HAMU Brochure 2012-13

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Contents

Organisation and forms of study...................................... 2

ENTRANCE EXAMINATIONS

General information... 7

How to register for entrance examinations 7

Accommodation in dormitories . 8

Links. 8

Information for prospective foreign applicants. 9

Requirements for entrance examinations in individual fields of study

A. AC!E"OR#S $RO%RAMME

General information 10

I.A. ART OF MUSI a) ractical aptit!de test.. 11

") #$eoretical test... 21

II.A. ART OF !A"# .. 22

. CONTIN&IN% MASTER#S $RO%RAMME

General information ............................................................. 2$

I.%. ART OF MUSI%pecial re&!irements for entrance examinations................... '(

II.%. ART OF !A"# %pecial re&!irements for entrance examinations.................... '

C. $!' $RO%RAMME

I.. ART OF MUSI ................................................................. &'

II.. ART OF !A"# ................................................................. &(

Continuin( education........................................................... '0

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OR%ANISATION AN' )ORMS O) ST&'*

T)e Musi* and !an*e Fa*ulty is +art of t)e A*ademy of ,erforming Arts in ,rague. T)e Fa*ulty is dire*ted -y t)e!ean ,rof. /lastimil Mare along it) t)e Artisti* %oard and t)e A*ademi* Senate )i*) is *om+osed of ele*tedre+resentaties from t)e Fa*ulty3s a*ademi* staff. T)e Fa*ulty3s Se*retary is res+onsi-le for t)e Fa*ulty3s e*onomi*

and o+erational management. T)ree /i*e4!eans are also immediately su-ordinate to t)e !ean5 ,rof. !orotaGremli*o6 is res+onsi-le for +edagogi*al and artisti* a*tiities s*ien*e and resear*)7 ,rof. "oemi 86ru-o64,ffermanno6 is res+onsi-le for student affairs7 and ,)!r. Inge-org Rado94:6dn6 is res+onsi-le for internationalrelations and *on*ert a*tiity.

T)e Musi* and !an*e Fa*ulty of t)e A*ademy of ,erforming Arts in ,rague ;AMU< offers t)e folloinga**redited uniersity4leel +rogrammes of study5

I. Art of Music

A. Bachelors Programme = t)ree4year +rogramme ;full4timeuisite in t)ereleant field ;full4timeuired num-er of

+oints for adan*ement and ere also re*ommended for admission -y t)e eamination*ommission< are re>uired to attend an oral eamination in t)e su-He*ts of Cistory of Musi* andCarmony. An eem+tion is granted for t)e ot)er dis*i+lines of musi* t)eory if t)e *andidatedemonstrates t)at t)e final *lassifi*ation for t)e su-He*ts in >uestion on t)e trans*ri+t of t)e*onseratory ;or GE" in ,rague it) a musi*al s+e*ialisation

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Ad aB $rerequisites and requirements for ,ractical a,titude tests

+.+. COM$OSITION

'ntrance re(uirements: onsidera-le *om+osition talent deelo+ed general musi* a-ility*onin*ing +rofi*ien*y in *om+ositional te*)ni>ues +rofound 9noledge of musi*al and t)eoreti*aldis*i+lines at t)e *onseratory leel general *ultural 9noledge.

Practical e)amination:

1< su-mission of one3s on *om+ositions and t)eir +erforman*e on t)e +iano or ot)er instrument orfrom a re*ording

2< a-ility to analyse one3s on *om+ositions and t)ose of ot)ers&< ritten eamination5 test of +ra*ti*al s9ill and etem+oraneity in )armony ;)armonising it) a

gien melody< and in *ounter+oint ;*om+osing a %aro>ue fugue< = -ot) it)out t)e use of a +iano'< +iano +erforman*e = sam+le +laying

.+. CON'&CTIN%

'ntrance re(uirements:onsidera-le *ondu*ting talent inter+retatie s9ills deelo+ed musi*al earetem+oraneous +laying a-ility on t)e +iano mastery of manual *ondu*ting te*)ni>ues general*ultural 9noledge.


1< artisti* +erforman*ea< *ondu*ting from t)e +iano5 one *om+lete sym+)ony -y D. A. Moart ;nos. &( '0 '1< or J. an

%eet)oen ;nos. 14< of t)e *andidate3s *)oi*e-< *ondu*ting from t)e +iano5 one *om+lete sym+)ony -y A. !o69 ;nos. $ 4 (< or ,.I. T*)ai9os9y

;nos. ' $ @< of t)e *andidate3s *)oi*e*< *ondu*ting re*itaties from t)e first a*t of %. Smetana3s o+era KT)e %artered %rideLd< re)earsal *ondu*ting a *)am-er grou+ ;e.g. a string >uartet

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D)ile *ondu*ting from t)e +iano t)e *andidate is not to -e a**om+anied -y )is or )er ona**om+anist nor is it ne*essary for t)e *andidate to -ring )is or )er on +iano arrangements. T)e*andidate may *ondu*t re*itaties eit)er from a s*ore or from a +iano arrangement.

