philip.panzarella88@gmail.com C:727.439.39925 NW 28th Street, Gainesville, FL 32607

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TECTONIC OPERATIONS VERTICAL OCCUPATION LANDSCAPE MANIPULATION DOCUMENTATION

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The Charleston Film Institute (CFI) is a Filmic and Visual artists’ community and arts education foundation located in Historic Downtown Charleston. The physical form strives for a tectonic rigor. A melding of mass and frame, ground and sky. Two volumes intersect, forming a tectonic knot, allowing for the slipping past and connection of several layers of tectonic systems. An opaque mass, embodying earth and shadow, folds over and houses a juxtaposed frame system, which embodies qualities of light, air, and transparency. Superimposed on this conceptual framwork are the unique spatial qualtites of Charleston into the site. Moving through Charleston is a filmic experience. The building extrapolates filmic themes and becomes a machine for the making and presentation of film.

X-Ray Diagrams

Cinematic Sequence - Charleston emerges and unfolds through a series of frames and montages. Alleyways and courtyards branch off from main streets to create a dynamic sequence of spaces that move you through the city. These framed experiences open and close sightlines, lead you to new spaces, and occasionally disorient you.

Layered Porosity - A circulatory system of alley ways cuts throughout Charleston creating a fabric of dense, confined, seemingly endless experiences. Landmark buildings, suchas St. Philips Church, pull away from the fabric to create nodes of openess around the city, while also reorienting you spatially.

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CINEMATIC PRAXIS ChARLESTON FILM INSTITUTECharleston, SCDesign VI, Spring 2011Critic: William Tilson

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CUMBERLAND STREET

ChURCh STREET

GRAVEYARD

ST. PhILIPS ChURCh

POWDER MAGAZINE

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Second Floor

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Third Floor

1. Offices 2. Conference Spaces3. Social Space4. Movie Theatre5. Lounge

1. Student Editing Rooms2. Classrooms3. Art Gallery4. Circulation Atrium

Structure

Composite

Circulation

Program

Shell/Screen

Site Plan

1. Multi-Use Space2. Exterior Screening Berm3. Cafe/Dining4. Kitchen5. Lobby/Reception6. Entrance Atrium7. Alley Garden8. Circulation Atrium

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CHURCH STREET POWDER MAGAZINE

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Exterior Theatre

Screen Detail

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Projector

SecondaryStructure Glazing

PrimaryStructure

Film

Primary Structure

Secondary Structure

Glazing

Folded Shell

Tertiary Structure

Screen

Screen

Tectonic layers envelope the simple volumes of program creating a blurring of edge. The skin also folds into the central tectonic knot creating a continuity of inside to outside, bringing with it a sense of light and air into the core of the building. The layered constructions also allow the building to actively engage with the act of making, viewing, and processing film.

Tectonic Knot

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Grid Deformation

Solar Insolation Analysis

Section

Using solar analysis and parametric paneling tools, a performative skin was adapted to the southern facade of the University of Florida architecture building. Solar Insolation analysis demonstrated that the facade recieved too much direct afternoon sunlight, exposing the offices within to overheating. Also, the double layered, panel skin offers a greater degree of privacy from the busy street outside while creating a protected space for ferns to grow. This gives a greater sense of interiority and intimacy to the space.

Twist

Original Facade New Facade

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Panel Tectonic Detail

Outer Panel - Aperture Variation

Opening Detail

Inner Panel - Perforation Pattern

Western Exposure Eastern Exposure

Outer Panel

Less Sunlight

Inner Panel

Panel Structure

Truss Frame

Fern

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The grid facade of the architecture building was heated by the sun in a series of nine different zones. A gradient was proposed as the best way to absorb direct afternoon sun. The new panel facade gently curves out, basking in the sun, as it moves from bottom-left to -top-right. As the facade pulls away from the building the depth of space between the original facade and the panels increases.The panel distribution patter was derived from the new gradient solar insolation pattern. The aperture size of the outer panel decreases as the facade twists into the sun, reducing sunlight to corrospend with how much sunlight is being recieved. The twisting of the panels provides another benefit by allowing direct morning sun to enter the offices.

