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iBtoh 2014

CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

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Page 1: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 2014

Page 2: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

fXnkB eo/A i/ ekdo d/ tbnkyo ekdo gkt/A j{.

gq/w dh sKx i/ wB ftu j't/gq/w dh rbh ikt/A j{.

sKxk d/ ftu ;wK r[Iko/A,w/b j't/ sd ;Kjt/ j{.

;zs'y T[dk;h tes r[Iko/A,fXnkB gqG{ tZb bkt/A j{.

fXnkB eo/A i/ ekdo d/ tbnkyo ekdo gkt/A j{.

gq/w dh sKx i/ wB ftu j't/gq/w dh rbh ikt/A j{.

sKxk d/ ftu ;wK r[Iko/A,w/b j't/ sd ;Kjt/ j{.

;zs'y T[dk;h tes r[Iko/A,fXnkB gqG{ tZb bkt/A j{.

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Page 3: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20143

ÿêÅçÕ (ÁÅéð¶ðÆ)

âÅ. ÜÅ×Æð ÇÿØÁËî.¶. (ÿ×Æå, ê³ÜÅìÆ, èÅðÇîÕ ÁÇèÁËé), êÆÁËÚ. âÆ

ÿêÅçÕ (ÁÅéð¶ðÆ)

âÅ. ÜÅ×Æð ÇÿØÁËî.¶. (ÿ×Æå, ê³ÜÅìÆ, èÅðÇîÕ ÁÇèÁËé), êÆÁËÚ. âÆ

ÃÇÔï¯×Æ

aÃ. ÔðíÜé ÇÃ¿Ø Ã. À°µåî ÇÿØÃÇÔï¯×Æ

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a ñ¶Ö» Çò¼Ú êÌ×àŶ ÇòÚÅð ñ¶ÖÕ» ç¶ Çé¼ÜÆ ÔéÍ ÇÂé·»éÅñ ÿêÅçÕ Ü» Á³ÇîÌå ÕÆðåé àzÃà çÅ ÃÇÔîåÔ¯äÅ ÷ðÈðÆ éÔƺ ÔËÍ

a ÒÁ³ÇîÌå ÕÆðåéÓ âÅÇÂðËÕàð ÇüÎÇÖÁÅ ÇòíÅ× ê³ÜÅì,Ú¿âÆ×ó· ç¶ ê¼åð é§: ÇîåÆÁé°ÃÅð ðÅÜ ç¶ ÃÆéÆÁð ÃËÕ¿âðÆ ÃÕ±ñ» çÆÁ»ñÅÇÂì̶ðÆÁ» ñÂÆ êÌòÅÇéå ÔËÍ

4/8/90 20/2/91

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ð¹.ÜÆòé î˺ìð AE@@ ð¹.

a Çòç¶ô: ÃñÅéÅ , ÜÆòé î˺ìða ÒÁ³ÇîÌå ÕÆðåéÓ ñÂÆ âðÅëà

d/P ;kbkBk vke okjhA, e'ohno okjhA 500 o[gJ/

30 300$ $

wkfJe ;jkfJsk, ÇÚ¼áÆ ê¼åð ðÚéÅò» í¶Üä ñÂÆêåÅ

Á³ÇîÌå ÕÆðåé àzÃà (ðÇÜ.)

ë¯é :

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!"" ��#�$��%&�'� ���(�)* 160 015

0172-2772660 098140 53630

e-mail: [email protected]

Website : www.amritkirtan.com, www.gurshabad.com

âÅ. ÜÅ×Æð ÇÿØ, êÌèÅé ÒÁ³ÇîÌå ÕÆðåé àzÃàÓ é¶

ÇÃðÜäÅ Çê³Ìàð÷ Áå¶ Ãà¶ôéð÷,

ÁËÃ. ÃÆ. ÁËë. A@G, ë¶÷-G, î¹ÔÅñÆ å¯º ÛêòÅ Õ¶

DBB, ÃËÕàð AE-¶, Ú¿âÆ×ó· 寺 êÌÕÅÇôå ÕÆåÅÍ

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Type Setting & Designed by :

Rajpreet Singh Khural - 9915545084

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eoT[ p/Bzshnk ^

12

;[o fbgh 25

hirv`lB dw sMgIq mylw

fw.jgmyl isMG BwTUAW

Origin and history of theharmonium, its adoptionand impact in the Indian Musictradition.Narinder Singh G.N.D.U. 41

22

hrgunw gurmiq sMgIq tkswl dI punrsurjIqIgurnwm isMG (fw.)* 18

sRI hirmMdr swihb ivKy 'rwg bsMq' dImrXwdw-ibkrmjIq isMG*

ig[ ih gqsh w/oh ;wM6

wkfJe ;jkfJsk G/iD dh feqgk eo' ihu?Ze iK vokcN

ftuÒÁ³ÇîÌå ÕÆðåé àzÃàÓ ç¶ éÅî ÔÆ

í¶Ü¶ ÜÅä ÜÆÍ +�

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State Bank of Patiala

Amrit Kirtan Trust A/c 65079603302

Donations are eligible for relief u/s 80 G ofIncome-Tax Act, 1961 (43 of 1961) vide CIT/-I/ CHD/ Tech./ 80-G/ 2008-939 dated 19-05-2008 valid upto 31/03/2012

wkfJe ;jkfJsk G/iD dh feqgk eo' ih

Page 4: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20144

Çîåz ÁÃÅâó¶ öÂÆÇîåz ÁÃÅâó¶ öÂÆ

I have been regularly receiving your wonderful Monthly Magazine

since long and avidly reading it with interest and benefit. I am happy to

observe that you have of late introduced in your editorials thought-provoking

excerpts from the works of foreign writers, which add a palpable punch to the

refreshing message that you want to give to your readers every month. Permit

me to share my thoughts on literary art as practised by the Eastern and Western

writers whose expressions are diametrically opposed to each other. The Eastern

writers often drift into the woolly profundities of ontological meanderings that

snap the rapport between their readers and themselves. The Western writers

have an uncanny knack for relating their views to their readers’ existentialist

experience so that it is easy for the latter to grasp what they former are saying.

However, when it comes to the exposition of Art per se, especially a Performing

Art like , both falter midway. I see a similar problem in Wallace D Wattles’

excerpt quoted by you in your December 2013 editorial. The phrase ‘Inspire

People’ is a misnomer.

All forms of Art—literary, visual, performing—seek to emotion.

And when this is spontaneously accomplished an active rapport is established

between the artist and the art lovers, so much so that the latter experience a

deep stirring within their selves that says: “Let me go home and do something

about it such as would approximate such an artistic creation.” On the contrary, a

conscious attempt to make an [which means that the motive is

wrong—as reported in your editorial] would end up in motivation—an external

inducement for a certain act, a kind of psycho-emotional goading that breaks the

inertia and prompts the beneficiary to indulge in singing himself. It is

inspiration properly so called, which is essentially an inner awakening, animated

but motiveless, that it cannot resist the urge (a strong stirring of native Emotion)

for creative self-expression. A singer may sing from the throat, the chest, or the

navel, and progressively succeed in creating a strong ‘impression’ on the

audience to earn a loud applause in clapping or in “ ”

But the audial effect disappears soon after the concert is over.

Let me add that a technically perfect performance [such as mentioned in your

Amrit

Kirtan

Music

express

impression

not

Wah! Wah, Kya Baat Hai!!

Page 5: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

quote] comes from a professional who is a master craftsman, a creative

singer. In the former case, no mistakes can be found but yet there is no

According to Rabindranath Tagore,

In the case of creative singing, the released by an

uninhibited rendition are so overwhelming that the audience, elevated into a

state of aesthetic euphoria, is left with no desire to see any faults. In this sense,

Bhim Sain Joshi was a master craftsman. Ustad Bade Ghulam Ali was a creative

vocalist. To conclude, only an “inspired” singer can give a performance that

would “Inspire People” because he has severed his contact with the audience to

establish a constant touch with The Source within himself comprising the

artesian wells of creativity from where true Music springs in soulful gusto of

wholesome Expression of divine Emotion. Only such an performance

can “Inspire People”, but, in that rare case, there is neither the singer nor the

audience. Only singing is!

not

rasa.