0.+. O$ERA 'IRECTION

'ntrance re(uirements: onsidera-le dire*ting talent inter+retatie stage4design and musi*al*reatiity deelo+ed musi*al s9ills etem+oraneous +laying a-ility on t)e +iano orientation insym+)oni* and o+erati* s*ores -asi* 9noledge of t)e )istori*al deelo+ment of t)eatre and o+erageneral *ultural 9noledge organisational s9ills a-ility to or9 in a team.


1< musi*al and dramati* analysis of t)ree o+eras of t)e *andidate3s *)oi*e2< *reation of a stage +lan s9et*)es of t)e stage design and dire*tor3s *on*e+t of t)e sele*ted o+eras&< detailed ela-oration re)earsal and +erforman*e of one s*ene from ea*) sele*ted o+era ;*andidates

are re>uired to -ring t)eir on modeluisites for )ealt)y oi*edeelo+ment inter+retatie *reatiity deelo+ed musi*al s9ills good musi*al memory 9noledge ofo+erati* and song literature general *ultural 9noledge good stage +resen*e.

Practical e)amination $with his o her own piano accompaniment%:

1< determination of o*al range2< one aria -y one of t)e old masters ;1Bt) or 1t) *enturyuired re+ertoire )i*) t)e*andidate ill +erform during t)e eamination. T)e *om+ositions may -e +layed in any order.,erforman*e from memory is a +rere>uisite for a**e+tan*e.

2.. Or(an


1< E.S. %a*)5 one fast moement from t)e Trio Sonata or one fast *)orale trio2< one larger *om+osition -y E.S. %a*) ;,reludes and Fugues To**atas and Fugues ,assa*agliauired or95 first moement from a *on*erto -y E. Caydn or J. %o**)erini it) *adena

$< a Romanti* or modern *on*erto,erforman*e from memory is a +rere>uisite for a**e+tan*e.

3.2. 'ou/le /ass


1< t)ree4o*tae s*ales and ar+eggios dou-le s*ales2< to etudes of t)e *andidate3s *)oi*e5 VernW Certl Simandl&< E.S. %a*) or C. FrW-a = to +arts of t)e *andidate3s *)oi*e'< re>uired or95 first moement of t)e *on*erto -y S. ousseit9y

$< *on*erto or sonata of t)e ty+e -y !ragonetti #**les Candel ,i*)l or /aX)al

,erforman*e from memory is a +rere>uisite for a**e+tan*e.

3.3. !ar,


1< at least to etudes of )i*) one must -e -y E. T)omas #. S*)midt or #. S*)e*9er2< a *om+lete sonata -y F.A. RYssler4Rosetti or E.J. !us9&< a *on*erto or a *on*erto or9 of t)e *andidate3s *)oi*e ;e.g. Moart Candel rum+)olue at least on t)e leel of a graduate of t)e 't)year of *onseratory training i.e. on t)e leel of t)e s*)ool4leaing eamination.

+B Multi=,ercussion set=u,

One *om+osition of t)e *andidate3s *)oi*e from t)e folloing list or anot)er *om+osition of a similarleel and fo*us.

Dilliam raft = Fren*) suiteRi*9 Tagaa = Ins+irations !ia-oli>ue)arles %oone = T)e Datts ToersEa*>ues !ele*luse = $ +iZ*es -rZes!aid Jang = T)e Anil )orus

B Marim/aD vi/ra,4one

One *om+osition of t)e *andidate3s *)oi*e from t)e folloing list one moement of a solo *on*erto oranot)er *om+osition of a similar leel and fo*us ;at least +art re>uiring t)e use of four drumsti*9s

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5.+ M&SIC T!EOR*

'ntrance re(uirements:

1< t)oroug) 9noledge of t)e )istory of musi* and musi*4t)eoreti*al dis*i+lines5 )armony*ounter+oint musi*al forms musi*al instruments and intonation at t)e leel of a *onseratorygraduate.

