raspored / Schedule

petak, 31. srpnja

Friday, 31st of July

subota, 1. kolovoza

Saturday, 1st of August

ponedjeljak, 3. kolovoza

Monday, 3rd of August

utorak, 4. kolovoza

Tuesday, 4th of August

četvrtak, 6. kolovoza

Thursday, 6th of August

koncert u Crkvi sv. Marije u Starom gradu Pagu u 21h / concert in St. Mary’s Church in the Old Town Pag at 9p.m.

Monika Leskovar&Giovanni Sollima, duo violončela / cello duo,

nakon koncerta - otvorenje izložbe fotografi ja Josipa Portade u Crkvi sv. Jurja u Pagu

/ after the concert - opening of the photo exhibition by Josip Portada in St. George’s Church in Pag

koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine’s Church in Novalja at 9p.m.

Monika Leskovar&Giovanni Sollima, duo violončela/cello duo

koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9 p.m.

Lovro Pogorelić, klavir / piano

koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine’s Church in Novalja at 9p.m.

Lovro Pogorelić, klavir / piano

koncert u Crkvi sv. Katarine u Novalji u 21h / concert in St. Catherine’s Church in Novalja at 9p.m.

Nikita Boriso-Glebsky, violina / violin & Krešimir Bedek, gitara / guitar,

nakon koncerta - otvorenje izložbe fotografi ja Josipa Portade u Gradskoj vijećnici u Novalji

/ after the concert - opening of the photo exhibition by Josip Portada in the Novalja City Hall

koncert u Crkvi sv. Marije u Starom gradu Pagu u 21h / concert in St. Mary’s Church in the Old Town Pag at 9p.m

Nikita Boriso-Glebsky, violina / violin & Krešimir Bedek, gitara / guitar

petak, 7. kolovoza

Friday, 7th of August

nedjelja, 9. kolovoza

Sunday, 9th of August

PagArtFestival predstavlja mlade glazbenice / PagArtFestival presents young musicians:

koncert u crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9p.m.

Anamarija Milić, violina / violin &Ana Lucić, klavir / piano

koncert u Crkvi sv. Frane u Pagu u 21h / concert in St. Francis’ Church in Pag at 9p.m.

Darko Petrinjak, gitara / guitar

ponedjeljak, 10. kolovoza

Monday, 10th of August

petak, 14. kolovoza

Friday, 14th of August

koncert u Crkvi Gospe Snježne u Mandrama u 21h / concert in the Church of Our Lady od the Snow in Mandre at

9p.m. Darko Petrinjak, gitara/guitar

program se odvija u suradnji s Centrom za kulturu i informacije Paga, Centrom za kulturu Novalje, Gradom Novalja i Općinom Kolan / the program takes

place in co-operation with the Pag Center for Culture and Information, Novalja Center for Culture, Novalja City and Kolan Municipality

Opravdanje umjetnosti je unutarnje sagorijevanje koje pali

u srcu čovjeka, a ne njegova vanjština, otkriveni, javni nas-

tup. Svrha umjetnosti nije oslobađanje trenutne provale

adrenalina nego, prije, postupna, doživotna izgradnja stanja

propitivanja i pomirenja. Glenn Gould, pijanist

Poštovani!

Naš i Vaš festival održavamo već sedamnaest godina, i

najveće priznanje ostvarujemo upravo s ovim ljetom i

pozivom u Novalju i Kolan. PagArtFestival se širi i donosi ra-

dost i ispunjenje sve većem broju ljudi koji nalaze opravda-

nje umjetnosti i spremni su posvetiti večer slušanju klasične,

ozbiljne glazbe, u pregrijanoj crkvi s neudobnim klupama,

bez razglasa, raznobojne rasvjete, dekoracija, i pokušati

doživjeti nešto novo iz fotografi ja detalja otočkog kamena.

S naše strane, puno je propitivanja i puno pomirenja, ali ne

propitujemo smisao ni opravdanje umjetnosti jer ona za nas

znači život.

The justifi cation of art is the internal combustion ignited in

the hearts of men and not its shallow, externalized, public

manifestation. The purpose of art is not the release of a mo-

mentary ejection of adrenaline but is, rather, the gradual,

lifelong construction of a state of wonder and serenity.

Glenn Gould, pianist

Esteemed!

We have held our and your festival for seventeen years

already and we obtain the greatest recognition exactly

with this summer and the invitation to Novalja and Kolan.

PagArtFestival is expanding and brings joy and fulfi lment

to ever increasing number of people that fi nd the justifi ca-

tion of art and are willing to spend an evening by listen-

ing to classical, serious music, in an overheated church with

uncomfortable benches, without a sound system, colourful

lighting and decorations, and try to experience something

new from the photos of island stone details.

On our part, there is a lot of questioning and a lot of rec-

onciliation, but we question neither the meaning nor the

justifi cation of art because it means life to us.

Lovro Pogorelić, umjetnički direktor/Artistic Director

foto/photo by Mio Vesović / MO

Monika Leskovar&Giovanni Sollima, duo violončela/cello duo

M. Marais: izbor iz Suite u d-molu iz Skladbi za violu, 2. knjiga / selection from Suite in D minor from Pieces for Viola, 2nd book

C. Debussy: Preludij za faunovo poslijepodne, obr. G. Sollima / Prelude to the Afternoon of a Faun, arr. by G. Sollima

G. Sollima: Interpretacija snova / The Interpretation of Dreams

Hrvatska violončelistica Monika Leskovar (rođena u Kreutzalu, Njemačka, 1981.) učila je kod D. Berković Magdalenić u glazbenom učilištu Elly Bašić u Zagrebu i kas-nije kod V. Dešpalja. 1996. postaje studentica D. Geringasa pri Visokoj glazbenoj školi Hanns Eisler u Berlinu, gdje je bila asistentica od 2006. do 2011. Od listopada 2012. predaje violončelo na Konzervatoriju Lugano. Na master classima je radila s M. Rostropovičem i B. Greenhousom.Osvojila je nagrade na međunarodnim violončelističkim natjecanjima – Međunarodno natjecanje mladih glazbe-nika Čajkovski (Sendai, 1995.), Antonio Janigro (Zagreb, 1996.), Rostropovič (Pariz, 1997.), Eurovision Grand Prix (Vi-enna, 1998.), Roberto Caruana Stradivari (Milano, 1999.), ARD (München, 2001.), Adam (New Zealand, 2003.). S. Gubaidulin rekla je o njoj: “Monika je perfektno izvela moje Preludije za violončelo solo …Ona je zaista izvanredna, i jed-nostavno ju obožavam ...Monika je vrsta talenta koji se javlja jedino milošću Božjom”.Nastupala je kao solistica s orkestrima kao što su Simfonij-ski orkestar Bavarskog radija, Moskovska fi lharmonija, Fil-harmonije Sendaija, Slovenije, Zagreba, Essena, Simfonijski orkestar St. Petersburga, Praški i Litvanski komorni orkestar, Kremerata Baltica, ansambl Zagrebački solisti, s dirigentima poput V. Gergijeva, T. Hengelbrocka, K. Pendereckog, i na re-citalima, u komornim muzičkim projektima i istaknutim fes-tivalima kao Lockenhaus, Schleswig-Holstein, Rheingau, Du-brovnik, Casals Festival (Tokyo), Rostropovič Festival (Riga), u suradnji s glazbenicima: G. Kremer, J. Bašmet, B. Berezovski, J. Rachlin, I. Golan, T. Zimmermann, S. Gubaidulina, M. Brunello, N. Zneider, J. Jansen i K. Blacher, među ostalima.Od 2005. godine surađuje s violončelistom i skladateljem G. Sollimom, s kojim je snimila album Bili smo drveće, za Sony/BMG. U 2008. snimila je Stamitzov Koncert za violončelo u

