Complete Portfolio - 2015

JORDAN [email protected]

608 | 886 | 7537

521 s 7th street, apt. 306minneapolis, minnesota 55415

M. Arch, BDA

Section 1 is a chronological account of projects throughout my education at the University of Minnesota. The projects here represent my best work but more importantly they show the massive potential for growth in skill over a relatively short amount of time. My goal moving forward is to become immersed in a team that continues to accellerate the development of craft. The best work, even when done individually, is alwasy a product of a generative environment.

EDUCATIONAL WORK

romes urban web | center for a green economy

This project begins the summary of my student work not for its depth of investigation or resolution, but because it marks the initial spark of passion for architecture that fueled my graduate experience. The project was completed over a four month study-abroad in Rome. The site was Via Portuense, a street with a vibrant and eclectic economy of recycled reused everything. The design seeks to give place to this thriving community and incorporate new econo-mies, like terrace farms and housing, into the already bustling street.

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mixed income residential restored education center gondola transportation hub

sun-space + greenhouse rain-water harvesting trelliscommunity terrace farm

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east | west section

This concept dealt with creating a piece of architecture that grows out of its surrounding context. The building leverages on site limestone other materials that directly reflect site conditions and existing features like the stone stair above. Functionally the nook that the building is set into allows for an intimate spatial condition with beautiful view sheds, and also reconnects three levels of a park that is currently difficult to navigate.

fall studio 2011 | stepping stone restaurant

existing stone stair

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1.5 = 1 sectional detail model 1.5 = 1 sectional detail model 1/8 = 1 building model

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This proposed cladding system utilizes found drift wood that endeavors to allow ecosystems to inhabit it. The sticks are placed at varrying degrees and sizes to allow for a variety of bird species to nest. The glowing ends attract their food source, insects. Droppings and collected dirt provide a base for plant and vine growth.

catalyst 2012 | artificial thicket

photograph: night5

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1: drift wood 2: zip-tie strapping 3: plywood frame | cnc 4: stick sizing + organization

5: frame grid numbering

FRAME

THE PIECES

SECURE

MATERIAL

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8 nylon straps

BACK FRAME3-5 x 3-0

MISSISSIPPI RIVER DRIFTWOOD

4-0 x 3-0FRONT FRAME

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6: drift wood element alignment 7: drift wood placement + securing

8: completed assembly model | rhino + grasshopper

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44 SFBathrm

34 SFMud Rm

153 SFKitchen

388 SFDining/Living Rm

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This net zero home in the north-side neighborhood of Minneapolis was designed with partner Habitat for Humanity. The design was built and a 1-year post occupancy study has shown that it does indeed achieve a net-zero energy use through sustainable building techniques and technologies.

north-side net zero | habitat for humanity house

basement plan 1st floor plan 2nd floor plan

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500 sq ft solar array

64 sq ft solar thermal panel

R100 energy heel truss roof

R40 2x6 stud wall 4 in. exterior foam

sirius low u-value windows

R40 12 in. poured concrete foun-dation 6in exterior foam

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The project is a soccer academy in a low income Buenos Aires neighborhood. The building form is representative of the nexus of inter-activity between all of its users; private boarding students and the low-income community that surrounds the complex. Ideally these new facilities promote interaction across social barriers via Argentinas first love: futball.

competition entry - summer 2013

ARCHMedium 2013 | BAAR

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1: support screen 2: manipulate form x2 3: combine manipulations 4: free standing form

5: house form work6: pour mixture + embed reinforcing

7: remove form work

white cement + fiber glass white & grey cement white & grey cement

This project was an experiment in a thin shell wall panel system that contradicts the preconceptions of concrete. at 1/16 inch the panels are light and of flowing form. The second, larger iteration, acts as a sculptural marker, potentially used for wayfinding. The form making process is de-signed to be variable and suit specific needs of a site.

concrete | light stone

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The act of inhabiting an existing place is inherently transformative and results in a hybrid condition. This project leverages existing structural artifacts as an organizational, tectonic, and aesthetic framework.. Inudstrial structures, contemporary architecture, and a return to the historic ecosystem give the site and project an identity that communicates much and informs the water research that it facilitates.

