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Jonna Massaroni Portfolio

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Page 1: Jonna Massaroni Portfolio
Page 2: Jonna Massaroni Portfolio

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Page 3: Jonna Massaroni Portfolio

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Page 4: Jonna Massaroni Portfolio

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Page 5: Jonna Massaroni Portfolio

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-$&'.'&',/Adirondack Mountain Club has 25 chapters that offer numerous opportunities to get outdoors in the Adirondacks and closer to home. ADK’s Adventure Travel organizes exciting trips to all parts of the globe. ADK’s Environmental Advocacy program promotes responsible policies to protect New York’s wild places. We even offer school programs to instill a love of nature in children.

-"'6()"%$78(#)&%')143#9

Page 6: Jonna Massaroni Portfolio

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breed

Comeunders

tand

themat

The Co

llege

of Sai

nt Ros

e

Underg

rad Ar

t Show

Picotte

Hall, 32

4 State

Street,

Albany,

NY 12210

March 12

-April 8

, 2010

Openin

g Rece

ption:

Frida

y, Mar

ch 12,

5:00-

7:00 p

m

Center f

or Art &

Design

Open Fir

st Frida

y, April

2

Design:

JonnaMassar

oni ‘11

Comeunders

tand

themat

The Co

llege

of Sai

nt Ros

e

Underg

rad Ar

t Show

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Design:

JonnaMassar

oni ‘11

artists

are

amisunderstoodbreed

artists

are

amisunderstoodbreed

artists

are

amisunderstoodbreed

Come understand

them at

The College of Saint Rose

Undergrad Art Show

Picotte Hall, 324 State Street, Albany, NY 12210

March 12-April 8, 2010

Opening Reception: Friday, March 12, 5:0

0-7:00 pm

Center for Art & Design

Open First Friday, April 2

Page 7: Jonna Massaroni Portfolio

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Page 8: Jonna Massaroni Portfolio

Type Specimen Book

much different than our own human skeletal structures. This holds true for the typeface Ripe, a geometric post–modern, slab serif font whose strokes and joints mimick those of a skeleton. This type specimen book uses original illustration to take you through all the elements of this font while subtly examining this relationship.

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432 State Street, Suite 230

Schenectady, NY 12305

518.382. 7581

www.esyo.org

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Page 9: Jonna Massaroni Portfolio

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Page 10: Jonna Massaroni Portfolio

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0*33*1%4'15$%-,)%-,%/5&1*00-> 1725Caslon is classi!ed as an Old Style serif

typeface with visual characteristics that include thick, stubby serifs, heavier strokes,

and a proportionally larger x-height. Caslon also has a medium to high contrast

between thick and thin letter strokes and !nally Caslon has a near vertical stress.

William Caslon designed the font Caslon as an extremely readable typeface that is

often used by magazine and book designers as both a body text font and

display font. Caslon is unique because it was the !nal expression of an Old Style font and could almost be regarded as a

Transitional face. Caslon can be compared to an umbrella because both are highly

functional. Caslon was used in the Declaration of Independence as well as

many other important government documents. "e utility of these documents

can be compared to the use and function of an umbrella. "e umbrella also mimicks

many of the shapes and letterforms that make up the schematics of Caslon; one

letterform in particular is the lowercase “t”.

{William}CASLON

a b c d e f g h i j k l m n o p q r s t u v w x y z

Page 11: Jonna Massaroni Portfolio

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Page 12: Jonna Massaroni Portfolio

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Every year, Americans spend billions of dollars caring for

their hair. They lovingly style, color and add extensions to their manes, and may invest in hair replacement procedures and prescriptions to

segment of the population suffers from the fear of hair. The fear of

Chatophobia. Some people fear hair because they feel it is dirty. Their phobia may be an offshoot of germophobia, the fear of germs. Since hair can carry certain bacteria, and can also be subject to headlice and dandruff, it can be repulsive to many people.

Rapunzel Rapunzel Please

Page 13: Jonna Massaroni Portfolio

Type Specimen Book

much different than our own human skeletal structures. This holds true for the typeface Ripe, a geometric post–modern, slab serif font whose strokes and joints mimick those of a skeleton. This type specimen book uses original illustration to take you through all the elements of this font while subtly examining this relationship.

Page 14: Jonna Massaroni Portfolio

Type Specimen Book

much different than our own human skeletal structures. This holds true for the typeface Ripe, a geometric post–modern, slab serif font whose strokes and joints mimick those of a skeleton. This type specimen book uses original illustration to take you through all the elements of this font while subtly examining this relationship.

INTRODUCTIONWhen you break down a let!r "rm #

its most basic components you will find

a struc$re not much di%erent than our own human

s&le'l struc$res. This holds true "r the typeface Ripe, a

geometric, post–modern, slab serif "nt whose stro&s and

joints mimick those of a s&le#n. This type specimen book

'&s you through all the elements of this "nt while

sub(y examining this rela)onship.

TELL MEWHERE IT HURTSTELL MEWHERE IT HURTSTELL MEWHERE IT HURTSTELL ME

TELL MEWHERE IT HURTS

Ripe Bold 125pt

Ripe Bold 50pt

Ripe Bold 38pt

Ripe Bold 80pt

NEVERGO TO A DOCTORWHOSE OFFICE PLANTS

HAVE DIED

Page 15: Jonna Massaroni Portfolio