Case din Romania 6

Casele reprezint` unul dintre produsele notabile rezultate din procese de crea]ie, a[adar este firesc ca ele s` î[iaib` propria familie de c`r]i în care s` se reg`seasc`, semipreparate, gata metabolizate. Ne bucur`m c` suntemnoi cei care facem asta în România, c`ci ni se pare important` existen]a unei selec]ii autohtone de arhitectur`domestic`, adresat` atât speciali[tilor, cât [i celor mai pu]in antrena]i, fie [i numai pentru folosul imediat al unoracare î[i caut` inspira]ia, dac` nu pentru a documenta, în timp, fenomenul. Astfel, al [aselea volum din colec]iaigloobest dedicat caselor române[ti propune 16 proiecte, fiecare pozat pe toate p`r]ile [i înso]it de planuri [i depropriul text de prezentare.

As the house is one notable product to come out of the creative process, it is only natural that it has its own familyof books where it can be found, pre cooked, readily digested. We are glad to be doing this in Romania, as we findthe existence of a local selection of domestic architecture important, dedicated both to specialists and to the lesstrained, be it even for the immediate use of those looking for inspiration, if not for documenting this phenomenonin time. Thus, the sixth volume of the igloobest collection dedicated to Romanian houses proposes 16 projects,each one thoroughly photographed, accompanied by blueprints and its own presentation text.

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l Bruno Andre[oiu l Casa ca subiect de carte l prefa]` 07_07

l DANIEL CIOC~ZANU l Pe malul lacului Snagov 08_23

l TECON l Casa I.D. 24_31

l NBC ARHITECT l Casa Rare[ 32_41

l ARXTUDIO l Casele 2M 42_51

l IGLOO ARCHITECTURE l Casa de lâng` lac 52_61

l DE3 GRUP l Casa P. 62_73

l TECON l Casa Alexandrina 74_83

l PROGRAPHIC ARCHITECTURE STUDIO l Casa K. 84_93

l SYAA l Casa B. 94_101

l CENTERPOINT l Casa M. 102_111

l STUDIO 1408 l Casa R. 112_123

l OM BIROU DE ARHITECTUR~ l Casa de la Dun`re 124_135

l STUDIO 3+ l Casa Hârjeu 136_147

l ATTILA KIM l Duplex 148_157

l BLIPSZ + ATELIER FKM l Casa Hajdó 158_165

l NBC ARHITECT l Casa Zamora 166_171

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Casa ca subiect de carteThe house as a book subject

O prefa]`, c` de-aia se cheam` a[a, ar trebui s` ajutela în]elegerea c`r]ii pe care o precede, oferind o seriede explica]ii, poate planul lucr`rii, poate anumite re fe -rin]e critice etc. A[a ar fi frumos [i, f`r` îndoial`, util.V` m`r turisesc îns` c` nu am de gând s` fac asta, saunu mai mult decât a v` spune c` al [aselea volum dinco lec]ia igloobest dedicat caselor române[ti propuneo selec]ie de 16 proiecte, fiecare pozat pe toate p`r]ile[i înso]it de planuri [i de propriul text de prezentare. Ce mi-ar pl`cea mai degrab` s` observ aici este sta -tu tul casei ca subiect de carte. B`nuiesc c` fiecare vafi observat c` fenomenul c`r]ilor – selec]ia de su biec -te ale c`r]ilor – decupaje dup` criterii de familie a luatun avånt serios în ultima vreme. Construc]ii sau ma -[ini, obi ecte de tot felul, de la arme de foc la [ireturi,pui de animale sau tatuaje etc. etc., practic orice sepoa te con stitui într-o serie devine carte. Cred c` egreu de g` sit vreun tip de produs al creativit`]ii u ma -ne care s` nu aib`, pe la vreo editur`, un album-se -lec ]ie dedicat. Probabil c` fenomenul ]ine în egal` m` -sur` de inte resul comercial, dar [i de un soi de manie(de colec ]ionar) a sistematiz`rii [i organiz`rii unei lumitot mai complexe [i mai dense în termeni de produsefabricate. Dincolo de teorie, fapt este c` nu mai putemfa ce abstrac]ie de acest mod de ambalare a efectelorcreativit`]ii umane. Iar cum casele repre zint` unul din-tre pro dusele importante rezultate din procese decre a]ie, este, nu-i a[a?, firesc ca ele s` î[i aib` propriafa milie de c`r]i în care s` se reg`seasc`, semipre -parate, gata metabolizate pentru consumul mai multsau mai pu]in specializat. M` bucur c` suntem noi ceicare facem asta în România, c`ci mi se pare impor-tant` existen]a unei selec]ii autohtone de arhitectur`domestic`, adresat` atât speciali[tilor, cât [i celor maipu]in antrena]i, fie [i numai pentru folosul imediat alunora care î[i caut` inspira]ia, dac` nu pentru a docu -menta, în timp, fenomenul. Din nefericire, oferta înc`numeric redus` de subiecte de calitate nu ne-a per-mis deocamdat` [i subclase ale locuin]ei (dup` mate-rialele folosite, suprafe]e sau alte criterii), dar mà[tept ca în viitorul apropiat s` ajungem [i acolo. Întrebarea cu care m` despart de voi (la care nu amg`sit înc` un r`spuns mul]umitor) [i în cheia c`reia vìn vit s` parcurge]i albumul este dac` nu cumva case-le au devenit con[tiente de statutul lor de posibile ve -dete [i asta nu influen]eaz` în vreun fel facerea lor…

