Avenir Avenir

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    Avenir

    Avenir

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    Avenir

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    This Monkeys Gone to Heaven I

    Text by Elliott Earls

    Designer/Editor

    Avenir A

    venir

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    Table of Contents

    5. comparesAvenirtosimilartypefaces

    6. showcasesobliquevariations

    7. exhibitssmalltitles

    8/9. demonstrateslineweightvariations

    10/11. displaysparagraphsettings

    12. experimentswithalignment

    13. mimicksabookdisplay

    14. illustratesglyphs

    15. featuresextendedparagraphsettings16. colophon

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    Avenir Vs. Other Fonts

    Futura Light Helvetica Light

    Aa

    Bb

    Cc

    Dd

    Ee

    Ff

    Gg

    Frutiger 45 Light

    Aa

    Bb

    Cc

    Dd

    Ee

    Ff

    Gg

    Aa

    Bb

    Cc

    Dd

    Ee

    Ff

    Gg

    Aa

    Bb

    Cc

    Dd

    Ee

    Ff

    Gg

    Avenir 35 Light

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    How do you design letterforms?

    How do you design letterforms?

    How do you design letterforms?

    How do you design letterforms?

    How do you design letterforms?

    How do you design letterforms?

    35 Light Oblique

    45 Book Oblique

    55 Roman Oblique

    65 Medium Oblique

    85 Heavy Oblique

    95 Black Oblique

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    It is in traditional gure drawingstudio classes that one learns how to

    To be successful in this process, one learns

    that the mind must be quieted.

    Thehandandtheretinamustmoveinsymbioticlockstepastheyboth

    tracethephysicalline.Itsthroughthisprocessthatonecanlearntotrust

    notthemind,buttheRETINA.

    85 Heavy 24 pt.

    45 Book 18 pt.

    85 Heavy Oblique 26 pt.

    55 Roman 15 pt.35 light 10 pt.65 Medium Oblique 12 pt.

    55 Roman 12 pt.

    lock themovement ofthe retina to

    themovementofthehand.

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    feelnotmagically,

    igorousapplicatio

    sivelyformalextra

    35 Light

    45 Book

    55 Roman

    65 Medium

    85 Heavy

    95 Black

    rioritiesandbalan

    tuponthearduou

    How do you design letterforms

    Kick it old skool style.

    Drawthembig,witharulingp

    Focus on the serifs or the term

    Dont so much understand ho

    experience how a letter is dr

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    atonedevelopsa

    ools,butthrough

    ry,thetermexclu

    allyaquestionof

    nindividualsetsonandPlaka,andsomeProWhite.

    ination of the character.

    a letter is drawn:

    wn.

    I h ld h h h bl

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    I oten ound mygazetransfxed, nay

    locked, upon theupper eyelid o a

    typical brunette with

    brown eyes.

    I should point out that these women wore heavy blueeyeshadow, regardless of their complexion or eye color.Because at that historical moment it was an establishedscientic fact that if one wore enough blue eyeshadow, theeye would look blue!45 Book 14/17

    95 Black 18/22

    Something

    was horriblywrong here!

    95 Black Oblique 30/35

    The clash of color. The slavish

    adherence to dress code

    at the obvious expense of

    personal dignity. The spurious

    andquestioning folklore or

    weird science underpinning

    it all.35 Light Oblique 14/20

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    It was the 80s.

    35 Light 12/16

    95 Black 36 pt.

    If we look at Blue Eyeshadow, forinstance, its important to rst point outthe origin of the name. For to name it

    is to claim it. Needless to say, in 1984,in ohio, we wore mullets withouta hintof irony. We thought we were toughand new wave, and we thought thechicks would dig it. Yeah, the chicks.

    It was all about the girlies. And letme assure you, they had an equallydistorted and perverse interpersonalaesthetic. It was the 80s. The guys hadmullets or boy hair, and the girlswore tons of foundation, white lipstick,and blue eyeshadow.

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    Im not suggesting that one develops a feel magically,or through attendance at the nest schools, but through

    rigorous application, and through working damnhard at aquiring a set of very concrete skills, then

    forgetting them.45 Book Oblique 18/18

    45 Book 14/18

    + ^

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    #!

    *)?>

    =

    9@