-
1970. . 25. (1983) t
1. 43. , 44. 53. ,
5455. 82. 83.
(), , (), , ( ), - (),
( ), , (), (), , , , (), ( ),
- ( )
-
ISSN 0352-5007 | UDC 821.16+811.16(05)
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MATICA SRPSKADIVISION OF LITERATURE AND LANGUAGE
REVIEW OF SLAVIC STUDIES
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CONTENTS
, - . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . , : - -- . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . , : . - . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . , - - . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . , : - . . . . . . . . . . . . . . . . . . . . . . . . . .
. . , . . . . . . . , , , . . . . . . , iii i i I : i i i XXI i . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . .
J u r i j E m a n u e l R o j s, Pogled na frazeologijo Mihaila
Jurjevia Ler montova . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . , 19121913 . ( )
. . . . . . . . . . . . . . . . . . . . . . . . , -: . . . . . . .
. . . . . . . . . . . . . . . . . .
, , : . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . .
9
23
39
53
6985
103
119
135
167
197
205
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Marcello Garzaniti. Gli slavi. Storia, culture e lingue dalle
origini ai nostri giorni. Carocci editore, manuali 2013, pp. 475. (
) . . .Matthias Freise. Slawistische Literaturwissenschaft.
Tbingen: Narr Verlag, 2012, 342 S. ( ) . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . 6 ; . . . . i: . ., 20012013. ( ) . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . , (.). : . : . Ex oriente lux: japanese culture and we. : ,
2014, 360 . ( ) . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . : . : , 2013, 214 . ( ) . . . . . . . . . . : , 2013,
303 .; . . . : . : , 2013, 185 . ( ) . . . , (.). . I. . : - ,
2013, 214 . ( ) . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . , , (.). . : , , . 80- .
: , 2011, 384 . ( ) . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . --: , 2013, 338 . ( ) . .
. . . . . . : , , 2012, 221 . (Marina Niko li) . (.). . .: , 2011,
280 . ( ) . . . . . . . . . . . . . . . .
( . 19081918, , 89. 2013) ( ) . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . - ( ) . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
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SADRAJ CONTENTS
STUDIJE I RASPRAVE STUDIES AND TREATISES
I j a N e a j e v a, Globalization in language and the problem
of the writ-ten adoption of loan words . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . .To m a s M e n c e l,
Regularity of the morphological system in the cir-cumstances of
linguistic contact: the example of Belarus-Russian and
Ukrainian-Russian mixed vernacular . . . . . . . . . . . . . . . .
. . . . . . . . . . . .N a d e d a G u r o v i , Transformation of
topics: from Gorkys Troy to Zhabotinskys Five . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .B o
b a n u r i , The Pale Horse by Savinkov-Ropshin and the poetics of
nihilism . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .V a d i m B e s p r o z v a
n i, The First Year of Creation: the literary debut by Vladimir
Narbut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . a r k a S v i r e v, Vinaver and Russian avant-garde
art . . . . . . . . . . . .I v a n a S . B a i , To m a T a s o v a
c, Fantasy, allegory and authen-tification in The Sacred Book of
the Werewolf by Victor Pelevin . . . . . .J u l i j a D r a g o j l
o v i , Autobiographic narratives in the prose by Svetlana Pirkalo
and Irena Karpi: feminist discourse of the Ukrainian literature at
the beginning of the 20th century . . . . . . . . . . . . . . . . .
. . . .
PRILOZI I GRAA CONTRIBUTIONS AND MATERIALS
J u r i j E m a n u e l R o j s, A view of the phraseology of
Mikhail Yuryevich Lermontov . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .L e o n i d K a c i s,
Vladimir Zhabotinsky in the journal Den 19121913 (on the occasion
of one hundred years of the Balkan wars) . . . . . . . . . . .A l e
k s a n d r K o b r i n s k i, Danil Harms and Konstantin Olimpov:
a commentary of a note . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . .
POLEMIKA DISCUSSIONS
M i h a i l M e j l a h, Theft of a century, or the ideal crime:
Hardijev vs. Jangfeld . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . .
9
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PRIKAZI REVIEWS
Marcello Garzaniti. Gli slavi. Storia, culture e lingue dalle
origini ai nostri giorni. Carocci editore, manuali 2013, pp. 475. (
) . . .Matthias Freise. Slawistische Literaturwissenschaft.
Tbingen: Narr Verlag, 2012, 342 S. (Vuk Petrovi) . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 ; . . . .
i: . ., 20012013. (Ljubinko Radenkovi) . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . , (.). : - . : .
Ex oriente lux: japanese culture and we. : , 2014, 360 . (Tamara
eljski) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . : -. : , 2013, 214 . (Olivera iovi) . . . . . . . .
. . . . . : , 2013, 303 .; . . . : . : , 2013, 185 . (Sanja Ivi) .
. . . , (.). . I. . : , 2013, 214 . (Ivana Mra) . . , , (.). . : ,
, . 80- . : , 2011, 384 . (Nataa Nikoli) . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. --: , 2013, 338 . (Daniel Orlov) . . . . . . . . . . : , , 2012,
221 . (Marina Nikoli) . (.). . . : , 2011, 280 . (Dragana
Vasilijevi) . . . . . . . . . . . . . . . . . .
HRONIKA CHRONICLES
Russian cabarets at the beginning of the 20th century
(international scien-tific conference Entertainment culture of the
Silver Age 19081918, Paris, 8-9 November 2013) (Kornelija Iin) . .
. . . . . . . . . . . . . . . . . . . . . . . . . . .A contribution
to strengthening Russian-Serbian scientific connections (Marina
Nikoli) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . .
Register of key words . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . .
List of contributors . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . .
Instructions for authors . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . .
Reviewers . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . .
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UDC 811.161.1373.4535
. . . , [email protected]
. , - , . - . - - .
: , , , -, .
The paper is concerned with the problem of written adoption of
foreign neologisms (loanwords) in the present-day situation of
active interlingual interaction. The heart of the problem is the
pluralism of linguistic factors affecting the formation of
orthographic norm for the borrowings, which underlies the spreading
of numerous versions. Shown by several examples is the influence of
the source language and the manifestation of modern trends in the
process during which a word acquires its constant graphic form. It
is suggested that the traditional attitude to the imperative
orthographic norm and ordering in written forms must be
changed.
Keywords: foreign borrowing, orthography, norm, variability,
writing trends.
1. , - , - . ( 2008: 168). - : , , I - , , .
-
10
, , , , - : ., - (, , , , .), (, , , , .), , (, , , , , , , , ,
, ; , , , .). , , , XXXXI , , , - , .
- ; - . - , , ; , XIX . . - . , - ( 1888: 75), - .
-, , . , . , , (- ), , ( ).
, , - , , . -, 1990- 2000-, . , - -: , , , , , , , ,
-
11
, , , , , , , , , , . . : , , ; , , ; , , ; , , ; , , , , , , .
- , - .
2. , - , -. , - , . - ? (, -, , - ) : - , , . ; - - - (, - : ).
, : , ( 1990: 338).
( ), - . , - . , - , . ( 2012: 148154). - , - , , . .
-
12
2.01. / [. remake] - re... [i]; ( , ): , , , . ( ). remake - ()
- (). , . . / (rewriter [rirait@]1), / (retailer [riteil@]2) .
3.
2.02. -() [. heavy metal]. . ( )? , - .
2.03. / - [. weekend]. ( , ., ), - .
2.04. / - [. e-mail] ( [meil]) , - ( . -). , , ( -, )4.
1 , -.
2 .3 . ( 2005: 8891).4 ,
( 1992: 13), , ; . ( 1978: 39).
