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GEOGRAFÍA DEL PLIEGUE Abel Paúl 2014
GEOGRAFÍA DEL PLIEGUE
PERFORMANCE NOTES
Abel Paúl 2014
1) INSTRUMENTS & OBJECTS
+Tenor sax.
+Percussion-An aluminium sheet of the following size: 50cm*50cm*0,5mm. These sheets can be found at any well stocked hardware store.
-A mini vibration speaker (recommended brand and model: Auvisio Mini-Lautsprecher "VI-88") and a conventional mp3 player. The vibration speaker
should be stuck to the metal sheet's surface. The speakers incorporate a sticker to fix them to any object/surface. Use this adhesive area to stick the speaker
to the sheet. The audio file played by the mp3 player will be projected onto the metal sheet and will be modified acoustically by the sheet's changing positions
and bending degrees. For pictures and more information check the following link: www.abelpaul.net/materials2.htm-A small glass sheet (approximate size: A4).
-A small hard plastic box lid (such as the lid of a sewing needle's box). This plastic lid should be rubbed on the glass sheet producing high overtones
and a delicate chirp-like effect. For pictures and more information check the following link: www.abelpaul.net/materials2.htm-Small litophone. This should be made of a small slate board (or of any other stone) and two pebbles (small and medium size). The pebbles should be rubbed
on the board, producing two distinct tones.
-2 wine glasses filled with water. These glasses are bowed and should be tuned to the following pitches:
-Crotales.-4 temple blocks (pitched in different tones).
-2 percussion stands are needed. One exclusively for the metal sheet and the other one for the rest of instruments. The metal sheet must be played on a
piece of molton, cloth or any soft material to avoid excessive reverberation.
Beaters and mallets:
-Superball: "Professional" superballs may not work as the stick is generally too rigid. A homemade superball is recommended. It must be made by cutting a
rubber bouncing ball in half and sticking one half onto a flexible, thin wooden stick (ideally a brochette stick, around 25cm long). Ball's diameter: 3 cm or smaller.
-Double bass bow.
-conventional mallets (soft, hard)
(I)
(II)
A tea spoon or small stick is needed to stir the water.
+Piano
-A mini vibration speaker (recommended brand and model: auvisio Mini-Lautsprecher "VI-88") and a conventional mp3 player are needed. The vibration
speaker is placed and slid on different strings of the piano during the piece. The audio file played by the mp3 player will be 'projected' onto the strings.The speaker box may be
fixed to the piano stand with a piece of blu-tack so that it does not move throughout the performance.
For pictures and more information check the following link: www.abelpaul.net/materials2.htm-A small hard-plastic box lid (such as the lid of a sewing needle's box). This plastic lid should be rubbed against the piano's keyboard lid producing high overtones
and a delicate chirp-like effect. This technique will only work with pianos whose surface is completely smooth and varnished. In case the surface is rougher, a small
glass sheet (i.e. a pocket mirror) may be fixed to the piano. In such case, rub the plastic lid against the glass.
For pictures and more information check the following link: www.abelpaul.net/materials2.htm-Soft toothbrush.
-A small piece of a bike's internal air chamber tyre (see www.abelpaul.net/materials2.htm)
-A glass nailfile with a very soft grit.
-Superball: "Professional" superballs may not work as the stick is generally too rigid. A homemade superball is recommended. It must be made by cutting a
rubber bouncing ball in half and sticking one half onto a flexible, thin wooden stick (ideally a brochette stick, around 25cm long). Ball's diameter: 3 cm or
smaller.
-A specific audio file is played by the mp3 players and projected by the mini vibration speakers at different moments throughout the piece. This audio file is definedby a recording of the first sax multiphonic of the piece, looped several times. The mp3 file may be downloaded here: www.abelpaul.net/materials2.htm ("audio file" link). Load this file onto the mp3 players used for the performance.