Croatian cellist Monika Leskovar (born in Kreutztal, Ger-many, 1981), studied with D. Berković Magdalenić at Elly Bašić Music School in Zagreb and later with Valter Dešpalj. In 1996 she became a student of D. Geringas at the Hanns Eisler Hochschule für Musik in Berlin, where she was an as-sistant from 2006 to 2011. From October 2012 she teaches cello at Lugano Conservatory of Music. In masterclasses she worked together with M. Rostropovitch and B. Greenhouse.Winner of several prizes at international cello competitions - International Tchaikovsky for Young Musicians (Sendai, 1995), Antonio Janigro (Zagreb, 1996), Rostropovich (Paris, 1997), Eurovision Grand Prix (Vienna, 1998), Roberto Ca-ruana Stradivari (Milano, 1999), ARD (München 2001), 5th Adam (New Zealand, 2003). S. Gubaidulina says of her: “Monika perfectly performed my Preludes for solo violoncello… She is truly remarkable, and simply I adore her… Monika is the sort of talent that only appears by the Grace of God”.She performed as a soloist with orchestras such as Bavarian Radio Symphony Orchestra, Moscow Philharmonic, Sendai Philharmonic, Slovenian Philharmonic, St. Petersburg Sym-phony Orchestra, Zagreb Philharmonic, Essen Philharmonic, Prague Chamber Orchestra, Lithuanian Chamber Orchestra, Kremerata Baltica, ensemble Zagreb Soloists, with conduc-tors such as V. Gergiev, T. Hengelbrock, K. Penderecki, and in solo recitals, chamber music projects and noted festivals like Lockenhaus, Schleswig-Holstein, Rheingau, Dubrovnik, Casals Festival (Tokyo), Rostropovich Festival (Riga), collabo-rating with G. Kremer, Y. Bashmet, B. Berezovsky, J. Rachlin, I. Golan, T. Zimmermann, S. Gubaidulina, M. Brunello, N. Znei-der, J. Jansen and K. Blacher, among others.Since 2005, she has collaborated with the cellist and com-poser G. Sollima, with whom she recorded the album We Were Trees, recently published by Sony/BMG. In 2008, she recorded the G-major Cello Concerto by Stamitz and Varia-

G-duru i Danzijeve varijacije na temu iz Don Giovannija za Oemhs classics.Monika Leskovar svira na violončelu Mantegazza, Milano, iz

1765., koje joj je ustupila Akademija Kronberg.

tions on a theme from Don Giovanni by Danzi for the label Oemhs Classics.Monika Leskovar plays a cello by Mantegazza, Milano from 1765, loaned to her by Kronberg Academy.

Giovanni Sollima rođen je u Palermu u obitelji glazbe-

nika. Studirao je violončelo kod G. Perriera i A. Janigra te

kompoziciju sa svojim ocem Eliodorom Sollimom i M. Kele-

menom. Od ranog doba radio je glazbenicima poput C. Ab-

bada, G. Sinopolija, M. Argerich, R. Mutija, J. Bašmeta, K. i M.

Labèque, R. Raimondija, B. Canina, DJ Scannera, V. Mullove,

Patti Smith, Philipa Glassa i Yo-Yo Ma.

Njegovi nastupi s orkestrima i raznim ansamblima (uključujući

Giovanni Sollima Band koji je osnovao u New Yorku 1997.)

razvijaju se među službenim i alternativnim lokacijama:

Muzička akademija Brooklyna, Alice Tully Hall, Knitting Facto-

ry i Carnegie Hall (New York), Wigmore Hall i Queen Elizabeth

Hall (London), Salle Gaveau (Pariz), Santa Cecilia, Romaeu-

ropa festival Teatar San Carlo (Napulj), Kunstfest (Weimar),

Violončelistički festival Kronberga, Time Zones Festival (Bari),

Teatro Massimo, Teatro alla Scala (Milan), Međunarodni

muzički festival u Istanbulu, Cello Biennale (Amsterdam),

Ljetni festival Tokyja, venecijanski Biennale, Festival Ravenne,

Zvuci Dolomita, Festival Ravelloa, Expo 2010 (Šangaj), Con-

certgebouw u Amsterdamu, Filharmonija Liverpoola ...

Paralelno s violončelom njegova ga je znatiželja povukla da

istraži nove granice u polju skladanja kroz kontaminaciju

između različitih žanrova, koristeći također orijentalne instru-

mente kao i električne te mnoge njegove invencije. Surađuje

također s umjetnicima kao što su u plesu K. Armitage i C.

Carlson, u teataru B. Wilson, A. Baricco i P. Stein i u fi lmu M.

Tullio Giordana, P. Greenaway, L. Gjertsen (San otvorenih

očiju, 2007.) i J. Turturro.

Zajedno s violončelistom i skladateljem E. Melozzijem pro-

movirao je projekt 100 violončela ostvaren u Teatru Valle Oc-

cupato u Rimu. Glazbenici svih uzrasta i usmjerenja okupili su

se na tri dana i tri noći violončelističke glazbe, od baroka idući

preko rock glazbe do suvremene pisane “za vrijeme koncer-

Giovanni Sollima was born in Palermo into a family of musicians. He studied cello with G. Perriera and A. Janigro and composition with his father Eliodoro Sollima and M. Kelemen. From an early age, he worked with musicians such as C. Ab-bado, G. Sinopoli, M. Argerich, R. Muti, Y. Bashmet, K. and M. Labèque, R. Raimondi, B. Canino, DJ Scanner, V. Mullova, Patti Smith, Philip Glass and Yo-Yo Ma.His works as a soloist with orchestra and various ensembles (including the Giovanni Sollima Band, which he founded in New York in 1997) unfolds between offi cial and alternative locations: Brooklyn Academy of Music, Alice Tully Hall, Knit-ting Factory and Carnegie Hall (New York), Wigmore Hall and Queen Elizabeth Hall (London), Salle Gaveau (Paris), Santa Ce-cilia, RomaEuropaFestival (Roma), Teatro San Carlo (Naples), Kunstfest (Weimar), Kronberg Cello Festival, Time Zones Fes-tival (Bari), Teatro Massimo, Teatro alla Scala (Milan), Interna-tional Music Festival in Istanbul, Cello Biennale (Amsterdam), Tokyo Summer Festival, Venice Biennale, Ravenna Festival, The Sounds of the Dolomites, Ravello Festival, Expo 2010 (Shang-hai), Concertgebouw in Amsterdam, Liverpool Philharmonic...Parallel with cello, his curiosity led him to explore new fron-tiers in the fi eld of composition through contamination between diff erent genres, also making use of oriental in-struments, electrical and many of his inventions. He also col-laborated with other artists such as K. Armitage and C. Carlson for dance, with B. Wilson, A. Baricco and P. Stein for theater and with M. Tullio Giordana, P. Greenaway, Lasse Gjertsen (DayDream, 2007) and J. Turturro for cinema.Together with the cellist and composer E. Melozzi, he pro-moted the project 100 Violoncelli created at the Teatro Valle Occupato in Rome. Musicians of all ages and formations got together for 3 days and 3 nights of cello music, from baroque over rock music to contemporary music written “during the concerts” - there were no limits. The project was repeated in

ta” – nije bilo ograničenja. Projekt je ponovljen 2013. i 2014. u

Teatru umjetnosti u Milanu. Održat će se i treće izdanje skla-

dateljskog netjecanja i prvo izdanje libretističkog natjecanja.

