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This portfolio is a showcase of various projects and artwork created during my bachelor and master studies at The Royal Danish Academy of Fine Arts Schools of Architecture, Design and Conservation (Denmark), in addition to projects created during exchange studies at Tohoku University of Art And Design (Japan).
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Filip Alexander Loguin Portfolio 2015
The Royal Danish Academy of Fine Arts, School of Architecture
.1 .2 .3 .4
RamveRk
- An urban framework
C.O.m.a
(Bachelor project)
- Community center / Art Gallery
aRtifiCial/COnstRuCted
- Tectonic study in Japanese context
COmpRessiOn spaCe
- Cafe/Installation
.5 .6 .7 .8
matteR Of light
(Master thesis)
- A Study in densification and daylight
RediReCtiOn
- A junction at Åboulevarden.
fORm finding
- Collection of minor work from bachelor program.
aRt ROOm
- Recreational art space
.4
.3
Yamagata City, Japan 1:50 000
Artificial/Constructed
Compression Space
Copenhagen, Denmark 1:50 000
.8*
.1
.2
.5
.6
Redirection
C.O.M.A
Art room (Form Finding)
Ramverk
Matter of Light
1:10 000
Ramverk .1
Artificial/Constructed
1:10 000
.3
.2 C.O.M.A
1:10 000
.4 Compression Space
1:10 000
Redirection
1:10 000
.5
Art room (Form Finding)
1:10 000
.6
.1
RamveRk - an uRban fRamewORk
(9th semester)
-Mixed-use facility (Transformation)
With a new metro-line soon to be completed in Copenhagen, the immigrant and working-class area surrounding Nørrebro station will stand victim of certain gentrification. This project tries to create a framework to allow local culture and identity to be preserved and materialized in a mixed-use facility.
Focus also lies on the typology (1970’s in situ office blocks). The project tries to work around the stigma and to prove their qualities and acceptance in the present day.
The project tries to, with the least amount of intervention, to transform the building to allow the new program to be established. In addition, allowing it to meet new technical requirements.
Plan 1 / Site plan. 1:400
Plan 2. 1:400
Plan 3. 1:400
Visualization, plan 3. Open programmable space.
Visualization, plan 2. Indoor gallery. Visualization, plan 3. Activation of the facade. Allowing programs to extend and connect vertically through the building.
Visualization, plan 3. Atrium connecting the floors physically and creating light hierarchy within the building.
Spatial section. 1:250
Elevation. 1:25010m
Spatial section. 1:250
Elevation. 1:250
Conceptual section. “Parallel street”.
Minimal intervention. Structural “excavation” and additional outer layers.
2.
1.
3. Community zone
- Large scale- Spontaneous programming - Convocation- Flexible climate zone
- Functions alongside facade- Expandable zone inside public transit area - Flexible space plan by modular wall system
- Unspecifiedopenprogram - Diverse scales- Local impression - Coherent service area; Direct access to loading bay+storage
Elevated street
Commercial zone
Visualization of modular wall system.
A
B
1
2
2
3
33
4
5
7
8
8
Golv
Tak
9
9
6
6
5 m x 8 m
5 m x 5,5 m
A
B
1
2
2
3
33
4
5
7
8
8
Golv
Tak
9
9
6
6
5 m x 8 m
5 m x 5,5 m
Pillar grid diagram.Technical drawings of modular wall system.
Visualizations of tectonic detail and material transition. Conceptual collage. Double facade.
baChelOR pROjeCt [COma](6th semester)
- Community center / Art Gallery
In the heart of Copenhagen, aside one of the most hip areas lies the remains of a severe social building program, constructed in the 1980’s. The neighborhood suffers from growing poverty and crime levels and the program tries to in a subtle way connect these two worlds.
With focus on accessibility and social ownership, the project tries to dissolve the barrier between the realms, while simultaneously sustaining the inherent qualities.
The project is constructed within the current building restraints and works deliberately to morph and distinguish the scale of residential and public function.
.2
Visualizations.
Plan 1.
Plan 5. Roof plan.
Plan 2.Plan 3. Plan 4.