-
13
2.05. .../, .../, . () [. action], --() [. non-fiction], () [.
reception], () [. fashion], () [. fusion], . , , - - ( - ). - --. ,
Oxford () ([risepn]), Collins - [risEpn].
2.06. ( ) - / [. aromatherapy]: ( ) ( ). , , - / [gexogen], :
... (. , .), .
2.07. () [. offshore]. - , , - ( . offside, . offset). - (., , ,
), . -, .
2.08. / [. penthous] ( - / .) [penthouses] : . . -? . . / (.
frisbee [frizbi:]), / (. girls), .
2.09. / , / (), / (), / () ..,
-
14
(. shop, shopping, blog, blogger), . ? (, ), , (, ). -, , - ( ),
, , .
2.10. [. hatchback] - // ; : , , , . -, - 5. . , ? - , ( // ),
.. . , (back) (. , , , , , , , , ), .. - (., , , , , ., ).
2.11. (-), (-), - , ..., ... (, , , , , ), , - (. , ). , -. ; ,
- (... .) ( ) .
2.12. (-) [. showroom] - ... ( , ); . , (, ), . ,
5 , .
-
15
, (. , , , .), , .
. ( )
- , - . .
3. ? ? , : , . , - . -, , - (.. , ). - ( ). , (- , , ). , ( ) .
-, .
, - . - :
) , , -; , ;
) - (, , );
) ; .
-
16
(, -, ) , - , , , . , . . , , , , , .
, - -, -. ) , ; ) , -, ; ) , , - . (, , () , - .)
, , -, , - , : ? , ( ) -? , ? : /? ()? ()? ()? - (-)? (-)? /?
.., .. , ? - ? ..
, - -, . . - ,
-
- , ( - ).
4. , . , , ( ) . , , -, , - , . ; - , . , ( , ).
, , - , - . , , ( ). - , - . , , . , , - , . , , - .
, - , , - , - ; , . , 6. ,
6 . ( 2006: 175183).
17
-
, : , (. tifoso) (. palette), (. callanetics), ( - ) .. -, 7
.
, (. realtor) , , , [ri@lt@], ; (. account) - , ( ); () (. fast
food) , - , -, .. .
-; , , -. , . , . , - - , - , , 8.
5. -? , , , .. - . , , ,
7 , , , , .
8 , , . , , , , () . , , . . (2001: 408).
18
-
. . , - ( ), . - -, .
, , - , ., , , , , , -- , (, -, 9); - , . - , - , . , - - .
, , , - ( ( ), ( ), ( )), , , (. ). , (. /, , , , , .). , - (, )
. , - , - : - , , - , , .
,
9 , . .
19
-
20
. - , , . , (. . adresse, . stress, . cancellaria, . collegium).
? , , - , - . , . , . . -, . , ( ) -: , , . , , - ( ), , , ( 2012:
76). - -, , , , .
- ( ) . , - . - ( , ), . - ? , - ((), (), ()), - ( ); - - , (
)10. - , ( 2008: 172), , - , -
10 . ( 2012: 8485).
-
21
; . ( 1999: 41; 242243). , , , , , . (. . ) . , .
6. , . - . , -, - . , , ( ) -; - - .
, - 1956 . (.. XX .), , . , , . - ( ) , , , . , , , , , .
. . 7- . -: , 1888.
. . -: , 1999. . . (.). .
. . . : 2006: 175183. . . ,
, . (.). . XXXXI . : , 2008: 167184.
. ( - ). (.). . . 80- . : , 2001: 406411.
-
22
: (. ). : , 1990.
. : . 1 (9) (2005): 8395.
. (), (-) . 1 (23) (2012): 7289.
. . (.). . . XI. : -, 2012: 148154.
. . : , 1978.
. ( ). ... . . . -: 1992.
- . , . . , -- ( ); , , , . , : - , . , . , . , . - , .
: , , , , , , , , .
-
UDC 811.161.327:811.161.127811.161.227:811.161.127
Universitt [email protected]
: - -
*1
- . , - . , ( ) . : 1) , ; 2) , . - - 3- - -- .
: , , , , -.
Morphological systems usually are relatively unaffected by
language contact. In the case of contact among genealogically
related languages, however, even morpho-logical structures can be
subject to borrowing. This applies also to the mixed speech which
has evolved on the territories of Belarus and Ukraine: they
conflate Russian and
* Menzel (2013). XV (2027. 08. 2013). - , . Die Trasjanka in Wei
russland eine Mischvariett als Produkt des weirussisch-russischen
Sprachkontakts, Volkswagenstif tung . . (-), . . ();
Flexionsmorphologische Irregularitt(en) in aktuellen
Kontaktvarietten nordslavischer Sprachen, Deutsche
Forschungsgemeinschaft . . - (). - () .
-
Belarusian / Ukrainian linguistic traits in still unsteady
language structures. The usage of morphological structures in the
mixed speech is determined by 1) sociolinguistic criteria, which
above all work in favour of Russian language forms, and 2)
constellations of morphological regularity and markedness, which
prefer the spread of the more regu-lar structures, if several
distinct morphological structures co-occur. A corpus-based analysis
of the usage of 3-rd person personal pronouns and demon strative
pronouns in the Belarusian-Russian and Ukrainian-Russian mixed
speech demon strates the effects of the two mentioned strategies
for contact-induced inflectional change.
Keywords: mixed speech, genealogically related languages,
contact-induced in-flectional change, pronominal inflection,
morphological regularity.
1. , - . - . - , ( ), ( ) . , - - - () - (). , - ( 2006 s.v.).
., ., (2013), (2013), - Menzel Hentschel ( a).
. : , - (. ). , . 212.000 , 173.000 - . , , , - (. Kittel et al.
2010: 50). ; 1. , -
1 . . - () . . () . .
24
-
(. 2007: 141).
AK i BA i CH i MI Mi RA SA SM
BO HO KA -
i LO LU MA UM
- , . , - , - , , - . -, , , /, , - . , , , (intra-sentencial
code-switching). 113.000 ( ) 90.000 ( ).
, , . , , (. 2013: 70). ( . 1981: 200224). - , / . - . , - , - ,
, [g] [h/] (. 4.2). , -
25
-
26
[v] - - / - . [v] vs. . / . [h] . 3- jivo / jaho / joho ( ) - (
. Hent schel 2008: 179180).
, . , - . - , , , , () . - : jivo . / jaho . / joho . , - ; (
2013: 57). , - : , , . (., .. ./. . tamu tomu , -); . , (., . . da
jivo , . [v], . - -); . , (. , ) (. . . - ; 49, 186).
, , , . - - .
2. - , 2. , -
2 , :
-
27
: (Thomason 2001: 7071) - (more intense contact) (strong
cultural pressure) - (borrowing scale). , . (Wein-reich 1953) : - ,
, , - ( ), , , - . (Matras 2000: 567) , , - , - , , . , , .
-. , -, . - ( , ., , ) ; , . (., ). - , , - , (Gardani 2012:
7677).
- . , - . (Thomason 2001: 71) ,
. , , / , . , , .
-
28
: , - . - , , . - . , , - (Mithun 2012: 3435 ). , - . , (.
Muysken 2000: 122 . congruent lexicalization). (, ., -) - , . - -
(Hentschel 2008: 170) , - , , , , (Trudgill 1986). , .
- , - . - , , , ., (Gardani 2012: 75) , , . - , , , , . , -, . ,
-, , , 3.
3 congruent lexicalization . ,
-
29
- , , (Auer 1999) .
, : - , , , (. 2013: 6162 ). , - .