U 2013. bio je također koncertantni majstor u projektu Noć

Tarante – festival tradicionalne narodne glazbe Salenta (tali-

janska pokrajina Apulia) kojem je vrhunac bio koncert pred

130 000 ljudi. Ovoga ljeta ponovit će to iskustvo 23. kolovoza.

Među posljednjim albumima su Napolitanski violončelistički

koncerti snimljen za Glossu i Caravaggio za Egeu.

Prestižni Simfonijski orkestar Chicaga naručio je dvostruki

koncert za njega i Yo-Yo Ma, s premijerom u Simfonijskoj

dvorani u Chicagu u veljači 2014.

Giovani Sollima poučava na Akademiji sv. Cecilije u Rimu i

na Zakladi Romanini u Bresci. Svira na violončelu Francesca

Ruggierija iz Cremone, iz 1679.godine.

2013 and in 2014, taken place in Milan at the Teatro delle Arti. There will be the 3rd edition of the composition contest and the fi rst edition of the libretto contest.In 2013, he was also the Maestro Concertatore of the project La Notte della Taranta - a festival of traditional popular music from the Salento (region of Apulia, Italy) that culminated in a big concert with audience of more then 130 000 persons. This summer he will repeat the experience on the 23rd of August.Among the latest albums are Neapolitan Cello Concertos for Glossa and Caravaggio for Egea.The prestigious Chicago Symphony Orchestra commissioned a new double cello concerto for himself and Yo-Yo Ma, with the premiere at the Symphony Hall in Chicago in February 2014.Giovanni Sollima teaches at the Accademy of Santa Cecilia in Rome and at the Fondazione Romanini of Brescia. He plays on a cello by Francesco Ruggieri (1679, Cremona).

Josip Portada bavi se umjetničkom djelatnošću od 1984.

Rođen je u Pagu gdje je završio osnovnu školu i gimnaziju.

Diplomirao je na Pravnom fakultetu u Zagrebu. Član je ULU-

PUH-a, HND-a, Međunarodnog udruženja novinara i grupe

Otočni fotografi . Imao je trideset dvije samostalne izložbe

i sudjelovao je na brojnim skupnim izložbama. Izlagao je u

eminentnim prostorima kao što su Muzej Mimara, Moderna

galerija Josip Račić, Nacionalna sveučilišna knjižnica i Galerija

ULUPUH-a u Zagrebu, Centar vizualnih umjetnosti u Lovra-

nu, Galerija Principij i Narodna čitaonica te Galerija Državnog

arhiva u Rijeci, Kneževa palača, Galerija HDLU-a i Galerija

crkve sv. Petar i Andrija Stari u Zadru, Centar vizualnih um-

jetnosti u Rovinju, Narodni muzej u Labinu i crkva sv. Jurja u

Pagu. Osim u spomenutim gradovima, izlagao je u Savudriji,

Biogradu n/m, Kukljici i Pečuhu (Mađarska). Njegova serija

fotografi ja Odore dio je stalne izložbe Grad Pag u srednjem

vijeku u kapeli Sv. Trojstva u Pagu. Na 19. Međunarodnoj

izložbi Otok i more u Zadru osvojio je Zlatnu plaketu za crno-

bijeli portret Otočanka. Dobio je Zahvalnicu Grada Paga za

osobit doprinos u kulturi.

Surađivao je s brojnim dnevnim novinama, tjednicima i ma-

gazinima. Od 1984. do 2014. objavio je nekoliko tisuća no-

vinskih, dokumentarnih, reklamnih i umjetničkih fotografi ja u

dnevnim listovima i magazinima Studio, Livingstone Maga-

zine, Slobodna Dalmacija, Ragan, Naša Vila, Novaljski list, Za-

darski tjednik, Narodni list, Dnevnik, Karlovački list, Glas Istre,

Večernji list, Jutarnji list, Novi list i Zadarski list. Od 2007. foto-

grafi je objavljuje na brojnim internetskim portalima i inter-

netskim stranicama u Hrvatskoj i inozemstvu. Fotografski je

oblikovao i uredio naslovnice svojih knjiga Kameno postolje,

Za tebe, Rod kamena, Frane Budak, Prošlost Paga u slikama i

zapisima i Cvijet kamena-Priča o paškoj čipki.

Radio je na izradi grba, zastave i gonfalona Grada Paga,

izrađivao je fotografi je za plakate, nosače zvuka, za reklamne

kampanje, kalendare te za press materijale raznih institucija.

Josip PortadaKamen i snovi / Stones&Dreams, fotografi je/photos

Josip Portada has been engaged in artistic activities since 1984. He was born in Pag where he fi nished elementary school and high school. He graduated from the Faculty of Law in Zagreb. He is a member of the Croatian Association of Artists of Applied Arts (ULUPUH), Croatian Journalists’ As-sociation (HND), International Journalists’ Association and of Island Photographers Group. He has had thirty-two solo exhibitions and has participated in numerous group exhibi-tions. He has exhibited in eminent venues, such as Mimara Museum, Josip Račić Modern Gallery, National University Library and ULUPUH Gallery in Zagreb, Visual Arts Center in Lovran, Principij Gallery, National Library and State Archive Gallery in Rijeka, Ducal Palace, HDLU Gallery and the Gallery of Church of Peter and Andrew Senior in Zadar, Visual Arts Center in Rovinj, Labin National Museum and Church of St. George in Pag. In addition to the stated cities, he has also exhibited in Savudrija, Biograd n/m, Kukljica and Pecs (Hun-gary). His photo series of Uniforms is a part of the permanent exhibition of the City of Pag in the Middle Ages in the Cha-pel of St. Trinity in Pag. At the 19th International Exhibition Island and Sea in Zadar, he won a Golden Plaque for a black and white portrait Island Woman. He has also been given the Scroll of Honour Award of the Town of Pag for outstanding contribution to culture. He has worked with numerous daily newspapers, weeklies and magazines. From 1984 to 2014, he published several thousands of newspaper, documentary, advertising and ar-tistic photographs in newspapers and magazines Studio, Livingstone Magazine, Slobodna Dalmacija, Ragan, Naša Vila, Novaljski list, Zadarski tjednik, Narodni list, Dnevnik, Karlovački list, Glas Istre, Večernji list, Jutarnji list, Novi list and Zadarski list. As of 2007, he has published his photos on vari-ous web portals and sites in Croatia and abroad. He has de-signed and arranged the covers of his books Stone Pedestal, For You, Stone Gender, Frane Budak, Pag’s Past in Photos and Records and Stone Flower-Story of Pag Lace. He has worked on the development of the coat of arms, fl ag and gonfalon of the City of Pag, he has developed photos for posters, CDs, advertising campaigns, calendars and press materials of various institutions. He has donated a series of

Seriju fotografi ja Kotule i fuštani-posljednji tragovi donirao je

za projekt Vremenska kapsula-Pag 2014.

Od početka svojeg umjetničkog djelovanja do 2000. bavio

se eksperimentalnom, novinskom, dokumentarnom i kolaž

fotografi jom. Od 1984. do 1987. izrađivao je i fotografi je kao

predloške za plakate. Od 1997. bavi se kombiniranjem raznih

slikarskih tehnika i fotografi je što je objedinio u projekt Glo-

ria. Dio fotografi ja iz tog projekta prikazao je na izložbama u

Kneževom dvoru u Pagu – Svila (1998.) i Pag u boji (2008.).

