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1

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£omus triumphaag:

- , , 9: THE :- -

English Stage; .- Expos'd in a

CATALOGUI E*- - - OF ALL THE

£ * W Opera's,

... ." #.: ". l Poloral,

Tragedies, Interludes, &c.

Both Ancient and Modern, that were ever yet Printed in Eng

li/h. The Names of their Known and Supposed Authors.

Their several Volumes and Editions: With an Account of

the various Originals, as well Englift, French, and Italian, as

- Greek and Latine; from whence most of them have Stole

- their Plots. . . * -

By 6 ERARD LANG B MINE Esq;

Indice non opus off no/tris, nec vindice Libris:

Stat contradicity; tibi tua Pagina, Fures. Mart.

L O N DO N: Printed for Nicholas Cox, and are to be Sold by him in

Oxford. MDCLXXXVIII.-

-

* *

The PrefaceFit be true, what Aristotle (a) that great Philo/opher, and (a) Poet.

Father of Criticipm, has own'd, that the Stage might in “”

ftruct Mankind better than Philofophy it felf. If Homer

2was thought by Horace (b) to exceed Crantor and Chry

ftippus, in the Precepts of Morality; and if Sophocles and

Euripides, obtained the title of Wife, for their Dramatich Writing,

certainly it can be no difcredit for any man to own him/elf a lover of

that fort of Poetry, which has been filed, The School of Wertue

and good Manners? I know there have been many fevere Cato's

2who have endeavoured all they could, to decry the ufe of the Stage;

but thofe who pleafe to conful; the Writings of the Learned Dr.Ga

ger, Albericus Gentiles, Sir Philip Sidney, Sir Richard Baker,

Heywood, the Poet and Aëtor both in one; not to mention feveral of

thers, as the famong Scaliger, Monfigur Hedelin, Rapin, &c. will

find their Objections fully an/vered, and the Diverfion of the Theatre

fufficiently vindicated. I /hall therefore without any Apology, pub

lickly own, that my inclination to this kind of Poetry in particular,

has lead me not onely to the view of moff of our Modern Represen

tations on the Stage, but alo to the purchafe of all the Plays I could

meet with, in the English Tongue; and indeed I have been Maffer

of above Nine Hundred and Fourscore Englijh Plays and Masques,

befides Drolls and Interludes; and having read most of them, I

think am able to give fome tolerable account of the greateff part of

our Dramatick Writers, and their Productions.

The general Ufe of Catalogues, and the effeem they are in at pre

fent, is fo well known, that it were to waite Paper to expatiate on

if : I./hall therefore omely acquaint my Reader, that I defgned this

Catalogue for their# 2who may have the fame religh# Dram

ma with my felf; and may poffibly be defirous, either to make a

Collećtion, or at leaf have the curiofity to know in general, ":A 2

54GSG#.

(b) Erift.

2. ad Lol

lium.

- -

The Preface.

has been Publish't in our Language, as likewife to receive fome Re

marks on the Writings of particular Men. -

* The Reasons that induc’d me to the publishing this Catalogue,

2pere thefe : Firft, That the1: Catalogues were out of Print.

Secondly, That they were all of them full of groß Errours. Third

ly, That they were not, as I thought, Jo Methodical as this which I

have now made; wherein the Reader will #nd the Imperfections I

obferved in the former Cataloguss,amendedja!the Plays which have

been Printed fince 1680, to this prefent time, added; with feveral

Remarks, which whether or no obferved, I cannot tell, but never pub

liffhed by any Author till now. ... . .

To begin then first with the Errours of former Catalogues, they

are chiefly Five: * * ...' -

First, There were Plays inferted in all of them, which were never

in Print;, as for Brevity's fake, to give one infance for many, The

Amorous Widow, and Wanton Wife, a Comedy. This is a

Stock-Play, and was written (if not Tram/lated from Mollieres

George Dandin) by Mr. Batterton.

Secondly, Some Plays were omitted, which had been Printed ve.

ry long ago; as, Cola's Fury, and Lirenda's Misery. Written by

Henry Burkhead. The Religious Rebel; and/everal others.

Thirdly, Two Titles which belong'd to one and the fame Play,

were frequently printed, as if they had been two distinct Plays; as

The Constant Maid, or Love will find out the Way. Written

by Shirly. Ferex and Porex, or the Tragedy of Gorboduc.

Written by Sacvile and Norton; with many others. *

Fourthly, Thefame Title was often time; printed twice, and that

feperately, is if writ by two feveral perfons; and fometimes a£rib'd

to different Authors likewife; when it was onely a new Edition of

the fame Play; as for Example, Patient Griffel was again re

seated under the Title of Patient Griffel Old. And Appius and

W#. , written by Webster, is afterwards afcrib'd to T.B.

though as the deceafed Comedian Mr. Carthwright, a Book/eller by

Profeffion, told me,£ the old Play Reprinted, and Corrected

by the above-mentioned Mr. Batterton; with feveral others.

Fifthly, Some Plays are a/cribed to one Author which were writ

by another; as Celum Britanicum, a Ma/que , is to Sir William

Davenant, though it was written by Carew and Jones. Which

fault is rather to#imputed to the Publishers of Sir William Dave

nant's Workes, 1673, in Folio, than to the Compilers of the former

w -. - Cata

-The Preface,

Catalogue; who are more excufable than Mr. Phillips in his Ca

talogue of Poets, called, Theatrum Poetarum;’ and his Tran

(criber Winstanley, who has follow'd him at a venture in his Cha

raēters of the Drammatick Writers, even to a word, in his Lives of

the English Poets. Both thefe Authors through a miffake of the

Method of former Catalogues, and their Ignorance in what Pieceseach

Drammatick Author had published, have fallen into very great Er.

rours, as I am going to Jhew.

The first Catalogue that was printed of any worth, was that Col.

letted by Kirkman, a London Book/eller, whofe chief dealing was

in Plays; which was published 1671, at the end of Nicomede, a

Tragi-comedy, Tran|lated #om the French of Mönfieu Corneille.

This Catalogue was printed Alphabetically, as to the Names of the

Plays, but promiscuously as to thofe of the Authors, (Shakspeare,

Fletcher, Johnson, and fome others of the moff voluminous Authors

excepted) each Authors Name being placed over againft each Play

that he writ, and fill repeated with every feveral Play, till a new

Author came on. About Nine rears after, the Publiher of this Ca

talogue, Reprinted Kirkman's with emendations, but in the fame

Form. Notwith tanding the Anonimous Plays, one would think

eafly diffinguishable by the want of an Author: Name before them; .

yet have both thefe charitable kindGentlemenfound Fathers for them, .

by ranking each under the Authors Name that preceded them in the

#: Catalogues. Thus Charles the Firt & placed by them both

to Nabbs; becau/e in both the former Catal gues it followed his Co

vent-Garden: and for the fame reafon Cupid's Whirligig is afori

bed by both of them to Goff; becaufe it follow'd his Careless Shep-.

heardes; and/o of many others, too tedious to repeat. . .

To prevent the like miffake for the future, and to make the Cata-.

logue more u/ful, I wholly altered the form : And yet that I might

pleafe thofe who delight in old Paths, I have Tran/cribed the fame as

a Second Part, after the former way of Alphabet, though more Methodically than formerly, as I/hall flew prefently. f ..

In this New Catalogue the Reader will find the whole to be di

vided into Three diffin: Claffes. In the firff I have placed the

Declared Authours, Alphabetically, according to their Sirnames, in .

Italick Characters: and placed the Plays each Authour has written,

underneath in Roman Letters, which are rank'd Alphabetically like

2wife; fo that the Reader may at one glance view each Authours La

hours. Over again/f each Play, is plac'd as formerly a Letter to in

dicate .

-

w

- The Preface. -

dicate the nature of the Dramma: as C. for Comedy: 7; for Tra

gedy. T.C. for Tragi-comedy. P. for Pattoral. O. for Opera:

I for Interlude. F for Farce. , - .

And for the better ufe of thofe who may de/gm a Colle#ion, I have :

added to the Letter the Volume allo, (according to the best Edition

as Fol. 4°. 8°. against each Play that I have feen. And for their

further help; where a Play is not printed fingle, the Reader will

he£by a Letter or Figure to the bottom of the Colume, 2where

he will meet with Infructions how it is to be found; I mean, with

what Poems or other Plays it is printed, the rear when, the Place

where, and the best Edition oftach Book / mentioned.

This may feem# at first fight, but may poffibly be no

longer thought fo, when I/hall have acquainted my Reader, that

2when I was making my Colle&tion, I found feveral Plays and

Masks, bound up with other Poems, which by the name were farce

known to the generality of Book/ellers: as for infance, Sir Robert

Howard’s# Lady; Daniel's Philotas; Carew's Coelum

Britanicum; Shirley's Triumph of Beauty ; , with infinite o

thers. But two Plays I might particularly mention, both taken no

tice of in former Catalogue, to wit,£ and Hegio, a Paffe.

ral; and Deorum Dona, a Ma/que; both which were written

by Baron, and were wholly unknown to all the Book/ellers of whom

I happened to enquire, and which I could never have found but by

chance; they being printed in a Romance called, The Cyprian

Academy, in 8°. The fame I might add of TheČ' ( a

Play which was never in any Catalogue before, and was tranjlated

from Ariftophanes's Nubes by Stanley, and printed with his

History of Philosophy, Fol. Lond, 1655. and now newly re

printed; and of feveral others) but that I muff haffen back to

give an Account of the two other Divifions of my Catalogue. The

one of which contains thofe Plays whofe Authors difcover them/elves

but by halves, and that to their intimate Friends, by two Letters

only in the Title-Page, or the bottom of their Epistle; and in the

lafi Degree are plac'd all Anonemous Plays; and this compleats theFirst Part.

The Second Part contains the Catalogue Reprinted in an exači

Alphabetical wanner, according to the forms of Dictionaries, the

Authors Names being here left out as fuperfluons; and again/f each

Play is a Figure to direfit fou to the Page where you may find it in

the Firff Pari. -

Thus

The Preface.

* This much as to the Method and Alterations of the Catalogue :

Now a tothekemarks, which are of three forts; the first of ule, and

the other two conducing to Pleafare at leaf, if not to Profit likewife. "

... The First is toprevent my Reader being impos' on by crafiy Book

fellers, whof cuffom it is a frequently to vent old Plays with new

Titles, as it has been the ufe of the Theatres to dupe the Town, by ači

# Plays under new Names, as if newly writ, and mever affed

before; as, The Counterfeit Bridegroom, an old Play of Middle- . . . .

ton'; The Debauchee, another of Brome's; The Match in

Newgate, another of Marfton's; with many more, too tedious to

repeat. By thefe Remarks the Reader will find The Fond Lady,

to be only the Amorous Old Woman, with a new Title, The Eu

nuch, to be The Fatal Contract, a Play printed above thirty years.

ago; with many the like. ". . . . . . . . . . . . . . .

The Second is an Effay towards a more large Account of the Ba

fis on which each Play is built, whether it be founded on any Story

Paff: iii., in History. Chronicle, Romance, "Nové à

this means the curious Reader may be able to form a judgment of

the Poets ability in working up a£, by comparing his Play

with the# Story. I have not been fålarge 4nd full in this

as I intend hereafter, not having by me feveral Chronicles and

Novels, which might have been fabfervient to my Defgn, as the

Chronicles of particular Countries, and the Novels of Cynthio

Geraldi, Loredano, Bandello, Sanforino Belleforreste, &c.

For this reafon, in #. Note: on everal Plays which I have taken

iotice of, I have been forc'd to refer to the Chronicles of a Country in

Meneral, not have had time or opportunity to make an exact fearch

what Hitorian the Author has chiefly follow'd, or what Author has

noff largely treated on that particular Aëtion which is the fabjeć of

be Dramma. So in Novel; I have been fored through Necifty to

'uote fame which have been printed fince the Plays were written to

which they are referred : becaufe I knew that ibey were extraćted:

nd collected fom the Originals, whence the Plot was taken, though

had them not by me : of which I could produce many infances, .

were it material. * . . . . . . . . .

I would deffre my Readers leave to make this Obfervation by the

V, that a Drammatick Poet is not ty'd up to the Rules of Chrono

*gy, or History, but is at liberty to new model á Story at his plea

re, and to change not only the Circumffances of a true Story, but s

en the# ... Of this opinion are moff of our mo

derm.

The Preface.

aern Criticks ; and Scaliger objørves, not only that 'til thepriviledge

#. of Epick Poets, but allo of Tragedians. Quis nescit omnibus

*picis Poetis Historiam effe pro argument ? quamiili air ad."

umbratam, aut illustratam certe alia facie quam offendunt ex

- Historia conficiunt, Poerua. Nam quidalius Homerus? Quid

Tragicisipfis faciemus, Sic multa Lugano ficta, Patria: Imago

qua fee offerat Cafari: excitam ab Interis animam, atq; alia

.#£,#: 7": #.Lucan, makes me call to mind what Sir

£: " William Davenant foys on account of the fame Author, whom he

blames for making choice of an Argument / near his own time, that

fuch an Enterprize rather be/eem'd an Hitorian, than a Poet. For

(Jays he)wife Poetsthink it more worthy to seek out truth in the

Paffions, than to record the truth of Actions; and practise to

describe mankind just as we are perfwaded or guided by in

stinct, not particular perfons, as they are lifted, or levelled by

the force of Fate, it being nobler to contemplate the general

History of Nature, than a selected Diary of Fortune. So that

we fee the buffnes of a Poet is to refine upon Hiffary; and Reforma

tion of Manners is / much his buffneff, that he is not to reprefent

thing on the Stage, as he finds them recorded in Hiffery, but as they

# to have been: and therefore we are not to make History J3

smuch the Standard and Rule of our judgment, as Decency and

JProbability. For indeed, provided the Author/hew judgment in

the heightning and working up of his Story, it matters not whether the

Play be founded on History, or Romance, or whether the Story be

this own,#.£, *** . -

The left fort of Remarks, relate to Thefts : for having read moff.

of our# Plays, as well ancient as thofe of latter##that our modern Writers hadmade Incuréons into the deceas'd Authors

Labours, and robb'd them of their Fame. I am not a fifficient Ca

{uff to determine whether that fevere Sentance of Synesius be true,

Magis impium Mortlibrum Lucubrationes quam vetes furari;

That 'tis a worfe fin to #eal dead mens Writings, than their Clothes:

but I know that I cannot do a better fervice to their memory, than by

taking notice of the Plagiaries, who have been fo free to borrow, and

to endeavour to vindicate the Fame of thee ancient Author:from :

whom they took their Spoiles. For this reafon I have objerva what

Theft, I have met with throughout the Catalogue, and have endea

vour'd a refitution to their right Owners, and a prevention of the

Readers being impos'd on by the Plagiary, as the Patrons ofaw:- ... O

riviledge

nibus E-,

i aut ad.

ldunt ex

s? Quid

a: Imago

atq: alia

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et. For

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So that

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repre!ent

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History/

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hather the

# Stajk

read moff

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s furari;

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*

*

The Preface.

of our Plays have been by our Modern Poets. But none certainly

as attempted it with greater confidence, than he that files him/elf

the Author of The Gountry Innocence, or The Chambermaid

turn'd Quaker: a Play which was affed and printed in the year

1677 but fir/f publih'd many years before by its genuine Author

t. Brewer.

It is not to those of our own Nation only, but to Forreigners allo,

that I have endeavour'd to do juffice. For that reafon I have re

mark'd (as far as my knowledge would permit me) what has bees

tran/lated or/$ollen from Taffo, Guarini, Bonarelli, Garnier, Scar

ron, both the Corneilles, Molliere, Rucine, Quinault, and others

both French and Italians. Neither have I omitted, tomy power, to

do right likewife to the ancient Greek and Latin Poets, that have

2written in this way, as Sophocles, Euripides, AEschylus, Arifto

phanes, Seneca, Plautus, Terence, cre. Imit acknowledge, with

regret, that thefe are not fo well known to me as I could wifth; but

yet as far as my power, I have endeavour'd to do right to their Me

mories. But I dare effire my Reader, that for the future it /hall be

more my buffneff to obtain a more intimate acquaintance with all

2worthy Strangers, as well as with my own: fo that if this

6Trifle hould have the fortune to appear abroad a jecond time, it hall

be more compleat and correà, than the hortner of the time, and my . .

finall acquaintance with Authors at# ent allow; the Catalogue be-,

ing in the Preß, and the firff (heet of it fet, before I thought of adding

thefe Remarks. ".

But before I quit this Paper, I defire my Readers leave to take a

View of Plagiaries in general, and that we may obferve the diffe

rent proceedings between the Ancients and our Modern Writers.

This Art has reign'd in all Ages, and is as ancient almoff as Learn

ing it felf. If we take it in its general Acceptation, and according

to the extent of the word,we fall find the moff Eminent Poets (not to

move excentrically and out four prefent Sphere)are liable to the charge

and imputation of Plagiary. Homer him/elf is not fee from it, f

ave willgive credit to Suidas, AElian, and others : and that the in

vention of the Iliad is not wholly due to him, feems to be confirm'd by

the Teffimony of Ariftotle, who mentions a fmall Iliad, which was Poet. c.23.

2"ritten before his was produced. But whether there be any ground,

for this Opinion,or nocertain it is that the moff eminent Poets amongft

the Romans, I mean Virgil and Ovid, made affe of the Grecian

44agazines, to /apply their*::" To prove this, let as firft

*- 3. confider

The Preface.

