Huang Po-chih, Liu Han-chi

Flight of Fantasy, Garret in the Air

Video and Mechanical Power Installation

黃博志、劉瀚之回到半空中錄像及動力機械裝置

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多次參加國內大型數位藝術而嶄露頭角的兩位新

銳藝術家黃博志、劉瀚之，在本次地景藝術展中

嘗試以共同創作的模式，利用老舊公寓的狹縫空

間進行跨時空的魔幻對話：沿著陡直的樓梯爬上

一樓夾層，壓迫性的高度橫亙眼前，身體踡著進

入三個設有裝置的一樓夾層空間中，藝術家將觀

者拉回舊日孩提時光—多架小型飛機在堆疊的書

本玩具峽谷中不斷地盤旋，重複性的機械飛行裝

置是藝術家投射手持飛機的男孩記憶，穿梭在巨

大身影的小小心靈成長圖像；觀者到達第二個裝

置空間，潛望鏡般的動力裝置緩慢轉動著，幽微

的光束像是潛入地心探索光線印照出的藝術家的

圖像世界；走進最後的空間，錄像裝置不同步地

播放藝術家擠身在書堆之中，畫面中扭曲的身形

像是硬穿上兒時制服的不合身窘態，暴露出展示

空間的特異性。

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Taiwanese artists, Huang Po-chih and Liu Han-chi have come together to create a time-and-space-crossing magical

dialogue inside a to-be-reconstructed old housing site. Imagine being in an empty house and walking along the steep

stairs toward the second floor attic, the pressing height ahead was once a fortress and playful haven for children that

lived here. The wonderful and innocent sense of nostalgia still lingers in the air. The anonymous and carefree graffiti

on the wall pulls the audience back into the old times to their curious childhood, when imagination ran wild. The

attic has three artwork installations, and upon entering, one feels like being shoved into a child’s uniform, and as

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the body crunches down to go inside, the varying waves of current come gushing in

through the reconstructed fan, and the feeling is like having fallen into the imaginative

alternative space as seen in the movie, “Orz Boys”. The mobile device slowly twirls

and seems to be leading into the dark core of the planet or a deep sea duct. A beam

of light guides toward the inspection of the tracks left behind by time and also to the

exploration of the unknown world. The last room consists of numerous small red

airplanes that are circling inside the valley of memory piled together by mounts of

books. The repetitive mechanical movements resemble the struggle and rejection of

the space and confusion in judgment.