ElevationPanel Distribution

Perforate

Plan Sun Diagram

P.M. Sunlight A.M. Sunlight

FERN FACADE PERFORMATIVE SKIN

Gainesville, FLAdvanced Digital Media, Spring 2011Critic: Ruth Ron

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A music school is constructed within an infinite vertical structure. The Rythmic and Punctuated qualities of music infused the structure with a melody of Nodes and Lines. Programmatic nodes are distributed throughout the vertical context, interconnected by a varied, linear circulatory system. The process of making music organized the three areas of program. Learn - The lowest node is a library for studying music. Practice - the second node contains practice room and classrooms. Peform The final node contains a concert space to listen and perform. As one moves up through the space, the actions of each space heighten and reach a crescendo with the final performance space.

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VERTICAL PROGRAMMING GLOSOLI SChOOL OF MUSICDesign IV, Spring 2009Critic: Nitin Jayswal

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Relationships of Bodies in Space - Interactions and experiences between people in an urban setting are frequent and diverse. The surrounding architecture plays a role in how these interactions form, sustain, and dissipate. Therefore, architecture, specifically housing, should encourage social interaction as well as a sense of community. Investigating the relationships between bodies in space allows experience to be constructed, thus activating space beyond its physical form. A series of constructed experiences creates a narrative in which the occupant and the architecture cultivate a symbiotic relationship, one affecting the other, one testing the other. With this approach space can begin to play a larger societal role in which it encourages experiences, dialogue, and social interaction.

Group

Separated

Cofronted

Display

Glimpse Motion/Rest

Engaged

Passing

Individual

SUBGROUPING SPATIAL MANIFESTION EXPERIENTIAL MANIFESTION

Networking Field - The Metropolis is a constructed field, constituted of a myriad of layers, constructions, and experiences. Stan Allen described the field as a collective, “moving from the one to the many...from objects to fields.” New York City is a field that operates synergistically and serendipitously. Superimposed layers create unforseen opportunities and interactions. “Field conditions treat constraints as opportunity” (Stan Allen). A body within this network is a vehicle of experience that itsels is another layer within the system. It is the experience and the experienced. The interactions between bodies within this network brings the city to life and sustainst it.

TOWERS IN THE PARKPorous edge allows for movementGreen spaces, connection to natureMono-Programmatic, limits experienceBuildings disconnect from the city.

Urban Typologies

URBAN BLOCKSolid edge, maintains city scale/gridPoly-programmatic, mixing of peopleNon-porous block, no internal connectionLack of green space, removal of nature

INTEGRATED PROPOSALTowers stacked on porous slab, containing mixed programming. Porous block allows for connections to city as well as variety of internal experiences, while maintaing street edge. Central void allows for green spaces and visual connection to the highline.

+ =CONSTRUCTING COMMUNITY hIGhLINE hOUSINGNew York City, NYDesign VII, Fall 2011Design Partner: Paola BieriCritic: Bradley Walters

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Highline Interaction

Corner of 10th Ave.& 28th St.

Site Expansion Slab and Tower Partii

SECTIONAL INVESTIGATIONS

Ground Plan

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1. Sloped Garden2. Dance Studio Entrance3. Dance Studio Offices4. Shopping5. Art Museum6.Restaurant

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The form of the project is four residential towers floating over a porous, stratified block allowing the city to penetrate and influence the block. The local art community, the residents, and the city converge on the block all occupying public spaces. There are also several semi-private spaces for the residents suspended throughout. Suspending spaces and experiences through the project creates new possibilities for those experiences to change from something mundane to something novel.

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VERTICAL COMMUNITY

Typical ResidentialAll units enclosured

Skin

SkylineEngagement

Street Engagement

GroundManipulation

Shift units outside of enclosure, engages cityCreates exterior space for each unit

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Insert central community spaceSkin creates Private vs. Public inhabitation

Dance Studio looking onto plaza

Art Museum

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A new research laboratory and visitor’s center is proposed to reha-bilitate an under-utilized research outpost and abandoned lighthouse. Located on Seahorse Key in the Gulf of Mexico, the powerful experi-ence of arriving by boat, ascending the pathway to the lighthouse, ascending the stairs, and then being rewarded with a panoramic view of the coast was a driving factor in the composition of the new pro-gram. Volumes use orientation to emphasize view and understanding of sequence of arrival. A new axis intersects the existing axis, which is anchored by the dock and existing lighthouse. Programmatic massing is arranged along the new axis creating a dynamism of interaction between existing and introduced vectors.

