Finemusic 美樂集(09/2016)

SEPTEMBER 2016 二零一六年九月號

Artist-in-Residence

Andrew Ling 凌顯祐駐台演奏家

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SEPTEMBER 2016 | FINE MUSIC | FOREWORD 前言

Our July Artist-in-Residence flutist Sibei Weng gave an impressive recital to a full house at Studio One. The crowd was thrilled and the queue for her autograph took a long time to clear. A flashback of the event is on P. 4. This month, our final ‘Artist-in-Residence’ of the year, violinist and viola player Andrew Ling takes the stage.

A word about that special instrument – the viola! In an orchestra, the violin has the bright, soaring melodies, the cello and double bass get the sonorous low notes. The violas don’t have the sparkling timbre or ringing bass sound. Composers have given them some very important moments, for example at the beginning of Tchaikovsky’s ‘Pathétique’ Symphony No. 6. But, more often, they are in the middle sound, modestly providing harmonic, rhythmic and textural support to others. Partly because of its rather melancholic tone and limited volume, the viola also has a much smaller solo repertoire. Ironically, the instrument seems to be famous for being infamous!

This month, though, the viola has a time to shine on Radio 4!

Andrew Ling will give a live recital playing both the violin and the viola on 29 September at Studio One. A week earlier, you can hear his pre-recorded recital. These two programmes are friendly gatherings when he will be joined by his musical colleagues in chamber works of different combinations. Andrew is a highly versatile musician. He is the Hong Kong Phil’s Principal Violist, a distinguished violinist, a gifted conductor, an avid chamber musician, and a radio presenter! No kidding, this month, on top of performing, our ‘Artist-in-Residence’ will be joined by French culture expert Joanne Chan to introduce to you French music and lifestyle in the segment ‘Vive la musique classique française’ broadcast every Tuesday and Thursday at 5:30pm in Four for Classics.

The great Finnish composer Einojuhani Rautavaara passed away on 28 July at the age of 87. He wrote in a variety of styles and had a huge output, encompassing different genres of music. Aside from Sibelius, Rautavaara is generally considered the most notable Finnish composer. For this reason, the Finnish Broadcasting Company has offered us some recordings from live concerts of works by Rautavaara. You can hear his ‘Cantus Arcticus’, which bears a subtitle - Concerto for Birds and Orchestra. Other works in the programme include his Arabescata and Ballad for harp and string quintet. You can also hear Rautavaara talking in English about the inspirations behind the Ballad. That’s a special remembrance episode of Live on 4 to be broadcast on 24 September.

A word about The Rain It Raineth – A Shakespeare Journey in Words and Music which will take place at Studio One, Broadcast Drive on 2 September. The artists are all set to bring you a delightful combination of music and literature. If you haven’t reserved a seat, call us at 2339-6425 during officer hour. If you can’t get one of the few remaining tickets, you can listen to the concert in Live on 4 on 17 September. Please also watch out for the video version which will be uploaded onto our website and Radio 4’s YouTube channel from 18 September.

Finally, please join us to wish Rachel Lai all the best as she gets married and moves to Busan, South Korea, to start her new life with her husband Changsoo Lee. Radio 4 thanks Rachel for her two years of valuable service for the channel.

Jimmy Shiu Head, Radio 4

7 月份駐台演奏家翁斯貝在座無虛席的一號錄播室帶來了精彩演

出，觀眾反應熱烈，排隊等候索取簽名的人龍久久未能消散。當日

盛況刊於第4頁。今年，我們最後一位「駐台演奏家」― 精通小提

琴和中提琴的凌顯祐將於本月登場。

提到中提琴，它是一件相當特別的樂器。在管弦樂團中，小提琴演

奏明亮高亢的樂句，大提琴和低音大提琴演奏雄渾的低音；中提琴

的聲音既不光輝，也不震撼。多位作曲家卻曾把好些重要的樂句交

予中提琴，如柴可夫斯基第六交響曲「悲愴」的開始部份，就是典

型的例子。不過，中提琴較多在中音區「謙虛」地為其他樂器帶來

和聲、節奏及織體上的配搭；也由於它的音色比較沉鬱，音量又不

太大，所以獨奏曲目較少，亦鮮有中提琴獨奏會舉行。倒也有些吊

詭，似乎中提琴「不為人熟悉」，就是它最為人熟悉之處！

然而，中提琴於本月將在第四台以主角亮相！

9月29日，凌顯祐於一號錄播室以小提琴和中提琴演出。一週前，

會先有他的錄音音樂會。兩套節目可說是良朋共聚，當中他與音樂

好夥伴，演出不同組合的室樂作品。凌顯祐多才多藝，是香港管

弦樂團的中提琴首席，演奏小提琴同樣水準一流；他亦是一位優秀

的指揮，也熱愛室樂演奏，更是電台節目主持人！沒錯，除奏樂

之外，我們這位「駐台演奏家」於本月逢星期二及四播出的四時行

樂，將與法國文化及旅遊達人陳祖泳在「法識音樂」環節中，跟聽

眾分享法國音樂和生活情懷。

著名作曲家拉特化拿於7月28日去世，享年八十七歲。他的寫作風

格多變，產量驚人。一般認為，他是繼西貝流士之後，最多人認識

的芬蘭作曲家。正因如此，芬蘭廣播公司特別送上多場拉特化拿作

品的現場錄音供樂迷欣賞。在9月24日的第四台音樂會中，你可以

聽到他的「北極之歌」，這套作品的副標題是雀鳥與樂團協奏曲；

其他曲目包括《阿拉伯斯加達》及為豎琴和弦樂五重奏而寫的敍事

曲。你更可聽到作曲家以英語介紹這首敍事曲的靈感來源。

提提你，我們將於9月2日在一號錄播室舉行唱‧誦‧莎士比亞。演

出者已準備就緒，為你送上一個文字與音樂完美結合的聚會。如果

你尚未留座，可於辦公時間內致電2339-6425碰碰運氣。你亦可於

9月17日收聽「第四台音樂會」，並在9月18日起，收看第四台網

頁或YouTube上的視像版。

最後，讓我們一起恭賀黎慧因。她即將出嫁，並移居釜山，與她的

韓籍夫婿李昌受展開人生新一頁。感謝她過去兩年為第四台作出寶

貴的貢獻。

第四台節目總監　蕭樹勝

▲ Our ‘Artist-in-Residence’ Andrew Ling doubles as programme presenter along with Joanne Chan, and Rachel Lai (right) who has just left Radio 4 to be a Korean bride!「駐台演奏家」凌顯祐、陳祖泳與黎慧因(右)一同開咪做主持。黎慧因剛離開第四台，即將到南韓成為過埠新娘。

掌台人隨筆From The Desk of HR4

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支持致以最深謝意。有興趣成為「美樂

集」贊助者的朋友，可在辦公時間內致電

9073 3474 查詢有關詳情。

DIAMOND PATRON 鑽石贊助者 Sir Gordon & Lady Wu 胡應湘爵士伉儷

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SHARE Your LOVE of Music with US,

Become a PATRON『美樂集』of ‘FM’ !

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SEPTEMBER 2016 | FINE MUSIC | CONTENTS 目錄

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SEPTEMBER 2016 二零一六年九月號

01 FROM THE DESK OF HEAD, R4掌台人隨筆

SPECIAL FEATURES 特稿04 Artist-in-Residence Sibei Weng – Flashback

駐台演奏家翁斯貝 ― 剪影

COVER STORY 封面故事09 Artist-in-Residence Andrew Ling

駐台演奏家凌顯祐

COLUMNS 專欄19 Sunday Opera 歌劇世界

23 Madly Musical 非常音樂家

25 Musical Exchange 談天論樂

27 Four for Classics 四時行樂

32 Songs of the Earth 大地之歌

35 New Releases 碟碟不休

36 Friends of Radio 4 第四台之友

38 Concert Highlights 音樂會轉播精選

43 Main Programme Chart 節目時間表

45 Programme Highlights 節目精華

55 ‘FM’ Classified Board 《美樂集》分類廣告

56 Coda

美樂集FINE MUSIC

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駐台演奏家 ― 剪影翁斯貝Artist-in-Residence Sibei Weng – Flashback

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Daphne Lee 李德芬

Flutist Sibei Weng was our ‘Artist-in-Residence’ in July. She teamed up with pianist Cherry Tsang and cellist Vincent Lu to

perform five works of music in three different genres: Western classical, jazz, and modern Chinese music. The idea behind this

arrangement was to bring out, from simple to complex, the different layers and tensions that the flute can create. Her skilful and

professional experience attracted an audience that lined up in the foyer of RTHK Broadcasting House an hour before the concert!

This live concert was broadcast on 14 July, and you can listen to it again via our programme archive at www.rthk.hk/radio4.

7月14日，香港電台一號錄播室高朋滿坐。熱情的觀眾早在晚上7時已在廣播大廈大堂等候入場，欣賞於8時現場直播「駐台演奏

家」翁斯貝的音樂會。當晚，吹奏長笛的翁斯貝聯同鋼琴家曾捷麗與大提琴家呂佳送上五首精彩作品。音樂會曲目有當代中國音

樂、爵士風格的樂曲，也有傳統的西方古典音樂。翁斯貝表示，希望透過這場音樂會展現長笛由簡單至豐富的層次感和張力。透過

翁斯貝的專業演奏，大家都見識了長笛那豐富的音色，實在大開眼界。

請登入香港電台第四台網頁 www.rthk.hk/radio4 的「節目重溫」，尋找「駐台演奏家：翁斯貝」及重溫她的精彩演出。

▲ In the second half of the recital, Sibei Weng, pianist Cherry Tsang and cellist Vincent Lu played Carl Maria von Weber’s Trio in G minor and Claude Debussy’s Piano Trio in G.

下半場時，翁斯貝聯同鋼琴家曾捷麗和大提琴家呂佳送上韋伯的G小調三重奏和德布西的G大調鋼琴三重奏。

SEPTEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿4

C.P.E. Bach’s Sonata in A minor for flute solo, Wq. 132C.P.E. 巴赫的A小調長笛獨奏奏鳴曲，Wq. 132

SEPTEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

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▲ Sibei Weng and pianist Cherry Tsang after playing Poem for Dance by Huang Anlun and Doodle & Flight Jazz Suite by Mike Mowerd.

翁斯貝和鋼琴家曾捷麗剛演奏完黃安倫的「舞詩」和莫爾的《塗鴉與飛行爵士組曲》

▲ What were you laughing at? 你們在笑甚麼？

MCs Rachel Lai and Jonathan Douglas 司儀黎慧因與杜格尊

Sibei Weng and her father Weng Zhenfa, a renowned sheng performer, who influenced her profoundly on the use of qi in playing flute.

翁斯貝和爸爸翁鎮發。他是著名笙演奏家，難怪翁斯貝對「氣」的運用獨有心得。

▲

▲ A full house recital! 演奏第一首作品時，全場已座無虛席！

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SEPTEMBER 2016 | FINE MUSIC | SPECIAL FEATURES 特稿

Hong Kong sheng player Loo Sze-wang came to support Sibei Weng香港笙演奏家盧思泓也前來支持翁斯貝

▲

▲ The performers and the production team 三位演奏家和工作人員

▲ The enthusiatic audience at the autograph session 簽名會有許多熱情的觀眾

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SEPTEMBER 2016 | FINE MUSIC | COVER STORY 封面故事

Artist-in-Residence

Andrew Ling

‘I see every piece of music as a life, or an episode in life of oneself, and I would love to narrate that story to everyone through music.’

「我視每首音樂為人生，或人生中的一個片段，

渴望以音樂向所有人訴說人生故事。」

凌顯祐駐台演奏家

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Violists are not unlike people who work invisibly around us: construction workers, street cleaners, people who trim plants

on the sides of the streets… They might be unnoticed but they are quietly making solid contributions. The viola has a similar

unremarkable role in the history of music. It was described by German composer Johann Joachim Quantz (1697 - 1773) as,

in his times, an instrument ‘commonly regarded as of little importance in the musical establishment’. Less than subordinate, it

seemed to be something one could easily do without. Even today, when parents encourage children to take up an instrument, the

usual choice would be violin or cello, seldom, if ever, the viola. Born and raised in Hong Kong, Andrew Ling is a wonderful violist,

currently Principal Viola of the Hong Kong Philharmonic. Is he an exception by any chance? Was the viola his first instrument?

Music Stories Quietly Told

Musical beginning

‘I got asked that a lot,’ he said. It turns out he did not start with the

viola, but the piano, his kindergarten instrument. The moment when

a string instrument entered his life was before he started primary

school, when he went to a violin recital with his father, and afterwards

wanted to learn the violin. It was not long before he was touring

internationally as a violin soloist in Yip’s Children’s Choir around Asia,

Europe, and America. The viola naturally came to him later as a result

of trying out quartets with his friends. He would play the viola part

when nobody else wanted to.

THE unnoticed pillar, sky, and sunlight

Accomplished at both string instruments, why did he surrender the

flamboyant violin aureole and instead chose the little-noticed viola?

Andrew explained the instrument’s crucial role in music, ‘The viola

fills in the harmonies for others and is like the pillar of a building,

one that is not necessarily seen but nonetheless extremely important.

Let’s imagine the painting of Monet’s Haystacks without the sky and

sunlight. All the meaning and atmosphere in the paintings would

be gone and no one would be able to appreciate the beauty of

the haystacks. Violists play the role of the sky and the light in the

paintings, subtle but crucial. It sets up the mood for the melody and

when we have a tune written for the viola, it is always one of the best

and most gorgeous tunes in the piece. The viola tune in Bruckner’s

Fourth Symphony, which we just played with Maestro van Zweden

this year was beautiful and it was almost like the sound from heaven.’

Working with orchestra is a major part of Andrew’s musical career.