2< strong orientation in t)e systemati*s and terminology of *lassi*al )armony +rofi*ien*y in )armoni*analysis of a gien sam+le in a *ertain style from tonal to *om+le )armony a-ility to )armonise agien melody a-ility to ela-orate figured -ass a-ility to *om+ose modulating )armoni* moements-ased on gien 9eys

&< +ra*ti*al 9noledge of *ounter+oint te*)ni>ues in o*al and instrumental +oly+)ony a-ility toanalyse *ounter+oint moements from t)e +oint of ie of a++lied *om+ositional te*)ni>ues

'< strong orientation in t)e systemati*s and terminology of musi*al forms 9noledge of %aro>uelassi*al and l(t)4*entury musi*al forms and genres a-ility to analyse t)e form of a lassi*alsonata

$< inde+endent *reatie t)oug)t in t)e field of musi* t)eory@< orientation in t)e fundamental or9s of e*) musi* t)eoryB< +ra*ti*al a-ility on a 9ey-oard instrument = sam+le +laying

The aptitude test consists of:

1< a ritten eamination2< an oral eamination and interie during )i*) t)e *andidate must demonstrate t)e re>uired

9noledge and s9ills

5. M&SIC 'IRECTION

T)is *ourse *an -e studied as a se*ond maHor field *ommen*ing no sooner t)an in t)e se*ond year ofstudy at t)e Musi* and !an*e Fa*ulty of t)e A*ademy of ,erforming Arts in ,rague ;AMUues$< a-ility in inde+endent *riti*al Hudgement of a musi*al *om+osition and its inter+retation@< +ersonality traits suita-le for dire*tion or9 inter+ersonal s9ills

B< a +iano +erforman*e from s)eet musi* = sam+le +layingThe aptitude test consists of:

1< a ritten eamination2< an oral eamination and interie during )i*) t)e *andidate must demonstrate t)e re>uired

9noledge and s9ills&< a test in +ra*ti*al a++li*ation of aural a-ilities

5.0. M&SIC MANA%EMENT

T)is su-He*t is taug)t at t)e Musi* Fa*ulty of t)e A*ademy of ,erforming Arts in ,rague ;AMU

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1< su**essful *om+letion of an eam in general 9noledge of art )istory and t)eory ;)istory andt)eory of film teleision radio t)eatre literature and fine arts 9noledge of t)e state of art and*ulture in t)e e*) Re+u-li*

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FA?? )IE"'S

6. +. $IANO 8 FA??

,ra*ti*al eamination5

a< one mainstream *om+osition-< one modern Ha *om+osition or one original *om+osition*< im+roisation on a gien t)eme ;e.g. !. #llington = Ham -lues araan7 T. Mon9 = Mon9

%lue7 !. %ru-e*9 = Ta9e Fieuen*es of aryingtem+o and *)ara*ter in *lassi*al modern or fol9 dan*e style = of t)e *andidate3s *)oi*euired to attend t)is eamination during t)e first year ;+rior to

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t)e +eriod of eaminations -efore t)e oun*il of !eans

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&< an assessment of s9ills in a maHor orld language

andidates )o su**essfully *om+lete t)is eamination ill -e inited to t)e ne)t part of theentrance e)amination5a test in musi*al 9noledge and s9ills ;see KModel >uestions in musi* t)eory and )istory for Art of

!an*e study fieldsL on )tt+5??.)amu.*?studium?+riHima*i4rieni4)amuuired to attend t)is eamination during t)e first year ;+rior tot)e +eriod of eaminations -efore t)e oun*il of !eans

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CONTIN&IN% MASTER#S $RO%RAMME

Master#s $ro(ramme in t4e ART O) M&SIC

G#"#RAJ I"FORMATIO"

A *ondition for su-mitting an a++li*ation is su**essful graduation from the Bachelors Programme in the samefield(in the case of Chamber Performance, graduation from the Bachelors Programme in the instrument that will formpart of the selected ensemble for the field of Chamber Performance).

It is also +ossi-le to *ontinue in t)e Master3s ,rogramme after gaining +rofessional e+erien*e. A+rere>uisite is to demonstrate su**essful artisti* +ra*ti*e ;in t)e *ase of )am-er ,erforman*e t)eartisti* +ra*ti*e of t)e sele*ted ensem-le

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S,ecial requirements for ,ractical a,titude tests

+.+ COM$OSITION

a< su-mission of & to ' *om+ositions *om+osed in t)e last t)ree years-< +re+aration of a s)ort essay on )istori*al *om+osition styles and tele4note *om+osition ;series

>uaternion and dode*a+)oni* inention from t)e materialuiredleel of te*)ni*al diffi*ulty.Graduates of fa*ulties ot)er t)an t)e Musi* and !an*e Fa*ulty of t)e A*ademy of ,erforming Arts in

,rague must su-mit a *urrent assessment -y a +)oniatrist.