BB
AA
Section A. 1:200
Elevation East. 1:200
Section B. 1:200
Elevation South. Elevation West.
Model photos. Primary structure
Section sketches. Transformative scale.
Section sketches. Transformative scale.
aRtifiCial/COnstRuCted
(7th semester)
Exchange studies at TUAD, Yamagata, Japan
- Tectonic study / Bath facility
A self-study in Japanese architecture. Working conceptually with hydro-tectonics, the project evolves around the transition and relationship between “artificial” and “natural”. The project tries to shed light on the vulnerability of both aspects, both our impact on environment, as well as the disintegration of artificial structures and the role of maintenance in architecture.
.3
A B C D EA B C D EA B C D EA B C D EA B C D E
Tectonic hierarchy, based on artificial persistence.
Water canal, Yamagata City.
Time
Arti�ciality
A
B
C
D
E
PermanentTemporarely
Arti�cially sustained
Naturally occuring
BC
D
A
E
Organic landscape. (River)
Artificial landscape (IKEA store) Water flow transition; reverse hierarchy between natural and artificial landscape.
Plan drawing. 1:200
AA Terrace; Dry, Seasonal
B Rain stone; Acustic, tactile
C Aqveduct; Aucustic
D Arti�cial pond; Stillness
E Floodplain/Wetland; Submerged/Water-Saturated, High level of vegetation, Morphing, Eroding
100 year �oodplain level
B C D E
Conceptual cross section. Tectonic hierarchy of building foundations.
Modal photos/Visualizations.
COmpRessiOn spaCe
(7th semester)
Exchange studies at TUAD, Yamagata, Japan
- Cafe/Installation (Transformation)
Following a survey of the site (Movie) a concept is produced to capture the essence, and to propose an enhancement of the current situation for pedestrians.
This results in an installation and transformation of one the present buildings, serving as a roadside cafe, established within one of the facades. The installation merges with the sidewalk and reflects the rhythm of the site.Through parallax layers, mobile homogeneous elements creates a structure that with integrated furniture enables dynamic space relations and visual expression.
.4
“Devouring the sidewalk”. Isometric drawing. Foldable chair (exploded wall element). Isometric drawing.
“Dynamic zones”. Plan diagram.
Inside view. Collage. “The paralax”. Isometric drawing.
“Transparency”. Collage.
“Anatomy”. Section 1:50.
RediReCtiOn (5th semester)
- A junction at Åboulevarden.
This project is developed within a scenario where one of central Copenhagens most trafficed highways is submerged into a canyon to allow better bike and pedestrian transition in the area. Acting as a bus terminal and orangery, the building and lanscape investigates how spaces and borderlands can be defined by tectonic, materiality and spatial coherence.
.5
Model photos.
“Underground” passage- Collage.
Plans and sections
Sketches. Space, structure.
Sketches. Defining an edge.
Tectonic sketches,
Tectonic sketches. Isometric section.
Context analysis of the local landscape. Sections.
Element studies. Context analysis. Plan. Element studies.
Context analysis. Continental drift.
Exterior visualization.
aRt ROOm (3rd semester)
- A recreational exhibition hall
The projects concept surround the difficulties of establishing a larger facility at the waterfront while conserving public access and dynamic flow in its periphery.
The proposed building tries through variaty in scale, and with diffusion of interior and exterior space to stretch and connect the harbour area and canal.
.6
Interior visualization.
Conceptual flow, space and identity. Collage.
Space distribution and composition. Section.
Exterior visualization.
fORm finding (1st and 2nd semester)
- A selection from first year projects.
During the first year of the studies (department 6) the focus lies in the fundamental understanding of architecture.
Space and MaterialSpace and Scale
Working mainly digitally, Learning to use the media as an immediate sketching and conceptualization tool.
ComposingMapping
.7
Case study: Brion-Vega Cemetery.
Landscape analysis. Sections.
Concept. Elevations.
Conceptual tectonic
matteR Of light
(Master thesis)
A study of light and an attempt to bring a new discourse to the discussion of densification; a critique to the progression of daylight-demand in Denmark.