“Our emotions are the gastric juices [i.e.

rasas] which transform this world of appearance into the more intimate world of

sentiments...” rasas

inspired

DR SS BHATTI, Founder, First Friday Forum, Founder-Teacher and Former Principal, Chandigarh College of

Architecture (1982-1996), 3314, Sector 15-D, Chandigarh-160015 (India), E-Mail:

Phone: +91-172-2773258 [Residence][email protected],

iBtoh 20145

Page 6: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20146

��.��/����� �

ig[ ih r[o{ rqzE ;kfjp doi gfjbh pkDh j?. pugB ftu jh j'o wkfgnK tKr

w/o/ wksk fgsk th id'A e'Jh xo nkT[Adk sK T[; B{z PkB Bkb d;d/ ;B fe fJ; gzi

gT[VhnK I[pkBh :kd jB. fco w?A fJj gkm ;[DkT[Adk th ;K. go g{ok gkm w?B{z pj[s

pkd ftu :kd j'fJnk. ofjok; ;kfjp w?B{z u"Eh iwks ftu gVQfdnK :kd j' frnk ;h.

y?o` ig[ih pko/ v{zxkJh ftu gVkJh n?Zw HJ/ gzikph eoB ;w/A P[o{ j'Jh. T[d'A

f;b/p; nB[;ko gq'L okw f;zx, vkH jfoGiB f;zx, vkH tIho f;zx, fgqH ;kfjp f;zx,

GkJh tho f;zx, ftB'Gk Gkt/, nukohnk oiBhP nkfd dhnK ftnkfynktK gVQhnK. gsk

bZrk fe fJj pVh nrkX p'X pkDh j?. fJ; B{z g{oh soQK ;wMDk efmB j?.

ni/ th fJ; pko/ e[M Bk e[M Sgdk ofjzdk j?. j[D d/ e[M ftdtkB fJj ;kfps

eoB dk :sB eo oj jB fe gfjb/ Nhe/ ftnkfynktK rbs jB. e[M Bt/A b/ye sK fJj

th efjzd/ jB fe g[okD/ pI[or b/yeK B/ ikD p[M e/ rbs noE ehs/ jB. w/oh p/Bsh j?

fe g[okD/ b/yeK dh ;[fjodsk s/ JhwkBdkoh s/ PZe BjhA ehsk ikDk ukjhdk. T[jBK B/

nkgDh ;woZEk nB[;ko ;hws ;kXBK d/ Bkb fJj ekoi ehs/ jB. T[jBK ;jkok b? e/

T[jBK B{z jh GzvDk ikfJI BjhA j?. T[jBK dh Pbkxk eoBh ns/ Bw;eko eoBh ukjhdh

j?.

ig[ih ;ko/ dkoPfBe nfXnksfwe ;wkfie nkfd gZyK pko/ ftnkfynk eoB

tkb/ ftdtkBK pko/ ;'u e/ j?okBh j[zdh j?. w/oh ;wM e[M ;sjh gZXo dh j?. fJj pkDh

fBsB/w ftu Pkwb ehsh rJh j?. jo ;kXkoB ns/ ftdtkB f;Zy fJ; dk o'IkBk gkm

eodk j?. fJe ;XkoB f;Zy B{z fJ; ftu'A eh ;/X iK Xotk; fwbdk j? w?A fJ; pko/ ;'udk

jK. j[D se fJ; dk gkm fJe o[NhB ti'A eodk nk fojk jK. gfjbK wksk fgsk B{z y[P

eoB tk;s/ eod/ ;K. fco fJj fBsB/w ti'A, go T[u/o/ gZXo *s/ ;wM e/ sK PkfJd fJ;

ig[ ih gqsh w/oh ;wM

Page 7: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20147

dk gkm BjhA ehsk. fco gqPB T[Zmdk j? fe fJ; pkDh B{z th fBsB/w ftu Pkwb eoB pko/

eh owI j?. e[M efjzd/ jB fe ig[ih ;ko/ r[o{ rqzE ;kfjp dh pkDh dk ;ko j?. go nkw

ftnesh B/ ;kok ;ko sK ;wMDk BjhA T[;B{z sK fBs dk ihtB ihT{D bJh e'Jh nrtkJh

ukjhdk j?.

gkm eofdnK w/ok fXnkB e[M PpdK iK s[eK *s/ nNedk j? T[jBK s'A e[M ;/X

fwbdh j?. w{b wzso ftu'A fBoGT[ s/ fBot?o j'D dh gq/oBk fdzd/ jB fJ; ;dek w/o/ wB

ftu fJj fynkb g?dk j[zdk j? fe w/ok fe;/ Bkb e'Jh ezghNhPB BjhA. w?A nkg jh r[o dh

feogk ;dek f;oie pDBk j?. ;iJH s/ ubfdnK.

fe ;funkok j'Jhn?HHH dk T[ZsoHHH j[ew oikJh ubDkHHH Bkb fwbdk j?. fco

j[ew B{z p[MD tZb pj[s v{zxkJh Bkb BjhA ;'udk. go id'A wfj;{; j[zdk j? fe ;G e[M

j[ew nB[;ko j' fojk j? sK ;fji dk nfj;k; j[zdk j?.

ehosB eodk jK sKHHH rkthn? ;[Dhn? wB oyhn? GkT[HHH s'A nrtkJh fwbdh j?.

;GBk ihnk ek fJe dkskHHHgVQfdnK th tkfjr[o{ dk P[eo eoB bJh wip{o

j'Jhdk j?.e[M j'o s[eK wB B{z N[zpdhnK jBL

gkme ih` s[;hA id'A gkm eod/ j' sK s[jkv/ wB ftu eh ftuko nkT[Ad/ jB<

BtK ;kb w[pkoeHHH;d ftrk; dh nt;Ek bJh ekwBk eodk jK.

G[Zb u[Ze fywk.

nkgdk

BuiKAw BuK n auqrI jy bMnw purIAw Bwr ]...shs isAwxpw lK hoih q iek n clY

nwil ]...cMgw nwau rKwie kY jsu kIriq jig lyie ]...jy iqsu ndir n AwveI q vwq n puCY ky

]...DOlu Drmu dieAw kw pUqu ]...jo quDu BwvY sweI BlI kwr ]...BrIAY hQu pYru qnu dyh ] pwxI

DoqY auqrsu Kyh ] mUq plIqI kpVu hoie ] dy swbUxu leIAY Ehu Doie ] BrIAY miq pwpw kY sMig

] Ehu DopY nwvY kY rMig ]...kyiqAw dUK BUK sd mwr ]eyih iB dwiq qyrI dwqwr ]

Page 8: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20148

;zB 1970 i{B ftu GkJh ;kfjp ns/ n;hA g{o/ iE/ B/ gzikph r[od[nkok nzpkbkSkT[Dh s'A ehosB dh ;/tk SZv fdZsh ns/ n;hA iZE/ ;w/s fdZbh ub/ rJ/ s/ r[od[nkok;h; rzi ;kfjp mfjo/ j'J/ ;K. r[od[nkok ;kfjp d/ i'V/ykB/ e'b fJe fJPfsjko bZrkj'fJnk ;h s/ T[j fJPfsjko GkJh ;kfjp gVB bZr rJ/. fJj fJPfsjko fdZbh dh okrh;Gk tZb'A ;h. T[; ftu ehosh Bro r[od[nkok f;zx ;Gk tZb'A ehosB dopkoeotkfJnk ik fojk ;h, fi; ftu fdZbh d/ ;G Bkwh okrh Gkr b? oj/ ;B ns/ T[; ftuc;N, ;?fezv ns/ Eov d/ fJBkw th oZy/ rJ/ ;B. fJPfsjko gVQe/ GkJh ;kfjp ;kB{zefjD bZr/ fe ub' nkgK th uZbhJ/ sK w?A fejk fe GkJh ;kfjp ih nkgK B{z fejVk T[jBKp[bkfJnk j?. fJ; bJh nkgDk ikDk uzrk BjhA brdk. GkJh ;kfjp efjD bZr/ fe ekek;zrs B{z fejVk e'Jh b'e fuZmhnK gkT[Ad/ jB, ;[DB tkb/ nkg/ jh iKd/ jB. T[E/ pV/f;nkD/ f;nkD/ okrh nkJ/ j'Dr/. ub' T[jBK B{z jh ;[D nktKr/. n;hA fejk, fit/A nkgih dh fJZSk. n;hA Pkw B{z ehosh Bro gj[zu rJ/. oks dk dhtkB ;h, pVk tZvk jkbT[j yuk yu ;zrs Bkb Gfonk j'fJnk ;h. fdZbh d/ ;G wPj{o okrh iZE/ nkJ/ j'J/ ;B,okrh ;Gk d/ gqXkB GkJh fJzdo f;zx ih r[ioK tkb/ th nkJ/ j'J/ ;B. oks dk ;wK ;h s/ekch okrh f;zx ehosB eo u[Ze/ ;B. n;hA th wZEk N/e e/ ;zrs ftu p?m rJ/.

