6
Spectral features of vowels; spectrograms (nh ph ) Cơ s âm v hc và ng âm hc Lecture 13 The story so far Vowels can be distinguished acoustically by characteristic formant patterns – Formants are bundles of high-amplitude harmonics (nhng gii tn có cưng đ ln) – Formants change with articulatory settings “Rule of thumb”: rough-and-ready relation between vowel height/backness and F1/F2 – The higher F1... – The lower F2... The story so far Vowels can be distinguished acoustically by characteristic formant patterns – Formants are bundles of high-amplitude harmonics (nhng gii tn có cưng đ ln) – Formants change with articulatory settings “Rule of thumb”: rough-and-ready relation between vowel height/backness and F1/F2 – The higher F1... – The lower F2... [ɑ] low back vowel F1 F1 F1 F2 F2 F2 [i] high front vowel [u] high back vowel From Ladefoged (1996) Elements of Acoustic Phonetics.

Spectral features of vowels; spectrograms (anh ph)jkirby/hanoi/slides/lecture13-hanoi-4up.pdf · Spectral features of vowels; spectrograms (£nh ph ... Phonetics. Interpreting formants

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Spectral features of vowels;spectrograms (ảnh phổ )

Cơ sở âm vị học và ngữ âm học

Lecture 13

The story so far

• Vowels can be distinguished acoustically bycharacteristic formant patterns

– Formants are bundles of high-amplitude harmonics(những giải tần có cường độ lớn)

– Formants change with articulatory settings

• “Rule of thumb”: rough-and-ready relation betweenvowel height/backness and F1/F2

– The higher F1...– The lower F2...

The story so far

• Vowels can be distinguished acoustically bycharacteristic formant patterns

– Formants are bundles of high-amplitude harmonics(những giải tần có cường độ lớn)

– Formants change with articulatory settings

• “Rule of thumb”: rough-and-ready relation betweenvowel height/backness and F1/F2

– The higher F1...– The lower F2...

[ɑ] low back vowel

F1

F1

F1

F2

F2

F2

[i] high front vowel ! [u] high back vowel !

From Ladefoged (1996) Elements of Acoustic Phonetics.

Interpreting formants

0

500

1000

1500

2000

2500

3000

Hz

i e a o u

Diphthongs

• Diphthongs (âm đôi) are vowels with two differenttargets: the tongue moves during the vowel

– [i@] in thìa consists of [i] and [@] components– [W@] in thưa consists of [W] and [@] components– [u@] in thua consists of [u] and [@] components– ...etc

• What are the spectral characteristics of a diphthong?

Diphthongs

• Diphthongs (âm đôi) are vowels with two differenttargets: the tongue moves during the vowel

– [i@] in thìa consists of [i] and [@] components– [W@] in thưa consists of [W] and [@] components– [u@] in thua consists of [u] and [@] components– ...etc

• What are the spectral characteristics of a diphthong?

Diphthongs

• During the realisation of a diphthong, the formants (F1and F2) move from the values for the first vowelcomponent to the values for the second.

• It is not possible to represent this change using spectra.

• Need a way to see frequency component structure over time.

Diphthongs

• During the realisation of a diphthong, the formants (F1and F2) move from the values for the first vowelcomponent to the values for the second.

• It is not possible to represent this change using spectra.

• Need a way to see frequency component structure over time.

Diphthongs

• During the realisation of a diphthong, the formants (F1and F2) move from the values for the first vowelcomponent to the values for the second.

• It is not possible to represent this change using spectra.

• Need a way to see frequency component structure over time.

One option

• We could look at many spectra in quick succession, likein a ‘waterfall’ display...

• ..this quickly becomes very complex

One option

• We could look at many spectra in quick succession, likein a ‘waterfall’ display...

• ..this quickly becomes very complex

Acoustic representations – review

• The waveform shows changes in amplitude over time.– Good for distinguishing broad sound classes

• The spectrum shows intensity over frequency, indicatingthe frequencies at which a sound has energy.

– Good for identifying vowels, but no time dimension

• The spectrogram combines the advantages of both.It indicates intensity over frequency over time.

Acoustic representations – review

• The waveform shows changes in amplitude over time.– Good for distinguishing broad sound classes

• The spectrum shows intensity over frequency, indicatingthe frequencies at which a sound has energy.

– Good for identifying vowels, but no time dimension

• The spectrogram combines the advantages of both.It indicates intensity over frequency over time.

Acoustic representations – review

• The waveform shows changes in amplitude over time.– Good for distinguishing broad sound classes

• The spectrum shows intensity over frequency, indicatingthe frequencies at which a sound has energy.

– Good for identifying vowels, but no time dimension

• The spectrogram combines the advantages of both.It indicates intensity over frequency over time.

• Here, F0 in [a]lower than [i]:how can we tell?

• Striations in [a]further apartthan in [i]

• Harmonics in [a]closer togetherthan in [i]

• Here, F0 in [a]lower than [i]:how can we tell?

• Striations in [a]further apartthan in [i]

• Harmonics in [a]closer togetherthan in [i]

• Here, F0 in [a]lower than [i]:how can we tell?

• Striations in [a]further apartthan in [i]

• Harmonics in [a]closer togetherthan in [i]

• Here, F0 in [a]lower than [i]:how can we tell?

• Striations in [a]further apartthan in [i]

• Harmonics in [a]closer togetherthan in [i]

F1/F2/F3 patterns for common vowels

Freq

uenc

y

From Ladefoged (2006) A C

ourse in Phonetics

F1

F2

F1

F2 F1

Time (ms)

• With a spectrogram, it’s easy to visualise diphthongs: Vietnamese thái [thaj]

1/4 into vowel: F1 = 803 Hz, F2 = 1387 Hz3/4 into vowel: F1 = 410 Hz, F2 = 2042 Hz

Freq

uenc

y (H

z)

Time (s)

from UCLA Phonetics Lab Archive, http://archive.phonetics.ucla.edu/.