Lorin Maazel, Christoph Eschenbach, Edo de Waart, and Jaap van

Zweden are just some of the leading conductors he has worked

with. Aside from his role as a solo and orchestral player, he is also a

Shing Chun-hay

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conductor of various orchestras. Chamber music was how Andrew began to be connected

with the viola and it has continued to be a genre he is very passionate about. He has played

with many renowned musicians including Cho-liang Lin, Jamie Laredo, and our own RTHK

Quartet, as well as being a regular at the Hong Kong International Chamber Music Festival.

Music gatHEring

Times have changed. The viola is no longer the mundane accompanying instrument

of Quantz’s time. Andrew will demonstrate in this month’s two ‘Artist-in-Residence’

programmes that the viola can also stand on its own. For the recorded programme to

be broadcast on Thursday, 22 September, in addition to including Piazzolla’s Le Grand

Tango—his personal favourite—and Vieuxtemps’s technically challenging Élégie, he will

also perform on the violin in sonatas by Ysaÿe, Mozart, and Brahms. Pianists Nancy Loo,

Michael Mak, and Dora Tsang will join him in this programme that covers a wide spectrum

of musical styles and periods.

As for the live concert on Thursday, 29 September, it will be ‘a gathering of my friends

and colleagues’ in Andrew’s words, as he has again invited Michael Mak, whom he has

worked with since high school, and also Hong Kong Philharmonic colleague, cellist

Richard Bamping, as guest artists. The programme features Bach’s Sonata for Viola da

Gamba; Tchaikovsky’s Piano Trio, ‘an emotional roller coaster’; and a 21st-century work

by Andrew’s friend, Finnish composer Magnus Lindberg. It is a repertoire spanning three

centuries of music in one evening.

‘I see every piece of music as a life, or an episode in life of oneself, and I would love to

narrate that story to everyone through music.’ Not only will interesting stories be told but

also they will beautifully be told in the ravishing sounds of two irreplaceable instruments.

Andrew will play on a Guadagnini violin, specially loaned to him by violin maker Florian

Leonhard for this project. Meanwhile, the viola he uses is one made by Gaetano Sgarabotto.

Don’t miss these exciting final programmes of this year’s ‘Artist-in-Residence’!

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▲ Andrew Ling (center) together with the RTHK Quartet at Lingnan University 凌顯祐 (中)與香港電台弦樂四重奏於嶺南大學演出

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中提琴手有點像社會裡默默耕耘的人，像建築工人、清理街道的人、修剪路旁花草的人，雖不起眼，卻踏

實地默默貢獻付出。音樂歷史裡，中提琴也彷彿擔當配角角色。德國作曲家昆安斯 (1697 - 1773) 曾表示當

時中提琴「在音樂體制中普遍被視為不重要」，原來連配角也當不成，變了閒角。來到今天，家長鼓勵子

女學樂器一般只會想到小提琴、大提琴，亦少有中提琴的份兒。現任香港管弦樂團(港樂)中提琴首席的凌顯

祐，於香港土生土長，擁有出色演奏造詣的他，是否眼光獨到，打從一開始就喜愛中提琴？

音樂起點

「我常常被問到這個(問題)。」凌顯祐這樣回應。原來他的音樂起點並非中提琴，而是幼稚園時已接觸的鋼

琴。升小學前跟爸爸欣賞過一場小提琴獨奏會後，他主動提出學小提琴，從此弦樂成為他生命的一部份，

不久更以小提琴獨奏身份，隨葉氏兒童合唱團巡迴亞太、歐美演出。後來與朋友一起試奏四重奏，沒有人

拉中提琴就由他頂上，如此順理成章與中提琴結緣。

不起眼的支柱、天空、光線

既然小提琴與中提琴功夫均手到拿來，為何捨棄小提琴的主角光環，反而選擇隱藏在較不起眼的中提琴角

落？凌顯祐道出中提琴在樂曲中的關鍵角色：「中提琴為其他聲部填補和聲，有如建築物的支柱，未必起

眼，卻至關重要。試想像莫奈的畫作《乾草堆》，假如失去了天空和光線，畫作的意義與氣氛也會蕩然無

存，無法細味乾草堆的美態。中提琴正是擔當畫作中天空與光線的角色，含蓄卻重要，為旋律建構氣氛。

而且中提琴每逢拉奏旋律，也總會是樂曲中最扣人心弦的調子。今年與港樂在梵志登指揮下演奏過布魯克

納的第四交響曲，那段中提琴旋律簡直如同天籟一樣。」

默默訴說的音樂故事


成俊曦

樂團佔凌顯祐音樂事業中非常重要的

部份，與他合作過的指揮均是首屈一

指的大師，包括馬錫爾、艾遜巴赫、

迪華特和梵志登等。除獨奏者和樂

手的角色以外，他更以指揮身份與不

同樂團合作。室樂是凌顯祐接觸中提

琴的起點，至今依然是他非常醉心的

演奏領域。他曾與林昭亮、拉雷杜、

香港電台弦樂四重奏等音樂家同台，

亦經常獲邀於香港國際室內樂音樂節

演出。

▼ Claude Monet's Haystacks At Sunset, Frosty Weather 莫奈的《乾草堆》 (1891)

凌顯祐

駐台演奏家

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Concert by ‘Artist-in-Residence’ Andrew Ling Ticket Request Form

「駐台演奏家」凌顯祐音樂會門票索取表格

Date 日期：29/9/2016 (Thu 星期四)

Time 時間：8:00pm

Venue 地點：RTHK Studio One, Broadcasting House, 30 Broadcast Drive, Kowloon Tong, Kowloon 九龍塘廣播道30號香港電台廣播大廈一號錄播室

Name 姓名：

Address 地址：

E-mail 電郵地址：

Tel. 電話：　（Day 日間）　（Evening 夜間）

FOR4 Membership No. 第四台之友會員編號 (if applicable 如適用)：

Number of Tickets 門票數量

(Please specify the no. of tickets, maximum 2) (請列明數量，最多兩張)

Please return the completed form to:Radio 4, RTHK, 30 Broadcast Drive, Kowloon Tong, Kowloon, HK請郵寄至香港九龍塘廣播道30號香港電台第四台

Fax 傳真：2339 6427 Enquiries 查詢：2339 6425


以樂會友

時移世易，中提琴不再像昆安斯的年代被視為平淡的

伴奏樂器，從凌顯祐本月兩場「駐台演奏家」曲目足

證中提琴也能獨當一面。他為9月22日（星期四）播

出的錄音音樂會，挑選了個人至愛的皮亞蘇拉〈大探

戈〉，還有魏歐當挑戰技巧難度的悲歌。他更會拉奏

小提琴，送上易沙意、莫扎特和布拉姆斯的小提琴奏

鳴曲。羅乃新、麥柱基與曾樂冰三位鋼琴家，將與他

合作帶來這套跨越多個年代、多種風格的曲目。

至於9月29日（星期四）的現場音樂會，按凌顯祐形容

是一次「以樂會友的聚會」。他再次邀請了早於中學

時期認識的麥柱基為他彈奏鋼琴，另外還有港樂同事

鮑力卓拉奏大提琴，由巴赫的古提琴奏鳴曲開始，到

柴可夫斯基筆下「情感起伏如坐過山車」的鋼琴三重

奏，再到凌顯祐好友，芬蘭作曲家連保的二十一世紀

作品，攜手將橫越三個世紀的曲目濃縮於一晚送上。

「我視每首音樂為人生，或人生中的一個片段，渴望

以音樂向所有人訴說人生故事。」除了悉心預備的精

彩故事，凌顯祐更特別為本月的演出，向小提琴名

匠里安赫特借來寡達尼尼小提琴，又會以史加拉波托

中提琴演出，樂迷將可以在大氣電波和現場演出欣賞

到兩把名琴的醇美音色。萬勿錯過本年度「駐台演奏

家」系列的兩場壓軸節目！

Andrew Ling’s live concert will be on Thursday, 29 September, at 8pm at RTHK Studio One. Please fill in the form for tickets, distributed on a first-come-first-served basis. Or you can also visit our website (www.rthk.hk/radio4) to download the form and email to us: [email protected]. Andrew’s recorded programme for another set of pieces will be broadcast on Thursday, 22 September, at 8pm.

凌顯祐的現場音樂會將於9月29日(星期四)晚上8時在

香港電台一號錄播室舉行，歡迎填妥表格索取門票，

門票有限，先到先得。另外，你亦可以登入第四台

網頁 (www.rthk.hk/radio4)，下載門票索取表格、填

妥及電郵至 rad io4@r thk .hk。錄音音樂會則安排於

9月22日(星期四)晚上8時播出。

© Y

anko

v W

ong

15

Arts Happenings 藝壇快訊

SEPTEMBER 2016 | FINE MUSIC | COLUMNS 專欄

Just like that, BBC Music Magazine recently asked 151 conductors across the globe to come up with three best symphonies of their choice in any order. The results were then processed into a list of top 20 greatest symphonies. And now let’s find out how many of your choices match with the top 10 voted among conductors such as Simon Rattle, Jonathan Nott, Han-Na Chang, Marin Alsop and Sakari Oramo.

1. Beethoven: Symphony No. 3, ‘Eroica’

2. Beethoven: Symphony No. 9, ‘Choral’

3. Mozart: Symphony No. 41, ‘Jupiter’

4. Mahler: Symphony No. 9

5. Mahler: Symphony No. 2, ‘Resurrection’

6. Brahms: Symphony No. 4

7. Berlioz: Symphonie Fantastique

8. Brahms: Symphony No. 1

9. Tchaikovsky: Symphony No. 6, ‘Pathetique’

10. Mahler: Symphony No. 3

As you can see, symphonies written by composers from Germany and Austria proved to be the most popular, occupying eight out of ten places. Beethoven topped the list, and Oliver Condy, editor of the BBC Music Magazine, did not find it surprising. ‘Conductors love conducting it. They love it because there is just so much to it, there is so much happening... that opening is a real punch in the face,’ said Condy, referring to Beethoven’s ‘Eroica’ Symphony.

Mark Brown, the arts correspondent of The Guardian, however, found it surprising that Beethoven’s No. 5 is not on a top 10 spot, but came in 11th place. The arguably more popular No. 40 by Mozart ranked at 15, surpassed by his final symphony, No. 41, which came in third place. The most recent work on the list is Symphony No. 5 composed by Shostakovich in 1937, ranking at 17. Condy explains that writing shorter orchestral pieces with titles is more in style than writing symphonies nowadays, attributing to the absence of modern symphonies on the list.

What about the exact choices of famous conductors? Simon Rattle’s top three were Beethoven’s Third, Bruckner’s Eighth and Mahler’s Das Lied von der Erde. Marin Alsop voted for Barber’s First, Brahms’ Third and Mahler’s Second. Sakari Oramo’s choices were Beethoven’s Third, Mahler’s Third and Sibelius’ Fifth. Did your favourite symphonies appear in this top 10?

Tune in to Artbeat every Saturday at noon for more arts happening around town.請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

Rachel Lai 黎慧因

The Top 10 Symphonies Voted By Conductors由眾指揮家投票選出的「十大交響曲」

就如你剛才所作，《英國廣播公司音樂雜誌》最近訪問了世

界各地一共151位指揮家，邀請他們不分排名，選出三首他

們最喜愛的交響曲，所得的結果會被列入二十大交響曲。想

知道你選出來的交響曲，和眾指揮家包括力圖、諾特、張漢

娜、艾爾梭和奧拉姆的相同嗎？請參閱以下名單。

1. 貝多芬：第三交響曲，「英雄」

2. 貝多芬：第九交響曲，「合唱」

3. 莫札特：第四十一交響曲，「邱比特」

4. 馬勒：第九交響曲

5. 馬勒：第二交響曲，「復活」

6. 布拉姆斯：第四交響曲

7. 白遼士：幻想交響曲

8. 布拉姆斯：第一交響曲

9. 柴可夫斯基：第六交響曲，「悲愴」

10. 馬勒：第三交響曲

明顯地，德國和奧地利地區作曲家所創作的作品最受歡迎，

十大排名中共佔八席。對於貝多芬的交響曲能居首位，《英

國廣播公司音樂雜誌》的編輯江狄並不感到稀奇。他特別對

貝多芬的第三交響曲有以下評論：「指揮都很喜歡演奏這首

作品。喜歡的原因，是因為音樂實在很豐富，很多精彩的片

段接連發生……尤其在開始部份，猶如被擊中一搥，令人目

瞪口呆。」

《衛報》的藝術記者布朗則對貝多芬的第五交響曲排列第十

一，而並未列入十名之內感到驚訝。另外，莫札特較著名的

第四十交響曲只排行第十五，被他生前最後一部，排列第三

名的第四十一交響曲大大超前。而名單上最近代的作品是蕭

斯達高維契於1937年創作的第五交響曲，排行第十七。江狄

解釋，近代作曲家較喜歡創作帶有標題、較短的管弦樂曲，

因此名單上亦鮮見近代作品。

那麼，著名指揮家的選擇又是甚麼？力圖的「三大」是貝多

芬的第三交響曲、布魯克納的第八交響曲以及馬勒的「大地

之歌」。艾爾梭的選擇是巴伯的第一交響曲、布拉姆斯的第

三交響曲和馬勒的第二交響曲。而奧拉姆則選擇了貝多芬的

第三交響曲、馬勒的第三交響曲以及西貝流士的第五交響

曲。那麼，你最喜愛的交響曲又有否被列入「十大」?

Before you continue reading this article, grab a pen and write down your ‘Top Three Symphonies’!在你閱讀以下文章之前，請先拿起筆，填寫你心目中的「三大交響曲」吧！

1.

2.

3.

▲ The Beethoven ‘Eroica’ and ‘Choral’ Symphony are the top two best symphonies voted among 151 conductors. 貝多芬的「英雄」和「合唱」被151位指揮家選出成為首兩套最喜愛的交響曲。

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4 September: Verdi’s Macbeth

Macbetto (Macbeth) was the tenth opera by Giuseppe Verdi (1813 - 1901), composed for a production in Florence in 1847. He regarded it as his finest achievement up to that time. Nearly two decades after its successful premiere, Verdi was asked to compose a suite of ballet music for the opera’s performances in Paris, as was customary for grand opera productions in the French capital city. He took the opportunity to make a substantial revision of the work. As a result, the 1865 Paris version has come to be regarded as one of the most powerful music dramas of Verdi’s middle period.