A foreword, cause that’s why they call it so, should helpexplain the book it precedes, offering a series ofaccounts, perhaps the paper’s plan, perhaps certaincritical references, etc. This would be nice andundoubtedly useful. I confess that I have no intention ofdoing this though, or not more than telling you that thesixth volume of the igloobest collection dedicated toRomanian houses proposes a selection of 16 projects,each one thoroughly photographed, accompanied byblueprints and its own presentation text. What I would rather observe here is the status of thehouse as a book subject. I imagine everyone hasnoticed that lately the phenomenon of books – theirchoice of subjects – arranged around family criteria hasseriously gained ground. Constructions or cars, anykind of object, from fire guns to laces, baby animals totattoos, etc. etc., practically anything that can amountto a series becomes a book. I think it’s hard to find anyproduct of human creativity that doesn’t have, withsome publisher or another, a dedicated selectionalbum. The phenomenon is probably equally due tothe commercial interest, to a kind of (collectors) maniato systemize and organise an increasingly complexworld, one that is more and more dense in terms offabricated goods. Beyond theory, the fact is that wecan no longer ignore this way of packaging the resultsof human creativity. As the house is one importantproduct to come out of the creation process, it is, isn’tit?, only natural that it has its own family of bookswhere it can be found, pre cooked, ready digested forthe more or less specialized reader. I am glad it is uswho do this in Romania, as I think the existence of alocal selection of domestic architecture is important,dedicated both to specialists and to the less trained, beit even for the immediate use of those looking for inspi-ration, if not for documenting this phenomenon in time.Unfortunately, the offer still scarce of quality subjectsdoes not yet allow for a partition in subclasses (aftermaterials, surfaces and other criteria), but I expect inthe near future we will get there. The question I leave you with (to which I am still to finda satisfying answer) and whose key I invite you to readthis album in, is whether or not the houses havebecome aware of their status of possible stars and ifthis has any kind of influence on their making…


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Proprietatea este situat` pe malul lacului Snagov,prins` \ntr-o få[ie de teren \ngust` \ntre p`dure [ilac: o pozi]ionare execep]ional` [i \n acela[i timp dis-cret`. Cu un caiet de sarcini [i cereri extrem de pre-cise ale proprietarului, arhitec]ii au abordat proiectulcu inspira]ie [i simplitate. S` ofere senza]ia de plu-tire, de deschidere spre lac [i \n acela[i timp de cu -prindere a p`durii, acesta a fost punctul de plecare.Astfel, s-a cùtat \n permanen]` prelungirea casei cupeisajul exterior, prin integrarea voluntar` a acestuia\n spa]iul interior. Parterul cuprinde [i privilegiaz`zona de recep]ie, livingul [i terasa lui \n „surplomb`”deschise cu vedere excep]ional` c`tre lac, pro vo -cånd inginerii de structuri pentru ob]inerea unei des chideri de 11 m realizat` din sticl` f`r` stålpi sau sus ]ineri intermediare. Diningul a fost a[ezat \n fa]aunei fa]ade vitrate pe dubl` \n`l]ime, pentru a sebucura de prezen]a imediat` a p`durii. Pentru a su -blima [i mai mult vecin`tatea p`durii, interiorul cu prin de un perete din mezanin placat integral cuoglind`. |mpreun` cu proprietarul, care a investitinteligent [i gene ros \n proiect, au fost alese cu mareaten]ie ma terialele pentru decora]ia de interior:traver tinuri no bile de ro mano bianco pentru sol, par-chet italian, pere]ii placa]i cu palisandru nervurat [itencuieli texturate. Buc`t`ria este \mbr`cat` \nsolemnul lemn de macasar. Napajul [i lightingul inte-rior poart` sem n`tura mae[trilor sticlari din InsulaMurano [i re pu ta ]ilor Catellean & Smith.

The property is placed on the shores of lake Snagov,caught on a narrow strip of land between the forestand the lake: an exceptional, yet discreet positioning. Given extremely precise specifications and require-ments from the owner, the architects approached theproject with inspiration and simplicity. The startingpoint was the intention to offer that feeling of drifting,of opening up to the lake while also embracing theforest. Thus, the team constantly searched for ways ofexpanding the house through its surroundings, by vo-luntarily integrating these in the inner space. Theground floor contains and favors the reception area,the living room and its “overhanging” terrace, facingan exceptional view of the lake, challenging the struc-tural engineers in order to achieve an 11 m openingof glazing without any pillars or intermediate support.The dining room is placed in front of a glazed facadewith double height, for a full enjoyment of the imme-diate vicinity of the forest. In order to further potenti-ate this vicinity, the interior encompasses an attic wallfully covered in mirrors. The fabrics of the interior decorations were chosenwith great care, consulting the owner, who investedintelligently and generously in this project: nobleRomano Bianco travertine slabs for the ground, Italianparquet, walls clad in finned rosewood and texturedplaster. The kitchen is clad in the solemn Macassarwood. The napage and interior lighting wear the sig-nature of the master glassmakers from the MuranoIsland and of the renowned Catellean & Smith.

Pe malul lacului SnagovOn the shores of Lake Snagov

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PROIECT / PROJECT

Arhitect principal / Leading architect Daniel Cioc`zanuArhitect [ef de proiect / Chief architect Adrian TimaruColaboratori / Collaborators Adrian Comårzan, Marian Posd`rescuSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

Concept Structure PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2014SUPRAFA}A TERENULUI / SITE AREA 800 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 450 mp

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Amplasat` \n imediata vecin`tate a Deltei V`c`re[ti,Casa I.D. profit` din plin de oportunit`]ile oferite dete ren, transformånd limit`rile \n avantaje. Cu un vo lumcompact, construc]ia prezint` o deschidere se m ni fi -ca tiv` spre parc, printr-o suprafa]` vitrat` ge ne roas`la mansard`, al`turi de o teras` care punc tea z` volu-mul. Aceste vitraje creeaz` un dialog cu ex te ri orul, o -fe rind luminozitate [i spa]ialitate unui in terior de alt -min teri de dimensiuni reduse. Un alt element de des -chi dere este lucarna care, nu doar ofer` o perspec-tiv` unic` asupra ora[ului ci contribuie [i la i lu mi nareana tural` a mansardei. Pe latura dinspre stra d`, volu-mul e mai compact, consola definind un spa ]iu a co pe -rit ce marcheaz` [i protejeaz` accesul \n lo cu in]`. An -velopanta cl`dirii este realizat` \n sis tem double-skin,cu tabl` f`l]uit`, cu rol de ven ti lare na tu ral` a fa]ade-lor [i acoperi[ului pe timp de va r` [i de men ]i ne re aunui strat de aer cald \ntre in terior [i ex te rior pe timpde iarn`. La interior, ventila rea natural` a ca sei esteasigurat` prin casa sc`rii, ca re poate fi des chi s` lamansard`. Configurarea func ]iunilor a ma ximizatspa]iul existent, astfel \ncåt s-au ob]inut su prafe]egeneroase pe un teren relativ re dus ca di me nsiuni.Astfel, parterul, cu o suprafa]` cons truit` de 85 mp,cuprinde zona de zi, cu holul de acces, bu c`t`ria, lo -cul de luat masa, livingul [i un grup sani tar. La etaj, peo suprafa]` de 105 mp au fost organi za te dormito rulmatrimonial, cu dressing [i ba ie, [i do u` dormitoarepentru copii, cu baie co mu n`. Ma n sarda e gån di t` caun spa]iu flexibil, o ca mer` pentru ho bby care poa te fitransformat` \n dormitor pentru oaspe]i, iar sub solulcuprinde o camer` teh nic` [i o zo n` de depozitare.