;G okrh f;zxK dh fJj okfJ ;h fe fJ; tko GkJh dftzdo f;zx gq'c?;o ;G s'AtXhnk rk oj/ jB, fJ; bJh c;N fJBkw T[jBK B{z jh fwb/rk. ;' id'A ;G okrh ehosBeo u[Ze/, sK GkJh fJzdo f;zx ih gqXkB okrh ;Gk T[Zm/ s/ T[jBK B/ nBKT{; ehsk fe ;kX;zrs ih s[;hA d; gzdoK fwzN j'o ;wK d/Dk j? feT[Afe GkJh ;zs'y f;zx ih e[dosh ;kv/ftu nk rJ/ jB. ;' n;hA ukj[zd/ jK fe T[j th d; e[ fwzN ehosB dh jkIoh bkT[D.GkJh ;zs'y f;zx B/ pVk wBQk ehsk fe n;hA sK ;[DB jh nkJ/ jK, go ;G okrh f;zxK d/I'o d/D *s/ GkJh ;kfjp wzB rJ/. n;hA ;N/i *s/ p?m rJ/. GkJh eosko f;zx soB

f;ow"o ehosBhJ/ ^ GkJh ;zs'y f;zx iheow f;zx osB

f;ow"o ehosBhJ/ ^ GkJh ;zs'y f;zx iheow f;zx osB

fgSb/ nze dh pkehfgSb/ nze dh pkeh

Page 9: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 20149

skoB tkb/, ;kv/ Bkb spb/ s/ ;B ns/ spb/ d/ uzr/ f;nkD/ tizsoh ;B. ;' oks dkfNfenk j'fJnk wkj"b s/ ;wK ;h. GkJh ;zs'y f;zx ih B/ okr dopkoh P[o{ ehsk s/ d;fwzN d/ ;w/A ftu jh ofj e/ uko pzdPK tZy' tZyo/ skbK ftu okr dopkoh ftu jhrkJhnK.

j[D T[E/ i' Bzpo d/D tkb/ iZi ;ZiD p?m/ ;B, T[j ;'uhA g? rJ/ fe j[D eh eohJ/.;kB{z ;kok fBoDk pdbDk g?Dk j?. go feT[A fe ;ZukJh s/ n;{b ;G bJh fJe' fijk jhj[zdk j?, i' iZiK B/ GkJh ;zs'y f;zx ih B{z c;N eoko d/ fdZsk s/ GkJh dftzdo f;zxgq'c?;o B{z ;?fezv eoko d/ fdZsk. ;ko/ fJBkwK dh tzv j'D s'A pknd GkJh ;zs'y f;zx ih B/T[Zm e/ ;zrs B{z fejk fe w?A sK f;oc ;[DB bJh jh nkfJnk ;h. ;' w?A fJ; fJBkw dkjZedko BjhA. w?A fe;/ dk jZe BjhA wkoBk ukj[zdk.w?A fJj ;BwkB gq'c?;o dftzdo f;zxB{z jh nogB eodk jK. fJj t/y e/ ;koh ;zrs B/ GkJh ;zs'y f;zx d/ jZe *u y[P j' e/ i?i?eko SZv fdZs/. go fco th ;Gk B/ GkJh ;zs'y f;zx s/ gq'c?;o dftzdo f;zx B{z fJe'fijk ;BwkBs eo fdZsk.

GkJh ;zs'y f;zx ih B/ nzfwqs;o fty/ r[od[nkok pkpk nNZb ih d/ n;EkB s/gfjb/ ehosB dh ;/tk P[o{ ehsh ;h, r[od[nkok ;h; rzi ;kfjp fdZbh ns/ fco c?Ikpkdf;zx ;Gk d/jokd{B, f;zx ;Gk ekBg[o, r[od[nkok ;qh d{y fBtkoB ;kfjp, gfNnkbk,r[od[nkok f;zx ;Gk ;do pkIko nzpkbk SkT[Dh, gzikph r[od[nkok nzpkbk SkT[Dh,r[od[nkok wzih ;kfjp nzpkbk Pfjo ns/ nyho ftu r[od[nkok f;zx ;Gk ;?eNo 19 vhuzvhrVQ. fJjBK EktK s/ ehosB dh ;/tk ehsh ns/ uzvhrVQ ofjzfdnK jh nkg ih B/nkgDh gZeh fojkfJP n?;H J/H n?;H Bro, w'jkbh c/; fJe ftu eo bJh s/ ihtB d/nzs ;w/A sZe nkg ih fJE/ jh oj/.

dk; B/ Gkt/A T[jBK Bkb T[;skdh Pkfrodh dh o;w BjhA ;h ehsh. f;co u"dKgzdoK wjhB/ w?A ;jkfJe okrh pD e/ jh ;kE fdZsk ;h, go T[jBK gqsh fdb ftu ;fsekoT[;skd fizBk jh ;h feT[Afe rkfJeh ftu w?B{z T[jBK B/ jh ;zg{oB ehsk ;h. nkg ih w?B{zrkj/ prkj/ ;zrhs dh pkohehnK pko/ ;wMk d/ fdzd/ ;B, rkT[Ad/ sK ;ko/ jh jB, okr thT[jh jB, r[opkDh th T[jh j?, go fi; B{z rkfJeh ftu ozr GoBk nk ikt/, T[jh ;cb;zrhseko iK okrh j[zdk j?.

nkg ih ebk;heb ns/ ;[rw ;zrhs ftu pj[s wkfjo ;B, i/ eo ebk;hebrkT[Ad/ sK n?;k fpyVk fe o/vhU ;N/PB d/ ;kfizd/ th w[Peb ftu g? iKd/ ns/ i/ ;[rw

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;zrhs rkT[Dk sK n?;k rkT[Dk fe nkw g/Av{ b'e i' fe ;zrhs B{z Bk ;wMD tkb/ th tkjtkj eo T[Zmd/ ;B. nkw okrh ebk;heb rkT[D sK g/Av{ b'e i' ;zrhs B{z Bk ;wMD tkb/T[Zm e/ s[o iKd/ jB. go GkJh ;kfjp ih fgzvK ftu ik e/ th n?;k ebk;heb rkT[Ad/ ;Bfe nkw fdjksh b'e th nkg ih s'A cowkfJP eo e/ ebk;heb ;[Dd/ ;B ns/ nkg ihftnkfynk th pj[s ewkb dh eod/ ;B. GkJh r[odk; ih dh pkDh tkoK s/ efEs ;t:/nkg ih B{z pj[s ;ko/ :kd ;B.

nkg ih okrhnK ns/ r[od[nkfonK d/ gqpzXeK d/ nkg;h ;zpzXK s'A fpbe[b;zs[PN BjhA ;B. ;wK g?D s/ gqpzXeK B{z th yohnK yohnK ;zrs ftu jh ;[Dk d/Ad/ ;B.fJ;/ bJh r[od[nkfonK d/ gqpzXe nkg ih s'A vod/ ;B. T[j fJ; jZe ftu ;B fe okrhf;zxK dh sBykj ns/ fojkfJP dk gqpzX s/ j'o ;j{bsK fJjBK dh b'V nB[;ko jh j'DhnKukjhdhnK jB sK fe okrh f;zx nkgDh ;zrhs ;kXBK tZb ftP/P fXnkB d/ ;eD.nypkoK gVQBhnK s/ T[jBK dh efNzr oZyDh ns/ d/P pko/ ;'uDk f;Zy e"w pko/ th;'uBK, T[jBK dk yk; ;"Ae ;h.

n?;h rkfJeh fe;/ ftob/ okrh d/ GkrK ftu jh j'Jh i' GkJh ;zs'y f;zx ih rkrJ/ jB. nkg ih o'jse o/vhT[ ;N/PB Bkb i[V/ j'J/ ;B s/ T[E/ gq'rokw eoB rJ/ j'J/;B s/ gq'rokw s'A fJe fdB gfjb/ ewo/ ftu p?m/ ;kEhnK Bkb gq'rokw dh ohjo;?b eooj/ ;B s/ T[jBK d/ fdwk} dh BkVh cN rJh. T[E/ o'jse jh nkg ih dk fdjKs j'frnk. dk; T[; ;w/A r[od[nkok f;x ;Gk w[okdkpkd fty/ B"eoh eodk ;h. dk; B{z pj[sd/o pknd T[jBK d/ fdjKs dk gsk bZfrnk.

nkg ih dk ftnkj ibzXo fty/ phph e[btzs e"o Bkb j'fJnk ;h fi; ftu'A nkgih dhnK ;Zs ;zskBK ;B, fszB bVe/ ns/ uko p/NhnK. tZvk bVek pbftzdo f;zx e[Ze{;h, GkJh ;kfjp B/ T[; B{z ehosB bkJhB ftu gkfJnk ;h go T[j ekw:kp BjhA j';fenk. GkJh ;kfjp ih d/ fdjKs s'A pknd T[j G?Vh ;zrs ftu g? e/ nkgDk ihtByokp eo p?mk. pkeh d' bVe/ s/ uko bVehnK B{z GkJh ;kfjp nkgD/ jZEhA ftnkj rJ/;B ns/ ;G pZu/ nkgD/ nkgD/ xo y[P jB.