Lo King-man

SUNDAY OPERASundays 2:00pm

▲ Piero Cappuccilli ▲ Nicolai Ghiaurov ▲ Shirley Verrett

▲ The Czech National Theatre of Prague


In September, Sunday Opera presents a forceful and expressive setting of one of Shakespeare’s most powerful tragedies, a lively comedy based on a humourous Bohemian folk tale, a four-hour long epic recounting the heroic deeds of a legendary Swiss patriot, and the early flowering of genius in an amusing one-act farce by an 18-year-old Italian composer.

Although in broad outline, the plot of the opera follows faithfully Shakespeare’s famous tragedy, yet the librettists Francesco Piave and (for the revised version) Andrei Maffei did not succeed in portraying the complexity of Shakespeare’s characters nor their subtle and intricate motivations. The work is thus uneven despite the many fine pages of Verdi’s music, especially those associated with Lady Macbeth’s fiery ambition and eventual mental decline.

In our critically acclaimed recording of 1976, Maestro Claudio Abbado leads a potent cast with baritone Piero Cappuccilli in the title role, bass Nicolai Ghiaurov as Banquo, mezzo-soprano Shirley Verrett as Lady Macbeth and tenor Plácido Domingo as Macduff. Choral and orchestral support is provided by the superb artistic forces of the Teatro alla Scala of Milan.

11 September: Dvořák’s The Devil and Kate

Antonín Dvořák (1841 - 1904) began his professional career as an orchestral viola player at the Bohemian Provincial Theatre, which later became the Czech National Theatre of Prague under the direction of Bedřich Smetana, whose music had a beneficial influence on young Dvorak’s early compositional style.

Universally acclaimed for his symphonic, chamber, and instrumental music, Dvořák did not produce an equally successful output of operatic compositions. Of his ten operas, Rusalka has managed to occupy a place in the international repertoire for its lyrical beauty. Within his own country, Čert a Káča (The Devil and Kate, 1898) enjoys wide popularity for its comic vitality and robust humour.

The libretto by Adolf Wenig presents a highly individual treatment of a Czech fairy-tale about a clumsy devil and a courageous country woman. After paying a visit to Hell, where her fiery temperament frightens even the devil, Kate helps the hero Jirka to persuade the ruling Princess to abolish serfdom and give real freedom to her people.

In our recording, mezzo-soprano Anna Barová performs the title role as Kate; bass Richard Novak sings Marbuel the devil; tenor Miloš Ježil portrays Jirka the shepherd; and soprano Brigita Šulcová plays the Princess. The Brno Janáček Opera Chorus and Orchestra perform under the baton of Jiri Pinkas.

18 September: Rossini’s William Tell (Part 1)

Gioachino Rossini (1792 - 1868) was born in Pesaro, in northern Italy, and brought up in Bologna, where he began to receive his professional training at the Conservatory of Music at the age of 14. He was a prodigy with exceptional talents in harpsichord, piano, cello, singing, and composition, having completed at the age of 12 a highly polished set of sonatas for strings and a wide variety of instrumental and vocal pieces.

Rossini’s first opera, La Cambiale di Matrimonio (The Marriage Contract) was composed and produced in Venice in 1810, when he was barely 18. He wrote his first important opera seria, Tancredi, in 1813 and his great opera buffa, The Barber of Seville, three years later. From then on, Rossini went from success to success. His progress was triumphant as opera after opera spread his fame throughout Europe and filled his purse. Upon completion of William Tell, his 39th opera, Rossini suddenly decided to retire from composing for the theatre. He was only 37 years old and for the remaining 39 years of his life, he spent his days enjoying himself, living in Bologna and Paris, keeping a mistress (eventually marrying her 17 years later), and entertaining friends lavishly. He passed away in Paris, aged 76.

19

William Tell is based on the play by Friedrich Schiller. The original French libretto was written by Etienne de Jouy and Hippolyte Bis. The opera’s length, more than 4 hours of music, and casting requirements, such as the extreme high range demanded of the principal tenor, have contributed to the difficulty of producing the work. Its premiere performances at the Paris Opera in 1829 had a disastrous reception. Its Italian version, Guglielmo Tell, with libretto by Calisto Bassi and first performed at the San Carlo Theatre of Naples in 1833, was more successful with critics and audience alike. In subsequent revivals, the Italian version is the one that has been more frequently staged and recorded.

The opera opens with a famous overture which is a masterpiece of tone-poem writing in four movements depicting, respectively, dawn, a storm, call to the dairy cows, and march of the Swiss warriors. To fit our programme duration, we have divided the opera into two parts. Part 1 consists of music up to the first scene of Act III and tells the story of the struggle between the Swiss people and their Austrian governor, the tyrant Gessler; the heroic deeds of William Tell in protecting his compatriots against the foreign forces; and the hopeless love between Arnoldo, a Swiss freedom fighter and Mathilde, a Habsburg princess.

Our recording, in Italian, boasts of a fabulous cast headed by baritone Sherrill Milnes in the title role, tenor Luciano Pavarotti as Arnoldo, soprano Mirella Freni as Mathilde, and bass Ferruccio Mazzoli as Gessler. The Ambrosian Opera Chorus and the National Philharmonic Orchestra are conducted by Riccardo Chailly.

Prof. Lo King-man, producer and director of numerous opera productions in Hong Kong.


▲ Renata Scotto ▲ Interior of Teatro Grande of Brescia

▲ Sherrill Milnes

▲ Riccardo Chailly

© D

ario

Aco

sta

© C

AMI

25 September: Rossini’s William Tell (Part 2) and La Cambiale di Matrimonio

On this last Sunday of September, Part 2 of Rossini’s William Tell will be played for your listening pleasure. This part consists of the second scene of Act III and the whole of the concluding Act IV. The former brings the action of the opera to its climax where, to punish William Tell for refusing to pay respect to the Austrian authorities, Gessler has Tell’s son Jemmy seized. An apple is balanced on the boy’s head and Tell is ordered to shoot an arrow through it. Father and son emerge victorious from this cruel challenge to the joyful acclaim of the Swiss people. The furious Gessler puts William and Jemmy under arrest awaiting execution. In the final scene of the opera, William Tell escapes from imprisonment, crosses Lake Lucerne in a storm, and kills Gessler with a single shot of an arrow. The Swiss fighters and the common people sing a paean to the magnificence of nature and the return of freedom as the curtain closes on this grandiose epic.

After listening to Rossini’s last opera William Tell, the crowning achievement of an extremely successful and lucrative career, we have the pleasure to invite you to enjoy the same composer’s first work of the genre, La Cambiale di Matrimonio (The Marriage Contract), a delightful comic opera in one act, the product of a youth of 18 that demonstrates his enormous talent and wit. Rossini needed only a few days to complete the score that already possesses the most significant elements of a style that was to blossom with glory in maturity: beautiful melodies, meticulous embellishments, lively rhythms, exciting speed, and tremendous crescendos.

Set to a libretto by Gaetano Rossi, the story centres around London businessman Tobias Mill’s plan to marry off his daughter Fanny to the wealthy Canadian merchant Slook, who is arriving for a visit. Fanny is secretly in love with young Edoardo, who is too poor to propose marriage. After being threatened with bodily harm by the young lovers and challenged to a duel by Tobias for failing to sign the marriage contract, Slook decides to make Edoardo his heir, thus enabling the young man to marry Fanny, and, with Slook’s benevolence and Tobias’ blessing, all ends happily.

In our recording made at the Teatro Grande of Brescia in 1960, soprano Renata Scotto sings the role of Fanny; tenor Nicola Monti that of Edoardo; bass Renato Capecchi plays Slook; and baritone Rolando Panerai is Tobias Mill. The Virtuosi di Roma provides brilliant support under the direction of Maestro Renato Fasano.

21

非常音樂家之二路德維


逢星期日早上10時正

This month in Madly Musical (Cantonese programme), Louis Lee and his friends, Dr. Arthur Mak from the Department of Psychiatry, The

Chinese University of Hong Kong (CUHK), and Dr. Vincent Cheung from the School of Biomedical Sciences, CUHK further discuss different

musicians’ mental health conditions. They will also explore related music and trace the causes and effects of mental health issues in a musical

context. Tune in to the programme on Sunday at 10am.