2) AUDIO FILE
-Score transposed.-Duration: 8'
3) GENERAL
-Notation for microtones (in ascending order)
-Fermatas
=short (doubles the indicated duration)
=extremely long (approximate duration indicated in the score)
Irregular tremolo
=moderate (triples the indicated duration) =long (quadruples the indicated duration)
4) TECHNIQUES AND NOTATION
TENOR SAX
-Fingerings for multiphonics and bisbigliando are directly indicated in the score. These fingerings have been extracted from the following book:Weiss, Netti, The Techniques of Saxophone Playing, Kassel: Bärenreiter, 2010.Alternative fingerings for the same result may be used in case more suitable options are found.
Air tones (pitchless) with the indicated fingerings. The nature of the articulation is indicated by consonants on top of the note ("t" or "t-k").
Air tones with some degree of pitch.
ft.(rrr...)
ord
Pitchless flutter tongue (rolled r at the tip of the tongue, not in the throat)
slap
Standard slap
Gradual transitions between different states.
slap
Secco slap
teeth
Teeth on reed. Approximate pitch as much as possible
teethTeeth on reed. Unspecific very high pitch.
teeth
(k)
Teeth on reed. Unspecific very high pitch+ random and active movement of keys.
teeth
D.T.
(k)
Teeth on reed. Unspecific very high pitch + random and active movement of keys+ double-tonguing.
PERCUSSION
+Mp3 player (or similar) & mini vibration speaker: before the performance check that the mp3 player is not set to sleep or hibernation mode. The mp3 file mentioned before should be uploaded prior to the performance. This file consists of a recording of the sax' first multiphonic looped several times (up to 20 minutes).
Only the play and pause buttons/commands need to be activated during the performance (note that in some devices such as ipods or smart phones the play and pause commands
coincide). Check that the mini vibration speaker is switched on before the performance.
Notation:
mp3 player
�
+Metal sheet.The metal sheet is mainly used in combination with the mini vibration speaker and mp3 player. The projected sounds are altered acoustically by the different positions of the metal
sheet. Occasionally, the sheet is also used independently (with the mp3 player in pause mode). Most of the techniques with the metal sheet (except actions with mallets/bow/
superball) allow very little variation in volume. The written dynamics should be understood are indicators of the action's intensity rather than signs of the actual sonic outcome.
Always prevent the mini speaker's cable from hitting the metal sheet. Notation:
Press play Press pause
����Metal sheet on the stand Metal sheet off the stand.Hold it from the left side.
���� Metal sheet off the standHold it from the left and right
sides.
Metal sheet off the stand.Hold it from the upper side
with one or two hands
(as indicated)
-Techniques with the metal sheet on the stand:
When the metal sheet is placed on the percussion stand (or table) it should be bent to the indicated degrees by pressing down the upper side. This is required in order to obtain diverse tones and/or glissandi. Bending positions (curvature) of the metal sheet on the stand:
(with the metal sheet's vertex pointing away from the performer)
= large (around 100º)=straight (180º) =small curvature (around 160º) = moderate (around 130º)
-Techniques holding the metal sheet from the left and right sides:
Transitions (glissandi) between 2 positions are indicated by arrows. Ex:
Pull left/right sides towards you and shake sheet in a very fast and light motion, generating a tremolo-like effect. The symbol above indicates the sheet's overalldegree of bending (pulling the sides towards you). These bending degrees apply also to standard, non-tremolo passages.
����
( )
straight
( )
small curvature
( )
moderate curvature
-Techniques holding the metal sheet from the upper side:
=gradual transitions between different positions.
-Bowed metal sheet:
This technique is performed with the sheet held from the upper side and with the sheet on the stand. The sheet should always be bowed on its upper edge.
=shake metal sheet in a delicate, irregular motion.
downbow
upbow
zig-zag bowing (discreet left-right, right-left motion of the bow, following the overall upbow or downbow direction).
-Metal sheet & superball.
Rub superball on the metal sheet. The trill line above indicates a slight oscillatory movement of the superball.
Balzato (bouncing): Rub the superball with very little pressure along the sheet's internal side producing a bouncing effect. Rub the superball upwards (from bottom to top). Control sheet bending with left hand.
