14
7 研究ノート 旅人の物語と反復される「故郷喪失者」のイメージ パラレルワールドの「スペイン人」に関する二つの事例 古 畑 正 富 要  旨 This paper explains the interesting image of people of homelessness, who are to lead to vagabonds losing homeland and wandering various countriesin historical terms. According to the later thought of Martin Heidegger, for example, we understand that they are repeatedly given in the context of travelers narrative, reminding us of the famous literary work El ingenioso hidalgo Don Quijote de La Mancha written by Miguel de Cervantes. In order to take a birds eye view of such situation, therefore, we offer two other cases relating to it: a) Hadrian, the Roman emperor; b) Doña Francisca Pizarro, the daughter of Francisco Pizarro (conquistador) and Doña Inés Huaylas (Inca princess). It is striking that both persons just shed new light on the hitherto unknown Spaniardsexisting in parallel world. Marguerite Yourcenar attempts to create the memories of Hadrian in her historical novel, and skillfully characterizes the ups and downs of his life by polyphonic means. In this depiction, we can see that his itineracy, far away from home, brought great hardship to himself. Indeed, Historia Augusta tells us that Hadrian, ill in bed and looking death in the face, made an introspective poem filled with melancholic feelings. However, we assume here that more importance should be attached to his courage to experience the thrilling parallel world, blended in moment and eternity as a result of mirror effect, rather than his mental weakness. Portraying a time of Peruvian dramatic change in the Spanish colonial days of the 16th century, the biographical study by María Rostworowski describes Doña Francisca Pizarro as a mestiza who did not have any opportunities to return to homeland (Peru), but could cope with the transformation of the path of her life in Spain. From this angle, she is sharply contrasted with a mestizo, Garcilaso de la Vega, el Inca. As suggested in the finale of Franz Kafka, Metamorphosis, the relationship between the two appears to indicate the parallel world, composed of man (hidalgo) and woman (hidalga). Even if man is connected with woman under the influence of dialectical family system, his fate does not always rank alongside her circumstances. Because man keeps heavier fretfulness in ego than woman. Now that all things transmigrate, naturally enough, we are obliged to live on the stage of people of homelessness. This is equal to the above two cases on Hadrian and Doña Francisca Pizarro. Yet, at the same time, we must step forward in search of the continuity between private (terminus a quo) and public (terminus ad quem) histories. By so doing, we shall be able to approach the essential meaning of human being and place it in the current of the times. キーワード旅人,故郷喪失者,パラレルワールド,ハドリアヌス, ドーニャ・フランシスカ・ピサロ

研究ノート 旅人の物語と反復される「故郷喪失者」の ... - KUFS · 2014. 3. 27. · daughter of Francisco Pizarro (conquistador) and Doña Inés Huaylas (Inca

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This paper explains the interesting image of “people of homelessness”, who are
to lead to “vagabonds losing homeland and wandering various countries” in historical
terms. According to the later thought of Martin Heidegger, for example, we understand
that they are repeatedly given in the context of traveler’s narrative, reminding us of the
famous literary work El ingenioso hidalgo Don Quijote de La Mancha written by Miguel
de Cervantes. In order to take a bird’s eye view of such situation, therefore, we offer two
other cases relating to it: a) Hadrian, the Roman emperor; b) Doña Francisca Pizarro, the
daughter of Francisco Pizarro (conquistador) and Doña Inés Huaylas (Inca princess).
It is striking that both persons just shed new light on the hitherto unknown “Spaniards” existing in parallel world.
Marguerite Yourcenar attempts to create the memories of Hadrian in her historical
novel, and skillfully characterizes the ups and downs of his life by polyphonic means. In
this depiction, we can see that his itineracy, far away from home, brought great hardship to
himself. Indeed, Historia Augusta tells us that Hadrian, ill in bed and looking death in the
face, made an introspective poem fi lled with melancholic feelings. However, we assume
here that more importance should be attached to his courage to experience the thrilling
parallel world, blended in moment and eternity as a result of mirror effect, rather than his
mental weakness.
Portraying a time of Peruvian dramatic change in the Spanish colonial days of the
16th century, the biographical study by María Rostworowski describes Doña Francisca
Pizarro as a mestiza who did not have any opportunities to return to homeland (Peru), but
could cope with the transformation of the path of her life in Spain. From this angle, she is
sharply contrasted with a mestizo, Garcilaso de la Vega, el Inca. As suggested in the fi nale
of Franz Kafka, Metamorphosis, the relationship between the two appears to indicate the
parallel world, composed of man (hidalgo) and woman (hidalga). Even if man is connected
with woman under the infl uence of dialectical family system, his fate does not always rank
alongside her circumstances. Because man keeps heavier fretfulness in ego than woman.
Now that all things transmigrate, naturally enough, we are obliged to live on the stage of
“people of homelessness”. This is equal to the above two cases on Hadrian and Doña Francisca
Pizarro. Yet, at the same time, we must step forward in search of the continuity between
private (terminus a quo) and public (terminus ad quem) histories. By so doing, we shall be able
to approach the essential meaning of human being and place it in the current of the times.