3. , , - . ; - . : , . - . , , - - (. Thomason 2008). - , . : -
, , . . . -, - . .
, . , - - , , .
-
30
, - - , (., ., Weinreich 1953: 34; Plank 1981; Corbett 2007;
Stroh Urdze 2008; Kiefer et al. 2012). - 4. , , - . -.
1. - : - ; (. 4.1).
2. - : , ; (. 4.2).
3. - : - , ; - (. 4.3).
- . , (., ., Wurzel 1994: 29; Gardani 2008: 48). - : - (Corbett
2007: 9). , -.
4 , , , .
-
31
: (., ., Menzel 2000: 40; Gardani 2012: 7879). : 1) ; () - ; 2)
(, ), ( ); 3) - ( ) - ( - ).
, . , . - , () - . . . - . , - .. .. ( ). 3- - .. (. . ). , - ..
5 . : (. Mayerthaler 1981, Haspelmath 2008). , , - , .. .., -
-.
-, - . ., . - .. .. .. ( -, ; , .. -
5 ( . i ).
-
32
). , 3- (., / / vs. ; / / vs. / / ). , , , , , - - .. .. . , -
(Dammel 2008).
- . ., - 3- .. - () (). , - . ( ) - .
4. 3- . , . - . , , . , - .
4.1. 3- - , . - , ( / / / ), [j] ( - , / / / ), [v] ( , i / / /
). , / , .
-
33
- -. , , - . , , , (Menzel Hentschel ). -, .
., . . , , : , - [i] ( . 4; ina, ino, iny). [j] (. I, 62 jon,
jona / jana, jono / jano, jony / jany). :
< 1941 1941-60 1961-80 1981-2002
[-/-] 24,6 4,7 30,0 17,0 44,8
[i-] 6,5 14,9 2,6 8,7 5,1
[j-] 68,9 80,4 67,4 74,3 50,1
n 2549 148 862 1184 355
< 1941 1941-60 1961-80 1981-2002
[-/-] 11,3 3,4 19,0 6,4 19,0
[j-] 3,1 14,9
[v-] 85,6 96,6 66,1 93,6 81,0
n 2104 87 442 1175 400
. 1: 3 ,
- - . . . , . , - . : . 89 . - . . . , , . 12 29 , . (67 ).
-
- , - : , . 6. - , , . . - (apparent time study, . Labov 1994:
45 .): , ; .
4.2. [v] [h] . - / - . - / - / - = . - , . - 3- . , .
% n % n [v] 26,2 157 2,5 12 [v]
[h] 73,8 442 97,5 471 [h]
2: / .. [v] / [h] 3
, jivo, tava, tavo . . , . . , 4.1. , - 4.1 4.2, . . . - , .
,
6 . . , , - .
34
-
. , 4.1. - , . .
4.3. . .. .. ( ) - . , . . , , - - -, - - . - - -, -. : , / . ,
- .
, . 3 . , . , .
% n % n [-t] 37,6 192 14,8 62 [-t]
[-y/-j] 62,4 318 85,2 356 [-j]
3: . . / . ( ) .. ..
tat / tot - . ( 10 70 ). . ; ( 6 17 ).
. . . , - .
35
-
36
[-t] , , - , - (. 1964: 224). . , , , - . (. III/3, 34). , - - .
. , : , . , . , .
5. - , . , , . . , , . - (-) , . , - , . , - - : ( ) . / . . , .
- . ( ) . - , .
Ii (.). ii. i: i i, 1964.
: (. i I oi). T.13. : , 19842001.
: (. Ii). i: ii , 1963.
-
37
. (.). . : , 1981.
. . (.) . : , 2006.
ii. i i . (.). i i. iii . : , 2007: 121158.
. : i, , ii. (.). i i. iii . : , 2007: 31120.
O O. vs. -- (): vs. . Hent schel Gerd (e.). Variation und
Stabilitt in Kontaktvarietten: Beob achtungen zu gemischten Formen
der Rede in Weirussland, der Ukraine und Schlesien. Beitrge zu
einem Thematischen Block auf dem XV. Internatio nalen Slavistentag
in Minsk, Weirussland 2013. Oldenburg: BIS, 2013: 2761.
. , , - . 1/2013: 5376.
Auer Peter. From codeswitching via language mixing to fused
lects: Toward a dyna mic typol-ogy of bilingual speech.
International journal of bilingualism 3 (1999): 309332.
Corbett Greville C. Canonical typology, suppletion, and possible
words. Language 83 (2007), 842.
Dammel Antje. Flexionsmorphologische Irregularitt ein graduelles
Phnomen. Doch wie lassen sich Grade bestimmen? In: Stroh Urdze
2008: 128.
Gardani Francesco. Borrowing of inflectional morphemes in
language contact. Frankfurt / M. etc.: Lang, 2008.
Gardani Francesco. Plural across inflection and derivation,
fusion and agglutination. Johanson Lars Robbeets Martine (eds.).
Copies versus cognates in bound morphology. Leiden / Boston: Brill,
2012: 7197.
Haspelmath Martin. Frequency vs. iconicity in explaining
grammatical asymmetries. Cognitive linguistics 19 (2008): 128.
Hentschel Gerd. Zur weirussisch-russischen Hybriditt in der
weirussischen Trasjanka. Kosta Peter Weiss Daniel (edd.).
Slavistische Linguistik 2006/2007. Mnchen: Sagner, 2008:
169219.
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morphological theory. (Ir)regularity, analogy and frequency.
Amsterdam / Philadelphia: Benjamins, 2012.
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Mixed language usage in Belarus. The sociostructural background of
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weirussisch-russischen und ukrai-
nisch-russischen gemischten Rede. Kempgen Sebastian et al.
(edd.). Deutsche Beitrge zum 15. Internationalen Slavistenkongress,
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Almanach.
-
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, . . Lingua historica germanica.] Berlin: Akademie.
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University Press, 2001.Thomason Sarah G. Social and linguistic
factors as predictors of contact-in duced change.
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Leipzig. Band I. Bochum: Brockmeyer, 1994.
: -
-
- - , . . - . ( ) - . - -- .
: , , , , .
38
-
UDC 821.161.1.09 Gorkij M.: 821.161.1.09 abotinskij V.
, - [email protected]
:
- . (1900) -, , 1936 ., , , .
: , , , , .
An article is dedicated to the comparison of two novels by
famous Russian Odes-sa Zionist and writer Vladimir Jabotinsky and
Russian classic Maxim Gorky. The author compares The Five by
Jabotinsky and The Three (1900) by Gorky and shows that
Jabot-inskys novel published in 1936 continued few main motives
from the early Gorkys novel and in such situation The Five presents
the serious and even finished episode in the long time dialog of
two writers.
Keywords: Jabotinsky, Gorky, The Five, The Three,
comparison.
( ) . , , XIXXX , - .
, - , XIX . , - , , , - , - . , : , , XIX
-
. , () , - .
XX , , , - , . , .
, -, - , ( , ) ( 2013: 129172). , , , - , .
, , 1890- ., : . , , , ( ) - .
. ,
: , , , , - , ( ), , .
, , , , .
-, - .
, - , , .
, , -, . (. ) , 1900- . , - , 1.
1 . ( 2007: 525 539). . : 2013: 3467.
40
-
: -, . - , , -. 2.
, - , , , - , :
, , - : , , , , , , ; , , , , . , , . , , , . , : ? . , , , . -
, -.
, , , . , , :
, : , , , . , , , , , . - Leitmotiv , , .
, , -, ,
2 .: , 1986.
41
-
42
, , , .