Snimanje fotografi ja digitalnom tehnikom počeo je 2000., a

od 2011. izrađuje i makro fotografi je.

photographs “Kotule i fuštani – Last Traces” for the project Time Capsule - Pag 2014. From the start of his artistic work to 2000, he has dealed with experimenting, newspaper, documentary and collage photographing. Since 1984 to 1987, he also made photos as poster templates. Since 1997, he has combined various painting techniques and photography, which he united in the Gloria Project. He exhibited a portion of photographies from this project in exhibitions in the Ducal Palace in Pag – Lace (1998) and Pag in Colour (2008). He started doing photos in digital technique in 2000 and he has been making macro photographs since 2011.

Josip Portada: Ogovaranje

Na prvi pogled izgleda da smo pustili predmete da nam

govore, da smo nađenim kamenim oblutcima dali priliku da

se vizualno oglase. Doista, poetika l’object trouvée (nađeni

predmet), koju su patentirali avangardisti vizualnih umjetnos-

ti, omogućila nam je da s čuđenjem (i “očuđenjem“) proma-

tramo naizgled obične stvari, svijet oko sebe. Fotograf Josip

Portada tražio je i nalazio zaobljene kamene oblike-oblutke,

a posebno je rado selektirao one s okruglim perforacijama. S

obzirom da je sferna ili, u svakom slučaju, zaobljena formacija

okupljenih kamenih čestica nalik koštanim lubanjama, rupe

i bušotine u njihovom tkivu izgledaju nam kao otvori usta ili,

još bolje, kao očne duplje. Tako doživljujemo i inverziju: čini

nam se da nas oblutci motre, da smo i mi sami viđeni očima

kamena.

Nakon izbora karakterističnih primjeraka kamenčića

obrađenih morskim valovima, te svjestan da ih ne možemo

ravnodušno gledati bez svojevrsne empatije, Josip Portada

se odlučuje na intervencije u kojima predmetnome svijetu

daje i oniričku dimenziju. Naime, učestalo ih stavlja u nove

međusobne odnose, multiplicira ih, zrakasto organizira, zrcal-

no ih projicira ili člankovito niže, postižući dojam strukturalne

povezanosti elemenata. Već i inače ekspresivan (katkad vrlo

privlačan, a katkad gotovo odbojan) objekt umnažanjem i

dekontekstualiziranjem postaje izvor novih sanjarija. Igra sv-

jetla i sjene po glatkim i hrapavim površinama isto tako nas

odvodi od obične realnosti prema nekim drugim, pa i ono-

stranim protegama. Izdvojeni predmeti u beskraju tamne

pozadine emaniraju gotovo magične učinke talismana,

amajlije, a “grupne kompozicije“ istovrsnih - ali proporcio-

nalno ulančanih kamenih oblutaka uvlače nas u kadar svojim

novim ritmovima.

At the fi rst glance it seems that we have let the objects speak

to us, that we have given the found pebbles the opportunity

to visually speak. Indeed, poetics of l’object trouvée (found

object), which was patented by visual art avant-gardists,

enabled us to watch seemingly ordinary things, the world

around us, with amazement (and “estrangement“). Photog-

rapher Josip Portada sought and found the round stone

shapes - pebbles, and was particularly happy to select the

ones with round perforations. Since the spherical or, in any

case, round formation of assembled stone particles looks like

bony skulls, holes and bores in their tissues seem like mouth

orifi ces or, even better, as eye sockets. We also experience in-

version like this: it seems that the pebbles are watching, that

we ourselves are also watched through the eyes of stone.

After selecting characteristic examples of small stones pro-

cessed by the sea waves, and knowing that we cannot watch

them indiff erently without peculiar empathy, Josip Portada

chooses interventions in which he gives oneiric dimension to

the world in question. Namely, he frequently places them in

new mutual relationships, multiplies them, radially organizes

them, projects them in the mirror or arranges them like seg-

ments, achieving the impression of structural connection of

elements. By multiplication and decontextualization, an al-

ready expressive (sometimes very attractive and sometimes

almost repellent) item becomes the source of new reveries.

The play of light and shadow on smooth and rough surfaces

also takes us from ordinary reality to some other, even other-

worldly dimensions. Isolated items in the vastness of dark

background emanate almost magic eff ects of talismans and

amulets, while “group compositions” of equal - but propor-

tionally chained pebbles draw us into the scene with their

new rhythms.

Očima kamena / Through the Eyes of Stone

Tonko Maroević

Lovro Pogorelić, klavir/piano

F. Schubert: Klavirska sonata u B-duru / Piano Sonata in B-fl at major, D960

R. Schumann: Kreisleriana, op.16

Od svoje sedamnaeste godine Lovro Pogorelić redovito

koncertira širom svijeta. Solistički ili s orkestrom, ostvaruje

pijanističke kreacije uvjerljive snage i nepobitne individual-

nosti. Njegovu seriju recitala u Japanu (Osaka, Nagoya, Tokyo

2011.) kritika je popratila sljedećim riječima:

“...On je krupan čovjek i svira s punim udarom, ali nalazim

profi njenost u njegovom zadivljujućem zvuku...” K. Michishi-

ta, Let’s Enjoy Tokyo, 5 najboljih koncerata u 2011.

“...Njegova izvedba je ekstremno bogata i raznovrsna a

vještina njegovih ruku je neiscrpna. Vizualno, kao blistavi

kristali i moćno kao prašina u zraku. Potpuno sam zadivljena

ogromnom širinom dinamičke skale i njegovim kapacite-

tom u okretnosti pokretne snage logičkog sklada. Njegov

rad sadrži mnogo ekscentričnih faktora, ipak svaki djelić

zvuka je gladak i blistav kao baršun ...” K. Fushhiya, www.

jazztokyo.com, a prilikom turneje s Mađarskom fi lharmoni-

jom pod ravnanjem Zoltána Kocsisa (2. Klavirski koncert

S. Rahmanjinova; Miškolc, Szegedin, Pečuh, Debrecin,

Budimpešta 2012.) zabilježeno je:

“Plemenitu eleganciju izvedbe Lovre Pogorelića, njegove

suverene, ali ne pretjerane, individualne odabire tempa –

koje je orkestar uglavnom dosta fl eksibilno pratio, - njegovu

prirodnu virtuoznost auditorij je nagradio urnebesnim pljes-

kom, a glazbenik koji i svojom skromnošću pokazuje primjer

svima, za to se zahvalio kratkim frapantnim preludijem Rah-

manjinova.” A. Kovács, Eozin magazine, Pécs.