GkJh ;zs'y f;zx ih d/ Bkb ;jkfJe ;kEh sK pj[s ;ko/ oj/ jB go GkJh;kfjp ih dhnK PpdK dhnK pzdPK ;G s'A fInkdk w/o/ gk; jB. fJ; bJh w?A ukj[zdk jKfe e'Jh n?;k ukjtkB ;ZiD j't/ i' w/o/ gk;'A T[jBK dhnK pzdPK f;Zy bt/ sK fe GkJh;kfjp dk Bkw s/ T[jBK dh ebk d[BhnK ftu ofj ikt/, go fe;/ ftu th nZi sZe fJj

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iBtoh 201411

fjzws BjhA gJh fe T[j nk e/ w/o/ s'A e[M Ppd f;Zy bt/. fJ; rZb dk w?B{z pj[s nc;'; j?.

T[jBK dhnK i' PpdK dhnK pzdPK g[oksB ns/ Ne;kbh pzdPK s/ ;[rw pzdPKn?;hnK jB i' nZi th Bt/A okrhnK dk wkor doPB eodhnK jB. ;zrsK d/ fdbK s/SkJhnK j'JhnK jB. fit/A okr wbko ftu (n?;h eT[B fpX/ do;B go;BK) ns/ (p'bj[okw eo/ fBPekok) ns/ okr :wB ftu (ezm/ wkbk fijtk okw) ns/ (w/o/ bkbB eh ;Gk)fJ; pzdP dh ekgh ehsh j?, ;zrhseko oftzdo i?B B/ fcbw fuZs u'o ftu, i' rkDk j?rkfJe :P{dk; ns/ j/w bsk B/ rkfJnk j? (ip dhg ib/ nkBk, ip Pkw Yb/ nkBk) fJ; s'AfJbktk T[jBK dhnK wPj{o s/ f;Ze/ pzd pzdPK jB. 1H w[bK eoj[ fBnkT[ y[dkJh, 2H gqkDhJ/e' Bkw fXnktj[, 3H b'rB okw fyb'Bk ikBk, 4H wkJh r[o fpB frnkB B gkJhn?, 5H jfoiB Bkuj[ jfo jfo fXnkfJ, 6H ;' jfo w/ok nzsoikwh, 7H dhtk w/ok J/e Bkw d[y ftugkfJnk s/b, 8H ik ek whs ;kiB j? ;whnk, 9H w/o? wfB ;pd br' r[o whmk, j'o th pj[s;kohnK pzdPK jB i' fe bk fw;kb s/ f;Ze/ pzd uhIK jB. id'A fes/ pj[s/ okrhnK ftufJZIs s/ nDy dh rZb nk ikt/, T[; ;w/A GkJh ;zs'y f;zx ih dh e'Jh pzdP ;zrs fturk fdT[. s[;hA ;G *s/ Skn ikT[r/. fJj j? GkJh ;kfjp d/ ezw dk gqskg ns/ ebk.

nzs ftu w?A vkeNo ;kfjp ikrho f;zx, vkH r[oBkw f;zx r[owfs ;zrhs ftGkrgzikph :{Bhtof;Nh gfNnkbk ns/ j'o fizBhnK th r[owfs ;zrhs B{z pVQktk d/D tkbhnK;z;EktK jB, ;G d/ uoBK ftu w/oh nghb j? fe GkJh ;zs'y f;zx ih dhnK fJj nw'beX[BK i' fe fJe nw'be yIkBk j? i/eo e'Jh fJjBK dhnK pzdPK B{z ohekov eo e/ b'eKse g[uk ;ed/ jB sK w?A fJj X[BK nkgDh nktkI ftu ohekov eotk d/tKrk. T[; dk w?Afe;/ gk;'A e'Jh g?;k BjhA btKrk.w?B{z fJj y[Ph j't/rh fe GkJh ;kfjp dk fJj nw'be s/nd[Zsh yIKBk d[BhnK s/ ofj ikt/rk. nkT[D tkbh okrh gBhoh fJ; d'A bkG T[mkJ/rh.BjhA sK i/ w?A ubk frnk sK ;G e[M w/o/ Bkb jh ubk ikt/rk. fJ; bJh ;G f;Zy;z;EktK B{z w/oh p/Bsh tZb jwdodh Bkb ns/ T[u/u/ s"o *s/ fXnkB d/D. (;wkgs)

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hirv`lB dw sMgIq mylw

fw.jgmyl isMG BwTUAWmyly pMjwbI siBAwcwr dw AinKVvW AMg hn[pMjwb gurUAW,pIrW,AvqwrW qy irSIAW munIAW dI DrqIhY[ies DrqI dw koeI hI Aijhw idn hovygw jd iksy Kwngwh jW smwD qy lokW dw BwrI iek`T nw huMdwhovy[myly lok klw dI aupj Aqy iesdy ivkws leI vI shweI huMdy hn[ies p`KoN pMjwb ivc dyvI qlwbjlMDr ivKy l~gx vwlw hrIv`lb dw mylw iek Aijhw sMgIq mylw hY ,ijsdI pRis~Dqw pMjwb q`k hInhIN,sgoN ihduMsqwn p~Dr dI hY[hornW myilAW nwloN iesdI ivSySqw ies g`l ivc hY ik ieh pUrI qrWHsMgIq nUM smripq hY[SwsqrI sMgIq nUM lok-ipRA bxwaux vwly ies myly dw BwrqI sMgIq dy ieiqhwsivc ivSyS mh`qv hY [Bwrq ivc SwsqrI sMgIq dy pRcwr-pRswr leI ies iksm dy hor vI keI smwrohhr swl AwXoijq huMdy hn, ijvyN ik qwnsYn sMgIq smwroh gvwlIAr ivKy,hrIdws sMgIq sMmylnibRMdwvn,DrUpd sMmyln vwrwxsI,ivSnUM idgMbr jXMqI id`lI,BwSkr rwE sMgIq sMmyln pRwcIn klwkyNdr cMfIgVH,Awid[ iesy qrWH pUnw,mUbeI,kolkwqw Awid mhwngrW ivc vI Aijhy myilAW dw AwXojnhuMdw rihMdw hY[pMjwb dw hirv`lB mylw aunIvIN sdI dy AKIr ivc suAwmI hirv`lB igrI duAwrw AwrMBkiqw igAw [SuAwmI hirv`lB jI dw jnm ijlw huisAwrpur dy aus ieiqhwsk ipMf bjvwVw ivKyhoieAw,jo Bwrq dy mhwn gwiek bYjU bwvrw dI vI jnm BUmI vjoN vI jwixAw jWdw hY [bcpn ivc hoeImwqw-ipqw jI dI mOq ny Awp(hrIv`lB) nUM byshwrw Aqy bYrwgI suBwA dw bxw id~qw[ienHW dy mwmw jvMdlwl Awp nUM jlMDr Awpxy pws lY gey ,prMqU ie~Qy Awp dw mn sMswirk bMDnW qoN mukqI leI aus mwrgdI Koj ivc l`g igAw,ijs mwrg qy clidAW jIvn dy s`c nMU jwixAw jw skdw hY[Aijhy smy AwpxIrUh dI Btkx nUM SWq krx leI Awp ny sMgIq isKx dw mn bxw ilAw Aqy jvwnI dI aumry pMifq dunIcMd pwsoN sMgIq dI isiKAw AwrMB kIqI[iek vwrI jd Awp nMU dyvI qlwb jlMDr dy Dwrimk ASQwn qybwbw hymigrI dI g`dI dy mhMq suAwmI quljwigrI dw ivsmwdI sMgIq Drupd SYlI ivc suxn dw mOkwimilAw ,qW hrIv`lb aupr iesdw Aijhw Asr hoieAw ik S~c dI Koj leI aunHW SuAwmI quljwigrI nMUAwpxw Awpw pUrI qrW smripq kr idqw,Aqy sMinAws gRihx krky iesy ASQwn nUM Awpxw invwsAsQwn bxw ilAW [ies smy q`k dyvI qlwb ruhwnIAq Aqy BgqI sMgIq dw pRmuK kyNdr bx cukwsI[sMn 1874 eI.iv`c suAwmI quljwigrI jI dy dyhWq qoN ip`Co ies pivq~R AsQwn dy mhMq bxy bwbwhrIv`lb jI ny Awpxy gurU suAwmI quljwigrI jI dI Xwd ivc sMn1875 eI qoN hr Swl ivswl smwgmmnwaux dI prMprw surU kIqI,ijs ivc dUr dUr qoN swDU mhwqmW phuMcky lgwqwr keI keI idn pRBU guxWdw gwien krdy Aqy Kud suAwmI hirv`lB jI vI Drupd SYlI ivc AlOikk Aqy BgqI-rs dy mDurBjn gwien krdy[rwg ihMMdol Aqy rwg mlhwr ivc Awp dy gwey pRis~D BjnW dy bol hn-hy qU hI Awid