Placed in the immediate vicinity of the V`c`re[tiDelta, the I.D. House makes the most out of theopportunities set by the land, turning restrictions intobenefits. With a compact volume, the constructiondisplays a wide opening towards the park, through agenerous glazed surface at the loft level, along with aterrace punctuating the volume. This glazing createsa dialogue with the surroundings, providing light andspaciousness to an otherwise small interior. Anotherelement of aperture is the skylight, which besidesoffering a perspective on the city, contributes to thenatural lighting of the loft. On the street side, the vo-lume is more enclosed, the cantilever defining a co-vered space that marks and protects the access to thehouse. The building envelope is built in a “double-skin” system, with folded plate, playing part in the na-tural ventilation of the façade during summertime andmaintaining a hot air bed between the inner and theouter skin during winter. On the interior, the naturalventilation is provided by the staircase, which can beopened at the loft. The configuration of functionsmanaged to maximize the given space, obtaininggenerous surfaces on an otherwise small lot. Thus,the ground floor, with a built surface of 85 sqm, con-tains the daytime area, with the access hallway, thekitchen, the dining and living room, and the lavatory.At the first floor, a surface of 105 sqm is organized tohost the master bedroom, with the adjacent dressingroom and bathroom, and two children bedrooms,with a common bath. The loft is designed as a flexiblespace, a leisure room that can be turned into a guestbedroom, while the basement is comprised of a tech-nical room and a storage area.

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PROIECT / PROJECT

TECON, arhitec]i / architects Bogdan Babici, Ionu] OpreaSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

ROZINI, ingineri / engineers Lucian Rozorea, Dinu VaidasiganPERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013SUPRAFA}A TERENULUI / SITE AREA 200 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 250 mp

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Situat` \ntr-o zon` reziden]ial` adiacent` a capitalei,cu o densitate sc`zut` a cl`dirilor [i un regim jos de\n`l]ime, aceast` locuin]` a beneficiat de lipsa con-strângerilor de ordin volumetric sau stilistic, care ar fifost nelipsite \n contextul unui ]esut urban mai \n -chegat. Construc]ia este caracterizat` de o volume-trie simpl`, geometric`, dezvoltat` doar pe parter.Nucleul structurii este spa]iul de living, ce reprezint`[i punctul cel mai \nalt al acesteia, fiind dezvoltatpân` la coama [arpantei [i l`sând vizibile elementelestructurale ale acesteia. Situarea la marginea ora[ului a reprezentat, deasemenea, o ocazie de a reinterpreta o serie de ca -rac teristici ale caselor tradi]ionale. Astfel, \n cadrulzonei de acces, leg`tura dintre exterior [i interior serealizeaz` printr-o versiune contemporan` a prispeivernaculare, care stabile[te un dialog armonios culiniile clare, riguroase ale cur]ii amenajate peisagistic.Un alt element \mprumutat din repertoriul tradi]ionaleste strea[ina ampl`, ce \ntrege[te atmosfera decalm, sugerând protec]ie [i armonie. Pe de alt`parte, vitrajele de dimensiuni mari marcheaz`deschiderea c`tre curte f`r` a afecta cu nimic inti -mitatea celor din interior. |n acela[i timp, prezen]asticlei, precum [i a grilajului metalic ce protejeaz`spa]iul de joac` \n aer liber stabile[te un contrastpl`cut cu tonurile naturale ale lemnului [i cu verdelecare domin` curtea.

Placed in a residential area adjacent to the capital city, witha low density of construction and a low height regime, thishouse benefits from the advantage of no volumetric or sty-listic constraints that would otherwise be customary in amore coagulated urban tissue. The construction is distinguished through a simple, geo-metrical volume, developed solely on the ground level. Theconstruction’s core is the living room, at the same time itshighest point, developed on the ridge of the framing andleaving its structural elements exposed. This placement at the city edge also allowed for a reinter-pretation of a series of features of traditional housing. Thus,within the access area, the link between the outside and theinside is ensured by a contemporary version of the verna-cular porch establishing a balanced dialogue with the clear,rigorous lines of the landscaped garden. Another elementembraced from the traditional repertoire is the wide eaves,rounding out the appearance of calmness, suggesting pro-tection and harmony. On the other side, the wide glazingmarks the opening towards the garden without affecting theintimacy of those inside. At the same time, the presence ofglass, as well as the metallic grid that protects the open-airplayground establishes a pleasant contrast with the naturalshades of the wood and the green dominating the garden.