-Metal sheet & mallets.
Rub mallet's wooden stick on the sheet's upper edge as fast as possible. Control sheet bending with left hand
+Glass sheet
Rub plastic box lid on the glass sheet producing high overtones and an unstable chirp-like effect. This technique allows little variation in dynamics.
The notated dynamics suggest the intensity of activity rather than the actual sonic outcome.
+Temple blocks
IVIIIIII
Each temple block is indicated by a roman numeral on the staff (I=highest, IV=lowest).
+Litophone
IVIIIIII
superball "Balzato"(bouncing) superball on the temple blocks (ocassionally also the superball's stick)
rub
hit
Rub/hit pebble on stone board.
+Bowed wine glasses
upbow
Stir the water with a tea spoon or small stick with the left hand. Bow with the right hand.
PIANO
downbow
-Mp3 player (or similar) & mini vibration speaker: Check that the mp3 player is not set to sleep or hibernation mode before the performance. The mp3 file mentioned beforeshould be uploaded prior to the performance. This audio file consists of a recording of the sax' first multiphonic, looped several times (up to 20 minutes).
Only the play and pause buttons/commands need to be activated during the performance (note that in some devices such as ipods or smart phones the play and pause commands
coincide). Check that the mini vibration speaker is switched on before the performance.
Notation:
Many actions take place on the piano strings. The particular strings and ranges used have been notated very accurately. Nevertheless, due to the varying internal layout of every instrument, some of the techniques(especially glissandi) may be challenged by obstacles(metal bars, etc.) In such cases, strive to negotiate these impediments in order
to achieve a result as close as possible to the notated one.
Press play Press pause
mp3 player
�
[ ] Place speaker on the indicated string
Speaker glissando. Rub the speaker on the strings very delicately, covering the indicated ranges in the indicated rhythm.
[ ]
[ ]
-Toothbrush
Two different surfaces of the toothbrush are used for the following techniques: the actual brush (indicated by the word "brush") and the the rigid, back side of the brush head (notated by the words "hard side").
simile
Rub the toothbrush on the indicated string/s in a lengthwise, discreet up and down alternate motion.
Toothbrush glissandi on the strings within the indicated ranges
Combination of the two previous techniques. Rub the toothbrush with a discreet up and down alternate motionfollowing a general descending/ascending direction within the indicated ranges. The toothbrush may be brushed at
an angle (neither completely longitudinal nor perpendicular to the string) in order to facilitate the descending/ascending
movement.
-Glass nail file
[ ] [ ]
Rub the nail file on the indicated string. This technique should be performed vertically, rubbing the nail file against the side of the string (the strings associatedwith this technique belong to the middle range of the piano, constituted in fact by 3 parallel steel wires. Thus, rub the nail file against the left or right wire, not
the middle one). When "tremolo" is notated, rub the glass nail against the string in a discreet, alternate up-down motion.
This technique should be performed very delicately. The notated dynamics suggest the intensity of activity rather than the actual sonic outcome.
-Small piece of bike tyre
f
Rub the small fragment of bike tyre (internal air chamber) robustly on the indicated string so that the friction triggers a high, flageolet-like resulting tone (it sounds approximately 2 octaves and a minor seventh higher than the notated pitch).
-Superball
pp
ppp
Rub superball on the keyboard lid, almost without pressure, bouncing.
Rub superball on the indicated string
-Hard-plastic box lid
5) SETUP
Rub hard-plastic lid on the keyboard lid (or on any other convinient surface of the instrument) producing high overtones and an unstable chirp-like effect. This technique allows little variation in dynamics. The written dynamics suggest the intensity of activity rather than the actual sonic outcome.
