the previous seventy years) of figurative art works and manuscriptsto perceive a percentage of the sale price of his/her original works upon those sa-les taking place following the initial sale of the work/s in question. Resale Royaltieswill be charged to the seller where the hammer prise is 3.000,00 euro or more andwill not be superior to 12,500 euro per lot. The amount to be paid may thus be cal-culated:4% for the sale price up to 50,000 euro.3% for the sale price between 50,000,01 and 200,00 euro.

1% for the sale price between 200,000,01 and 350,000 euro.0.5% for the sale price between 350,000,01 and 500,000,01 euro.0.25% for the sale price above 500,000 euro.The Artist’s Resale Right charged to the seller will be paid by WANNENES ART AUC-TIONS to the SIAE (The Italian Society for Authors and Editors) as laid down by theLaw.

NOTICEEvery lot with any electric equipment is sold as "not working" and it should be to-tally re-conditioned. Wannenes Art Auctions is not responsible for any incorrect,wrong use of sold lots or for any non-compliance with instructions.

The words “….year…..” or the date cited in the lots description indicates the periodfrom when the said lot was first produced, unless otherwise specified.

The descriptive image in the catalogue and website might not faithfully representthe lots at auction. The Auction House always recommends directly viewing the lotsbefore making any bids. In case it is not possible to directly view the lots in person,a bidder may request a condition report in order to receive additional and detailedimages of the lot/s. The Purchaser explicitly authorises Art Auctions s.r.l. to use free-ly and at no cost the photographs depicting the auction lots for any purpose what-soever for exemplary - but not necessarily exhaustive purposes - in terms of publicity,internet usage or usage by any other means, as well as publication in the Magazineand/or magazines published by third parties.

TERMINOLOGY AND DEFINITIONSAffirmations concerning the Author, attribution, origin, period, provenance and con-ditions of the Lot/s in the Catalogue are to be considered as the personal opinionof the Experts and Scholars who may have been consulted and do not necessarilyrepresent fact.

TITIAN: in our opinion, the work is the work of the artist.ATTRIBUTED TO TITIAN: in our opinion, the work is probably by the artist, but

there is no absolute certainty.TITIAN’S WORKSHOP/STUDIO: in our opinion, the work is by an unknown pain-

ter working in the artist’s workshop/studio who may or may not have un-dertaken the painting under the artist’s supervision.

TITIAN’S CIRCLE: in our opinion, the work is by an unknown painter who is insome way connected or associated to the artist, although not necessari-ly a pupil of the artist.

STYLE OF/FOLLOWER OF TITIAN: in our opinion, the work is by a painter whowas contemporary or almost contemporary to the artist, working in thesame style as the artist, without being necessarily connected to him byan artist-pupil relationship.

MANNER OF TITIAN: in our opinion, the work has been carried out in the styleof the artist but subsequent to the period of the artist.

FROM TITIAN: in our opinion, the work is a copy of a painting by the artist. IN THE STYLE OF...: in our opinion, the work is in the style mentioned but from

a later period.SIGNED – DATED – INSCRIBED: in our opinion, the signature and/or date and/or

inscription are by the artist.BEARING SIGNATURE – DATE – INSCRIPTION: in our opinion, the signature

and/or date and/or inscription have been added.The dimensions supplied are HEIGHT first, followed by WIDTH.

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CONDITIONS OF SALETaking part in an Auction implies the entire and unconditional acceptance of theConditions of Sale outlined in this Catalogue. Bidders are required to read carefullythe section of the Catalogue containing the purchase terms of the Lots for sale byWANNENES ART AUCTIONS.

ESTIMATESBeside each Lot description in the Catalogue there is an indication of the Estimatefor potential Purchasers. In each case, all the Lots, in light of market interest, mayachieve prices that are either superior to or inferior to the indicated Estimates. TheEstimates published in the Auction Catalogue may be subject to revision and donot include the purchase commission (buyer’s premium) and VAT.

RESERVEThe reserve price corresponds to the minimum price agreed upon between WAN-NENES ART AUCTIONS and the SELLER, beneath which the Lot will not be sold. Lotsoffered with no reserve are indicated in the Catalogue with the Estimate in RED andwith the description O.1. These Lots are sold to the highest Bidder independently ofthe published Estimates.

VIEWING BEFORE THE AUCTIONEach Auction is preceded by a Viewing which is open, admission free, to the public.Opening times are shown in the first few pages of this Catalogue. The Viewing ena-bles all Purchasers to undertake an appropriate examination of the Lots for sale andto verify all aspects related to the Lot, such as authenticity, state of preservation, ma-terials and provenance etc.