Poet 13, confider Virgil, Áil'd the King of Poets by Scaliger, and in the fi

cap. 15, nion of Propertius exceeding Homer him/elf, a appears, hy.#

- lowing Lines / well known amongji all learned men.

Cedite RomaniScriptores, cedita Graii, - -

Nescio, quid majus nascitur Eneade. ... . . .

ret, even this great man has borrow'd in all his Works; fromTheo.

critus, in his Eclogues; from Hesiod, and Aratus, in his Geor

gicks; and fiam Homer and Pisander, inha Eheads: kódes

2uhat he has borrow'd fam. Parthenius Nicaus, hā, Tutan is the

Greek Tongue, and from Q.Ennius, an ancitat Latin Foet'; as:

Saturnalia, you may read more at large in Macrobius. If we consider Qvid,

l. 3. c. 11, the Flower of the Roman Wit, we /hall find him, imitating at leaff,

1 * c 1 if not borrowing from, the forementioned Parthanius: his Metamor.

vol.2. o-phosis, that Divine Poem", (at Ant, Murett's files it in his Qrati,

rat. 3 ons), being built upon that Poem writ in the Greek Tongue, which

bore the Jame. Name, and handled the fame,Sahječ, as we are told:

by Plutarch and Ruftathius. And if to the£ve add that worthy"

Garthaginian Terence, who by the kindus/ of the generous Lucan,

2max at once made a free man and Gitizen of Rome, and whom on.

the account of his Camedies written in the Latin Tongae, we may

number among the Roman Writers: we /hall find him likesvi/e bes

£,for his Produāions, to that eminant Athenian Rott Menans,

CT. - -

Butlet a now ok/erve how these Eminent Man manage what the

borrow'd; and then compare them with theft of our times. First,

They propos'd to then/elves the£4mthors whá's Works they horrowd.

from, for their Modek Secondly, They were cautious£ only

2yhat they found beautiful in them, and reječied the riff. . This *.

prov’d by Virgil's An/wer.£ Ennius his Works, when he

2was akd by one who /aw him reading, what he was ahaut, reply'd,

Aurum fe ex Enii.ftercore colligere. Thirdly, They plainly,

config'd what they borrow'd, and mod:#ly aftrik's he credit of itse:

the Author whence 'twas originally taken. Thus Terence owns his

* - Tranflations in his Prologue to Eunuchus. -

Qui benevertendo, &easdiscribesda.mala

Ex Gracisbonis, Latinasficianonbanas.

This

The Preface.

7%is behaviour Pliny commends in theft words : Eft enim beni-Epiff. ad

gnum& plenum ingenium Pudoris fateri perquos profeceris: and£V

jer having blam'd the Plagiaries of his time, he commend, Gicero"

# making mention of Plato, Grantor, and Panatius, whom he

made affe of in his Works: and let it be observ’d by our Modern

Poets, that rhough our modeff Carthaginian own'd his Tran/lations,

was he not the lef effeem'd by the Romans, or his Poems leff wa-.

tu'd for it. Nay, even in this Age he is univerfally commended by

learned men, and the judicious Rapin gives him & Charaffer, which

A doubt few of our Age will deferve. Terence a ecrit d'une Mari Refleft.

ere, & finaturelle, & fi judicieuse, que de Cople qu'ilefloitil 26, Part*

eft devenuoriginal: car jamais Auteur n'aeti ungouft plus par

de 4a Nature. Lafly, Whatfoever thefe ancient Poets (particularly

'' copyed from any Author, they took care not only to alter it

for their purpok; but to add to the beauty of it; and afterwards to

infert it Johandformly into their Poems, (the body and Oeconomy of

which was generally their own) that what they borrow'd, feem'd ,

of the fame Contexture with what was originally theirs. So what

it might be truly £d of them; Apparet unde fūraptum fit, allud -

tamen quâna andefit, apparet. -

... if£ on the#: the proceedings %our late

English Writers, we hall find them diametrically oppofile in althings.

Shakspear *johnson indeed imitated thefe#.Meh#

tired; the one having borrow'd the Comedy of Errours from the

Menechmi of Plautus; the other has made ufe not only of him, but

of Horace, Ovid, Juvenal, Saluft, and feveral others, according

to his occaffons: for which he is commended by Mr. Dryden, as Epiff."

having thereby beautified our Language: and Mr. Rymer, Modka2whofe#: of him is this ; I cannot (Jays he) be displeas'd firologer.

with homeft Ben, when he chufés rather to borrow a Melon Tragedies

of his Neighbour, than to treat us with a Pumpion of his own of the last

growth. But for the moff part we are treated for otherwife; not *****

with found Roman Wit, as in Ben's time, but with empty French

Kick/haws, which yet our Poetical Hoff, ferve up to as for Re

gales of their own Cookery; and yet they themjelves undervalue

that very Nation to whom they are oblig'd for the beft hare f thri

Treat. Thus our Laureat him/elf rams down the Frênch Wii in his .

Marriage a la Mode, and #eals from Molière in his Mock A

4trologer; and which makes it, more objervable, at the fame time

he dots &, pretends in his Epistle to juffie him if fom the impa* - [a 2.] tation

The Preface.

tation of Theft : Not unlike the Cunning of a Jugler (to app:Ep, to the his own Simile to him) [Epiffle to the Spanish Fryer] who is al

Spanish ways staring us in the Face, and overwhelming us with Gib

* berish, only that he may gain the opportunity of making thecleanlier': of his Trick. I will wave the Epiffle to

this Play, which feems to be the Picture of Bays in little, yet I can

not omit one Ob/ervation more, which is, that our Laureat /hould

borrow from Old Flecknoe, whom he fo much defife: and yet

whoever pleafe, to read Flecknoe's Damoyfelles a la Mode, will

, , find that they have furni/ht Mr. Dryden with thofe refind Expref:

* . . . . fims which his Retrenching Lady Donna Aurelea makes use #.44fthe Counsellor of the Graces, and that furious indigence of Ri

bons. But poffibly he will own that he borrow'd them as Father

Flecknoe did, from Mollieres Les Precieuses Ridicules: howe

ver, I hope he will allow that thefe Expreffions better fait with the

Spiritual Temper of thofe French Dam/els, than with the known

Gravity of the Spanish Ladies. I hope Mr. Dryden will pardon

me this Di/covery, it being abfolutely neceffary to my defgn of Refto

-ring what I could to the true Authors: and this Maxim I learnt

kind Ree-from his own Father Aldo. Every one muft have their Own.per. Fiat Justitia, autruat Mundus. In pursuance to which, I own

that Mr. Dryden has many Excellencies which far out-weigh his

Faults; he is an excellent Critick, and a good Poet, his Stile is

(mooth and fluent, and he has written well, both in Ver/e and Profe.

I own that I admire him, as much as any man;. -

180t. —Neque ego illidetrahere aufim,

10. : Haerentem Capiti multâ cum Laude Coronam.

But at the fame time I cannot but blame him for taxing others with

/tealing Characters from him, (as he does Settle in his Notes on Mo

rocco) when he him/elf does the fame, almoff in all the Plays be

writes; and for arraigning his Predeceffours for £ealing from the

Ancients, as he does Johnson; which tis evident that he him/elf is

guilty of the fame. I would therefore defire our Laureat, that he

2would follow that good Advice which the modeff Hiffor, Profeffor

A4r. Wheare gives to the young Academick in his Antelogium, to

-

fhun this,Confidenceand Self love,as the worft of Plagues; and

Mr.Bhus's to confider that Modesty is it which becomes every Age, and

* leads all that follow her in the streight, and right Fath%£

- - ory;- -

t

The Preface.

Glory; without it we are hurld down Precepices, and instead

of acquiring Honour, become the scorn of Men, and inflead

of a good Fame, we return loaden with Ignominy and Con

tempt., ‘. . . . . . .

I have not time to examine the Thefts of other Plagiaries in parti

cular, both from the French and our own Language, and therefore

Jhall omely defire them to confider this Sentence of Pliny: Obnoxii Et adry.

profecto animi, & infelicisingenii eff, deprehendere infurto

malle, quam mutuum reddere cum presertim fors flat exuffi. -

K2. - ----" -

Althó Icondemn Plagiaries, yet I would not be thought to reckon

as fuch either Translators, or thofe who own what they borrow from

other Authors: for as 'tis commendable in any man to advantage the

Publick; fo it is manifeff, that thofe' have done fo, who

have contributed to the Knowledge of the Unlearned, by their excel.

lent Versions: Yet at the fame time I cannot but effeem them as

the worst of Plagiaries, who/teal from the Writings#.thofe of our own

Nation. Becau/e he that borrows from the worff Forreign Author,

may poffibly import, even among# a great deal of trafh, fomewhat

of value: whereas the former makes us pay extortion for that which

awas our own before. - . . . . .

For this reafon I muff diffinguih one of our bef Comick Writers,

from the common Herd of Translators; fince though proportionate M. shad.

to his Writings, none of our modern Poets have borrow'd lef; yet well.

has he dealt ingenuouffy with the World, and if I miffake hot, has

publickly own d, either in his Prefaces, or Prologues, all that be

has borrow'd ; 2which I the rather take notice of, becau/e it is folit

tle praffi/ed in this Age. Ta true indeed, what is borrow'd from

Shakspeare or Fletcher, is usually own'd by our Poets, becauß every.

one would be able to convić them of Theft, Jhould they endeavour to .

conceal it. But in what has been tolen from Authors not fo gene.

rally known, as Murfton, Middleton, Maffenger, &c. we find.

our Poets playing the parts of Bathyllus to Virgil, and robbing them

of that Fame, which is as juffly their due, as the Reward the Em.

parour Augustus had promijed to the Author of that known Diftich.

affixed on the Court Gate, was to Virgil. . . . . . . . . . . . .

Neither can this Imputation be#at the doors of fach who are

onely Initators of the Works of others, among# which, are admired

Sir Charles Sidley, and the inimitable MWytcherley: Thelaff of

which, if Imitake not, has Copied Mollieresle£i.**

Reflect:26, thrope be accounted by Rapin,

part. 2.

The Preface.

#ctra's firlin Delers mascimene, is the fOlivia; but fo well, that# the Gharačer 6f the Misan

Te Caractere le plus achevee;

The compleateff Character, and the moff fingular that ever appeared

.on the Stage : yet certainly our Poet has equaled, if not exceeded his

.*, *... Coty. , Imitation which Longinus commends in Steichorus, Ar-£ and Herodotus, all of them being imitators of Homer;

se: Ulargr but*particularly he Jay: of Plato: riart: 9 raw axis: 5 TIAtlaw",

II

** * * *usew: *** **ate air afty Avela: 52a weekseywa, *A*rew

\

away®. Sedomnium hujus Poeta ftudiofiffimus imitator fuit

Plato, abilis Homericis Laticibus ad fé feductos vivos quam

plurimos transferens. . . -

| But to put an end to the Observations, which may prove alike

troublesome to the Reader, as well as to the Poets: I must fay this

for our Country-men, That notwithftanding our Modern Authors

have borrow'd much from the French, and other Nations, yet have

we/everal Pieces, if I may/# of our own Manefacture, which

equal at leafi, any of our Neighbour: productions. This is a ruthf.

generally known, that I need not bring infances to prove, that in

the humour of our Comedies, and in the characters of our Trage.

clies, we do not yeild to any other Nation. Tatrae he unities of

, Time, Place, and Action, which are generally allowed to be the

Beauties of a Play, and which the French are fo careful to obferve,

add all lifture to their Plays; nevertheleff, feveral of bar Poets have

given proof, that did our Nation more regard them, they could pra.

Żice them with equal/ucceff: But as a correct Play is not fo much

under food, or at leafi regarded by the generality of Spettators; and

that few of our Poets now-a-days# much for Honour as Pro

fit: they are therefore content to pleafe at an eafter rate. But would

Jome great Man appear here in the defence of Poetry, and for the

Mupport of good Poets, as the great Cardinal Richlieu, that Noble

Patron of Arts and Sciences, did in France; I doubt not but we

£hould find feveral Authors, who would quickly evince, that neither

the# of Aristotle, or the traffice frhoff admirable Ruleslaid down by that Father of Criticism, and his beff Commentator,

Horace; with the rest of the emigent Men, that have written on

the Art of the Stage, are unknown to them. . . " ' ".But in the mean time, would our Nobility and Gentry, who de

light in Plays, but allow them/elves (6 much time as to read over

what is extant on this Subječ in English, as Ben. Johnson's Dif

coveries ;

The Preface.

coveries; Roscommon's Tranflation of Horace's Art of Poetry; Ra.

pin's Rifleãions on Aristotle's Treatie of Poetry; Longinus of the

lofting of Speech; Boyleau's Art of Poetry; Hedelin's Art of the

Stage; Euremont's Effays ; Rimer’s Tragedies of the last Age con

fidered; Dryden's Drammatick Effay; and feveral others; though

they under/food none but their native Language, and com/equently

could not read what Woffius, Heinfius, Scaliger, Plutarch, Athe

naeus, Titius Giraldus, Caffelwetro, Lope de Vega, Corneille,

Menardiere, and others which have written to#. purpofe in

feveral Languages; yet tho/**hich are to be met with in English,

are fufficientita£ excellency of the Festić

Art, and the Rules which Portrfallow, with the Rasjons of them's

They would then find their Plta'ra, excreaffawith their Knowledge; ,

zaould have thagreater/atisfaāion in fai£by how much they were capable (by the help of thefe Rules) to differs.

the Beauties of it; and the greater value für a good Poet, by how

much they were#. of the Pains and Study requite to bring/uck.

a Poem to perfection. This would advance the fame of good Poets,

and procure them. Patrons amongji the# and Gentry, and

through their Emulation to exceedeach other, Poetry might in 4

few fears be advanced to the fame. Perfestionshot it was informer.

5, at Rome and Athens, . . . -

. . . * * ' ' ' '... . . . . . . . . . . . . . . . . . . . . . .... t... . . . ., , , , i. . . . . . . . . . . .” " * *

" ", , , ,

• * * * -

- - -

- -- . . . . .

--

* - " - . 1 . . . ; - - - • ** ... "* * - - -

- --

- - i. s - .." - * . - - - - - - . - .-

*, - .

| ". . . . . .” " * . (1) : * ~ * ! -. - - - -

" .. ( ..) A G. * b- INE.'

- ' ' ' ' ).A -: , . . . . . . . . . . * - -, -,- - - -

- . . . -

-

-* .

- -

*

E R R AT A.

B'. reafon ofmy great diffance from the Pr', feveral confiderable Errata's art

.*.*.*t with throughout; but the neit material are theft which fellow:

Which theRadiris diffriat. Perdon and carna.

: - - - - In the Catalogue it self. --

Age 6. TheWits is left out, a Play of Sir W. Davenant, p. 10. Courageous

Turk, ®c. for 4° riad 8° p. 11. Play of Love, &c. delt 4°, for I atver

f* but the firii Play. p. 13. for Hymenesrtad Hymenzi. p. iófor Antiqua

*ary read Antiquary. p. 17. Heyre for 8°rtad 43. p. 25. fir Loyal£

rtad Revengers Tragedy. .*

- ** - - -

-

‘. . ,, . In the Notes.

P* 7. and / throughout, for in vitam read in vita, and invitas read in vitis.

p. 9. Nott (c)£ rtad Procopii. p. 10. N. (n) add the Lint of

**Page, viz. Plot from Guiciardine's Hiltop of Italy, p. ii. 4tle and from

Poetical History, ibid, to N. (*) in tead of what is Printid, read, Theft three

Plays art Tran|lated from Seneca, and Printed with the rtf, Lond. 1581. p. 13:

M. (b''' Book the Ninth, Satyr the first Part, read, Book the Firi, Satyr 9.

# (d) for du Bee, read du Bec. p. 18. M. (f) for Fourtetn, rtad

Thirtet", and for Thrte, read Fivt. p. 19. N.(1) belongs to Cambyses. p. 20.

M. (h) for Mons read Monsieur. p. 21. N. '' for Mane&rini, read Ma

nechmi. p. 22. M. (i) for 1581, read 1653. ibid. to Triumph of Beauty,

d (k) with this Nott, Printtä with his Poins, Lond. 1646. p. 25. N. (b)

or Pihlāh'd, read Reprinted. ibid. M. (d) for Mufre Erotoprguion, read

Mufti Erotopagnion." p. 24. N. '' for K. riad Prince. * 25. N. (n) to

Observationum, add Medicarum Volumen. . p. 27. N. ) for Poem, read

Play: ibid. N. (g) belongs to French Conjurer, and N. (h) to witty

Combat. p. 28. N. (h) belongs to Thornby-Abby: M.(i) to Marriage

Broker, and the lai List to Menechmus. p. 31. N. (r) htlongs to Rivals.

*

Catalogut of 33lays,W IT H

*

T H E IR

Known or Suppofed Au T H o Rs, &c.

Will. Alexander, Lord Strim.

(a) AlexandrianTragTr. Fol.

(b) Croesus - T. Fol.

(c) -(d) Darius —T. Fol.

- (e) Julius Caesar T. Fol.

Robert Armin.

Maids of Moorclack H.

- Barnaby Barner.

(f) Devil's Charter.-- T. 4°.

Samuel Brandon.

(g) Virtuous Octavia—T. C. 8°.

Henry Burkhead.

Colas Fury,or Lyrindas Misery.T.4°

(a) Plot from Justin's Hiš. Lib. 14.

