I
I.
1.
(Paul Virilio) 21 , (telecommunication technology) . (data
graphics) - . . , , (representation) . (Descartes) , , , .
(spatiotemporal dimensions) () .
(Lewis Caroll) . 1950 . (Henry Bergson) , , (uncertainty
principle) (indeterminacy) . , , , (realtime) .
, () () , () , (, temporal art) (, spatial art) . () , .
, . ? .
. . . , . .
. , , . , . , , . . . ? , . , , . , , , . . , . . . ( , ) .
, . . (techne) . , . .
, . ? , . , , . 2 .
. (uniform) (continuous) . , , (virtual-spatiotemporal
construction) . (lineal connections) (interactive configurations)
.
. (timeline) , 3-D . . 3-D . , . , (World Wide Web) .
(haptic) , (digital-being) . . . (dematerialized spatial
expansion), (spatial effects) .
2.
3-D . (spatial art) , 2-D 3-D (temporal art) (computer-based
motion graphics) . , .
.
, () .
, .
(nonlinear) . (Worldmaking) . . , .
2.1. (Virtual Reality)
, (actuality) . (virtual space) (cyberspace) 2-D, 3-D . 3-D . ,
. Virtual Reality . virtual () . (main memory) . (reality) . ()
.
. , , () , , . (idea) . . . , . , (ousia) . , (la rlit
virtuelle) , , .
. , , . , , , . , .
The Legible City . . (tele-presence) . . (, presence) . ,
(modeling) . , . , . , . Virtual Museum , , . , .
2.2.
A Thousand Plateau , (rhizome, ) , , (arborescent) . . . () ( )
. . . , . . . . (rigid line), (supple line), (escape line; flight
line) .
(Hypertext). , , , . . . , Metaplay , ( ) . , (between) , .
3.
1) :
. (Dematerialization) 1960 . , . , . , , . , . .
21 . . , . (coding) , (database) (data image) . . (information
pattern) , .
(aussehen) , (ein geformter stoff) . 3-D (inferno), 3-D (Max),
(Maya) . , ( ) . (Roy Ascot) (re-materialisation) .
(M. de Randa) (memes) (norms), (flesh) (gene) (lavas) (magma) ()
. (Erwin Schrndinger) , . 1960 (Richard Doyle) (George Gamow) Mr.
Tompkins inside Himself . 1970 (Richard Dawkins) The Selfish Gene .
, . 1990 (Human Genome Projec) . 3-D .
(Whitney) 3-D , 2 . . (Hans Moravec) . (body) (download) .
(Giotto) (Hypertext) . . (Dante) , (10), . 1948 (Claude Shannon) .
, . , (coding) . (decontextualized) .
(Cyber) , (Nobert Wiener) 1950 , (telegraphing) . . .
3-D 3 .
(N. Katherine Hayles) . () , , . (Pigmalion) . , (matter)
(information) . , , . . , , , , . (noise) , . (randomness) . (Myron
Krueger) , .
(Maximum Entropy Formalism) . . .(1)
(1)
/
(),
(Access)
(Castration)
(Mutation)
(Deconstruction)
()
(Chaos) ()
(1) (access). (file) . .
(Allucquere Rosanne Stone) (Catherine Richard) . , Vieoplace
(Jeffrey Shaw) 3-D , . .
2) (formation of the virtual subject)
. (hot spot) (interactive links) . (world wide web) . , , ,
(proprioception) (navigable) (topography) . (subjectivity) .
()(Non-Cartesian) . CPU(Central Processing Unit) . . 3-D (three
dimensional representation) 2 . . (cyborg) . , . . (instability),
(lack of originary foundation), (intertextualities),
(indeterminacies) .
, . (sense-ratio) . (writing) , . (orality) . , , , , . (Eric
Havelock) Pregace to Place . , (Walter Ong) , (Elizabeth
Eisenstein) . . , , . . , . ABC , , . .
, (oral subject) , (written subject) (self-identical),
(normalized) (decontextualized) . . . .
. , 3-D . (Robert Lazzarini) 3-D , (digitalized) . , . . () .
Hammers Skull , . 3-D .
, (disembodying technologies) . . (disembodiment) , .
3)
Cyberspace . , , . Parzival .
. , . . (creatura) . . Metaplay .
, . .
, (tactile) (, high definition, low participation) , . . , . , .
. , . .
(J. Beuys) (Gregory Ulmer) . , 1000 , (Lev Manovich) (metaphor)
.
3-D . , (worldmaking) . . . . 3-D . . .
. . . web-of-life . . (Videographics) (pixel) . , 90 . (capture)
, Phsycho Birds . (Shaw) ..
, , . . . . , . , .
. , , 3-D .
, . . 3-D . , , , .
4.
(Kinetic Art) . , . 3-D , . . . . . . 3-D .
. . , . .
, (actual) . , , , , . (cybertime) , . (G. Bateson)
(metapattern) (stochastic) . . .
, , , . 2 A . . , . , 2 . B . (metamedia) (Artificial Reality)
Videoplace . 3-D .
, , . , . 3-D , . . 3 . , . 3-D , 3-D 3-D. 3-D .
, . , . . , .
. , . , .
II.
1.
(context) , . (Dante) . (Arena) (9) , () 3 . . . .
, . (User) , .
, . . CRT , ..
(Navigable) . 3-D , , . . (instrument) . . .
(Visual Imaging System) , . 1980, () (Super Cockpit System)
(Nomad) D.C. HMD . .
(film) , () () . , . , .
1.
1.1.1.
. . . Neuromancer . , .
, . , . . . le virtuel , (le virtuel) (l'actuel) . , .
1.1.
. (context) (text) , , (haptic) . . 21 ( ) . . , . , (Conceptual
Art) .2 , , , (l'actuel) . . (idea) . .
(res) . Res ens . Philosophia Prima . . . (res) (la quiddit) . .
, .
, . ( ) ( ) . . . . . (ralit) , . . , , .
, . .5
. . . .
. .
(1) () (, dynamis) (, entelecheia) .
(2) (real) (actual) .
(3) .
(4) , .
(5) .
(6) (possible) .
(7) .
. . , . - . . , . , . . . . . . , . .
. . . , . . .
, . (la multiplicit) . (B. Riemann) , () . () . , , . , (la
dure) . , , . . (nouveau) (altration), . . , . . , . . . , .
