essentially dance ‘19

program

ISOChoreographed by Jake Mclarnon

Featuring QUT BFA (Dance Performance) 3rd year students

KAIREKAI கைரேகைChoreographed by Csaba Buday in collaboration with the dancers

Featuring QUT BFA (Dance Performance) 2nd year students

Interval

ÈTUDESChoreographed by Graeme Collins

Featuring QUT BFA (Dance Performance) 1st year students

A LITTLE NIGHT MUSICChoreographed by Richard Causer

Featuring QUT BFA (Dance Performance) 3rd year students

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Dr Mark RadvanDiscipline Leader – School of Creative Practice QUT Creative Industres Faculty

dance staff.Dance TeamDR MARK RADVAN (Discipline Leader)CSABA BUDAY (Lecturer in Contemporary Dance / Resident Choreographer)AVRIL HUDDY (Study Area Coordinator / Lecturer in Contemporary Dance / Lecturer in Anatomy & Conditioning)DR STEPHANIE HUTCHISON (Lecturer in Dance)VANESSA MAFE-KEANE (Associate Lecturer in Dance)DR RACHEL MATHEWS (Lecturer in Latin Dance / Lecturer in Dance Theory / Production Coordinator – Dance)ELISE MAY (Associate Lecturer in Dance)ELIZABETH OLD (Lecturer in Dance)

Sessional StaffTOBIAH BOOTH-REMMERS (Guest Artist)JAYDEN GROGAN (Contemporary Partnering)SUSAN HOGARD (Pointework)SUSAN MASSA (Ballet Technique)ANDREA MORRIS-CAMPBELL (Music)PROFESSOR GENE MOYLE (Performance Psychology)LUIS PINTO (Hip Hop)NATHAN SCICILUNA (Fitness)JOSEPH SIMONS (Jazz)ANNE WILBY (Pilates)SHANE WUERTHNER (Fitness)

Dance Health TeamJAN GILDEA (Physiotherapist)JACK HUDSON-WILLIAMS (Provisional Psychologist - UQ Placement)

AccompanistsBRIAN ADAMSON (Piano)BRETT FOWLER (Piano)STEVE FRANCIS (Percussion)CATHERINE YU (Piano)

School of Creative Practice Administration TeamKAREN COMER (School Coordinator)KATE HANNAN (Executive Support Officer to Head of School of Creative Practice)

second year students.

Savannah BARNES Emily BARTLETT Maddison CAMPBELL Tahlia CRAIG Lachlan DOHERTY

Rebecca GILL Jodie HAMMERMEISTER Samantha HARDING Kirrah JOBST Alexia JOHANSEN

Bronte MERRICK Isabella PALMER Sophie ROBERTS Rebecca SCHMIDT Asher SIMKINS

Christiana STEWART Eliza TURTON

first year students.

Kaitlyn VAN DER GRAAF

Grace WHITE

Chelsea PEARCE-GRIMSHAW

Maalfrid SOENDENAA

Hannah BADEN-CLAY

Mercedes WOODROW

Kai TABERNER

Kate UTTING

Anastasia VOGELSANG

Emma WALTON (not pictured)

Ella HARRIS-LAVER

Saska SCOON

Hannah COOK

Madison FARRELL

Hannah GROOM

Grace CAMPBELL

Ella VILLANOVA-KAIGHIN

Emily CHRISTIE

Gia BECKER

Sophie MERTENS

Kaitlin BELL

Krystal WOOLASTON

third year students.

Savannah BARNES

Alivia BOYCE

Maddison CAMPBELL

Georgia BRADFORD Chloe CARTWRIGHT

Alexandra DEWAR Sarah EDWARDS Brock FIEDLER

Rebecca JORGENSEN Tiara LOCKE Erin O’ROURKE

production team.RACHEL MATHEWS (Production Coordinator – DanceTHOMAS EDMISTON (Production Manager – QUT Precincts)GLENN HUGHES (Lighting Designer)EMMA HEALY* (Production Stage Manager) PERSIA LITTLEWOOD* (Deputy Stage Manager) RYAN SWEET* (Head Electrician) SAMUEL SEAGROTT* (Lighting Operator) PATRICK CHUN WO LOU* (Floor Electrician) MICHELLE HAIR* (Head of Sound) LINA/JU TING HSU* (Sound Operator / Archive) ISAAC STEVENSON* (Head of Vision / Archive) TESSA MARINELLI-CLARKE* (Head of Set) KERRY COOPER (Costume Maker)KATE EVANS (Costume Maintenance)*Indicates Technical Production Student