, , , , , - .
, - , , , , - :
, -, .
- , , - , . , , , , - , , , , - .
-, . -, , - .
, - , , , , - , .
, , , , , .
, 1902 , - . , , . , . .
, , 18 1934 ,
, -
-
43
, - , :
- , , , - . . , , , , , - , , , . , -, , ( 1987: 620).
-, , . 1930- ., . , , - , . 1902 .
, 1914 , , . , , , , , - .
1932 , - .
, - , ( 15 1934), 18 . , , - , , , - , , .
- . , - /
-
44
, , - . , , , .
. , - , - .
, , , , , , - , -, : , , , .
- , , . - , . - , - , - .
, , . , , , - , , , , , .
, , -- . , , , : , . . , , , - .
, , , -, . - ,
-
45
, - .
- . , - , , . , - .
-, , , .
1914 , , - , , , , , - , , , - (1928) (1935), 1936 , -, .
, - , . 1936 , , .
, , .
, .
, , . - , . , . , , 3.
- : , ,
3 . - ( 2007: 608).
-
46
1900- . ( 2007: 602)4. , , - .
( --, -) , , , . , , - :
: ... , , , - .
, , , , , - , - .
, - , . , - . - 19001910- .
- , , . ( , -, ), - .
. -, , . -- , - , . , , - . , , , .
, - , , , .
4 -Altalen .
-
, -, .
, , . , , :
, : , , - , , ....
, , : .
:
, , . -, . , , : , . - - , , . ... - ? , - , . ; , ; .
- , . , :
, -, , , . , . , , ; , -, ... , , , , .
, -, , , , , , .
47
-
, -, -. , 1901 , , , , .
, (, , . , , - , , ). - . : , , - ; : -, - . , , .
. , :
, , - ; , ; , , , , .
, , , - , -5. , , , - .
- . , , , , , - , .
-, . , - . , - . , ,
5 - .: 2002: 186.
48
-
: , - . - .
, , . - - , .
- : , , -, - , . , - , , , .
. -, , , 1900- , .
, , . , , . : , -, , . , , , -, . - , , - ( / ). - , , , , . , ,
. .
, , , (-) . - . ,
49
-
50
, . . , .
, , . ( 2004: 113121), 1911 . - , . , , - , , . , , .
. - ... , . - , -, . , , - . , , , .
, , . , , -.
, - , , , .
, -: -, -, , -, , -. - , .
-: -, , ; -, 30- , - ,
-
51
. - . , , - .
-. - - .
, , , , , - , , . , 1936 , - , , -, , - .
, . . : , 1986.
. . . 12 . . 12. -. . . : , 1987.
. . . . . . . : , 2004.
. . 9 . . 1. : , 2007. . : . : ; -
: , 2002. . . .
19021907. Leonid Katsis, Helen Tolstoy (ed.). . Russian
abotinsky: Jabotinsky and Russia, 130- . . ( - 2010). Stanford
Slavic Studies. Stanford. Vol. 44. Stanford: Stanford University,
2013.
. . . . 9 . . 1. : , 2007.
. - 1900- . - . . Leonid Katsis, Helen Tolstoy (ed.). . Russian
Jabotinsky: Jabotinsky and Russia, 130- . . ( 2010). Stanford
Slavic Studies. Vol. 44. Stanford: Stanford University, 2013.
-
:
- . (1900) , - 1936 ., , .
: , , , , .
52
-
UDC 821.161.1-31.09 Savinkov B.
[email protected]
1
(. , 18791925), ( , 1909), - , , , -- , - . - -, , , , , , . - ,
- , , - , .
: , , , , .
Notional plan of the Pale Horse (1909), first novel of Boris
Savinkov (V. Ropshin, 18791925), as literary attempt to observe
ethical side of the problem of ideological murder through question
of its permissibility, i.e. its moral justification in the name of
idea, is perceived through ethical and philosophical standing of
the novels hero George. He is dominantly defined by his utter
nihilism and congruent egotism which cause, by author opinion,
catastrophic consequences for the society and for a hero him-self.
Objective of this paper is to research nihilistic poetics conveyed
in Russian culture at the beginning of XX century by vulgarisation
of Nietzsches positions, to recognize echoes of said poetics in the
novel and to point out clearly defined authors attitude towards
nihilistic concept of personality as presented in the hero of the
novel.
Keywords: SavinkovRopshin, Pale Horse, nihilistic poetic,
Nietzsche, Russian culture and literature of XX century.
nihil , , - , , , ,
1 178003 ( : - ) , .
-
54
. - .2
- . . , 1799. . . , , , , : - , - . (...) , , , ( 1997:
280).
. . 1829. , -, . 1858. . . . . . . , - , , , . . ( , 1862) . (
1964: 243), .
. , , 60- I . , . . - , , , , - .
I , , 60- (-, ), , - ,
2 -, - . , - . . , , . . , , . , , . . , , , , .
-
55
. - 60- 70- , -, . , (), - ( ), ( ).
- , 3 : , ; , ; , ; , , ( 1955).
- . , () ( ). - , I . -, , -: , , , , ( 1955).
, . , , , .
I - , - .
I , , . ( ) , . , : , -. . ? ( 2005: 31). , , .
. - . , ,
3 : ( 1964: 243).
-
56
, . , , , , . , . , .
, :4 , , : ( 2002: 299); , ( 2002: 512). , , . - : , , - ; , , .
, , , .
. - . . , ; ( , , ). ( ) , , .
, , , , , , , , , . , , , . () , , () (). , , .
, , -, ,
4 , - . (la revolte), - , , , . (A. Camus: LHomme rvolt; Paris,
1951. : . : . . . 3. , 1998).
-
57
, . , , - ( - ). - - , .
I , ( ), , , - , 60- 70- . -- . - . - , .
. . : , , - , /. . . ./ (). , . , - . , , , , - .
I - , , -, . - , , , - . , , - , . (1898. - ) ( . , 1893, ,
).
-
, -, - , - , - . , , - , . , , , , - . , -, , - ( 1999). . . , ,
( 2002). . : , - - , , ( 1990: 202).
-- -- I . , , , - . ( , ), - . - (1907), , . : , /- . ./ -, , ,
, -, -, . - . , , , , , . , , , , ( 1989: 667).
, , -- .
58
-
- ( , -- ). . . - , .
, - , I , , - .
( 1999). , ( - , ) , : -, . . : (1900) . , (1905) . - ( 1911. ).
. , . , , . , .
: 1) , , , , , 2) . - , .
1) 5 - . ,
5 , , XVIIIXIX , -, , ,
59
-
, , , , ( 2002: 316). - : ( 1913: 23, 49, 50, 85, 129, 137), (
1913: 101). - , , , , (, ), - , : !// , , : , , , ! ( 2002: 359). ,
- . -, : , () , , . ( 2002: 729) .
. : ( ). : , , : . : ( 2002: 360). :
- . , , . , , . , - ( ), - , : , , , -: , ( 2002: 577).
. - , , - . - - .
60
-
- : , . - , ( ; 1913: 129), . .
- , , - ( ; 1913: 85). , ( 2002: 635654, 720). - , , , - - ( ).
, , Der Wille zur Macht, , , . . , - : , ; - .// , ( 2002: 383). ,
, . ; , . , : , - . , , , , , ( 2002: 240).
, , , : . -, , ? , , , ( 2002: 818). -, , ( . ; 1913: 137).
61
-
62
. , , , . , - , (. . : , , , - : !// : ! ! ( 2002: 405)) ( : ;
1913: 7; 1913: 23, 49, 50, 85; ; 1913: 134; : : ; 1913: 143; ;
1913: 144).