Piano
xSax
x
x Percussion
====qqqq 50
44
geografía del pliegue
24
54
====qqqq 66
38
34
Tenor Saxophone
Percussion
Piano
C5Tf
C
116
pp
similepp
pp
Abel Paúl2014
L.H:
R.H:
Mp3 player:
press play
( )
�
ppp
( ) ( ) ( ) ( ) ( ) ( ) ( ) ( )
Mp3 player:
press play
�
Vibration speaker
on string
[ ] ppp
7
44
316
58
28
38
44
14
T. Sax.
Perc.
Pno.
pp
p f
slap
teeth
p
(k)
(k) (k)
(k)
ppp
R.H.
Take plastic box lid
(R.H.)
mp3 player:
press pause
pp
Rub plastic box lid
on glass sheet
pppp
Discard plastic
box lid
( ) ( ) ( ) ( ) ( ) ( ) ( )
mp3 player
Discard speaker,
take piece of tyre
and
plastic box lid
f
Rub piece of tyre
on string
Rub plastic box lid on key lid
Discard plastic box
lid, take speaker
ppp
pppp
====qqqq 50
44
34
15
516
54
316
34
T. Sax.
Perc.
Pno.
C5
122
p
simile
p
3
ppp
3
p
3
ppp
p
3
ppp
mp3 player
( )
ppp
�
( ) ( ) ( )
( ) ( ) ( ) 3
( ) ( ) 3
( ) ( ) 3
( ) ( ) ( ) ( ) ( ) ( ) ( ) 3
( )
Keyboard
mp3 player
�
pp
[ ]
ppp
(Speaker
on string)
1
38
21
34
28
====qqqq 66
44
T. Sax.
Perc.
Pno.
ppp
p
ppp
slap
mf
ppp
teeth
pp
ppp
slap
p
teeth
(k)
(k) (k)
pp
slap
p pp
teeth
(k)
(k)
p
(t)
pp
teeth
(k)
ppp
3
mp3
player
take
hard
mallets
crotales
mp
discard mallets,
take superball
take plastic lid
IVIIIIII
ppp
Temple blocks:
superball balzato
( )( ) ( ) ( ) ( ) ( ) ( ) Rub plastic lid on glass sheet
pppp
3
f
Rub tyre
on string
take toothbrush
ppp
Toothbrush on strings
brush
Discard speaker.
Take piece of tyre and
plastic box lid
pppp
Rub plastic box lid on key lid
28
34
58
T. Sax.
Perc.
Pno.
p
slap
ppp
(t) slap
p pp
teeth
(k) (k)
p
slap
ppp
(t)
pp
teeth
(k) (k)
slap
p ppp
(t)
pp
teeth
(k) (k)
p
slap
ppp
(t)
7
7
pppp
7p
slap
(t)
pppp
7 7 77
ppp
rub superball's wooden stick
on the sheet's upper edge
pppp
IVIIIIII
Temple blocks.
Superball balzato
p
pppp
discard superball
discard plastic lid
simile
(lengthwise+
transversal)
ppppp
discard plastic lid
keyboard
ppp
====qqqq 50
44
33
316
34
38
44
516
T. Sax.
Perc.
Pno.
ppp
Eb
bisbigliando
Bb
p
ord. air
ppp
simile
ord.
p
ppp
Bb
ord.
p
ppp
pp
ord.
3
mp3 player
����
( )
ppp
�
����
( )
( )
pp
( )
( )
ppp
( )
( )
( )
pp
( )
( )
ppp
( )
( )
( )
( )
p
ppp
( )
( )
pp
3
take nail file
ppp
rub nail file on string[ ]
pp
[ ] [ ]
ppp
[ ] [ ]
pp
[ ] [ ]
[ ]ppp
[ ]
pp
[ ] [ ]
ppp
[ ] [ ]
pp
3
(keyboard)
2
316
39
34
58
44
316
24
38
T. Sax.
Perc.
Pno.