WATCH AND CLOCK SALESThe descriptions in the catalogue for watches and clocks in relation to preservationand/or restorations are given as guidelines to the prospective buyer but may underno circumstance be considered all-inclusive.The Condition Reports which WANNENES ART AUCTIONS may send, on request ofa prospective buyer, do not reflect an exhaustive description and some restorationsor imperfections may not be mentioned.Condition Reports are statements of opinion given by our Experts and are pu-rely subjective and do not constitute a guarantee that may substitute a directexamination by the prospective buyer.Prospective buyers should personally inspect the condition of each lot in orderto ascertain its effective state, both from the technical and the aestheticalpoints of view.Lots are sold in their present state and the fact that an imperfection or a re-storation is not mentioned does not imply that the imperfection or restorationdoes not exist. Watches, because of their mechanical and functional nature,are normally used and kept up and possibly repaired, in the course of their exi-stence: they are examined by the Experts of WANNENES ART AUCTIONS priorto the sale, but WANNENES ART AUCTIONS gives no guarantee that they are inworking order, free of repairs or in the presence of non-original parts.Wristwatches in water-resistant cases have been opened to examine their mo-vements: therefore, WANNENES ART AUCTIONS suggests that such a watch becontrolled by an authorized dealer before using the same in conditions whe-re water is present.As concerns quartz movement watches, no information is given about working or-der if the battery, at the moment of examination, is discharged.All documents regarding watches, if not otherwise specified, are not present.All straps and bracelets, if not otherwise specified, are not to be considered original.Straps made of organic material are associated with the watch for display purposesonly: prospective buyers are aware that the importation to foreign countries of ma-terials derived from endangered or otherwise protected species (purely as an exam-ple: tortoiseshell, ivory) are subject to CITES international rules.Prospective buyers should therefore acquire the necessary information on such re-strictions prior to their participation in the sale for lots containing, even though par-tially, materials falling under these rules.Indications of weight, if included in the Condition Report, are to be considered grossand purely indicative, as are weights in carats of precious stones, indications of thenature of precious stones or other precious materials and measures of cases.

STATE OF PRESERVATIONThe Lots are sold in their current state. We recommend, therefore, that potential Pur-chasers check the state of preservation of the Lots/s, as well as the type of Lot/sbeing offered, before the Sale. The Experts of WANNENES ART AUCTIONS will behappy to provide upon request reports on the state of preservation of the Lots on

sale. The descriptions in the Catalogues merely represent the opinion of our Expertsand may be subject to further revisions that will, in due course, be given to the pu-blic during the Auction.

TAKING PART IN AN AUCTIONTaking part in an Auction may occur by means of the Bidder being present in theAuction Room, or by means of written or telephone Bids that WANNENES ARTAUCTIONS will gladly carry out for potential Purchasers. This service is free of char-ge and, therefore, WANNENES ART AUCTIONS bears no form of responsibility forthis service. WANNENES ART AUCTIONS will, therefore, not be responsible for anyBids inadvertently mislaid or for mistakes in relation to the latter. New Purchaserswill have to provide sufficient bank references by means of a Presentation Lettersupplied by the Purchaser’s bank to WANNENES ART AUCTIONS, piazza Campet-to, 2, 16124, Genoa.

BIDDING IN PERSONIn order to bid in person, potential Purchasers have to register and collect a biddingnumber by filling out the Bidding Form and providing a valid document of identi-fication and tax code number. All Lots sold will be invoiced to the name and ad-dress supplied when collecting the Bidding Number and they will not be able to betransferred to other names and/or addresses. Should a potential Purchaser wish tobid on behalf of a third party, s/he should inform WANNENES ART AUCTIONS befo-re the beginning of the Auction.

WRITTEN AND TELEPHONE BIDSIn order to bid by means of written or telephone Bids potential purchasers have tofill out the Bidding Form in this Catalogue and send it by fax to the number +39 0102517767 at least SEVEN hours before the beginning of the Auction. Bids must be ineuro and do not include Auction commissions and charges and taxation as laiddown by the Law. Written Bids are carried out on behalf of the Bidder at the lowestprice possible in consideration of the reserve price and the other Bids offered. In theabsence of a higher Bid, written Bids undertaken on Lots without a reserve (indica-ted by the Estimate in RED) will be sold at approximately 50% of the lowest estima-te or at the figure corresponding to the Bid, even though lower than 50% of thelowest Estimate. Telephone Bids are organised by WANNENES ART AUCTIONS ac-cording to the availability of the telephone lines being used and exclusively for Lotsthat have a maximum Estimate of at least 500 euro. Telephone calls during the Auc-tion may be recorded. Potential purchasers who bid by telephone consent to the re-cording of their conversations.

ASTA LIVEYou can bid online going on our website www.wannenesgroup.com – on the onair sale section and following the instructions

HAMMER PRICEThe Hammer Price indicates that a Sale of a Lot has been made and at that momentthe Purchaser assumes full responsibility for the Lot. As well as the hammer pricethe Purchaser has to recognise the commissions (buyer’s premium) to be paid toWANNENES ART AUCTIONS and the taxes to be paid as laid down by the Law.

PAYMENTPurchasers have to carry out payment for the Lot/s by 10 working days from the da-te of the Auction by means of:

A) Cash payments are accepted up to a maximum amount of 3.000 euro.

B) Italian bank draft payable to Art Auctions srl, subject to the real collection of thetotal amount and prior check with the bank of issue.

C) Credit transfer payable to ART AUCTIONS SRL:UNICREDIT BANCA, Via Dante, 1, 16121, GenoaSWIFT UNCRITMM - IBAN IT 02 H 02008 01400 000110001195If paying by bank transfer, the amount received after the deduction of any bank feeand/or conversion of the currency of payment to euro must not be less than the eu-ro amount payable, as set out on the invoice

D) Certain credit/debit cards are accepted in some Wannenes offices, with a 3% sur-charge on the total invoice value for foreign cards. Please contact Wannenes for mo-re information.