2) , : - , ; , , ; , . - , . ( 1913: 34), , , .
-, - , , , , , .
, -, , , - : , , . , , . , 15 . : ( 1913: 11). , , , , , : , , .
, ( 1913: 78). . , , : , , ? ( 1913: 86).
-
, ( 1913: 78), - ( 1913: 8). ( 1913: 7071). , - ( . ; 1913: 74).
- , 1913: 33), . , -. : , . ... ( 1913: 45). : , ... , . ( 1913:
95).
, , - ; ( 1913: 11, 136). - , : / . ./ / . ./, ( 2002: 248). , ,
. ( 1913: 20, 7576, 116, 144), ( ; 1913: 74; ; 1913: 7, 50; : ;
1913: 50). , - , -, . - , , . , - , , -, . , , . , , , . ( 1913:
28), , ( ; 1913: 143). , , ( ). , -, ,
63
-
64
, , , . , , .
, , ( , ; 1913: 118; ; 1913: 128; 1913: 11, 14, 23, 26, 88, 136,
144). ( ; 1913: 14; 1913: 33), , , , , - : , , , , , ( 1913: 32).
(. : . -; 1913: 27).
( , ; 1913: 34), , , , , . . . - , ( 1967: 45). , .
, , - ; , , -; , ; , , ; , - . , , , (- ). , -, , - , ( ).
, , ( ; 1913: 8), ( , ; 1913: 8). - ( 1913: 85), , , ( 1913:
90). , - - ,
-
65
. - , , , , -, , , : , , , ( 2002: 650651). , , - . , , . : , -
, ( 2002: 342). . , , -. , . , , , . - , , , , .
, . ( 1999) - : , , , ( : . . , ?; 1913: 23; , / . ./, . , , ;
1913: 136). . . - , , .
. - : , - , , , , ( 1967: 206). :
-
66
, ( 1913: 8; 1913: 23). - , : , ( 1967: 207). ( ), - : : , . . .
, , ? ( 1913: 134).
: : , , , . ( 1913: 135136). , . , , . : ? ( 1913: 118).
. , , , , ( : , ( 1913: 8). : ? ? ? ( 1913: 134).
, - , (. ) , , , - : , ( 1913: 56).
, - ( ; 1913: 38, 59, 85, 137) , , , , - .
( ) : , -, ( 1998: 63).
-
67
, , ( ) , - : , , . , , ( 1998: 65).
- , , , ( ) - , - ( ). - , , , , , , , , , - , , (, , , - ). :
.
. . . . : , 1997.
. . . . : , 1967.
. . . . 3. : , 1998. . . -: , 1999. . . . .
I . -: , 2002. .
. . I. I. . : , 1989.
. . . 4 (1990): 197204.
. . . . : -; : , 2002.
. : . . : -; : , 2002.
. , : . . : -; : , 2002.
. : . . : -; : , 2002.
. . . : , 2005.
-
. I . . . 1. : , 1955. .
/ . ./ . : . . , 1913.
. : , , . .
. . . . : , 1967.
. . . . 8. : , 1964.
, . , - (1909), , , .
: -, , , , .
68
-
UDC 821.161.1-14.09 Narbut V.
( ) , [email protected]
: 1
. (1910) - (, , , .). - - , - , . , - , .
: , , -, , .
The article discusses the early poetry of Vladimir Narbut
focusing on the perception of his first book of poems Stikhi (1910)
by contemporary literary critics (Piast, Gumilev, Gorodetskii,
Brusov, etc.). Narbuts literary debut was not immediately
associated with any particular literary movement, but through
eclecticism of Stikhi his predominant interest to the modern
literary schools resurfaced. That did not go unnoticed by
review-ers. In addition to this, the critics point of view on
Stikhi was mediated by their own literary opinions and visions on
the possible future direction of Narbuts poetics.
Keywords: literary debut, publications in periodicals, first
book, critical reception, poetics.
1
(1910)
. .
1 , 2005 .: Besprozvany, Vadim. Vladimir Narbuts Alleluia: The
poetics of Linguistic and Cultural Bilingualism. University of
Michigan-Ann Arbor: 2006.
-
?.. ? . ? ? ? , . .
( . )
(1912), ( ), - ( 1910), , . (19091912) , , , - , - , . Juvenilia
, - - / .
, , 1905 ; , 1906 . ( : . 5), 1908 . ( 1908: 312, 371). ,
19081909 . , . 2 3 - -. 1910 . , , 4.
. , , , , , , , -
2 . : (), -, , , 19081913 . ( 2004: 539540). 1866.
3 , , - .
4 1910 ., , - : , , , , , , .. (.: . 1992: 388389).
70
-
, - , , , . - 1910 . 1918 .5 , , 1910 . (, ... ...), - 6. (
-...), 7. ... ( , ...)8, ( , - -...)9, ( . ...)10 ( ...)11 . : (
...; ...)12, ( ...; ...)13. : !.. ( ...), () 14. , , . , , , , . -
, , -, (, , -), , (, , , ..). , , , -. ( , , . .), , , ..
, 1910- , 15. . , , XIX ( , , . .
5 ( , , ..).
6 27 (1910): 11.7 4 (1910): 783.8 6 (1910): 1251.9 7 (1910):
1468.10 8 (1910: 102.11 8 (1910): 1748. 12 18 . 1910.13 25 (1910):
1.14 81 (1910): 5; 26 . 1910.15 . : 1990: 106108; 2007: 232241.
71
-
, , , ), - . , , , - , - . , -, ( 2007: 232 241): , , , , , , ,
, , , , , , . , - , - , - . , (. , , , - , . .).
, , , , , , , , . - , - , , 1918 .16 , -, , . , , . - . - , , ,
- : , . , . :
17
, . , ( . 1994: 109111),
16 , ... ..., 1918 . ( 6 7 ).
17 : , 97 ( 11 (1910): 2532).
72
-
, . . , , , , .
, - , , , . , , - 18. , , - , , , , . .
19091912 . , , ( - ), , - . 1912 . 19 :
-, . , ? , , . - , , , - ? , , : ? - , . , , , , , , - . , , - ;
, , , . ?20
18 . , , . . 2- . (-; . 4). : 1912: 755757; , , . -. . 3. :
1913: 160, 183184, 611.
19 , , : 25. , ( 2 (1913): 8.)
20 . . 8 (1912): 2.
73
-
74
. . , - , :
- . 2 1908 , - , 1910 , 1912 (.; . -) [. . .]. (2003:
105-106)
. . . -- - -, (1999: 227).
( - - ). , (, ), , , , , (21, ), . , , , , -. , [. . .] , , . -
, - 22. , - , , , , : 23, , , 24.
, , . -
[. . .]: (, ), (), ( ) .. - , , . , -: , , , .. -, .
21 . . 22 1 (1911): 2. . ., ,
, . -, . . - .
23 . 11 (1910): 25322533.24 . 7 (1910): 1592.
-
75
, -, , :
, . , ! (Sic!)
, , . , - :
(Sic!) !..
. , - , [. . .]25.
, , , - : , - 26. , - , , - , . . ( ; - , -, , ; - , , , , ) , ,
. - , , -, :
- - !
, . , .
25 1 (1911): 34.26 28 (1911): 14.
-
, . , !
, . -: ..., -, , , , - . ... 27.
, - , , -, , ( , ) , 28 (, , : , ).
, , , , :
, , , , , , . . . , -. , ; , . , , , . , -, , , , , . . - . ; ,
, , : , . . -29.
27 . . 24 (1911): 12.
