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~i 1) t!t-l'i-1~1::t!t-l'Wil~~, : ll:IL.. ·nH:.lTf~lll1 o Hans-Peter Martin

& Harald Schumann , Global Trap: Globalization and the Assault on Prosperity and Democracy (London and New York : Zedd Books , Ltd. , 1997)

2) El 2~~1~1:::/J=r, 1J.:,,·1,,,:ll:IL..T,H...lTfw!!l10 Apinan Poshyananda, " Eat Me," XXIV Bienal de Sao Paulo (Sao Paulo : Fundacao Bienal de Sao Paulo, 1998), pp.164-178.

3) 1"'/ J70)7'1r>T1T 1',: ll:l9{>~lH~,;J:l-'...lTf~!!l10 Fran9ois Gedement , The New Asian Renaissance: From Colonialism to the Post-Cold War (London and New York: Routledge, 1997), pp. 3-5 , Richard Maidment and Colin Mackerras(eds.), Culture and Society in the Asia-Pacifc (London and New York: Routeledge , 1998), pp.1-5.

4) iE~tL 7°'J2-7'-1".i•T-1-, 7:t-777-i-sJ:tfx1tO):lvJt,:ll:I 9 {> 8c :f; ,;1: l-:.l T f m'! a George Marcus and Fred Myers (eds.) , The Traffic in Culture:Refiguring Art and Anthropology

82

(Berkeley: University of California Press, 1995 ), Ruth Philips and Christopher Steiner (eds .), Unpacking Culture: Art and Commodity in Colonial and Postcolonial Worlds (Berkeley: University of California Press, 1999).

5) ~j;{Jj'J7 1J.:,,.-;-,:.,~/'OW.lH:~lll1o ''rhe Plurality of Contemporary Asian Art," Why Asia?: Contemporary Asian and Asian American Art (New York and London: New York University Press, 1998), pp. 79-86.

6) Curtis Hinsley, "The World as Marketplace: Commodification of the Exotic at the World' s Columbian Exposition, Chicago, 1893 ," Ivan Karp and Steven Lavine (eds.), Exhibiting Cultures: The Poetics and Politics of Museum Display (Washington and London: Smithsonian Press, 1991 ), pp.344-365 , Babara Kirshenblatt-Gimblett, "Confusing Pleasures," Destination Culture: Tourism, Museums and Heritage (Berkeley: University of California Press, 1998 ), pp.203-248.

7) Apinan Poshyananda, "The Future: Post-Cold War, Post Modernism, Post Marginalia (Playing with Slippery Lubricants)," Caroline Turner (ed.) , Tradition and Change: Contemporary Art of Asia and the Pacific (Brisbane: University of Queensland, 1993), Emmanuel Torres, "The Piony Visual Artist and the Asia-Pacific Century," Pananaw Philippine Journal of Visual Arts , National Commission for Culture and the Arts, 1995-96, pp.10-19, Babara Kirshenblatt-Gimblett , "The Agency of Display," Destination Culture: Tourism , Museums and Heritage, pp.17-78.

8) Richard McGregor, Japan Swings: Politics, Culture and Sex in the New Japan (Singapore: Butterworth-Heinemann Asia, 1996), pp.50-54 .

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