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AMiq Aqy qw myhrbw brsy Awid[suAwmI hirv`lB jI duAwrw AwrMB kIqy ies smwgm dw muK pRXojnBgqI Aqy SkqI dy SRoq BwrqI SwsqrI sMgIq dI sWB sMBwl Aqy pRcwr-pRswr krnw sI [ pMjwb AqyBwrq dy pRis~D SwsqrI sMgIqkwr vI ies ivc vD cVky ih~sw lYx l`g pey[ies sMbMD ivc pMifqivSnMU idgMbr,srv SRI BwSkr rwE,rwmikRSn SMkr ,pMifq bwlw gurU, pMifq ENkwr nwQ Twkur, SRImuhMmd KW swrMgIAw, bVy gulwm AlI KW,iemdwd KW pMifq rvI SMkr,ausqwd ivlwieq huSYn KW,,ausqwd Abdul KW,ausqwd Abdul AjIj KW, pMifq gujr rwm bwsudyv Aqy ausqwd mlMg KW ,idlIpcMdr Awid hor vI Anyk nW ivSyS vrnxXog hn [suAwmI hrIv`lB jI dy smwDI lIn(1885 eI.) auprMq aunHW dy iSS pMifq qoly rwm jI ny ies smwgm nUMjwrI r`iKAw [aunHW ny ies sMgIq SMmyln dy pRcwr leI smu~cy Bwrq ivc dUr durwfy byTy sMgIqkwrW nUMin~jI qOr qy imlky ,ies smwgm ivc SmUlIAq leI bynqI kIqI[Ajoky dOr dy pRis~D sMgIqwcwrIAw fwgurnwm isMG(pMjwbI XUnIvristI ,pitAwlW) dw kQn hY ik “ies zmwny ivc swry gwiek,vwdk bgYriksy DMn rwsI dy ies AsQwn qy AwpxI SrDw BwvnW nwl AwpxI klw dy jOhr ivKwieAw krdysn[auckotI dy SwsqrI gwiek pMifq ivSnMU idgMbr jI ies sMgIq myly c SmUlIAq vI krdy AqymwieAw vI dy ky jWdy[pMifq jI dw ivcwr sI,ik ieh jgWH lyny kI nhIN dyny kI hY,XhW kw qo AwSIrvwdhI kwPI hY”

pMifq qoly rwm jI dy dyhWq (1938eI) auprMq aunHW dy iSS pMifq dvwrkw dws jI ny bwbwhrIv`lb sMgIq mhWsBw tr`St dI sQwpnW krky bVI hI suihrdqw nwl sMgIq SMmyln jwrI r`Kx dImhwn prMprW nUM hor A`gy vDwieAw[dsMbr dy AKIr c keI idn q`k jwrI rihx vwly ies myly dwsMgIq pRymIAW nUM bysbrI nwl ieMqzwr rihMdw hY[ies mOky nvyN auBrdy nOjvwn klwkwrW nMU aunHW dI XogqwAnuswr prK pVcol krky snmwinq kIqw jWdw hY Aqy Biv`K iv`c sMgIq swDnw leI auqswihq qypRyirq kIqw jWdw hY[A`j pMjwb srkwr dw Prz bxdw hY ik vrlf kb`fI k`p vWg ivrsy dI sMBwlvwly hrIv`lB sMgIq myly pRqI vI AwriQk p`KoN AwpxI bxdI jMumyvwrI inBwvy[ikauN jo sMq gwiek SRIhirv`lB jI vloN AwrMB ies myly dw muK pRXojn prMprw,s`iBAwcwr Aqy sMsikRqI dI sMBwl hY[

ko-AwrfInytr, hrI ivRjyS klcrl,PwaUNfySn, ey 68-ey,Piqh ngr,nvI idlI-18 mobwiel-098713-12541

,

THE SIKH REVIEW

(A Monthly Magazine)116, Karnani Mansion

25-A, Park Street, Kolkata

×¹ðÇÃ¼Ö ÇðôÇåÁ» ñÂÆ Ã¿êðÕ Õð¯

×¹ðÇÃ¼Ö Ã¿Ü¯××¹ðÇÃ¼Ö Ã¿Ü¯× ê³çðÅ-ð¯÷Å ê¼åð

×¹ðç¹ÁÅðÅ ÁÕÅñÆ ìÅìÅ ëÈñÅ ÇÃ¿Ø êÈÃÅ ð¯â,

éòƺ Çç¼ñÆ AA@ @F@ ë¯é : BEHFBIEE

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iBtoh 201414

Origin and history of the harmonium, its adoption

and impact in the Indian Music tradition.

Narinder Singh G.N.D.U.

Music Dep. Amritsar

Music always existed, and there´s music everywhere, as it is based in

vibration and the entire universe is no other thing that the materialization of the

primal vibration. From the first creative sound which is the origin of everything,

all forms derived or we can say that all that we can perceive with our senses is

the material manifestation of this subtle vibration.

As we are made of the music of the creation, in a deep way probably all

music is a reflection of this attempt, as music is the gift from the divinity through

we can meet and merge with divinity again.

The source of all vibration is the same, but what we know about

vibration is only what we can perceive through manmade instruments, we

cannot recognize the source of it. Through instruments, we can perceive the

music but not the creator of the music that is beyond our comprehension.

(2)

“This is nothing in the world which is not the instrument of God” Hazrat

Inayat Khan

“Akhri Nam akhri salaah.Akhri gian git gun gah.Akhri likhan bolan ban.

Akhra sir sanjog vakhan.Jin eh likhe tis sir nah. Jiv phurmae tiv tiv pah.Jeta

kita teta nao. Vin navei nahi ko thao”

“God´s Name and praises are uttered through words. God´s virtues

and knowledge are sung through words.The divine hymns are uttered and

recorded in letters. The destiny of a mortal, written on his forehead, is declares

in letters.God, who writes the destinies, has no such letters written on His

forehead. Mortals obtain that, which is ordained by God.Whatever has been

created is His Name. There´s no place without God´s Name.”GuruNaanak,

Japji Saheb pauri 19

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iBtoh 201415

The trees that wave their branches in rhythm with the wind, the sound of

the sea, the movements of the stars and planets, the regular alternation of

morning, evening, noon, and night, our pulse, breathing and walking rhythm

pattern…all is contributing to the music of nature. Every being have a voice in the

Creation.

Music is in the source of life. Languages are a simplification of music, and

through the music of phrases expression is coming. Words are also our musical

instruments, when we sing Saints words or scriptures; we are playing with our

bodies the music of God.

From the beginning of time, music was used for praying, meditation, in

rituals, magic, festivals, popular dance and celebration, for entertainment of the

kings, then to captive audiences, in concerts by professional musicians, etc.

According the different feelings and tastes, men had created many

instruments, and through history, they increased in complexity. They have also

their own evolution based in the contemporary technical advances and in the

particular necessities of the local cultures.

The history of the harmonium in India is a remarkable example of how the

political, economic global impact and the subsequent social change can create

the rise of an instrument and its decay.

Since its introduction in India, the harmonium became very popular in

despite of its foreign sound and fixed tones that make it sound very different from

the classic Indian instruments. But the complaints of the harmonium opponents

were covered with the sound of millions of harmoniums being played

everywhere.

What is decisive, however, is its role representing the opening of the

music education to all through the

demonstrates how the harmonium (only an instrument) is not

good or bad, just functional to the political project of a specific time and place, in

this case, the down of the Indian Republic and the new democratic ideals.

More than any other instrument, the harmonium incarnates the encounter

between cultures, the adaptation to new times and places and the dynamic

aspect of the traditions.

a wind keyboard instrument that belongs to the free

reed instruments family, close in sound and shape to the European organs. It was

originally created and patented in France, in 1842 by Alexander Debain,

apparently inspired by the Sheng, an ancient Chinese free reed instrument.

The Harmonium is

standardization of Indian music practice.

All of this

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iBtoh 201416

Free reed instruments are very old and no doubt between the earliest

instruments created. , the

sheng of China, the of Japan, the of Korea and the of

India are part of the same family or group of instruments and have a common

origin. After migrated to Europe, the free reed gave origin to many new

instruments (harmonium, accordion, bandoneon, harmonica, concertina,

melodica, etc.)

So the origin of the free reed can be situated in Asia, where the

harmonium after long time returned after its journey through Europe and

America, provided with a keyboard and a western shape.

The harmonium became very popular in Europe and America as a small

economic version of the big pipe organs. It also served to the needs of emotional

expression of the Romantic period of music. In less of 2 centuries, the harmonium

was enthusiastically welcomed by musicians and public in general, played,

produced and sold in big scale in Europe and USA, reached its peak of popularity

about 1890…and at the time of the First World War was

The harmonium “returned” to Asia in the small portable pedal version

used by missionaries. It was introduced by Britain by the 19 century and unlike

the clavichord, harpsichord or pianos, demonstrated good resistance to travels

and changes of weather, and became very soon common in British and Indian

homes and theaters. In order to accommodate to the Indian parameters, it was

modified by Dwarkin in 1875, date in which Indian harmoniums start to be

produced in Calcutta.