Bb
p
ord.
p
simileord
ppp
ord ord ord
ppp
ord
p
5
R.H: take hard mallets
( )
ppp
( )
( )
pp
( )
ppp
( )
pp
( ) ( )
( ) ( ) ( )
ppp
( ) ( ) ( )
( )
pp
( )
ppp
( ) ( ) 3
( )
ppp
[ ] [ ]
pp
ppp[ ]
[ ] [ ]
pp
[ ] [ ] [ ]
[ ] [ ]
pp
[ ] [ ]
ppp
take piece
of tyre 3
ppp
take
superball
====qqqq 66
24
47
58
====qqqq 50
44 3
4516
24
34
T. Sax.
Perc.
Pno.
slap
mp p
teeth
(k)(k)
(k) (k)
ppp
(k)
Tf
bisbigliando
G#
ord
p
ppp
simile
ord
p
ord ord
pp
ord
p
ord
5 3
crotales
rub mallet's wooden stick
on the sheet's upper edge damp crotales,
discard
mallets
ppp
pppp
pp
( ) ( ) ( ) ( ) ( )
����
( )
pp
ppp
( )
( )
( )
( ) ( )
( )
ppp
( )
( )
( )
( ) ( )
ppp
( )
( )
( )
( )
pp
( )
( )
ppp
3 3
Rub piece of
tyre on string
f
Rub superball on the keyboard lid,
almost without pressure, bouncing.
take nail file
keyboard
[ ]
pp
nail file on string
ppp
[ ] [ ]
[ ]
pp
[ ] [ ]
ppp
[ ]
pp
[ ] [ ]
ppp
[ ]
[ ]
[ ]
pp
[ ] [ ]
ppp
3 3
pp
pppp
discard superball (keyboard)
pp
pp
3854
54
316
34
44
14
====qqqq 66
34
316
24
T. Sax.
Perc.
Pno.
Bb
ord
p
ord ord ord
ord
ppp
p
ord
ppp
ord
pp
mp
slap
ppp
(t-k)
7
p
slap
ppp
(t-k)
7
3 37
(R.H.)
mp3
player
litophone
(rub smaller pebble)
ppp
3
p
hit
ppp
rub
3
3
( ) ( )
( )
( )
3
( )
pp
( )
( )
ppp
( )
( ) ( ) ( ) ( )
( )
( )
pp
( ) ( )
ppp
( )
( )
( )
pp
( )
ppp
( ) ( )3
ppp
[ ]
[ ]
pp
[ ] [ ]
ppp
[ ]
[ ]
pp[ ]
[ ]
ppp
[ ]
pp[ ]
discard nail file,
take toothbrush
ppp
mf
Toothbrush on
strings
hard side
ppp
brush
pppp
hard side
p
brush
ppp
pppp
3
mp3 player
�
[ ]
Speaker
on string
63
38
34
316
44
34
T. Sax.
Perc.
Pno.
p
7
slap
ppp
ft.(rrr)
(t-k)
p
slap
3ppp
(t-k)
7
C
34
Bb
pp
(t-k)
ppp
7p
slap
37
3
Take superball
ppp
Metal sheet.
Superball balzato
IIIIV
III
Temple blocks
pp
ppp
Litophonerub smaller pebble
3
pppp
3
hit
p
take bow
Bowed wine glass (I)
(L.H: stir water with stick or spoon)
pp
ppp
hard side
pppp
3
ppp
brush
pppp
ppp
p
hard side
ppp
brush
pppp
ppp
p
hard side
70
316
44
316
34
T. Sax.
Perc.
Pno.
ft.(rrr)
(t)
7
34
pp
ppp
(t)
7
ft.(rrr)
p
slap
3
ppp
(t-k)
7
Temple blocks.
Superball balzato
IIIIV
III
pp
ppp
Metal sheet.
Superball balzato
3
IVIIIII
Temple
blocks.
I
pp
Take bow
pp
Bowed wine glass
(L.H: stir water with tea spoon)
brush
ppp
pppp
ppp
hard side
pp
ppp
brush
pppp
ppp
hard side
brush
4477
316
34
38
24
T. Sax.
Perc.
Pno.