(b) Plot from Herodotus, Lib. 1. Plutarch

in Solon's Life. •

(e) Thift of the Lord Sterline art all30and

with his Works (in Folio) called. Recreations with the Muses. Printed at

Ilondon, 1637. , -

d) Plot from Justin's Hill, Lib. 11:ej Plot #on Suetonius anddPlutarch.

f) plot #an Guiciardine's Hiji.of Italy.

g) Plot from Plutarch's Livts.:

. See me, and fee me not

Robert Baron. -

fgripus& Hegio p.s.

(h) iDeorum Dona --M.8°

(i) Mirza - T. 8°

Anthony Brewer. -

(k) Love-sick King-T.C. 4'

Nicholas Breton.

Old mans Leffon, and Young' I.4.”

mans Love 3. •4.

Dabridgecourt Belchier.

C.4°*

(h) The two of R. Baron are mintioned

in former Catalogues, but are part of 4

Romance writ by him, and called the Cy

prian Academy. Printtd at London,

1647.

i) plot from Herbert's Travels, Fol

k) From an old English chronicle, Fol.

B Francis

2 A Catalogue of Plays.

Francis Beaumont.

Wide Fletcher.

Richard Bernard.

Terences Comedies, viz.

Andraca.

Adelphi.

Evnuchus.

Heautontimorumenos.

Hecyra.

Phormio.

4°.

Lodow, Barrey.

Ram-Alley, or Merry Tricks. C.4°

Richard Brome.

Court Beggar

YCity Wit •

(a).<(Damoyfelle --C.X8°.

Mad couple well matcht.\.

C.

*-*

Novella C.

Covent Garden weeded. C.89

YEnglish Moor–G, 8°

(b)<Love-fick Court C. 89

New Exchange -C. 8°

Queen and Concubine C. 8°

Antipodes -C.4°

* Jovial Crew- --C, 4°

(c) Northern Lass C.4°

(a) Thiff £ve of Richard Brome, artPrinted in one Volunt, O&avo, London,

I635.

(b) Theft five of Brome, are Printed in

Queens Exchange--—G.4°

Sparagus Garden —C.4°

Alexander Brome.

Cunning Lover -C. 4'

Fulk, Lord Brook.

(d) Alaham. -—T. Fo.

(e) & Mustapha----T. Fo.

Abraham Baily.

Spightful Sister-–c.4°

Mrs. Frances Boothby.

(d) Theft two of the Lord Brook's are

Printed with his PoeticalWorks in Folio.

London, 1633.

e) Plot from the Turkish Chronicle.

f) This is a Play of Christopher Marlo's,

call'd Lufts Dominion, Printed in O&a.

vo, London, 1661. "

(g) Part of the City Heires, fom a Play

of Middleton's, cal"d, A Mad world

my Mafičs, Quarto; and part from a

nothir of Maílenger's, called, Thé Guar

|

Marcelia– -T. C.4° -

john Bancroft.

Sertorius -T.4”

Mrs. Aftrea Behn.

Amorous Prince -—T. C. 4.

(f) Abdellazar,or the Moors" T.4°

Revenge f • 4

(g) City Heiress C.4°

{

another Volume in Oãavo,London, 1659.

* Reprinted, Lond. 1686.

(c) Laitly Reprinted. dian, 0%iavo.

Dutch

{

o

(a) DutchLover •

(b) Emperour of the Moon—F.4°

Forc’d Marriage- T.C. 4°

False Count - -C.4°

Feign'd Courtezans—C.4°

Lucky Chance. C.4°

(c) Rover, two Parts —C.4°

(d) Roundheads---C. 4°

(e) Sir Patient£ T 5c. 4”

Town-Fopp, or Sir Ti- O

'' Tawdry #C.4 |

(g)Young King

->

T. C.4°

Capt. William Bedloe.

Excommunicated Prince.—T.G.Fo.

john Banks.

(*) Deffruction of Troy--T.4°

(b) Rival Kings—-T.4°

(i) unhappy Favourite-Effex-T.4°

(k) Mary,Open of Scotland-T.4°

a ) Plot from Don Fenise, O&avo.

b) Stollen from Harlequin, Emperur dansle Monde de la Lune.

(c) Taken from Tho. Killegrew's Don

Thomaso, or The Wanderer, Folio.

(d) A Play of John Tateham's, called,

The Rump, altered, Quarto. -

(e) Part of this Play#: from Richard

Brome's Damoyellt,0&a, and Le malade

Imaginalre.

(f) A great part of this Play borrowed

from a Play, called,. The Miseries of

forc'd Marriage, Written by George

Wilkins, Quarto. -

(g) Plot from Alcamenes and Menalippa,

in Cleopatra, Folio.

*)Plot from the old Story fo called.

i) Plat fron E, of Effex and Q.E.a Nov.

h) Plot#: Caffandra, Folio.

k) Plot from Caufin's Holy Court, Folio.

ACatalogue ofTlws. - 3

C 4°1(1)Virtue Betray’d-An-Bullen.T.4°

George Chapman.

All Fools C.4°

(*) Alphonsus, Emperor of*T 4”

Germany - j -.

Blind Beggar of Alexandria–C.4°

t) Buffy D' Amboys T.4°

( His£I: 4°

Byron’s Conspiracy-T.4°(m) y His Tragedy--T.4°

(n) Caesar and Pompey-T.4°

Gentleman lisher——C.4°

Humorous Days Mirth C.:

May Day—---—G.4°

Monsieur O’Olive --C. 4"

Masque of the Middle Temple.M.4°

Revenge for Honour T.4° .

Temple M.4°

Two Wife Men, and all they G.4°rest Fools • £ 9.4

(o) Widows Tears C.4°

(p) Eastward Hoc—C.4°

Robert Cox. -

(l) Actaeon and Diana- I, 4"

John Cook

Green's Tu Quoque —C. 4”

1) Plot Q. Eliz. Novel, fift Part 8°.

*) Plot from Chron. de Rebus Germanicis.

f) Plot from the French chron. Hen. 3.

m). Plot from the French Chronicles.

in) Plot from Lucan's Pharsalia, Suetoui

us, in the Life of Julius Caesar.

o) Plot from Petrónius Arbyter.

'" by Chapman, Johnson, andOrtion, -

(l) Plot from Ovid's Metamorph.

B 2 -- Edward

R

*

4 - A CatalagueofTlws.

Edward Cook:

(a) Loves Triumph—T.C. 4"

Thomas Carew, and

Inigo Jones.

(b) Coelum Britannicum— M.8°l.

Lady Eliz. Carew.

(c) Mariam --T.4°

Robert Chamberlain.

Swaggering Damoyselle

William Chamberlain.

Loves Victory -

( d) Lodowick Carlell.

C.4°

Arviragus and Philicia, }T.C. 12"

two Parts - “... --

Fool would be a Favourite—T.C.8°

Deferving Favourite—-T. C. 8°

(*) Ofmond.the Great Turk-T.8°

Paffionate Lovers,two Parts. T.C.8°

-

3) Plot from Caffandra, Fol.

b) Printed with Carew's Potms. Lon

don, 1670.

c) Plot from Josephus, Folio.

d) The# of Carlell's Plays, (viz.) in

t”0 Parts,Bound in one Volume,Twelves.

The three next Printed in another Volume,

96tavo, London, 1657. And the next

in Ottavo. Printtd 1659. -

(*) Plot from Knolls's Turkish Hitory, in

the Reign of Mahomet the Fift.

C. 4”

(e) Heraclius Emperour of R. r. L.

the East *- #T.

Abraham Conley.

(f) Cutter ofColeman firect-c. 4°.

Guardian

(g) Loves Riddle

-C. 49

-—P. Fol.

(h) William Carthwright.

Lady Errant ---T. C. 8o

Ordinary—- --C.89,

Royal Slave ----T. C. 8o

(i ) Siege T. C. 8°

(k) Sir Affon Cockain.

Obftinate Lady - C. 8o

(+) Ovid --T. 89

) STrappolin suppos'd o

(l) $ a Prince. #Tcs -

Richard Carpenter.

Pragmatical Jesuit—— C. 4°/

Charles Cotton.

(m) Horrace-T.42.

e) From Corneille, .

f) This Play is the Guardian, corrtätd

and Enlarged.

(g) Bound with his Second Volume, Folio,London, 1681.

). All Printed with his Poems.Lon.1651.

f) Occaffon in Plutarch's Life of Cymón,

and Part from Boccaces "Novéli, the

Ninth Day, Novel the Firfi.

k'All Frittd with his Poems, Lon. 1669.f) Plot from his Elegits.

1) Plot from Trapolen creduto Principe.! (m). From Corneille.

#phn.

-

... john Corey. . . .

(a) Generous Enemies-—C.4°

john Crown.

(b) Andromache —T.4°

Ambitious States-man - T.4°

City Politiques- -—G.4°

(c) Country Wit- —C. 4°,

(d) Charles the Eighth—T.4°(e) Califto--- M. 4°.

(f) Dellruct.of Jerusal. 2 pts. T.4°Henry the fixth T.4°

The fecond Part,

#. 4°(t)5 or the Miseries of

Civil War

Juliana, Princess of Poland. T.C.4°

(g) Sir Courtly Nice C.4°

(5) Thiettes- -- T.4°

- john Day.

Blind Beggar of Bednal Green. C.4°

Humour out of Breath -C. --

( ; ) Isle of Gulls—-C.4°

Law Tricks —C.4°

Parliament of Bees--—M. 49.

(a) Part of this Play is borrowed from Sir

William Lower's Noble Ingratitude.

b) Tran|lated from the French.

ej Part from Molliere's Le Sicilien.

d) Plot from Guiciardine's Hiff, and the

Prench Chron, in the Reign of Charles 8.

(e) The Foundation from Ovidii Metam.

Lib. 2. -

f) Plot from£ Hit. Book 6.7.

#: English chronicles, and part of

the Language, from Shakespear.

(g) Plot, and part of the Play from a

Spanish Play, called No Puedefer,

- (h) Plot from Poetical History. -

(i) Plot from Sir Phil. Sidney's Arcadia.

A Cualague of Plays. 5

(k) Travels of threeFnglish#. O

Brothers- 4.

- Robert Dambourn.

|Christian turn’d Turk T.42

Poor Mans Comfort ----C.4°

-4” Sanuel Daniel.

(m) Cleopatra T.4°

Hymens Triumph——P.4°

(n ) Philotas - T.4°Queens Arcadia o

-—P.

Vition ofthe twelve Goddesfes.M.4.”

- Robert Davenport.

(9) City Nightcap —C.4°

(p) John and Matilda– T.4°

Thoma pecker.

Forum" - C.4°

Honest Whore, two Parts—C.4°

if this bent a good Play, the c.4.: Devil’s in't - ": •4.

Match me in London— C. 4°

Northward Hoe C. 4°.

(q)<Westward Hoe H.4.”

CWyat's History H. 4”

(k) Writ by him, Rowly, and Wilkhs.

(l# Printed in ont Volume, London,

1623.

m.) Plot from Appian of Alexandria.

n) Plot from Plutarch's Life of Alexan

er, and Quintus Curtius, Book the 6th.,

(o) Plot from Don Quixot's Novel, of the

Curious Impertinent, and Boccaces Nos.

vels, Day the 7th, Novel 7th. .

(p) English Chronicle. -

(q) Writ by him and Webster.

tintruffing:

5 A Catalogue of Plays.untruffing of the Humorous$c.4°

Poet -

Whore of Babylon

Dr. Charles D'Avenant.

–C. 4°Wonder of a Kingdom—-C.4° Circe— O.4°

* Y WA/* ---T.4°

(*) Witch of Edmonton--T.4 Tho. Denham.

(1) Sir Will. D'Avenant. (e) Sophy

(a) Albovine—-T.Fol. -

Cruel Brother—-—T. Fol. John Dancer.

Distreffes-—C. Fol.

Fair Favourite —T.C. Fol.'(f) • - P. 8°

Just Italian— T.C. Fol. (g Agrippa King of Alba.T.C.4°Love and Honour T.C. Fol. (b)

-T. 8°

(b) Law against Lovers-T.C. Fol.

(c) Man's the Master--C. Fol. john Dryden.

Platonick Lovers - C. Fol. -

t Play-House to be Lett—C. Fol. (i) Amboyna T.4°

Siege -- T. C. Fol. ( k.) Affignation ––C.4°

Siege of Rhodes,two Parts. T.C.Fo. (1)–Auringtebe T.C. 4°

Temple of Love

Triumph of the Prince

M. Fol. (m) All for Love——T.4°

M. Fol Albion and Albanius—-O.Fol.D'Amour • 'Ol. -

llnfortunate Lovers T. Fol. -

(d) Coelum Britannicum.--M. Fol. * ...

News from Plymouth C.Fol. (*R'' from Herbert's Travels, Life of

Britannia Triumphans -M.4° Printed with his Patns. London, 1670.

(f) Translated from the Italian of Taffo,

and Printed with Dancer's Poems, Lon.

*) Writ by him, Rowly, and Ford #df 'fitur Quinarit by him, Rowly, and Ford. Translated from Mønfieur Quinault.

{ 1) All, except the #, Printed with##from Corneille, -

his Works, in Folio. —Lond, 1673. (i) Sanderson's Hii. of K. James p. 377.

The last writ by him, and Inigo Jones, the k). Plot of the firious Part, from the An

latt King's Surveyor. nals of Love: In the Story of Constance

(a) Plot from Heylin's Cofnographie, Book the Fair Nun. The part of Aureleo,

the First. Chronicle of Italy. from Scarron's Comical Romance: In

(b) Fr." Measure for Measure, and Much \, thistory of Definy and Madam Star.adoe about Nothing. (1) Plot from Tavernier's Voyages into In

(c) From Mollieres'; Joddelet, ou le Mai-' dia, Volume the Firā, Part the strong,tre valet. - Book the Second. *

Part from Mollieres Sganarelle. (m) Plutarch's Life of Marcus Antonins,

d). Not his, but Carew's, and Printed and other Roman Hitorians.

with his Potws, Q&tavo.

(a) Con

Nicomede—T. c. 4

:

(a)Conquest of Granada,

two Parts

* Evenings Love,or Mock

Aftrologer

“(b) Indian Emperour

{T.c. 4°

$ C. 4

T.C.4°

--

o

-

Kind Keeper,or Mr. Lymber-$c o

ham- •4.

(c) Maiden Queen—T.C.4°

( d.) Marriage Ala-mode.--C. 4°.

(f) Mittaken Husband-C.4°

( '' Plot, Almanzor and Almahide, from

leopatra in the Story of Artaban; and

Almahide the Romance. Ozmyn and

Benzaida, from Oman and Alibech, in

Ibrahim. Abdalla, Abdelmelech, Lyn

daraxa, from Prince Ariantes, Agathir

fes, and Elibefis, in the First B

the Ninth Part of Cyrus. . .

* Part frim Corneilles De Pit Amoreuß,

part from Le-feinte Astrologue, and

part from the Illustrious Baifa, a RoManta.

(b) Plot, Heylin's Cofnography, Book the

Fourth. Hen. Bonzonus rerum ab Hi

£panis in India Occidentall gefiarum,Lib, 3.0%tavo. -

cá Plot, from Cleobuline, Queen ofCo

| rinth, in the Second Book of the seventh

Part of Cyrus: and the charatter of Če

ladon and Florimel, from Pifistrate and

Cerinthe in Cyrus, Part Ninth, Book

Third; and from the French Marquij;in Ibrahim, Part Second, Book the First.

(d) Plot of the firious Part, aid the Cha

raēters from Sesostris and Timareta is

Cyrus, Part the Sixth, Book the Second :

and Palamedes from the Prince of Sala.

mis, in the Story of Timantes and Par

thenia, Part Sixth, Book First, of Cy

rus 3 and from Nagaret, in the Annals of

Love, Ojiavo.

(f) Founded on Plautus's Amphytruo.*

A. Catalogue ofTlws. -

ok of

Rival Ladies * T.

|t Sir Martin Mar-all

|(g) State of Innocence—

C.

C. 4°

7

4°

4°

(h) Spanish Fryar T.C. 4”

(i) Tempest -C. 4°

(l) Tyrannick Love, or T. 4°

Royal Martyr } - 4".

( k). Troylus and Cresfida- T. 4°

Wild Gallant o

C. 4

#)3 (1) Duke of Guise—-T. 4°

(); (m) Oedipus T.4°

john Dover. -

Roman Generals—- T. C. 4”

Thomas Durfey.

(n ) Banditti C. 4°

(0). Common-wealth of t+. Q

Women --- #T.G. 4.

| Fool turn'd Critick C.4°

Fond Husband C.4°* -- -- - 1 ra • 4.

(P) injured Princess----T. c.4°

+ Part from Molliere, L' Etourdy.

(g) Plot from Milton's Paradise loft. o.ttawa.

(h). Plot of the Comical Part from the Pil..grim, 4Novel, Twelves.

(#30 iginally Shakespear's. *

( #3 Plot from Jul. Capitolinus in vitamMaximini.

k.) Part Shakespear.

1) From D'Avila's Hitory of France.

m). From Sophocles, and the pottical

Hitories.

(t) Joyn'd in theft two last with Nath.Lee.

(n) Plot from Don Fenife, oslavs.

Q9) &row'd from Fletcher's Sea-voyage.

| P). The Foundation Shakespear's.

(a) Madam

(a ) Madam Fickle ----C. 4°O

Siege of Memphis--T.4

(b) Squire Old Sapp-c. 4'

Royallift C. 4°

( ) Sir Barnaby Whigg-C.4°

(d) Trick for Trick C. 4°

Virtuous Wif C.4°

Tho. Duff". a

Mock-Tempest

Spanish Rogue--—C. 4°

Sir George Etheridge.