In spite of the controversy created for the incorporation of a foreign

instrument, the discussion about the capacity of the harmonium to play all the

Indian notes, the attempts to solve the problem of the temperate keyboard, and

even the open opposition (the harmonium was banned from All-India Radio from

1940 to 1971), harmonium is widely played in all India in all music styles. Its

incorporation had been so complete,at the point that in the West the harmonium

had been forgotten and now considered Indian.

The now called Indian harmonium is only played in western countries in

the Indian diaspora communities, by the western Sikhs, the Hare Krishna

community or the Osho followers, who sing religious hymns (bhajans or

According the musicologist B. Chaitanya Deva

replaced by electronic

instruments and had its production discontinued.

Today harmoniums are found only in museums and private

collections, and are being produced only in India, in the hand pumping

version of the instrument.

sho shaenghwang khung

th

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iBtoh 201417

shabads) with its accompaniment, and is not being considered a western

instrument anymore.

The Indian harmonium is used so extensively, in classical, light, film or

folk music that is probably the most commonly used instrument in northern India.

It has assumed a central role as an accompanying instrument. In his work

“Accompaniment for Hindustani Classical music” Deshpande asked what is the

function of an accompaniment instrument, and in his answer he states that the

Harmonium is the accompaniment instrument for excellence.

He wrote “I submit it is to create a musical atmosphere, and inspire the

artist by bringing him into his best singing mood. Further, the accompaniment

instrument must keep the continuity of singing to heighten the musicality of

performance and make it more attractive, more entertaining and in effect more

pleasing… Harmonium by its powerful, constant and sustained notes not only

abundantly satisfies all this requirements but soloist them in a far greater degree

than any of the stringed instruments like sarangi, violin, dilruba, etc. The sound of

the Harmonium is so overwhelming and pleasing, both to performers and the

audience, that it gives it a decisive advantage over all accompaniment

instruments. The advantage is so great that it alone is enough to overcome all its

defects whether imaginary or real. (3)

The current version of the Harmonium is capable of providing a whole

range of tonal excellence which is rare in other instruments. A top quality

harmonium has two, three and even four sets of reeds. The instrument covers

three to four "octaves," encompassing sub-bass, bass, medium and high. The

instrument is larger and has built-in devices to filter the air through two

compartments. The merit of this arrangement is that when the air is blown into it, it

does not strike the reeds aggressively. From the airtight compartments, the wind

emerges softly through the reeds when a key is pressed. In earlier days, the

instrument was equipped with only a single piece reed board. This made the

sound strident and harsh. Present-day harmoniums have three reed boards

joined together with the provision for air-release in a zigzag fashion, ensuring

softness of tone and melody. The manufacturers are still looking for a better

sound experimenting with free reeds in different settings.

It is an instrument that is convenient to handle and its playing technique is

not as difficult as most instruments such as the , the , the and

the violin. Not special care is needed to tune it; indeed, one just plays it as it is. It´s

loud sound permit to play it in the open air and this quality is especially very

appreciated in kirtan or devotional music, in big gatherings where it doesn't even

need sound amplification. These factors have made the harmonium very

popular.

sarangi sitar veena

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iBtoh 201418

hrgunw gurmiq sMgIq tkswl dI punr surjIqIgurnwm isMG (fw.)*

is`K Drm dy AwrMB qoN hI ielwhI bwxI dy rUhwnI sMdyS nUM srb lokweI q`k

phuMcwaux leI ivSyS Xqn AwrMBy gey[ gurU nwnk dyv jI duAwrw audwsI dI rIq Aqy

'Gir Gir AMdir Drmswl' ienHW XqnW dw Awgwz sI[ auprMq gurU Amrdws jI

duAwrw mMjIAW dI sQwpnw Aqy cOQy siqgur qoN dsm pwqSwh q`k msMd prMprw duAwrw

gur Sbd sunyhy dy sMcwr leI ivSyS pRbMD kIqy jWdy rhy[ gurU swihbwn duAwrw sQwipq

gur AsQwn krqwrpur, KfUr swihb, goieMdvwl swihb, c`k rwmdwspurw, kIrqpur,

AnMdpur swihb Aqy dmdmw swihb Awid is`K prMprwvW dy pRmu`K pRcwr kyNdr rhy[

msMd prMprw ivc AweIAW kurIqIAW auprMq dsm pwqSwh ny gurU kI kwSI dmdmw

swihb qoN tkswl prMprw dw AwrMB kIqw[ pRcwr ADIn AweIAW ieh iBMn-iBMn

tkswlW is`KI dIAW pRcwrk SKsIAqW dI GwVHq GVx vwlIAW pwTSwlwvW Aqy

ividAwilAW dy rUp ivc pRgt hoeIAW[ ies GwVHq ivc gur Sbd, gur ieiqhws Aqy

gurU dy sMgIq gurmiq sMgIq dI bhup`KI isKlweI idqI jWdI rhI Aqy isiKAwrQIAW nUM

iek Kws gurmiq AnuswrI mwhOl ivc virHAW b`DI r`K ky pirp`k, pUrn qy AwdrSk

bxwaux dy Xqn huMdy rhy[ ienHW tkswlW ivcoN gurmiq sMgIq dI hrgunw tkswl ivSyS

rUp ivc pRis`D hoeI[

dsm pwqSwh gurU goibMd isMG jI dy Coty swihbzwidAW dI Shwdq dI pwvn

DrqI gurduAwrw PiqhgVH swihb nyVy lgBg 16 iklomItr dUr hrgnw siQq hY[ ies

ipMf ivc qlvMfI Grwxy dy ausqwd BweI sMpUrx isMG ny tkswl sQwpq krky sMgIq

jgq nMU Aijhy mhwn sMgIqkwr pRdwn kIqy ijMnHw ^ud sMgIq ieiqhws ivc ivSyS nwmxw

K`itAw Aqy aunHW dw iSS mMfl sMgIq jgq ivc inrMqr kwrjSIl hY[ ausqwd sMpUrx

isMG ny qlvMfI Grwxyy dy 19vIN sdI iv`c hoey pRmu`K ausqwd gwiek BweI au~qm isMG jI

qoN prwpq kIqI ijnHW kol qlvMfI Grwxy dw Drupd Aqy idlI Grwxy dy ausqwd qwnrs

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KW dI qwlIm dw byimswl Kzwnw mOjUd sI[ ies qoN ielwvw Awp kol gurmiq sMgIq dI

sInw-b- sInw rcnwvW dw BMfwr vI mOjUd sI[ ikhw jWdw hY ik ausqwd sMpUrx isMG

kol Awpxy ausqwd jI Aqy id`lI dy Grwxy dy ausqwd qwnrs KW dI qwlIm dw byimswl

Kzwnw mOjUd sI[ ies qoN ielwvw Awp kol gurmiq sMgIq dIAW sInw-b-sInw rcnwvW

dw BMfwr vI mOjUd sI ijs nwl aunHW is`K jgq dy sMgIqkwrW nUM ivSyS rUp ivc mwlwmwl

kIqw[

hrgunw ivKy ausqwd sMpUrx isMG ies ielwky dy hoxhwr pyNfU grIb

ividAwrQIAW nUM Awp kol r`K ky gurbwxI, gurmiq sMgIq, SwsqrI gwien, qMqI swz,

qblw Aqy joVI vwdn dI is`iKAw idqI[ hor Anyk SigrdW qoN ielwvw Awp dy iqMn

SigrdW dI qRY-murqI sMgIq jgq ivc vDyry pRis`D hoeI[ ieh sMgIqkwr sn : gurmiq

sMgIqwcwrIAw pRo. qwrw isMG, pMjwb dy sMgIqkwr - sMgIq inrdySk ausqwd jsvMq

isMG BMvrw Aqy ausqwd vwdk swgr msqwnw jI[ ienW iqMny sMgIqkwrW ny AwpxI

swDnw duAwrw sMgIq jgq nUM iek ivSwl iSS mMfl dy ky hrgunw tkswl nUM sdw leI

Amr kr idqw[

gurmiq sMgIqwcwrIAw pRo. qwrw isMG (1919-1988) ny pMjwb ivc Akwdimk

rUp ivc sMgIq ivSy nUM sQwipq kIqw Aqy gurmiq sMgIq nUM iek v`KrI prMprw vjoN

pCwxn leI isDWqk qy ivhwrk rUp ivc AwpxIAW sMgIq ilKqW duAwrw AwrMB kIqw[

Awp 1971 qk srkwrI kwlj vUmYn, pitAwlw ivKy sMgIq ivBwg dy muKI rhy[ sMgIq

sbMDI pMjwbI BwSw ivc pusqkW dw AwrMB vI Awp duAwrw hI hoieAw[ pMjwb ivc sMgIq

ivSy dy Anyk AiDAwpk Awp kol sMgIq dI qwlIm lY ky ies ivSy dy pRcwr pRswr ivc

Xogdwn pw rhy hn[ Awp dw sB qoN vfyrw Xogdwn sI gurU gRMQ swihb dy rwgW sbMDI Koj