34
pp
ppp
(t-k)
p
slap 3
ppp
(t-k)
7
ft.
p
slap
(t-k)
ppp
7
7
7
p
litophone
hit
ppp
rub
3
3
pp
Bowed wine glass
(L.H: stir water with spoon)
hard side
brush
hard side
brush
pppp
ppp
3
4
pppp ppp
316
84
34
1444
316
34
44
T. Sax.
Perc.
Pno.
34 ppp
teeth
pppp
ppp
mf f
D.T.
(k) (k)
D.T.
(k)
3
(k)
litophone
rub
ppp
3
ppp
Plastic lid on
glass sheet
take mallets mf
mf
litophone
rub stones
3
3
ppp
mp
pp
hard side
ppp
brush
pppp
discard
toothbrush
mp3
player
take piece of
tyre
f
3
3 3 3
discard
speaker Take plastic lid Rub plastic lid on key lid
ppp
mp
38
93
58
34
38
====qqqq 50
34
24
38
316
44
T. Sax.
Perc.
Pno.
(k) (k)
mf
(k)
3
(k)
mp
ppp
ppp
C
37
C#
pp
ppp
simile
5
pp
5
ppp
5
mp
p
ppp
pppp
Take bow
ppp
bowed wine glass (II)
pp
ppp
pp
5
ppp
5 5
Take larger pebble
litophone
(rub larger pebble)
5
5 5ppp pp ppp pp ppp
discard piece of tyre,
take nail file
p
pp
ppp
pppp
[ ]
ppp
Nail file on string
5
[ ]
[ ]
5
[ ]
pp
[ ]
ppp
[ ] [ ]
[ ] [ ]
pp
5[ ]
ppp5
p
pp
ppp
discard
plastic lid
keyboard
516
103
24
34
316
44
216
58
38
34
T. Sax.
Perc.
Pno.
pp
ppp
pp
5
ppp
ppp
5
pp
ppp
pp
ppp
pp
ppp
ppp
pp
ppp
pp
5 5
5 5 5 5 5 5 5 5
ppp
pp
ppp
5
pp
ppp
5
pp
ppp
pp
ppp
pp
ppp
pp
5 5 5 5 5 5 5 5 5 5
ppp
pp
ppp
pp
ppp
5
pp
ppp
pp
5
pp ppp
pp
ppp
pp
5 5 5 5 5 5 5 5 5 5
[ ]
5
[ ]
ppp
[ ] [ ]
[ ] [ ]
pp
5
[ ] [ ]
[ ] [ ]
[ ] [ ]
[ ]
ppp
[ ][ ]
[ ]
pp
[ ]
ppp
[ ]
[ ]
pp
[ ]
[ ]
ppp
[ ]
[ ]
pp
5 5 5 5 5 5 5 5 5 5
ppp
pp
ppp
ppp
5
pp
ppp pp
ppp
pp
ppp
516
112
38
44
34
316
78
216
58
T. Sax.
Perc.
Pno.
ppp pp
C
ppp
41
C#
( )
5
5
5
5mp
p
mf
p
5
5
f
5 5 5
ppp pp
take superball
pp
Rub superball on
metal sheet
5
5
5
5
p
pp
mp
p
5
mf55 5 5
ppp pp
discard pebble,
hold metal sheet
[ ]
ppp[ ]
pp
Take toothbrush
pp
ppp
Toothbrush on string
hard side
5
5
5
5
mp
pp
mf
p
5
5
f
5 5 5
====qqqq 66
34
121
24
T. Sax.
Perc.
Pno.
f
ft.(rrr...)
mf
5
mp5
5
p
5
5
ppp
5
pppp
5
mf
rub superball's wooden stick
on the sheet's upper edge
mp
p
pp
pppp
Take bow
brush
L.H:
hold metal sheet
mf
p
pp
ppp
ppppp
Discard brush
====qqqq 50
44
125
38
34
316
78
516
44
T. Sax.
Perc.
Pno.