winner of the Design Democracy Fellowship 2014

wetland research center | industrial hybrid

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site plan15

second floor plan third floor plan

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existing

new structure

new volume

1/4 detail model

1/4 detail model

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east | south building | west

south building 1

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2-3/4 x 5-1/2 stainless steel tubeinsulated glass unitadhesive attached anodized aluminum extrusion

structural steel decking2 concrete2 extruded polystyrene insulationweather resistant barriergravel bed

east elevation

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2 stainless steel floor joiststructural steel decking 2 concrete2 extruded polystyrene insulation3 concrete topper w/ 1 pex tube radiant heating

existing steel beam

7 existing concrete foundation and topperexisting concrete footing2 concrete slab on gradeweather resistant barrier2 extruded polystyrene insulation3 concrete topper w/ 1 pex tube radiant heating

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2 steel angle bar truss

3 insulated metal panel w/ corrugated profile6 steel channel 24 o.c. w/ cellulose batt insulation1/2 plywood sheathing5/8 gypsum finish

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west | north building | east

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RETAIL

ECONOMY

PUBLIC

RENTALS

TRAININGRETAIL

REPAIRS

DINING

JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY AUGUST SEPTEMBER OCTOBER NOVEMBER DECEMBER



EVENTS / FESTIVALS / FILMS / MUSICWORK SHOPS + TRAINING

CLIMBING

CLIMBING

SKATEBOARDING

ICE CLIMBING CLIMBING ICE CLIMBING

OUTD

OOR

INDOO

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ICE SKATING

ICE SKATING

ICE SKATINGCURLINGCROSS COUNTRY SKIING

ICE SKATINGCURLING

CROSS COUNTRY SKIING

CANOE / KAYAK TRAINING

CANOE / KAYAK TRAINING

SKATEBOARDING

SKATEBOARDING

ICE CLIMBING

SKATEBOARDINGSHELTER SKATING SHELTER SKATINGEVENTS / FESTIVALS / FILMS / MUSIC

CLIMBING

CLIMBING

WORK SHOPS + TRAINING

EVENTS / FESTIVALS / FILMS / MUSICWORK SHOPS + TRAINING

CANOE / KAYAKSAILINGICE SAILING ICE SAILING

design duluth | sub-recreationThis project subverts the existing infrastructure and landform to create place informed architecture that satisfies recreational and economic needs. Three sites connect unused land in low-income West Duluth, bringing new attraction and public amenity where it is most needed.

context and existing recreational services major site connections

activity calendar - year round use

material cues economic flows subversion of existing conditions21

climbing center that takes advantage of existing climbing sites and trail infrastructure

skate center that inhabits an EPA superfund site and connects to existing hiking trails

sailing center that embodies industrial history and reconnects the city to the river

program nodes - scale shifts

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the ely peak intervention features an indoor climbing center, complimented by support services such as equipment repair and rental as well as training programs

the building acts as a trail head for existing climbing sites

a satellite building inhabits a repurposed train tunnel and provides services in the field

site section

site plan

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1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4

1 - climbing center

2 - shop / repair

3 - camp / shelter / staging

4 - camp / shelter / staging

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the dwp intervention features an indoor skate park and equipment repair or rental

a cafe and boardwalk service the general public and connect the outdoor skating elements to the indoor park

of particular interest is the underpass skate program which holds the opposite end of the sites path

site section

site plan

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1 - skate park / cafe

2 - picnic nook

3 - poplar nook

4 - skate nook

5 - dwp trail nook

6 - 35w overpass skate shelter

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the dock 7 intervention inhabits an abandoned pier on the st. louis river and features kayak and sail boat activity

to activate the entire strip multiple programmatic zones have been introduced in addition to the primary use

important landscape features such as the mounds and poplar groves create formal ties to the sites historic use

site plan

site section

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1 2 3 4 5 6 7 1 2 3 4 5 6 1 2 3 4

1 - kayak rental

2 - climbing mound

3 - shelter / lockers

4 - community center

5 - skate spot / shelter

6 - riparian legacy mound

7 - boat launch / boat storage

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Subterranean worlds are an old curiosity; the basis of much mythology and legend. The mystery of these places, whether real or fantasy, thrives in the collective conscious of us all. The chill of not knowing is a visceral sensation; especially when accompanied with the simple thrill of being where you should not be.