WANNENES ART AUCTIONS may, upon agreement with the Seller, offer those Pur-chasers it deems reliable the possibility to pay for Lots in instalments. Potential pur-

BUYING AT WANNENES

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CONDIZIONI GENERALI DI VENDITA

Art. 1 I beni possono essere venduti in lotti o singolarmente ad insindacabile giudizio della WANNENES ART AUCTIONS (di segui-to ART AUCTIONS o Casa d’Aste). Le aste saranno tenute in locali aperti al pubblico da ART AUCTIONS che agisce unicamentecome mandataria nel nome e nell’interesse di ciascun venditore (il nome del quale è trascritto in tutti i registri previsti dallevigenti leggi). Gli effetti della vendita influiscono direttamente sul compratore e sul venditore. ART AUCTIONS non assumenessuna responsabilità nei confronti dell’aggiudicatario, del venditore, o di qualsiasi altro terzo in genere.

Art. 2 Gli oggetti sono venduti/aggiudicati al miglior offerente, e per contanti. Nel caso in cui sorgessero delle contestazionitra più aggiudicatari, il Banditore, a suo insindacabile giudizio, rimetterà in vendita il bene che potrà essere nuovamen-te aggiudicato nella medesima asta; in ogni caso gli aggiudicatari che avessero sollevato delle contestazioni restano vin-colati all’offerta fatta in precedenza che ha dato luogo alla nuova aggiudicazione. In caso di mancata nuovaaggiudicazione il Banditore, a suo insindacabile giudizio, comunicherà chi deve intendersi aggiudicatario del bene. Ognitrasferimento a terzi dei lotti aggiudicati non sarà opponibile ad ART AUCTIONS che considererà quale unico responsa-bile del pagamento l’aggiudicatario. La partecipazione all’asta in nome e per conto di terzi potrà essere accettata daART AUCTIONS solo previo deposito presso gli Uffici della Casa d’Aste - almeno tre giorni prima dell’asta - di adeguatereferenze bancarie e di una procura notarile ad negotia.

Art. 3 ART AUCTIONS si riserva il diritto di ritirare dall’asta qualsiasi lotto. Il banditore conduce l’asta iniziando dall’offerta che ritienepiù opportuna, in funzione sia del valore del lotto presentato sia delle offerte concorrenti. Il banditore può fare offerte con-secutive o in risposta ad altre offerte, fino al raggiungimento del prezzo di riserva. Il Banditore, durante l’asta, ha facoltà di ac-corpare e/o separare i lotti e di variare l’ordine di vendita. Il banditore può, a suo insindacabile giudizio, ritirare i lotti che nonraggiungano il prezzo di riserva concordato tra ART AUCTIONS ed il venditore.

Art. 4 L’aggiudicatario corrisponderà ad ART AUCTIONS un corrispettivo pari al 24% sul prezzo di aggiudicazione comprensivo diI.V.A. Per i lotti che fossero in temporanea importazione, provenendo da paesi non UE oltre ai corrispettivi d’asta di cui sopral’aggiudicatario, se residente in un Paese UE, dovrà corrispondere ogni altra tassa conseguente, oltre a rimborsare tutte le spe-se necessarie a trasformare da temporanea a definitiva l’importazione (i beni interessati saranno indicati con il segno**). Si ri-corda che qualora il venditore fosse un soggetto I.V.A. l’aggiudicatario dovrà corrispondere anche le imposte conseguenti (ibeni interessati saranno contrassegnati dal segno °°).

Art. 5 Al fine di garantire la trasparenza dell’asta tutti coloro che sono intenzionati a formulare offerte devono compilare una sche-da di partecipazione con i dati personali e le referenze bancarie. ART AUCTIONS si riserva il diritto di verificare le referenze for-nite e di rifiutare alle persone non gradite la partecipazione all’asta. All’atto della compilazione ART AUCTIONS consegneràun cartellino identificativo, numerato, che dovrà essere esibito al banditore per formulare le offerte.

Art. 6 ART AUCTIONS può accettare mandati per l’acquisto (tramite sia offerte scritte che telefoniche) effettuando rilanci tramite il Bandi-tore, in gara con le persone partecipanti in sala. In caso di offerte identiche l’offerta scritta preverrà su quella orale.

Art. 7 Nel caso di due offerte scritte identiche, che non siano superate da offerte in sala o telefoniche, ART AUCTIONS considere-rà aggiudicataria quella depositata per prima. ART AUCTIONS si riserva il diritto di rifiutare, a suo insindacabile giudizio, of-ferte di acquirenti non conosciuti e/o graditi. A parziale deroga di quanto sopra ART AUCTIONS potrà accettare dette offertenel caso sia depositata una somma a garanzia di importo pari al valore del lotto richiesto, oltre commissioni, tasse, e spese.In ogni caso all’atto dell’aggiudicazione l’aggiudicatario comunicherà, immediatamente, le proprie complete generalità e ipropri dati fiscali.