Madly Musical

上月的四集「非常音樂家」探討了抑鬱症、兩極性情緒

病、和專注力缺乏過度活躍症的精神病，亦分析過樂聖貝

多芬早年的遭遇，如何影響他往後的心理狀況和表現。本

月的四集節目會向聽眾再介紹三種不一樣的精神病，並於

最後一集再探討音樂和精神病的種種因與果。

4/9 : 沒安全感的馬勒

精神分析學(Psychoanalysis)的始祖佛洛伊德(Sigmund Freud)曾分

析過的作曲家，大概只有馬勒一人。他和馬勒花了一個下午在荷

蘭著名大學城萊登(Leiden)散步，之後指出馬勒如果希望精神狀

況改善的話，必須接受精神分析治療。但如果馬勒這樣做的話，

他的創意則有機會消失。馬勒當然沒有接受治療，之後不久便離

世。馬勒一生受到他帶猶太人血統的身份(那時猶太人在德語社會

被排擠)，以及兒時的遭遇所影響，造成了緊張多疑的性格。麥敦

平將分析「死亡」這意念為何纏繞馬勒的一生。

18/9 : 飲與吹

藥物、毒品和酒精都是可以改變精神狀態的物質，而改變了精神狀

態又是否作曲家創作靈感的泉源呢？如果是白遼士的話，恐怕是：

他的代表作幻想交響曲，應改名為吞雲吐霧交響曲也不為過；但流

亡法國的蕭邦吸食鴉片，卻不是因為它是「康樂藥物」，而是因為

它的醫療作用。俄羅斯作曲家穆索斯基喜歡酒多於喜歡煙，四十來

歲便離世，生前更因酗酒而不能作曲。芬蘭作曲家西貝流士活至九

十多歲，但晚期的二十多年亦譜不出交響曲，其中一個說法是因他

喝酒喝壞了腦，另一個說法則是他在一氣呵成，創作單樂章的第七

交響曲之後，再難找到突破。

11/9 : 活在自己世界的布魯克納

布魯克納為人木訥，其作品以冗長見稱，作品素材雖經常重覆，

但結構既複雜又精密。種種跡象顯示，布氏有自閉傾向。其實患

自閉症的「名人」，亦包括不少著名的數學家和物理學家，有

說是因為他們活在自己的世界裡，有助於對抽象結構的探究。患

自閉症的音樂家又是否偏好鑽研曲式呢？麥醫生會為大家作深入

分析。

25/9 : 還有「正常人」在嗎？問題與結論

以上七集分析了作曲家患上的精神病，那麼表演者又如何？

提到精神有問題的演奏家，筆者立時想到加拿大鋼琴怪傑古特

(Glenn Gould)……但他也許更近似作曲家。節目內所討論患精神

病的作曲家，大多來自十九世紀浪漫時期。時代跟精神病又有

否關連？張智鈞將從他最心愛的文藝復興時期音樂找個反例。最

後，在多集節目中好像是說大部份作曲家都是「非常人」，還有

「常人」在世嗎？麥醫生說，慈祥的海頓爸爸也許是個典型的

「正常人」了。

三位節目主持：（左起）路德維、香港中文大學醫學院生物醫學學院助理教授張智鈞博士與香港中文大學醫學院精神科助理教授麥敦平醫生。

▲

23

AUGUST 2016 | FINE MUSIC | COLUMNS 專欄

清談節目「談天論樂」本月有嘉賓主持胡銘堯分別邀請兩位好友，

就特定主題暢所欲言，讓大家在音符之間，悠然增值。

9月5日貓奴音樂家

很可惜，今集節目請不來貓奴的主子。節目製作時，貓主子大概留了在家享

受。然而，當音樂家貓奴回家，他們又怎樣與貓咪相處呢？鋼琴家郭家豪

(Timothy) 的貓咪 Charcoal 會坐在鋼琴上悠閒地「阻止」他練琴，女中音

連皓忻 (Carol) 的心心則是她的盜心者。聽聽音樂家甜蜜的貓故事，也有貓

主子和貓奴愛聽的音樂。

談天論樂逢星期一晚上8時正

▲ 連皓忻

▲ 洪嘉偉

▲ 梁國順

▲ 郭家豪

▲ 葉亦詩 ▲ 歐惠雯

▲ 鍾一匡

▲ 黃照宇


胡銘堯

9月12日躲在幕後的鋼琴家

不是，他們不是愛躲在幕後；沒有他們，歌劇、芭蕾舞劇都上演不成。他們

能應付異常複雜、由管弦樂變成的鋼琴譜，他們的琴藝神乎奇技。有什麼令

他們愛上長居幕後，擔任歌劇、舞劇的指導鋼琴家？還要在沒有管弦樂團的

時候擔上綵排的重任？練唱指導 (Répétiteur) 在香港是較少人從事的專業，

今集請來資深的葉亦詩 (Nina) 與年輕一輩的歐惠雯 (Emas)，分享舞台後的

有趣事。

9月19日爵士與咖啡的時光

呼吸着充滿咖啡香的空氣，聽着口琴奏出輕悠的藍調，是何等的樂事！

洪嘉偉 (Vincent) 是愛爵士樂的咖啡店老闆，鍾一匡 (Henry) 則是鍾愛咖啡的

藍調口琴手。「談天論樂」邀請他們到第四台，既要將咖啡店中獨特的氛圍

透過大氣電波傳送，也希望跟大家分享一下他們對音樂和咖啡的獨特品味。

9月26日是誰搬走了我的樂器？

你有沒有想過，一場管弦樂團音樂會中，是誰把舞台上的樂器和椅子搬來搬

去？樂團出國，又是誰照顧樂器上山下海？負責樂器運輸的樂團經理，其

實身負重任，因為他們不單要照顧價值不菲、卻又異常脆弱的樂器，更要懂

得樂團運作的大小事。梁國順 (Gordon) 與黃照宇穿梭台前幕後，他們既是

音樂人，現在又經常隨樂團外訪和接待各大樂團來港，照顧樂師的「音樂寶

貝」。不妨聽聽他們不為人知的樂團二三事！

25

印象派音樂是最具代表性的現代法國音樂，法國印象派作曲家

德布西和拉威爾的作品，都顯示出法國音樂是表達寬鬆和自由

的。如果音樂可以詮釋他們的文化和個人品味，當仔細閱讀這

兩位作曲家的樂譜並細心聆聽，便會發現作品中每個音符都經

過深思熟慮，精雕細琢，而且非常有規律，以營造一個模糊的

圖像和情緒。正因為圖像模糊不清，演奏家可以嘗試用自己的

理解去演繹那首樂曲，而聽眾則可以用自己的方法去體會和欣

賞。這些作曲家的音樂其實十分細緻和認真，在二十世紀更啟

發了許多作曲家，包括俄國的史達拉汶斯基和匈牙利的巴托也

依循印象派的風格去創作。

「法識音樂」亦想表達另一種觀念，就是法國人表現出來的

那種魅力，不一定需要由法國製造，亦不一定需要從土生土

長的法國人而來，主要是對法國歷史和文化有深入了解和認

識，融會貫通，再加以個人品味和眼光來創造出一個獨特的

「自己」。在「法識音樂」中，聽眾也會聽到一些並不是在法

國出生、長大的音樂家的作品，而這些作品的背後，都是別具

代表性和擁有法國歷史及文化的音樂。簡單來說，音樂創作只

要擁有自己的歷史、文化背景，是不一定需要追隨某種的寫作

風格，只要是感情自然流露和與別不同的創作，也可以是一篇

和諧、動聽的樂章。

透過這環節，希望為大家詮釋法國古典音樂，透過音樂帶聽眾

「聽法樂、遊法國」。從音樂出發，認識法國這個國家的文化

底蘊，欣賞法國人追求品味與享受的生活態度。透過音樂，以

不同生活角度去理解、帶出和細味法國歷史。節目還有一些有

趣的現代新聞和故事，讓聽眾體會法國人獨有的特質。

本月，主持黎慧因會於逢星期二及四下午5時30分的四時行樂中，與十歲已首次踏足法國，後來更成為法國文化及旅遊達人的陳祖

泳，還有近年曾多次在音樂會上以全法國曲目亮相的中提琴家凌顯祐，送上「法識音樂」環節，嘗試透過法國音樂去瞭解法國人及

其文化。

Join Rachel Lai and her co-hosts – French culture expert Joanne Chan and violist Andrew Ling in Vive la musique classique française (Long Live French Classical Music) (Cantonese programme) for their explorations of the unique music genres derived from distinctive French cultures. Tune in every Tuesday and Thursday at 5:30pm for this new segment in Four for Classics this month!

▲ Joanne visited a traditional furniture store in Nîmes, France. 陳祖泳在法國尼姆一家傳統的家具小品店

陳祖泳逢星期二及四下午5時30分


法國人一般給予人浪漫、不羈、美麗、

性感、有品味的印象和感覺，他們的行為韻味

好像是漫不經意地散發出來的。究竟這些特質

是與生俱來還是後天培養呢?

▲ Andrew visited Le Palais idéal in Hauterives, France. It was built by Ferdinand Cheval, a French postman who spent thirty-three years building his Ideal Palace.

凌顯祐拍照的地點是法國奧特里韋的理想宮。這個旅遊景點是由一位名為榭瓦爾的法國郵差在三十三年裡，每天在派信途中拾起幾塊小石而建成的宮殿。

Vive la musique classique française 法識音樂Four for Classics 四時行樂

27

Ari K

orka

la (2

011)

Arts Happenings 藝壇快訊


Hailed as one of the most acclaimed and prestigious Finnish composers after Jean Sibelius, Einojuhani Rautavaara died on 28 July in his hometown of Helsinki, after suffering from complications following surgery. He was 87.

Rautavaara was born in 1928 in Helsinki to an operatic bass father and a doctor mother. Encouraged by his parents, Rautavaara began learning piano at a young age. Both parents died before he turned 16, and he was raised by his aunt. At the age of 20, Rautavaara studied in the Sibelius Academy in Helsinki. Later he received a scholarship from the Juilliard School in New York, and studied with Aaron Copland at Tanglewood before winning the Thor Johnson Contest with A Requiem of Our Time in 1954, a work which caught international attention.

Throughout Rautavaara’s career, he had experimented with various compositional styles. His first and second symphonies from the 50s exude neo-classicist style. In the 60s, he joined the popular trend of writing serial music. He explored the possibilities of neo-romanticism in the 70s, and in the 80s, he ultimately found and developed his own unique voice. His music is often described as mystical, romantic, poetic and with a pastoral Nordic taste, and his instrumentations are characterised by calm strings with soft and mellow flute, bells, and horns.

Rautavaara’s diverse output include eight symphonies, nine operas – some of the stories were based on biographies of legendary people such as Van Gogh and Rapustin, twelve instrumental and one vocal concertos, and large number of choral works. Notable works include his ‘Cantus Arcticus’, a concerto for birds and orchestra, in which he incorporated birdsongs he recorded near the Arctic Circle and Northern Finland. His Symphony No. 7, ‘Angel of Light’, inspired by his childhood visions, was nominated for many prizes, including the Grammy. In an interview with the Associated Press, Rautavaara once expressed that he felt lucky to be a musician in Finland. ‘Without grants, it would have been difficult for me to survive,’ said Rautavaara. ‘Luckily I can spend all day composing if I want to.’

After a torn aorta in 2004, the nearly-eighty-year-old Rautavaara miraculously survived. But his fragile body didn’t stop his strong will to compose. Works in his late years include a pair of concertos, one for percussion, Incantations (2008), and his Cello Concerto No. 2 (2009), the Canto V for string orchestra (2011), and some chamber, choral and vocal works, as well as Mirroring for piano (2014) and a Fantasia for violin and orchestra (2015). His opera Kaivos will receive its first opera stage premiere in Budapest next month on 21 October.

Editor’s Note:

Tune in to Live on 4 on 24 September (Sat) at 8pm for live concerts from the Finnish Broadcasting Company. You can hear ‘Cantus Arcticus’, Arabescata and other works by Rautavaara as well as hear him talk about the inspirations behind the Ballad.

Tune in to Artbeat every Saturday at noon for more arts happening around town.請收聽逢星期一至六黃昏6時的藝壇快訊，了解海外及城中最新的藝術資訊。

Rachel Lai 黎慧因

Most Notable Finnish Composer After Sibelius

Einojuhani Rautavaara Died At 87

(1957 - 2016)

繼西貝流士後最重要的芬蘭作曲家

拉特化拿逝世

被譽為繼西貝流士之後，最優秀和著名的芬蘭作曲家拉特化

拿，因為手術後出現併發症，7月28日於家鄉赫爾辛基離世，享

年八十七歲。

拉特化拿1928年生於赫爾辛基，父親是一位歌劇男低音，母親

是一位醫生。自小父母鼓勵他學習鋼琴，可惜父母在拉特化拿十

六歲生日前相繼離世，從此拉特化拿由姨姨撫育照顧。二十歲那

年，拉特化拿入讀位於赫爾辛基的西貝流士音樂學院，後來贏得

獎學金，遠赴紐約茱莉亞音樂學院深造。他曾在鄧肯活跟隨柯普

蘭學習。1954年，二十六歲的拉特化拿憑著《現世代的安魂曲》

贏得科爾•莊遜比賽大獎，聲譽漸隆並揚威海外。

在拉特化拿的創作生涯中，曾經以不同音樂風格譜曲。五十年

代，他的第一和第二交響曲，洋溢著新古典主義的風格。六十

年代中期，他亦開始試驗當時流行的序列主義。七十年代，他

又開始發掘新浪漫主義的可能性。到了八十年代，他終於確立

個人獨特風格。在配器上，拉特化拿喜愛平靜的弦樂、柔和的

長笛、鐘聲和號角聲。他的音樂被形容為浪漫神秘、富詩意，

並擁有北歐鄉村風情。

拉特化拿的創作類型十分多元化，包括八首交響曲、九齣歌

劇，其中包括以偉人自傳為題材的歌劇，例如畫家梵高和俄羅

斯僧人拉斯普京、十二首器樂協奏曲以及一首聲樂協奏曲，還

有大量合唱作品等。他最著名的作品包括1972年創作的「北極

之歌」，他利用北極圈附近和芬蘭北部錄得的雀鳥聲，配器成

雀鳥與樂團協奏曲。另外，他的第七交響曲「天使之光」，亦

曾獲得多個獎項提名，包括格林美大獎等。這首作品的靈感，

源自他兒時幻想的景象。拉特化拿曾向《美聯社》表示，如果

芬蘭沒有為作曲家提供足夠資助補貼，他未必能夠生存和專心

作曲。對於能夠於芬蘭當音樂家他感到非常幸運。

2004年拉特化拿的大動脈撕裂，奇蹟生還。雖然身子明顯地

較以前虛弱，但年屆八十的他並沒有停止創作。他晚年創作了

敲擊樂協奏曲(2008 )、第二大提琴協奏曲(2009 )、弦樂團作

品(2011 )、多首室樂、合唱、聲樂和鋼琴樂曲(2014 )，還有

小提琴與樂團幻想曲(2015)。下月的21日，他的全新歌劇《佳

霍士》將於布達佩斯首演。

編者按：

在9月24日(星期六)晚上8時的第四台音樂會，會選播多場

芬蘭廣播公司的現場錄音，送上拉特化拿的「北極之歌」

和《阿拉伯斯加達》等樂曲。你更可聽到作曲家以英語介

紹他創作敍事曲的靈感來源。

31

現今受戰火蹂躪的阿富汗 ( A f g h a n i s t a n ) ，昔日曾是

絲綢之路的重要交匯。十五世紀帖木兒帝國 ( T i m u r i d

E m p i r e ， 1370-1507) 皇宮所在的赫拉特 ( H e r a t ) ，曾是

東西文化傳播中心。王朝瓦解後，宮廷樂師散落到以

德里 ( D e l h i ) 為中心的莫卧兒帝國 ( M u g h a l E m p i r e ，

1526 -1858)，將音樂帶到印度，間接形成今天北印度的古典

音樂。很難想像，今天滿目瘡痍的首都喀布爾 (Kabu l )，上世

紀七十年代曾是南亞最重要的電影和流行音樂中心之一，以

「東方巴黎」聞名於世，有過例如札希爾 ( A h m a d Z a h i r ，

1946 - 1979)等的天王巨星。七十年代末蘇聯入侵阿富汗，及

至九十年代塔利班上台，使阿富汗樂師流亡世界各地。來自喀

布爾音樂世家的薩希(Homayun Sakhi，1976 - )，帶着擅彈

的雷巴布琴(rubâb)和阿富汗古典音樂，輾轉由巴基斯坦白沙瓦

(Peshwar)流亡到美國加州有小喀布爾 (Li t t le Kabul)之稱的弗

里蒙特(Fremont)，將古樂繼續傳頌。

二十世紀巴基斯坦大師努斯拉•法帖阿里汗 ( N u s r a t F a t e h

A l i Khan，1948 -1997 )將伊斯蘭教迷人的蘇菲吟讚卡瓦里

(qawwal i )唱遍世界，無人不知。大師唱頌渾厚激盪，聽眾按

例入迷出神。伴奏卡瓦里吟讚的手提風琴 (harmonium)，十七

世紀由基督傳教士帶到南印度，及後傳遍南亞半島，是最「傳

統」的樂器之一。調式(mode)在南亞稱為拉格(raga)，是最基

本的音樂觀念，包含特定的旋律上下行規律和裝飾音模式，而

每個調式也與特定的時間、季節和感覺直接有關。印度常用的

Songs of the Earth 大地之歌

聽見絲路之二 — 南亞的印度、阿富汗和巴基斯坦音樂

▲ S.M. Mohsin Gul, a Pakistani artist, pays tribute to Nusrat Fateh Ali Khan 巴基斯坦畫家古爾向努斯拉•法帖阿里汗致敬

▲ Taj Mahal is a world-renowned testament to Mughal architecture 泰姬陵是莫卧兒王朝最聞名的建築

▲ Anil Singh performing sitar in RTHK studio. (From left)Chuen-Fung Wong, programme producer Daphne Lee and Anil Singh.

阿尼爾•辛格在節目中演奏西塔琴。 (左起)黃泉鋒，節目監製李德芬與阿尼爾•辛格。

南亞半島覆蓋十數國，一直以來與香港關係

十分密切。今天，我們在香港常常有機會接觸

來自南亞的美食、服飾和宗教信仰，重慶大廈

到處有售寶萊塢 (Bo l lywood)電影和音樂，而

祖籍巴基斯坦、尼泊爾和印度等南亞國家的香

港人也漸漸成為香港人口的重要部份。

黃泉鋒逢星期日中午12時正

SEPTEMBER 2016 | FINE MUSIC | COLUMNS 專欄©

Moh

sini

sm©

Dhi

rad

32

In September, Songs of the Earth,

hosted by ethnomusicologist Chuen-

Fung Wong in Cantonese, will feature

music from Afghanistan, India,

and Pakistan. Hong Kong-based

sitar master Anil Singh will perform

classical and semi-classical melodies

in the Hindustani repertoire brought

from his hometown Varanasi, the

holy city in northern India. Stay tuned

every Sunday at noon.