Francuska diskografska kuća Intrada (Pariz) prepoznala je

umjetnost Lovre Pogorelića te je u proljeće 2007. izdala CD

Liszt Lovro Pogorelić koji je izazvao divljenje kritike u ra-

sponu od uzvika Wouah! u Francuskoj (A. Jourdain, www.

pianobleu.com) do karakterizacije “... pijanist izvjesne repu-

tacije sa zadivljujućim muzičkim argumentima...” (J. Hamada,

From the age of seventeen, Lovro Pogorelich has been giving concerts throughout the world on a regularly basis. Solo or accompanied by the orchestra, he makes pianistic cre-ations of convincing power and inarguable individuality. His recital tour in Japan (Osaka, Nagoya, Tokyo 2011) was com-mented by the critics as:“...He is a big man in size and plays in full impact, but I myself felt refi ned delicacy in his astonishing sound...” K. Michishita, Let’s Enjoy Tokyo, 5 best concerts in 2011“...He is extremely rich in performing music of a great variety and holds inexhaustible skills in his hands. Visually as spar-kling crystal and powerfully as dust blown up in the air. I am utterly astonished by a great variety of dynamic range, and his capacity in a swift shifting power of sequence in tune. His work contains many eccentric factors, although every grain of tune is as smooth and brilliant as velvet…” K. Fushhiya, www.jazztokyo.com, and for Hungarian tour with the Hungarian Philharmonic under the direction of Mo. Zoltán Kocsis (2nd Piano Concerto by Rachmaninov; Miskolc, Szeged, Pecs, Deb-recen, Budapest 2012):“A noble elegance of Lovro Pogorelich’s interpretation, his sovereign, yet not excessive, highly individual choices of the tempo – which the orchestra followed quite fl exibly – his nat-ural virtuosity was rewarded by the thundering applause, and the musician, whose modesty should serve as an example to all, thanked for it with a striking Rachmaninoff ’s prelude. ” A. Kovács, Eozin magazine, PecsFrench recording company Intrada (Paris) has recognised the art of Lovro Pogorelich and, in spring 2007, it published a CD Liszt Lovro Pogorelich acclaimed by the critics, ranging from an exclamation of admiration Wouah! in France (A. Jourdain, www.pianobleu.com) to the following characterisation” “...a pianist of unquestionable reputation with fascinating musical arguments ...” (J. Hamada, The Record Geijutsu Disc Review, Japan). The French music TV channel Mezzo even produced a

The Record Geijutsu Disc Review, Japan). Francuski muzički

kanal Mezzo snimio je dokumentarni fi lm o nastanku ovog

CD-a koji je višekratno emitiran. U prosincu 2008. Intrada

izdaje novi CD Lovre Pogorelića, s djelima Musorgskog i

Rahmanjinova. Pianobleu odabire ovaj CD kao CD mjeseca

siječnja 2009. Hrvatski izdavač je Dancing Bear. Na Danima

hrvatskog fi lma 2012. prikazan je glazbeni spot Slike s izložbe

Lovre Pogorelića, autora Zorana Vuletića.

HRT je snimila portret Lovre Pogorelića još 1993., a prošle go-

dine intervjuirala ga je u emisiji Knjiga ili život.

Lovro Pogorelić živi, radi i uživa u Mesničkoj ulici u Zagrebu.

Izvanredni je profesor klavira na Muzičkoj akademiji u Zagrebu.

documentary on the recording of the said CD that has been

repeatedly aired. In December 2008, Intrada published a

new Lovro Pogorelich CD with the works of Mussorgsky and

Rachmaninoff . Pianobleu chose this CD as the CD of the

Month in January 2009. CDs have been released in Croatia

as well, by Dancing Bear record label. In spring 2012, Days

of Croatian Film festival screened a music clip Pictures at an

Exhibition by Lovro Pogorelich, made by Zoran Vuletić.

Croatian Radio-TV portrayed Lovro Pogorelich back in 1993

and he was interviewed last year for a TV show Book or Life.

Lovro Pogorelich lives, works and enjoys life at Mesnička

Street in Zagreb. He teaches piano as an Associate Professor

at the Music Academy of the University of Zagreb.

foto / photo by Josip Portada

Nikita Boriso-Glebsky, violina/violin

Krešimir Bedek, gitara/guitar

N. Paganini: Sonata u a-molu / Sonata in A minor, MS 112A, br./No.1

M. de Falla/P. Kochanski: Španjolska suita / Suite Populaire Espagnole after Seven Spanish Folksongs

M. Miletić: Sonatina

Á. Piazzolla: Ples anđela/Milonga del Angel*

B. Bartók: Rumunjski narodni plesovi / Romanian Folk Dances**

I. Albéniz: Mallorca op. 202*

P. de Sarasate: Carmen fantazija / Carmen Fantasy, Op.25**

* obr./arr by Th. Müller Pering

** obr. za gitaru/guitar arr. by K. Bedek

Nikita Boriso-Glebskij rođen je 1985. na jugu Rusije.

Diplomirao je violinu (2008.) na moskovskom Konzervato-

riju Čajkovski pod vodstvom profesora E. Grača i T. Berkul i

postao rezidentni umjetnik Dvorske kapele belgijske kraljice

Elisabethe pod ravnanjem A. Dumaya. Od 2007. godine

ekskluzivni je umjetnik Moskovske fi lharmonije.

Njegov veliki uspjeh započinje u 2010. godini, pobje-

dom na međunarodnim violinističkim natjecanjima Jean

Sibelius i Fritz Kreisler, nakon što je već nagrađivan na

mnogim prestižnim natjecanjima uključujući natjecan-

ja Čajkovski, Queen Elisabeth i Montreal. Godine 2013.

uvjerljivo je pobijedio na Natjecanju majstora violine u

Monte Carlu. Nastupao je s mnogim ruskim i evropskim

orkestrima, uključujući orkestre Marinskij, Ruski državni

orkestar, Simfonijski orkestar Sjevernonjemačke radiotele-

vizije, poljski Komorni orkestar Amadeus te Državni orke-

star Litve, pod ravanjem dirigenata kao što su V. Gergiev,

C. Poppen, J. Simonov, M. Vengerov i A. Duczmal. Redo-

vito nastupa na mnogim značajnim euro-pskim festivalima

među kojima su Salzburške svečanosti, Muzički festival

Rheingaua, moskovske Decembarske noći posvećene S.

Richteru, Beethovenfest u Bonnu i Zvijezde bijelih noći u

St. Peterburgu. Pored solističkih nastupa svira i komornu

glazbu te ističe suradnju s istaknutim glazbenicima - R.

Nikita Boriso-Glebsky was born in 1985 in southern Rus-

sia. After graduating in 2008 from the Moscow Tchaikovsky

Conservatory under the guidance of Professor E. Grach

and T. Berkul, he became an artist-in-residence at Chapelle

Musicale Reine Elisabeth in Belgium under the direction of

A. Dumay. Since 2007, he has been an exclusive artist of Mos-

cow Philharmonic Society.

Nikita’s rise to prominence came in 2010 when he won the

International Jean Sibelius Violin Competition and the Inter-

national Fritz Kreisler Violin Competition. He has also been

awarded top prizes in many prestigious violin competitions

including Tchaikovsky, Queen Elisabeth and the Montreal

Music Competition. In 2013, he won a landslide victory at

the Monte Carlo Violin Masters in Monaco. He has performed

with many Russian and European orchestras, including the

Mariinsky Orchestra, State Symphony Orchestra of Russia,

NDR Symphony Orchestra (Hanover), Amadeus Chamber Or-

chestra (Poland), and the State Orchestra of Lithuania, with

conductors as V. Gergiev, C. Poppen, Y. Simonov, M. Vengerov,

A. Duczmal. He performs regularly at many of the major Eu-

ropean festivals including the Salzburg Festspiele, Rheingau,

S. Richter’s December Nights in Moscow, Beethovenfest in

Bonn and the Stars of the White Nights in Saint Petersburg.

In addition to solo engagements, Nikita has enjoyed work-

ing in collaboration with renowned musicians including R.

Shchedrin, N. Gutman, A. Dumay, B. Berezovsky, A. Kniazev,

Ščedrin, N. Gutman, A. Dumay, B. Berezovski, A. Knjazev, R.