The surface of Minneapolis - St. Paul obscures its own subterranean landscapes, shrouded in mystery, ripe with myth and complexity. Layers of utility - water, gas, electricity, sewers, and storm drains wind their way through the soft sandstone and along the bluffs of the Mississippi River. This infrastructural labyrinth mingles with natural caverns, eroded by the water that flows through the bluffs into the river.

These caves and underground streams have a history that has grown since before the city, that now sits above it, emerged. Some caves were used for the sacred meetings of local Native American tribes and were said to be the dwelling places of old gods. During pro-hibition these same spaces were used by smugglers to move in secret through the tunnels that had recently started to hollow out the rock beneath the city. Today the system is con-trolled more diligently and many of these curiosities have been sealed off from the surface. Where once a small kayak could make its way from a storm drain in Lake Calhoun, up an underground stream more than a mile into the heart of downtown Minneapolis, there is now a gate. The result of erecting barriers to the underworld is the creation an under-ground playground for those ambitious enough to subvert them.

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UNDERGROUND ENTRANCES

THE LABYRINTH

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CONCEPTUAL ELEVATION

PROPOSED ELEVATION31

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LEVEL 7 - SHARK CAGE

LEVEL 5 - GALLERY

LEVEL 3 - TRENCH

LEVEL 0 - SCAR

LEVEL 1

LEVEL 2

LEVEL 3

LEVEL 4

LEVEL 5

LEVEL 6

LEVEL 7

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The obvious use for the adapted space is as a gallery; one that holds artifacts, both historic and contemporary, that help tell the tale of the underground. Some portions of this new gallery are precariously accessible, a potential target for the graffiti artists that already operate covertly in the storm drains of the city. The program is simplistic but elegant in that it can shift and change its contents with the attitudes of its inhabitants. The major elements are paths that suggest, but dont dictate, an experience that might coerce a childlike curiosity from any number of explorers.

PATHS

PUBLIC PATH

SCAR PATH

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SHARK CAGE + BIRDS NEST PATH

An intriguing moment in the extensive network of voids is a trench, 80 feet deep, where the back wall of an abandoned jail is pulled away from the bluff, presumably as a security measure to prevent imaginative inmates from escaping into the lattice of tunnels beyond. The spatial condition created by these sealed barriers is a series of thresholds - the bluff, the wall, the jail, and the surface. Imagining what is behind these barriers, what wonders extend into the dark, demands that control be skirted in the name of exploring the mysterious.

TRENCH

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The storm drains at the bottom of the vault make a second exit but also compose the third path, dubbed the scar. The scar is a more delinquent path engaging visitors in a more tactile way. The storm drains here are explorable and covered in graffiti.

1 | ENTRY UNDER

1 2

1 - ENTRY UNDER

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Viewing lanes are carved open along the tunnel, making visible the vertical scale of the retaining wall.

2 | SCAR

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2 - SCAR

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It would not be abnormal to happen upon someone painting the walls of this path that follows the tunnel into the bluff and eventually back into the bottom of the new vault.

3 | STORM DRAIN

3 - STORM DRAIN

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The shortest of these paths, dubbed the shark cage and the birds nest, runs the gamut of spatial change within the building in the span of 8 feet. Just inside the plaza level entry is an opening that leads into a dark subterranean room. The room is the space where the jail adjacent Wabasha Bridge is propped up above the bluff rock. Giant beams 20 feet deep are close overhead as they hold up the road above. The shark cage is a screened platform that looks out over this dark, compressed subterranean void that is representative of what may come deeper into the building. Six feet further and a second threshold leads to the birds nest; a precarious walkway suspended under the bridge 80 feet above the ground making the scale of vertical occupation known.

4 | SHARK CAGE + BIRDS NEST

4

4 - SHARK CAGE + BIRDS NEST

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The longest of these paths is meant to be a comprehensive experience of all the concepts explained above. The beginning is at the level of the city, in a plaza surrounded by poles of light. These poles order the public space and give clues to the structural grid beneath. As you descend into the building views across a space that is created by two wings of the existing jail allow glimpses into old cells, new galleries, and the exposed storm drains below.