Technical Production StaffTONY BRUMPTON (Course Coordinator)CARLY O’NEILL (Lecturer)TESSA RIXON (Lecturer)

Produced by QUT Precincts for the Creative Industries FacultyJILL STANDFIELD A/Executive DirectorANDREW EARLE Senior Theatre TechnicianJAMES MILLIS Theatre TechnicianTHOMAS EDMISTON Production CoordinatorROSA HIRAKATA Wardrobe SupervisorWARRICK PHILLIPS Workshop SupervisorALISON CLIFFORD Senior Marketing OfficerJESSICA BARRON Customer Service CoordinatorMALLORY CHASE / TRACEY MATHERS Front of House Officer

industry partnerships.QUT Dance acknowledges the ongoing collaborations and passion for dance that is shared with our industry partners: Expressions Dance Company (EDC) and Queensland Ballet (QB). We are very proud of our relationships with these exceptional professional dance companies, and look forward to continuing to cultivate innovative initiatives that are of benefit to our organisations in addition to the broader dance community.

ISO Choreographer JAKE MCLARNONRehearsal Director ELIZABETH OLDMusic Iso JARVIS MILLER and TANYA JONESDancers BFA (DANCE PERFORMANCE) 3RD YEAR STUDENTSCostume Designer JAKE MCLARNON

Inspired by the artworks of Jasper Hills, Iso looks at the uniform period of movement occurring alone or at the same time as another event. The works explores the depth, textures and relationship of opposing colours in his works. Originally performed by Scott Ewen and Jake Mclarnon in Expressions Dance Company’s Converge.

KAIRĒKAI கைரேகைChoreographer CSABA BUDAY IN COLLABORATION WITH THE DANCERSMusic Syvyydessä Kimallus, U-Bahn MIKA VAINIO & Ø, Headphones (Mika Vaninio’s Mix), BJORKDancers BFA (DANCE PERFORMANCE) 2ND YEAR STUDENTSDigital Video ISAAC STEVENSONCostume Designer CSABA BUDAY

The word Kairēkai comes from one of the oldest languages on earth, Tamil, and in English translates to fingerprint; the initial inspiration for this work. Human fingerprints are detailed, nearly unique, difficult to alter, and durable over the life of an individual, making them suitable for long time markers of human identity. It is this idea of markers and human identity which led to the concept of imprinting. In researching this concept, ideas emerged which served as starting points for movement exploration and development. The body became the imprinter; imprinting on self, others, in space and on surfaces.

I chose the colour red for the costumes as a metaphor for zhūshā (a red paste applied to a Chinese chop). The chop is used to imprint a personal seal in lieu of a handwritten signature, therefore leaving a mark of human identity.

I would like to dedicate this work to two seminal figures who passed away this year within the space of four weeks: Dame Margaret Scott (Founder and Director of the Australian Ballet School), and Jonathan Taylor (Director of Australian Dance Theatre). These extraordinary individuals were my teachers and mentors. Their imprinting remained instrumental in my development as a practicing artist.

ÈTUDESChoreographer GRAEME COLLINSRehearsal Director ELISE MAYMusic Selected from Ètudes by KARL CZERNY, orchestra arr KUNDAGE RIISAGER. Recording, orchestra of the LONDON FESTIVAL BALLET, Conductor TERRANCE KERNDancers BFA (DANCE PERFORMANCE) 1ST YEAR STUDENTSCostume Designer GRAEME COLLINS

Ètude means study in French, and in musical terms an ètude is a short and challenging piece of music usually for piano. Cerzney's ètudes were very popular in the 19th Century as challenging exercises for a pianist in order to develop specific areas of their technique. Ètudes is also a one-act ballet created in 1948 by Danish choreographer Harald Lander for the Royal Danish Ballet. Lander had Czerny's piano studies orchestrated (by Riisager), and created his ballet as a homage to classical ballet training. It began with traditional ballet barre exercises and ended with spectacular bravura displays of virtuosity by both the men and women. I did not want to follow the ballet class structural format of Lander, but still intended to adhere to the intention of Czerny's short challenging musical exercises. My choreographic approach therefore is based on each section (ètude) being an arrangement of short and (hopefully) challenging phrases of dance.