Wallfi sh, J. Wang, D. Geringas, L. Pogorelić i drugi. 2009. pri-

mio je specijalnu nagradu – Violinist godine Međunarodne

zaklade Maje Pliseckaje i Rodiona Ščedrina (SAD). Svira na

violini Mattea Goff rillera iz sredine XVIII stoljeća.

R. Wallfi sh, J. Wang, D. Geringas, L. Pogorelich and many oth-

ers. In 2009, he received a special award - Violinist of the Year

from the International Maya Plisetskaya and Rodion Shche-

drin Foundation (USA). He plays on a violin made by Matteo

Goff riller from the mid 18th century.

foto/photo by Redd Philmen

Krešimir Bedek (Zagreb, 1981.) započinje učiti gitaru sa

šest godina. Diplomirao je na Muzičkoj akademiji u Zagrebu

2005. u klasi D. Petrinjaka. Usavršavao se je na Kraljevskom

konzervatoriju u Den Haagu u klasi proslavljenoga gitarista

i pedagoga Z. Dukića te je magistrirao 2008. godine. Nastu-

pao je u Hrvatskoj, Nizozemskoj, Belgiji, Njemačkoj, Sloveni-

ji, Izraelu, Portugalu, Španjolskoj, Estoniji i Rusiji, solistički,

uz orkestre i u različitim komornim sastavima. Dobitnik je

brojnih nagrada i priznanja u Hrvatskoj i u inozemstvu. Na

42.Tribini mladih umjetnika Darko Lukić osvojio je glavnu

nagradu te nagradu Koncertne dvorane Vatroslava Lisinskog.

Dvostruki je laureat prestižnog međunarodnog natjecanja

Printemps de la guitarre (Charleroi, Belgija, 2006. i 2008.) i

pobjednik je međunarodnih gitarističkih natjecanja Certa-

men Internacional de Guitarra de Barcelona Miguel Llobet

(2008.), Guitarmania (Almada, Portugal, 2007.) te Guitar and

Chamber Music Festival Zwolle (Nizozemska) i Scharpach

gitaar concours (Enschede, Nizozemska), oboje 2006. Zapo-

slen kao asistent na Muzičkoj akademiji u Zagrebu primio je

Godišnju nagradu Društva sveučilišnih nastavnika i drugih

znanstvenika u Zagrebu za 2010. godinu.

Krešimir Bedek was born in 1981 in Zagreb, Croatia, where he started to play guitar at the age of six. He graduated from the Zagreb Music Academy in the class of D. Petrinjak and continued his studies at the Royal Conservatory in The Hague where he gained master degree in 2008 with Z. Dukić, one of the most prominent guitarists and pedagogues of the new generation. He has performed as a soloist, with orchestra and in various chamber music ensembles all over Croatia and in Spain, Portugal, Germany, Slovenia, Israel, Belgium, Nether-lands, Estonia and Russia. He has been awarded many prizes in Croatia, among them the main prize at the 42nd Young Artists Podium Darko Lukić and Vatroslav Lisinski Hall Award. He is a double laureate of the prestigious international com-petition Printemps de la guitarre (Charleroi, Belgium, 2006 and 2008) and the winner of several international guitar com-petitions: Certamen Internacional de Guitarra de Barcelona Miguel Llobet 2008, Guitarmania (Almada, Portugal, 2007), Guitar and Chamber Music Festival Zwolle (Netherlands) and Scharpach gitaar concours (Enschede, Netherlands), both in 2006. As a teaching assistant of the Zagreb Music Academy, he received the annual award of the Society of University Teachers, Scholars and Other Scientists in Zagreb.

foto/photo by Redd Philmen

Darko Petrinjak, gitara/guitar

J. S. Bach: Četvrta suita za violončelo solo / Fourth Suite for Cello Solo, BWV 1010, obr./arr. by V. DešpaljI. Padovec: Uvod i varijacije na cavatinu iz opere Capuleti i Montecchi V. Bellinija / Introduction and Variations on a Cavatina from the opera The Capulets and the Montagues by V. Bellini, Op. 13A. Ivanov-Kramskoj: Sjetno raspoloženje / Melancholy Mood Preludij u h-molu / Prelude in H minor Uspavanka / Lullaby Preludij u d-molu / Prelude in D minorZ. Juranić: Ciaccona iz Sonate za gitaru solo / Chaconne from Sonata for guitar soloS. Fumić: Nocturno A. Barrios: Valcer u d-molu op. 8, br. 3 / Waltz in D minor Op. 8, No. 3B. Papandopulo: Igra br. 3 / Play No. 3

Darko Petrinjak, rođen 1954. u Zagrebu, diplomirao je kontrabas na Muzičkoj akademiji u Zagrebu (u klasi prof. J. Novosela 1975.) te gitaru (u klasi H. Quinea 1978.) i lutnju (u klasi R. Spencera 1980.) na Royal Academy of Music u Londonu. Kao kontrabasist svirao je u orkestru Zagrebačke fi lharmonije (1974.–75.) i u raznim komornim sastavima. Kao lutnjist nastupao je solistički, s pjevačima te u ansam-blu The Elizabethan Consort. Najviše vremena posvjećuje ipak gitari, svom glavnom instrumentu. Solistički je nastupao u Europi i Kini. Snimio je dvadesetak nosača zvu-ka (solo, u duu s violinom, čelom, fl autom, glasom, u gitarskom triju te s gudačkim kvartetom). Bio je član žirija međunarodnih gitarskih natjecanja i vodio je majstorske tečajeve na muzičkim akademijama i gitarskim festivalima. Vodeći hrvatski skladatelji za njega su napisali djela za gitaru, među kojima su i četiri koncerta za gitaru i orkestar. Urednik je više notnih izdanja među kojima su sabrane pjesme uz pratnju gitare Ivana Padovca, hrvatskog gitarista i skladatelja iz 19. stoljeća. Godine 1984. utemeljio je s I. Römerom i G. Listešom Zagrebački gi-tarski trio u kojem svira i kontrabas i koji postaje važan segment u njegovoj karijeri. Trio je ostvario bogatu diskografsku djelatnost, in-spirirao brojne skladatelje i nastupio u mnogim europskim zemljama. Darko Petrnijak bio je gostujući učitelj na Birmingham School of Mu-sic u Engleskoj (1978.–1981.), a od 1982. predaje na Muzičkoj aka-demiji u Zagrebu (od 1997. kao redoviti profesor). Kraljevska muzička akademija u Londonu imenovala ga je 1990. godine Pridruženim članom. U domovini je primio brojne nagrade.