A | PLAZA

The path moves across the wings of the old jail by exposed walkways that hang where the panopticon of the existing jail once stood. All of this new transparency, altered by various levels of screen, flies in the face of the buildings original purpose. The erosion of the jails barriers, walls, and secure elements demonstrates architectural subversion and breaking down imposed control.

B | PANOPTICON

A B39

B - PANOPTICON

A - PLAZA

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COnce across the hanging walkway a vaulted room composed of what is left of the existing jail. Antithetical to the buildings original controlling intent, this new grand space is the product of eroding old floors and walls.

C | GALLERY

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C - GALLERY

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The path is very visible here and can be seen winding out to the edge of the building. This is where the cells of the old jail still stand, however they are no longer separated by thick parallel walls. The path cuts through the shared walls of the cells, and allows movement through them, contrary to their original purpose.

D | CELL

As the path winds around the outside edge of the building a mysterious opening slides into view. This portal leads to the pivotal moment in the project; the trench. This important connection is treated with a simple walkway and a small scar in the bluff which marks the entry to the underworld. A grate 80 feet above, at street level, provides just enough light to make the scale of this hidden intervention comprehensible.

E | TRENCH

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E - TRENCH

D - CELL

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The tunnel that leads through the bluff compresses as it approaches a new vault. While this underground intervention is large, it is also singular in order to preserve the mystery and unknown nature of the existing underworld. The placement of this void encompasses an intersection of the existing tunnels at all elevations.

F | INTERSECTION

The path continues to wind around the edge of the vault giving glimpses of forms in the dark void. Again, screens are used to obscure and frame views ultimately driving curiosity and exploration.

G | PODIUM

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G - PODIUM

F - INTERSECTION

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H - OCCULUS

GRATE

A podium at the bottom of the vault represents the big reveal. Free of screens and obscuring walls, the view up to the street, 100 feet above, is pierced by the new tunnel extrusions, all made visible by the oculus shining light down into the dark. The rumble of vehicles on the street, the dripping water, and the observers own footsteps echo through the vault enhancing the phenomenological experience and capturing the essence of the underworld.

H | OCCULUS

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SITE CONDITIONS

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VAULT INSERTION

1

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VAULT AXON

5 - STORM DRAIN

1 - TCTR 2 - WATER

4 - GAS

3 - ELECTRIC

6 - WABASHA BRIDGE

Other paths through this complex labyrinth exist. These are self made experiences created through voluntary exploration. This last level engagement encompasses the willingness to get lost in this system of subverted control. The ambitious adventurer might find their own way into these spaces; skittering across inaccessible walkways and finding hidden openings to spaces not designated for the public. These levels of access and engagement provide a changing experience for a range of audiences. The essence of the underground, its histories and myths, have been captured here. What was hidden is revealed yet retains its mystery. The barriers of control give way to subversion and the phrase AUTHORIZED PERSONNEL ONLY no longer applies.

THE LABYRINTH

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Section two is a small sample of the professional work that Ive accomplished over the last year. Ive been involved with all of the design phases across a range of projects during my time with HGA. Ive also been involved in marketing efforts creating beautiful, compelling imagery to win projects. Currently my professional goal is to become licensed within two years and work in a collaborative environment that fosters and enhances my personal talent.

PROFESSIONAL WORK

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fundraising image for the St. Louis Park Community Center

The project was taken from schematic design to final CDs in a three month period and imparted me with invaluable knowledge of how to create drawings sets and coordinate with other disciplines.

College of St. Scholastica | Gruaduate Healthunder construction - Duluth, Minnesota

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Boise State University | Sculpture Artsdesign development - Boise, Idaho

west perspective

This project marks the beginning of my design contributions at HGA. The sculpted mass of the new arts building is willful - appropriate to house the expanding studio arts program at Boise State. The two wings twist toward their context and the glass lobby draws views in and through a new landscape corridor.