Art. 8 ART AUCTIONS agisce esclusivamente quale mandataria dei venditori declinando ogni responsabilità in ordine alla descri-zione degli oggetti contenuta nei cataloghi ed in ogni altra pubblicazione illustrativa. Tutte le descrizioni dei beni devono in-tendersi puramente illustrative ed indicative e non potranno generare nessun affidamento di alcun tipo negli aggiudicatari.L’asta sarà preceduta da un’esposizione dei beni al fine di permettere un congruo esame degli stessi da parte degli aspiran-ti acquirenti, affinché quest’ultimi, sotto la loro totale e completa responsabilità, possano verificarne tutte le qualità, quali adesempio, l’autenticità, lo stato di conservazione, il tipo, il materiale, la provenienza, dei beni posti in asta. Dopo l’aggiudica-zione nessuno potrà opporre ad ART AUCTIONS od ai venditori la mancanza di qualsiasi qualità dei beni oggetto di aggiu-dicazione. ART AUCTIONS ed i propri dipendenti e/o collaboratori non rilasceranno nessuna garanzia di autenticità e/oquant’altro. Tutte le indicazioni sulla caratura ed il peso di metalli o pietre preziose, come sui relativi marchi, sono puramen-te indicative. ART AUCTIONS non risponderà di eventuali errori o della falsificazione effettuata ad arte. Nonostante il possi-bile riferimento ad elaborati di esperti esterni alla Casa d’Aste, ART AUCTIONS non ne garantisce né l’esattezza né l’autenticità.

Art. 9 Le stime relative al prezzo base di vendita, riportate sotto la descrizione di ogni bene sul catalogo, sono da intendersi al netto di ognionere accessorio quale, ad esempio, diritti d’asta, tasse ecc. ecc. Poiché i tempi tipografici di stampa del catalogo richiedono la de-terminazione dei prezzi di stima con largo anticipo esse potranno essere oggetto di mutamento, così come la descrizione del bene.Ogni e qualsivoglia cambiamento sarà comunicato dal Banditore prima dell’inizio dell’asta sul singolo bene interessato; fermo restandoche il lotto sarà aggiudicato unicamente in caso di raggiungimento del prezzo di riserva.

Art. 10 Il completo pagamento del prezzo di aggiudicazione, dei diritti d’asta, e di ogni altra spesa accessoria dovrà essere effettua-to entro 10 giorni lavorativi dalla data dell’Asta, in valuta avente corso legale nella Nazione ove si è svolta l’asta. In caso di man-cato pagamento, fermo restando il risarcimento dei maggiori danni ART AUCTIONS potrà: a) restituire il bene al mancatovenditore ed esigere il pagamento dal mancato acquirente delle commissioni perdute; b) agire per ottenere l’esecuzionecoattiva dell’obbligo di acquisto; c) vendere il lotto a trattativa privata, od in aste successive, comunque in danno del man-cato compratore, trattenendo a titolo di penale gli eventuali acconti versati. Nel caso il lotto rimanesse custodito da ARTAUCTIONS ciò avverrà a rischio e spese dell’aggiudicatario e del mancato venditore in solido. In ogni caso fino alla data divendita o restituzione l’aggiudicatario dovrà corrispondere ad ART AUCTIONS una somma, a titolo di penale, calcolata, aven-do come base, l’importo di aggiudicazione maggiorato di tutte le tasse e commissioni, al tasso del 30%. Tale somma sarà do-vuta a partire dal sesto giorno successivo all’aggiudicazione.

Art. 11 L’aggiudicatario, dopo aver pagato tutte le somme dovute, dovrà ritirare i lotti acquistati entro 15 giorni lavorativi dalla data dell’Astaa suo esclusivo rischio, cura e spese, rispettando l’orario a ciò destinato da ART AUCTIONS. Nel caso in cui l’aggiudicatario non do-vesse ritirare i lotti acquistati entro il termine sopraindicato ART AUCTIONS li conserverà, ad esclusivo rischio e spese dell’aggiudica-tario, nei locali oggetto dell’asta per altri cinque giorni lavorativi. Trascorso tale periodo ART AUCTIONS potrà far trasportare, semprea rischio e spese dell’aggiudicatario, i beni presso un qualsiasi depositario, od altro suo magazzino, liberandosi, nei confronti dell’ac-quirente, con la semplice comunicazione del luogo ove sono custoditi i beni. Resta fermo il fatto che per ritirare il lotto l’aggiudica-tario dovrà corrispondere, oltre al relativo prezzo con accessori, anche il rimborso di ogni altra spesa successiva.

Art. 12 In ogni caso ART AUCTIONS potrà concordare con gli aggiudicatari diverse forme di pagamento, di deposito, di vendita atrattativa privata, di assicurazione dei beni e/o la fornitura di qualsiasi altro servizio che fosse richiesto al fine del miglior an-damento possibile dell’affare.

Art. 13 Tutti sono ovviamente tenuti a rispettare le leggi vigenti all’interno dello Stato ove è stata svolta l’asta. In particolare ARTAUCTIONS non assume nessuna responsabilità in relazione ad eventuali restrizioni all’esportazione dei lotti aggiudicati, e/oin relazione a licenze e/o permessi che l’aggiudicatario potrà dover richiedere in base alla legge vigente. L’aggiudicatarionon potrà richiedere alcun rimborso ne al venditore ne ad ART AUCTIONS nel caso che lo Stato esercitasse il suo diritto diprelazione, od altro diritto a lui riservato. I diritti maturati in relazione ad una aggiudicazione poi annullata a causa della ne-gata autorizzazione all’esportazione del lotto per contrasto tra le diverse Soprintendenze, sono comunque dovuti dal man-dante ad ART AUCTIONS se tale mancato permesso deriva dalla non comunicazione del mandante ad ART AUCTIONSdell’esistenza di una autorizzazione all’esportazione rilasciata dall’Ente competente su richiesta del mandante stesso.