- Love in a Tub—-C.4°

Man of Mode,or Sir Fopling, CFlutter } .4°

She wou'd if [he could C.4°

Edward Ecclefton.

(e) Noah's Flood——O.4°

* john Fletcher, andFrancis Beaumont. -

-

Beggars Bush—-—C. Fol.

(f) Bonduca— —T. Fol.

(g) Bloody Brother, or •

Rollo D.of£} T. Fol

b) Plot from Francion's Romance, Fol.

c) Part of it from the Fine Companion,

3 marto. And Plot from the Double

Cuckold, a Novel, Qātavo. -

{: From Monfieur Thomas.

t

#} Part from the Antiquary. Quarto.

-

Foundation on Sacred Writ.

All Beaumont and Fletcher’s Plays

Printet together in one Volume, Folio,

London, 1679. .

f) Plot from Tacitus's Annals, Book 14.

% g) Plot from Herodiani Hifloria.

-—F.4°

A Catalogue of Plays. -

- Cuffom of the Country-T. C.Fol. .

C. Fol.(b) Chances - , --

Captain----C. Fol.

Coxcomb —-C. Fol.

Cupid’s Revenge —C. Fol.

Coronation —T.C. Fol.

Double Marriage—— T.C. Fol.

Elder Brother--— C. Fol.

Fair Maid of the Inn—-C. Fol.

False One--—T.Fol

Four Plays in One——T. C.Fol.

Faithful Shepherdess P. Fol. ".

Honest Man’s Fortune—--C. Fol.

Humerous Lieutenant—T.C.Fol.

(*) Island Princefs—T. C. Fol.

King and no King T.C. Fol. .

Knight of the Burning Pestle. C.Fol.

(l) Loves Pilgrimage—C. Fol.

Mad Lover —C. Fol.

( m). Maid in the Mill—-C.#Masque of Grays-Inn Gent. M. Fol.

Monfieur Thomas—C. Fol.

(h) Altered by the Duke of Buckingham,

and Printed in Quarto. Lond. 1682.

The Plot from Lady Cornelia, in Exem

plary Novels, Folio.

Knight of Malta T. C. Fol.

( i) Little French Lawyer--C. Fol.

|Loyal Subject——-T. C. Fol.

Laws of Candy —C.Fol.

(k) Lovers Progress—T.C. Fol.

Loves Cure - C. Fol.

*

(*) Lately Reprinted with Alterations, .

by Nat. Tate. Lond. 1687.

(' from Gufman's Don Lewis de

ftro, and Don Roderigo de Montalvo.

k ) Plot, Lysander and Califla.

1) Part of it from Johnson's New Inn,

Ottavo, and the Plot from Exemplary

Novels, Two Damfels.

(m) Strious Plot from Gerardo,p.350. 8°.

Maids

A Catalogue of Plays

Maids Tragedy--T. Fol.

Noble Gentleman —C.Fol.

Nice Valour- T.C. Fol.

Night Walker--C. Fol.Prophetess T.C.Fol.

Pilgrim T.C.Fol.

Philafter T. C. Fol.

een of Corinth T.C.Fol.

Rule a Wife, and have a losWif C. Fol.

(a) Spanish Curate C. Fol.

Sea Voyage- T. C. Fol.

Scornful Lady C. Fol.

(b) Thierry and ' . 2- -o

#"; T. Fol & 4

Two Noble Kinfmen--T. C. Fol. |

T. Fol. & 4°(c) Valentinian

. Fol.Womans Priz

Women pleas'd C. Fol.

Wife for a Month —C.Fol.

Wit at several Weapons—C.Fol.

Wild-goose Chase—G.Fol.

Woman Hater C. Fol.

Wit without Money -C. Fol.

Nathaniel Field.

Amends for Ladies--C.

Womans a Weather-cock—--C.

john Ford. v. Decker.

Broken Heart

a ) From Gerardo's Leandro. p. 214.8°.

b) Plot from the French Chronicles, in

the Reign of Clotaire the Second. Imper

fift in the Folio Edition, but right in

the Quarto.

4.4.

T.4°

(c) Plot, Procopis Cæsarientis Historia;|(

Alterta by the Lord Rochefter. Printtd

‘. Raarto, 1686. - -

9

Fancies——-C.4°

Lovers Melancholy—-T.4°

Loves Sacrifice T.4°

LadiesTryal—---T.4°

(d) Perkin Warbeck–H.4°

Pity [he's a Whore T.4°

(e) Suns Darling- -C. 4°

Thoma Ford.

(f) Loves Labyrinth

Abraham Fraunee.

Countess of Pembroke's Ivy

Church, 2 Parts

Richard Flecknoe.

T. C. 4°

#P. 4°

(g) Damoyfelles a-la-mode- C.8°

Erminia T. C. 8”

(h ); Loves Kingdom T.G.8°

'' Loves Dominion P. 8°

Marriage of Oceanus and

Britannia

R

#M.

- vitian fulwell.

Like will to like quoth the: C.A.Devil to the Collier-} .4

j. Fountain.

C. 4"Reward of Virtue

. . . . . –,

d) Plot from Gainsford's Hitory, 4... ."#3 Ford and Decker. #tory, * .

f) Printed with his Works, 0 tavo. Lon

don, 1661.

g) Borrowtd from Molliere's Preceeuses

Redicules. 0#ava, . . .

(h) Theft two almost the fame.

C Sir

IO A Catalogue of Plays.

-Sir Ralph Freeman.

T.4°Impériate=

Larim Falkland. | Flyermen •

- - - - - |(*) Looking-glass for London-H4.Marriage Night —T. 4.

1 .

Sir Richard Fan/haw. '

( a D Pastor Fido-P. 8°

- - - ...] "..-

Sir Francis Fane, Jun. ",

(b) Love in the Dark--T. C. 4.Sacrifice- T.4

: ... . . Henry Glapthorn.

* 3(f) orctics.

©Raging Turk.

- Robert Green.

- - (e) courageous Turk. * *

$ $1.

Geng Gerber." ..."

|Filt Favourited grada–T.G.8.

t George Gafcoign.

dClass of Government—T.C.4.( k)'oeafia-—-T. 4°

(!).Supposes--C. 4*.

":s Kenelworth-Ca- "M."

. . . . . , Francis Gouldfinith.

* 3." T-- ... " 3.1(n) Joseph—T. c. 8.

Albertus Wallentine--T.4° (-) *Er -

(c) Argalus and Parthenia-P.4° Robert Gomerfall.

Hollander C. 4° c. - • " * *@

Ladies Priviledge---C.4° (n ) Sforza Duke of Millain-T. 8

Wit in a Conflable— C.4° Alexander Green.

Twer Politician Cheated----C.4°* * * '-

-

- ~--- . . . * - *

Careless Shepherdess. P. 4° i

(d) Selimus ---T. 4°

(a) Translated from Guarini's Italian, and

Printed with his Poems, London, 80.

(b) Plot from the Invisible Mitres, in

Scarron's Novels, 80.

(c) Plot from Sir Philip Sidney's Arcadia, Folio.

fd) Plot from the Turkish Hillory.

-

e) Plot from the fame.

f) From Euripides.

3) Plot from the Turkish Hitory.

Printed in one Volume.... * -

h) 'ot from the Englih chronicle.

i) Plot, story of Jonás in the Holy Seri.ture." - -

# From Euripides.

1) From Ariosto. -

m From Hugo Grotius's Sophompaness,Latin. . . .

(n) Printed with his Potms, Lond.1633

john

A Catalogue

john Hywood.

Pour P.P.--- - I.4.”

Play of Love —I.4°

Play of the weather--

Play between John the Huf-l

band, and Tib his Wife. ,

Play between the Pardoner,

Fryar,Gurate,and#3 I. 4°

bour Pratt. -

Play of Gentileness and*}. o

lity, 2 Parts. • 4

-I. 4°

I.4°

* jaffer Heywood.

Hercules Furiens "

Thyestes =3 T.4°

Troas- ~

Tho. Heywood, vide Ford.

Golden Age--- o

f : \#:Age- #4Brazen Age -C.4°

(a) Iron Age, 2 Parts—H.4°

Challenge for Beauty- C.4°

(b) Dutchefs of Suffolk—H.4°

English Traveller— -C.4°

Edward the Fourth, 2 Paris-H. 4°

(c)Elizabeth's Troubles.2Pts-H4'

of Plays. II

(d) Fair Maid of the West, C.4.”

Two Parts. $ • 4.

Four London-Prentices---H. 4°

Fair Maid of the Exchange—C. 4°

(e) Fortune by Land andSea. H.4°

(f) Lancashire Witches—C.4°

(g) Loves Mitress –M.4°

Maidenhead well loft C. 4°

(h) Rape of Lucrece—.--T.4°

Robert Earl of Hun- o

t & tingdon's Downfall. • 4

—His Death -T.4°

Woman kill'd with Kindness-C.4°

Wife Woman of Hogsden--—C.4°

William Habington.

Queen of Arragon Folio.

- Charles Hol. -

(i ) Terrences Comedies--C. 8"

# - ra. Hauffed.

RivalFriends—C.4:

Barton Holiday.

Marriage of the Arts- C. 4°

* Plot from Guiciardine's Hitory of Italy,

Folio, and from Poetical Hitory.

Plot from Poetical Hillory. -

a) Plot from Virgil's AEneids, Second

Book, and Homer's Iliads.

# Theft are ufually Bound together. .

(b) Plot from English Chronicle, and

Clark's Martyrology. ,

(c) Plot from English Chronicle.

d) Plot, English Lovers, 8°.

e) By him and Rowley.

f) By him and Brome.

g) Plot from Apuleius's Golden Aff, 4".

h) Plot from Titus Livius.

Plot, Stow and Speed's Chronicle,

(i) Caffrated Latin, English.

f : .

G 2 William

I 2

William Hemings.

(a ) Fatal Contraćt T.4°

(b) Jews Tragedy——T.4°

Richard Head.

Hic & ubique C. *

* Sir Robert Howard.

Indian Queen--- T.

Committee ---C. Fol.

Surprisal- –T. C. (** *

Vestal Virgins-- T.C.

(c) Blind Lady C. 8°

Duke of Lerma --T.4°

James Howard.

All Mistaken, or the --C. 4°

Mad Couple. - • 4

English Monfieur-——C. 4°

Edward Howard.

Man of Newmarket--—C. 4°

Six Days Adventure-- C. 4°]

llfurper- - —T.4°

Womans Conquest T. C. 4°

James Howel.

(d) Peleus and Thetis. M.4°

{ ## Chronicles.

of from Josephus's Hitory of theews, Books'#7 f

* The four first of Sir Robert Howard',

Plays, art afually Bound together.

# } Printed with his Poems in 80.

.d.) Translated from the French.

A Catalogue of Plays.

(t ) Benj. johnfon.

Alchymist - |Bartholemew-Fair. W." C. Fol.

Christmas’s Masque -

Cloridia-— M. Fol.

Cynthia’s Revels— C. Fol.

Challenge at Tilt --M. Fol.

(e) Cataline's Conspiracy-T. Fol.

Devil’s an Afs. C. Fol.

Every Man in his Humour

Every Man out of#ct.InOur.

(f) Entertainment at K.!): Coronation. #E. Fol.

Entertainments of the Q.' E. Foland Prince, at£: • *O1,

Entertainments of the King

of England.and the Kingof Denmark, at Theo. F. Fol.

baldr, -

Entertainment of K.james, {F. Fol

and Q.Ann, at Theobalds. ,

Entertainment of the -

King and Queen, on

May-Day,at Sir Wil.)>—E. Fol.

Cornwallis's House, at

High-gate.

Fortunate Isles—M Fol.

Fox -—C.Fol.

Golden Age restored—M. Fol.

Honour of Wales M. Fol.

*

(f) All Ben. Johnson's except the four

145t, are Printed with other Poems in t?”0

Volumes, Folio, London, .1640.

(£ J Plot from Saluff's Hiory.

(f) From feveral Anthours quoted in the4Margin throughout, -

* Hymenes.

A Catalogue of Plays.* Hymenes M. Fol.

Irish Masque -M. Fol.

King's Entertainment at }.Welbeck M. Fo

Loves Triumph --M. Fol.

Love's Welcome—M. Fol.

Love Restored- M. Fol.

Magnetick Lady- --C. Fol.

Masque of Auguurs M. Fol.

Masque at the Lord Hayes's M.Fol

-House. he Lord Had ©

Masque at the Lord Had-'dington's Marriage. 5 M.Fol.

Masque of Owls -M. Fol.

* Masque of Queens M. Fol.

Mercury Vindicated M. Fol.

Metamorphofed Gipfies—--M. Fol.

( a ) Mortimer's Fall- T. Fol.

News from the NewWorld ".

in the Moon. . {M.FolNeptune's Triumph- M. Fol.

* Oberon the Fairy-Queen-M. Fol.

Pleasure reconciled to Virtue-M.Fol.

Pan's Anniversary——M.Fol.

(b) Poetaster - —C. Fol.* Ohrasn’. - )

$:*** M.Fol.

*—Her Masque of Beauty—M.Fol.

Speeches at Pr. H. Barriers-M.Fol.

Staple of News -C.Fol.

(c) Silent Woman C.Fol.

* All marked with this * are in the first

Volunt, and Quotations art Città by the

Authour in the Margin throughout:

(a) An Imperfit Piece just begun.

(b) Roman Empress

I 3

(d) Sad Shepherd- -T.Fol.

(e) Sejanus T.Fol.

Tale of a Tub- C. Fol.

Time Vindicated –M. Fol. .

Vition of Delight- M. Fol.

Cafe is altered C.4°

New-Inn---- —C.4°

(f) Eastward Hoe—C. 4”

(g) Widow-—C.4°

john Jones.

Adrafta —C. 49

Tho. Ingeland.

Disobedient Child-- I. 4°

The jordain.

Fancies Festivals-- M.4°

Mony's an Afs. C. 4°

Walks of Islington and Hogf-lC.4°den --- •4.

-4

. . . William joyner.

T.4°

--

fb) From Ovid's Elegits; and from Hor

race's Satyrs, Book the Ninth, Satyr the£ifi Part. - "t -

(c) Borrowed part of it from Ovid de Ar

Kte:Amandi, and Juvenal's Sixth Satyr.

d) This Play left Imperfeit.

e). Plot, Tacitus, Suetonius, Seneca,2%. ,

Thirt is an Edition of this Play, 4°, Print

td Lond. 1605, by the Authour's own Gr

ders, with all the Quotations from whence

he borrowed any thing of his Play. .

(f) foyn'd in this with Chapman.

(g) Foyn’d in this with Fletcher and Mid---

: deton.

(h) Plot, Zosimi Hiñoriz, -

Tho, .

I4.

Tho, jevorn.

'Devil of a Wife -F. 4°

Tho. Kyd.

(a ). Cornelia - T.4°

Tho. Kirk -

(b) Seven Champions of o

Christendom. $ H. 4

Ralph Knevet.

Rhodon & IrisP. 4°

"Sir William Killegrew.

Ormafdes—- T.C. Fol.

Pandora--T.C.Fol.

Selindra— T. C. Fol.

Siege of Llrbin T.C. Fol.

Henry Killegrew.

s C • - o

(c) ; onfpiracy T.4

Pallantus and Eudora-T.Fol.

( '' Tian/lated from the French of Robertarnier.

(b) Plot, Hitory of the Seven C ionsOf&#.f hampio

* All Printed in one Volume Folio, oxon.1666. -

(c) Title tas in a mannt, the famt.

A Catalogue of Plays. -

-* Tho. Killegrew.

Bellamira her Dream, T Fol.2 Parts. •

Claracilla T.C. Fol.

Cicilia and Clorinda, 2 T.C. Fol.

Parts.

Parsons Wedding ---C. Fol.

Prisoners- T.C. Fol.

Princess - T.C. Fol.

Pilgrim-- -—T.Fol.

Thomaso, or thew"'s Fol.

er, 2 Parts.

\ john Lilly.

- (d)Alexander and Campaspe-G.8°

(e) Endinion——C.8°

Galatha-a-- -C.80

(f) Mydas—--C.8°

Mother Bomby. -C. 8°

(g) Sapho and Phaon .C. 8°

Loves Metamorphosis—C. 4

Maids Metamorphosis- C.4°

Woman in the Moon—-C.4°

* Sir William Lawr.

Amorous Phantasm- P. J.2°

# Theft all Printed in one Volume, Folio,

London, 1664.

| The first Six Printid together in Ottave

London, 1632.'

(d) Plot, Pliny's Natural History, Lib.

35. Cap Io. -

(e) Plai, Lucian's Dialogue between Ve

nus and the Moon. . . . .

(f) Plot, Ovid's Metamorph. Lib. 11.

{g Plot, Ovidii Epistola.

* thret first of Sir Wil. Lower's Plays,

Printed together in 12° London, 1661.

Enchanted

(g)

(b)

{: Gloriana

k)

(l)

A Catalogue of Plays.(m) Nero----- :T. 4°Enchanted Lovers--P. 12°

I5.

(a) Noble Ingratitude—T.C. 12° (n ) Rival Queens —T.4°

(b) Horatius- —T.4° (o) Sophonisba- T.4°

(c) Martyr--- T.4” (p) Theodosius T.4°

Tho. Lupon. J. Leanard.