Originating within a typology, characterized by late modernism tower-block developments, the project investigates the potential of connecting obsolescent areas with the city through refurbishment and introduction of new building mass; focusing on overcoming insufficient access of daylight, quantitatively and more particularly, qualitatively.
Instead of a homogeneous view on light, the project aim to achieve even quality, through means of
diversity. With primary focus on the vertical section, in addition to a decomposition of light-quality, a catalogue of “filters” is proposed as an expression of this diversity.
The study reflect on qualities of light, beyond pure intensity. It suggest a strategy where consumption (absorption) of light can be reduced within the block, by identification and emphasis of qualitative aspects within contrast, “light-information”. Furthermore, it investigates the contextual inherence of those aspects, holistically within the built environment; focusing on the phenomenological aspects of light and on light distribution.
.8
09:00
21 MAR 09:00
21 MAR 11:00
11:00
21 MAR 15:00
15:00
21 MAR 13:00
13:00
09:00
21 MAR 09:00
21 MAR 11:00
11:00
21 MAR 15:00
15:00
21 MAR 13:00
13:00
Summer solstice 21 Jun
10:00
09:00
11:0012:00
13:00
14:00
15:00
Winter solstice 21 Dec
Equinox 21 Mar/Sept
Diagrams. Homogen vs diverse lightscapes.
“Incident Light Composite”
Light Composite
“Filter Light Composite”
“Local Light Composite”
”Global Light Composite”
G
I
IG
L
LF
F
Filter
Global Environmental
Local Environmental
UV Visible IR
Solar radiation without atmospheric absorption
Sunlight at sea level
Wavelenght (nm)
Irradiance (W/m2/nm)
0.5
250 500 750 1000 1250 1500 1750 2000 2250 2500
0.0
1.0
1.5
2.0
2.5
“Incident Light Composite”
Light Composite
“Filter Light Composite”
“Local Light Composite”
”Global Light Composite”
G
I
IG
L
LF
F
Filter
Global Environmental
Local Environmental
UV Visible IR
Solar radiation without atmospheric absorption
Sunlight at sea level
Wavelenght (nm)
Irradiance (W/m2/nm)
0.5
250 500 750 1000 1250 1500 1750 2000 2250 2500
0.0
1.0
1.5
2.0
2.5
Conceptual section. “Building light-armature”. 1:200 Diagrams. “Light composite”.
Even distribution of absorbed lightExisting equality (Homogeneous) Existing direct sky High density; direct sky
Independent layer
General layers
Overstory
Floor level
“Canopy”
Understory
Reflective/low-absorbing
AbsorbingSocial light hierarchy Light informationQuantitative light
Reflective layer
Absorbing layer
“Mono-exposure”
“Poly-exposure”
Observing layer
Exposed layer
Semi-exposed layer
Interdependent layer
Global light composite
Local light composite
(Unobstructed view)
(Layers of light information)
Diagram. Layers of light composites.
FilteredLight-Information
RawLight-Information
Light-InformationHierarchy
C
B
B
A
A
Normal zone ExponentialView angle
Simple; High reflection
Urban canyon
Absorption Non-utilization
Misdirected
SS WS
WSWS
Courtyard
Family apartments; direct access to courtyard in addition to visual connection.
Light transmitting solar shading and intensity altering. Re/directing excess light downwards to the urban canyon.
Studio apartments. Panorama; skyline; direct sun
Sky-dome/Visible sky
Sun direction
Large, absorbing openings with controlled exposure (privacy)
Extension of facade. Increased variety of spatial relations.
Service layer
Projected space and transmitted light, through transparent design
Conceptual section. High diversity of filters and holistic interplay. Conceptual sections. Social hierarchy; exposure.
Perceived light
TimeSpace
Orientation Movement Intensity
“Deciphering”
OpositeLight InformationExchange
B
A
Object
Filtered Light Information
ReturnedLight InformationExchange
Direct
Direct
Transmitted
Transmitted
Reflected/Scattered/Distorted...
