Kenzo Tange, Kurashiki City Hall, 1960

Eero Saarinen, TWA Terminal, Kennedy Havaalanı (1962) - New York

Jorn Utzon, Sydney Opera House, 1957-73

Louis Kahn, Kimbell Art Museum, Texas, 1966-72

James Stirling, FloreyBuilding, Queen‟s College, Oxford, 1966-71

Alison-Peter Smithson, Robin Hood Gardens, Londra, 1969-75

Toplu Konut Projeleri, Singapur‟dan örnek, 1960lar

Toplu Konut Projeleri, Triviale, İtalya, erken 1970ler

Ticarileşen “cam kutular,” 1960lar ve sonrası

Alison-Peter Smithson, Golden Lane önerisi, 1952

George Candilis, Alexis Josic, Shadrach Woods,Toulous-le-Mirail, 1961

George Candilis, Alexis Josic, Shadrach Woods, Free University of Berlin, 1964-79

Aldo Van Eyck, Orphanage, Amsterdam, 1957-60, Mat plan

Herman Hertzberger, Central Beheer Office Complex, Hollanda, 1972

Kenzo Tange, Tokyo Bay Project, 1960

Kiyonore Kikutake, Cities in the Air, 1959

Arata Isozaki – Joint Core Stem, 1960

Arata Isozaki – Clusters in the Air project, 1962

Moshe Safdie, Habitat 67, Montreal

Kisho Kurokawa, Nagakin Capsul Tower, Tokyo, 1970-72

Archigram, Plug-in City, 1964

Kisho Archigram, Plug-in City, 1964

Archigram, A Walking City, 1964

Archigram, A Walking City, 1964

Constant, New Babylon, 1959-

Superstudio, The Continuous Monument, An Architectural Model For Total Urbanisation, 1969

Natalini wrote in 1971 “…if design is merely an

inducement to consume, then we must reject design;

if architecture is merely the codifying of bourgeois

model of ownership and society, then we must reject

architecture; if architecture and town planning is

merely the formalization of present unjust social

divisions, then we must reject town planning and its

cities…until all design activities are aimed towards

meeting primary needs. Until then, design must

disappear. We can live without architecture…”

Robert Venturi, Vanna Venturi House, 1959-1964

Robert Venturi, Vanna Venturi House, 1959-1964

Robert Venturi, Guild House, Philadelphia, 1962-1964

Michael Graves, Benacerraf House, New Jersey, 1969

Hanselmann House, Fort Wayne, Indiana

1967-68

Peter Eisenmann, House II, 1969

House IV

Peter Eisenmann, House VI, 1972-75

House VI, Fourteen Transformations

(axonometric), Cornwall, Connecticut

Peter Eisenman, MOMA

Post-modernizm?

The Demolition of the Pruitt-Igoe Building.

"Happily, it is possible to date the death of Modern

Architecture to a precise moment in time." Charles Jenks.

After months of preparation, the first building was demolished

at 3 p.m., on March 16, 1972. The second one went down

April 22, 1972. The first stage of demolition completed on July

15.

Pruitt-Igoe was a large urban housing project in St. Louis,

Missouri.

Built 1954-5

Architect - Minoru Yamasaki, who also designed the World

Trade Centre, New York.

Architectural Forum praised the layout as "vertical

neighborhoods for poor people"

Each row of buildings was supposed to be flanked by a "river

of trees"

By 1968 the authorities were encouraging people to leave.

By 1971 it was calculated that the estate had cost $57 million

yet had never been more than 60% occupied.

By late 60s it was notorious: extreme poverty, crime, and

segregation.

32 buildings were demolished in total from1972-4.

Post-modernizm?

Pruitt-Igoe Bloklarının Yıkımı, 1972

The Demolition of the Pruitt-Igoe Building.

"Happily, it is possible to date the death of Modern Architecture to a precise moment in time." Charles Jenks.

After months of preparation, the first building was demolished at 3 p.m., on March 16, 1972. The second one

went down April 22, 1972. The first stage of demolition completed on July 15.

Pruitt-Igoe was a large urban housing project in St. Louis, Missouri.