35
Bb
pp
7
simile
pp
7
pp
p
pp
pp
p
pp
7 7
bow on the metal
sheet's upper edge
7
ppp7
7pp
ppp
pp
7
ppp
pp
7
7 7 7pp
pppp
pp
pppp
pp
pppp
pp
pppp
7
7 7 7 7 7 7 7 7
7 7 7
6
pp
28
132
58
38
58
28
44
516
78
T. Sax.
Perc.
Pno.
pp
7
bisbigliando
Bb
7
ord
pp
pp
simile
ord
mp
pp
p
mp
ord
p
7
7 7 7
mp3
player(bow)
ppp
7pp
ppp
( )
ppp
�
p
pp
p
mf
7
p
mp
pp
p
mf
p
77 7 7 7
pppp
7pp
pppp
7 7
take speaker
316
140
34
38
44
38
T. Sax.
Perc.
Pno.
ord
7
ord
ord
ord
ord
7 7 7pp pp mp p mp pp pp mp pp
p
7
mf
p
p
7mf
p7
mp
ppp
7
mp3
player
�
keyboard
[ ]
delicately rub speaker on the strings
pppp
ppp
[ ]
loco
[ ]
[ ]
loco
24
147
34
====qqqq 66
24
38
332
58
24
316
T. Sax.
Perc.
Pno.
Eb
29
Bb
(t)
ord
(t)
mp ppp
p7:q
ppp 11:q.
p 11:q.
ppp 7:q
p7:q
ppp
ppp
( )mp3
player
discard bow,
take superball
and malletR.H: superball balzato.
Hit with the superball's
stick.
IVIIIIII
pppp
pp
pp
pp
pp
pppp
pp
pp
pp
pppp
pp
L.H: rub mallet's stick on
temple block.
p
ppp
Superball:
Rub it on the keyboard lid, bouncing
pp
ppp
pp
ppp
[ ]
[ ]
loco
[ ]
[ ]
[ ]
7
38
156
28
532
38
24
316
28
332
24
516
38
T. Sax.
Perc.
Pno.
11:q.
7:q
11:q.
7:q
mp
slap
p
(t)
7:q
ppp
7:q
7:q
11:q.
pp
pp
ppp
pp
pp
p ppp
p
pp pp
ppp
IIIIV
III
p
pp
pppp
p
pp
pppp
ppp
pp
pp
pp
pppp
pp
pppp
pp
pp
pppp
pp
pp
ppp
pp
ppp
pp
mp
keyboard pp
superball
ppp
pp
ppp
pp
167
28
24
316
38
332
24
====qqqq 50
34
44
T. Sax.
Perc.
Pno.
ord(t)11:q.
7:q
7:q
11:q.
7:q
7:q
p ppp
p ppp p
ppp p
mp3
player
�
(irregular)
IVIIIIII
pp
pppp
pp
pp
pp
pppp
pp
pp
pppp
discard mallets,
L.H: hold sheet
����
( )
ppp
( )
pp
( )
p
ppp
pp
ppp
pp
keyboard
p
take superball
pppp
rub superball on string
pp
3
3
ppp
177
38
34
38
34
316
54
T. Sax.
Perc.
Pno.
pppp
C
37C#
p
ppp
C3
86
ppp
simile
ppp
p
3
R.H: take bow
Bowed wine glass
ppp
3 3 3 3
( )
pp
( )
ppp ( ) ( )( )
3( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( )
3 3 3 3
pppp
discard superball
pp
keyboard
loco
[ ]
8
516
184
34
44
28
58
24
44
34
T. Sax.
Perc.
Pno.
ppp
3
pp
C5C
Tf
116 pp
pp
pp
3
( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( ) ( )
pp
38
193
44
====qqqq 66
14
T. Sax.
Perc.
Pno.
slap
teeth
p mf pp
(k)
(k) (k)
pppp
bow on the metal sheet's upper edge
as slow as possible
(k)
mp3 player
( ) ( )pppp
mp3
player
(minimum 20")
take piece of tyre f
Rub piece of tyre
on string
take plastic box lid
Rub plastic box lid on key lid
ppp
pppp
9