Casa Rare[Rare[ House

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NBC ARHITECT, arhitec]i / architects Bogdan Constantin Neagu, Iulian Oan]`STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

HOUSE IMPACT, inginer / engineer Relu Iordan PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013SUPRAFA}A TERENULUI / SITE AREA 1 124 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 308 mp

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Locuin]a r`spunde pasiunii beneficiarilor pentru stilulme diteraneean prin recompunerea în limbaj moderna elementelor acestuia – orizontalitatea, lumina puter -ni c`, parasolarele, obloanele, tencuiala alb`, piatrana tural`, esen]ele de lemn, mobilierul încastrat. Mo -bi lierul fix, ale c`rui panouri reiau imaginea o bloa ne -lor tradi]ionale, devine perete de separare între ca -me re, u[` de acces sau gril` de vizitare. Lemnul sere g`se[te la nivelul plafoanelor, în scafele zonei de zi[i la holul de intrare, unde, al`turat grinzilor metaliceal be, confer` podestului un aer lejer. Plafoanele de laetaj sunt finisate cu tapet în culori naturale. Modeleletra di]ionale ale covoarelor sunt puse în valoare dedra periile monocrome. Scara cu structur` metalic` [itre pte libere invit` lumina zenital` pân` la parter, iarvi trajul perimetral mobilierului cu dubl` fa]` dintre li ving [i hol aduce lumina natural` în zona de zi. Li -vin gul [i buc`t`ria sunt punctate de accente spec ta -cu loa se de foc [i ap`: [emineul cu dubl` fa]` [i acva -riul cu lungimea de trei metri amplasat pe pereteledi ningului. Masa realizat` dintr-o foaie de u[` cente-nar` [i scaunele de colec]ie sunt puse în valoare dee lementele moderne ale amenaj`rii. Texturile delemn cu nuan]e [i vechimi diferite subliniaz` caracte -rul autentic al interioarelor [i confer` designului pro -fun zime. Peretele finisat cu piatr` al zonei de zi secon tinu` la exterior, protejând vizual piscina. Golurileo rizontale din suprafa]a de piatr` fac loc jardinierelorpentru plante c`]`r`toare [i cascadelor cu rol este tic[i de hidromasaj. Terasa piscinei ocole[te r`d` ci nilenucului înalt p`strat de beneficiari ca simbol al naturiispontane specific` gr`dinilor mediteraneene.

The building meets the beneficiaries’ passion for theMediterranean style by rearranging its elements in amodern language – the rightness, bright light, sun-shades, shutters, white paint, natural stone, woodessence and the fixed furniture. The fixed furniturewhose panels reiterate the image of traditional shut-ters becomes a separation wall between rooms,access doors or the visiting grid. The wood is mount-ed at the ceiling level, in the soffits of the day areasand the access hallway, where alongside the whitemetallic beams, it gives the stair head a light appear-ance. The ceilings on the upper floor are finished withwallpaper in natural colours. The monochrome cur-tains highlight the traditional models of the carpets.The ladder, with a metallic structure and free steps,invites the zenithal light into the ground floor, whilethe marginal glazing of the double-sided furniturebetween the living room and the hallway brings natu-ral light into the day area. The living room and kitchenare punctuated by spectacular fire and water accents:the double-faced fireplace and the three metre longaquarium mounted on the dining room wall. The tablemade of a centennial door leaf and the vintage chairsare emphasized by the design’s modern elements.The wood textures in different hues and ages highli -ght the authenticity of the interiors and lend depth tothe design. The stone-fini-shing wall of the day areago es on to the exterior, visually sheltering the pool.The horizontal holes in its surface make room for theplanters of climbing plants and for the cascades play-ing an aesthetic and practical role in hydro massage.The pool terrace encircles the roots of the tall walnuttree saved by the beneficiaries as a symbol of the spo -n taneous nature specific to Mediterranean gardens.

Casa de lång` lacThe house by the lake

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PROIECT / PROJECT igloo architecture(reconfigurare fa]ad`, compartiment`ri [i design interior /facade remodeling, partition and interior design)arhitec]i / architects: Bruno Andre[oiu, Dana Tigan, Laura Li]canu, Andrei Creang`, Mircea Stroescuingineri / engineers: Florentina Sandu, Paul Sandu PERIOADA DE EXECU}IE / BUILDING PERIOD 2009-2014SUPRAFA}A TERENULUI / SITE AREA 2 510 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 570 mp

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Locuin]a se dezvolt` pe un plan în form` de clepsi -dr`, în jurul sc`rii cu trepte libere [i a ascensoruluivitrat care aduc lumina pân` în centrul casei. Formaconcav` a fa]adelor laterale creeaz` dou` cur]i exte-rioare neregulate care conecteaz` cele dou` p`r]i alecasei. Etajele dispuse la jum`tate de nivel defi nesc unopen-space tridimensional. Structura apa rent` dingrinzi de beton oblice [i casetate se prelunge[te lanivelul terasei din fa]ada principal` cu o re]ea degrinzi din metal, iar panourile din gr`tare metalicesus ]in o serie de ghivece cu arbu[ti [i devin pergolever ticale pentru urcarea iederei deja planta te la par -ter. Plafoanele din beton aparent implic` a dop tareaunor sisteme de înc`lzire inteligente, cu pa nouri radi-ante în pere]i [i înc`lzire în pardoseal`, pom p` dec`ldur` [i panouri solare. Sistemul de ma na gement alcl`dirii, iluminatul LED [i termoizolarea su pra di men -sionat` gestioneaz` efici ent energia con sumat` decl`dire. Orientarea cardinal` [i pro por ]ia între plin [igol asigur` necesarul de lumin` na tural` [i, în acela[itimp, protec]ia fa]` de însorirea ex cesiv`. Perdeauade vegeta]ie dintre cl`dire [i strad` umbre[te înc` -perile din fa]ada prin ci pal` [i in tegreaz` cl`direa înfondul construit ca racterizat prin bog`]ia vegeta]ieispontane. Amenajarea interi oar` mi zeaz` pe spec-taculozitatea materialelor brute ierarhizate în func]iede pozi]ia diferit` fa]` de sursele de lumin` natural`.Obiectele de design p`streaz` ga ma de materiale cutexturi vibrante [i forme minimaliste.