All for Mony - - - * .T.4° ( q) Country Innocence-C.4°

. * > * > . . . . . . (r) Rambling Justice----C.4°

* > . - -Tho. Lodge. & - -

(4) Marius and Scylla-T.4"|

(e) Looking-glass for London-H.4°

"+, 2- -john Lacey.

(f) Dumb Lady---C.4°

Old Troop————C.4°

Sir Hercules Buffoon—---C.4°a

o * if: *

*

. . Nat Lee, v. Dryden.

T. 4°Caesar Borgia -

Constantine the Great—O

##Lucius Junius Brutus—-

Mithridates– #-O

#

• * -- " -

From the French. -

From Corneille. ta\

c) From Corneille's Polyeućte." -

(d) Plot from Plutarch in Vitas C. Marii

& Syllae.

e ) By him and Green. . .

{ f) Plot and Language from Molliere's

Le Medicine Malyreluy. -

(g) Plot from Matchiavel.# Plot, Eusebius de vità Constantini.

{

Plot from Cleopatra. -

k) Plot, Clelia, and Livy's Hitory.

li). Plot, Historical Dićtionary, Appian,

Alexand. Romana, Historiae,

Tho, Middleton, v. Fletcher.

... Any thing for a quiet Life-G. 4°

Blurt M. Confiable——C. 4°

Chaft Maid in Cheapside—C.4°

Family of Love— ----C.4°

Garne at Chefs C.4°

Inner-Temple Masque—M.4.”

Mad World my Masters- C. 4°

|(f) Mayor of Quinborough—C.4°

Michaelmas-Term---C.4°

Phoenix C.4°

Roaring Girl- --C.4°

Trick to catch the old one—C. 4°

Triumphs of Love and An-'tM. 49

tiquity. y” 4°.

( m). Plot from Suetonius, in Vitam Ne--ronis.

( #3 Plot, Quintus Curtius,

(o) Plot, Sir walter Rawleigh's Histo:

ry of the World, Book 5th, Chap. 3d."

Seči. 18th.

(p) Plot from Pharamond,Book 3d Part

3d. Page 282, and Eusebii Histor. Ec

clefiaftica.

(q) Taken from a Play called The Coun->

try Girl. C. 4°.

(r) Part from More Diffemblers besides

Women. C. 4°.

(f) Plot from Ranulph, Cesirensis Poly--

World:

| chronicon.

I6

world tofs'd at Tennis M. 4°

Your Five Gallants —C.4°

More Diffemblers *}C. 80fides Women- •

| Women beware Women-T.8°

Ne'e aWomansC.8°

(a) Changeling T.4°

(b) Fair Quarrel-T. C. 4°

Old Law - —C.4°

((c) Spanish Gipfies--C.4°

Philip Maffenger.

o

C'Bondman--

City Madam

Duke of Millain -

(d) Emperour of the East-T.

FatalDowry-—

Great Duke of Florence-—C

Maid of Honour- 4.

New way to Pay old Debts—G.4°

(e) Picture- 4°

Roman Aćtor- ... 4

Renegado- -C. :

o

C.

T.

o

C.•

O

4°

T. :–C.

#o

1 Plot from Hippolito and Isabella, a No

wel, 8°. . - *

+ Theft three in one Volume, 8°, Lon.1657.

(a) Plot from God's Revenge against Mur

ther, in Alsemero and Beatrice Joanna,Folio.

(b) Plot from Complaifant Companion,

8°, Page 28o.

(c.). Plot, Cervantes's Exemplary No.

vels, Folio. Force of Blood.

* Theft four were Writ by Middleton and

Rowley. -

d) Plot, Eusebii Hist,

e) Plot from Fortunate, Deceiv'd, and

Unfortunate Lovers, 8° ; Novel the 4th

of the Deceived Lovers.

A Catalogue of Plays.

Ulnnatural Combat-–T. 4•

(f) Virgin Martyr T.4°

(Bashful Lady -C.82

h < (g) Guardian C.8°

(Very Woman --T,8"

* join Marton.

Antonio& Mellida, 2 Parts—T. 8

(i) Dutch Courtezan–C.8°

Fawn-C.8°

(k) Sophonisba T.8°

What you will—C. 8°

(1) Infatiate Countess—T.4°Male-Content -

-T.G.4°

Shakerly Marmion.

Antiquarary C. 4**

Fine Companion G.4°

Holland's Leaguer–C. 4°

ChriftopherMr. 2. ' *

(m) Dr. Faustus—T.4°t

f) Plot, Eusebii Hist. Lib. 8. Cap. 17.

g2 Plot from the Cimmerian Matron, 8...,

h) Theft thret are Printed in one Voim,8°. Lond. 1655.

* All txcept the two last are in ont Volume,

8°. Lond. 1633. -

(i) Plot from Palace of Pleasure, the lastNovel. ..

(k) Plot.# Sir Walter Raleigh's Hi-”

/tory, and Livy's Hitory.

(1) Plot from Montius's Hitory of Naples,

in The Life of Joan Queen of Naples.

(m) Plot, Camerarii Opera Subsc. Cent.

1. Cap. 7o.

(a) Dido

wandring Lover—

**

A Catalogue of Plays. 17

(a) Dido Q. of Carthage--T.4°

(b) Edward the 2" T. 4"

Jew of Malta- T.C. 4°

Lufts Dominion - T. 8°

c c) Mafficree at Paris-T.8°

(d) Tamberlain the Great, 'T3.two Parts } •

Thomas May.

t $ (? Agrippina- -T.8°

(f) Cleopatra--——T.8°

(g) Antigone-—T. 8°

Heyre —T.C. 8°

Old Couple----T.4°

Z

Th. Meriton.

Love and War- T.4°

T. C.4°

Lewis Machin.

IDumb Knight-- -C. 4°

Cofino Manach.

just General- - T.4°

Loyal Lovers- —T.C.4°

(a) Writ by him and Nash, Plot, Virgil's

AEneids, Book.4.

b) Plot, English Chronicles.

c) Plot, French Chronicles. ... .

Yāj Pist, Jean du Bee L. Histoiré defamcrlane;89,and his Life in English,8°.

e) Plot, Taciti Annales, Lib. 12.

f$ plot. Plutarchus in vitam.M. Antonii.

fbeft two Printed together, 8°, London,

1639.

(g) Plot from Sophocles.

Gervafe Markham.

(b). Herod and Antipater--T.4°

P. 8°

j. Milton.

Sampson Agoncites T. 9°

john Mafin.

Males: the Turk— T.4°

Walter Montague. .

Shepherds*

Robert Mead.

c: of Love and Friend.$ce1p 3.

* Main.

t Amor" War-----C. 4° & 8°

City Match --C.4°& 8°

Mathew Medbourn.

(i) Tartuff—-a-C.4°

L. Maidwel.

Loving Enemies —C.4°

* >

(h) Writ by him and Sampson. Platffon

Josephus's History, Book 17.+ Theft two Printed together, and may ht

had either in 4° or 8°.

(i) Translated from Molliere.

D*

Thom is

18

(d) Thebais —T.4°

Alex. Nail.

(e) Oedipus —T. 4°|

(a) Plot from Corn. Nepos in vitam Annibalis.

b) Plot from Old Brittish Chronicles,

c) Translated from Seneca's Tragidits.

(d) Tranflattd from the fame,

A Catalogueof Plays.

Thomas Nabbr. | Rim Nai.

Bride— C. 4° -

Covent-Garden -C.4.” Poor Schollar C. 4°

Entertainment on thePrince’s o J

'Tis. # * Duke of Newcaffle.

(a ) Hannibal and Scipic-T.4° - -

Microcosmus *- M. : Humerous Lowers- -—C. 4°

Springs Glory —-M. 4° Triumphant Widow-—C. 4°

Tottenham Court --C.4° - -

Ulmf te Mother- T. 4°| f Dutchef of Newcaffle.

- T N. • |Apocryphal Ladies— - C. Fol.50. Na/h, v, Marloe. . |Bellin Campo, 2 Parts—-G. Fol.

Summers last Will and Tesla. X. C.4° Female Academy ——C. Fol.

ment - - # * Loves Adventures, 2 Parts-C. Fol.

-. - Lady Contemplation,2Parts-C. Fol.

The Norton, and Sackvile. |Matrimonial irouble,2Parts.C. Fol.

- – |Natures 3 Daughters, 2 Pts.-C. Fol.

(b) Ferex & Porex, or 'T.4 |Publick Woing- -C. Fol.

Gerboduc— $1.4 Religions-- -C. Fol.

- SeveralWits— —C. Fol.

Thomas Nuce. |Llnnatural Tragedy- T. Fol.

-* - . . . Wits Cabal, 2 Parts- G. Fol.(c) oavis -- - -T.4° Youth's Glory,and Death's C . -

• * , | Banquet— £3C Fol.

Tho. Newton. Blazing World - C. Fol.

Bridals-––C. Fol.

Covent of Pleasure- C. Fol.

Presence—- —C. Fol.

Sociable Companions.—C.Fol.

f The first Fourteen of her Plays, are Print

ed together in one Volume, Folia. The o

therThree art in another Volume, with 0

ther Sctnes, Printed London 1668.

(e) Tran|lattd from the fams.

Earl

A Catalogue of Plays.

Earl oforry.

H. Fol.( a ) Black Prince--

Tryphon T. Fol.

(b) Mustapha--—T. Fol.

(c) Henry the Fifth--—H. Fol.

Tho. Otway.

Athiest , or the£c. o

of the Soldiers Fortune-3"*

(d) Alcibiades T.4°

| Cheats ofScapin- F.4°

(e) Caius Marius T.4°

(f) Don-Carlos—

Friendship in Fashion- C.4°

(g) Orphan T.4°

Soldiers Fortune G.4°

(h) Titus and Berenice -T.4°

Venice preserv’d-—T.4°

George Peele.

i) David and Bethshabe--T.C.4°(

(k) Edward the First--—H.4°

the Third.

!both in the Life of Alcibiades.

of C. Marius, and Lucan's Pharsalia,

From Manfieur Racine.

(a) Plot, English Chronicle in K. Edward.

b) Plot, Turkish Chronicles:

c) Plot, English Chronicles.

d) Plot from Plutarch, and Corn. Nepos

| Plot from Rave ft's Scaramouch,

(e) Stollin part from Shakespear's Romeo

& Juliet, Plot fom Plutarch, in his Life

B006 2.d. - t

f) Plot from the Novel fo called, 12°.

#3 Plot, English Adventures, a Novel,8°.

i) Plot from Holy Scripture.

{k) From English Chronicles.

H 9

Henry Porter.

Two angry Women of A- C. 4°

bingdon ... 4

Tho. Porter.

—C.4.”

—-T. 4.

Carnival

Willain

Lady Pembrock

Antonius —T.4°

Tho. Preffan.

Cambyses King of Persia—T. C. 4"

Edward Preffnick

He&ors.

(l) Hippolitus

C. 4"

T.8°

Mrs. Katherine Phillips.

(m) Horrace -—T. Fol.

(n) Pompey —T. Fol.

Samuel Pordage.

(o) Herod and Meriamne--T.4°

(p) Siege of Babylon—T.4°

(1) Plot Justin. Hist. Lib. 1. Cap. 9.

(m) Plot from Livy, Translated fromCorneille,

(n) Plot from Lucan's Pharsalia, Tranji:

ted from Corneille.

(o) Plot from Joseph. Hist, and Cleopa.

tra 4 Romance, in the Story of Tyridates.

(p). Plot from Caffandra, a Romanct, Fol.

C 2 -Reaps

2O

Love in its Extific-P. 4°

John Pal/grave.

-----G, 4°Acolastus

-

Francis Quarler.

Virgin Widow- -C.4°

William Rowley, v.

Webffer, Middleton,

Day, and Shake/pear.

(2) Ars off by Luff-r: 4

Match at Midnight —T.4°

(b) Shoemakers a Gentleman-C. 4.

WonderaWoman never vex'd-C.4°

Spanish Gipfies— C.4°

Samuel Rowley.

(e) When you fee me you C.4°

know me—- ?"

joftph Rutter.

(d) Cid, 2 Parts -T. C. 8°

Shepherds Holyday

: Lipfii Monita, Lib. 1. Cap. s.

|Plot, History of the Gentle Craft.

c) Plot from English Chron, Hen, 8th.

fd) rangattaffon corneille.

A Catalogue of Plays.

Nah Rihad.

( e.) Mania-—T. 8."

Th. Rawlins.

Rebellion—T.4.

Tha, Randolph. -

Aristippus--—T. 89

Aminta- -T. C. 8°

Jealous Lover —T. C. 39

Mufes Looking-glass—P. 8°

(f) Hey for Honesty,down o

with Knavery 2 #C. 4.

+

| William Ridr. *

|-

Twins—- C. 4°

- Edward Revett. -

W.

-

Town Shifts--——C.4°

Edward Ravenfrf.

) Careles Lovers ---C. 4°

) Citizen turn’d G.'c. 4°

man

(e) Plot, Suetonius» in Claudio and Ta

citus, Lib. 11. -

# Theft Four Printed with his Poems, 89.

f) Tran|lated from Aristophanes's Plutus.

g) Borrowed part from De Molliere's

Monsieur de Pourceaugnac, 8°.

(

#

geois Gentlehome, & Mons de Pource.

augnac.

(a) Dame

|

(h) Translated from Molliere's Le Bour- *

. A Catalogue of Plays.

C. 4° (m) Cromwell’s History-H.Fol.

(*) Dame Dobson

2I

(b) English Lawyer- C. 49 ( m) Cymbeling –T.Fol.

(c) King Edgar and Alfreda-T.4"| Gentleman of Verona—--C.Fol.

(d) London Cuckolds £|#Henry the 4', 2 Parts-#Fol.(e) Scaramouch, &c. F.49 |+ Henry the 5*-—--—H.fol.

(f) Wrangling Lovers-C. 4° + Henry the 6' 3 Parts—H.Fol.

. - ' 'H'.Tho Rymer. Hamlet Prince ofDenmark--T.Fol.

- ". . . . t John K. of England, 2 Pts.-H.Fol.

(g) Edgar-T4 ...}}'-'.

* William Shakefhear.

(i) Anthony andCleopatra-T-Fol.

As you likeit--

(k) Comedy of Errours

(l) Coriolanus—-T-Fol.

# Lears Tragedy-- -

+ Locrine's Tragedy—C. Fol.

London Prodigal -

(b) Arawalhatandswe':f

a) Translated from la Divineresle.

by ranhatta from the Latin ignoramus.{c} plot from English Chronicles. . .

d) Plot: part from Scarron's Nevils, 8",Novil ##, The Fruitles Precaution,

a part from Les-Contes Du-Sieur D'Ouvil

e, 8°, 2de. Pte. Page 121: And part

%m Boccacé's Novels, Day 7th, Novel3 and 7 of the 7th Bay." f

(e) Part from Molliere's le Bourgeois

Ge

(f) Plot from Deceptio visus: or, Seeing

and Believing are two Things, a Ro

mance in 8°.

(8) Plot, English Chrinićlis. -

All except the last, are Printtd in one

Volunt, Fol. Lond, 1685. . . . . .

h). Plot from Boccace''', 34. Day,

9th Novel. Juliet of Narbona.

1) plot from Plutarch,in Vitam Antonii.

k') Theâr"d from Plautus's Ampitruo,

and Maenectrini. . . . . . . . .

(1) Plot, Plutarch: in vitam Coriolan :

and from Livy's History. .

ntlehomme,& la Mariage Forcee, 8°. |

—T. Fol.

——-C. Fol.

—C. Fol.

Merry wives of Windsor-G. Fol.

C.Fol. Measure forMeasure—C. Fol.

C. Fol. Merchant of Venice- T. C. Fol.

(p). Mackbeth —T.Fol.

Midsummers Nights-Dream-C.Fol.

Much ado about nothing-—C. Fol.

( 4 J Old-Castle, Lord Cöb- T ro ,

£TFol.

(r.) Othello Moor of Venice-T.Fol.

pericles Prince ef Tyre-—H.Fol.

PuritanWidow—--C.Fol.+ Richard the Second --H.Fol.

|+ Richard the Third -H,Fol.

(f) Romeo& Juliett--T-Fol.

m). Plot from English chronicle. . . . .

n) Plot from Boccace's Nevils, 2d. Day,

t#a -

9 mark'd had their Plots from Eriglish Chronicles. - f \

o) Plot, Livy's Hitory.

p) plot from Scotch chroniclis, andHeylin's Cofnography. ... . -

q) Plot from English chronicle...

# : Plot from Cynthio's Novels. , ,

f) plot from Cynthio's Novels. ,--- -

- - - - - - *

... • - Taming

w

*

Troylus and Cresfida

Taming of the Shrew-—C. Fol.

Tempest --C. Fol.

Titus Andronicus —T. Fol.

(a) Timon of Athens—T. Fol.

T. Fol.

Twelfth Night -C. Fol.

(b) Winter's Tale—C.Fol

York[hire Tragedy

J. Studley, v. Jaffar Heywood.

Agamemnon -—r. 4°

| Hippolitus—T. 4°

" HerculesOetus--T.4°

(Medea T.4°

James Shirley.

(c) Arcadia-P.4°

Bird in aCage-C. 49'Ball --C.4°

Changes, or Love in a Maze--C.4°(d) Chabott, Admiral of o

France }T.4

·Constant Maid, or Love"#c 4°

find out the way—

Cupid and Death-– M. 4

Contention for Honour"#" 4°

Riches ".