Art. 14 In caso di contestazioni rivelatesi fondate, ed accettate da ART AUCTIONS a seguito della vendita di oggetti falsificati ad ar-te la Casa d’Aste potrà, a sua discrezione, dichiarare la nullità della vendita e, ove sia fatta richiesta, rivelare all’aggiudicatarioil nome del venditore. L’acquirente potrà avvalersi di questo articolo solo ed esclusivamente nel caso in cui abbia notificatoad ART AUCTIONS, ai sensi degli articoli 137 e SS CPC la contestazione con le prove relative entro il termine di 15 giorni dal-l’aggiudicazione. In ogni caso, a seguito di un reclamo accettato l’aggiudicatario avrà diritto a ricevere esclusivamente quan-to pagato per l’aggiudicazione contestata, senza l’aggiunta di interessi o qualsiasi altra somma per qualunque altro motivo.

Art. 15 Le presenti condizioni di Vendita sono accettate automaticamente alla firma della scheda di cui all’art 5 e comunque da tut-ti quanti concorrono alla vendita e sono a disposizione di chiunque ne faccia richiesta. Per qualsiasi controversia è stabilitala competenza del foro di Genova

Art. 16 Legge sulla Privacy d. lgs. 196/03. Titolare del trattamento è ART AUCTIONS S.r.l. con sede in Genova Piazza Campetto, 2. Il clien-te potrà esercitare i diritti di cui al d. lgs. 196/03 (accesso, correzione, cancellazione, opposizione al trattamento ecc.ecc.), ri-volgendosi ad ART AUCTIONS S.r.l.. GARANZIA DI RISERVATEZZA ai sensi dell’art. 25 del d. lgs. 196/03 i dati sono trattati in formaautomatizzata al solo fine di prestare il servizio in oggetto, o di altro servizio inerente l’oggetto sociale della società, con lemodalità strettamente necessarie allo scopo. Il conferimento dei dati è facoltativo: in mancanza, tuttavia ART AUCTIONS nonpotrà dar corso al servizio. I dati non saranno divulgati. La partecipazione all’asta consente ad ART AUCTIONS di inviare suc-cessivi cataloghi di altre aste.

167166

GENERAL CONDITIONS OF SALE

Art. 1 The objects may be sold in Lots or individually according to the final opinion of WANNENES ART AUCTIONS (here follows referred toas ART AUCTIONS or AUCTION HOUSE). The Auctions will be held in premises that are open to the public by ART AUCTIONS whichacts simply as AGENT in the name and interests of each Seller (the name of the said Seller is written in all the Registers required byLaw). The Sale directly concerns the Purchaser and the Seller. ART AUCTIONS does not assume any responsibility in relation to thePurchaser, the Seller or any Third Party concerned.

Art. 2 The objects are sold to the highest Bidder for cash. Should any disputes arise among more than one Purchaser, the Auctioneer(his/her decision is final) will put the object up for sale once more so it can be purchased again in the same Sale. In each case, thePurchasers who disputed the former Sale of the object in question are still bound by the initial Bid (which gave rise to the subsequentSale of the object). Should the subsequent purchase fall through once again the Auctioneer (his/her decision is final) will decide whichperson may successfully purchase the Lot/s. Each transfer to Third Parties of the Lot/s purchased does not become the responsibili-ty of ART AUCTIONS which considers the Purchaser as the sole person/s responsible for payment. Bidding at an Auction in the na-me of and for Third Parties may be accepted by ART AUCTIONS only after sufficient bank references as well as a power of attorneyhave been received by the AUCTION HOUSE at least three days before the Auction.

Art. 3 ART AUCTIONS reserves the right to withdraw any Lot/s from the Auction. The Auctioneer starts the Auction beginning with the Bidthat s/he believes to be the most opportune, based upon both the value of the Lot/s as well as the competing Bids. The Auctione-er may make further Bids or in response to other Bids, until the reserve price is reached. The Auctioneer, during the Auction, may grouptogether or separate Lot/s and vary the order of the Sale. The Auctioneer may – and his/her decision is final – withdraw Lot/s thatdo not reach the reserve price agreed upon between ART AUCTIONS and the Seller.

Art. 4 The Purchaser will pay ART AUCTIONS a sum equivalent to 24% of the hammer price including VAT. For those Lots being temporarilyimported and coming from non-EU States, apart from the above-mentioned detractions, the Purchaser – if resident in an EU member-State - will pay all other subsequent taxes, as well as refund all expenses required to transform the temporary import status of the ob-ject/s to a status that is permanent (the objects are indicated by the sign **). If the Seller is in possession of a VAT number the Purchaserwill also pay all subsequent taxes (the objects are indicated with a °°).