調式最少也有數十種 (今天我們只有大

小二調，很「落後」吧?! )，其中有不

少與整個南亞半島相通。南亞另一種獨

特音境 (soundscape)，來自樂器的共

鳴弦 (sympathet ic s t r ings)以及持續

低音 (drone)效果。大部份南亞傳統弦

樂器都有共鳴弦，當中堪稱樂器之冠

的拉弦樂器薩朗基琴 (sarangi )，在印

度、尼泊爾、巴基斯坦和阿富汗四國

都流行。三根旋律弦下藏着約三十五

根共鳴弦(調音需時不短)，共鳴箱大，

指板也濶，外型笨重，在大師蘇坦汗

(Sultan Khan，1940 – 2011)手上，

拉起來自拉賈斯坦 (Rajasthan)傳統的

搖籃曲，卻似溫柔低吟，如泣如訴。

香港向來臥虎藏龍。筆者年前巧遇長

居南丫島的西塔琴 ( s i t a r )演奏家阿尼

爾•辛格。西塔琴是北印度的彈弦樂

器。阿尼爾 • 辛格來自印度北部聖

城瓦拉納西 (Varanas i )，是著名宗派

麥哈家 • 藍那 ( M a i h a r G h a r a n a )的

第四代傳人 ( 舉世知名的西塔琴大師

湘加[ R a v i S h a n k a r ]也同屬此宗 )。

阿尼爾•辛格以細膩彈法和古雅風格聞

名印度樂迷。在本月節目中，他會帶着

西塔琴親臨「大地之歌」，為聽眾彈奏

北印度古典音樂和自己創作的音樂。

Gladys Lau and a group of music critics guide you through some of the most interesting new releases to keep you in touch with the

latest in fine music recordings. The segments are also available on Radio 4’s website for streaming: radio4.rthk.hk

劉建婷和多位樂評人在「碟碟不休」中，為你介紹最新推出的影音製作。環節更可於網上重溫：radio4.rthk.hk

Gladys Lau 劉建婷New Releases 碟碟不休

Monday and Friday 5:30pm 逢星期一及五下午5時30分

5 SEP

3 OCT

12 SEP

23 SEP

29 SEP26 SEP

9 SEP

16 SEP 19 SEP

SEPTEMBER 2016 | FINE MUSIC | COLUMNS 專欄 35

www.finemusic.org.hk

Friends of Radio 4 Society Limited第四台之友協會有限公司

會籍年費 Annual Membership Fee

個人會員 Individual Member : HK$120家庭會員 Family Member : HK$150半費會員 Concession Member : HK$60

（只供學生、65歲或以上長者及殘疾人士）

(Only for students, senior citizens aged 65 or above, and people with disabilities)

亞斯頓教育 • Aston Education

伯樂音樂學院 • Baron School of Music

嘉林琴行 • Collin Music Co. Ltd.

琴之屋 • Eddie’s House of Strings

偉樂琴行 • Eddy Music Co. Ltd.

香港鋼琴教育專業學院 • HK Prof. Piano Education Academy

繆斯琴行 • Muse Music Company

向日葵文化良品 • Sole Cultural Goods

華偉音樂藝術中心 • S T Music & Art Centre

通利琴行 • Tom Lee Music Co. Ltd.

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亞斯頓教育 • Aston Education

伯樂音樂學院 • Baron School of Music

嘉林琴行 • Collin Music Co. Ltd.

琴之屋 • Eddie’s House of Strings

偉樂琴行 • Eddy Music Co. Ltd.

香港鋼琴教育專業學院 • HK Prof. Piano Education Academy

繆斯琴行 • Muse Music Company

向日葵文化良品 • Sole Cultural Goods

華偉音樂藝術中心 • S T Music & Art Centre

通利琴行 • Tom Lee Music Co. Ltd.

Date 日期 Highlights 重點推介

9/9(Fri 五) 8:00pm

LIVE 現場直播

Yo-yo Ma and HK Phil

The Hong Kong Philharmonic celebrates the opening of its new season with a phenomenal programme starring internationally renowned cellist Yo-yo Ma. In the hands of one of the world’s greatest cellists, Dvořák’s Silent Woods and Zhao Lin’s Duo, with Wu Tong on sheng, promise to be an artistic experience that will be unforgettable. Principal Guest Conductor Yu Long directs the Orchestra in this exciting evening that opens with the Symphony in C, an early work by Bizet.

馬友友與港樂

香港管弦樂團新樂季揭幕演出，邀得國際大提琴家馬友友載譽歸來，送上德伏扎克的〈寂靜森林〉，更與笙演奏

家吳彤合作帶來趙麟的當代創作〈度〉。另外，樂團由首席客席指揮余隆帶領，演奏比才早年所寫的C大調交響

曲，為新樂季第一場音樂會打響頭炮。

10/9(Sat 六) 8:00pm

15/9(Thu 四) 2:00pm

Repeat 重播

音樂會轉播精選 HIGHLIGHTS OF CONCERT BROADCASTS

▲ Yo-yo Ma, cello 大提琴：馬友友 ▲ Wu Tong, sheng 笙：吳彤

▲ Vannina Santoni, soprano 女高音：桑托尼

▲ Sébastien Guèze, tenor 男高音：凱茲

▲ Yu Long, conductor 指揮：余隆

Roméo et Juliette

Opera Hong Kong pays tribute to Shakespeare with opera Roméo et Juliette. The classic love story is as enthralling now as centuries ago. In Gounod’s music, it has been transformed into one of the most favourite operas with heartfelt duets between the love-torn protagonists, sung in this splendid production by French singers Vannina Santoni, soprano, and Sébastien Guèze, tenor. The Opera Hong Kong Chorus and Fujian Symphony Orchestra are conducted by Benjamin Pionnier.

羅密歐與朱麗葉

香港歌劇院以《羅密歐與朱麗葉》向大文豪莎

士比亞致敬。這齣經典的愛情故事，感動古今

無數讀者與觀眾，在古諾筆下譜寫成最受人愛

戴的歌劇之一。男女主角多首深情的二重唱，

為劇情發展起了關鍵作用。是次製作由女高

音桑托尼、男高音凱茲兩位法國歌唱家擔綱演

唱，此外亦有香港歌劇院合唱團和福建交響樂

團，在指揮琵安理亞領導下同台演出。

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16/9(Fri 五) 8:00pm

21/9(Wed 三) 2:00pm

Repeat 重播

Matthias Rácz Plays the Mozart Bassoon Concerto

Enjoy the only surviving bassoon concerto by Mozart, also the best known in the bassoon repertory, played by Matthias Rácz in this performance. Not only is he currently Lucerne Festival Orchestra’s Principal Bassoon, but he has also held the same position in the Zurich Tonhalle Orchestra for over a decade. Ken Lam, a frequent guest conductor of the Hong Kong Sinfonietta, conducts the Orchestra in Beethoven’s majestic ‘Eroica’ Symphony.

莫扎特巴松管協奏曲

莫扎特流傳於世的巴松管協奏曲只有一首，是巴松管曲目中最為人熟悉

之作。活躍於歐洲各大樂團的巴松管演奏家賴茨，不僅是琉森節日樂團

的巴松管首席，更於蘇黎世大會堂樂團擔任相同職位超過十年之久，經

驗豐富的他，首度來港送上這部作品。經常於香港小交響樂團擔任客席

指揮的林敬基，亦會帶領樂團演出貝多芬氣派宏大的「英雄」交響曲。

17/9(Sat 六) 8:00pm

22/9(Thu 四) 2:00pm

Repeat 重播唱‧誦‧莎士比亞

第四台特別舉辦這場結合文字與音樂的演出，紀念大文

豪莎士比亞逝世四百週年。演員羅倫斯與第四台主持杜

格尊，將會朗誦來自莎士比亞不同作品中的場景及名

言。同場更有第四台兩屆樂壇新秀，女高音邱芷芊與男

高音宋狄樟，由方思懿和宋可樟鋼琴伴奏，送上歷代作

曲家由莎翁的文字得到啟發而創作的多首樂曲，包括海

頓的〈她從不訴說她的愛情〉、喬爾達的〈挪開吧，把

這雙唇挪開吧〉、費茲的《讓我們帶上花環》，以及帕

薩堤利的獨唱劇《麥克白夫人》選段。讓莎士比亞的文

字與音樂帶給你一個別具韻味的晚上。

▲ Matthias Rácz, bassoon 巴松管：賴茨

▲ Ken Lam, conductor 指揮：林敬基

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The Rain It Raineth — A Shakespeare Journey in Words and Music

Radio 4 marks the 400th anniversary of Shakespeare’s death with a special tribute evening. Actress Naomi Lawrence and Radio 4’s Jonathan Douglas read scenes and speeches by the Bard, and former Young Music Makers, soprano Vivian Yau and tenor Jasper Sung, accompanied by Siyi Fang and Karen Sung at the piano, sing songs by centuries of composers inspired by the Bard’s words. From Haydn’s She Never Told Her Love, Quilter’s Take, O Take those Lips Away, to Finzi’s Let Us Garlands Bring, and contemporary settings including Pasatieri’s dramatic Lady Macbeth — it will be an evening that speaks with Shakespearean magic.


▲ Vivian Yau, soprano 女高音：邱芷芊

▲ Jasper Sung, tenor 男高音：宋狄樟

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▲ Siyi Fang, accompanist 伴奏：方思懿

▲ Jonathan Douglas, narrator 朗誦：杜格尊

▲ Naomi Lawrence, narrator 朗誦：羅倫斯

▲ Karen Sung, accompanist 伴奏：宋可樟

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23/9(Fri 五) 8:00pm

LIVE 現場直播

28/9(Wed 三) 2:00pm

Repeat 重播

Bridging the Glorious Dynasties of Ancient China and Hong Kong

The Hong Kong Chinese Orchestra opens its 40th season with an adventurous

musical journey through four glorious dynasties in the history of China. Producing

a tapestry of soundscape are Chew Hee-chiat’s Harken Back to Zhou, Cheng

Dazhao’s Reflections on Qin, Lao Luo’s Travelling West (on the Han Dynasty)

and Ng Cheuk-yin’s Tang Resonating. The Orchestra, under the baton of Artistic

Director Yan Huichang, is joined by erhu and dizi soloists Yang Xue and Sun

Yongzhi in the middle two pieces, as well as the Hong Kong Youth Chinese

Orchestra, Music Office and Hong Kong Junior Chinese Orchestra in the finale.

周秦漢唐 • 穿越香港

香港中樂團第四十樂季揭幕，引領樂迷踏上刺激的音樂旅程，穿越中國歷史上四

個輝煌朝代。四首樂曲 ― 周熙杰的〈周溯〉、程大兆的〈秦思〉、老鑼的〈漢

行〉和伍卓賢的〈唐響〉，帶來四個截然不同的聲響世界。除了藝術總監閻惠昌

領導香港中樂團，更有拉奏二胡的楊雪和吹奏笛子的孫永誌加入中間兩首樂曲，

並有音樂事務處香港青年中樂團和香港少年中樂團參與演出終曲。

24/9(Sat 六) 8:00pm

29/9(Thu 四) 2:00pm

Repeat 重播

In Memory of Rautavaara

Join us for an exploration of the sound-world of Finnish composer Einojuhani Rautavaara with live recordings from the Finnish Broadcasting Company, Yle Archives. Works include Concerto for Birds and Orchestra, ‘Cantus Arcticus’, in which he replaced the conventional instrumental soloist with taped birdsong from Arctic Finland, and his Symphony No. 4, which, after an unsuccessful rewrite, was withdrawn and replaced by the suite Arabescata. We will hear it in

its original 1962 version.

懷念拉特化拿

這場芬蘭廣播公司的現場錄音，帶你踏進一代音樂大師芬蘭作曲家拉特化拿自

成一格的音樂天地。著名的雀鳥與樂團協奏曲「北極之歌」，捨棄傳統協奏曲

的器樂獨奏，轉而由芬蘭北部、北極圈內錄製的雀鳥啼聲擔當主角。第四交響

曲，因拉特化拿改寫後仍未滿意而從作品名錄中抽走，由《阿拉伯斯加達》取

代，在節目內，將可欣賞到第四交響曲1962年的最初版本。

Mon - Fri 星期一至五 : 7:55am, 12:55pm, 5:55pm, 10:55pmWeekends 週末 : 9:55am, 4:55pm, 10:55pm

– be in touch in 3 minutes — 三分鐘錦囊

Topic 內容 Host 主持

星期一 : 聽見絲路黃泉鋒

星期二 : 今日話當年馬盈盈

Wed : Zooming In Livia Lin

Thu : Arts News Jonathan Douglas

Fri : The Golden Voices Lo King-man

星期六 : 碟碟不休胡銘堯

星期日 : 樂在神州塵紓

▲ Yang Xue, erhu 二胡：楊雪

▲ Sun Yongzhi, dizi 笛子：孫永誌


▲ Einojuhani Rautavaara, composer 作曲家：拉特化拿

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Monday

星期一Tuesday星期二

Wednesday星期三

Thursday星期四

Friday星期五

Saturday星期六

Sunday星期日

Aubade 晨曲

Morning Call with Jonathan Douglas清晨妙韻杜格尊

Music Infusion 樂樂無窮Ben Pelletier

彭禮傑

Sunday Morningon 4

週日早晨 Eunice Chow

周琬婷

Minutes That Matter

Non-stop Classics美樂無休

Helen Cha / Ben Pelletier / Stacey Rodda / Synthia Ko查海倫 / 彭禮傑 / 盧迪思 / 高德儀

Play by Ear 週末隨想Synthia Ko

高德儀

Madly Musical 非常音樂家 Louis Lee 路德維

Church Service 主日崇拜

Artbeat Jonathan Douglas 杜格尊

Songs of the Earth 大地之歌

Chuen-Fung Wong 黃泉鋒

News at One

Music à la Carte (Tue ﹠ Thu : Chinese Music) 午間精點 (星期二及四：中樂篇) Daphne Lee / Tina Ma / Chu Siu-wai / Shing Chun-hay 李德芬 / 馬盈盈 / 朱紹威 / 成俊曦