Built 1954-5

Architect - Minoru Yamasaki, who also designed the World Trade Centre, New York.

Architectural Forum praised the layout as "vertical neighborhoods for poor people"

Each row of buildings was supposed to be flanked by a "river of trees"

By 1968 the authorities were encouraging people to leave.

By 1971 it was calculated that the estate had cost $57 million yet had never been more than 60% occupied.

By late 60s it was notorious: extreme poverty, crime, and segregation.

32 buildings were demolished in total from1972-4.

The Byker housing forms a wall to protect the residents from the

noise of a busy road situated along the edge of the site (see

figure 4.6). The windows are small and the walls are high to

reduce the amount of noise which is allowed to penetrate into the

apartments, communal path ways and green areas. Within this

wall the individual apartments form a complex pattern. The

arrangement of the communal areas and housing is similar to

Van Eyck‟s „Nagele village‟. There are a number of open green

areas which form focal points for the corresponding housing. In

consistency with Van Eyck‟s ideas, Eskine uses the internal

walkways, galleries and bridges to visually and figuratively

connect with the open spaces.

Ralph Erskine, Byker Wall Konutları, Newcastle, 1969-75

Ralph Erskine, Byker Wall Konutları, Newcastle, 1969-75

Aldo Rossi, Gallaratese Konutları, Milano, 1969-76

Aldo Rossi, Gallaratese Konutları, Milano, 1969-76

Aldo Rossi, Gallaratese Konutları, Milano, 1969-76

Giorgio de Chirico, Kuzey İtalya arkadları, kent, tarih ve melankoli

Giorgio de Chirico, Mystère et mélancolie d'une rue, 1914

Ariadne, 1913

Alvaro Siza, Quinta da Malagueira Konutları, Evora, Portekiz, 1977-99

Alvaro Siza, Quinta da Malagueira Konutları, Evora, Portekiz, 1977-99

Norman Foster, Willis Faber Dumas Building, Ipswich, İngiltere, 1975

Norman Foster, Willis Faber Dumas Building, Ipswich, İngiltere, 1975

Architectural Review, June 1975

Herman Hertzberger, Centraal Beheer Ofis Binası, Apeldoorn, 1972

Herman Hertzberger, Centraal Beheer Ofis Binası, Apeldoorn, 1972

70‟lerin başında Highrise, Yüksek yapılar / gökdelenler

SOM, John Hancock Center, Chicago, 1968-70 Minoru Yamasaki, World Trade Center, New York, 1969

70‟lerin sonunda Highrise, Yüksek yapılar / gökdelenler

Hugh Stubbins

Citicorp Headquarters

New York 1978

Phillip Johnson, AT&T Building

New York, 1979

Richard Rogers, Renzo Piano, Centre National d'Art et Culture Georges Pompidou, Paris

1971-77

Richard Rogers, Renzo Piano, Centre National d'Art et Culture Georges Pompidou, Paris

1971-77

Richard Rogers, Renzo Piano, Centre National d'Art et Culture Georges Pompidou, Paris

1971-77

Louis Kahn, Kimbell Sanat Merkezi, 1966-72

Louis Kahn, Kimbell Sanat Merkezi, 1966-72

Michael Graves, Piazza d‟Italia, New Orleans, 1975-79

Bernard Tschumi, Parc de la Villette, Paris, Yarışma: 1982/3, Uygulama: 1984-87

Starchitect-ure

Digital fabrications

Geri dönüşüm ve sürdürülebilir mimarlık

Johann Otto Von Spreckelsen, Grande Arche de la Défense, Paris, 1983-9

Johann Otto Von Spreckelsen, Grande Arche de la Défense, Paris, 1983-9

Staphane Malka, “Auto-defense”

Malka bu tasarımı terk edilmişler, marjinalleştirilmişler, mülteciler,

göstericiler, muhalifler, hippiler, ütopyacılar ve tüm türden

uyruksuzları birleştirme çabasını ortaya koyuyor. Bu konsept

tasarımı Malka, göz ardı edilen kamusal alanların, prefabrik ve

gasp yoluyla inşaat sistemleri ile kentsel sınırlamalara direniş

olarak kullanılıp kullanılamayacağını araştırıyor.