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ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR PROJEKTIGAZGATÓSÁG BIBLIOTHECA NATIONALIS HUNGARIAE Cultural Heritage Cultural Heritage Under Copyright Under Copyright Accessing Digital Content: Mass Digitisation, E Legal Deposit, Copyright Matters – Experiences in National Libraries November 25-26, 2013 National Széchényi Library, Budapest Szabolcs Dancs, director of projects

ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR PROJEKTIGAZGATÓSÁG BIBLIOTHECA NATIONALIS HUNGARIAE Cultural Heritage Under Copyright Accessing Digital Content: Mass Digitisation,

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Page 1: ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR PROJEKTIGAZGATÓSÁG BIBLIOTHECA NATIONALIS HUNGARIAE Cultural Heritage Under Copyright Accessing Digital Content: Mass Digitisation,

ORSZÁGOS SZÉCHÉNYI KÖNYVTÁRORSZÁGOS SZÉCHÉNYI KÖNYVTÁRPROJEKTIGAZGATÓSÁG

BIBLIOTHECA NATIONALIS HUNGARIAE

Cultural Heritage Under Cultural Heritage Under CopyrightCopyright

Accessing Digital Content: Mass Digitisation, E Legal Deposit, Copyright Matters – Experiences in National Libraries

November 25-26, 2013 National Széchényi Library, Budapest

Szabolcs Dancs, director of projects

Page 2: ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR PROJEKTIGAZGATÓSÁG BIBLIOTHECA NATIONALIS HUNGARIAE Cultural Heritage Under Copyright Accessing Digital Content: Mass Digitisation,

BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 2

Digitisation:• making access to information more

convenient, i.e. easier and faster than ever

Digitisation of cultural heritage:• making the objects of cultural heritage

available to as many users as it's possible

DIGITISATION: WHAT FOR?

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 3

• supporting the building of cultural identity (instead of the one constructed on the basis of fears and stereotypes, cognitive structures of this sort)

• supporting creativity (by enabling re-use of cultural products)

• supporting economy, e.g. tourism by providing information on cultural attractions of the country

• bringing cultures together

DIGITISATION OF CULTURAL HERITAGE: WHAT FOR?DIRECTIVE 2013/37/EU OF THE EUROPEAN PARLIAMENT AND OF THE

COUNCIL of 26 June 2013 amending Directive 2003/98/EC on the re-use of public

sector information

„The scope of Directive 2003/98/EC should be extended to libraries, including university libraries, museums and archives. […]

Libraries, museums and archives hold a significant amount of valuable public sector information resources, in particular since digitisation

projects have multiplied the amount of digital public domain material. These cultural heritage collections and related metadata are a potential base for digital content products and services and have a huge potential

for innovative re-use in sectors such as learning and tourism. Wider possibilities for re-using public cultural material should, inter alia, allow

Union companies to exploit its potential and contribute to economic growth and job creation.”

DIRECTIVE 2012/28/EU OF THE EUROPEAN PARLIAMENT AND OF THE COUNCIL

of 25 October 2012 on certain permitted uses of orphan works

„Copyright is the economic foundation for the creative industry, since it stimulates innovation, creation, investment and production. Mass digitisation and

dissemination of works is therefore a means of protecting Europe's cultural heritage. Copyright is an important tool

for ensuring that the creative sector is rewarded for its work.„

International Decade for the Rapprochement of Cultures, 2013-2022 (launched on 23 August 2013)

„The objective of the Decade is to promote mutual understanding and respect for diversity, rights and equal dignity between

peoples, through intercultural dialogue and concrete initiatives”

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 4

Digitisation of cultural heritage:• making the objects of cultural heritage available to as

many users as it's possible

Digitisation of cultural heritage in a national library sense:

• making the objects of cultural heritage available to as many users as it's possible, taking into account the rights of the producers:

– respecting copyright– recompensing copyright owners– restricting access to e-legal deposit

DIGITISATION IN A NATIONAL LIBRARY

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 5

Digitisation(making access to information more convenient, i.e.

easier and faster than ever)

Copyright(restricting the access to information)

DIGITISATION AND COPYRIGHT: A DISCREPANCY?