Live on 4 第四台音樂會

(Repeat 重播)

Music of Friends 室樂雅聚(Repeat 重播)

R4 Buddies四台插班生

Raymond Chung鍾子豪

Sunday Opera歌劇世界Lo King-man

盧景文

Rupert Chan 陳鈞潤

(1st Sunday 首個週日）

(1st b/c: Wed) (首播：星期三)

(1st b/c: Thu) (首播：星期四)

(1st b/c: Fri) (首播：星期五)

(1st b/c: Sat) (首播：星期六)

Music from China樂在神州

Daphne Lee 李德芬

Four for Classics with Gladys Lau 四時行樂劉建婷

Collage點指美樂

All or Nothing情有獨鍾

Ben Pelletier / Tina Ma 彭禮傑 / 馬盈盈

Children’s Corner 親親童樂日

Nancy Loo 羅乃新

New Releases (Mon ﹠ Fri) 碟碟不休 (星期一及五) Vive la musique classique française (Tue ﹠ Thu) 法識音樂 (星期二及四)

News at Six Arts News 藝壇快訊

Tunes to Remember人約黃昏後

Emma Liu廖碧楨

Jazz and more... with Kathy Lam 不太古典林家琦

All or Nothing情有獨鍾

Cantilena 自投羅網

Nancy Loo 羅乃新

Musical Exchange 談天論樂

Dennis Wu 胡銘堯

Live on 4 第四台音樂會

Music of Friends 室樂雅聚

Sunday Divertimento

星夜樂逍遙Wendy Ng

伍穎文Nocturne 夜心曲

Tina Ma / Livia Lin 馬盈盈 / 凌崎偵

Chamber Fragrance

寫意室樂Ben Pelletier / Rebecca Siu

彭禮傑 / 蕭程佳明Jazzing Up

爵士靈感Eugene Pao 包以正

Bilingual 雙語B Cantonese 粵語C English 英語E

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* Reflections 晚禱 Mon-Fri (星期一至五)11:57pm

RTHK Radio 4 香港電台第四台 FM Stereo 97.6-98.9MHz http://www.rthk.org.hk

SEPTEMBER 2016 | FINE MUSIC | MAIN PROGRAMME CHART 節目時間表

CEC /

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SEPTEMBER 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華 45

1/9/2016 (Thu 星期四)11:00am CHAUSSON 蕭頌Poème de l’Amour et de la Mer, Op. 19 39’ Waltraud Meier (ms)Philadelphia Orch. / Riccardo Muti愛與海之詩，作品19

華歐特‧美亞（女中音）

費城樂團 / 梅狄

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）

Whitacre conducts Whitacre: The Hong Kong DébutHong Kong Festival Orch. / Eric WhitacreWhitacre: Lux Aurumque Cloudburst Leonardo Dreams of His Flying Machineand more…

Presented by Hong Kong Festival Orchestra . Re-

corded at Tsuen Wan Town Hall Auditorium on

20/8/2016.

韋塔克‧節樂：香港首演

香港節慶管弦樂團 / 韋塔克

韋塔克：金色之光

豪雨

達文西夢想的飛行器

及更多……

香港節慶管弦樂團主辦。2016年8月20日荃灣

大會堂演奏廳錄音。

8:00pm LIVE ON 4 第四台音樂會 BBC Proms 2016Steven Osborne (p)BBC Phil. Orch. / Juanjo MenaGinastera: Ollantay 14’Britten: Piano Concerto 30’Schubert: Symphony No. 9 in C, D. 944, ‘Great’ 47’

Recorded at Royal Albert Hall, London on 2/8/2016.

英國廣播公司逍遙音樂節2016

奧斯本（鋼琴）

英國廣播公司愛樂樂團 / 萬那

希納斯特拿：奧蘭蒂

布烈頓：鋼琴協奏曲

舒伯特：C大調九交響曲，D. 944，「偉大」

2016年8月2日倫敦皇家亞爾拔音樂廳錄音。

威爾第：麥克白麥克白：卡貝芝里（男中音）班廓：基亞洛夫（男低音）麥克白夫人：維利娣（女中音）馬道夫：杜鳴高（男高音）米蘭史卡拉歌劇院樂團及合唱團 / 亞巴度

8:00pm MUSIC OF FRIENDS 室樂雅聚Klara Flieder (v)Patrick Pok-man Leung (p)Mozart: Violin Sonata No. 19 in E flat, K. 302 12’Elgar: Violin Sonata in E minor, Op. 82 22’

Recorded at RTHK Studio Two on 25/9/2014.

費里達（小提琴）梁博文（鋼琴）莫扎特：降E大調第十九小提琴奏鳴曲， K. 302艾爾加：E小調小提琴奏鳴曲，作品82

2014年9月25日香港電台二號錄播室錄音。

5/9/2016 (Mon 星期一)11:00am KORNGOLD 哥高迪Fairytale Pictures, Op. 3 19’ BBC Phil. Orch. / Matthias Bamert童話景象，作品3英國廣播公司愛樂樂團 / 巴敏特

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Doming Lam’s Piano ClassicsNancy Loo (p)Louise Kwong (s)Doming Lam: Uncle Suite 7’ Three Night Songs of Li Bai 8’ Lamentations of Lady Chiujun 10’

Recorded at Academic Hall on 29/8/2016.

樂培培樂：林樂培鋼琴作品展演羅乃新（鋼琴）鄺勵齡（女高音）林樂培：舅舅組曲李白夜詩三首昭君怨

2016年8月29日大學會堂錄音。

2/9/2016 (Fri 星期五)11:00am SCHREKER 舒烈卡Romantic Suite, Op. 14 27’ BBC Phil. Orch. / Vasili Sinaisky浪漫組曲，作品14英國廣播公司愛樂樂團 / 西乃斯基

2:00pm INTERNATIONAL ROSTRUM OF COMPOSER 2016 (REPEAT) 國際作曲家交流會議2016（重播）Oscar BIANCHI (Switzerland) Partendo 22’碧安慈(瑞士)：分隔

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2012BBC Scottish Sym. Orch. / Donald RunniclesWagner: Siegfried Idyll 18’Bruckner: Symphony No. 8 in C minor 73’


英國廣播公司逍遙音樂節2012英國廣播公司蘇格蘭交響樂團 / 溫力高斯華格納：齊格飛牧歌布魯克納：C小調第八交響曲

2012年8月3日倫敦皇家亞爾拔音樂廳錄音。 3/9/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Hong Kong - Vienna Music FestivalMembers from:City Ch Orch. of Hong KongHong Kong Phil. Vienna Radio Sym. Orch.Vienna State Opera Orch.Vienna Boys Cho. / Jimmy Chiangand more performersMahler: Symphony No. 8, ‘Symphony of a Thousand’

Presented by Vienna Boys Choir Music Academy Founda-

tion. Recorded at Hong Kong City Hall Concert Hall on

28/8/2016.

維港音樂節香港城市室樂團香港管弦樂團維也納電台交響樂團維也納國家歌劇院樂團維也納兒童合唱團 / 曾智斌及更多表演者馬勒：第八交響曲，「千人交響曲」

維也納兒童合唱團音樂學院基金主辦。2016年8月28日香港大會堂音樂廳錄音。

4/9/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Verdi: Macbeth 150’Macbeth: Piero Cappuccilli (br)Banquo: Nicolai Ghiaurov (b)Lady Macbeth: Shirley Verrett (ms)Macduff: Plácido Domingo (t)Cho. & Orch. of Teatro alla Scala of Milan / Claudio Abbado

節目精華Programme Highlights

Klara Flieder 費里達


7/9/2016 (Wed 星期三)11:00am MILHAUD 米堯Sonata for Flute, Oboe, Clarinet and Piano, Op. 47 18’ Les Vents Français為長笛、雙簧管、單簧管及鋼琴而寫的奏鳴曲，作品47法蘭西之風

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 2/9/2016, 8:00pm節目與2016年9月2日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Anne-Catherine Gillet (s)David Kadouch (p)Brussels Phil. Orch. / Nicholas CollonRavel: Shéhérazade 15’ Piano Concerto in G 24’ Oiseaux tristes 5’ La Valse 14’

Recorded at Musiq’3 Festival, Belgium on 1/7/2016.

婕莉（女高音）卡杜殊（鋼琴）布魯塞爾愛樂樂團 / 哥儂拉威爾：天方夜譚 G大調鋼琴協奏曲哀鳥圓舞曲

2016年7月1日比利時電台「樂3」音樂節。

8/9/2016 (Thu 星期四)11:00am GIULIANI 紀利亞尼Guitar Concerto No. 1 in A, Op. 30 23’ Narciso Yepes (g)English Ch. Orch. / Luis-Antonio Garcia NavarroA大調第一結他協奏曲，作品30易柏斯（結他）英國室樂團 / 嘉斯亞那法路

2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 3/9/2016, 8pm節目與2016年9月3日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Gabriela Montero (p)São Paulo Sym. Orch. / Marin AlsopNobre: Kaballah 10’Grieg: Piano Concerto in A minor, Op. 16 33’Villa-Lobos: Prelude, from ‘Bachianas Brasileiras No. 4’ 8’Rachmaninov: Symphonic Dances, Op. 45 36’


英國廣播公司逍遙音樂節2016蒙特羅（鋼琴）聖保羅交響樂團 / 艾爾梭諾布：卡巴拉葛利格：A小調鋼琴協奏曲，作品16魏拉－羅伯士：前奏曲，選自「巴西的巴赫風格，第四首」拉赫曼尼諾夫：交響舞曲，作品45


9/9/2016 (Fri 星期五)11:00am GROVEN 告魯芬Symphony No. 1, Op. 26, ‘Towards the Mountains’ 28’ Stavanger Sym. Orch. / Eivind Aadland第一交響曲，作品26，「邁向山區」斯塔萬格交響樂團 / 艾德蘭

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）

Prog. as 4/9/2016, 8pm節目與2016年9月4日晚上8時相同

6/9/2016 (Tue 星期二)11:00am SCHUBERT 舒伯特Three Piano Pieces D. 946 33’ Maria João Pires (p)三首鋼琴小品，D. 946比殊（鋼琴）

2:00pm Cage: In a Landscape 9’Ivan Ilić (p)基治：風景之中伊力克（鋼琴）

Stamitz: Sinfonia Concertante for Violin, Viola and Orchestra in D 23’Issac Stern (v)Pinchas Zukerman (va)English Ch. Orch. / Daniel Barenboim史地米茲：為小提琴、中提琴及樂團而寫的 D大調交響複協奏曲以撒‧史頓（小提琴）蘇加文（中提琴）英國室樂團 / 巴倫邦

Dvořák: String Quartet No. 3 in D, B. 18 70’Prague Quartet德伏扎克：D大調第三弦樂四重奏，B. 18布拉格四重奏

8:00pm LIVE ON 4 第四台音樂會Daniel Hope (v)State Academic Sym. Orch. of Russia. / Vladimir JurowskiMozart: Violin Concerto No. 1 in B flat, K. 207 21’Mendelssohn: Violin Concerto in D minor 21’Tchaikovsky: Symphony No. 5 in E minor, Op. 64 45’

Recorded at Kissinger Sommer Festival on 1/7/2016.

霍普（小提琴）俄羅斯國家音樂學院交響樂團 / 尤洛夫斯基莫扎特：降B大調第一小提琴協奏曲，K. 207孟德爾遜：D小調小提琴協奏曲柴可夫斯基：E小調第五交響曲，作品64

2016年7月1日基辛格夏日音樂節錄音。

Gabriela Montero 蒙特羅

Daniel Hope 霍普

Anne-Catherine Gillet 婕莉

Nicholas Collon 哥儂


2:00pm Schoenberg: Das Buch der hängenden Gärten, Op.15 25’Sarah Connolly (ms)Iain Burnside (p)荀伯克：空中花園之書，作品15

江挪利（女中音）

賓西特（鋼琴）

Schoenberg: Transfigured Night, Op. 4 28’Tero Latvala (v)Ulla Soinne (va)Jukka Kaukola (vc)Tapiola Sinfonietta / Jean-Jacques Kantorow荀伯克：昇華之夜，作品4

歷華拉（小提琴）

桑尼（中提琴）

裘高拿（大提琴）

塔皮奧拉小交響樂團 / 簡杜路夫

Schoenberg: Pelleas und Melisande, Op. 5 46’Philharmonia Orch. / Giuseppe Sinopoli荀伯克：佩利亞與梅麗桑德，作品5

愛樂樂團 / 仙奴浦利

8:00pm LIVE ON 4 第四台音樂會 Daniil Trifonov (p)Mariinsky Theatre Orch. / Valery GergievWagner: Prelude to Act I of ‘Lohengrin’ 11’Chopin: Piano Concerto No. 1 in E minor, Op. 11 43’Tchaikovsky: Symphony No. 6 in B minor, Op. 74, ‘Pathétique’ 50’

Recorded at Kissinger Sommer Festival, 15/7/2015.