. . . . - . , . , .
1.1.2. :
, n-1. (l unique) n-1 . .
. . (Marcel Proust) la recherch du temps perdu () () . - . . . ,
, , ,
, . . Dure et simultan it .
, , , []
, , , . . . , . , .
, , , , , , . . , . . .
(Paul Czanne) (smooth space) . (striation) . , , , , , , ..,
, , , , , , , , , , . . , , . , , , . , , . perplication .
perplexe' . perplication .
. . , . , . .. 1 2 , (indiscernable) . (fractale) . .
, , , , , . , . . . , . (embotement) . , . .
. . , . . . .
. , . . , , . , .
20 (Conceptual Art) (dematerialization) , . , , . . . . (l' art
nomade) .
, , . ? , . (le corps intial), , (Kairos) . . .
, . , . , . Cinema II: the time-image (traveling) , , , . . . ,
, . .
. .
, (O ), ( ). . .
. () () . . . , .
: . .
1.1.3.
. . . , .
.: , (rels sans tre actuels, idaux sans tre abstraits). , , ( ).
(Le possible est ce qui se realize); .
? , . . . , . , ? , . (David Gelernter) , . , .
, (Steve Mann) (wearable) . . , . , ? . , , . ? , . . , ( )
.
. . (icon) . , . , . , . . . . . .
. . , . , . ~ , ~ . - . . . . , . .
, . . . .
. , . . virtual reality rlit virtuelle , (rel) . (virtual)
(actual) , (real) , (virtual) . . . , . (la rlit virtuelle) .
(reality). .
. , . . (modus) . . . ( ) . . (reality). , .
. , , . . , , , .
. , (becoming, devenir)) . , . , . , . . , () .
. , , ~ . .
, , . . ? . 3-D . (smooth space) .
1.2.
. . ? , ( , , ) . .
1.2.1.
. -- . Being and Time , . . , , .
. , . . .
. , -- . . , .
. , . . . , -- . -- -- .
-- . . . . , . . . . , . , . . , . , . .
. . . . . . , .
?. ? . . . , . . . . 20 .
. , . . . . , .
, 20 . . , , . , . , . .
. -- , . . . . . . . .
1.2.2. 3-D
. . ? . 3-D 3-D , , .
. . . . , . . . . , , . .
3-D , . , , , . . . . , . .
3-D . 3-D 2-D . . . , . (G. Berkeley) . " , . , . (I. Kant) , .
. .
, . . , , , , . .
, (symbol) . , . . . , , . 3-D , , , , , . , , . , .
. . . . , . .
1.2.3. 3-D
(Nelson Goodman) (irrealism) . , , , , (version) . , . , . , . ,
, , , .
. :
(spatial order of layer) . , . , , , , . , , , , , . , , , , .
3-D . , , . . 3-D , 4 . 3-D , , . fMRI , . , , . . .
. :
. . . . , . . , . , .
, , Final Fantasy 3-D , , . , . . . , , , . 3-D , .
.
Videoplace (Artificial Reality) . (clitter) , . , . . .
. , , . , . . , , . , , , , , , , . (denote), (exemplification),
(reference) . . , . .
? , , , , .
1920 . 1920 .
. . (file), (save), (open), (copy), (bulletin board), (windows)
. . .
1) : : 3-D (Synthetic imagery) (illusion), (simulation) .
. . , . , , , , . , , , , . (label) . . , 3-D (clip) (Motion
Graphics) 2-D . . . (kind) . . 3-D , . , . , 3-D .
2) : 3-D 3-D . 3-D . , . . 3-D . 3-D . 3-D . , , , 3-D .
3)
. . , . . , .
. , () , () , . , (, lineal) . . . , . The Legible City 3-D . .
, . 3-D , . , .
4) (delete) (paste): 2-D 2-D 3-D .
3-D . . , . . . . 3-D , . , (Sub-division) .
5) : (morphing): (Adobe Photoshop) 2-D (affectio) .
(constitutio) . , . (affectus) .
(cyber server) . (file) , (digitalizing) . . . . . , . . , .
.
3-D , , , , , , , . . . . . MTB, , . , . . . . . . . .
. . . .
, , , , . (morphing) .
a. :
. . , , (dformation) , . , (transformation) (mutation) .
, (Man Ray) Rose Slavy (1920~21), (1971) . (Hans Bellmer) (Roul
Ubac), (Jacques-Andre Boiffard), (Maurice Tabard) . (R. Klauss)
(Georges Bataille) (informe) .
(Giuseppe Arcimboldo) . . , . . , .
.
b. :
. . (algorithm) , . . (bio-morphic) . . , , / . .
3-D . (William Latham) . 3-D . . (1988), (1990) . (Mutator) . .
() .
, , . Fla-ra(1989) , (Roger Caillois) .
. , . , , , . , , . . , (Stelarc), (Catherine Ikam) .
1.3.
2-D . 3-D 2-D . 3-D , . ? . , , . . . . (digital-being) . , , .
(excuttable) (informative) . . (Adobe Photoshop), (Adobe
Illustrator) 2 3-D (AliasWavefront Maya) 3 . 3-D . , , .
. (Friedrich-Wilhelm Von Herrmann) (Dingheit, Dingsein,
Dinghafte) .
1) ,
2) .
3) , .
4) , , , .
5) ( ).
6) . () . () .
3-D (Unterbau) . (Dinglichkeit) . (Standigkeit),
(Substantiality), (extension) . (universal passitive pregivenness)
(Ding-Ganzheit) (Selbigkeit) . .
1.3.1.
. . . , , , . , .
(active user) (zooming) (clicking). ( ) . -(image-interface)
-(image-instrument) . , , . , , ( ). .
3-D ( ) . . . . . . . . .
( ) . (zuhanddenheit:) . () () ()
(Werkzeug) . (Zuhanddenheit) . . . 3-D . . . (Dasein) (Zeug) .
(etwas um zu) . (Um zu) , , , (Zeugganheit) .
. 3-D , , , , , . , . . .
. . . . . (.) . , , , , (), . ( ) (thematisch) - . .
(Einrichtung: , ), . (Zeugganheit) .
, , , . , , , , , , (Adobe AfterEffects) (Discreet flint) 3-D .