Darko Petrinjak, born in 1954 in Zagreb, Croatia, graduated in double-bass at the Zagreb Music Academy (J. Novosel class 1975), guitar (H. Quine class 1978) and lute (R. Spencer class 1980) at the Royal Academy of Music in London. As a double-bass player, he has played and toured within the Za-greb Philharmonic Orchestra and various chamber music groups for sev-eral seasons. As a lutenist, he has performed in solo recitals, with singers and with the Elizabethan Consort. Most of his time, however, Darko Petrinjak devotes to guitar, his main instru-ment. He has given solo guitar concerts in many European countries and in China. He has made many LPs and CDs; solo, in duos with violin, cello, fl ute and voice, and with string quartet. He has adjudicated at international guitar competitions and has given master-classes at music acedemies and guitar festivals. He has written many arrangements involving guitar, ma-jority of which were recorded on CDs or for the Croatian Radio. Some of the leading Croatian composers have written works for him, including four concertos, most of which he has recorded. He is an editor of several guitar editions including the collected songs with guitar accompanied by the 19th century Croatian guitarist-composer Ivan Padovec.In 1984, together with I. Römer and G. Listeš, he founded the Zagreb Guitar Trio. This ensemble, in which he plays both guitar and double-bass, has become an important part of his career. The Trio has recorded extensively, played in numerous European countries and inspired many composers to write for it.Darko Petrinjak was a visiting scholar at the Birmingham School of Music in England (1978-1981). Since 1982, he has been teaching at the Academy of Music in Zagreb, since 1997 as a full-time professor. In 1990, he was appointed an associate of the Royal Academy of Music in London. He has been given several awards and honours in his home country.

foto/photo

by Ivan Posavec

Rođena u obitelji glazbenika 1998., Anamarija Milić počinje učiti violinu s pet godina, u klasi H. Žubrinić u Glaz-benom učilištu Elly Bašić u Zagrebu. Učila je kod A. Sešeka i pohađala master class-e Z. Brona, A. Kouchner, M.i L. Sorokova, J. Korčinskoga, I. Petruševskoga i B. Belkina. Sa 16 godina upi-sala je studij violine na Muzičkoj akademiji u Zagrebu u klasi G. Končara. Od 2007. studira u klasi prof. Leonida Sorokowa. Akademsku godinu 2008/9. provela je na Univerzitetu za glazbu i izvođačku umjetnost u Beču gdje je pozvana u klasu prof. Stefana Kamilarova u sklopu programa razmjene studenata. U rujnu 2009. završila je dodiplomski studij kao drugi najbolji student generacije, a 2010. diplomirala je solistički smjer Master pro-grama kao najbolji student generacije Muzičke Akademije Zagreb. Iste godine nastavlja postdiplomski studij u klasi uvaženog solista i pedagoga Borisa Belkina na Konzervatoriju Maastricht, Nizozemska, kojeg završava u travnju 2012. Nastupala je u najvećim muzičkim središtima Rusije, Italije, Francuske, Nizozemske, Češke, Poljske, Slovenije, Lihtenštajna, Srbije, Bosne i Hercegovine, Rumunjske i rodne Hrvatske.Pobjednica mnogih natjecanja i dobitnica brojnih nagrada širom Europe, osvojila je tri prve nagrade na državnim natjecanjima (2000., 2002., 2004.), dvije prve nagrade na Međunarodnom natjecanju Alpe-Adria Alfredo i Vanda Marcosig (Gorica, Italija, 2000. i 2002), prvu i drugu nagradu na Međunarodnom violinističkom natjecanju Petar Toškov (Beograd, 2001. i 2002.), prvu nagradu na Međunarodnom natjecanju Verdi Note u Rimu 2001. i treću nagradu na Međunarodnom violinističkom natjecanju glazbene mladeži u Bukureštu 2003.Nastupila je kao solistica uz Dubrovački simfonijski orkestar, Varaždinski komorni orkestar i Simfonijski orkestar HRT-a. Bila je

Born into a family of musicians (1998), Anamarija Milić began her violin studies at the age of fi ve in the class of H. Žubrinić at the Elly Bašić Music School in Zagreb. She has been working with A. Sešek and participated in master classes with Z. Bron, A. Kouchner, L. and M. Sorokow, Y. Korchinsky, I. Petru-shevski and B. Belkin. At the age of 16, she enroled the Zagreb Music Academy in the class of G. Končar. As of 2007, she has studied in the class of Prof. Leonid Sorokow. She spent the academic year of 2008/2009 at the University of Music and Performing Arts in Vienna, where she was invited to the class of Prof. Stefan Kamilarov within the student exchange program. In September 2009, she fi nished undergraduate stud-ies as the second best student of the generation, and in 2010 she fi nished the solo Master program as the best student of the generation of the Music Academy Zagreb. She continued with the graduate study in the class of a renown soloist and peda-gogue Boris Belkin at the Conservatorium Maastricht, Nether-lands, which she fi nished in April 2012. She has performed in major music capitals of Russia, Italy, France, Netherlands, Czech Republic, Poland, Slovenia, Liech-tenstein, Serbia, Bosnia and Herzegovina, Romania, and her na-tive Croatia. The winner of numerous competitions and awards throughout Europe, she has won three fi rst prizes at national competitions (2000, 2002, 2004), two fi rst prizes at the Interna-tional Competition Alpe-Adria Alfredo e Vanda Marcosig (Goriz-ia, Italy, 2000 and 2002 ), as well as the fi rst and second prizes at the International Violin Competition Petar Toškov (Belgrade, Ser-bia, 2001 and 2002), fi rst prize at the International Competition Verdi Note in Rome in 2001, and the third prize at the Interna-tional Violin Competition Jeunesses Musicales Bucharest 2003.She has performed as a soloist with the Dubrovnik Symphony Orchestra, Varaždin Chamber Orchestra and the Symphony

Anamarija Milić, violina/violin

Ana Lucić, klavir/piano

P. Dešpalj: Guslački hir br.1 / Fiddle caprice No.1

R. Wagner: San iz Wesendonck pjesama / Dream from Wesendonck Songs, WWV 91

F. Schubert: Violinska sonata u A-duru / Violin Sonata in A major, Op. Posth. 162, D 574, Grand duo

I. Lang: Ples sablasti / Ghost Dance

N. Paganini: Capriccio br. 24/ No. 24, obr./arr. by L. Auer

E. Ysaÿe: Capriccio prema Etidi u formi valcera op.52/6 C. Saint-Saënsa /

Caprice after the Study in the form of a Waltz, Op. 52/6 by C. Saint-Saëns, arr. by Ysaÿe

J. Brahms: izbor iz Mađarskih plesova – br. 1, 4, 17 / selection from Hungarian Dances – Nos. 1, 4, 17

predstavnica Hrvatske na koncertu Međunarodne dobrotvorne fonadacije Vladimir Spivakov (2002.). Godine 2004. nastupila je u koncertnom ciklusu Audience u koncertnoj dvorani Vatro-slava Lisinskog u Zagrebu, svirajući na violini King Giuseppea Guarnerija iz 1735., u vlasništvu HAZU.Od lipnja 2012. stalni je vanjski suradnik Simfonijskog orkestra HRT-a i redovito surađuje sa Hrvatskim komornim orkestrom. Profesorica je violine na Glazbenom učilištu Elly Bašić u Za-grebu od 2014. Aktivna je komorna glazbenica i osnivačica Hrvatskog komornog trija, s Petrom Gilming i Petrom Kušan.

Orchestra of Croatian Radio and Television. She was a Croatian representitive at the Vladimir Spivakov International Charity Foundation Concert in Moscow (2002). In 2004 she has been featured in the concert cycle Audience at the Lisinski Hall in Zagreb, performing on the 1735 Giuseppe Guarneri King violin, currently owned by the Croatian Academy of Sciences and Arts.From June 2012, she has been a regular associate of the Croa-tian Radio Symphony Orchestra and has regularly co-operated with the Croatian Chamber Orchestra. She has been a violine teacher at the Elly Bašić Music School in Zagreb since 2014. An active chamber musician, she is a found-ing member of the Croatian Piano Trio.