Aqy sRI gurU gRMQ swihb dI bwxI nUM inrDwrq rwgW qy bwxI dy sMgIq ivDwn Anuswr

surilpI b`D krnw hY[ AwpdIAW pusqkW sRI gurU gRMQ swihb rwg rqnwvlI qoN ibnW

lgpg swry gurU swihbwn Aqy Bgq swihbwn dI bwxI nUM Awp ny v`Ko-v`KrIAW pusqkW

ivc surilpIb`D kIqw hY[ sMgIq jgq ivc Awp dI soc nUM swkwr kridAW lyKk (fw.

gurnwm isMG) qy hor iSS mMfl dy sihXog nwl ies vyly gurmiq sMgIq dw ivSw pMjwbI

XUnIvristI ivc lwgU ho cu`kw hY Aqy nwl hI gurmiq sMgIq cyAr, gurmiq sMgIq

ivBwg, BweI rxDIr isMG Awn-lweIn gurmiq sMgIq lwiebryrI qy gurmiq sMgIq

Bvn smUrq ho cu`kw hY[ Awp dy pRmu`K iSSW ivcoN lyKk fw. gurnwm isMG, fw. bic`qr

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20 iBtoh 2014

isMG, sRI kysrnwQ kysr. fw. invyidqw isMG, s. jbrjMg isMG, fw. jsbIr kOr, fw.

sRImqI mwlw kpUr, bIbI nirMdr kOr, fw. AlMkwr isMG Awid dy nwm ivSyS hn[

ausqwd jsvMq isMG BMvrw ny pMjwb dI sMgIq prMprw ivc Awpxw iek ivSyS

mukwm bxwieAw Aqy pMjwbI sugm gwiekI nUM nvW AwDwr idqw[ A`DI sdI q`k pMjwb

ivc bhuqy gwiek Awp dI SwigrdI, Awp dy sMgIq qy AsIs duAwrw mkbUl hoey[

v`K-v`K irkwrifMg kMpnIAW dy sMgIq inrdySk vjoN Awp ny pMj dhwikAW qoN v`D kwrj

kIqw[ pMjwbI gwiekI dy Kyqr ivc Awp dy SwigrdW ivc suirMdr iCMdw, lwB jMjUAw,

hrcrn gryvwl, rijMdr rwjn, primlw pMmI, mnmohn vwirs Awid dy nwm pRmu`K

hn[ iesy qrHW gurmiq sMgIq dy Kyqr ivc ausqwd jsvMq isMG BMvrw dw ivSyS Xogdwn

hY[ jdoN Adu`qI gurmiq sMgIq sMmyln dy srprsq sMq bwbw su`cw isMG dI pwrKU A`K ny

ies sMgIq ivSySg nUM rwg inrxwiek kmytI Aqy Adu`qI gurmiq sMgIq sMmylnW,

irkwrifMgz Aqy hor sMgIq kwrjW dI sONpxw kIqI[ ausqwd jsvMq isMG BMvrw ny rwg

inrxwiek kmytI, sRI gurU gRMQ swihb dy v`K-v`K rwgW dIAW jv`dI tkswl vloN

irkwrifMgz ivc mhq`vpUrn Xogdwn pwieAw[ gurmiq sMgIq dy Kyqr ivc Awp dy

pRmu`K SwigrdW ivc pRo. krqwr isMG, pRo. drSn isMG, BweI hrijMdr isMG SRIngr

vwly, BweI inrMjn isMG jv`dI, bIbI bljIq kOr Awid dy nwm ivSyS hn[

hrgunw tkswl dy qIsry pRmuK sMgIqkwr sRI swgr msqwnw hoey jo gwien dy

nwl joVI dy pMjwb bwj dy mwhr sn[ Awp ny pMjwb bwj dy bolW dw cWtI (C`tI) nwl

inkws qy vwdn krky iek nvIn vwdn SYlI nUM pRcilq kIqw[ gwien dy Kyqr ivc

pRis`D gwiek sv. gmdUr AlI, srdUl iskMdr Aqy BrpUr AlI qoN ielwvw Awp dy

Kwndwn dy Anyk gwiek sMgIq Aqy kIrqn dy Kyqr ivc nwmxw K`t rhy hn[ srdUl

iskMdr ny gwiekI duAwrw Aqy BrpUr AlI ny Awpxy joVI dI ivSyS vwdn prMprw nUM

bwKUbI sMBwilAw hY[

hrgunw tkswl aukq iqMn pRmu`K sMgIqkwrW qoN ielwvw ausqwd sMpUrx isMG dI

sMgIq Coh duAwrw Anyk kIrqnIAW ny gurmiq sMgIq dy Kyqr ivc syvw kIqI ijnHW ivcoN

jsvMq isMG, luiDAwxw; DMnw isMG, BweI mihMdr isMG; CotIAW bwrW; BweI sohx isMG,

luiDAwxw; BweI AjIq isMG 'sUrmw rwgI' Aqy BweI bldyv isMG PqihgVH swihb Awid

pRmuK hn[

sMgIq jgq ivc hrgunw tkswl dw nwm ies krky ivSyS hY ikauN jo ies

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21 iBtoh 2014

tkswl dI pnIrI ivcoN sMgIq dI iek v`fI Psl iqAwr hoeI ijs ny dyS ivdyS dy

sMgIq Kyqr ivc vfIAW pRwpqIAW kIqIAW[ ipClI A`DI sdI qoN hrgunw sQwn 'qy ieh

tkswl KwmoS Aqy bMd peI sI[ ienHW sqrW dy lyKk Aqy ies tkswl dy hor iSS mMfl

sdw ies tkswl dI punr surjIqI cwhuMdw irhw[ vweIs-cWslr fw. jspwl isMG dI

AgvweI ivc gurmiq sMgIq cyAr-gurmiq sMgIq ivBwg ny gurmiq sMgIq dIAW Alop

ho rhIAW tkswlW dI punr surjIqI nUM Awpxy ivSyS Akwdimk pRogrwm vjoN ivkisq

kIqw ijs ADIn pMjwbI XUnIvristI vloN msqUAwxw tkswl dI punr surjIqI swl

2012 ivc kIqI geI[

jQydwr Avqwr isMG, pRDwn SRomxI gurduAwrw pRbMDk kmytI ny pUrn sihXog

idMidAW Drm pRcwr kmytI duAwrw hrgunw tkswl nUM pUrn qOr qy muV sQwipq krn dw

AYlwn kIqw hY[ ies sbMD ivc 23 AkqUbr, 2013 nUM hrgunw ivKy pMjwbI XUnIvristI

ivKy iek ivSyS sYmInwr vI kIqw igAw ijs ivc lyKk (fw. gurnwm isMG), fw. jsbIr

kOr, fw. kMvljIq isMG, sRI srdUl iskMdr, fw. virMdr kOr, fw. jbrjMg isMG, sRI

sImw gmdUr, s. jsbIr isMG jv`dI Awid ivdvwnW ny ies tkswl sbMDI Koj p`qr

pRsquq kIqy[

SRomxI kmytI mYNbr rivMdr isMG Kwlsw Aqy gurduAwrw kmytI, hrgunw dy pRDwn

jspwl isMG dI AgvweI ivc swry ielwky ny ies Xqn dw BrpUr suAwgq kIqw hY[

pMjwb dI sMgIq prMprw ivc Ajy vI gurmiq sMgIq dIAW hor tkswlW Aijhy XqnW dI

Aws ivc KwmoS qy Alop ho rhIAW hn ijMnHW nUM muV jIvq qy punr surjIq krn dI loV

hY qW jo ieMnHW tkswlW duAwrw isKweI jWdI sMgIq dI vfyrI ivrwsq nUM AsIN Awaux

vwlIAW pIVHIAW nUM sONp skIAW[

Poto kYpSn

Poto 1 : ausqwd sMpUrn isMG - bwnI hrgunw tkswl

Poto 2 : gurmiq sMgIqwcwrIAw pRo. qwrw isMG

Poto 3 : pRis`D sMgIqkwr ausqwd jsvMq isMG BMvrw

Poto 4 : pRis`D sMgIqkwr ausqwd swgr msqwnw

Poto 5 : lyKk (fw. gurnwm isMG)