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north perspective

buildingsite

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graphic design, photography

LEVEL 05faculty lounge, mechanical penthouse

LEVEL 04painting, drawing, general education

LEVEL 03

sculpture, lobby, gallery, administrationLEVEL 01

LEVEL 02staff, metals, print media

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R - 137 3

R - 76 3

R - 133 0

R - 80 8

R - 134 3

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the double curved nature of the form will require novel methods of description as the project progresses. In the case of a panel cladding system precise measurements of radii and bounding box geometry can make the complex geometry accessible.

south west perspective 56

the double curved geometry of the facade is generated by slightly radiating the footprint around a set of vertical anchors

floor plans distributed at the correct levels begin to describe an armature that supports the sloping form

south elevation

various iterations of a sun screen were developed for the southern expanse of glass looking to achieve visual and performative harmony

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eastern courtyard

lobby interior

eastern courtyard 58

Childrens Museum of Cheyennedesign development - Cheyenne, Wyoming

The childrens museum is situated between two 100 + year old buildings in the historic district of Cheyenne, Wyoming. Already constrained by the nature of infill projects the precarious structures next door were cause of additional concern. The project is a study in connected volumes that create a unified experience across multiple floors of gallery space.

east perspective59

UP

UP

A. ALL INTERIOR PARTITIONS SHALL BE "A3_" UNLESS NOTED OTHERWISE.B. PLAN DIMENSIONS ARE FROM FACE OF FINISH WHERE HOLD OR CLEAR ARE

INDICATED. ALL OTHER PLAN DIMENSIONS ARE FROM FACE OF PARTITION TYPE ANDDO NOT INCLUDE APPLIED FINISHES.

C. ENSURE FINISH SURFACES ARE FLUSH AND SEAMLESS WHERE PARTITIONS AND/ORFURRING ARE COPLANAR.

D. ALL PIPING, CONDUITS AND RELATED MECHANICAL AND ELECTRICAL ITEMS SHALL BECONCEALED WITHIN PARTITION/WALL ASSEMBLY IN FINISHED AREAS UNLESS NOTEDOTHERWISE.

E. PROVIDE BACKING/BLOCKING TO SUPPORT ALL WALL-MOUNTED ITEMS.F. ALL MECHANICAL EQUIPMENT PADS TO BE 4" HIGH MINIMUM, UNLESS NOTED

OTHERWISE. SIZE OF PADS TO BE VERIFIED BY CONTRACTORG. REFER TO SHEET A___ FOR DETAIL OF TYPICAL DOOR JAMB AT ABUTTING WALLS

OR PARTITIONS.H. ALL OFFICES, TREATMENT ROOMS, CONSULTATION ROOMS, AND RECOVERY

ROOMS TO HAVE A SINGLE COAT HOOK MOUNTED ON THE DOOR (ROOMSIDE) UNLESS NOTED OTHERWISE. PATCH ALL HOLES IN EXISTING SURFACESWHERE EQUIPMENT HAS BEEN REMOVED OR DEMOLITION HAS OCCURRED.PREPARE SURFACES AS REQUIRED FOR NEW FINISHES. PATCH TO MATCHADJACENT SURFACE IF NOT SCHEDULED.

I. ALL EXISTING FLOOR OPENINGS AND DEPRESSIONS IN THE WORK SHALL BE FILLEDOR CLOSED, UNLESS NOTED OTHERWISE, WITH MATERIALS TO MATCH ADJACENTSURFACES, FINISHES AND FIRE RATINGS.

GENERAL NOTES - CONSTRUCTION PLAN

A

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A4002

A4011

A4021

A4022

B

C

D

E

F

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3 5

H

42

75 SF

ELEC119

281 SF

COATROOM

104

107 SF

ELEC110A

536 SF

STORE101

468 SF

RECEIVINGSTAGING

118

115 SF

STORAGE101A

81 SF

EMR101B

227 SF

MEN'S108

217 SF

WOMENS'106

428 SF

CORR.C100

1A410

1A410

1A411

1A411

2A412

2A412

1A413

1A413

15'-0

"

26'-0"8'-0"

15'-3

"22

'-0"

21'-3

"27

'-6"

20'-6

"7'-

5"