The building is developed in an hourglass shape, withthe free stepped stairs and the glazed elevator at itscenter, which bring light to the very core of the house.The hollow shape of the side facades creates two irre -gu lar inner yards that connect both sides of the house.The midlevel floors define a tridimensional open-spa -ce. The exposed structure of the oblique-cofferedcon crete beams extends into the main facade’s ter-race through a network of metallic beams, while theperforated steel plates support a series of shrub potsand become vertical pergolas for the ivy planted onthe ground floor. The exposed concrete ceilings re -quire the use of intelligent heating systems, with radi-ating panels within walls, floor heating, a heat pumpunit and solar panels. The building management sys-tem, the LED lighting and the oversized thermal insu-lation efficiently handle the energy consumption of thebuilding. The cardinal direction and the proportionbetween the full and the hollow ensure the naturallight requisite, all the while offering the much-neededshelter from excessive sunlight. The curtain of vegeta-tion between the building and the street shades therooms of the main facade and integrates the buildingwithin its built environment, distinguished by thewealth of free vegetation. The interior design places itsstake on spectacular raw materials prioritized on theirdifferent positions towards the source of natural light.The designer products supplement the range of mate-rials with vibrant textures and minimalist shapes.

Casa Alexandrina Alexandrina House

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TECON, arhitec]i / architects: Bogdan Babici, Eliodor Streza, Tudor Iacob, Anca Pùnescu, Monica Streza, Drago[ Fodoreanu, Paul Lipan WeberDESIGN INTERIOR / INTERIOR DESIGN

TECON, MOKA STUDIO DESIGNSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

Inginerie Civil`, ingineri / engineers: Gheorghe Drugea,Cristi VoicuPERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013SUPRAFA}A TERENULUI / SITE AREA 457 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 845 mp

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Pe malul lacului Grivi]a, un volum alb, compact [isuplu, ingenios decupat, se desprinde firesc dincadrul natural existent, permi]ând vederi panoramice[i generând trasee luminoase. Amplasamentul ofer-tant a generat [i câteva constrângeri urbanistice,care au dus la dezvoltarea pe vertical` a proiectului.Contextul a determinat tratarea diferit` a fa]adelor.C`tre drumul de servitute ce m`rgine[te o latur` aterenului s-a optat pentru un plan ce favorizeaz` pli -nul, pentru ob]inerea unui efect de intimitate a lo -cuirii. Fa]ada dinspre curtea interioar`, unde se afl`[i piscina, a fost deschis` prin decupaje ample, celas` locuin]a s` respire. Interiorul, organizat pe treinivele, încurajeaz` o utilizare natural` [i facil` a spa -]iilor. Parterul a fost dedicat zonei de zi, primul etajad`poste[te dormitoarele, în timp ce al doilea nivel afost atribuit unui spa]iu de lucru [i unui hobby studio.Pe fiecare dintre aceste nivele, câte o teras` com-pleteaz` cu succes planimetria [i ofer` perspectivediferite c`tre lac.Elementul-cheie al casei îl constituie scara spectacu -loas` cu luminator deasupra, ce traverseaz` deschis,ca un profil elegant, fiecare nivel. Mobilierul, fini sa -jele [i culorile subliniaz` aplecarea c`tre minimalism.Cu ajutorul luminii [i al culorilor diafane – albul [itonurile de bej – locuin]a este modelat` într-un purspirit me di teraneean. Suprafe]ele mate se îmbin` cucele lu cioase conferind amenaj`rii un aer dinamic [ivibrant. Ultimul nivel, poate [i cel mai impresionant,este iluminat prin mai multe decupaje circulare cecontrasteaz` cu unghiurile preponderent drepte.

On the bank of lake Grivi]a, a white, compact andslender volume, smartly cut, easily stands out in itsnatural surroundings, granting panoramic views andgenerating enlightened tracks. Yet the generous sitealso brought about a series of urban constraints thatled to a vertical development of the project. This con-text resulted in the differential treatment of thefacades. On the side facing the easement road thatborders a flank of the land, the choice went for a fullfacade, one that would grant the inhabitants a senseof intimacy. The facade facing the inner yard, with thepool, has been opened up through ample cuts thatenable the construction to breathe. The interior, organised on three levels, encourages anatural and easy use of the space. While the groundfloor is dedicated to daytime activities, the first floorhosts the bedrooms and the second floor is assignedto a working space and hobby studio. On each ofthese levels, an adjoining terrace successfully com-pletes the geometry and offers different perspectiveson the lake. The key element of the house is the spec-tacular stairway below the luminary, which openlycrosses each level with an elegant profile. The furni-ture, finishing materials and colours highlight a biastowards minimalism. With the use of light and ethere-al colours – white and shades of beige – the house isbuilt in a purely Mediterranean spirit. Opaque sur-faces blend with polished ones, lending the interiordesign a dynamic and vibrant appearance. The upperfloor, possibly the most impressive one, is illuminatedthrough a series of circular cut-outs, in stark contrastwith the prevailing right angles.

Casa B. B. House

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SYAA, arhitec]i / architects Adrian Soare, Eliza YokinaSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

ELFPRO, inginer / engineer Mircea Elefterescu PERIOADA DE EXECU}IE / BUILDING PERIOD 2007-2012SUPRAFA}A TERENULUI / SITE AREA 350 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 360 mp

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Beneficiarii tineri ai acestei locuin]e [i-au dorit foartemult s` locuiasc` urban, dar cu avantajele oferite deo cas` – prezen]a gr`dinii [i rela]ia direct` cu ex te ri -o rul, precum [i o mai mare flexibilitate în distribu]iain terioarelor. Hot`râ]i, atunci când a ap`rut oportuni -ta tea, au cump`rat o locuin]` cu demisol, parter [ietaj, cu o amprent` de numai 38 mp [i cu un terende 100 mp, construit` în anii ‘40 [i amplasat` într-uncartier reziden]ial cu multe cl`diri similare. Dup`consolidarea cl`dirii [i înlocuirea instala]iilor, volumulprincipal a fost îmbr`cat în metal alb satinat, iar com-pozi]ia simpl`, geometric` a fost evi den]iat` printr-oserie de ancadramente negre care ies din planulfa]adei. Ca un contrapunct, am be le volume de accesc`tre terase sunt îmbr`cate în lemn iroko, su gerândleg`tura dintre starea de relaxare [i natur`. Între celedou` terase se des f`[oar` spa]iile interioare unite deo scar` balan sat`, cu trepte care plutesc [i o balus -trad` metalic`, mi nimalist`, ce pune totodat` în evi-den]`, prin lumina indirect`, elementul central dinbeton aparent. La de misol se g`sesc o buc`t`riemodern`, amenajat` într-un contrast rece-cald, [i ozon` mai tehnic`, iar mai sus urmeaz` livingul, unspa ]iu elegant [i confortabil. Planul etajului a fostrezolvat într-o formul` mai special`: pentru c` spa -]iile ini]iale nu au permis un du[ de dimensiuni maimari, acesta a fost amplasat pân` la urm` în dormi-tor [i decorat într-un mod creativ. Mobilierul gânditîntr-un registru cromatic restrâns, dar cu o serie deaccente bine amplasate a fost proiectat în întregimede arhitec]i [i realizat la comand`, întregind imagineaurban` modern` [i primitoare a locuin]ei.