Ana Lucić (1988.) završila je Glazbenu školu Ivana Lukačića

i Gimnaziju Antuna Vrančića u rodnom Šibeniku i potom

Muzičku akademiju Sveučilišta u Zagrebu gdje je magistri-

rala klavir 2012. u klasi V. Krpana, kod kojeg se trenutačno

usavršava na poslijediplomskom studiju. Usavršavala se kod

brojnih pedagoga i pijanista (Ch. Lee, F. Gianello, A. Dindo,

K.-H. Kämmerling, J.-F. Antonioli).

Članica je glasovirsko-udaraljkaškoga kvarteta KLANG, lau-

reata 7. Međunarodnog natjecanja mladih glazbenika Ferdo

Livadić u Samoboru. U ožujku 2010. Kvartet je u sklopu pro-

jekta Glazba danas prvi put u povijesti Muzičke akademije

u Zagrebu izveo koncertnu verziju Bartókove Sonate za

dva glasovira, udaraljke i orkestar, uz Simfonijski orkestar

Muzičke akademije pod ravnanjem maestra M. Tarbuka.

Nastupio je i na humanitarnom koncertnom ciklusu Kon-

cert s Predsjednikom i u ciklusu Cantus ansambla u Maloj

dvorani Lisinski te na festivalima poput Samoborskih glaz-

benih jeseni, Osorskih glazbenih večeri i Glazbene tribine u

Opatiji.

Kao solistica i u glasovirskom duu s Vlatkom Peko, Ana Lucić

nastupa na Muzičkom biennalu, Glazbenoj tribini u Opati-

ji, studentskom ciklusu Virtuoso, ciklusu Mladi za mlade

u Maloj dvorani Lisinski te na koncertima HR projekta u

Samoboru, Zadru, Predsjedničkim dvorima i Vukovaru.

Redovito surađuje sa Simfonijskim orkestrom Hrvatske ra-

diotelevizije i Zagrebačkom fi lharmonijom.

Dobitnica je dviju Rektorovih nagrada za 2011. godinu;

kao članica kvarteta KLANG i kao sudionica nagrađivanog

HR projekta, i osvojila je nekoliko nagrada na regionalnim

muzičkim natjecanjima.

Za koncert sa sopranisticom Nikolinom Pinko na tribini

Darko Lukić (siječanj 2014.), nagrađena je nagradom Kon-

certne dvorane Vatroslava Lisinskog te nagradom Darko

Lukić za najbolju umjetničku suradnju.

Ana Lucić (1988) fi nished the Music School Ivan Lukačić and High School Antun Vrančić in her hometown of Šibenik and then the Music Academy of the University of Zagreb, where she obtained master’s degree with piano in 2012 in the class of V. Krpan, with whom she is currently on the postgradu-ate study. She has studied with numerous pedagogues and pianists (Ch. Lee, F. Gianello, A. Dindo, K.-H. Kämmerling, J.-F. Antonioli). She is a member of a piano-percussion quartet KLANG, the laureate of the 7th International Competition of Young Mu-sicians Ferdo Livadić in Samobor. In March 2010, the quartet performed, within the scope of the project Music Today, for the fi rst time in the history of the Music Academy in Zagreb, the concert version of Bartók’s Sonata for Two Pianos, Percus-sion and Orchestra, together with the Symphony Orchestra of the Music Academy under the direction of Mr. Tarbuk. It has also performed at the humanitarian concert cycle Concert with the President and in the cycle of Cantus Ensamble in the Small Concert Hall Lisinski and at the festivals such as Samo-bor Musical Evenings, Osor Musical Evenings and Musical Plat-forms in Opatija. As a soloist and in a piano duo with Vlatka Peko, Ana Lucić performs on the Musical Biennale, Musical Platform in Opatija, student cycle Virtuoso, cycle The Young for the Young at the Small Concert Hall Lisinski and on the concerts of HR Project in Samobor, Zadar, Presidential Palace and Vukovar. She regularly cooperates with the Croatian Radio Television Symphony Orchestra and the Zagreb Philharmonic Orchestra. She is the winner of two Rector’s Awards for 2011; as a mem-ber of the quartet KLANG and as a participant of the award-winning HR Project, and has won several awards at the region-al musical competitions. For the concert with the soprano singer Nikolina Pinko on Darko Lukić Platform (January 2014), she received an award of the Concert Hall Vatroslav Lisinski and the award Darko Lukić for the best artistic collaboration.

PagArtFestival podržali/PagArtFestival was supported by: Grad Novalja/Novalja CityMinistarstvo kulture Republike Hrvatske /Ministry of Culture of the Republic of Croatia, Grad Pag/Pag City,Zadarska županija/Zadar CountyOpćina Kolan/Kolan MunicipalityTuristička zajednica grada Novalje, Turistička zajednica grada Paga i Turistička zajednica Zadarske županije /Novalja Tourist Board, Pag Tourist Board and Zadar County Tourist Board,Solana Pag, Pag91, Komunalno društvo Pag, Maricom Tourist Service, Restoran Dubrava, Hotel&Restaurant Tamaris, Trgovina Feniks/Feniks Shop, Cvjećarna Fijok/Florist Fijok iz Paga/from Pag, Mandis d.o.o. ,Vina Jakob, Digitalprint i Printstudio iz Zagreba/from Zagreb

zahvaljujemo/thanks to:gospodinu Željku Maržiću, gradonačelniku Paga i Gradskom vijeću Paga na odobrenju Festivala/ Mr. Željko Maržić, Mayor of Pag and Pag Municipal Authority for approving the Festivalgospodinu Anti Dabu, gradonačelniku Novalje i gospodinu Josipu Zuboviću, načelniku Kolana na proširenju Festivala/Mr. Ante Dabo, Mayor of Novalja and Mr. Josip Zubović, Mayor of Kolan, for extending the Festival Turističkom centru Paga i poduzeću PagII na pomoći/ Pag Tourist Centre and PagII Ltd. for assistance

zahvaljujemo na suradnji/thanks for cooperation to:don Zdenku Miliću i župnom uredu Paga/don Zdenko Milić and Pag Parish Offi ce,velečasnom Josipu Kosiću i župnom uredu Novalje/Reverend Josip Kosić and Novalja Parish Offi ce,ocu Josipu Galiću i župnom uredu Kolana/Father Josip Galić and Kolan Parish Offi ceGlazbenim večerima u Sv. Donatu/Music Evenings in St. Donat’s Church Turističkoj zajednici Kolana/Kolan Tourist Board

posebno zahvaljujemo/special thanks to:građanima i turistima otoka Paga na odazivu/citizens and visitors of the Island of Pag for attending the performances,pokojnom gospodinu Josipu Vičeviću na inicijativi i Društvu Pažana i prijatelja Paga u Zagrebu na pokretanju Festivala/ late Mr. Josip Vičević for his initiative and the Zagreb-based Association of Residents and Friends of Pag for launching the Festival, svim ljudima dobre volje koji su na bilo koji način pomogli u realizaciji naših programa/all the people of good will that have somehow contributed in the realization of our programs

pomoćnik umjetničkog ravnatelja/Assistant Artistic Director: Krešimir Bedek produkcija, organizacija i odnosi s javnošću/Production, Organization and Public Relations: Nina Pogorelićpomoćnice/Assistants: Ivana Maržić, Ana Pogorelićfotografi je na ovitcima/cover and back page photos by Josip Portadagrafi čki dizajn/graphic design by Igor Balen/GTO, Osijekprijevod i lektura/translation and lecturing: Iva Špoljar ŠarićFestival zadržava pravo promjene programa/Festival reserves the right to modify the programUmjetnička organizacija/Artistic Association “Lovro&Nina”, Zagreb, Mesnička 24, HR