Art. 5 In order to guarantee the highest levels of transparency during the Auction for all those who intend to make Bids, prospective Bidders arerequired to fill out a participation form with personal information and bank details. ART AUCTIONS reserves the right to make checks on thedetails/references provided and to refuse those who might not be welcome. Upon completion of the form ART AUCTIONS will supply anumbered identification paddle which will have to be shown to the Auctioneer in order to proceed with Bidding.

Art. 6 ART AUCTIONS may accept absentee Bids (by means both of written as well as telephone Bids) that will be undertaken by the Auc-tioneer, in direct competition with those present in the Auction Room. Should there be a case of identical Bids, the written Bid willprevail upon the oral Bid.

Art. 7 Should there be two written Bids that are not beaten by Bids made in the Auction Room or telephone Bids, ART AUCTIONS will con-sider the Purchaser to be the one who made the Bid first. ART AUCTIONS reserves the right to refuse – its decision is final – Bids ma-de by Purchasers who are not known or welcome. ART AUCTIONS may, however, partially in reference to the above-mentioned,accept Bids if there is a guaranteed sum deposited equal to the value of the Lot that is requested, apart from commissions (buyer’spremium), taxes and expenses. In each case, at the moment of Purchase, the Purchaser will immediately inform the AUCTION HOU-SE of his/her personal information and taxation details.

Art. 8 ART AUCTIONS acts exclusively as the agent for the Sellers and bears no responsibility in terms of descriptions of the objectsin the Catalogues or in any other illustrated publication. All the descriptions of objects are intended purely as illustrative andindicative. They may not generate any form of reliance as far as the Purchaser is concerned. The Auction will be preceded bya public viewing of the objects in order to allow for a careful examination of the objects on behalf of aspiring Bidders. In thisway, potential Purchasers will have the opportunity to and be responsible for a complete examination of all the qualities ofthe object/s in question: for example, the authenticity, the state of preservation, the type, the material and the provenance ofthe objects being auctioned. Following the Purchase, no one will be able to dispute or criticise ART AUCTIONS or the Sellersfor the lack of any form of quality in reference to the object being auctioned. ART AUCTIONS and its employees/consultantswill issue no guarantee of authenticity. All those indications relative to the carats and the weight of metals or precious stones,as well as their relative marks, are merely indicative. ART AUCTIONS is not responsible for any potential errors or falsifications.Notwithstanding any potential reference to descriptions by experts external to the AUCTION HOUSE, ART AUCTIONS does not ei-ther guarantee the accuracy or the authenticity of such comments.

Art. 9 The Estimates relative to the initial sale price, indicated beneath the description of each object in the Catalogue, are intended as NETand do not include, for example, the commissions (buyer’s premium), taxes etc. Since the printing time employed for the making ofthe Catalogue requires price Estimates in advance, these latter may be subject to change, as may also the description of the object.

Each and every change will be communicated to the Auctioneer before the beginning of the Auction in relation to each object con-cerned. The Lot/s will, however, only be sold upon reaching the reserve price.

Art. 10 The entire payment of the hammer price, the commissions applied (buyer’s premium) as well as all other expenses must be paid forwithin ten working days of the Auction date, in the legal currency of the State in which the Auction has taken place. In the case oflack of due payment, after full compensation of damages made to ART AUCTIONS, the AUCTION HOUSE may:return the object to the Seller and demand full payment from the Purchaser of the due commissions/premium;undertake action in order to forcefully obtain the obligations of purchase;sell the Lot/s privately or in subsequent Auctions, to the disadvantage of the original Purchaser, treating any sums paid by the latteras a form of sanction. If the Lot/s is kept by ART AUCTIONS this will be at the risk and expense of the Purchaser and the original Sel-ler. In each case, until the sale or return dates the Purchaser will pay ART AUCTIONS a sum – in the form of a sanction – to be calcu-lated on the basis of the hammer price plus all taxes and commissions at a rate of 30%. This sum must be paid from the sixth dayfollowing the Auction.

Art. 11 The Purchaser, after having paid all the sums due, must collect the Lot/s acquired within fifteen working days of the Auction date,at his/her own risk and expense, in full consideration of the opening hours of ART AUCTIONS. Should the Purchaser not collect theLot/s during the above-mentioned times ART AUCTIONS will keep them at the risk and expense of the Purchaser in the AUCTIONHOUSE for a further five working days. Once this period has passed, ART AUCTIONS will remove the object/s (at the Purchaser’s ownrisk and expense) to the storage space deemed most appropriate by the AUCTION HOUSE. The AUCTION HOUSE will inform thePurchaser of the place where the object/s are kept. Let it be clearly understood that in order to collect the object/s the Purchaserwill have to pay, apart from the price plus commissions (buyer’s premium) etc, any refund due to subsequent expenses incurred bythe AUCTION HOUSE.

Art. 12 In each case, ART AUCTIONS may agree with the Purchaser/s upon different forms of payment, storage, private sale, insurance of theobject/s and/or granting of any other service requested in order to achieve the most successful results possible.