3-D .
, . , OS X 100, , , , .
. .
(Zeug) . . , , , .(.) , , - .
ConFIGURING the CAVE 3-D . . , 3-D , , , , , .
, . . , , . (Umwelt) .
, . (Umgang) . (intelligible functionality whole) . (das
Zuhandene) .
, . . , , . . . . , . .
. . . , (factually present) . (equipmental contexture)
(environing world) . . (Roy Asocott) (instrumentality) , .
. (Zu-nichts-gedrngt-sein) . .
1.3.2. 3-D
, , , . . . , , , (spatiotemporal horizon) .
(temporalization of moving image) (spatial dimensions) .
1) (spatial order of layer) .
2) 3-D .
3) 2-D 2-D .
4) .
, - (audio-visual-spatial dimensions) .
. . . . (duration) , (objective time) . - , .
3-D (, , ) - . . . (on) (open) . . , - (virtual-spatiotemporal
horizon) . . - .
, - . . .
. . 3-D 3-D . - - .
(determinable) . . , . . . .
(Whitney Museum) . LCD , . . (cyber server), , . - . . , . . . .
(Datierbarkeit) .
. - . . . . . .
(technique) - . .
. . .
. (mobile) . - . . . - . (primacy of alterity and relationality)
. (monologic) (non-communicative), . (flesh) (dialogic) .
1.3.3.
, (forza divina) , (amicitia) .
-- (Dasein as being-in-the-world) . -- .
, , , . (inner world) . . . ? (vorhanden) . , . -- . . (Dasein)
(da) (das Da-sein) . . , , . .
. . . . . . --(in-der-welt-sein) (Beosorge). . -- . TV . .
(Gesamtperson) (Lebensgemeinschaft) . , 3-D 3-D 3-D . , . -- . . .
, --. 3-D , , .
3-D . , . . . , (in-Sein). , .
(being together with the world) (in Sein) . (existenzial),
(Mitsein) . .
, . (in-Sein) .
-- , (In-sein) . - (within) , .
. , , , . -- . . ------ . .
------ . .
2.
(Edgar Alan Poe) , . (), , . . . . . . , 1 0.4l , . , t . 0.4 v
t
v=0.4t
, (1) . t=0 Al , 0.4 t=0 A . . (nonlinear).
v
2
0
5 t
(1)
v
A
t
(2)
2.1.
. , .
, . . 0 1 (bunary pattern) . , . .
, . . . , , . , , (hyperspace) .
, . . , .
. . , . . , (H. Innis) .
. , . (1-2) . .
, . . . . . . . , (server) (client) . . .
3-D . 3-D , . (digitalized) .
(Alias Wavefront Maya), (Discreet inferno) , , , , . (pixel) .
(image) . (2-D image) (3-D image) . , 3-D .
, DVD . (link marker) , . , , . , ( virtual-spatiotemporal
construction ) .
. (hyperreal) , , , , , . .
2.1.1.
.
. , , . . ' ' . . , , . . .
. 1945 (Vannevar Bush) Atlantic Monthly . 1940 . (Memex) . , . ,
. . 1965 (Theodor Nelson) .
(non-sequential writing), , . . . (A. V. Dam) 1967 (Hypertext
Editing System) , 1981 (Literary Machines) (Xanadu) . . (Tim
Berners-Lee) 1989 (World Wide Web) . (web) . 1993 (Mosaic) .
(R. Fowler) , , , , . , , . . (rhizomatic smooth space) .
. 0 1 . . , , (hypernarrative) . . . , . . , . .
. , . .
. (videotaped) , , .
(Michael Joyce) (topographical) .
, (inwardly elastic) , (forward) (backward), .
, (interactive configuration) . , , , . (surface) (depth) . ,
(Surface) , (cut), (copy), (paste) .
. . , . . .
. , . (1) , . , , . , . . . (1) , A a, b, c , a 1, 2, 3, . , .
.
. . , 3-D . . . , . . , . , web-of-life 3 3-D . , . . . . .
. . (clips) . . .
(1)
, . . () . web-of -life , , . 3 . . .
, . , . . . . , (configuration contents) .
, (intertextual system). , . (Benjamin Wooley) , (full same
environment) ,. Videoplace .
, . , . . . . . . , . , .
. (cybertime)
, , ( ) .
(time) . . . , . (realtime), (I. Asimov) The Naked Sun . .
(hyperlink) (place) . . . , 0(zero) . . . . . . .
. (second) , (microsecond) (nano-second) (picosecond) . . , .
(L. Strate) , , (cybertime) . .
, , . (asynchronous). . . , . . . , .
, . 0(zero) . (M. Castells) . . .
, . . . 0(zero) , , . .
. , . . -- , . , . .
-- . . () .
-(Ent-terung). - . . - . , . , , . , - .
3-D . - , .
. . , . (D. Bolter) , . () . , (Strate) (Jacobson), (Gibson) , .
.
-- . , . . . (Poster) .
, (telemedic) . , , . , 3-D (digital sculpture) .
2.1.2.
(exploratory) (constructive) . , . , .
(Silvio Gaggi) (loss of a primary axis) .
1) (no center of the text).
2) (vanishing point).
3) (no clear unitary authorial voice) .
web-of-life , . . , . .
. '' . . . .
. , 3-D . . . .
. .
. (film) . , . . (interactive configuration) (Artificial
Reality) .
2.1.3.
, .
, . , , , 3 - . 4 3 . , - .
. , . 3, 3 . , . 15 , , . . . , , .
, - . . 4 , .
. , .
, .
, . , (exteriorization of knowledge) (modernity)
(supermodernity) .
1) -(Database), (hypermedia), () (flattening of hierarchy)
2) (Objective space)- (Navigable space)
3) (Static archtecture)- (Liquid architecture)
4) (Geometry and topology as theoretical models for cultural and
social analysis)- (vector) .
(2) . , . (metadiscourse) .
. . . , (language game) .
(2)
(link marker)
. . . . . . , . . .
, . . .
. (glow) . . . . . .
. . . . . , , . . . (objectivity) .
2.2.
2.2.1.
web-of life Videoplace , (in-form(ing)-ation; ), . . .
(rhizome) . . (Horhizome) . 1) . . . . . 2) . --- . . (corps
sans organs) . (George Orwell) 1984 , . . TCP/IP . , . 3) . , . ( )
(ensemble) .
