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8/20/2019 Muzeul Capodimonte Napoli
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First created 20 Feb 2011. Version 1.0 Jerry Tse.
Museo di Capodimon
Naples, Italy
All rights reserved. Rights belong to their respectiveowners. Available free for nonco!!ercial and
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Simone Martini
This is one of the oldest paintings (1317)
in the gallery. Simone Martini was born
in Siena and was a major painter in the
development of early Italian painting.
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Masaccio
Masaio (1!"1#1!$%) was the first great
painter of the &'attroento. e was the
best painter of his generation bea'se ofhis sill at rereating lifelie fig'res and
movements.
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C o
l a n t o n i o
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Mantegna
*ndrea Mantegna (1!31#1+",) was a
-enaissane painter of orthern Italy.
e e/perimented with perspetive. etoo a s'lpt'ral approah to painting.
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Botticelli
0ottielli (1!!+#1+1") was a major arly
-enaissane of the 2lorentine shool.
M'h progress had been made whenomparing portraits of the baby es's
below with the painting of Masaio
earlier in the 1+4.
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G i o v a n
n i B e l l i n i
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Pieter Bruegel the Elder
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Pieter Bruegel the Elder
This is a detail of the painting on
the last slide. 5ieter 0r'egel the
lder (1+$+#1+,6) was a 2lemish-enaissane painter. e is well#
nown for his landsape series
the Seasons of the year.
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Albert Durer
8'rer (1!71#1+$%) was a 9erman painter
printmaer mathematiian engraver and
theorist from 'remberg. is wood'tand engravings allow his wors to reah a
m'h larger a'diene.
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Correggio
4orreggio (1!%6#1+3!) was an Italian
-enaissane painter. e was
responsible for some of the mostvigoro's and sens'o's wors of the
1,4.
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Raphael
-aphael (1!%3#1+$") was an Italian
painter of the igh -enaissane.
Together with Mihelangelo and:eonardo da ;ini he was one of the
great masters of the period. e is
parti'lar well#nown for his Madonna
and 4hild painting.
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Parmigianino
5armigianino (1+"3#1+!") was a
prominent Italian Mannerist
painter. is wor is harateri
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Parmigianino
It is the best nown portrait of
5armigianino. *ntea was a lady of the
o'rt. The painting is also nown as5armigianino=s Innamorata (:over).
The yo'ng woman was dressed in fine
lothing. This was painted at the height
of 5armigianino=s areer.
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P a r m
i g i a n i n o
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Cranach the Elder
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Titian
Titian was the most important of
the 1,4 ;enetian shool. e is
one of the most s'essf'l painterever lived. e painted some of the
most powerf'l people of his time.
5ope 5a'l III was a member of the
o'se of 2arnese a powerf'lfamily in -enaissane Italy. The
ore olletion of the m'se'm
one belong to his family.
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Titian
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Venusti
* opy of Mihelangelo=s :ast
'dgment in the Sistine hapel by
;en'sti before some of the n'dity
was overed 'p with loin lothand drapery.
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El Greco
* rather 'n's'al painting by the
Spanish painter l 9reo (1+!1#
1,1!).
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C
a r r a c c i
!
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an!ranco
The original painting ame from the
eiling of on a room in the 2arnese
5alae. It has an impressive 174 view in
the development of landsape painting.
C i
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Caravaggio
The painting was painted by 4aravaggio
(1+71#1,1") one of the greatest painter
of the 0aro>'e age. It was ompletedin 1,"6#1,1" abo't a year before
4aravaggio=s death age 36. 4aravaggio
died on his way to aples.
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Artemisia Gentileschi
*rtemisia 9entileshi (1+63#1,+$) an
Italian arly 0aro>'e painter was a
follower of the 4aravaggio=s style.She was the first female painter to
beome a member of the *ademia
di *rte del 8isegno in 2lorene.
4aravaggio had a painting on the
same s'bjet b't 9entileshi paintingshowed two women o#operated to
ill olofern. There is a similar
painting by the same artist at ?ffi
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Gi t
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Gigante
Gi tti
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This stat'e was p'rhased
by @ing ;ittorio man'ele
II who was the first ing of
modern Italy.
Ginotti
G it
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Gemito
;inen
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Michetti
e was born in 1%+1 and died in
16$6. 2raneso 5aolo Mihetti was
an Italian painter draftsman photographer ost'me designer
modeller and senographer.
Mi li
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Migliaro
;inen
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The historical apartments o! the palace
Porcelain bust b"
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Porcelain bust b"
Tagliolini
The -oyal 2atory of 4apodimonte
date ba to the early 1%4. It is
well#nown for its white porelain.
The 0'st of Maria 4arolina thesister of Maria *ntoinette was
prod'ed by the -oyal 2atory of
4apodimonte.
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The porelain private room of
the 5alae of 5ortii was
deorated by the -oyal 2atory
of 4apodimonte.
This represents the highest
artisti e/pression of the royal
fatory. The porelain
deoration is fi/ed to a
s'pporting wooden wall.
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The
End
Music – Sad Romance composed by Thao Nguyen XanhPerformed by Ji Pyeong yeon
All rights reserved. Rights belong to their respectiveowners. Available free for nonco!!ercial and
istorial notes on the following slides.
#ingdom o! Sicil" $ %aples and the collection
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#ingdom o! Sicil" $ %aples and the collection&
Modern Italy omes into e/istene after its
'nifiation in 1%,1. *fter the fall of the -oman
mpire Italy was divided into smaller ingdoms
and states.
5rior to the 'nifiation the largest and
wealthiest state was the @ingdom of the Two
Siilies whih was formed of a 'nion of the
@ingdom of Siily and the @ingdom of aples.
The historial and artisti ores of the
olletion of the m'se'm ame from the royal
family of the ingdom.
In 173! 4harles III of Spain who was also the
@ing of aples and Siily inherited from hismother the 2arnese 4olletion. The o'se of
2arnese is an infl'ential family in -enaissane
Italy. Its most important members inl'ded
5ope 5a'l III and 4ardinal *lessandro 2arnese.
'i ! C di
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'istor" o! Capodimonte
The M'se'm of 4apodimonte is sit'ated on
the 4apodimonte hill of aples overlooing
the 0ay of aples. The b'ilding iss'rro'nded by a bea'tif'l par.
The harbo'r of aples with its impressive 4astel 'ovo.
* view of the 4apodimonte M'se'm
4onstr'tion of the palae began in 173%
in the reign of ing 4harles of 0o'rbon. It
was speially b'ilt to ho'se the royal
olletion.
The b'ilding wor was entr'sted to
9iovanni *ntionio Meedrano a military
engineer.
The faAade of the palae is a'stere in 8ori
style. The front faAade is highlighted by astrong ontrast between the strong fame
wor in grey Bpiperno= (a ind of volani
ro) and the typial deep red of eapolitan
plastered walls.
Vie( o! the Ba" o! %aples !rom Capodimonte Museum
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The
End
Vie( o! the Ba" o! %aples !rom Capodimonte Museum
All i ht d Ri ht b l t th i ti