Art. 13 Everybody has, obviously, to respect the current Laws within the State where the Auction is held. In particular, ART AUCTIONS assu-mes no responsibility in relation to potential restrictions concerning the export of purchased objects and/or in relation to licencesor permits that the Purchaser might have to request on the basis of current Laws. The Purchaser will not be able to request any re-fund either from the Seller or from ART AUCTIONS should the State exercise its right to pre-emption or any other right it may pos-sess. The rights that have matured in relation to the hammer price of a sale that has been annulled on account of it not receivingauthorisation for export due to the lack of agreement of the cultural authorities concerned are, nevertheless, to be paid by the ven-dor to ART AUCTIONS if permission was not given because the vendor did not previously inform ART AUCTIONS of the existence ofauthorisation (for export) given by the relevant authority upon the request of the vendor him/herself.

Art. 14 In the case of disputes that are revealed to be well-founded and accepted by ART AUCTIONS subsequent to the sale of false objects, theAUCTION HOUSE may, at its own discretion, declare the sale null and void and, if requested, reveal the name of the Seller to the Purcha-ser. The Purchaser may make use of this Article (Article 14) only and exclusively in the case that s/he has notified ART AUCTIONS – accor-ding to Articles 137 and following in the Code of Civil Procedure – of the dispute in question with the relative proof within fifteen days ofthe Auction date. In each case, subsequent to an accepted claim the Purchaser has the right to receive exclusively what was paid as thedisputed hammer price without the addition of interests or other sums for any other reason.

Art. 15 The current Sale Conditions are accepted automatically upon signing the form (see Article 5) and by all those individuals who takepart in the Sale. The above-mentioned Conditions are at the disposal of any individual who requests to see them. Any case of con-troversy is within the jurisdiction of the Genoa Law Courts.

Art. 16 Privacy Law (Legislative Decree 196/03). Data Controller: ART AUCTIONS S.r.l. with headquarters in GENOA, Piazza Campetto, 2. TheCustomer may exercise his/her rights according to Legislative Decree 196/03 (access, correction, cancellation, opposition etc), by con-tacting ART AUCTIONS S.r.l. GARANZIA DI RISERVATEZZA according to Article 25 of Legislative Decree 196/03. The information iscomputerised with the sole intention of providing the above-mentioned service or any further service relative to the Company, insuch a way that is strictly connected to the question at hand. The supply of data is optional: in default of which, ART AUCTIONS willnot be able to perform the service required. Data will not be divulged. Participation in an Auction allows ART AUCTIONS to send sub-sequent Catalogues of other Auctions.

CONFERISCO INCARICOA Wannenes Art Auctions affinché effettui per mio ordine e conto delle offerte per l’acquisto dei lotti qui sotto elencati fino al prezzo massimo (oltre commissioni, tasse e/o impo-ste e quant’altro dovuto) indicato per ciascuno di essi, e/o prenda contatto telefonico con me al momento in cui saranno posti in vendita i lotti qui sotto elencati, al numero di te-lefono da me indicato. Dichiaro di conoscere ed accettare integralmente le condizioni di vendita stampate sul catalogo ed espressamente esonero Wannenes Art Auctions da ognie qualsiasi responsabilità per le offerte che per qualsiasi motivo non fossero state eseguite in tutto o in parte e/o per le chiamate che non fossero state effettuate, anche per ragio-ni dipendenti direttamente da Wannenes Art Auctions.

RICHIAMO ALLE CONDIZIONI GENERALI DI VENDITA E VARIE1. Il presente elenco non è da considerarsi esaustivo ma, meramente, esemplificativo;il partecipante all’asta ha già preso visione delle condizioni generali di vendita che hadichiarato di aver compreso ed integralmente gradito ed accettato.2. Nel caso di parità tra un’offerta scritta ed una in sala prevarrà l’offerta scritta.3. Nel caso di parità tra più offerte scritte prevarrà quella formulata per prima, purchèformulata in maniera completa (garanzie bancarie comprese). 4. Il proponente è perfettamente a conoscenza che il prezzo finale di acquisto saràcomposto dalla somma offerta maggiorata dai diritti d’asta e da tutte le imposte etasse conseguenti, nonché da tutte le voci di spesa chiaramente indicate nel catalogo.5. Wannenes Art Auctions s’impegna a cercare di effettuare l’acquisto al prezzo piùbasso possibile.

LEGGE SULLA PRIVACYAi sensi e per gli effetti del d.lgs. 196/03 e successive modificazioni ed integrazioni i datisaranno trattati esclusivamente per le finalità per le quali sono stati comunicati e perl’invio di comunicazioni commerciali e/o pubblicitarie (comunque esclusivamente permaterie inerenti l’oggetto sociale della Wannenes Art Auctions). I dati potranno esserecomunicati a persone ed enti che prestano servizi per conto di Wannenes Art Auctions, ivi compresi istituti di credito per l’espletamento delle formalità di pagamento. I datipotranno essere trattati anche con strumenti informatici.

Ai sensi e per gli effetti degli artt. 1341 e 1342 del Codice Civile dichiaro diapprovare specificatamente con l’ulteriore sottoscrizione che segue gli articoli1, 2, 4, 5, 6, 7, 8, 9, 11, 13, 14, 15 delle Condizioni di Vendita.

Firma..............................................................................................................................

Data .................................................................... Ora ........................................... Firma ................................................................................................................