. . , , , . . .
.
1) (heterogeneity) .
2) (machine assemblages) .
3) (multiplicity) , , (natural reality) (spiritual reality), . .
, , . , . . (line of flight) .
a. .
b. (supplementary dimension) .
c. (plane of consistency) (exteriority) . n (flat multiplicities
of n dimensions) (asignifying) (asubjective).
4) (asignifying) . (lines of deterritorialization) , .
5) (generative model) . (generative axis) (cartography)
(decalcomania) .
3-D , , . . . (packet) . . . .
, , , , . , . . TV ( ) , , , .
. (updated) . . .
. . . , (devenir) .
.
1) . .
2) (milieu) , .
3) n, (multiplicities) , .
4) (acentered), (nonhierarchical), (nonsignifying), , .
5) (self-vibrating), , . (multiplicity) .
6) (filiation) -(interbeing) (intermezzo) . , , . (between) ,
.
.
, . , ( . , , , , .. ). . ..
. -(visual-audio) (haptic) . (Golan Levin) . Qwerms . (drag) .
Floccus . . . . . .
. , , . , , , .
. , (state apparatus) (war machine) . , . , (smooth space), . .
. , , , . . (cyber server) , . .
. . , . (escape line) . , .
.
1) (tactile space) , (visual, auditory) (vision-haptic space),
(Smooth space) .
2) ( ) (striated space) .
3) .
4) (haptic) (optic), (close vision) (distant vision), (abstract
line) (concrete line) .
5) (delimits nothing), (describes no contour), , (form of
expression) , (material trait of expression) .
(Riegl) -- . (Michael Fried) . - , , , , , . .
. .
. , . (flat multiplicities) . (videographer), 3-D (3-D
animater), (web grapher) .
.
, , . , . , , .
. , . . . . . , ICA . . , , , . .
? , , , ? , ?
. (post) , , .
(schzo-subject; schzophrenic) . . .
.
1) (mole) -
2) -
3) -
4) -
5) -
, . . , . . , .
2.2.2. :
. ' (La Machine de Vision)' . 19 , . TV (real-time image)
(accident) .
(stream) . . . (Brian Massumi) .
1) -
2) -
3) -
, (immanence) . . . . , , ? ? .
. . ? ' (Abstract Machine)' (plugged-in) . , . (apparatus)
(exterior) . . .
. . , ( ) . . . . . .
(world war machine) , , , ,
' (mutant machine)' . . . (John McDaid) . - , . . . . . .
. . .
2.2.3.
. , , , (client) . . . . (Peer to Peer) , . . . (Server)
(Client). . (decentualized space) .
, . . . . (Minitel) . PC , , . . . . . . . , (mole) . , TV .
(mole) (molecule) . . . .
. . . ,
, TV . (LAtrue) . , , . , (heterogeneous) . , . . , . . . .
TV . . . . . . TV 3-D .
/ . , , , , , , , , . (DIY: Do It Yourself) . . (Minimalism Art)
(Robert Morris) , (Sonabend Gallery) . , . .
, . , , . . .
.
2.3. :
. , , . . . . .
, , , , (death of the author) . (R. Barthes) , , . , (emergence)
.
(David Hume) 18 (lineal, ) . . . (electiricity) , . , .
(noetic navigation) , (artist) . . (nonlinearity) . . 100 . 100
. 100, 100, 100, 100, 100 100 ? 100 . .
(Michel Foucault) What is an Author . . , . (Thomas Kuhn) . . .
. (gestalt switch) . . . . 2 , , . . 3-D .
2.3.1. 3-D
.
. (nonlinear editting system) . 6mm 8mm 1339 (Firewire) (Capture
Board) . DTV . DV . (demo version) (freeware) . VJ . 1 (DIY) , .
.
, .
. . , . , . , / , .
, ' (aesthetics of interactivity) . , , . , . (Jonathan Crary) ,
. , . , ' ' . , , .
TV . TV (speech without response) . . . .
, . , , . '' , . . . . (Soto) (Optic Art) , . . (A. Calder) . .
(D. Z. Saltz) " , , " . . (navigable structure) . , . (story) . , ,
.
MPEG-4 DVD , . , CD-ROM DVD . (Navigable space) The Legible
City. . . .
(Paul Serman) Think about the People Now . , , , 11 " " .
(interlink) , . (Westminster) (White Hall) . , . . 3-D 64 . , (A
Moment in Time) . (Unlimited virtuality) , . , . , (metaexperience)
. . (Eric Colpaert) . . . . . , (alternative seeing) . . , .
. 3-D
3-D . 3-D , (haptic space) . 1970 (Pong) (Atari) . , . , . .
, . . (lerning) , . , . , (futurist) .
. , (moist intension) , . . (T. Kemp) (Personal Digital
Assistant) , . 1000 .
. , . . . .
3-D . . , (cyber-ego) (alter-ego) .
3-D . 3-D , . , 3-D . .
. 3-D , . . , (idea) . . (modus) . .
. . . 3-D .
(flesh) , . Neuromancer . . , , .
. , , 3-D . - . . , . , . . 3-D .
3-D 3-D . . . . 3-D . (liquid architecture) . . . 3-D.
2.3.2.
, , , . , , , TV, , , ( ) . . Cybernetics, or Control and
Communication in the animal and the Machine, Operating Manual for
Spaceship Earth, Step to an Ecology of Mind .
, . (metapattern) .
1940 , , (A.I.) . 1960 (Licklider) (Symbiosis) . Human-Computer
Symbiosis . . (NLP: Neuro-Linguistic Programming) (Noam Chomsky)
1970 . . . . (memes) .
( ) . 5( ) . . , .
(telematics) , . Mind and Nature (metapattern) , () . () . '' .
. . . , , (pattern which connects) .
. , 1 . 2 3 . . , ' . , . .
.
, .
, . " ?" . . . (story) . . . . (pattern through time) , .
(context) . . . . . .
.
.
.
1) , 2) , 3) . 4) , 5) , 6) , 7) , 8) , 8) .
. 3-D . . . , , . . . , . (E. Rogers) (D. Kincaid) . (linear
components) . . [] . .
.
(transfer to nonlineal digital image) ?