Duke's Mistress. T. C. 4°

-

(3) Plot from Lucian's Dialogue.

{b). Plot from Dorarius and Fawnia, 49.

| All Tranflattd from Seneca', Tragedits.

{c.) Plot from Sir Philip Sidney's Arcadia, Folio, -

{d) Plot from the French chronicle.

T.Fol.

Birth of Merlin-–P.4°

22 A Catalogue of‘Plays. . .

Example-- -T.4

(e) Gamester --C.4°

(f) Gentleman of Venice-T.C. 49

Grateful Servant-—C.4°

Hyde-Park- - C.4°

Humerous Courtier-—C. 4"

Loves Cruelty - T.4°

Lady of Pleasure- C.4°

(g) Maids Revenge- T.4°

Opportunity- -G.4°

Politician-- —C.4.”

Patrick for Ireland H.4.”

Royal Master- -C.4°

School of Complements C.4°

Traytor- -T.4.”

Triumph of Peace—-M.4°

Wedding --.C. 4°

Witty Fair One —C.4°

Young Admiral—- G.4°

Honoria and Mammon-C. 8°

| J(h) Contention of Ajax.)

|| || and Ullyffes, for A-$ M.8°

chilles's Armour--

f"Brothers C. 89

Sisters— C. 89

Doubtful Heir----

(i): Imposture—

Cardinal-->T. C. 8°

| | Court Secret—

UTriumph of Beauty—M. 8°

- #3 Plot from The unlucky Citizen, 8°.

Plot, Part from Gayton's Notts on

Don Quixot, Book 4th, chap. 6th.

(g) Plot from Reynolds' God's Revenge

#" Murther, Folio, Book ad. Aji.7th.

(h) Plot from Ovid's Metamorphosis,

Book 13th.

|Theft Printed together in Ottavo, Lon. 1658.

(i)# are Printed together in 8°,Lond.

1581.

Henry

A Catalogue of Plays. 23.

Henry Shirly. f William Smyth.

Martyr'd Soldier T.4°|Hector of Germany H.4.”

Edward Sherbourn. |- William Strode.

TMedea.- T. 8"|Floating Hiland C. 4'

*Troades T. 8°| . - -

- Gilbert Swinhoe. -

-Sheppard. - --- –

- (c) Fair Irene-——T.4Committee-manCurryed C.I . . . . . . . . . . ."

- * Sir John Suckling.George Sandyr. - - - - -

| Aglaura-–T.C. 8°

(a) Chris's Pasion- T. 8"|Bremoralt-——T. 83

| Goblins- - T. 8°

.# * j, Swallow. Sad one-- -T.8°

Cynthia's Revenge—T. 4° Lewis Sharp.

Edward Sharpham. Noble Stranger. C. 4”

Fleir- —c.4: john Smyth. . .

*- - - - --- " - - -

William Sampfon, v. Markham. |Cytherea--- —C. 4.

Wow Breaker—— -T. 4' sir Robert Stapleton. . . . .* . .

- - -

-

-

-- ****,

~ : ... " . - * – f – ". -

... . . . . Thu. Stanley. . . . . . . . (d} Hero and Leander.--T.4°

- - - Slighted Maid C. 4°,

(b) Clouds —Fol. -

* -., - . . . . - : *-

-

. . . . . . . . . . . (c) Plot fon Bandello's Novel, Turkihj Tian latedfrom Seneca's Traetdy. (# Life:£#

* 22%an lated from Hugo Grotius. |* All Printed with his Poems, 8° Lond.

by Fanta d from Ariftophanes, Print- . 1648. t

#######iflory of Philosophy, nor- (d) From Ovid's Epiftlts, and Muses E

b Publish. Folio. - - rotopegnion Gr. Lat.-

". .-

Tho--

24. A Catalogue of Plays.

Th9. St. Serf:

Tarugoes Wiles

|(k) Female Prelate - T.4°

Heir of Morocco -T.4°

(l) lbrahim T.4°

—C.4° (m) Love and Revenge—T.C. 4°

(n) Pastor Fido-----P. 4'

Tho. Shadwel. ."

- Sir Charles Sidley.

Epsom Well +----C. 4° -

£ s— -C. 4°|(0) Anthony and Cleopatra--T.4°

Lancashire Witches- C. 4° ( p ) Bellamira- —G. 4°

(a ) Libertine .C. 4°| Mulberry-Garden -C.4°

(b) Miser----C.4° * . .

( c. )'...T.f3. 4. - - - Tho. Shipman.

(d) Royal Shepherdess • 4.

(e) s'£ C. 4” (q) Henry the 3d.of France-T.4°

(f) Timon of Athens T.4° - -

True Widow ---—C.4° Charler Saunders. .

Virtuoso - C.4.”

Woman Captain-----C.4" (r) Tamerlane the Great-T.4°

Elkanah Settle.

. (es K. of Persia–T. 4" | Difappointment(g) Cambyses K. of Perf £ (f) Loyal Brother

Empress of Morocco -T.4° -

--T.4°

(h) Conquest of China

(i) Fatal Love

(a ) Plot from Molliere's L'Athee Fou

droye. -

(b. ) Plot from Molliere's L'Avaree.

(c) Plot, Apuleii Aureus Afrinus.

( d.) From Reward of virtue, 4°.

e J Plot from Molliere's Les Facheaux.f } Part from Shakspear.

g

Amianus Marcellinus, Lib. 23.

Tho. Southern.

-C. 4”

T.C. 4'

* * * > . . .

(k) Plot from Platina, &c. Life and

feath of Pope Joan, 88.

1), Plot from The Illustrious Baffa, Fol.

m.) From Fatal Contra&, 4°.

n) From Fanshaw's Tranflation of Guafini.

(o) Plot, Plutarch's Life of M. Antho

n

- chus.

(#n owns * *Plot, Justin's Hist. Lib. 1. Cap. 9. P.) The Ground from Terences *

f icles.(h), Plot, Heylin's Cofnography, Book #3 Yom the French Chronicles

r

3d, and Conquest of China, By Senior (

Palafax, Englished, 8°.

(i) Plot, Achilles Tatius's Clitophon and

Leucippe, 8° Book 5th.

Plot, Afteria and Tamerlain, a No

vel, 8°, - -

(f) Plot, Tachmas K. of Perfia, a No

7tl, 8°.

Cyril

ACatalogue of Plays.

cyril Turneur. |

Asia.Tagar–14:Loyal Brother T. C.4°

. . . . john Tateham. |

Distracted State- .4(a) Rump C. 4"

Scotts Vagaries —C. 4”

(b) Love Crowns the end-C. 8°

... Nich. Trott.

Arthur—-T.

* Robert Taylor.

Hoghasloft his Pearl

- The Thompfn.

Ens' Rogue--C.4°(c) Mother Shipton's Life C. 4°... and Death - } • 4.

Nat. Tate.

(d) Brutus of Alba - T.4°

(e) Cuckolds Haven-C.4°

t -

-

a) put few English chronicle: -

b) Printed with his Pot", London,

1651. -

(c) part of the Lang'4: from the City

" Madam; and plot from a Books? called

in Proft, 4°.

- {: } Book 4th.Piot, Virgil's AEmeiads,

From Eastward Hoe.

25

(f) Duke and:P: 4”

(g ) Ingratitude o # o

Common-wealth- T.C.4

(b) Island Princes T.C. 4”

Loyal General T. 4°

( ; ) Lear and his 3Daughters--T.4°(k) Richard theSecond-H.4°

* S. Tuke.

Adventures of5 Hours---C 4’

Richard Tak.

Divine Comedian

john Tutchin.

C. 4°

(1) unfortunate shepherd—P. 8°

john Webffer, v. Decker.

(m) Appius and Virginia-T 4"

( n 5 Devil's Law–Cafe-T.C. 4'

Sutchess of Malfey - -T.4°

White Devil- -T.4°

- H.4°\ Thracian Wonder

£ for a Cuckold-C.4°

f) From Trapolin fuppes'd a Prince, 8°.

£) part from Shakspear's Coriolanus.#5 Reviv'd from Shakspear.

ij Reviv'd from Shakspear. --

k') Reviv'd from Shakspear. -

15 printed with his Patns, Lond. 1686.

Y m.) Plot, Livy's Hijiory.

(n } Part of the plot in Schenchii Rario

run Observationum. .. -

| By webfier and Rowley.

E Len is

26

... ". .

*R*—le

William Wayer. -

The longer thou liv't the":C.

Fool thou are .. -

George Wapul.

Tyde tarryeth for no Inan- C.

- - Nairoods. |

coniaorches P.

R. ra.

Luffy juventus— -l.

- Ran rift. - -

eablersProphecie—-c. *

- jobn Wilfin.

(a) AndronicusComenius-T.4°

Cheat -C.4°

Projectors- C.4°

- 5. Woffon.

f Amonogen—T.c. *

a) Plot from Heylin's

(B£ of£

# Plat fran Strabo,

Curtins, Lib. 6.

Cofnography in the

Lib. 11, Quintus

-->

A Catalogue of Plays.

Robert Wilmot. *

(b) Tancred and Gilmed—r. 4."

Garg. Wilkins, v. Day.

Missie of införed Marriage.T.C.4.

john Wright...f

*These T. So

o#=#:

| Leonard Willan.

|(4) Atra-—P 8.

Edmund Waller,

..[(e ) Pompey-–T. 4°

William Wycherly.

Country wife -C.4°

Sentleman Dancing Maffer-C. 4°

Love in a Wood - C.4°

Plain Dealer G.4°

-Whitakr.

Conspiracy - T.4°.

Robert Tarrington.

Twe Tragedies inOne-T-4

(b) Plot from Boccace', Novels, 1.fi. Ng

7tl, 4th Day. -

(c) Both in one Volunt, 8°, Lond. 1674,

the former from Seneca. -

#lot from a Romance/o falled,8: } From Corneille.

Suppofed

Adalgue of Ple.

Sipof d Au-

-- - - R-4. -- :... "

(a) Valiant Welchman–T.C. 4°

H. B. . . .

(b) Landagartha-C.4°||

.#idly and N

(e) Plutus—G. 8"|

. ... --- H. H. B. . . . "

... -- ... " * P. B. ... " - ... |-->

. . . j.c. :

Merry Milkmaids—C.4"|

- R.c. :

A's KefArms"—c.

(d) Ignoramus---—G.4°

j.D. ||

Hell's higher Court of Juffice—I.4"||

Mall----C. 4'

-

* -

- -−.

(a) Plotfan British Chronicles.

b) Written by Henry Burnell.

Translated from#"c? - |

uppoftd to be Peter Bel

|

27.

T Hou Rs. . .

- - T. D. .

Bloody Banquet- T.4°

e) Fool turn’d Critick-C.4°

- {f) Pfiche Debauch'd--F. 4°

S.H.

... B. j. * . ,

GuyofWarwick—T.

*::::}re

T.P.

|

{) witty Combat-T.C. 4°,

) French Conjurer-G.4°

Monfieur P. P.

*(i) *-*-*-** *****

3's

e) Aftrib'd to Tho. Durfey.

f) Said to be Writ by Tho. Duffet.

Suppofed to be Mathew Medbourn. *

(g) Plot, part of it from Gusman's Fol in

the Story of Dorido and Cloridia.

(h) Plot from the German Prince', a No.

.vel, 8°:

(i) Put into Muffek, by *urgributt.d) Translated from the Latin Potn foQ:" " f

E 2 S.

28.

S. P.

* * * : * , , , *

(*) Troades.--—T 8°

T. R. . .

(b). Extravagant Shepherdi-P.8°* - - -

-

*...*- - - - -

, - *

- , , ---->| | | | : ) : . ...C. '

. ...------- W. R.

*** * *

- *

" 2'' . s \.

Three Lords and Ladies of Lond...C.

** Mrs. Matt flank: '.'

Gammer Gurton's Needle--C.4°

-

* * , ; : - .-

• A ----***-*... . . . . . . * * * * * *

j. S. -

3 *

Miguerade DuCel M.

(e) Phillis of Syros-P.8%

(d) Andromana---T.4°

S. S.'.

(' Suppoßd to be Writ by Samuel Por

- ... dage, being Printtd with his Potims,8° Lond, 1660. -

b) Translated from Corneille.

c) Tran lated from the Italian of C. Guiubaldó di Bonarelli.

(d) Plot from Sir Philip Sidney's Arcadia,

in the Story of Plangus, p. 155.

(e) In a Book call'd The fernory of

Plays, 8° Lond, 1662. Plot from Mat- tchiavil's Marriage of Belphegor, a No

vel, Folio: The fame is Printta with

Quevedo's Novtls, 8°. -

-

* ,

A Catalogue of Plays.

... f. , , 7.3. \

e) Grim the Collier of 7- c. -

t Croyden - f' 3c. 8

(f) Troas----T.4°

'# *i-sac. W.' 'wis' ' ' )

(g) Electra- – T. 39

Apollo Shroving--—C. 8"

-

* - • * * * * -

- - - --------E.-W. -----.'t. . -

|Orgula, of the Fatal Errour--T.4° -

* * *

• * > .

**Mir Mir fat."

(b) Marriage Broker—c. 8:

. . * - -T. W. - • **

-

. . . .

(i ) Thornby-Abby-—H. 8°.

| #.--"::" . . .

.' '. -

- - * W. P. r:. . , " :

Menechmus- C. 4°

- --- - --- -

f) Tranflattd from Seneca.

g) From Sophocles by Christoph, wafe.

h) In the Ternary of Plays, and Plot ,

from English chronicles, in the Reign of

Sebert, King of the weft-Saxons. . . . .

i). In the fami Ternary of Plays, and,

| Tran|lattd from Plautus. ".*

|

onkhown

- A Cata

* -

-"

ogue

* * * *-

- -

. . . .

Abraham's Sacrifice--

(a) Alarm for London-H.4°Albion—. --—I.

Albion's Triumph -—M. 4°

Albumazar- 4.

(b) Aminta- P. 4

AmorousGallant—C.4

Amorous old Woman- • 4.

(e) Arden of Feversham—T.4°

Arraignment of Paris--—P.

*

B.

. . . .

——C.o

- - -

o

*

o

f

-, * * * * T.

T.4:

I.

T.4°

(d) Battle of Aksar

Band-Ruff and Cuff

Baffard. . . "

• *f -

. . . . . "*.

* :"... * is:|- c.

T.

*- : * *

Caesar's Reven

(e) Charles the First

Combat of Gaps

Commons Conditions--

Confiant Nymph

4°

M.

C.

P.4°----

== ~

(a) Plot from the Tragical Hitory of the

city of Antwerp, 4°. -

b) Translated from Taffo, Italian. ..

{}} Plot from Baker, and other English

Chronicles. - - -

(d) Plot from Heylin's Cofnography in the

Hitory of Spain. De Rebus Lusitan:

Unknown Au T H ou Rs.

Coffly Whore

|Cupid's Whirligig-—c. 4°

of Plays. 29

* .

-

-

-C. ©

(f) Contention betweenYork

and Lancaster, 2 Parts

Counterfeits-——6. 4”

(g) Counterfeit Bridegroom-C. 4: .

(h) Country Captain—-C. 8."

Cromwell's Conspiracy T. C.

Cruel Debtor -

Cyrus King of Perfia

* D. . . . -

ythias-—H.

... I

- - -T.

Damon and P

- # ) Debauchee-C.4°

eftruction of Jerusalem

DickScorner-——

(k) Divine Masque- M.4°

Doctor Dodipol——c.4:

| E."

( l ) Edward theThird-—H.4

(m) Elvira——T. c.4:

(f) 'Plot from the second part of shak: -

spear's Henry 6th, Folio.

(g) From No wit like a womans, Ey.Middleton. . . . . . . .

{} Bound with the Varieties, 89. . .

i.) From Brome's. Mad Couple well &

Matcht. . . . . . . . . . . . . .

(2 Plot from Holy Scripture, Jeroboam, !

(1) Plot fifth English Chronicles. . . . .

(m) Aftrib'd to the Lord Digby. . . . .By Andr. Schottum, Folio.

(e) Plot from Englishchronicles,- -

(a) Empress,

(a) Empress of Morocco—F.4°

(b) English Princess T.4.”

Enough's as good as a Feast-C.I .

Every Woman in her Humour-G.4°

- c. F. -

(c) Faithful Shepherd---P. 4°.

FairEm—C.4°|

Fair Maid of Bristol—H. 4°

Factious Citizen-C. 4°

Fatal jealousie -T.4°

Fidele and Fortunatus---

(d) Feign'd Airologer—C. 8"Pree-Will- - - * * *

(e) Flora's Vagaries

-

C. 4° • * * --

(f) Fond Lady--- owial Crew— 1.4

Fulgius and Lucrelle--- K.

: " - G - || King Edgar and£" " " ' " | King and Queen's Entertain- * ,

gendle-craft—c.4: 'Richmon:"Ghoff-----C.4° Knave in Grain --C. 4".

... " r , |Knack how to know an homeftMan

H. ': how to know aKnave.C.4.”

navery in all Trades C.4°

(£ the Fifth,with the# * Knight of the Golden Shield–H."attle of Agencourt •4.

(h) Héctors .G.4"| L.

Histriornaftix C. 4° * “ . . . . . . . - -

H * - - .4° Lady Alimony-------C.4°offman- T.4 Laws of Nature - C.