For these wonderful 1ST year students, I have reworked eight of my original 16 sections, and also hoped that they would find it fun as well as challenging to dance. The main focus was on musicality, dynamics and accuracy within the organization of balletic type choreography and lively and fast transitional movements. There are also a few subtle (and not so subtle) references to the Lander ballet that I couldn't resist!

A LITTLE NIGHT MUSICChoreographer RICHARD CAUSERRehearsal Director ELIZABETH OLDMusic First Connection CYRILLE BRISSOT, Excavation Pt. 1 THE HAXAN CLOAK, Empty Space Dance BALANESCU QUARTET, Wilder Mann TEHO TEARDO, Sequence 1 HOSHIKO YAMANE, I'll Be Glad When The Sun Goes Down TEHO TEARDODancers BFA (DANCE PERFORMANCE) 3RD YEAR STUDENTS Costume Designers RICHARD CAUSER AND THE DANCERS

A Little Night Music translated in German is Eine Kleine Nacht Musik, which is a painting I adore by surrealist artist Dorothea Tanning. She wrote about her painting and within her explanation she wrote 'life is an ongoing expedition to survive one’s own intense psychology.'

notes.

as Head of Ballet (15 years), and the Taipei National University of the Arts in Taiwan as a visiting Chair Professor (5 years). Graeme has also taught at the Paris Conservatoire, Cloud Gate Dance Theatre of Taiwan, Chinese Culture University Taipei, Tainan University, Shanghai Theatre Academy, Hong Kong Ballet and City Contemporary Dance Company, Vietnam National Opera and Ballet, State Theatre Ballet and Tshwane University of Technology South Africa, Singapore Dance Theatre, Royal New Zealand Ballet, Queensland Ballet and Expressions Dance Company, among others.

RICHARD CAUSER – ChoreographerRichard graduated with a BFA (Dance) at QUT in 2004. In 2006, Richard joined Expressions Dance Company (EDC), touring extensively throughout Australia and internationally to China, Taiwan, South Korea, and USA. Earning nominations for Most Outstanding Male Dancer for 2011, 2012, 2017 and 2018 Australian Dance Awards and a Helpmann Award in 2011. Richard moved to London in 2012, working with dance companies and independent artists touring throughout the UK, Europe, South Korea, India

and Singapore, before returning to EDC in 2016. His choreographic credits include works for the Malaysian Dance Festival, Aboriginal Centre of Performing Arts, EDC, QUT, Third Row Dance Company (UK), Centre of Advanced Training (UK), Inky Cloak Theatre Company (UK), and Raw Moves Company (Singapore). Richard recently finished an Artist-in-Residence at the Hong Kong Academy of Performing Arts, and has now taken on role of Rehearsal Director for EDC under the company’s new direction.

GLENN HUGHES – Lighting DesignerIn a career spanning over 40 years Glenn has worked as a Lighting Designer for many companies including the Melbourne, Sydney and Queensland Theatre Companies, Playbox, Malthouse, Victorian Arts Centre, Queensland Performing Arts Centre, Queensland Ballet, Sydney Opera House, Creative Regions, Real TV, QUT, Barking Gecko, Jute, Melbourne and Sydney Festivals, La Boite and Bangarra Dance Theatre. He has toured extensively with Bangarra Dance Theatre throughout Australia and internationally and

has taught lighting design at WAAPA, RMIT and QUT. Recent lighting credits include Essentially Dance 2013-18, Dance 2017-18, The Ladies, Sons of the Prophet, Three Winters, Government Inspector, Angels in America, The Man Who Came To Dinner and A Chorus Of Disapproval (QUT), Swan Lake (QB), Tall Man (Real TV/La Mama), and It All Begins With Love (Creative Regions).