SF ……1 1953-2003 2
3

4 5“ ” historia 6 117-138
1903-1987 7 8 9 10

11
……
12 13 37-68 14 casa tierra
natal
→→ 15
16 17 hidalgo
18

20 1 21 22
1 23
→ → ⇔
2 24
+
f
z
∋ → →
az+b fz→ f cz+d
25


27
1889-1976 1947 28 29
1534-1598 30 1478-15413 4 31 17 1503-1578 32 33 1539-
1616 34 hidalgo hidalga

2 ……38
trenestación 39
1756 40
→ → 41 42

43 44
dialectical family system 1 2
“ ” 1832-1867 1864-1867 45
No.8200823-38


2009 39-57
247
20097-8 1984
2001167 200843-44 2009
1992548
2000208-216 317-318181-361
2009164-205 250 262Jason 1981
20043-83 10 2008314-338 11 2008 312 200479-80

12 200958 13 200446 14 1998172121-173 15 20044 1998138 16 1988b57-69 17 1988b142-143 18 2001
19 2002194-200
1994 1974178 20 2008197 2009105-106
Cohen 1979, pp. 38-39.
21 98-117

15
22 2008
23 199884-87 24 2003passim. 192-194
⇔ 2005
25 2003118-119
19933 2007331 Paradise Lost Free Fall 28 10-12 3 21
26 1972307 soledad 311
27 memorial inscription Tadmor 1981
28 199775-85 372-396 1976 511
29 1994
Ritter 1965.
30 2003La
mestiza de Pizarro, una princesa entre dos mundos 2008221
31 200819-55

16
32 200856-92 2002216-218 33 200893-101 131
…… …… 2008
34 2008105-107 35ego 20083

36 200914 37 2008119-123
1998 38 196894-95 39
terminus a quo⇔ terminus ad quem 1982Halpern 1996. 2009 2002 2002 2002 200-700
2009224 hombre
nuevoAmmianus 1986
40 2008102-104 41 2001

42 2008
43 1988a
44 198079-124 45 2004271-301

1984

2003 Fermat’s Last
Theorem: Unlocking the Secret of an Ancient Mathematical Problem
2008
249-273
2009 11
1982 1 2008 194-203
2009 7
2009 122008
1413-14
155-192
1993 2003

2001 2000
No.1165-167
2009
2004 1810-1910
1992
2002
2000
1976 1988a 22 1988b 23
2004
2001 El ingenioso hidalgo Don Quijote de La ManchaSegunda
parte del ingenioso caballero Don Quijote de La Mancha 6
2008
1980
19
1994 1997

1998
2002
2009 Llamadas telefónicas
2002
1994
1972 Cien años de soledad
1998
2009
2008118-6102-111
1988
2005 2007 04
2009
118-837-62
2001
2008 Doña Francisca Pizarro: una
ilustre mestiza1534-1598
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