特里福諾夫（鋼琴）

馬林斯基劇院樂團 / 葛濟夫

華格納：《羅恩格林》第一幕前奏曲

蕭邦：E小調第一鋼琴協奏曲，作品11

柴可夫斯基：B小調第六交響曲，作品74，

「悲愴」

2016年7月15日基辛格夏日音樂節錄音。

14/9/2016 (Wed 星期三)11:00am VILLA-LOBOS 魏拉-羅伯士Bachianas Brasileiras No. 7 26’Sao Paulo Sym. Orch. / Roberto Minczuk巴西的巴赫風格，第七首

聖保羅交響樂團 / 明蘇克

2:00pm Beethoven: Cello Sonata in G minor, Op. 5, No. 2 26’Yo-yo Ma (vc)Emanuel Ax (p)貝多芬：G小調大提琴奏鳴曲，作品5，第二首

馬友友（大提琴）

艾斯（鋼琴）

8:00pm MUSIC OF FRIENDS 室樂雅聚Xi Wang (s)Timothy Kwok (p)Handel: Lusinghe più care from ‘Alessandro’ 6’Handel: Tornami a vagheggiar from ‘Alcina’ 4’Debussy: Ariettes oubliées 16’Copland: Long Time Ago 3’Copland: I Bought me a Cat 2’


王曦（女高音）郭家豪（鋼琴）韓德爾：哄取更多關懷，選自《亞歷山大》回來憔悴的我身邊，選自《阿爾茜娜》德布西：忘調柯普蘭：很久以前為自己買一隻貓


12/9/2016 (Mon 星期一)11:00am WEBER 韋伯Piano Sonata No. 3 in D minor, Op. 49 24’ Sviatoslav Richter (p)D小調第三鋼琴奏鳴曲，作品49力克特（鋼琴）


13/9/2016 (Tue 星期二)11:00am BRITTEN 布烈頓Cello Suite No. 1, Op. 72 28’ William Butt (vc)第一大提琴組曲，作品72畢特（大提琴）

Xi Wang 王㬢

Timothy Kwok 郭家豪

8:00pm LIVE ON 4 第四台音樂會Yo-yo Ma & HK PhilYo-yo Ma (vc)Wu Tong (sheng)Hong Kong Phil. / Yu LongBizet: Symphony in CDvořák: Silent WoodsZhao Lin: Duo

Presented by the Hong Kong Philharmonic Society

Limited. Live from Hong Kong Cultural Centre Concert Hall.

馬友友與香港管弦樂團

馬友友（大提琴）

吳彤（笙）

香港管弦樂團 / 余隆

比才：C大調交響曲

德伏扎克：寂靜森林

趙麟：度

香港管弦協會主辦。香港文化中心音樂廳現場

直播。

10/9/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Gounod: Roméo & JulietteJuliette: Vannina Santoni (f)Roméo: Sébastien Guèse (t)Opera Hong Kong Cho.Fujian Sym. Orch. / Benjamin Pionnier

Co-presented by Le French May and Opera Hong Kong.

Recorded at Hong Kong Cultural Centre Grand Theatre

on 27/5/2016.

古諾：羅密歐與朱麗葉

茱麗葉：桑托尼（女高音）

羅密歐：凱茲（男高音）

香港歌劇院合唱團

福建交響樂團 / 琵安理亞

法國五月及香港歌劇院聯合主辦。2016年5月

27日香港文化中心大劇院錄音。

11/9/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Dvořák: Čert a Káča (The Devil and Kate) 119’Káča: Anna Barová (ms)Marbuel the devil: Richard Novak (b)Jirka: Miloš Ježil (t)The Princess: Brigita Šulcová (s) Brno Janáček Opera Cho. & Orch. / Jiri Pinkas

德伏扎克：魔鬼與姬蒂

姬蒂：巴露華（女中音）

魔鬼瑪保：盧霍（男低音）

日爾卡：耶素（男高音）

公主：蘇花（女高音）

布爾諾楊納傑克歌劇院樂團及合唱團 / 冰格斯

Fauré: Piano Quartet No, 1 in C minor, Op. 15 31’Isaac Stern (v)Jaime Laredo (va)Yo-yo Ma (vc)Emanuel Ax (p)佛瑞：C小調第一鋼琴四重奏，作品15以撒‧史頓（小提琴）拉雷杜（中提琴）馬友友（大提琴）艾斯（鋼琴）

R. Strauss: Don Quixote 45’Yo-yo Ma (vc)Boston Sym. Orch. / Seiji Ozawa李察‧史特勞斯：唐吉訶德馬友友（大提琴）波士頓交響樂團 / 小澤征爾

8:00pm LIVE ON 4 第四台音樂會Oxalys EnsembleDvořák: Two Waltzes, Op. 54 8’Marsalis: Meeelaan 13’Adams: Shaker Loops 28’


奧沙利斯合奏團德伏扎克：兩首華爾茲，作品54馬沙里斯：麥哲倫亞當斯：沙加循環曲

2016年7月2日比利時電台「樂3」音樂節錄音。

15/9/2016 (Thu 星期四)11:00am BEETHOVEN 貝多芬String Quartet No. 14 in C sharp minor, Op. 131 39’ Takács Quartet升C小調第十四弦樂四重奏，作品131塔克斯四重奏


8:00pm LIVE ON 4 第四台音樂會BBC Proms 2016Johannes Moser (vc)BBC Phil. Orch. / Juanjo MenaSimpson: Israfel 12’Dutilleux: Tout un monde lointain… 28’Elgar: Symphony No. 1 in A flat, Op. 55 51’Davies: Sir Charles his Pavan 4’

Reco rded a t Roya l Albe r t Hal l , London on

9/8/2016.

Oxalys Ensemble 奧沙利斯合奏團


19/9/2016 (Mon 星期一)11:00am HOFFMEISTER 賀夫米士特Flute Concerto in D 26’Ingrid Dingfelder (f) English Ch. Orch. / Charles MackerrasD大調長笛協奏曲丁菲特（長笛）英國室樂團 / 麥嘉理斯


20/9/2016 (Tue 星期二)11:00am SCHUMANN 舒曼Kreisleriana, Op. 16 33’ Jonathan Biss (p)克萊斯勒偶記，作品16比斯（鋼琴）

2:00pm Sibelius: Cantata for the Conferment Ceremony of 1894 24’Soile Isokoski (s)Jaakko Kortenkangas (br)Finnish Phil. Cho.Helsinki Phil. Orch. / Leif Segerstam西貝流士：為1894年頒授典禮而寫的清唱劇依素高斯基（女高音）哥頓簡嘉斯（男中音）芬蘭愛樂合唱團赫基辛基愛樂樂團 / 薩格士譚

Sibelius: Violin Concerto in D minor, Op. 47 32’Viktoria Mullova (v)Boston Sym. Orch. / Seiji Ozawa西貝流士：D小調小提琴協奏曲，作品47梅洛娃（小提琴）波士頓交響樂團 / 小澤征爾

Sibelius: Symphony No. 2 in D, Op. 43 42’Oslo Phil. Orch. / Mariss Jansons西貝流士：D大調第二交響曲，作品43奧斯陸愛樂樂團 / 楊遜斯

8:00pm LIVE ON 4 第四台音樂會Evgeni Koriolov (p)Bach: Goldberg Variations, BWV998 83’

Recorded at Schwetzingen Festival on 31/5/2016.

葛利奧洛夫（鋼琴）巴赫：戈爾德堡變奏曲，BWV998

2016年5月31日舒華辛格音樂節錄音。

唱‧誦‧莎士比亞杜格尊（朗誦）羅倫斯（朗誦）邱芷芊（女高音）宋狄樟（男高音）方思懿（鋼琴）宋可樟（鋼琴）黃紀陶（鋼琴）喬爾達：在綠蔭下，選自作品23 （《皆大歡喜》，II/5）比卓：我的姑娘啊！（《第十二夜》，II/2）亞根圖：輓歌，選自《六首伊莉莎伯時期歌曲》（《第十二夜》，II/4）及更多

香港電台第四台主辦。2016年9月2日香港電台一號錄播室錄音。

18/9/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Rossini: William Tell (Part 1) 140’William Tell: Sherrill Milnes (br)Arnoldo Melchtal: Luciano Pavarotti (t)Mathilde: Mirella Freni (s)Gessler: Ferruccio Mazzoli (b)Ambrosian Opera Cho., National Phil. Orch. / Riccardo Chailly

羅西尼：威廉‧泰爾（第一部份）威廉‧泰爾：米爾士（男中音）米赫圖：巴筏諾堤（男高音）美堤達：費蘭妮（女高音）簡士拿：馬祖尼（男低音）國家愛樂樂團與亞布斯安歌劇合唱團 / 沙爾

8:00pm MUSIC OF FRIENDS 室樂雅聚Mary Wu (p)Chen Yi: Do-Ye 7’Wendy Lee: Kirie 7’Gwilt: Five Cats for Children 5’Joyce Tang: Dance of Flowing Streams & Song of Crystal Light, from ‘Image, Colours’ 7’Wang Jianzhong: Scene 11’


吳美樂（鋼琴）陳怡：多耶李允琪：剪藝紀大衛：送給兒童的五隻貓鄧慧中：溪流之舞及水晶光之歌，選自「形‧色」王建中：情景


Mary Wu 吳美樂

英國廣播公司逍遙音樂節2016慕莎（大提琴）英國廣播電台愛樂樂團 / 萬那森遜：伊薩拉法迪蒂耶：遙遠世界．．．．．．艾爾加：降A大調第一交響曲，作品55戴維士：查爾斯爵士的帕凡舞曲


16/9/2016 (Fri 星期五)11:00am RAVEL 拉威爾Piano Trio in A minor 27’ Marcia Crayford (v) Christopher van Kampen (vc)Ian Brown (p) A小調鋼琴三重奏克雷福德（小提琴）范康朋（大提琴）布朗（鋼琴）

2:00pm MUSIC OF FRIENDS (REPEAT) 室樂雅聚（重播）Prog. as 11/9/2016, 8pm節目與2016年9月11日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Matthias Rácz Plays Mozart Bassoon ConcertoMatthias Rácz (bn)Hong Kong Sinfonietta / Ken LamMozart: Bassoon Concerto in B flat, K. 191Beethoven: Symphony No. 3 in E flat, Op. 55, ‘Eroica’

Presented by Hong Kong Sinfonietta. Recorded at Hong

Kong City Hall Concert Hall on 20/8/2016.

莫扎特巴松管協奏曲賴茨（巴松管）香港小交響樂團 / 林敬基莫扎特：降B大調巴松管協奏曲，K. 191貝多芬：降E大調第三交響曲，作品55，「英雄」

香港小交響樂團主辦。2016年8月20日香港大會堂音樂廳錄音。

17/9/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會The Rain It Raineth – A Shakespeare Journey in Words and MusicJonathan Douglas (n)Naomi Lawrence (n)Vivian Yau (s)Jasper Sung (t)Siyi Fang (p)Karen Sung (p)Katie Wong (p)Quilter: Under the Greenwood Tree from Op. 23 (As You Like It, II/5)Beach: O Mistress Mine (Twelfth Night, II/2)Argento: Dirge from Six Elizabethan Songs (Twelfth Night, II/4)and more...

Presented by RTHK Radio 4. Recorded at Studio One,

RTHK on 2/9/2016.

Evgeni Koriolov 葛利奧洛夫

SEPTEMBER 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華52

25/9/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Rossini: William Tell (Part 2) 122’William Tell: Sherrill Milnes (br)Arnoldo Melchtal: Luciano Pavarotti (t)Mathilde: Mirella Freni (s)Gessler: Ferruccio Mazzoli (b)Ambrosian Opera Cho., National Phil. Orch. / Riccardo Chailly

羅西尼：威廉‧泰爾（第二部份）威廉‧泰爾：米爾士（男中音）米赫圖：巴筏諾堤（男高音）美堤達：費蘭妮（女高音）簡士拿：馬祖尼（男低音）國家愛樂樂團與亞布斯安歌劇合唱團 / 沙爾

8:00pm MUSIC OF FRIENDS 室樂雅聚Dawning Quartet:Aimee Sung (v)Cass Ho (va)Juanita Wong (vc)Karen Sung (p)Brahms: Piano Quartet No. 1 in G minor, Op. 25 39’


當聆四重奏：宋艾樟（小提琴）何珈樺（中提琴）王翹羽青（大提琴）宋可樟（鋼琴）布拉姆斯：G小調第一鋼琴四重奏，作品25


26/9/2016 (Mon 星期一)11:00am TVEITT 泰維茲Piano Concerto No. 5, Op. 156 32’Håvard Gimse (p)Royal Scottish Nat. Orch. / Bjarte Engeset第五鋼琴協奏曲，作品156金沙（鋼琴）皇家蘇格蘭國家樂團 / 恩格澤特


27/9/2016 (Tue 星期二)11:00am WAGNER 華格納Venusberg Music from ‘Tannhauser’ 13’Slovak Phil. Orch./ Václav Smetáček維納斯堡音樂，選自《湯豪舍》斯洛伐克愛樂樂團 / 史麥塔錫克

23/9/2016 (Fri 星期五)11:00am MOZART 莫扎特String Quartet No. 15 in D minor, K. 421 31’Klenke QuartetD小調第十五弦樂四重奏，K. 421克連可四重奏


8:00pm LIVE ON 4 第四台音樂會Bridging the Glorious Dynasties of Ancient China and Hong KongChen Xinyi (time traveller)Yang Xue (erhu)Sun Yongzhi (dizi)Hong Kong Youth Chinese Orch., Music OfficeHong Kong Junior Chinese Orch. / Yan HuichangChew Hee Chiat: Harken Back to ZhouCheng Dazhao: Reflections on QinLao Luo: Travelling WestNg Cheuk-yin: Tang Resonating

Presented by Hong Kong Chinese Orchestra. Live from Hong Kong Cultural Centre Concert Hall.