28 ( , , , : ) [. . .] 2 24 (1911): 12.
29 . -. . 38/14. 7 1910: 9.
76
-
. . , , , . . : . . , . - . : . ; , 30.
, . . . , - ; enjambement , - , , , -:
. -...31
. . . 1909 - 32
.
- - . .
, - , - .
30 . . 2 (1911): 232 (2- -).
31 : ... : !.. ( 1910: 45). 32 . . ; -
. .: (XVIII XX .) 1960: 10.
77
-
78
- . - .33
Gaudeamus34 . , . , - 35. . . , --. -, :
[. . .] . , , , , , - , - . - , - : , , , , - ( 1911: 89).
, , - : , - - : , - , , . - , , ( 1911: 89). - , . 49 77 - ;
:
. [] ! ... , , ... !.. -,
33 2002: 67. 4- (1912).34 Gaudeamus
(., 1911 .; ): - , .
35 . < . >. Gaudeamus 3 (1911): 12.
-
79
- .
(3) -: . 36; ; (3- ); (2- ). - :
, ,
, , . [] , [] , , [] , .
: , [] ,. 3.
[] , . [] [] . , ... [] , .. 2.
, ( ):
-, (?) . , ...
, , , - ( 1911: 9).
36 , , 3 3.
-
80
- :
,
( 1911: 9).
enjambement , , , . -, . , ( 1911: 9).
. , , , :
, , , -. [] , . , , - , , , - , , . - , - , . , , . - . -
37.
. . :
1910 : . . . . : , , , , . . , , -- [], - [] (1994: 109).
, - , , : 1909 . . , , - , - . . , , :
37 , . . . I. .: - , 1910. . 1 . . 3 (16) . 1910. . . . . .
-
81
. . , -, , .
( , - ):
. : . . . , , , , , - , - -, - , , , . , , . , - 38.
39 . :
; [. . .] . , - ( , ), - ( ), ( -). ? , ? , : , , , , , - . ? ?
? , ? - ! , .
- : - 1911 ., . - 1 1913 .40 , , ,
38 . - . : . . -. I. . , . 1909 . . 1 .. , , 2 (1911): . 222.
2.
39 6 (1911). . : 1991: 8182.40 , . , 4245; ,
, 4650.
-
: - . , [ ] , . , - , , 41. :
[. . .] , , , , , -. . , , . . M . . , : - , , , - , . !!
- , 42. , - , , - , . , , . , , , , - .
, (.) . . . 15. : , 1992.
. 3 . . 3. : , 1991: 8182.
. : . . Pro et contra. -: , 2001: 518543.
. . 52. : , 2004.
41 , , , 1911 ., , . .: 2001: 518-543.
42 .: Vadim Besprozvany. : . Toronto Slavic Quarterly 39. Winter
2012 < http://www.utoronto.ca/tsq/39/> ( 28 2013 .).
82
-
. 3 . . 3. : , 1994. . : . -:
, 2002. . (1912).
63 (2003): 105106. . .
49 (2007): 232-241. . (.). (XVIII XX .). :
e, 1960: 10. . . I. -: - , 1910. : . 1687 ( . . ). .1. . . 1. .
5. . , ...; (, !.. -
...). 2 (1908): 312, 371. . . . 212 (1990): 106108. . . ().
Gaudeamus 5 (1911): 89. . . . .
18001917. . 4. -. : - , 1999: 227.
:
. (1910) (, , , .). , - , . , , .
: , , , , .
83
-
UDC 821.163.41-4.09 Vinaver S.
[email protected]
- , , 20- , , . , , , - . , ( ) . ( - ) - .
: , , , , .
The research of Russian avant-garde art in the context of the
creative opus of Stanislav Vinaver sheds light, on the one hand, on
the reception of the Russian artistic experiment in this cultural
stage of the 1920s and, on the other hand, on poetic simi-larities
of Serbian and Russian avant-garde art. Vinaver continually wrote
on Russian avant-garde with exceptional erudition and hermeneutic
skill, in an inspired and sug-gestive way, with a sophisticated
sense for all that is innovative, radical and revolution-ary.
Furthermore, he built his own aesthetic principles and creative
experience (both in translation and poetry) by corresponding to
Russian avant-garde poetics. In order to illustrate typological
similarities (and further investigate the proposed topics) the
paper proposes principles for the comparative view of the creative
opus of Stanislav Vinaver and Velimir Hlebnjikov.
Key words: Stanislav Vinaver, Russian avant-garde, reception,
creative understand-ing, comparative studies.
- . , , - . , , -
-
() , - .
. - , , , . , , . , , , , - , , , - , , , -, , . , / .1
. (- ), -, , ( ), , , , - . , - : , , (: 1998, 272). ,
1 , (1924). 19171919. . , . , , 1924. . , , , -, , , (. ). - -
.
86
-
- (, 273). , , - , , , - ( -, , ) . , , .2
1921. , - . , , - / - , , . , , . , , - , : . , : , : , , (:
1921, 79). - (, 1920). , - - . (, - ) : -, ( , ) (, 78). , - , , -
. , aere parennius (, 80). - , , - , : . ,
2 (, , ) - (: 1987).
87
-
88
. . , , , , - , -. - , , - , , , - , , - .
, , , , , . , , , (: 1921, 103). - . , , -. ( ) : . , . , , . -
, , .
, , , , . , - (: 1921, 143). . , - , - . - ,
-
89
, , , , . , - , . . . -. . , . : , (, 143144). , - / , , , ( , ,
, , ) , .
, 1921. , , - (: 1998, 130). - . , , , , - . 3 , - , - , - , ,
.
, - , () , - . - - , , , , , . , - . , , , , (: 1985, 41). ,
-
3 (18751911), 1950- , -.
-
90
, , . , , , , , , - , , , -, , , . , ( /). , , , , - , :
, , , , . , , , ; - , , ; -; , . : . : . : , , . (, 42).
( ), - , - . -, , , , , , perpetuum mobile. , , :
, , . , , , . , , , , . : ... ... (, 4445).
- . , , , , - , , , , , (, 43).
-
91
- , .
- . , , . , - , (, 66), - . - . , , , , , , , , , , , , , - , -,
, -, , (, 63). - (, 66). , , , , , , . - , , . - , ? (, 67), - , ,
. ( - , ), :
, : , - , , , , , : , , , , , , , , , , , , , , , , , , , , . (,
69).
, -
-
, , , , , , , -. . , , ad infinitum. .
, - . , -, (: 2011, 186). - (, 187), -, , , , - (, 188). - - ( )
.
. , , - - - , . - , , . , , - , - , , - , , , . -, , , /, /, /,
/, /, - . - (
92
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), / . - - . , , - , , , , - , , . - 1912. .
- - , , - , ( ), . (1926), , , , , . , - (: 1973, 14). , , .
, - . ( 1921. ) , . , - , (: 1995, 168). , , - (, 172). - : ; -
; . -
93
-
, (, 222).
, , , 1921. , , , 1919. (: 2007, 45). - , , (: 1922), -, --, -,
(: 1984, 3839). - . , , .
- . - , , , , , . ( ), - . , , - ( - -- ), , , (-, , ), -. , , ,
- . , , . , . , , , , - . (-- ) , , -. ,
94
-
(/), () (). . . , - . - , . , , , , , . , , , , . - , , , , , -,
.
. , , , - (19221923), , - () . , , - , , , (: 2008, 70).
, . , () . , - (, 80)
95
-
96
.
, (, 81). :
: , , , ; , - ; , , , , ; , ( ); , - , - (: 1922, 500),
, -, , . . , , . , . , , - , () .