The home’s young beneficiaries wished to live in anurban environment, but retain the advantages offeredby a house - a garden and a direct connection to theoutside, as well as a greater flexibility in dividing theinteriors. Determined, when the opportunity arose,they bought a house with a basement, ground floorand a first floor, with a footprint of merely 38 sqm anda yard of 100 sqm, built in the ‘40s in a residentialarea with many similar buildings. After the consolida-tion works and the replacement of installations, themain volume was clad in white polished metal, andthe simple, geometric composition was highlightedthrough a series of black framings that stand out onthe facade. As a counterpoint, the two access vo-lumes to the terrace are coated in iroko wood, sug-gesting the connection between nature and the stateof relaxation. Between these two lies the inner space,connected through a balanced staircase, with floatingsteps and a minimalist metallic handrail that high-lights, through indirect lighting, the central element ofexposed concrete. A modern kitchen, designed in acold-warm contrast, and a more technical space arelocated in the demi basement, while at the upper floorlays the living room – an elegant and comfortablespace. The plan of the second floor has been solvedin a rather special formula: since the initial space didn’t allow for a bigger shower, the latter was even-tually placed in the bedroom and adorned creatively.The furniture, built in a rather restrained chromaticregister, with a series of well-placed accents, wasentirely designed by the team of architects and cus-tom made, completing the image.

Casa R.R. House

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STUDIO 1408arhitec]i / architects Lucian Bugnariu, Diana Bugnariu,Andrada Toader Pasti STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

inginer / engineer Tudor Bugnariu PERIOADA DE EXECU}IE / BUILDING PERIOD 2013-2014SUPRAFA}A TERENULUI / SITE AREA 110 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 116 mp

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Situat` pe malul Dun`rii, la Or[ova, aceast` locuin]`se impune ca un important punct de reper \n peisajularhitectural al zonei. Cu o compozi]ie volumetric` [io geometrie interioar` a spa]iului inovatoare, proiec-tul r`spunde deopotriv` constrångerilor generate desit [i cerin]elor specifice ale beneficiarului. Avåndparterul pozi]ionat \n subteran, corni[a construc]ieiajunge la o \n`l]ime de nici 8 m fa]` de cota terenu-lui natural, ceea ce produce un impact minim asupramediului \nconjur`tor [i permite ob]inerea unui ca -racter intim al zonelor private. Astfel, cele patru dor-mitoare, fiecare cu baie [i dressing proprii, \mpreun`cu vinoteca, sunt a[ezate \n parterul \ngropat. Etajul\n schimb, cuprinde spa]iile publice ale locuin]ei, [ianume, livingul spectaculos de mare (172 mp) [ibuc`t`ria. Totu[i, nu doar \nc`perile de la etaj sebucur` de priveli[ti de excep]ie: declivitatea mare aterenului dezv`luie parterul volumului orientat \nsprezona luciului de ap` [i deschide astfel noi perspec-tive asupra peisajului. Cele dou` volume paralele alecasei sunt conectate prin intermediul unui corp deleg`tur`, care se deschide pe laterale c`tre dou`cur]i interioare, solu]ie ce permite iluminarea natu-ral` a \ntregului parter. Forma sculptural` a casei [ijocul de texturi al finisajelor au determinat tratareacåt mai discret` a corpului de cl`dire secundar, \ncare a fost amenajat` locuin]a administratorului. Printaluz`ri cu teren \nierbat acesta a devenit la råndulsù \ngropat, iar fa]ada vizibil` este integral placat`cu aceea[i piatr` care se reg`se[te [i pe zonele departer ale cl`dirii principale.

Placed on the banks of the Danube, in Or[ova, thishouse emerges as an important landmark in thearchitectural landscape of the area. With a volumetriccomposition and an innovative inner geometry ofspace, the project meets both the constraints of thesite and the specific requirements of the beneficiary.With a ground floor placed in the underground, theconstruction’s cornice reaches a height of fewer than8m compared to the natural terrain’s quota, whichproduces a minimum impact on the environment andlends a more intimate feel to the private areas. Thusthe four bedrooms, each with its own bathroom anddressing, along with the wine cellar, are located onthe buried ground floor. The first floor, on the otherhand, is comprised of the house’s public spaces,namely the spectacularly grand living room (172sqm) and the kitchen. However, not only the upstairsrooms enjoy great views: the wide declivity of the ter-rain uncovers the volume’s ground floor, facing thewater surface, and thus unfolds new perspectives onthe landscape. The two parallel wings are connectedthrough a linking volume, opening on the sidestowards two inner yards, a solution that enables thenatural lighting of the whole ground floor. The house’ssculptural shape and the game of textures on the fini-shing materials led to a more discreet approach of thesecondary building wing, designed as the administra-tor’s residence. This is, in turn, buried throughembankments of grassy terrain, while the apparentfacade is fully plated with the same stone found onthe ground floor areas of the main building.