- - - -Levellers levelrd— I.

ta) said t, it wit by Tho. Duffet ||iberality and Prodigality-C.{b\ Aftrib'd to J. Carell, Lingua ------C.4°

# !#:# Il# AM London Carticleers—F. 4°

471 - - - - - - -

fieur£ ch of * Look*you-G.4°

Aftrib'd to Rhodes.-c -

{ #3 The fame with the Amorous old Wo

man, only a differint Title.

A Catalogue of Plays,How to chuse a good Wife

... from a bad one !ce

j.

acob and Esau- c.

ack Drum’s Entertainment –C.4°

ack luggler----

#. Life and Death-H.4")

ames the Fourth- H.'

eronimo, 2 Parts —T. 4"

mpatient Poverty -

t Imperial Tragedy-T. Fol.:

Interlude ofYouth-—I:# the Evangelist----.'

-

* -

'-'-

ofeph's Afflictions * *

~r

| Plots from English Chronicles.{#3 Plot from English Chronicles.

Aftrib'd to Edm. Prestwith.

# Aftrib'd to Sir William Kille AmtiTranslated from the Latin. grew,

- Loft

-

|

{

Loft Lady - T.C. Fol.

LoveA-la-mode--C.Fol.

Loves Loadstone-C. 4°

Lumenalia - - --M.4°

( a ) Eyer - --C. 4°

M.

‘Manhood—and Wisdom--- -

(b) Marcus Tullius Cicero-T.4°

Marriage of Wit and Science I.

Masque of Flowers—M.4°

(c) Masque at Ludlow Castle-M

( d.)£"#. ..

MercuriusBritannicus—C.4°

Merry Devil ofEdmonton-–C.4°

(e) Morning Ramble–C.4°Mucedorus o

-—C.

(f) Muñof Newmarket—F.:

- N.

(g) Nero's Life and Death—T.4°

New Custom --I. 4°

New-market Fair- F.4°

New Trick to cheat the Devi-C4'Nice Wanton

No-Body and Some-Body—H.4°

O.

-

H.4°

Oldwives Tale--

(b) Orlando Furioso

a ). From Corneille's Le Menteur.

{ b% Plot from Plutarch in vitam Ciceron15.

c) Aftrib'd to J. Milton.

d } Plot from Giraffi's Hiffery of Naples,

English’d by James Howel. . .

e) Said to be Writ by Mr. Pane.

f) Thru Drolls follin from fivtral Plays.

{g) Plot from Suetonius. -

h). Play from Ariosto's Potn fo call'd,

ACalgaey ?lays. 3 I

... P.

|

( i)Patient Grisis—c

GPedler's Prophecie •

"PhilotusScotch--—G.4s

Pinder of Wakefield –G.4°

( k.) Piso's Conspiracy -T.4°

Presbyterian Lash——T.C.

(l) Prince of Priggs C. 4°,

'Promises of God manifested

Promus and Gaffandra, 2 Parts

Queen -—T.C.4°

R.

(m) RamblingJustice-C.4

(n ) Rampant Alderman—F.4°

(o) Revenge -C.4°

(p) Rehearsal --F.4°

( q) Reformation- -C. 4°

Religious Rebel—T.C. 4°

(r) Return from Parnaffus—C.4°

(i) Plot from Boccace's Novels, Day 19, .

Novel Io. Folio. -

{k} Plot from Suetonius, in Vitam Nero-.n15.

1) Plot from Hyne's Pranks, 8*.

{ : ),4ferib'd to J. Lenard, Part fromMiddleton's More Diffemblers befides

Women, 80. -

(n) From the Fine Companion, and "--

ther Plays.

(o) Aferib'd to Mrs. Behn, but Borrowlds

all from Marston's Dutch Courtezan.

(p) said to be Writ by the late Duke of *

Buckingham.

Fal. Englished by Sir J. Harrington.

-

q) By Mr. Arrowsmith.

r) A/trib'd to Sir William D'Avenant

Rivals

32

Rivals -

Robin Conscience

Robin Hood's Pastoral May-games

Rob. Hood and his Crew of Soldiers

Royal Masque at*}”. 4°

Court -

(a) Romulus and Herfilia-T.4°

—T.C•4°

-

S.

Salmacida Spolia M.4°

(b) Siege of Constantinople-T.4°

Sicillides a Pifcatory Drama— P.4°

Sir Gyles Goofecap—C.4°

(c) Sir Solomon C.4.”

Solimon and Perfeda- -T.4°

Sophifter—— —C.4.”

(d) Sport upon Sport.--Drolls--

Spanish Baud —T. C. 4°

Step-mother—- T. C. 4°,

( e.) Strange Discovery-—T. C. 4”

Sufanna’s Tears- -

Swetnam the Woman-hater" o

* Arraigned !C. 4.

T.

Tempe Restored— M.4°

(a) Plot from Livius, Lib 1: Ovidii Me

tamorph. Lib. 14.

(b), Plot from Heylin's Cofnography, Book

2d.in the Dfcription of Greece,and Con

fiantinopolis à Mahammada, 2da, ex

pugnata, Fol. -

(c) Altrib'd to John Carrel, from Corne

ille's L'Escote des Femmes, 89.

(d) A Colltétion of Drolls taken fromPlays, Printed in 8° Lond. 1673.

(e). Plot from Heliodorus Emiffenus AE

thiopicorum, Lib. 10. The fame is in

English, 8° 1687.-

A Cital gue of Plus.Therfytes-------I.

(f) Tom Effence-——C. 4°

Tom Tyler and his Wife—1.4°

Traytor to himself --I.4.”

(g) True Trojans—H.4°

# of Chivalry--

Tryal of Treasure-- •

(h) Tunbride-Wells C.4°

Tyrannical Government *

v.

Valiant Scot - -T.4°

(i) Varieties— C.8°

(k) unfortunate usurper-T.4°

ungrateful Favourite——T.4°

W.

Warning for Fair Women--T.4°

Wealth and Health

Weakest goes to the Wall C.4°

Wily beguil'd C. 4”

Wine Beer Ale and Tobaco-–I. 4°

(l) Wits led by the Nofe-–C. 4"

Wit of a Woman 4”

Woman turn'd Bully

Woman will have her Will—C. 4°

-

-ć. 4°

(f) Part from Molliere's Le Cocu Imaginarie. C. 89.

(g) Plot from Liv. Lib. 5. Caesaris

Coment. Lib. 4 & 5. Galfridus ap Ar

thur Monumetensis. De Geflis Regum

Brittannia, Lib. 4.

(h) That and Tom Effence aftrib'd to Mr.

k.) Plot from Heylin's Cofnography, in the

Defaription of Greece.

Rawlins.

{ ) Bound with the Country Captain, 8°.

(? Part of it taken from Chamberlain's

ove's Victory.

The

<

The Alphabetical IND Ex of PLAY's,

Referring to their A UT HO URS, &c.

*

A.

Pagt

Abdelazar 2

Abraham's Sacrifice 29

Acolastus - 20

A&aon and Diana - 3

Adelphi 2

Adrafta 12

Adventures of 5 Hours 25

Agamemnon 22

Aglaura 23

Agrippa King of Alba 6

Agrippina 17

All for Love 6

All mistaken . . . I 2

All Fools * . . . 3

All for Mony ! I 5

All's lost by Luft. . . 20

All's well that ends well 21

Alaham . 2

Alarum for London 29

Albion ‘ ib,

Albion's Triumph . ib.

Albion and Albanius 6

Albertus Wallenítine Io

Albovine 6

Albumazar 29

Alcibiades I9

Alchimift I2

Alexander:* I4

Alexandrian Tragedy 1

Alphonsus K. of Arragon 27

Alphonsus Emp.of Germ.30

AmaZOn Queen 26

Ambitious Statesman 4.

Amboyna 5

Amends for Ladies 9

Amorous Gallant 29

Amorous old Woman 29

Amorous War 17

Amorous Prince "2

Amorous Fantasm 15

Amynta 6, 20, 29.

- Page

Andrza . . . . 2

Andromache 5

'Andromana 28

Andronicus Commenius 26

Anthony and Cleopatra, 21.24.

Antigone #Antipodes : - 2

Antiquary •- 16

Antonio and Mellida, 16

Antonius. . . ... 19.

Anything for a quietLifers

Appius and Virginia 25

Apocryphal Ladies 18

Apollo Shroving . . . .28

Arcadia " ", 22

Arden of Feversham. 29

Argalus and Parthenia . Io

Ariadne 27.

Ariflippus 2O

Arraignment of Paris 29

; :

Arthur 25

Arviragus and Philitia, two

-Parts .4

As you like it . , 21

Affignation 6

Aftrea - 26

Athiests Tragedy 25

Auringzebe 6

B.

Ball 22

Band-Ruff and Cuff 29

Banditti 7

Bartholomew-Fair I2

Bashful Lover

Bashful Lady I6

Baftard 29

Battle of Alcazar 29

Beggars Bush 8

Bell in Campo . .'s i8

Bellamira, her Dream 14

*

. . . . . . Page

Bellamira,the Mistress 24

Bird in a Cage 22

Birth of Merlin 22

Black Prince 19

Blazing World. 18

Blind Beggar of Alexandria,

of Bednal Green :Blind Lady . I2

Blurt Mr. Constable , 15

Bloody Brother, vide Rollo.

- 8

Bloody Banquet 27

Bondman 16

Bonduca- ... 8

Brazen Age . . . . . II

Brenoralt . . . . . .23

Bridals ... . . . 18

Bride 18,

Britannia Triumphans 6Broken Heart 9.

Brothers 22

Brutus of Alba 25

Buffy D' Amboys's Revenge

- His Tragedy #Byron's Conspiracy ib.

His Tragedy ih.

C.

Califto ... 5

Caius Marius's History andFall

- I9

Cambyses Kof Persia 19.24.

Captain - 8

Cardinal 22

Careless Lovers ... 2O

CarelessShepherdes , Io

Carnival 19

Case is altered , . 13

Cataline's Conspiracy 12Casar Borgia - I

5

F Czfar

SThe I N T) E X. -

Dame Dobson

- Page Page Pagt

Cafar and Pompey 3|Constant Nymph 29|Damoiselle 2

Caesar's Revenge 29 Constantine the Great - 15 Damoiselle A-la-mode 9

Chabot Admiral of France Contention of Ajax and U- |Damon and Pythias 22

22 lifles 22 |Darius's Tragedy I

Challenge at Tilt 12 | Contention for Honour and ||David and Bethsabe 19

Challenge for Beau 11 | Riches 22 || Debauche6 29

Champions ofà:kna: Contention between York |Deorum Dona If

14| and Lancafter 29 Deserving Favourite

Chances 8|Coriolanus 21 |Destruction of Jerusalem29.

Changes 22 I Cornelia 14 - 5

Changling 16|Coronation 3 |Destruction of Troy 3

Charles the Firft 29|Costly whore 29 |Devil's an As 12

Charles the 8th of France 5 Covent-Garden 18 Devil's Charter f.

Chaft Maid in Cheapside 13 | Covent-Garden weeded 2 |Devil's Law-Case 25

Cheats 36 | Covent of Pleasure 18||Devil of a wife I4.

Cheats of Scapin 19| Counterfeits 29 |Dick Scorner 29

Christmas Masque 12|Counterfeit Bridegroom 29 |Dido# Carthage 17

Chrift's Paffion 23| Countess of Pembrook's I- Disappointment 24

Christian turn'd Turk 3 vy-Church 9 |Disobedient Child I3

Cicilia and Clorinda 14|Country Captain 29 |Distresses 6

Cid zo | Country Innocence 15 || Diffraćted State 25

Circe 5|Country Girl 5 | Divine Comedian 25

City Heiress 2 | Country wife 26 |Divine Masque 29

Citizen turn'dGentlemsn2ol Country Wit 5|Doctor Dodipole 29

City Madam 16|Couragious Turk 16|Dočtor Faufus 16

City Match . 17| Court Beggar 2 |Don Carlos Prince of Spain

City': 5 | Court Secret 22 I9

City Politiques $| Coxcomb 8|Double Marriage -

City wit 2 | Cruel Brother 6 | Doubtful Heir 22

Claricilla . M4|Custome of the Country 8, Duke and no Duke 25

Cleopatra 5. 17 | Cromwell's History 2 I Duke of Guise 7

Cloridia 12 | Cunning Lover 2 | Duke of Lerma I*

Clouds 23| Cuckolds Haven 25 | Duke of Millain 16

Cobler's Prophecy 26|Cupidand Death 22 | Duke's Miftress 22

Calum Britannicum 4.6 | Cruel Debtor 291, Dumb Knight 17

Colas# 1 | Crafus 1 | Dumb Lady 15

Combat of Caps 29 | Cupid's Whirligig 29 | Dutch Courtezan 16

Combatof Love andFriend-|Cupid's Revenge 8] Dutch Lover 3.

[hip - 17 | Cure for a Cuckold 25 | Dutchess of Mal 25

Comedy of Errours - 21 Cutter of Coleman-street 4 | Dutchess of Suffo II

Commonwealth of Women Cymbeline 21 - * *

7| Cynthia's Revels I 2 E.

Committe-man Curried 23 Cynthia's Revenge 23 -

Commons Conditions 29 Cytherea 23|EastwardHoe 3.13

Conflićt of Conscience 26, Cyrus King of Perfia 29 |Edgar * I

Conquest of China 24 Edward the Firft 19

-ofGranada 7 D. ^ Edward the Second 17

Conspiracy 14, 26 Edward the Third 29

£ Maid 22 Qu | IIEdward the Fourth

* r

&

The IND EPagt

Elder Brother 8

Elećtra 28

Elizabeth's Troubles II

Elvira 29

Emperour of the East 16

Emperour of the Moon 3

Empress of Morocco T.& F. Faithful Shepherdess 8

24, 30. False Favourite disgrac'd Io

Enchanted Lovers 15 False Count 3

Endimion 14| False One 8

English Lawyer 2 Family of Love I5

English Monfieur 12 || Fancies 9

English Moor 2 / Fancies Festivals 13

English Princes 33| Fatal Contra& 12

English Rogue 25 | Fatal Dowry 16

English Traveller 11 || Fatal Love 24

Enough's as good as a Feaft|Fatal Jealousie 3o

Entertainment at K. James's Fawn 16

Coronation 12 ||Feign'd Astrologer 3o

-of K. James, and Q | Feign'd Courtezans 3.

Ann, at Theobalds , 12 | Ferex and Porex 19

-ofthe K. of England, Female Prelate 24

and the King of Den- Female Academy 18

mark, at Theobalds, 12 ||Fidele and Fortunatus 36

-on the Prince's Birth-|Fine Companion 16|

* Day 17|Fleir 23

-of the Q and Prince |Floating Island 23

at Althrop 12 | Flora's Vagaries 3o

of King and Queen at |Fond Lad 33

High-gate 12|Fond Husband .

Epsom wells 24|Foolturn'd Critick .. 7

Erminia 9|Fool would be a Favorite4

Evening Love 7|| Forc'd Marriage 3

EveryMan in hisHumour, 2 |Fortunate Isles I2

Every Man out of his Hu-Fortune by Land and Sea 1Inour 12. Fortunatus 5

Every woman in her Hu-|Four P.P. II

mout 30|Four London Prentices 11

Eunuchus 2 |Four Plays in One 8

Example . .22 || Fox ... 12

Excommunicated Prince 3 |Free will . 3o

Extravagant Shepherd 28|Friendship in Fashion 19French Conjurer 27

F. Frver Bacon IO

F: and Lucrelle 30

Fa&ious Citizen 3o -

Fair Em 3o G.

Fair Favourite 6

Fair Irene a3l Gallathea J4

- > Page

Fair Maid of Bristol 30

--Maid of the Weft in

-of the Exchange 11

-of the Inn 8

Fair Quarrel 16

Faithful Shepherd 3o

Y-***

|- P.”

| Gaine at Chess A $.

Gamcfter 22

Gamer Gurton's Needle 28

Generous Enemies $

Gentle Craft 3>

Gentleman Dancing-Master

26

of Venice 22

Ußher 13

-ofVerona 21

Ghost 3o

Glass of Government to

Gloriana 15

Goblins 23

Golden Age I It

Golden Age restored 12

Grateful Servant 22

Great Duke of Florence 16

Green's Tu 3.

Grim the of Croy

den 28

|Gripus and Hegio r

ian 4. 16.

Guy of warwick sy

Hamlet Pr. of Denmark 2 s.

Hannibal and Scipio 13

7|Heautontimorumenos - 2

Hector of Germany as

He&ors 19

Hecyra 2

Heir of Morocco 24

Heir 17

# higher Court of Ju

£h d of France 27Hen © 20 O 2

# the#. #

Henry the 5th 21. 19

-Item, with the Battle of

Agencourt 3G>

Henry the 6th,3 PartsShak

Jptar 2E

Henry the 8th, 2 Pts. Crown

5

|Heraclius Emp. ofthe Eaff:Hercules Furiens II

Hercules Cetus 22

F 2 Hero

The IN DE X.