, . , , . (: 2008, 116). :
- . (. ) , . --, , -, . ( ) , , , - , (: 1922, 1307).
, , -. , , . - ( , . , . , . 19141919, . , . , . .). , 20- .
-
-
97
, - , , , - , (: 1997, 8081).
, - , - . - , Euphorion, . - - . , - - . . , , - , - - , , , .
-, , -- , , . , -, . , - 20- .
, : (: 2008, 118). , , , . : , , , - , . - , , , (: 1923, 396,
397). , .
, , -
-
98
, . , , la , , , - , (: 1923, 458). - , , , (, 459). , () - , ,
, , . . , , (: 1997, 327), , , . - , , : , . . , - , . - , . , - ,
, . , , - - , , , -, , .
, . - , , (: 1998, 261), - (, 261262). ,
-
99
, (, 262), , , . , , , , , , , , , , - , (, 262263). , , , .
- 20- , . 30- - , - , , , - , - , . (, 1935) . , . , . . , , . ,
(: 1975, 171), , - , -, , . - . , , , , , , : , ! (, 172). , . , .
- , - - :
, , ; , , , ; , - -
-
100
, - (, 173174).
- , (: 1998, 57), , , -, , / . , , - . , : , , , -, (, 174). , ,
, , -, , , - (, 176). , , - par excellence, , - , - . -, , .
.4 , , - , , , , , , , , . , , , , . , , -
4 . : , . , - , ; - , , , -, (: 1975, 3031).
-
101
, , (: 1997, 4950). , , - . , - -, , . , , , . . . (: 1977,
102).
. . : . 2008. . :
. 90/91 (1997): 4350. . (19171924)
. : / 1 (1997): 8082.
. . 1921: 7780.
. . 3 (1921): 102104.
. . 4 (1921): 142144.
. . 1 (1922): 13071308. . . 4 (1922): 550551. . : . 5 (1923):
396397. . . 6 (1923): 457464. 1975. .
. . . : ; : , 1975: 169176.
. . . (.). . : , 1977: 99102.
. . . . : , 1985.
. . . . . : , 1998: 260262.
. . . . . : . 1997: 327.
. . : . 2011. . . ,
(.) . . 4. : , 1985: 163174.
. . . . . : ; : , 1975: 737.
. . . : Old commerce, 2006: 127134.
-
102
A. .
http://lunacharsky.newgod.su/lib/ss-tom-5/georg-kajzer>.
. . (.) . : ; -: , 1990: 275282.
: , , . . . : , 2005.
. . . : , 1995: 167222.
. . . . : , 1973: 729.
. . : , 1998. . . 120/121 (2003):
441449. . . : , 1984. . I. : , 1964. . . (.)
. : ; -: , 1990: 429443.
arka Svirev
STANISLAV VINAVER AND RUSSIAN AVANT-GARDE ART
Summary
The subject of the paper are Stanislav Vinavers essays and
articles on Russian avant-garde art, which are particularly
interesting and significant. By analysing them, the image of
Vinaver as comparatist (both methodologically and thematically)
become deeper. Their anal-ysis is a contribution to the study of
reception of Russian art experiment in the Serbian cul-tural scene
during the 1920s. Perhaps most importantly, Vinavers texts (essays
and poetry) enlighten the poetic correspondence between Russian and
Serbian avant-garde literature, which is the anchor spot of this
paper. His own aesthetic principles and creative experience (poetry
and translating) was shaped in accordance with Russian avant-garde
poetics. Moreover, this paper shows parallels between creative
projects of Stanislav Vinaver and Velimir Hlebnikov.
Key words: Stanislav Vinaver, Russian avant-garde, reception,
creative understanding, comparative studies.
-
UDC 821.161.1-31.09 Pelevin V.
. , [email protected]
, [email protected]
, *1
, . , - , .
: , , , , .
The paper analyzes ambiguous relationships between the
allegorical and fantastic in the novel The Sacred Book of the
Werewolf by Victor Pelevin as well as the narrative strategies that
simultaneously represent an asset of the authentification of the
fictional world and the means of undermining it. In this manner
Pelevin constructs a form of the fantastic that no longer rests on
the decision to reject allegorical reading or the indeter-mination
between the natural and the supernatural explanation, but on the
indetermina-tion between the allegorical and literal interpretation
and between the acceptance of the performative force of the
utterance and its ironic denial.
Key words: allegory, fantastic, authentification, Victor
Pelevin, The Sacred Book of the Werewolf.
- . , - , , , , . ,
* (III 47016), , - .
-
104
. , ; , , , - (. Todorov 2010). , , , . , , , ?
, , , , .1 , , , , .2 - , .
, , - - , .3 - -, , , , ( -
1 , , , , e, ; , , o , , . (. 2010 Chevalier Gheerbrant 1983). ,
, -, . , . , , , , (. Chevalier Gheerbrant 1983). , - , , . (
2005). , , .
2 , , . , , .
3 : o - , , . . , . -. , - [] (Peljevin 2004: 8).
-
105
) . , , -, :
! ? , . . . . , , , -- - . , , ... , . - , --- , , , , , ...
(Peljevin 2006: 198199).
, . , , 4 , , , , - .5 , , , . - - (Ibid.: 161) . , -
4 ( 2003) - ( ) . , - , , . , , , , . - , , , , -, , 2010. .
5 Pelevin discovered the artistic potential of the shape-shifter
(oboroten) motif long ago, though not without the promptings of
western mass culture.1 The shape-shifter is a metaphor for
postmodern (and post-Soviet) identity, forever oscillating between
opposite states, entwined in a single personality and leading to
internal as well as external conflicts. Liza Novikova rightly
remarks that the motif of the shape-shifter belongs to a series of
leitmotifs running through all of Pelevins works: Nearly all
characters in Pelevins works were similar shape-shifters: he turns
Komsomol workers into hard currency prostitutes and the heroes of
The Life of Insects into mosquitoes and flies. In SKO he sculpts
solely shape-shifters. Werewolves from central Russia have already
attracted the attention of the writer once before (Lipovetsky 2011:
235).
-
, :
, . , . , , , CIA, . , . , , , , . - , , , - (Ibid.: 4849).
-, , - , , , - 6 , j, . - , , :
, . . ; , (Peljevin 2006: 17).
:
,
6 .: , , - . , . , , , , , . , . . , . - . : , , ( 2001:
205209).
106
-
(Ibid.: 47).
, , :
: , , - . , (: ), (Ibid.: 53).
, - , , - . Me, - , .7
, , - a a- ; - ; (. Todorov 2010: 2642). . , , , .
Me, , -
7 O , , , , , : The first thing to note is that fantasy does not
simply realize a desire in a hallucinatory way: rather, its
func-tion is similar to that of Kantian transcendental schematism:
a fantasy constitutes our desire, provides its co-ordinates; that
is, it literaly teaches us how to desire. The role of fantasy is
thus in a way analogous to that of the ill-fated pineral gland in
Descartes philosophy, this mediator between res cognitas res
extensa: fantasy mediates between the formal symbolic structure and
the positivity of the objects we encounter in reality that is to
say, it provides a schema according to which certain positive
objects in reality can function as objects of desire, filling in
the empty places opened up by the formal symbolic structure. To put
it in somewhat simplified terms: fantasy does not mean that when I
desire a strawberry cake and cannot get it in reality, I fantasize
about eating it; the problem is, tather: how do I know that I
desire a strawberry cake in the first place? This is what fantasy
tells me (Zizek 1997: 7). , , , : , ; , , . , . .
107
-
, , -. , , - , , . - , - , , , , . , .