artist biographiesJAKE MCLARNON – ChoreographerBorn in Perth, Jake completed his training at Western Australian Academy of Performing Arts (WAAPA). Upon graduating, Jake joined Australian Dance Theatre (ADT) for its European tour of Garry Stewart’s Proximity, before joining the ensemble full time. Other ADT highlights include the Australian season of Garry Stewart’s Be Yourself and Birdbrain. He first performed with EDC as a guest artist for the 2016 remount of When Time Stops before returning to ADT to perform Objekt by Garry Stewart. Jake became an EDC

company member later in 2016 under the direction of Natalie Weir, performing in signature works such as Behind closed doors, Mozart Airborne and 4seasons. As a choreographer, Jake’s most recent piece Shift was created for the inaugural 2019 EDC Youth Ensemble production Echo. His work Isochronism created for EDC’s Converge (a collaboration with Queensland Conservatorium) was also performed at the 2018 Australian Dance Awards. Jake also created a work for the 2017 Tenerife Festival in collaboration with visual artist Matt Sheridan and TWFine Art.

CSABA BUDAY – ChoreographerA graduate of the Australian Ballet School, Csaba has had an impressive career as a performer, choreographer and teacher spanning over 35 years. He has worked with many of Australia’s leading professional dance companies including The Australian Ballet, Australian Dance Theatre, Dance North and Leigh Warren and Dancers, performing numerous works by notable Australian and International choreographers, including the work of world acclaimed dance maker William Forsythe (Forsythe Company and

Frankfurt Ballet). During this period Csaba toured extensively throughout Australia, Asia and Europe, performing at major International Arts Festivals, including the Turning World Festival (London). Csaba has choreographed a total of 44 major works, 10 of which were commissioned by Australian Dance Theatre. His works have been presented in Australia, Asia, the Middle East, Europe, the UK and the USA. Csaba is a 1999 Choreographic Fellowship recipient (Choreographic Centre, Canberra). Between 2000 and 2003 Csaba held the position of Artist-in-Residence at the Hong Kong Academy for Performing Arts. Csaba graduated from QUT with a Graduate Certificate in Academic Practice and a Master of Arts (Research) and the Australian Ballet School with a Diploma (Dance).

GRAEME COLLINS – ChoreographerBorn in Brisbane, Graeme started dancing at age 16. He trained in Brisbane, Melbourne, London and New York, and performed with London Festival Ballet (English National Ballet), Royal Swedish Ballet, Pact Ballet South Africa, Queensland Ballet, Royal New Zealand Ballet and Hong Kong Ballet. His teaching career has been mostly in the higher education dance sector, including at QUT (10 years), The Hong Kong Academy for Performing Arts

dance ‘19 29 Oct-2 Nov

GARDENS THEATRE X-block, Gardens Point campus2 George StreetBRISBANE QLD Australia 4000 (07) 3138 4455 or gardenstheatre@qut.edu.auwww.gardenstheatre.qut.edu.au

PATRONS PLEASE NOTE

To ensure that all patrons enjoy the performance Management asks you to note:

• Cameras, photography or recording equipment, and electronic devices should not be used inside the auditorium.

• Switch off alarms and mobile phones prior to the performance.

• Management reserves the right to:

◊ refuse admission

◊ make any alterations in the program which may be rendered necessary by illness or other unavoidable causes.

EVACUATION

PATRONS are advised that GARDENS THEATRE has an EMERGENCY EVACUATION PROCEDURE, a FIRE ALARM system and EXIT escape

signs. In the case of an alert, patrons should remain calm, look for the closest EXIT sign in GREEN, listen to and comply with the directions

given by theatre staff, and move in an orderly manner to the open spaces outside the building.

© 2019 QUT. CRICOS No. 00213J. Produced by QUT Precincts. Information correct at time of printing, subject to change without notice.

Headphones by Adrian Nicholas Matthew Thaws, (Bjork Gudmundsdottir)Universal/Island Music Ltd.Administered by: Universal Music Publishing Pty Ltd Patterns by David Johan Wenngren1631 RecordingsAdministered by: Universal Music Publishing Pty Ltd

credits.