. ' ' . ', , ' . , , . 3-D . '' '' .
, , , (skeletal object) (stomach) 3-D . () ( ) . . . . , 3-D
.
. . . . . . . .
. .
. . . . ? (Alfred Korzybski) '' '' . . . . . . . . .
. 3-D 3-D , (immartrialization) . (Chauvet), . (ART) (Artificial
Reality) (Technology) . . . . . . .
3-D . 3-D , ( ) ( ) . . .
. . .
1) '' .
2) , .
3) '' .
4) '' .
5) '' .
. . . (mutation) .
.
(Electronic Engineering) , , . . , , . .
stochazein , . (stochastic) .
2 . , (learning) . (evolution) . .
2 , .
(stochastic) . . . . , '' '' .
. 2 . . . (homology) . . . . ' ' .
. . . The Selfish Gene . . , .
. , . . 3-D 3-D . .
2 . . . . . .
. . ' ' . .
. (technoetics) .
1) (connective consciousness)
2) (self-aware systems and structures)
3) (the virtual and actual interface)
4) (re-materialization of art)
5) (moist convergence of the wet and dry)
6) (parallel worlds)
. , . . , . . . . . .
, . , , . , .
2.3.3.
. , . , , . . , .
.
60 . , 20 , (Walter Benjamin) The Work of Art in the Mechanical
Reproduction 1969 . (Hannah Arent) TV, . (Paul Valery) TV .
, , . .
, . , (aura) . . . , . , , . , , , .
, . , . . . .
TV . . .
. , (body) . . . , . Surveiller et punir . , .
, . (dematerialization) . (LambadaMOO) (L. Nakamura) , . .
(Access) , . , / (devenir) .
, , . . . . ( ) (, ) . . . , . .
. , , , . (LAutre) , . . (dematerialization) .
. :
, . 3, . . (frame) . 30 . (web graphics) . , . .
, , . . .
. , . . . . , , . . , . . .
, , , . . , . , . . (interdisciplinary) . , . . , . . . , . . ,
. . . , . , . , . , . . , . , , . (Jon Ippolito) .
1) .
2) .
3) . () (DIY:Do It Yourself). .
4) (digital devide) . .
5) . (re-present) .
6) , .
7) .
8) .
9) .
10) .
. . .
III.
1.
. (futurist) . , . 1920 , , (1), .
(video) () . . (Denis Oppenheim), (Robert Morris), (Lynda
Benglis), (Richard Serra) , . . (dematerialization) , (Les Levine)
(nonphysical) . , (thing-ness) . . .
(Martha Rosler) . , .. , .
, , . .
TV as a Creative Medium 1969 (Howard Wise Gallery) , 1965 . . .
(Jonas Mekas) (that worship electricity), (Woody Vasulka)
(technological wanderlust) .
CRT LCD . . (context) , . 21 ( ) .
, 1950 (electronic videotaped image) (data graphics image) . . .
, (horhizome) .
(element of movement) . TV , . , , . 2-D 3 . . . , . , . .
, . . . , . . . , 1976 1980 .
B . . .
, A . , , 3-D 3-D B , .
2.
A. :
19 (Seurat) (Pointillisme) (Monet), (Renoir) . TV , . 1 0 () . .
, (tactile) .
. B. .
A-1. :
A-1.1. :
(bioscope) . bio( , way of life) , . . . Vertigo . Feature Film
.
. , , (ecology) . , . , . (3) , , , , , . (Ortega Y. Gasset) ,
(Vittorio Pica) . (Renato Poggioli) .
, Psycho (time-based effects) , , . , , . , .
, . . . , , .
20 , . , . . , , , .
, , . , , , , .
. (Edward Muybridge) (2) , , , , . , , , (), .
19 , (poque cin-dramatique) , . , (extraterritorialit)
(extra-temporalit) .
90 , .
(Rouben Mamoulian) (Alfred Hitchcock) , (1939) 1996 Confessions
of a Justified Sinner(11) . , .
. Vertigo(1958)(12), Psycho(1960), Birds(1963) . Psycho 1993 24
Hour Psycho(14, 15) , Feather Film Vertigo (Bernard Herrmann) .
Feather Film , . Vertigo (pedaysment) .
(James Conlon) . 3 2 . , , .
1999 (Atlantis) Vertigo Feather Film . . . . Vertigo Feather
Film Hysterical(16) .
. . , .
24 Hour Psycho (James Stewart) (Janet Leigh) , , . .
. . (1994), Star Trek , / ( ) .
[](chaos) , .
. (irrational) Psycho .
1998 32 . . . . .
. Feather Film . Vertigo , .
A-2.2. : Vertigo
, (cache) . , , . , . , .
(Weighting) . (A. Bazin) . . ( ) Vertigo .
TV (technical director) . . TV TV . TV . (aesthetic camera) TV .
, (super impose) TV . TV (postproduction) . . . .
1958Vertigo ( ) , ( ) . (lineal) .
Vertigo , Birds, Psycho Taxi Driver, , Word and Picture(17)
.
, . . (T. S. Eliot) (concentration). . 24 Hour Psycho , Feature
Film Vertigo , . 122 80 .
. Vertigo , . . . , , . Feature Film (context) .
Feature Film . , . , , . . (fragment) . . . . (Sign) .
. , . , , , . . , . . . Feature Film . (scene) (E. H. Gombrich)
3 (ambiguity of three dimension) . . 100 , ( ) . , . , .
. 3 . 19 , ( ) . , .
, . , , (purity) . , .
A-2. :
A-2.1.
(Frederic Jameson) (temporal art) , (The becoming-time of space
and the becoming-space of time) . (diffrance) . . () () , . . , (,
spatiotemporal dimensions) 4 . 4 , .; .
, TV , . . , . . . Videotime/Videospace . (Parzival) , . . . . .
, .
TV , Good morning Mr. Orwell Bye Bye Kipling , , . TV .
Global Groove , CRT . (Image processing) , . .
(Stephen Beck) Image Processing and Video Synthesis . , , , . ,
, .
. . . , . VTR TV . (Thomas Tadlock) .
. (Abe) .
TV , , . . , .
. 1960 . . . TV . , , , , , . , TV TV . , . 1972 WGBH .
WGBHPD , , 9 9 . 730 Electronic Opera 2 4 3 . . , , TV . , . . .