, - . - , , , : - , , , - . , .
, , . , , .
, , , , , . -, - , .
(2010: 5772) - , , -. . -, . , , .
, - , - , ; , , . - ,
108
-
- :
? ? ,
. .
, , -
? -
, ... . ! ,
-- (Ibid.: 99).8
, ( , ), , , .9 , , ,
8 , , , , - . . (Ibid.: 154). , , , - , - , , ; ; - ; , . , , ,
- , .
9 ( , , -, . 2001). , , , . , , , - (. Riker 2010). , , .
109
-
110
-, . , : . - . . (Ibid.: 295).
- , . , 10 , :
? ? . . . . - , -, (Peljevin 2006: 204205).
, , - , :
, , :1. ,
.2. , upper rat -
.3. .4. -
. -
, - , . - , - (Ibid.: 207).
10 ? , . , , . , - , (, , ), , (. Lipovetsky 1999: 195).
-
111
, , . , -, , . -, , , .
. O - . , , , .11 , , , - . - ,12 , , , - . , , :
, A , XXI . -, . A , , - , - . - ,
11 ( ), - ( ), (mpire V). - , : It designates the condition of
culture on the border between a conventional conception of identity
and history and a still mysterious future in which the old
modernist conception of zhiznetvorchestvo, life-creation or
creation-in-life, becomes accessible to every individual in a much
more comprehensive way than it was to the avant-garde of the
19101920s. One possible reaction to this situation, taken to the
limits of its logic, is the recognition of all identities as
self-created, contingent, and therefore constructed. All possible
reactions to the new culture, however, seem to leave unanswered the
question of the status of the postmodern subject in this reign of
phantasmatic egos (McCausland 2006: 167).
12 , , , . , . (Todorov 2010: 27).
-
112
. , (Ibid.: 5).
, , . , -, , , , , !. , , - , . . -, , , , , . , -, , , , - . ,
-, , , , -, - .
. - ( ) , - () .13 - , - a - .
, , - - ,
13 : , , , - , , . , , - , (. Doleel 2008: 154177).
-
113
. - , .
- , - . ,14 - : - , . . - , , , . , . , , , , , , , - . , , , -,
, .
, , - . , , -, , -. . , - , , . , -
14 , , - - . , . , , . , .
-
, , - .
, -, -. , , , -, 2000 - , , . - , . , , (Ibid.: 12). - , , . , ,
, (Ibid.: 12). , : - , (Ibid.: 128). - , , , . -, , .
-, , . , , , . , , , -, , , - , - . () -
114
-
, , , , - , - , .
, , , . (Ibid.: 11) :
, 1925. , - . . - , , . , : - . , (Ibid.: 171).
a , ( , ) - . , , , -, - , . , . . , . . - (Bulgakov 2008: 125)
-.
, , . - - . , - , , . , - .
, , -
115
-
- , - - - , :
? ? , !.
, , - . - , . , , .
- , - , , , , - , , . , - , .
. . : , 2001. . . :
, 2005. . . : , 2003. . . : -
, 2010.- .
( . Generation ). . : Stilos, 2010: 5262.
. . . Generation . 285299.
116
-
Bulgakov Mihail. Psee srce. Beograd: Lom, 2008.Chevalier J.,
Gheerbrant A. Rjenik simbola. Zagreb: Nakladni zavod MH, 1983.
Doleel Lubomir. Heterokosmika. Fikcija i mogui svetovi. Beograd:
Slubeni glasnik, 2008.Eko Umberto. Granice tumaenja. Beograd:
Paideia, 2001.Lipovetsky Mark. Sharms of the cynical reason: The
Tricksters transformations in Soviet and
PostSoviet culture. Boston: Academic Studies Press, 2011.
Lipovetsky Mark Naumovich, Borenstein Eliot (ed). Russian
Postmodernist Fiction: Dialogue
With Chaos. New York: M. E. Sharpe, 1998.McCausland Gerald
Matthew. The PostSoviet Condition: Cultural Reconfiguratinos of
Rus
sian Identity. Pittsburgh: University of Pittsburgh,
2006.Peljevin Viktor. Generation P. Beograd: Plato, 2004.Peljevin
Viktor. Sveta knjiga vukodlaka. Beograd: Plato, 2006.Riker Pol. O
tumaenju. Ogled o Frojdu. Beograd: Slubeni glasnik, 2010. Todorov
Cvetan. Uvod u fantastinu knjievnost. Beograd: Slubeni glasnik,
2010.www.pelevin.nov.ru/iek Slavoj. The Plague of Fantasies.
LondonNew York: Verso, 2009.
. ,
,
- , , - , . - , , - . , , - , , , . , - -. , , - . . , , , , . ,
- . , , - , -, .
: , , , , .
117
-
UDC 821.161.2.09 Pirkalo S.821.161.2.09 Karpa I.
[email protected]
:
. , , - , , , .
: , , , , , , , .
The paper presents an autobiographical narrative of the prose by
Svetlana Pirkalo and Irena Karpi as a sign fragment of the modern
artistic female discourse in Ukraine. The focus is on the basic
ways of structuring the life experience in their texts as well as
on the vectors of the authorial self-representation in the space of
the current discursive practice of the present day which are marked
by various phenomena such as autofiction, steb, postfeminism.
Key words: Svetlana Pirkalo, Irena Karpi, narrative,
autobiographism, autofiction, steb, chicklit, postfeminism.
Curriculum Vitae , . , , . - , . , - . -- -, , . ,
-
. , , , . , . . - . , , . - . , , , . , , , . , - , ( 2005).
, - - , , , , . - , , . , - , , , , , , - .
, -, - , , , , , , -, - , . - ( , , , , , , ) , , , , - ( 2007).
, , -, -, , - , -. ,
120
-
, ( , , .). , , , - 1. , , , - .
, - -, , (- 2004: 45). 2 , , , : , -, , , , .
- . , - , ( , , , , ) . -, . , , , . ( , ) (50 , , , Bitches Get
Everything, ), , , , , -. - , - .
1 .
2 ( ) . , , - . , , - . , , , , .
121
-
122
*
, , - , , , , ( ), ( )3. . , . , . , - , , ( 2002: 3), (2000), ,
. , , . , , , . , : , 18- , -, , , . , , , . ( ), , - 19 . - , : -
, , , , - , . , , , ( 4 ) -, , .
, ( , ) ,
3 , - , ( 2003).
4 , - (: , 1998), 2002 . ( ).
-
123
-, , - . , , - , . , , : , . , ( 2002: 1). , , , . : , , - ... ,
, , , . ( 2007). ( , , ) - , -, .
(2004), , . , -, . -, , , . , : , . . , , . , , ( 2004: 106). -,
, , . - , : , , , , , , , . , , , . - ,
-
: , , . , , , . , . ( 2004: 350). - . , , ( . . .) , PS, , (). ,
5 ( - 2004 .): ( ) . - . , , , . , , (). , , -, - . : , , , . , , ,
( 2004).
, , , , , . . , : , , . , - -, , . : , -, . , , -, , . , ,
5 : 90-60-90 ( ) , .
124
-
? . , , ( 2002: 88). - ( ..) - ( ), , ; , - (. , , ). - -, 6. ,
, - (, , , , , ), ( , ), . -- , , , .
*
, , -, -, , , , - . - -- : , .
6 ( . chick lit ) - - : (Chick Lit: Postfeminist Fiction). , , ,
, , -, , , . , , , Prada . - , - - ( 2008). - , , , (). , , , - - ,
, , , , ( 2002: 3).
125
-
126
, , ( 2004: 5). , - ()