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CONSTRUCTED VANTAGES FLORIDA MARINE LABORATORYSeahorse Key, FLDesign V, Fall 2010Critic: Stephen Belton

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Phenomenal polarities of light and dark, earth and sky, water and air, ascent and descent give a richness and drawn out quality to the experience of moving onto and then through the island. One is able to be in the moment and observe the light, feel the breeze, and smell the ocean. These qualities suspended through the sequence of experience from the emerging island to the epiphany of understanding creates a sense of connectedness to nature. The anchored horizon seems to shift as one’s relation to the island changes. This reinforces the experience of changing views and experiences, the horizon shifts and emerges as the experience changes

Weather Tower

Laboratory

Dock

The program massing was organized around the opposition of the slope condition and the horizontal condition. Each volume was positioned to frame views throughout the site, as well as organizing program. The program is divided between inhabitants and visitors, the intersection of the volumes creates a visual and spacial connection between the laboratory and visitor’s center zones. The volumes also intersect along the new and existing axes. The shifting in plan creates a central entrance plaza, which brings another layer of division to the program, creating a public realm and private realm, placing the laboratory and visitor’s center on one side and sleeping quarters on the other.

Public Volume/ Visitor Area

Weather Tower

Private Volume/ Work Area

horizontal Circulation/ View to Mainland

Panoramic Vantage Point

Vertical Circulation/ ViewTo lighthouse

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Existing Lighthouse Administrative Housing

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Lower Level Main Level

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1. Laboratory2. Entrance Plaza3. Offices4. Lecture hall5. Storage6. Library7. Weather Tower Entrance

1. Exhibition hall2. Lab Viewing Portal3. Bathrooms4. Kitchen5. Dining hall6. Living Quarters

Section Model Scale: 3/8”= 1’-0”

The tectonics of the intervention reinforce the concept of vantages and views of the landscape as well the opposing axes of exisitng and introduced program. Vertical, solid walls bracket the edges of the program volumes as well as define the introduced axis. The lack of openings within the large concrete spans bring attention to the framed views at the ends and intersections of the bounding walls. Skylights bring in light and create a sense of direction and orientation throughout the spaces. The horizontal volume cantilevers over the landscap forming a strong gesture back toward the mainland. The west facade is covered by a layered screen to mitigate afternoon sunlight.

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ANALYTICAL PERSPECTIVES DOCUMENTING EUROPE

Vicenza Study Abroad Spring 2012Design V, Fall 2010

Scarpa Details - Venice Vicenza Basillica

Villa Rotunda

Textural Materiality

Reflected City - Trajan’s Market Residual Rome - Trajan’s Market

Spatial Progressions

Threshold - Bellinzona Castle

Narrow Network - holocaust Memorial Urban Plinthe - New National Gallery

Urban Crevice - Pantheon Deserted Pathway - Chain Bridge, Budapest

Field Conditions

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PHILIP MICHAEL PANZARELLA5 NW 28th St. Gainesville, FL 32607 philip.panzarella88@gmail.com727.439.3992

Education BAChELOR’S OF DESIGN - CUM LAUDE University of Florida Gainesville, FL May 2012

ASSOCIATE OF ARTS Santa Fe College Gainesville, FL

May 2009 DIPLOMA Clearwater Central Catholic High School Clearwater, FL

April 2007

Experience VOLUNTEER Habitat for Humanity: Alachua County Nov 2012-Present

PRODUCTION/SALES ASSISTANT Magnum Wood: Gainesville, FL Aug 2012-Present

PROJECT INTERN Hill International: New York City, NY June 2011-Aug 2011

BARISTA Starbucks Coffee: Clearwater, FL May 2009-Aug 2009

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Pedagogy TEAChER ASSISTANT Architectural Design I: University of Florida Professor Alfonso Perez Summer 2010

Academic Achievements UF Architecture, Vicenza Study Abroad Scholarship recipient UF Architecture Sanford/Goin Scholarship recipient University of Florida Dean’s List Member of Golden Key International Honor Society Santa Fe College Dean’s List

Skills/Software PROFICIENT Adobe-Photoshop, Illustrator, InDesign AutoCAD Rhinoceros FormZ V-Ray SketchUp Microsoft Office FAMILIAR Revit Ecotect Analysis Grasshopper

THANK YOU to my Family, Friends, and Professors for all your help and guidance. I would not be where I am without you.