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2. @E*OAR' INSTR&MENTS

2.+ $iano

For t)e entran*e eamination *andidates ill +re+are a dramaturgi*ally -alan*ed re*ital B04B$ minutesin lengt). T)e re*ital must in*lude one of t)e folloing +rominent or9s of t)e Romanti* +ianoliterature5

F. )o+in5 Sonata in %4flat minor O+. &$F. )o+in5 Sonata in % minor O+. $R. S*)umann5 Sonata in F4s)ar+ minor O+. 11R. S*)umann5 Sonata in G minor O+. 22R. S*)umann5 Fantasy O+. 1BF. Jist5 Sonata in % minorE. %ra)ms5 Sonata in F minor O+. $E. %ra)ms5 Sonata in F O+. $M.,. Mussorgs9y5 ,i*tures at an #)i-ition

Jots ill -e dran to determine *andidate +erforman*e order.

2. Or(an

A +re+ared +rogramme of 04(0 minutes in lengt) in*luding5= one *om+osition or *y*le of *om+ositions from t)e 1Bt) *entury= one signifi*ant or9 -y E.S. %a*)= one trio sonata -y E.S. %a*)= to maHor Romanti* *om+ositions -y different *om+osers= one signifi*ant *ontem+orary *om+osition

2.0 !ar,sic4ordA +re+ared +rogramme of 04(0 minutes in lengt) in*luding5

= one free4form = Italy 1Bt) *entury= to irtuoso sonatas ;!. S*arlatti or A. Soleruired *om+ositions )i*) are listed for t)e indiidual fields of study.

3.+ 1iolin

,aganini = a+ri*e no. 2& +lus one o+tional etude ;#rnst Dienias9i #*ole modern Ond]e9 8i9a =e*e+t for no. @uisites for t)e

Master3s ,rogramme. Re*ommended *on*erto *om+ositions are listed for t)e indiidual fields of study.

-.+ )lute

Moart I-ert ;*on*ertos for fluteuirements of t)e entran*e eamination.T)e *andidate is re>uired to in*lude a +ro+osal of t)e dissertation +roHe*t it) )is or )er a++li*ation.T)e entran*e eamination in*ludes t)e su-mission of an oerie of t)e *andidate3s +rofessionale+erien*e to date an interie and a test of5

a< orientation in t)e met)odology of *ontem+orary dan*e t)eory-< 9noledge of t)e t)eory and )istory of dan*e*< 9noledge of t)e -roader and narroer *ontets of t)e +ro+osed dissertationd< 9noledge of to maHor orld languages

Profile of the field2 ob1ective of the programme:

In t)e s*ientifi* field ela-oration of an inde+endent s*ientifi* or9 in t)e area of dan*e t)eory fo*using

on signifi*ant issues in t)e field offering ne findings deelo+ing ne met)odologi*al +ro*edures andstimulating deelo+ment of t)e entire field. In t)e artisti* fields +resentation of a *)oreogra+)i* ort)eatri*al +roHe*t and ela-oration of a se+arate *)oreogra+)i* or t)eatri*al or9 fo*used on signifi*antissues in t)e fields of *)oreogra+)y or +antomime. T)e or9 must -e *on*eied from t)e t)eoreti*alaest)eti* or )istori*al +oint of ie and *onne*ted it) t)e artisti* *om+onent of t)e +roHe*t and itmust address issues )i*) ill -e -enefi*ial in e+anding our 9noledge in t)e field es+e*ially it)regard to t)e releant te*)ni*al and stylisti*4aest)eti* as+e*ts i.e. it ill dee+en our understanding ofdan*e or +antomime +ra*ti*e.

Doctoral dissertation:

In t)e artisti* fields t)e dissertation is a su-stantial *)oreogra+)i* or9 ;or a *olle*tion of su*) or9sues used ne +ers+e*ties general *on*lusions andsuggested dire*tions for furt)er deelo+ment in t)e field. T)e re>uired lengt) of t)e ritten or9 is atleast 0 +ages of tet in*luding +ossi-le syno+ses gra+)s et*.In t)e s*ientifi* field t)e dissertation is a se+arate s*ientifi* or9 addressing releant issues in t)efield and offering ne findings and dire*tions for its deelo+ment )ile at t)e same time )el+ing toresole issues in artisti* +ra*ti*e.T)e re>uired lengt) of t)e ritten or9 is 1$04200 +ages of tetin*luding +ossi-le inetogra+)i* eam+les syno+ses gra+)s et*.

A +ro+osal for t)e dissertation in*luding t)e +ra*ti*al and t)eoreti*al +arts of t)e *andidate3s +roHe*tis to -e in*luded it) t)e a++li*ation for t)e ,)! ,rogramme. For t)e t)eoreti*al +art of t)e +roHe*tt)e *andidate s)ould s+e*ify among ot)er t)ings5

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Admissions ,olicy and studies at t4e Music and 'ance )aculty G!AM&B in t4e ;+H;+0

academic year

.)amu.*

#dited -y5 Ing. Jea Motlo6lea.motloa)amu.*Se+tem-er 2011

Documents

HAMU Brochure 2012-13