.
Ramdom Access Information . . TV . (code) . . , , , (value)
(coding), . .
. , . . Global Groove, (om) .
. (Croma key) . . , . TV Good morning Mr. Orwell .
. (theatrical) . TV (believability) . ((liveness) TV . . 1957
(Sputnik) , (Satellite Art) . 1976 (Douglas Davis) Seven Throughts,
, . 1976 12 29 , . 1977 (Kit Gallaway) (Sherri Rabiniwitz) , . 1980
Double entendre . Good morning Mr. Orwell . 1984 11 12 . WNET-TV
FR3 WDR III , , , , , , KBS1-TV . , , , , . Momenta . , . . . , ()
. TV, .
, TV . 3 Bye Bye Kipling(1986), (1988) , , . TV , . , , . , , ,
. , , .
1965 Magnetic TV . .. Electronic Superhighway .
Art and Communication . , Electronic Superhighway . 1974 , The
Electronic Superhighway . . 280 Megatron . , , , .
. . . . , . .
.
A-2.2.. :
1955 . 1965 10 John Paul VI PORTAPAK(portable video recorder) .
. TV . , . (C. Goodman) .
TV . . (John Hanhardt) TV TV .
Laser Experiment Number Five . 3-D . . . . .
1963 MIT (Sketch pad) , TV . 1963 Distorted TV , 2 , ( New
School of Social Research) (interactive artwork) Magnet TV . TV .
Participation , VR . , TV .
Concert for TV Cello TV Bra for Living Sculpture , (Henri-Pierre
Jeudy) (Autoscopie) . (ego) (J. Lacan) . . . , (Gene Youngblood)
.
Concert for TV Cello . (Charlotte Moorman) 3 TV Concert for TV
Cello () . TV , TV , , TV . TV . (). . . . . . . . .
TV [ ] TV . (E. Decker) 60 .
Moon is the Oldest TV . TV . . . .
12 . . 144 . 144 . , , () () . . () . () () . , ( ) . . () .
3-D, , . . The Electronic Superhighway . 1967 Norbert Wiener and
Marshall McLuhan . .
1) (intermedia) , .
2) .
3) () , () () .
4) (entropy) .
. (). (noise) . (cool) (low definition) . . (hot) , (cool) .
.
A-2.3.
, . , .
(Cristian Kellerer) . . . , . , . . . .
TV Buddha , . . 4 , 20 4 . . . . . . , 20 .
1965 261.1499 for A String Player(1965-67) (1973) (1975) . , . ,
. . , , .
3 . TV Buddha(1974) , . . , , (Zen) TV .
TV Buddha , , . 1974 TV TV . , , TV . . . TV TV . () TV Buddha .
TV Buddha . () . (input-time) . . . , (=), .
. . . , , TV , . . , , . () . TV Buddha .
80 . , , , . , , , . 1 , , . 1990 , , , .
B. :
(convention) . , . , . , . , . (Theodor W. Adorno) . . 20 .
(aufstellen) , , , , 3-D 3-D .
B-1. :
B-1.1.
(Lewis Carroll) Through the Looking Glass Why Do things Get in a
Muddle?(Come on Petunia)(1984) [] ? . (metalog) , , , . () . () ()
. , . . . , , . () . , () () . , , .
The Storytellers Room(18), Hand Heard(19) () , () . .
() . () . , , , .
, , () . . . . .
, (category) . . (Andre Malraux) Lhomme prcaire et la literature
, , . , . . . , . . . () . , .
(B. London) , . (illusion) . , . , . , . 3-D .
. . , , () . , .
, Withershins(20) . . , , () .
, . () , . . , . () .
B-1.2.
. . . . . . , '' '' . . . . . '' . .
(Berthelot) 1 () , . (Claude Bernard) 1 . 100 . .
.
, , () . . . . () () . . . , . (object), (On) (Off) . , .
Between cinema and hard place(1991) 23 . . . . The Nature of
Language(1957) [ ] . . , , . , . Cut pipe(21) (tubes) . , . . , ,
(on) (off) . (switch-pieces) , Between cinema and hard place , ,
(on) (off) . (Karlheinz Ludeking)
(off). (on) (off) . . . . TV . . . () () () .
, , , .
-(Maurice Merleau-Ponty) . (Asthetische Interaktion) . . (), , ,
(on) (off(O)) () . 1990 BEACON: Two Version of the
Imaginary(1990)(22) . BEACON (Maurice Blanchot) , 54 6 . 6 . , .
BEACON . , . , . , () , . () .
B-1.3. (Inter-text)
Crossbow(1999)(25) . , , , , . , . , . . , . , .
() , ( ) . (Dasein) , , .
. '' . ' (Jemeinigkeit)' . . . " , , . , -(Sichoffnen),
-(Offensein)." .. , --(offenstanding) . -- . . .
, The Nature of Language , - - , , . - (das Gegen-ein-ander) . ,
. (Dichtung), . . - , .
Learning Curve(1993) . , . ( ) , (green room) . . , . . , , ' .
. .
, . , . . (logos) , .
. . , . . , (signe) , (signifi) . (metalogue) (metamedia) .
(Margaret Morse) , TV , . . . - , , , - .
, . .
, . (anti-tele), (, utexcipeant benefici) , . . () , . .
B-2. :
(Hieronymus Bosch) () . , . (discontinuous) . 19 . . Alice in
Wonderland , , . (Kafka), (Joyce), (Eliot) .
1993 SIGGRAPH, Machine Culture 1960 (AR: Artificial Reality) .
AR (Mort Heilig) 1960 , , , , Multisensory .( 4, 5) , , 3-D . 1969
. , , 3 1976 (Nationnal Endowment for the Arts ) , (Data Gloves)(6)
AR . VR (8) NASA (Mike McGreavy) . , VR . . (full-body
participation), (shared telecommunication space) , (multisensory),
, , VR .
B-2.1. Videoplace
(Myron Krueger) 1969 Videoplace VR, . . 1974 ,
Computer-Controlled Responsive Environments . Artificial Reality ,
, VR .
Videoplace( 26, 27) 20 . . . (RED), (Green), (Blue) , NTSC .
(1) Glowflow, Tubes on a Gallery Wall
(2) The Gallery Floorplan for Glowflow
. (techne) . . . . , (das Technische) . . (Wissen) . (Vernehmen
des Anwesenden als eins solchen) . , (Hervorbringen). , . .