Captured
Captured
Negative Light Information
Light Information
“Incident Light Composite”
Light Composite
“Filter Light Composite”
“Local Light Composite”
”Global Light Composite”
G
I
IG
L
LF
F
Perceived light
Spatial Information Pictured Information
Information composition
Subjective Understanding
TimeOrientation
Orientation Movement Intensity
“Deciphering”
Space
Incident LightSource of Light)
Light Information(Width= Light Intensity)
Filter
Global Environmental
Local Environmental
z
xy
UV Visible IR
Solar radiation without atmospheric absorption
Sunlight at sea level
Wavelenght (nm)
Irradiance (W/m2/nm)
0.5
250 500 750 1000 1250 1500 1750 2000 2250 2500
0.0
1.0
1.5
2.0
2.5
OpositeLight InformationExchange
B
A
Object
Filtered Light Information
ReturnedLight InformationExchange
Direct
Direct
Transmitted
Transmitted
Reflected/Scattered/Distorted...
Captured
Captured
Negative Light Information
Light Information
“Incident Light Composite”
Light Composite
“Filter Light Composite”
“Local Light Composite”
”Global Light Composite”
G
I
IG
L
LF
F
Perceived light
Spatial Information Pictured Information
Information composition
Subjective Understanding
TimeOrientation
Orientation Movement Intensity
“Deciphering”
Space
Incident LightSource of Light)
Light Information(Width= Light Intensity)
Filter
Global Environmental
Local Environmental
z
xy
UV Visible IR
Solar radiation without atmospheric absorption
Sunlight at sea level
Wavelenght (nm)
Irradiance (W/m2/nm)
0.5
250 500 750 1000 1250 1500 1750 2000 2250 2500
0.0
1.0
1.5
2.0
2.5
Diagram. “Light information”
Filtering categories.
Resume
eduCatiOn
masteR Of aRChiteCtuRe pROgRamthe ROyal danish aCademy Of fine aRts sChOOl Of aRChiteCtuRe (kadk), COpenhagen, denmaRkdepaRtment: settlement, eCOlOgy & teCtOniCs (set)fall 2014- summeR 2015 (gRaduatiOn)
baChelOR Of aRChiteCtuRe pROgRamthe ROyal danish aCademy Of fine aRts sChOOl Of aRChiteCtuRe (kadk), COpenhagen, denmaRkdepaRtment: 6 + 8fall 2010- summeR 2013
high sChOOlÅllebeRgsgymnasiet, falköping, sweden | elite vOlleyball sChOOl / natuRe sCienCe pROgRamfall 2006- summeR 2009
exChange studies
tOhOku univeRsity Of aRt and designtOhOku univeRsity Of aRt and design (tuad), depaRtment Of aRChiteCtuRe, yamagata City, japanfall 2013 - spRing 2014
inteRnship
tRansbORdeR studiOtRansbORdeR studiO as, OslO, nORwayfebRuaRy 2014- august 2014
Relevant expeRienCe
metal wORkeRset, swedish expOsuRe teChnOlOgy, stenkullen, swedenapRil 2012- august 2012
lead aRtist | wORld designeRmashiyu enteRtainment, seattle, usa (wORking fROm sweden) | independent game develOpmentjanuaRy 2012- august 2012
aCtivities
vOlleyballswedish u21 ChampiOn | hylte vOlleyball Club 2008swedish men’s natiOnal yOuth vOlleyball team2008
awaRds and hOnORs
CaRl eRik levins stiftelse | ReCipient 2010, 2013dReyeRs fOnd | ReCipient 2013velux gRant (hOnORable mentiOn) | ReCipient 2015 (“MatterofLight”)aRkitektuR n (published wORk, tRansbORdeR studiO) | nR.4-2014, p.18-90
skills
pROfiCient undeRstanding3d studiO max, vRay, RhinO3d, gRasshOppeR, adObe paCk, sketChup, autOCad, wOOd wORking equipment, metal wORking equipment, mOdel making, digital phOtOgRaphy.
basiC undeRstandinggis, eCOteCt analysis, Revit, visual basiC, C++, web design, miCROeleCtROniCs.
swedish | nativenORwegian | fluentdanish | fluentenglish | fluentgeRman | basiC
filip alexandeR lOguin
bjöRCksg 18, 416 52 gOthenbuRg, sweden
+46 (0) 723188991
lOguin.se