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iBtoh 201422

jnvrI mhIny 'bsMq rwg' dI ArMBqw 'qy ivSyS:

sRI hirmMdr swihb ivKy 'rwg bsMq' dI mrXwdw

-ibkrmjIq isMG*

pMcm pwqSwh swihb sRI gurU Arjn dyv jI ny sRI gurU gRMQ swihb jI dIsMpwdnw krn smyN 'sMgIq pRbMD' ƒ ivSyS mh`qv id`qw, ijsdy qihq gurU swihb ny sRIgurU gRMQ swihb dI izAwdwqr bwxI ƒ rwgwqmk pRbMD hyT sMpwidq kIqw[

gurU swihb ies g`l qoN BlIBWq jwxU sn ik lokweI dy mn ƒ dwrSink ivcwrWdI smJ sMgIq dy mwiDAm rwhIN jldI Aqy cMgI qrHW Aw skdI hY[ dUjw mnoivigAwnkp`K qoN vI ieh g`l sp`St hY ik jykr Drm qy sMgIq dovyN iek`Ty ho jwx qW mnu`K AMdrlypSUpuxy dy BwvW ƒ prvriqq kr ky swrQk idSw v`l moiVAw jw skdw hY[ ies g`l ƒswhmxy r`Kdy hoey sRI gurU Arjn dyv jI ny sRI gurU gRMQ swihb ivcly ivSyS 31 rwgW ƒqrqIb ivc ilAw ky 'gurmiq sMgIq' dI prMprw ƒ Amr kr id`qw[

ienHW rwgW dI hI ivSyS Aqy ivl`Kx prMprw ƒ kwiem r`Kdy hoey sRI hirmMdrswihb (sRI AMimRqsr) ivKy gwien kIqw jWdw kIrqn rwgW dy gwien-kwl Aqy ru`q(mOsm) ƒ mu`K r`K ky kIqw jWdw hY Bwv ik AMimRq-vyly, duiphr, rwq Aqy mOsm dyAnuswr sRI guru gRMQ swihb ivc drj gurbwxI ƒ inrDwirq Aqy inrdyiSq rwgW dyAwDwr 'qy 'hzUrI rwgI isMG' Sbd gwien krdy hn[ jykr mOsm nwl sMbMiDq rwgW dIg`l kIqI jwvy qW ienHW iv`coN rwg 'mlwr' Aqy 'bsMq' do pRmu`K rwg hn[ ienHW iv`coN rwg'bsMq' dw SoRmxI sQwn hY Aqy ieh mOsmI rwgW ivc bhuq hI pRis`D rwg hY[

sRI hirmMdr swihb ivKy huMdy gurbwxI-kIrqn ivc 'bsMq' rwg dy gwien dwArMB poh mhIny dI AwKrI rwq ƒ iek Kws mrXwdw nwl kIqw jWdw hY jo ik bhuq hISrDw Aqy rsmI FMg nwl huMdw hY[ vYsy qW swry hI ieiqhwisk gurduAwrw swihbwn ivcrwg 'bsMq' dw gwien kIqw jWdw hY, prMqU sRI hirmMdr swihb ivKy iesdy ArMB dI iekivSyS Aqy v`KrI mrXwdw hY[

sRI hirmMdr swihb ivKy poh mhIny dI AwKrI rwq ƒ l`gBg 8:45 ( pOxy nON)

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iBtoh 201423

vjy ho rhy kIrqn dy dOrwn kIrqn kr rhy rwgI jQy duAwrw sRI AnMd swihb dy pwTdIAW Cy pauVIAW dy gwien auprMq 'ArdwsI isMG' ivSyS rUp ivc sRI gurU gRMQ swihb dyA`gy rwg 'bsMq' dI ArMBqw leI 'Ardws' krdw hY ies auprMq kIrqnI jQw sRI gurUnwnk dyv jI mhwrwj duAwrw aucwrn kIqw Sbd “mwhw mwh mumwrKI ciVAw sdwbsMqu]” dw gwien krdw hY[ ies qrHW sRI hirmMdr swihb ivKy rwg 'bsMq' dy gwiendI ArMBqw kIqI jWdI hY Aqy hwzr sMgq ivc 'kVwh pRSwd' dI dyg Bog auprMqvrqweI jWdI hY[

iPr rozwnw dI mrXwdw ivc 'Awsw dI vwr' ivc Aqy smwpqI dy smyN, hrykkIrqn-cONkI dI ArMBqw ivc rwgI jQy v`loN bhuq hI shj DunW (surW) ivc rwg bsMqivc hI 'mMglwcrn' Aqy iPr Sbd dw gwien kIqw jWdw hY[ Sbd gwien dOrwn rwgIjQy ivc jQydwr Aqy shwiek v`loN Coty-Coty Alwp Aqy bol Alwp kIqy jWdy hn,auprMq Sbd dI smwpqI leI kIrqnI qknIk 'iqhweI' lgweI jWdI hY iPr shwiekau~cy sur ivc slok :- “hir hir nwmu jpMiqAw kCu n khY jmkwlu]” dw gwien krdwhY[ 'bsMq kI vwr' dI pihlI pauVI: “hir kw nwmu iDAwie kY hohu hirAw BweI]” dwgwien rwgI jQy v`loN smUihk rUp ivc kIqw jWdw hY iPr ausy pauVI ƒ shwiek rwgI'qwl-rihq' gwien krdw hY, auprMq jQydwr iksy 'mMglwcrn' slok dw gwien kr ky'bsMq dI vwr' dI dUsrI pauVI:- “pMjy bDy mhwblI kir scw FoAw]” dw gwien'pauVI qwl' ivc krdw hY[ TIk pihlI pauVI vWg shwiek rwgI ies pauVI dw gwien'qwl-rihq' krdw hY[

ies qoN ielwvw kuJ rwgI jQy jo kyvl 'SwSqrI AMg' dw hI kIrqn krdy hnauh bsMq dy pRkwr ijvyN rwg 'bsMq', 'ihMfol' Awid rwgW ivc swrI cONkI dOrwn kIrqnkrdy hn[ kIrqn-cONkI dI smwpqI dy smyN 'mMglwcrn' slok dw gwien kr ky qIsrIpauVI : “ikQhu aupjY kh rhY…” dw gwien kIqw jWdw hY[ iPr slok dw gwien kr kysmwpqI kr id`qI jWdI hY[

ie`Qy ieh vI d`sxw Xog hovygw ik 'bsMq' rwg dy ies pUry smyN dOrwn : “vfwqyrw drbwru…” dy gwien dI jgHw 'bsMq kI vwr' dI qIjI pauVI dw gwien kIqw jWdwhY[

'bsMq kI vwr' dy ies rwg dI mrXwdw 'holy-mh`ly' qk hr roz c`ldI hY['holy-mh`ly' dy idn 'Awsw dI vwr' dy kIrqn dy bwAd hox vwlI 'Ardws' ivc 'bsMq

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iBtoh 201424

rwg' dI smwpqI huMdI hY[ ausy rwq ƒ sRI gurU gRMQ swihb jI dy 'QVw swihb' (sRI AkwlqKq swihb) ivKy rozwnw hox vwly suK-Awsn dy bwAd 'sRI Akwl qKq swihb' dybrWfy ivc ivSyS rUp ivc iek 'kIrqn-drbwr' dw AwXojn kIqw jWdw hY[ ijs ivcrwgI isMGW duAwrw kQw-kIrqn krn dy auprMq ArdwsI isMG Ardws kr ky 'bsMq'rwg nwl sMbMiDq smu`cI mrXwdw ƒ sMpMn krdw hY[

sRI hirmMdr swihb dI smu`cI kIrqn prMprw BwvyN BwrqI sMsikRqI dw AnusrxkrdI hY prMqU ieh SwsqrI sMgIq dIAW aunHW prqW ƒ nhIN ApxwauNdI jo mnu`K ivccMclqw pYdw kr ky aus dy prmwrQk mwrg ivc ivGn pYdw krdIAW hn[ ie`Qy sMgIqkyvl klw-pRdrSnI jW mnorMjn dw swDn nhIN blik pRBU-ausqq, prmwqmw dI aupmwleI aupXogI swDn hY, jo Sbd ƒ rwgwqmk, nwdmeI bxwauNdw hY[

sRI hirmMdr swihb dI ieh ivl`Kx 'kIrqn-prMprw' prmwqmw nwloN v`KhoeIAW rUhW ƒ imlwaux Aqy tu`tIAW hoeIAW surqW ƒ joVn Aqy mwnv-mn ƒ sMswrkmMflW qoN qoV ky AiDAwqmk mMflW nwl joVn dw au~qm swDn hY[ ieh swDn jmW AqymOq dy fr dw AMq krn Aqy 'mn nIvW m`q au~cI) krn dw swDn hY[ gurmiq dI iehmOilk p`DqI Awpxy Awp ivc iek imswl hY[

*2946/7, 87278-00372bzwr luhwrW, cONk lCmxsr, sRI AMimRqsr[ mo :

With best Compliments from a Well Wisher

Wishing you andyour Family

Wishing you andyour Family

Happy New Year 2014

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iBtoh 201425

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Page 26: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

iBtoh 201426

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Page 27: CorelDraw · 2014-01-02 · 4 iBtoh 2014 Çîåz ÁÃÅâó¶ öÂÆÇîåzÁÃÅâó¶ öÂÆ I have been regularly receiving your wonderful Monthly Magazine since long and avidly

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suKivMdr isMG swgr, sMgIq AiDAwpk, gurmiq sMgIq AiDAwpk, sRI AnMdpur swihb, 87250-02015