Videoplace . (1)Glow Flow Metaplay . . 1 . , . 3 (visual
communication) . , . , .
(3) Metaplay drawing.
(4) Video Communication Link
(Videoplace) . (Information) , . , , . Videoplace 1960 () .
Metaplay , . . Videoplace , , 3 . Good morning Mr. Orwell 3
Videoplace .
(5) The Videoplace Concept.
(6) The Computer Detect Contact Between the Video Image of Two
Participants.
Videoplace 3 . . , ( 6) . 100 200 Videoplace, Bye Bye
Kipling(1986) . , . .
, , , , , 3 . 1975 , .Metaplay . . . (processor) . , . , .
(VIDEOTOUCH) , Videoplace .
(7) Metaplay Communication System.
. , . , . (resticted aesthetic medium).
, .
. , , .
Videoplace , , (object) .
(8) Occlusion by Graphic Object (9) A Cats Cradle
Interaction
(8) 1:1 , , Videoplace , . . Videoplace . . . . . (9) , .
.(28-32)
(10) One and Two SplineMan Configuration
, . , , (10) , .
Videoplace 12 . (Critter) .
. . . - .- . .
Small Planet , . .
Body Surfacing 3-D . Spline Man - - .
Videoplace . , 12 , . . , 12 . .
Videoplace , HMD, 3-D ' '(Artificial Reality) .
' ' (Jaron Lanier) 1989 (virtual reality) 1984 ' '(artificial
responsive environment) . 3 . (technites) .
B-2.2. (Artificial Reality)
3-D . . , (ubiquitous) , (sensible environments) .
, . () . . .
Videoplace , , . 2 3 . (Rober Mallory) , 3 . . Computer
Sculpture; Six Levels of Cybernetics (Cybernetics) (Aesthetics) . 6
.
1
2
3 .
4 .
5
6 . .
(11) A Human Critter Interaction
(Interaction) (Human Critter Interaction) 1/10 , (Pointing: )
.
, . , .
, . , . , . . , . , , , . , . . , , .
(12) The Megaenvironment
Videoplace , (Megaenvironment) Videoplace (Interaction) , , ,
Videoplace . , .
. . , . . Videoplace . Videoplace . Videoplace , . , . . , VR .
, . (story) .
(13) The Rockettes
(13) (Human Critter) , , (Busby Berkely fashion) . , . , . .
(14) Mandala
(14) Videoplace , (Mandala) , 7 .
. Videoplace, (Ed Tannenbaum) Recollection, (Vivid Goup) Mandala
. , . . , . (recontextulize) (reflection) .
(15) Picking up a Graphic Object (16) Three-Way Catch in
Videoplace
(16) Videoplace , , , Videoplace .
(17) Swimming in Videoplace
, , -(stereo-realite) . - (realite actuelle) , (realite
virtuelle) . , .
Videoplace , . (17) , , 1000 (SCUBA) . .
() -(micro-video) .
, , , TV .
() , , .
(18)
(Artificial Personality), .
(19) A Vidiocy Interaction
, - , .
B-2.3. (reflection)
. . (Narcissus) . . . . "" '' (Narcosis) .
. , . . . , .
. (Eco) . . , . . , . , . , , . (self-absorption) , , , , . , ,
.
. , Videoplace , Videoplace , Videoplace .
. 3 , . . (David Rokeby) Very Nervous System . , , , . , .
(20) A Telecision Interaction
MAN_IPUATE Interaction , Videoplace VideoDesk Operator , . .
, , , (art actuel) (art virtuel) .
20 , . - .
, .
(motorisation electronique) , , .
(21) A Balloonacy
Balloonacy Videoplace . , . (21) .
. . , . , . . . , . . , . . . .
B-3. 3-D :
3-D . - - . The Legible City Imaginary Museum 1990 Revolution .
. , . Revolution 200 - - . - - .
B-3.1. 3-D
. The Legible City(prototype)
, . . . () (Quantifizierung) .
. (random accessibility), (manipulatability) . (networkability)
, . .
The Legible City (prototype)(33, 34)1988 , (Bonne-fantenmuseum,
Maastricht, Belgium) (Dirk Groeneveld) . (wire-frame graphics)
.
, . (three-dimensional letters) .
The Legible City 3-D . 3-D . , , , 3-D .
3-D 3-D . 3 . Paradise Lost 2 2 .
, (Hormuz) , .
4 6 3 . 3-D .
: . ?
: , .
: ? , . , .
. . 3-D , , 2 3 . 3. 2 . , () 3 .
3-D 3 . . 3-D .
3-D . (real world) (virtual world) , (virtual domain) , 3-D . ,
.
(1989) , , , , (confidence trickster), (ambassador), 8 . . , .
.
() () . . . , 3 .
. The Distributed Legible City
, , , , . , . , . , . , , , , . . The Legible City .
3-D . Rehearsal of Memory . The Legible City(1989)(35, 36) , . 3
, . , , .
, 3-D . . (meta-texts) . 3 . .
3-D , . , . , .
. ConFIGURING the CAVE
ConFIGURING the CAVE(42, 42) 3-D . . , CAVE . . . . . , . 7 . .
. (metalanguage) . , . 3-D . .
. The Virtual Museum
, . , 3 . , , , , .
, . . . . , (Emergent Reality), 2 (Nature II), .
(xenoplasticarts), . .
The Virtual Museum(43, 44) 3-D . , . . . .
The Virtual Museum 5 . . , . . . .
4 (re-material) . . , , . . ('A', '2', 'Z') .
20 . , , 4 . . . , , . - . .
. The PlaceRuhr
The Place-Ruhr(39, 40), , 3 .
11 . 3-D . 360 .
11 ' ' . . 11 ( ) (environmental scenography) .
. , . .
, 3-D . . 5 , , .
B-3.2.
(, presence) . . (Telemedicine) , , , . , . 3-D , . , . .
(6) , Various media technologies classified by vividness and
interactivity.
3-D . , . . (Michael B. Spring) , (R. Pose) (M. Regan) . , TV .
.
EVE(45) ZKM 3-D ,
10m ( ) . . 3-D VR 3-D .
. . . .