1,822 SF

GALLERY102

384 SF

CORR.116

34'-0" 16'-0" 34'-0"

204 SF

MECHANICAL110

103 SF

JAN112

121 SF

DIR.OFFICE

115117 SF

DIR.OFFICE

114

126 SF

VESTIBULEV100

1,954 SF

LOBBY100

263 SF

CONFERENCE117

161 SF

BOXOFFICE

103

303 SF

VOLUNTEERLOUNGE

105

204 SF

RECEPTION107

205 SF

BREAKROOM

109207 SF

OPENOFFICE

113

191 SF

OPENOFFICE

111

1'-9"

PL-W PL-E

1'-9"

PL-S

6" 6"

PROP LINE: 88'-6"

1'-2"

PROP

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132'-

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/-

PL-N

1'-9"

1'-4"

HYNDSBUILDING

WYOMINGHOME

BUILDING

W 16TH STREET

ALLEY

PIONEERHOTEL

B3w

CW2CW1

B3

WS-1 WS-1

WS-1

B3

B3

B3

B3w

A3w

B3w

A3w A3w

A3w

B3

B3

B3

B3

B3

PM-1

7'-0"

65 SF

H20197

A3w

A3w

281 SF

EXIT STAIRS100

188 SF

EXIT STAIRS101

2

1

CW1

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amm

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208

W L

inco

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heye

nne,

Wyo

min

g 82

001

9/2/

2015

2:2

7:48

PM

1/8" = 1'-0"

A201

FLOOR PLAN -FIRST LEVEL

3259-002-00

AUGUST 29TH,2015

AUGUST 29TH, 2015

SCHE

MAT

IC D

ESIG

NAU

GUST

29T

H, 2

015

KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 110 ORN MET - 211 ORN RAIL - 2

1/8" = 1'-0"1FLOOR PLAN - LEVEL 01

UP

UP

A

1

A4002

A4011

A4021

A4022

B

C

D

E

F

G

3 5

H

42

1,049 SF

SECONDFLOORLOBBY

200

1,214 SF

CLASSROOM204

75 SF

DATA201A

1A410

1A410

1A411

1A411

2A412

2A412

1A413

1A413

499 SF

STORAGE205

PL-W PL-E

PL-S

PL-N

PROP

LIN

E:

132'-

1" +

/-

1'-9"

15'-0

"15

'-3"

22'-0

"21

'-3"

27'-6

"20

'-6"

7'-5"

1'-5"

PROP LINE: 88'-6" +/-

1'-9"

HYNDSBUILDING

WYOMINGHOME

BUILDING

2'-3" 34'-0" 16'-0" 34'-0" 2'-3"

8'-0"

PIONEERHOTEL

4,882 SF

GALLERY201

436 SF

RoomS200

229 SF

EXIT STAIRS201

55 SF

FAM.TOILET

20255 SF

FAM.TOILET

203

81 SF

MOTHER'SROOM

198

1

2

6

B3w B3w

A3w

A3w

A3w

A3w

A3w

FS-1

FS-1

AFS-1

CW2

AFS-2

AFS-2

A3w

B3w

B3b

B3w

B3w

B3b

B3

B3

B3B3B3

PM-1

7

7

77

WS-1

WS-1

B3

AFS-2 AFS-2

A3w

B3w












4 2

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DATESCALECOMM. NO.

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208

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9/2/

2015

2:2

7:50

PM

1/8" = 1'-0"

A202

FLOOR PLAN -SECOND LEVEL

3259-002-00

AUGUST 29TH,2015

AUGUST 29TH, 2015

SCHE

MAT

IC D

ESIG

NAU

GUST

29T

H, 2

015


KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 110 ORN MET - 211 ORN RAIL - 2

1 Revision 1 Date 1

close to the main entry is the monumental stair and a glass elevator. Because of the constrained vertical program stack, circulation is a key element celebrated by moving it to the front as an object on display.

