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Plymouth Author(s): Brian Young Source: The Iowa Review, Vol. 26, No. 3 (Fall, 1996), p. 66 Published by: University of Iowa Stable URL: http://www.jstor.org/stable/20154338 . Accessed: 12/06/2014 21:55 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review. http://www.jstor.org This content downloaded from 195.78.108.81 on Thu, 12 Jun 2014 21:55:45 PM All use subject to JSTOR Terms and Conditions

Plymouth

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Page 1: Plymouth

PlymouthAuthor(s): Brian YoungSource: The Iowa Review, Vol. 26, No. 3 (Fall, 1996), p. 66Published by: University of IowaStable URL: http://www.jstor.org/stable/20154338 .

Accessed: 12/06/2014 21:55

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

.

University of Iowa is collaborating with JSTOR to digitize, preserve and extend access to The Iowa Review.

http://www.jstor.org

This content downloaded from 195.78.108.81 on Thu, 12 Jun 2014 21:55:45 PMAll use subject to JSTOR Terms and Conditions

Page 2: Plymouth

Brian Young

Plymouth

These trees are the wild and twisted red shades

of our lost daughters, limitless is the motion

above the graves, as the sky recoils for winter,

and the fluctuating afternoons beyond the unceasing

and perfect water, the remnant of sky where the crow chokes,

the fingering blackout that waits in the east,

and we aren't really here in these names

we've broken open, as the sky chews on your shining cherry, and the god which is said to inhabit the hideous dream

of architecture, and the control box which is killing me,

it kills me when you breathe with me.

66

This content downloaded from 195.78.108.81 on Thu, 12 Jun 2014 21:55:45 PMAll use subject to JSTOR Terms and Conditions