, , , , . , HMD(head-mounted display)(8), (6) , . . , . , . , ,
, , , . 3-D .
. 3-D .
. . . . , .
1993 Virtual Museum EVE . 1995 . , . . , . .
, . . (volumetric) (hologram) (Firewire) . . . , , . .
Starwars: Episode VI () . R2-D2 3-D . 3-D (auto stereoscopic
volumetric display) . . TV LCD , TV . TV . (OLED) (flexible) . TV
3-D 2 . Starwars R2-D2 3-D . 3-D 3-D . 3-D 3-D 2-D 3-D . , 3-D . .
3-D 2-D 3-D . 2-D 3-D . , , . 3-D 2-D 2-D .
(Auto Stereo Scopic) 3-D . 3 3-D Starwars . 3-D 3-D . , . .
.
3-D , . 3-D , 3-D .
. MUD(Multi-User Dimensions) . . . , . (C. Chesher) .
, .
B-3.3. ,
. The Net.Art Browser
. . . . (propective). , .. , , , , . (autonomous) . . . . ,
(being-in-flux) , (devenir) . , , , . The Net.Art Browser.
The Net.Art Browser(46) 3-D . , , TV , (mobile viewing window) .
. . , . . , . , .
. web-of-Life 2001-2003
web-of-Life(47) . . ZKM . . (52), ZKM , web-of-life , - . 2002 3
ZKM 2 . (Michael Gleich) .
web-of-life : ZKM , (48) 3-D 3-D .(50, 51) , . ZKM , web-of-life
.(49, 50)
. , . web-of-life . , , web-of-life , , , .
Die Technik und die Kehre (technik) . .
. . . . . . . , . .
B-4. 3-D :
B-4.1. 3-D
3-D(three-dimensional graphics) (description) (presentation) . ,
, , . (marble) (chisel) (brush) (oil) .
1, 2 . .
. 2 , . .
1840 (Flix Nadar) (photorealism) . (George Mlis) . 3-D (3-D
Photorealistic computer graphics) . 1981 (Information
International) Looker . 3-D . (George Lucas) (Lucasfilm, Ltd.) 1983
Star Trek II and Return of the Jedi . 37 3-D 4 .
3-D (53, 54) . . . 3-D . , . . .
3-D. (C. Cadoz) . ? , . ? . , , , , , .
(Walter Benjamin) (aura) . (E. H. Gombrich) . . .
. , . , . , . , . (Simulacrum). , . , . . , . , . . 3-D . , ,
.
3-D , , . . , . . , . (J. P. Barlow) . , , , .
(English butler) . , . , . . , , , , , .
B-4.2.
, (Pygmalion) , , . . . , . , , , .
3-D , 3-D . 3-D 3-D . , . (Geometry based modeling) . 3-D .
(Image based modeling). , .(55, 56) Hollowman Terminator . 20 3-D
.
3-D . . . () . . . , . .
. , . Final Fantasy 3-D (59) .(56) . . 3-D . (Aki) . 6 . 1 15~20
, . , .(57)
. , . . 1 , . . (synthesized actor) .
B-4.3.
AOL(American On-line) Simone () (virtually everywhere) . . 30 .
, . MIT , , (intelligent agents) (synthetic characters) . '' '' ''
. (Metacharacter) . - .
(Gery Demos) 3-D . (remote interactive scene simulation) .
(Virtual Actor) (synthesized actor) . . . , . .
. . (digital film) .
= (live action material)+ (painting)+ (image
precessing)+(compositing)+2-D +3-D
. . , . . . (intelligent agents) , . Sonata . . , . Sonata 3 , .
. , , . , .
(Sergei Eisenstein) (John Dewey) . , . . . . . , , , . .
. , .
. , . , (synaesthesia) . (context) .
.
1. web-of-life 3-D Metaplay Videoplace (la rlite virtuelle) .
(instrumentality) (digital-being) (modus) .
2. (ubiquitous) , . .
3. (haptic) (smooth space) (lunique) n-1 . (Horhizome)
(stochastic) .
4. , 3-D . , 3 (being-in-flux) . (aesthetics of appearance)
(aesthetic of apparition) , (open-ended pathways) (semantic
closure) , , .
5. 3 2 . . , -(image-instrument) (perfect duplicability) . .
a. (interactivity) (heterogeneity) (flat multiplicities) 3 .
b. . (homogeneous quality) ---(audio-visual-spatial dimensions)
. .
c. 3-D . , .
. (, Pentecostal condition) (re-materialisation) .
. .
Paul Virilio, The Virilio Reader (London: Blackwell, 1998), p.
146.
1909 (Pillipe Thomaso Marinetti) (Futurism) , (Dadaism),
(Constructivism) . (J. Harvey, The Condition of Postmodernity
(Oxford, Basil Blackwell, 1989). (I. Newton) . , . , (K. Stephen,
The Culture of Time and Space 1880-1918 (Cambridge: Harvard
University Press, 1983).
Henri Bergson, Matire et Mmoire (Presses Universitaires de
France, 1969), p. 34.
G.E. Laokon (:nacheinander), (:nebeneinander) . . . , .
Theodor Adorono, Dialectic of Enlightenment (New York:
Continuum, 2001). . (cultural contentswear) .
(web graphics), (motion graphics), 3-D , . 3-D , . 3-D . 2-D,
3-D . . , .
Sean Cubitt, Digital Aesthetics (Sage, 1998) P. 84. Spatial
effects .
. Neuromance . , , 1986 . . .
W. Gibson, Neuromancer(New York: Ace Book, 1984), p. 67. .
M. Benedikt, Introduction, Cyberspace: First Steps (Cambridge:
MIT Press, 1993), p. 1. , .
Ibid., p . 268.
Merriam Webster's Collegiate Dictionary (Springfield , MA,
1993), pp. 1320.
Ibid., p. 973. reality . , .
M. Heim, The Metaphysics of Virtual Reality (Oxford University
Press, 1993), p. 109.
Jonathan Steuer, Defining Virtual Reality: Dimensions
Determining Telepresence (eds.), Bioca & Levy, Communication in
the Age of Virtual Reality (Hillsdale, New Jersey: Lawrence Erlbaum
Associates, 1995), pp. 33- 35. , . (sense of being) .
, .
. , . , . , . , .
(link marker) , .