61

A B

C D

A

B

C D

A1

A4002

A4011

A4021

A4022

B

C

D

E

F

G

3 5

H

42

971 SF

THEATRELOBBY

301

75 SF

DIM302C

103 SF

J.C.308

809 SF

CAFESEATING

300

271 SF

CAFE305

71 SF

S/L LOCK302A

73 SF

S/L LOCK302B

1,107 SF

SECRETGARDEN

303

267 SF

BALCONY304

1A410

1A410

1A411

1A411

2A412

1A413

1A413

3,601 SF

THEATER302

PL-W PL-E

PL-S

PL-N

2'-3" 34'-0" 16'-0" 8'-0" 26'-0" 2'-3"

PROP O.D.: 88'-6" +/1

PROP

O.D

.: 1

32'-1

" +/-

1'-4"6" 1'-9"

1'-9" 6"

1'-9"

15'-0

"15

'-3"

22'-0

"21

'-3"

27'-6

"20

'-6"

7'-5"

1'-5"

CORR.C300

STORAGE310

MEN'S306

WOMEN'S307

15'-0

"

26'-11"

1'-9"

HYNDSBUILDING

WYOMINGHOME

BUILDING

10'-0"10'-0" 30'-0"4 1/8"

PIONEERHOTEL

1'-5 1/8"

302 SF

GREENROOM

309

227 SF

EXIT STAIRS301

169 SF

EXIT STAIRS300

WS-2

WS-2

WS-2

A3wB3w

A3w

B3

FS-1

FS-1 CW2

CW1

B3w

B3

B3

B3

B3

WS-1

B3

98

1

2

AFS-2 AFS-2WS-1

B3

B6_

10 10 11












4 2

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NO DESCRIPTION DATE

DATESCALECOMM. NO.

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CH

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9/2/

2015

2:2

7:51

PM

1/8" = 1'-0"

A203

FLOOR PLAN -THIRD LEVEL

3259-002-00

AUGUST 29TH,2015

AUGUST 29TH, 2015

SCHE

MAT

IC D

ESIG

NAU

GUST

29T

H, 2

015


KEYNOTES - FLOOR PLAN# DESCRIPTION1 GLASS ELEVATOR SHAFT AND CAB2 MONUMENTAL STAIR3 STRUCTURAL BRACING - REFER TO STRUCTURAL DRAWINGS FOR ADDITIONAL INFORMATION4 FLEXIBLE BOX OFFICE KIOSK5 FLEXIBLE STORE DISPLAY6 OWS - 17 ORN RAIL - 18 LFD - 1, MARVIN LIFT AND SLIDE DOORS9 VRAW - 1

10 ORN MET - 211 ORN RAIL - 2

A

1

A4002

A4011

A4021

A4022

B

C

D

E

F

G

3 5

H

42

GARDEN BELOW-15'

1A410

1A411

2A412

1A413

PL-W PL-E

PL-S

15'-0

"15

'-3"

22'-0

"21

'-3"

27'-6

"20

'-6"

7'-5"

1'-5"

2'-3" 34'-0" 16'-0" 8'-0" 26'-0" 2'-3"

PROP O.D.: 88'-6" +/-

PL-N

HYNDSBUILDING

WYOMINGHOME

BUILDING -BELOW

37'-9

"11

'-0"

12'-8

"35

'-4"

35'-4

"

1'-9" 50'-0" 1'-2"

12'-5

3/8

"58

'-6"

7'-5

5/8"

78'-5

"

52'-11"

PN-2

PN-2

PN-2

EMGEN

CHILLER

AFS-2

FS-1

FS-1

WS-1

WS-1

A. XXX

GENERAL NOTES - FINISH SCHEDULE

1

1

D D

E E

F F

G G

3

3

4

4

2

2

1A410

1A410

2A412

2A412

1A413

1A413

PL-W

PL-W

CHILLER

EMGEN

WS-1

WS-1

WS-1


4 2

0 5

t h

S t

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t N

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6

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CH

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9/2/

2015

2:2

7:53

PM

1/8" = 1'-0"

A204

ROOF PLAN

3259-002-00

AUGUST 29TH,2015

AUGUST 29TH, 2015

SCHE

MAT

IC D

ESIG

NAU

GUST

29T

H, 2

015

1/8" = 1'-0"1ROOF

KEYNOTES - ROOF PLAN# DESCRIPTION

1/8" = 1'-0"2ROOF PLAN - THEATERthe third floor hosts a multifunctional performance space as well as the hidden

garden. The garden is screened from the street but visible from the interior - the plantings slide into view as you ascend the elevator.