Casa de la Dun`reThe House at the Danube

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OM Birou de Arhitectur`, arhitec]i / architects: MihaiGrapa, Codrin Tri]escu, Redin Abduraman, Bogdana GrapaSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

ICIPE 1A, ingineri / engineers: {tefan Cre]oiu, AurelComanacPERIOADA DE EXECU}IE / BUILDING PERIOD 2008-2012SUPRAFA}A TERENULUI / SITE AREA 7 124 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 913 mp

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Amplasarea \ntr-o zon` protejat` [i dorin]a bene -ficia rului de a se bucura de o cas` ferit` [i intim`, dar\n acela[i timp puternic conectat` la via]a urban`, aufost premisele acestui proiect. Solu]ia oferit` deechi pa de arhitec]i r`spunde acestor provoc`ri cumul t` creativitate [i coeren]`, profitånd pe deplin deconfigura]ia sitului. Astfel, geometria [i orientareaterenului, cu o singur` latur` lung` spre nord au faci -litat crearea unei cur]i interioare, care nu doar per-mite iluminarea natural` a \ntregii case, ci reu[e[tes` uneasc` toate spa]iile [i s` r`spund` nevoii de re -fu giu \n fa]a aglomer`rii urbane. |n schimb, pentru anu pierde \n \ntregime leg`tura cu vecin`t`]ile, ulti -mul nivel al cl`dirii, unde biroul [i lobby-ul sunt pre v`zute cu deschideri vitrate generoase [i undeterasa are dimensiuni considerabile, asigur` o pano -ram` de 270° asupra ceea ce are Bucure[tiul maifascinant de oferit: un peisaj \n care se combinàcoperi[uri de case, coroane de copaci, gr`dini [ir`m`[i]e de livezi. Ca litatea mediului interior, un obiectiv important alpro iectului, se datoreaz` \n primul rånd rela]iei di rec -te dintre curtea interioar` [i spa]iile casei. Dispusede jur-\mprejurul cur]ii, livingul, buc`t`ria, holurile detrecere, cåteva dormitoare [i bì, toate se bucur` delumina care p`trunde prin fa]adele complet vitrate [i,implicit, de o leg`tur` permanent` cu exteriorul. Pro iectul nu caut` spectaculosul cu orice pre], ci \[ipro pune s` \n]eleag` natura locului \n care seinsereaz` [i \ncearc` astfel s` r`spund` cerin]elorclientului \ntr-un mod care s` nu agreseze ceea ce amai r` mas din atmosfera autentic` a cartierului.

This project’s premises were the placement in a pro-tected area and the beneficiary’s desire to enjoy asheltered and intimate house, while still firmly ground-ed in the urban lifestyle. The solution offered by theteam of architects meets these requirements with alot of creativity and coherence, taking full advantageof the site’s configuration. Thus, the geometry andland orientation, with an elongated Northern side,facilitated the shaping of an inner yard, which not onlyenables the natural lighting of the house but also con-nects all the spaces and meets the need for refugefrom the urban congestion. On the other hand, inorder not to completely lose the connection to itsvicinities, the building’s last level, where the office andthe lobby are fitted with wide glazing and the terracehas a significant size, ensures a 270° panorama onwhat Bucharest has best to offer: a landscape blend-ing rooftops, tree crowns, gardens and remnants oforchards.The quality of the interior environment, an importantobjective of the project, is due foremost to the directlink between the inner yard and the indoor spaces.Arranged around the yard, the living room, kitchen,hallways, a few bedrooms and baths, all enjoy thedaylight that penetrates the completely glazedfacades and implicitly a permanent connection to theoutdoor. The project doesn’t look for the spectacularat all costs, but aims to understand the nature of theplace it inhabits and thus tries to answer the client’srequirements in a way that doesn’t interfere withwhatever is left of the authenticity of the neighbour-hood.

Casa HârjeuHârjeu House

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STUDIO 3+, arhitec]i / architects Drago[ Scurtulescu,Raluca Ioni]`COLABORATOR / COLLABORATOR arh. Daniela CalciuSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

Coland Top Construct, inginer / engineer Mihaela Ion PERIOADA DE EXECU}IE / BUILDING PERIOD 2011-2013SUPRAFA}A TERENULUI / SITE AREA 288 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 520 mp

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Un exemplu de arhitectur` contemporan` perfect in -tegrat` \n turnura peisajului, casa Hajdó ofer` solu]iipractice [i imaginative pentru un teren \n pant`,incluzånd corpul casei \n unghiul terenului. |n con-textul unei amplas`ri pe panta spre nord, oferind opanoram` a ora[ului \n vale [i a mun]ilor \n dep` r -tare, planul casei este organizat \n jurul terasei orientate sud-vest, p`strånd modelul gospod`rieitra di]ionale organizate \n jurul cur]ii.Atåt terasa exterioar` cåt [i spa]iile comune de lainterior urm`resc \ndeaproape topografia [i ori-entarea terenului, spa]iile intime [i anexele fiinddelimitate prin pere]i [i printr-o amplasare care \ntre-rupe ritmul pantei, prin ie[iri \n consol`. Camera de zi[i buc`t`ria se deschid spre teras` printr-un vitrajvast, umbrit par]ial pe timp de var` [i beneficiind deaport termic considerabil \n timpul iernii, printr-o izo-lare de calitate. Terasa exterioar` [i vecin`t`]ile ime-diate vin \n continuarea direct` a traseului cotidian,oferind fluiditate mi[c`rii [i raportului dintre interior [iexterior. |n aceea[i idee de continuitate a spa]iuluivine [i acoperi[ul verde, \n pant`, care respect`\ndeaproape topografia terenului. Toate materialelesunt achizi]ionate de la produc`tori locali, ceea ceaduce un plus de coeren]` abord`rii durabile, ini]iatede acoperi[ul verde. Avånd la baz` materiale natu-rale, cromatica urm`re[te aceste tonuri neutre, inte-gråndu-se \nc` o dat` cu succes \n peisaj.