226 0617MODULO PER LE OFFERTE /ABSENTEE BIDS FORM

IO SOTTOSCRITTO

NOME/COGNOMENAME/SURNAME

DOCUMENTO/N° DATA E LUOGO DI EMISSIONEDOCUMENT/N. DOCUMENT/N.

NATO A DATABORN IN DATE

INDIRIZZOADDRESS

CITTÀ CAP STATOTOWN ZIP CODE COUNTRY

TELEFONO/FAX E-MAILPHONE/FAX E-MAIL

CODICE FISCALETAX PAYERS CODE

MODULO PER LE OFFERTE /ABSENTEE BIDS FORM226 0617

QUESTO MODULO SARÀ RITENUTO VALIDO SOLO SE PERVERRÀ PER E MAIL O FAX ALMENO SETTE ORE PRIMA DELL’INIZIO DELL’ASTATHIS FORM WILL BE ACCEPTED ONLY IF RECEVED BY E-MAIL OR FAX AT LEAST SEVEN HOURS BEFORE THE BEGINNING OF THE AUCTION

NON SI ACCETTANO OFFERTE TELEFONICHE SOTTO I 500 EURO DI STIMA MASSIMA TELEPHONE BIDS LOWER THAN 500 EURO WILL NOT BE ACCEPTEDLA RICHIESTA DI PARTECIPAZIONE TELEFONICA IMPLICA L’ACCETTAZIONE DI OFFERTA DEL PREZZO BASE

THE REQUEST OF TELEPHONE BIDDING IMPLIES THE ACCEPTANCE OF A BID AT THE STARTING PRICENON POSSIAMO ACCETTARE OFFERTE SOTTO IL PREZZO MINIMO DI STIMA WE CANNOT ACCEPT BIDS LOWER THAN THE MINIMUM PRICE

fax +39 010 2517767 - [email protected]


LOTTO DESCRIZIONE OFFERTA MASSIMA IN €

Data........................................Firma................................................................................

CVC* SCADE /

* codice di sicurezzacard verification code

AUTORIZZAZIONE ALL’ADDEBITO SU CARTA DI CREDITO Il sottoscritto ......................................................................................................... in relazione alla mia partecipazione quale acquirenteall’asta numero 226 che si terrà il 14 Giugno 2017 ed in relazione ad i lotti sopra indicati autorizzo Art Auctions s.r.l. ad ad-debitare tali miei acquisti sulla carta di credito trascorsi 10 giorni lavorativi dalla data dell’asta.

AUTHORIZATION TO CHARGE ON CREDIT CARDI undersigned in relation with my participation as a buyer at the sale nr. 226 which will be held June 14, 2017 and in rela-tion to the above-mentioned lots, I authorize Art Auctions Ltd. to charge the purchasesd lots on my credit card after 10 wor-king days from the date of the auction.

Visa Mastercard altra/other.....................................................................

IO SOTTOSCRITTO

NOME/COGNOMENAME/SURNAME




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4.申请人最后的购买价格包括拍卖费用及产生的所有税费，以及目

录中明确标示的所有开支项目

5. Wannenes艺术品拍卖行致力于尽量做到尽可能最低的购买价格

隐私声明根据法律 675/96 第10条的效力，随后修改和增补的数据处理将专用

于商业通信和/或广告（皆是只为Wannenes艺术品拍卖行宗旨的事

宜）。数据可能被提供服务的代表Wannenes艺术品拍卖行的个人或组织披

露，包括贷款人完成付款手续。

数据还可以由计算机进行处理。

根据意大利民法典第1341条，第1342条的效力，特此批准进一步阅

览第1 条，第2条，第4 -9条，第11条，第13-15条的销售条件

签名.......................................................................

日期..................................时间 ...................................................签名 ...............................................................................................

226 0617MODULO PER LE OFFERTE /ABSENTEE BIDS FORM

姓名

NAME/SURNAME

文档号码发行日期地点

DOCUMENT/N. DOCUMENT/N.

发行地日期

BORN IN DATE

地址

ADDRESS

城市邮编国家

TOWN ZIP CODE COUNTRY

电话/传真电子邮件

PHONE/FAX E-MAIL

增值税代码

TAX PAYERS CODE

MODULO PER LE OFFERTE /ABSENTEE BIDS FORM226 0617






拍卖品说明欧元最高出价

日期 ........................................签名 ................................................................................

验证码* 截止日期 /

* codice di sicurezzacard verification code

信用卡抵押授权

签字人 .............................................................作为买家参与竞拍品第226 号的竞拍。将于2017年06月14日，在上

述地段的艺术拍卖有限公司授权后，在拍卖之日起10个工作日内用信用卡购买。

卡万事达卡其他

姓名

NAME/SURNAME

只有拍卖开始前至少七个小时通过e-mail或传真交付本表格才有效估价低于500欧元我们将不接受手机连线

参与手机连线的请求，即表明您同意提供的基准价格低于最低价格估计我们不能接受要约

电话 .......................................................................................................................................................................................................

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有关更多信息，请联系

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ASIAN ART

14 JUN

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wannenesgroup.com

ASIAN ARTGenoa 14 June 2017

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ASIAN ART · 2017-05-16 · Francesco Petrucci +39 348 5101534 [email protected] Torino Chiara Benevolo Caroni +39 330 592697 [email protected] Venezia Christiane