Paget'. Page

Hero and Leander 23|Imperiale IO

Herod and Antipater 17|Imperial Tragedy 3o

Herod and Mariamne 19|Impofiure 22

Hey for Honesty down with Indian Emperour 7£ 20 Indian Queen I2

Hic & Ubique 12| Ingratitude of a Common

Hippolitus 19, 22 wealth . 25

Histrioma ftix 30|Injured Princes 7

Hoffman 30|Inner-Temple Masque 15

Hoghath loft his Pearl 35 |Infatiate Countes 16

. Hollander Io' of Youth 3o

olland's Leaguer 16 | |0Caita - IO

# Law : 28 # the Evangelist 3o

Honoria and Mamon 22 ||John King of £ngland 21

Honest Man's Fortune 8 John and Matilda 5

Honeft Whore 5# - - IO

Honour of Wales 13|Joseph's Afflictions 3o

Horace 4, 19|Jovial Crew 2. 30

Horatius s' 15 Irish Masque 13

How to chure a good Wife|Iron Age I in

from a bad 30 | Isle of Gulls 5

Humerous Lovers 18 Island Princes 8

Humerous Courtier 22 Iuliana Princess of Poland 5

Humerous Days-Mirth 3|Julius Caesar I. 2 I

Humerous Lieutenant 8|Just General 17

Humorifts 24|Juft Italian 6

Humour out of Breath, 5 || -

Hyde Park ' ' ' ' 22 K.

Hymenai - 13|_.

Wymens Triumph 5|Kind Keeper. 7

King and no King 8

, * J. * |K: Edgar and Alfreda 21.3

King's Entertainment at

Jack Drum's Entertainment]. Welbeck 13

30|King andQueen's Entertain

ack Jugler ib. I ment at Richmond 3

ack Straw's Life andDeath |K. Lear, and his 3Daughters

20. - 25

acob and Eau ib. Knack to know an honeft

ames the 4th ib, Man 30

Ibrahim 24- Knack to know a Knave 30

ealous Lovers 2d Knave in Grain 3o

eronymo - 30|Knavery in all Trades 3

ew of Malta 17|Knight of the Burning Pe

ews Tragedy 12 | ftle 8

f this bent a good Play the Knight of the GoldenShield

Devil's in't. 5 - - 30

Ignoramus 27|Knight of Malta 8

Impatient Poverty 3ol -

L.

- Page

Lady Alimony 3o

Lady Contemplation i8.

LadyErrant 4.

Lady of Pleasure 22

Ladies Tryal 9

Ladies Priviledge IO

Lancashire Witches 24, 11

Landgartha 27

laws of Candy 8

Law against Lovers 6.

Laws of Nature 3o

Law Tricks 5

Levellers Levell'd 30

Lears Tragedy 21

Liberality & Prodigality20Libertine 24

like Will to like, quoth the

Devil to the Collier - 9

Lingua • 3o

Little French Lawyer 8

Locrine 21

London Canticlers 3o

London Prodigal 2 I

Look about you 3o

Looking-Glass for Lond.1o

London Cuckolds 21

Loft Lady 3 I

Love A-la-mode, 31

Love Crowns the End 25

Love in its Extasie 2O

Love freed from Ignorance,

By B. F. Omitted

Love and Honour 6

Love in the Dark . . . Io

Love loft in the Dark, Omit

Love reflored 13

Love and Revenge 24.

Love-fick King . . . I

Love-fick Court. 1, …. ~ 2:

Love in a Tub 8

Love and War 17

Love in a Wood 26.

Loves Adventures 18

Loves Cure 8

Loves Cruelty .22

Loves Dominion : 9

Loves Kingdom . . .9

Loves

-

The IND EX.

• *- *

Page - Page [... . Page

Loves labour loft 21 Marriage Night 12|Miseries of inforc'd Marr.”

Loves Labyrinth 9|Marriage of the Arts 11 ||Miftaken Husband 7

Loves Loadstone 31 Marriage of Oceanus and Mithridates 15

Lovers Melancholy 9| Britannica 9| Mock Tempest 8

Loves Metamorphosis 14|-of Wit and Science 31 Mock Duelleft 27.

Loves Miftress , - In Marlam 4; Mony is an Ass 13

Loves Pilgrimage 8| Marcelia. 2| Monfieur Thomas 8

Lovers Progress 8 Marcus Tull, Cicero 31 Morning Ramble I

Loves Riddle 4|Marius and Scylla 15 More Diffemblers*Loves Sacrifice 9| Martyr 15 || Women " I6

Loves Triumph. 4. 13 Martyr'd Soldier 23|Mortimer's Fall 13:

Loves Vićtory 4 Mary Q. of Scotland 3|Monsieur D'Olive 3.

Loves Welcome 13| Mary Magdalen's Repent 2 |Mother Bomby . I4

Love will find out the way | Masque of Augurs 13|Mother Shipton's L&D. 2;

Loving Enemies 17| Masque at the L. Hadding. Mucedorus ... 31.

Lucius Junius Brutus 15 ton's House. *3|Much adoeabout nothing 31.Luminalia 31|Masque of Greys-Inn Gent.8 Mulberry Garden. 24

Lufts Dominion 17|Masque at Ludlow-Castle 3 [Muleaffes the Turk 17.

Lufty Juventus - 26 MaqueoftheMiddle-Temp. Muses Looking-glass 2O,

Loyal Brother 25 ... and Lincolns-Inn Gent. 3|Muse of Newmarket 31,

Loyal Gentleman 25 Masquerade Du Ciel 28|Muftapha 1-2,19

Loyal Lovers '' 17| Mafiacree at Paris 17|, | . . . .

Loyal Subjećt 8 Maílianello 31 N. : . - *

Lucky Chance 3|Masque of Owls 13 * *

Lyer * 31|Masque of Flowers 31|Natures 3 Daughters 18

M Masque of Queens 13|Neptune's Triumph 13.

* - Match me in London 5||Nero, newly Written 13Mackbeth 21|Match at Midnights 20||Nero's Life and Death 31

Mad Couple well Matcht 2 |Matrimonial Trouble 18||New Custom . . . .31,Madam Fickle 8: May-Day - 3 New Exchange 2

Mad Lover 8 Mayor of Quinborough 15||New Inn 13 .

Mad World my Masters 15 |Measure for Measure 21 |Newmarket Fair 3

Magnetick Lady 13 Medea 21. 23||New Trick to cheat the De

Maid of Honour 16|| Menechmus 28 vil 31

Maid in the Mill 8|Merchant of Venice ... 21 |New way to pay old debts 16

Maids Metamorphosis 14 Mercurius Britannicus 31 | News from the world in

Maids of Moor-clack - 1: Mercury Vindicated 13|, the Moon 13."

Maids Revenge 22 MerryDevilof Edmonton31 'News from Plymouth : 6

Maiden Queen 7. Merry Milkmaids 27||Nice Valour 9.

Maids Tragedy ..., , -9. Merry wives of windsor21 ||Nice wanton . . . 3r's

Maidenhead well loft's 11: Meffilina 20||Nicomede- 5.

Male-Content "** 16: Metamorphofed Gipfies 13|Night-Walker . . . . , 9

Mall 27 Michaelmas-Term ' ' (15|Noah's Flood. . . . , 8.Man of Mode 8||Microcosmus ... ;- 17||No|Body andSome-Body3r

Manhood and Wisdom 3, #. * - 14||Noble Gentleman 91

Man's the Mafter 6|Midsumer Nights Dream 21 ||Noble Ingratitude I5 x

Man of Newmarket 12 || Mirza --> 1|Noble Spanish Soldier, By,

Marriage A-la-mode 7|Miffer - - 24 S. R. Omitted. ,

Marriage Broker . . 28'Miseries of Civil War: a 5J Noble Stranger. < 23 :

*. . . . . . . . . . ." Northern:&

-

!

-

-- - - -

The IND EX.-

Page

Northern Lass 2

Northward Hoe 5

Novella 2

Wit *like a Wom.I6

No Help :

*O.

Oberon, the Fairy Prince 13

Obftinate Lady 4

3: #7. I

&#k £21

Old Couple 17

Old Law 6i

Qld Man's Leffon, and a

PagePage

Phormio 2| Queen and Concubine z

Pićture 16| Queen of Corinth 9

Pilgrim 9. 14| Queen's Exchange 2

Pinder of wakefield 31|-Masque of Blackness 13

Piso's Conspiracy ib.|-Masque of Beauty 13

Pity he's a whore: 9 R

Platonick Lovers .6 - -

Play-House to be Lett, , ih. Raging Turk IO

Play of Gentilenes and No- Ram:Alley 2

bility 11|Rambling Justice I5

Play of Love . . ib.

Play between John the Huf.£ his Wife i5.

Play between the Pardoner,

and the Fryer, the Cu

young Man's Love 1 rate,and Neighb. Prat ih.

Old Troop 15|Play of the Weather ib.

Old Wives Tale 31|Plain Dealer 26

£y 22! Pleasure at Kenelworth-Ca

Ordinary 4|... file 10

Creftes 16|Pleasure reconcil'd toWir.13

Urlando Furioso 31|Plutus 27

Orgula a8| Poetafter - I 3

Ormazdes 14|Politician 22

Orphan 19|Politician Cheated Jo

llo,the Moor of Wen.21|Pompey 19.26

Ovid 4|Pope Joan, vide Fem. Prel.

©fmond the Great Turk ib. Poor Man's Comfort $

Poor Schollar 18

P. Pragmatical Jesuit 4

Pallantus and Eudora 14 | Presbiterian ° 31

Pandora - 14|Presence 18

Pan's Anniversary 13|Princes I4

Parliament of Bees 5|Prince of Priggs 31

Parson's wedding 14|Prisoners 14

Paffionate Lovers 4|Projećtors 26

Paftor Fido Io. 24 |Prophetess 9

Patient Gristle 35 |Promus and Caffandra 31

Patrick for Ireland ·22

Pedler's Prophesie 31

Peleus and Thétis 12

Perkin Warbeck 9

Pericles Prince of Tyre 21Philafter 9

Phillis of Scyros 28

Phoenix I 5

Phoenix in her Flames

Philotus, Scotch 31

ilotas 5

Promises ofGod":$0.

Priche 27

Pfiche Debauch'd 27

Publick Woing 18

Puritan Widow * I

Q.

Queen - 31

Queen's Arcadia 5

Queen of Arragon II

Rampant Alderman 31

Rape of Lucrece II

Rebellion 2e

Reformation 3r

Rehearsal 3L

Religions R8

Religious Rebel 31

Renegado I6

Return from Parnaffus $1

Revenge il.

Revenge for Honour &Revengers Tragedy, By

T.£8 y? w

Reward of Virtue 9

Rhodon and Iris I4

Richard the Second 21. 2;

Richard the Third * I

Rival Friends II

Rival Kings 9

Rival£, 7

Rival Queens 15

Rivals 32

Roaring Girl I5

Robert Earl of Huntingdon's Downfall II

-His Death ib.

Robin Hood's PastoralMay

games32

-and his Crew of Soldik.Robin Conscience ib.

Rollo D. of Normandy 8

Roman Aćtor 16

Roman Empress 13

Roman Generals

Romeo & Juliet 2I

Romulus and Herfilia 32Round-heads 3

Rover 3

Royallist 8

-

The IN DEX- Page

Royal Master 22

Royal Masqat Hampt.Court

Royal Slave 4

# Shepherdess 24

Rule a Wife and have a

\.

Wife 9

Rump 25

5,

Sacrifice - IO

Sad One 23

Sad Shepherd I 3

St. Cicil 27

£. Spolia 32.

Sampson Agoneftes 17

Sapho and Phao 14

Scaramouch, &c. - 21

School of Complements 22

Scornful Lady 9

Seet's Figgaries 25

Sea Voyage 9

Seven Cham. of Christen.14

See me and fee me not I

* Sejanus * I3

Selimus IO

Selindra I4

Sertorius 2

Several Wits I8

--

Sforza Duke of Millain ro

She wou'd if five cou’d 8 ||

Shepherds Paradice 17

Shepherds Holyday 2O

Shoomaker a Gentleman 20

Sicelides 32

Sicily and Naples 27

Siege 4, 6

-of Babylon I9

-of Constantinople 32

-ofMemphis 8

--of Rhodes 6

•-of Urbin 14

Silent Woman . . . . . I3

Silver Age ... I d

Sir Courtly Nice 5

Sir Barnaby Whigg 8

Sir Giles Goose-cap 32

Sir Hercules Buffoon 15

$ir Martin Marr-all 7

- Pagt

Sir Patient Fancy 3

Sir Solomon 32

Sifters • 22

Six Days Adventure I 2

Slighted Maid 23

Sociable Compani 18

Soliman and Perfeda 32

Sophifter ib.

Sophonisba 15. 16

6

#Souldier's Fortune I9

Spanish Bawd 32 | Three Lords and Ladies of

-Curate 9 || London 28

-Friar 7| Thyestes T. & F. 3. 1 r. 20

-Gipfies 16, 20. Thyerry, and Theodoret 9

-Rogue 8 [TimeVindicated to himself,

Sparagus Garden 2 ... and to his Honour r?

Speeches at Pr.H. Barriers 13 Timon of Athens, 22, 24

Spightful Sister 3'Titus Andronicus 2:

Sport upon Sport 32| Titus and Berenice. I9

Spring's Glory 18| Tom Effence - ... 32

Squire Old-sap 8|Tom Tyler, and hiswife it.

Staple of News 13|Tottenham-Court 18

Step-Mother . . . * Town Fop . . . . $

State of Innocence 7| Town Shift * 20

Strange Discovery 2|Trapolin suppos'd a Prince4

Stukeley's Life and Deli: Travels of 3 Eng. Broth. 5

vide Battle of Alcazar |Traytor . 22

Sullen Lovers 24|Traytor to himself 32 –

Summers last will and Te-|Trick to catch the old one

ftament I'8 15

Sun's Darling - 9|Trick for Trick 8.

Supposes - - 10|Triumph of Beauty 22

Surprizal r2|-of Love and Antiq 15

£ Tears oysel 32 =:: D 22

Sw ng Damovie 4|-ofthe Pr. D'Amour .5

£ #: Woman-hater|Triumphant Widew

arraigned 32 Troades 23, 29

**: , I i -: . Troas 28. II.

T. Troylus and Cresfida 7. 22

- ... • True Trojans , , , , 32.

Tale of a Tub 13|True widow 24.

Tamberlain the Great 17|Tunbridge Wells 32

Tamerlain the Great , 24|Tryal of Chivalry 32.

Tancred and Gismond 26|Tryal of Treasure

Taming of the Shrew 22|Tryphon 19

Tartu 17| Twelfth-Night 22

Tarugo's Wiles 24| Twins 2O

Tempe reflored 32 | Two Noble Kinsmen 9 |

Pagt

Temple 3

Temple of Love 6

Tempeft 7, 22

The longer thou livest, the

more Fool thou art 25

R8Thebais

Theodofius 15

Therytes * 2:

Thomaso I4

Thornby-Abby 2 p.

Thracian Wonder 25.

... . . . \ \

Two,

*

* *

-

*

$7"he I N DE X.-

*

- . . . . Pagt

Two Tragedies in one 26

Two angry Wom, cf Ab.19

Tyde tarryeth for no man26

Tyranuiçal Government 32

Tyrannick Love 7

Two wife Men, and all the

rest Fools 2." -- 3

... 1 ". . . .

: Y. . . . . . .

Valentinian . . . 9Valiant Scot | 32

Valiant Welchman 27

Varietics .. . . .32

Very Woman I6

Unfortunate Lovers 6

Unfortunate Shepheard 25

Unfortunate Mother 18

Unfortunate Usurper 32

Un rateful£ 32

d Favourite,EJiz 3

£ Combat, 16

Linnatural Tragedy, 1 - 18

Wealthand Health ib.

| Wedding 32.

Westward Hoe 5

When you see me, you

wiat's History.

Virtuous wife 8

Virtuoso - 24.

Vision of Delight I3;

Wifion of the 12 Goddefle55

Wow Breaker 23

* w.

walks of Islington & Hog':don 13

Wandring Lover 17

Warning for fair Women32

Weakefigoes to theWall ib.

What you will * 16

know me 2O

White Devil 25

whore of Babylon

#

13Widow

Page'- - Page,

Wit without Mony 9.

Wit of a woman .. 32.

Wit at feveral Weapons 9

Wits, By Sir W. D. omitted .

Wits Cabal 18

Wits led by the Nose 32.

Witty Combat. 27

Witty Fair One 22

Woman turn'd Bully 32

-Captain - * 24

—'s Conquest . I2

—kill'd with kindness 11-Hater

-in the Moon . . 14

-'s Prize - - 9

-—will have her will 32

-'sa Weather-Cock 9

women pleas'd ib.

women beware Women 16

wonder, a Woman never

vex'd 2O

wonder of a Kingdom 5

world toss'd at Tennis 16

Usurper - a r2| widow'sTears 3|Wrangling Lovers 2M

Intruffing the humerousPo-|Wife for a Month 9| 1 * -

et . .. 5 ||Wild Gallant 7 Y.

Venice preserved . 19|Wild-Goose Chase 9 -

Virtue Betray'd , 3|Wily beguil'd 32|Yorkshire Tragedy . . .22

Vestal Virgin . . . . 12|Wine,Beer,Al4,& Tobac. ib. Young Admiral , , ih.

Villain . . . 19| Winter's Tale 22|Your five Gallants 16

Virgin Martyr- 16|Wisewoman of Hogsdon 11 |Youth's Glory, and Death's

Virgin widdow. 20|Witch of Edmonton 5], Banquet ". . . . 18

, Virtuous O&avia __1 | Wit in a Constable 1ol Young King . 3

:*

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-

-

. . . A D VERTIs E MENT . .

-

-

. C. Stand, for comedy, T. Tragedy, T. C. T.regreme.

* O. Opera, H. Hi/tory, P. Pafforal, I. Interlude, and E.

- Entertainment. . . : -

--- ... it

- "f

-

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FAR 18 t.

2 p. 4

T)" / 2.3

Zzola. 54.6°Col

D7 L2.3

RESTRICTED

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