62

E

G H

F

E

F

GH

63 east perspective - night

LEVEL 01100' - 0"

1

LEVEL 02115' - 0"

LEVEL 03135' - 0"

35

ROOF150' - 0"

BASEMENT90' - 0"

4 2

1A410

1A411

PL-WPL-E

HIGH PARAPET161' - 8"

88'-6"

2'-3"34'-0"16'-0"8'-0"26'-0"2'-3"

GALLERY102

LOBBY100

GALLERY201

SECONDFLOORLOBBY

200

THEATRELOBBY

301

CAFESEATING

300

PER FDN EASMENT1'-6"

HYNDSBUILDING

WYOMINGHOME

BUILDING

3'-0"

8'-4"

15'-0

"20

'-0"

15'-0

"11

'-8"

58'-4

"

HIGH ROOF159' - 2"


4 2

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4 0

0 0

M i n

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4 0

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NO DESCRIPTION DATE

DATESCALECOMM. NO.

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CH

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208

W L

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min

g 82

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9/2/

2015

2:2

8:23

PM

1/4" = 1'-0"

A412

BUILDINGSECTION - E-WBETWEEN 'C' +'D' - LOOKINGSOUTH

3259-002-00

AUGUST 29TH,2015

AUGUST 29TH, 2015SC

HEM

ATIC

DES

IGN

AUGU

ST 2

9TH,

201

5

1/4" = 1'-0"2E-W SECTION BETWEEN C-D - LOOKING SOUTH

64E - W section

marketing | fundraising

Part of my role at HGA has been to quickly create materials that respond to vague client requests in order to win projects for the firm. The brewery below was a successful four day effort based on the companies branding document.

true respite brewery - tree house

true respite brewery - tap room65

JORDAN [email protected]

608 | 886 | 7537

521 S 7th Street, # 306minneapolis, minnesota 55415

education

extracurricular + awards

work experience

skills + software

references

University of Minnesota - College of Design 2014 - masters of architecture 2011 - bachelors of design in architecture

M. Arch, BDA

fellowships + awards 2014 - Richard Morrill Masters Final Project Award 2014 - Design Democracy Fellowship 2013 - Bill & Elizabeth Pedersen Fellowship 2013 - Saul Parness Fellowship

teaching assistant 2014 - design fundamentals 2 - Andrea Johnson 2013 - design fundamentals 1 - Lisa Hsieh 2012 - architectural history - Leon Satkowski

designer - HGA - minneapolis oct. 2014 - present - Steven Dwyer Boise State Studio Arts - Childrens Museum of Cheyenne involved in all design phases across multiple projects - marketing and client iteractions architectural intern - MSR - minneapolis dec. 2013 - may 2014 - Eric Amel U of M Raptor Center - U of M Bee Discovery - U of M Bee Lab predesign - schematic design - programming - visualization - detailing - marketing

architectural intern - Architecture Field Office - minneapolis may 2013 - sep. 2013 - Mic Johnson schematic master plan for Stadium Village schematic design - representation - 3d modeling

fabrication - CDES - minneapolis - AIA Honor Award may 2013 - dec. 2013 - Adam Marcus Centenniel Chromograph physical fabrication - digital fabrication tools - assembly staging - documentation

autocad - masteryadobe creative suite - masteryphysical modeling - proficientsketchup - masteryrhino - masterygrasshopper - competencyrevit - proficient

Sharon Roe, M. ArchDirector of BDA ProgramUniversity of Minnesota - [email protected] 747 3779

Steven R. Dwyer - AIAPrincipalHGA [email protected] 758 4214

Eric Amel - [email protected] 225 1051

Ozayr Saloojee, M. ArchAssociate ProfessorUniversity of Minnesota - [email protected] 625 0690

JORDAN [email protected] 608 | 886 | 7537

521 s 7th street, apt. 306minneapolis, minnesota 55415

M. Arch, BDA

Documents

Complete Portfolio - 2015