周秦漢唐　穿越香港陳薪伊（穿越者）楊雪（二胡）孫永誌（笛子）音樂事務處香港青年中樂團香港少年中樂團 / 閻惠昌周熙傑：周溯程大兆：秦思老鑼：漢行伍卓賢：唐響

香港中樂團主辦。香港文化中心音樂廳現場直播。

24/9/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會In Memory Einojuhani RautavaaraAnni Kuusimäki (fh)Teija Slobodeniouk (v)Ilkka Lehtonen (v)Heikki Vehmanen (va)Veli-Matti Iljin (vc)Mikko Moilanen (db)Finnish Radio Sym. Orch. / Jukka-Pekka SarasteHelsinki Phil. Orch. / Mikko FranckRautavaara: Concerto for Birds and Orchestra, Op. 61, ‘Cantus Arcticus’ 18’ Autumn Gardens 30’ Ballad, for harp and string quintet 11’ Symphony No. 4, ‘Arabescata’ 11’

懷念拉特化拿古士美基（法國號）斯羅博丹尼奧（小提琴）里托蘭（小提琴）費曼朗（中提琴）伊恩（大提琴）莫拉蘭（低音大提琴）芬蘭電台交響樂團 / 沙華斯達赫基辛基管弦樂團 / 米歌‧法朗克拉特化拿：雀鳥及樂團協奏曲，作品61，「北方之歌」秋天的花園敘事曲，豎琴及弦樂五重奏作品第四交響曲，《阿拉伯斯加達》

21/9/2016 (Wed 星期三)11:00am KRUMPHOLZ 克魯姆佛茲Harp Concerto No. 6, Op. 9 24’Roberta Alessandrini (h) Orch. di Mantova / Vittorio Parisi第六豎琴協奏曲，作品9亞歷山德里尼（豎琴）曼圖華樂團 / 帕里西 2:00pm LIVE ON 4 (REPEAT) 第四台音樂會（重播）Prog. as 16/9/2016, 8:00pm節目與2016年9月16日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Tobias Feldmann (v)Anne Queffélec (p)Mozart: Violin Sonata No. 18 in G, K. 301 15’Ravel: Kaddisch 6’Say: Cleopatra, Op. 34 9’Khachaturian: Sabre Dance, from ‘Gayane’ 3’Debussy: Violin Sonata in G minor 15’


霍特文（小提琴）崑菲莉（鋼琴）莫扎特：G大調第十八小提琴奏鳴曲，K. 301拉威爾：聖禱薩爾：埃及妖后，作品34哈察都量：軍刀舞曲，選自《基恩》德布西：G小調小提琴奏鳴曲


22/9/2016 (Thu 星期四)11:00am ELGAR 艾爾加String Quartet in E minor, Op. 83 27’Gabrieli QuartetE小調弦樂四重奏，作品83加比埃利四重奏


8:00pm ARTIST-IN-RESIDENCE 駐台演奏家Andrew Ling (v & va)Dora Tsang, Nancy Loo & Michael Mak (p)Mozart: Violin Sonata No. 21 in E minor, K. 304 15’Piazzolla: Le Grand Tango 10’Ysaÿe: Six Sonatas for Solo Violin, Op. 27, No. 6 8’Vieuxtemps: Élégie, Op. 30 8’Brahms: Violin Sonata No. 1, Op.78 30’

Recorded at RTHK Studio Two on 16/8, 30/8 & 2/9/2016.

凌顯祐（小提琴及中提琴）曾樂冰、羅乃新與麥柱基（鋼琴）莫扎特：E小調第二十一小提琴奏鳴曲，K. 304皮亞蘇拉：大探戈易沙意：六首獨奏小提琴奏鳴曲，作品27，第六首魏歐當：悲歌，作品30布拉姆斯：第一小提琴奏鳴曲，作品78

2016年8月16、30日及9月2日香港電台二號錄播室錄音。

Dawning Quartet 當聆四重奏


那布哥：桂瑪雷斯（男高音）丹尼爾：費南達（男低音）阿梨高：盧利（假聲男高音）安妮雅：韋蘭絲（女高音）阿扎莉亞：法勒絲（女高音）美薩拿：瑪蓮—卡頓（女高音）尤法特：貝洛圖（男低音）拿姆室樂合唱團地中海室樂團 / 亞拉哥吳浮法堤：那布果


29/9/2016 (Thu 星期四)11:00am KODALY 高大宜String Quartet No. 1, Op. 2 38’Kodaly Quartet第一弦樂四重奏，作品2高大宜弦樂四重奏


8:00pm ARTIST-IN-RESIDENCE 駐台演奏家Andrew Ling (v & va)Richard Bamping (vc)Michael Mak (p)Bach: Sonata for viola da gamba in G minor, BWV1029 17’Magnus Lindberg: Acequia Madre 8’Tchaikovsky: Piano Trio in A minor, Op. 50 50’

Presented by RTHK Radio 4. Live from Studio One, RTHK.

凌顯祐（小提琴及中提琴）鮑力卓（大提琴）麥柱基（鋼琴）巴赫：G小調古提琴奏鳴曲，BWV1029麥奴斯‧連保：亞絲罟‧瑪達莉柴可夫斯基：A小調鋼琴三重奏，作品50

香港電台第四台主辦。香港電台一號錄播室現場直播。

30/9/2016 (Fri 星期五)11:00am TIPPETT 狄伯特Concerto for Double String Orchestra 33’Bournemouth Sym. Orch. / Richard Hickox雙弦樂團協奏曲伯恩茅斯交響樂團 / 希覺斯


8:00pm LIVE ON 4 第四台音樂會Beethoven: Violin Sonata No. 1 in D, Op. 12, No.1 19’David Oistrakh (v)Lev Oborin (p)貝多芬：D大調第一小提琴奏鳴曲，作品12，第一首大衛‧愛爾斯泰克（小提琴）奧波連（鋼琴）

Shostakovich: Violin Concerto No. 1 in A minor, Op. 99 36’David Oistrakh (v)New York Phil. / Dimitri Mitropoulos蕭斯達高維契：A小調第一小提琴協奏曲，作品99大衛‧愛爾斯泰克（小提琴）紐約愛樂 / 米卓保路斯

Beethoven: Violin Concerto in D, Op. 61 46’David Oistrakh (v)Orch. National de la Radiodiffusion Française / André Cluytens貝多芬：D大調小提琴協奏曲，作品61大衛‧愛爾斯泰克（小提琴）法國國家電台樂團 / 基拉頓斯

1/10/2016 (Sat 星期六)8:00pm LIVE ON 4 第四台音樂會Enescu: Violin Sonata No. 3 in D, Op. 25 24’Valeriy Sokolov (v)Svetlana Kosenko (p)艾尼斯高：D大調小提琴奏鳴曲，作品25蘇歌路夫（小提琴）高辛高（鋼琴）

Villa-Lobos: Bachiana Brasileira No. 4 23’Alma Petchersky (p)魏拉－羅伯士：巴西的巴赫風格第四首柏卓斯基（鋼琴）

9:00pm MUSIC FOR THE NATIONAL DAY FIREWORK DISPLAY 2016 國慶煙花匯演音樂2016

9:25pm Dvořák: Slavonic Dances, Op. 46 32’Katia & Marielle Labèque德伏扎克：斯拉夫舞曲，作品46拉伯克姊妹

2/10/2016 (Sun 星期日)2:00pm SUNDAY OPERA 歌劇世界Programme to be announced節目詳情容後公佈

8:00pm MUSIC OF FRIENDS 室樂雅聚Hong-ying Ho (v)Eva Lue (p) Delius: Légende 8’Prokofiev: 5 Mélodies, Op. 35 12’Suk: 4 Pieces for Violin and Piano, Op. 17 17’Ravel: Pièce en forme de Habanera 3’


2:00pm ARTIST-IN-RESIDENCE (REPEAT) 駐台演奏家（重播） Prog. as 22/9/2016, 8:00pm節目與2016年9月22日晚上8時相同

8:00pm LIVE ON 4 第四台音樂會Anna Prohaska (p)Veronika Eberle (v)Malin Broman (v)Danusha Waskiewicz (va)Quirine Viersen (vc)Rick Stotijn (db)Pascal Moragues (cl)Marco Postinghel (bn)Schubert: Salve Regina in A, D. 676 9’Webern: Schmerz, immer Blick nach oben 2’Pergolesi: Salve Regina 15’Schubert: Octet in F, D. 803 3’

Recorded at Schwetzingen Festival, 16/5/2016.

浦赫斯加（鋼琴）艾博拿（小提琴）邦文（小提琴）華斯其法士（中提琴）維瓦辛（大提琴）斯度迪恩（低音大提琴）摩拉格斯（單簧管）璞斯汀格（巴松管）舒伯特：A大調萬福聖母，D. 676魏本：痛苦時，總應抬頭彼高利斯：萬福聖母舒伯特：F大調八重奏，D. 803

2016年5月16日舒華辛格音樂節錄音。

28/9/2016 (Wed 星期三)11:00am DVOŘÁK 德伏扎克Violin Concerto in A minor, Op. 53 32’Issac Stern (v)Philadelphia Orch. / Eugene OrmandyA小調小提琴協奏曲，作品53以撒‧史頓（小提琴）費城樂團 / 奧曼第


8:00pm LIVE ON 4 第四台音樂會Nabucco: Fernando Guimarães (t)Daniele: João Fernandes (b)Arioco: Christopher Lowrey (ct)Anania: Caroline Weynants (s)Azaria: Mariana Flores (s)Misaele: Lucia Marín-Cartón (s)Eufrate: Matteo Bellotto (b)Namur Chamber Cho.Cappella Mediterranea. / Leonardo Garcia AlarcónFalvetti: Nabucco


Valeriy Sokolov 蘇歌路圭

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沙田、上水、大埔、荃灣、屯門、元朗、北葵涌•香港藝術館•香港歷史博物館

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SEPTEMBER 2016 | FINE MUSIC | PROGRAMME HIGHLIGHTS 節目精華54

何紅英（小提琴）劉綺華（鋼琴）戴流士：傳說浦羅歌菲夫：五首歌曲，作品35蘇克：四首為小提琴與鋼琴而寫的樂曲，作品17拉威爾：以哈巴涅拉舞曲曲式而寫的作品


3/10/2016 (Mon 星期一)11:00am FALLA 法雅The Three-Cornered Hat 39’Jan DeGaetani (ms)New York Phil. / Pierre Boulez三角帽迪嘉坦妮（女中音）紐約愛樂樂團 / 布萊茲


In Memory of Maria Chow懷念周美華

It is with great sadness that we have learnt of the death of our former colleague Maria Chow. Maria was a regular fixture on Radio 4 in the 1980s. Her wonderful broadcasting voice and passion for her subject won her a devoted following, and it was thanks to her programmes that many radio listeners in Hong Kong came to appreciate classical music. We extend our deep-est sympathies to her family and friends.

周美華對古典音樂充滿熱情和擁有豐富的廣播經驗。她曾於八十年代擔任第四台主持及製作多類型節目，服務廣大樂迷。第四台對周美華的離世，深感惋惜。

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Contact us at

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6774 6991 Ms. Poon

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SEPTEMBER 2016 | FINE MUSIC | CLASSIFIED BOARD 分類廣告

聯合音樂院

The United Academy of Music

師資優良收費合理姚漢輝 (Vienna Conservatory, HKAPA, LRSM)

Piano, Violin, Theory, Aural, AmusTCL etc

灣仔駱克道280號7樓

2575 5772 / 9436 0167 unitedacademymusic.com

[email protected]

專業音樂治療中心

「老年癡呆症長者―實用音樂活動帶領技巧」證書課程

19/11、26/11、3/12、10/12、17/12 （星期六）2pm - 7pm

由本港資深音樂治療師伍偉文先生教授

31758591 [email protected]

55

There have been so many people that have inspired my interest in seeing the world, and a huge globe given to me by my parents at a very early age certainly heightened my curiosity - places oceans away with names that I couldn’t pronounce…

One of those inspiring people was my great aunt. I used to spend weekends with her at her apartment in New York. It was filled with exotic artwork and furniture that she collected while on her business travels as a fashion buyer. There were beautiful and striking things from Spain, India, the Middle East, and even Hong Kong. It was like visiting a museum where every piece had its own tale. I would sit, absolutely captivated, and listen to those stories. I wanted to go wherever she had been.

Since I left my birthplace, I’ve lived in four different countries (so far) and I have visited four times as many. In each country I encountered a new language (even in England!), new taste sensations, new customs, a whole new way of life and, best of all, new music.

Riccardo Muti once said, ‘Music is the only art that can bring people together, to communicate even if they speak different languages or if they have different religions.’ I found that to be very true when assimilating in others’ cultures. It was with Muti’s premise in mind that I created the ‘Music Beyond Borders’ cultural exchanges project. Previously presented only by Radio 4, the ‘Music Beyond Borders’ live, free concerts (one part of the project) have now become a part of the ‘New Vision Arts Festival’. The next concerts will be taking place on 5 and 6 November. If you are inquisitive, open-minded and adventurous like me, and are looking for some new sounds, these concerts are for you!

Watch out for details in the October edition of FM.

No Boundaries 無拂界限 Stacey Rodda 文：盧迪思翻譯：箬笠

After the joint encore given by the Austrian and Italian artists of ‘Music Beyond Borders’ 2014

來自奧地利和意大利的音樂家在2014年「無限領域」音樂會後謝幕

▲

是身邊的人，讓我對這世界產生興趣。小時候父母給

我放眼世界，帶我到那些當時的我連名字也讀不出的

地方，藉以引起我的好奇心。

我的姨婆曾是一位時尚買手。她從西班牙、印度、中

東和香港等地購買家具，還有頗具異域風情的藝術

品，然後將它們填滿她在紐約的寓所。我曾經在那間

寓所渡過許多個週末。每件東西都有自己的故事，身

處其間，感覺就像參觀一間博物館。我坐在那兒，聽

她講故事，想像有一天自己也能踏足她到過的地方。

離開故鄉至今，我已在四個國家生活過。每到一個國

家，我總能接觸到一門全新的語言(即使是在英國！)

― 新的味覺享受、新的風俗、新的生活方式，以及新

的音樂。

偉大的指揮家慕迪曾經說過：「音樂是唯一能將人聯

繫在一起的藝術，那怕有些人使用不同語言，或有不

同的信仰宗教。」我十分同意他的話，這也是我籌辦

「無限領域」節目的原因。免費現場音樂會演出，是

「無限領域」的重要部份。在11月5日及6日的「新

視野藝術節」中，大家將欣賞到這類型跨國界的音

樂。如果你像我一樣好奇、心態開放且愛冒險，對於

「尋找新聲音」有十足熱情，這些音樂會將是你的心

水之選！

欲知詳情，請留意下期《美樂集》。

SEPTEMBER 2016 | FINE MUSIC | COLUMNS 專欄56

Documents

Finemusic 美樂集(09/2016)