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 6

COPYRIGHT MADNESS

Solutions?"Some Rights Reserved"

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 7

• current legislation roots in old (and obsolete?) international agreements (Berne Convention)

critics of non-formality

opt out possibilities

Registre des Livres Indisponibles en Réédition Électronique=

Registry of Unavailable Books in Electronic Reissue

(run by BnF, based on the Law No. 2012-287, which establishes the legal framework pertaining to the conversion into digital format of

unavailable books from the twentieth century)

COPYRIGHT UNDER CONSTRUCTION

Article 5

(1) Authors shall enjoy, in respect of works for which they are protected under this Convention, in countries of the Union other than the country of origin, the rights which their respective laws do now or may hereafter grant to their nationals, as well as the rights specially granted by this Convention.

(2) The enjoyment and the exercise of these rights shall not be subject to any formality; such enjoyment and such exercise shall be independent of the existence of protection in the country of origin of the work.

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 8

Sources in the Annex of the European Orphan Works Directive:

"(1) for published books: • (a) legal deposit, library catalogues and authority files maintained by

libraries and other institutions; • (b) the publishers' and authors' associations in the respective country; • (c) existing databases and registries, WATCH (Writers, Artists and

their Copyright Holders), the ISBN (International Standard Book Number) and databases listing books in print;

• (d) the databases of the relevant collecting societies, in particular reproduction rights organisations;

• (e) sources that integrate multiple databases and registries, including VIAF (Virtual International Authority Files) and

ARROW (Accessible Registries of Rights Information and Orphan Works);"

SOURCES FOR DILIGENT SEARCH/COPYRIGHT CLEARANCE

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 9

Sources in the Annex of the European Orphan Works Directive:

"(1) for published books: • (a) legal deposit, library catalogues and authority files maintained by

libraries and other institutions; • (b) the publishers' and authors' associations in the respective country; • (c) existing databases and registries, WATCH (Writers, Artists and

their Copyright Holders), the ISBN (International Standard Book Number) and databases listing books in print;

• (d) the databases of the relevant collecting societies, in particular reproduction rights organisations;

• (e) sources that integrate multiple databases and registries, including VIAF (Virtual International Authority Files) and

ARROW (Accessible Registries of Rights Information and Orphan Works);"

SOURCES FOR DILIGENT SEARCH/COPYRIGHT CLEARANCE PROVIDED BY NSL

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 10

Sources in the Annex of the European Orphan Works Directive:

"(1) for published books: • (a) legal deposit, library catalogues and authority files maintained by

libraries and other institutions; • (b) the publishers' and authors' associations in the respective country; • (c) existing databases and registries, WATCH (Writers, Artists and

their Copyright Holders), the ISBN (International Standard Book Number) and databases listing books in print;

• (d) the databases of the relevant collecting societies, in particular reproduction rights organisations;

• (e) sources that integrate multiple databases and registries, including VIAF (Virtual International Authority Files) and

ARROW (Accessible Registries of Rights Information and Orphan Works);"

SOURCES FOR DILIGENT SEARCH/COPYRIGHT CLEARANCE USED BY ARROW

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 11

ARROW: a distributed network of data sources

Data sources of ARROW:

o TEL – The European Library – 2012/28/EU, Annex 1./a)o VIAF – Virtual International Authority File – 2012/28/EU,

Annex 1./e)o BiP – Books in Print – 2012/28/EU, Annex 1./c)o RRO –– Reproduction Rights Organisations – 2012/28/EU,

Annex 1./d)

ARROW

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 12

ARROW WORKFLOW

Library

Libraryinterface

Matchingrecords

VIAF

1st data collection

BiP

2nd data collection

RRO3rd data collection

ROW

Author/Publisher known?

In/Out of ©?In Commerce?

Suggested Action:Licence? Who?

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 13

ARROW CONPONENTS & NSL INFRASTRUCTURE

Hungarian National Shared

Catalogue

ELDORADO

National Authority Database

Hungarian National

BibliographyISBN Database

Virtual Authority File (VIAF)

The European Library (TEL) Books In Print

Reproduction Rights

Organisations publishers

ARROWAccessible Registries of Rights Information

and Orphan Works Towards Europeana

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 14

ARROW components actually missing in Hungary: BiP, RRO

a Legal Module (modelling ARROW workflow) needs to be developed in

the frame of ELDORADO

THE LEGAL MODULE OF ELDORADO

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BIBLIOTHECA NATIONALIS HUNGARIAE

13-11-23 ORSZÁGOS SZÉCHÉNYI KÖNYVTÁR – PROJEKTIGAZGATÓSÁG 15

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