An example of contemporary architecture perfectlyfitted in the angle of the scenery, the Hajdó houseoffers practical and imaginative solutions for a slope,incorporating the body of the house in the terrain’sangle. Placed on the Northern flank, offering a viewon the city below and the mountains ahead, the blue-print of the house is organized around the terrace,which has a South-Eastern orientation, following thepattern of the traditional household organized aroundthe yard. Both the exterior and the inner terraces, as well as thecommon spaces on the interior, closely follow thetopography and the land orientation, while the inti-mate spaces and annexes are delimited through par-tition walls and a setting that breaks the rhythm of theslope, in cantilever. The living room and kitchen opentowards the terrace through a wide glazing, partiallyshaded during the summer and enjoying a conside -rable thermal input during winter, through high qua-lity insulation. The exterior terrace and the immediatevicinities come as a continuation of the daily trajecto-ry, rending fluidity to movement and to the relationbetween the inside and out. In the same line of spacecontinuity emerges the green roof, also on a slope,closely reflecting the topography of the land. Allmaterials are locally sourced, bringing an addedcoherency to the sustainable approach highlighted bythe green roof. Relying on a juxtaposition of wood andnatural stone on the facade, the chromatic closely fol-lows neutral shades, contributing to the very integra-tion of the construction in the landscape.

Casa HAJDÓHajdó House

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BLIPSZ + ATELIER FKM, arhitec]i / architectsIstván Benedek, Arnold Macalik, István PásztorSTRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

LAMINA, inginer / engineer Virág Jácint PERIOADA DE EXECU}IE / BUILDING PERIOD 2009-2011SUPRAFA}A TERENULUI / SITE AREA 2 335 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 245 mp

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Situat` \n Bu[teni, la poalele masivului Caraiman,aceast` locuin]` P+2 profit` din plin de spectacoluloferit de peisajul natural al zonei, cu care stabile[teun dialog elegant [i dinamic. Astfel, construc]ia estedefinit` printr-un plan de form` neregulat`, mulat peconturul parcelei [i un volum suplu, energic, \n acordcu relieful \nconjur`tor, ce captureaz` perspectivelespectaculoase oferite de acesta. Locuin]a propriu-zis` este amplasat` \n partea desud a terenului. Cele trei volume principale se alini-az` cu laturile dinspre sud, est [i nord-est ale aces-tuia, p`strând retragerea de cel pu]in 3 m la limitelede proprietate [i l`sând loc pentru o parcare acope -rit` pentru trei ma[ini. Zona de acces c`tre interioreste marcat` de un windfang reinterpretat \n cheiecontemporan`. Parterul con]ine spa]iile de zi – livin-gul [i diningul cu buc`t`rie deschis` –, o serie dezone tehnice [i de depozitare, precum c`mara [ispa]iul rezervat centralei termice, dar [i un jacuzzi, cudu[ul [i grupul sanitar adiacente. Zona de zi estecompletat` de o teras` generoas`, cu vederepanoramic`. Primul etaj g`zduie[te spa]iile de noapte– trei dormitoare, fiecare cu baie proprie, dintre careunul cu acces pe teras`, iar etajul al doilea este dedicat activit`]ilor de sport [i relaxare. Volumul ce ad`poste[te piscina se orienteaz` ase -me nea unui periscop c`tre masivul Caraiman, pu nând astfel un accent modern [i elegant pe una din tre structurile definitorii pentru zon` – CruceaEroilor.

Placed in Bu[teni, at the foot of the Caraiman massif,this two storey house rejoices in the spectacle of thearea’s natural landscape, which engages it in an ele-gant and dynamic dialogue. Thus, the construction isdefined by an irregular plan, moulded around theland’s shape and by a slim, energetic volume in fullagreement with the surroundings, capturing the spec-tacular perspectives offered by these. The building itself is situated on the southern side ofthe lot. The three main volumes are aligned to itssouthern, eastern and north-eastern sides, maintain-ing a withdrawal of at least 3 m from the property limits and making room for a covered parking spacefor three cars. The access area is marked by a windfang reinterpre -ted in a contemporary key. The ground floor containsthe day areas – the living room and dining room withan open kitchen, a series of technical and storageareas, for example the pantry and the space accom-modating the boiler, as well as a jacuzzi, with theadjacent shower and lavatories. A generous terrace,with a panoramic view, completes the day area. The first floor hosts the night time spaces – three bedrooms, each with its own bath, one of them witha terrace access, while the second floor is dedicatedto sports and leisure activities. The volume that houses the pool is oriented like aperiscope towards the Caraiman massif, thus offeringa modern and elegant touch to one of the definingstructures in the area – The Cross of the Heroes.

Casa ZamoraZamora House

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PROIECT / PROJECT

NBC ARHITECT, arhitec]i / architectsBogdan Constantin Neagu, Iulian Oan]`STRUCTURA DE REZISTEN}~ / STRUCTURAL ENGINEERING

HOUSE IMPACT, inginer / engineer Relu Iordan PERIOADA DE EXECU}IE / BUILDING PERIOD 2012-2013SUPRAFA}A TERENULUI / SITE AREA 1 007 mpSUPRAFA}A DESF~{URAT~ / GROSS BUILDING AREA 456 mp

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Pagina 181

Casele reprezint` unul dintre produsele notabile rezultate din procese de crea]ie, a[adar este firesc ca ele s` î[iaib` propria familie de c`r]i în care s` se reg`seasc`, semipreparate, gata metabolizate. Ne bucur`m c` suntemnoi cei care facem asta în România, c`ci ni se pare important` existen]a unei selec]ii autohtone de arhitectur`domestic`, adresat` atât speciali[tilor, cât [i celor mai pu]in antrena]i, fie [i numai pentru folosul imediat al unoracare î[i caut` inspira]ia, dac` nu pentru a documenta, în timp, fenomenul. Astfel, al [aselea volum din colec]iaigloobest dedicat caselor române[ti propune 16 proiecte, fiecare pozat pe toate p`r]ile [i înso]it de planuri [i depropriul text de prezentare.

As the house is one notable product to come out of the creative process, it is only natural that it has its own familyof books where it can be found, pre cooked, readily digested. We are glad to be doing this in Romania, as we findthe existence of a local selection of domestic architecture important, dedicated both to specialists and to the lesstrained, be it even for the immediate use of those looking for inspiration, if not for documenting this phenomenonin time. Thus, the sixth volume of the igloobest collection dedicated to Romanian houses proposes 16 projects,each one thoroughly photographed, accompanied by blueprints and its own presentation text.

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Case din Romania 6