START

Projekti študentov oblikovanja Tekstilij in oblačil 2011/12

STARTVsebina: Projekti študentov oblikovanja Tekstilij in oblačil 2011/12, Visoka šola za dizajn v Ljubljani, pridružena članica Univerze na PrimorskemUrednici: Damjana Celcar, Sabina PucAvtorji: Damjana Celcar, Sabina Puc, Tanja Devetak, Sonja Šterman, Anda Klančič, Mateja Benedetti, Martina Šušteršič, Petra Bole, Lara PlajhOblikovanje in prelom: Sabina Puc, Petra Švajger, Sabina Špilak, Anamarija Pirc, Lara BernotNaslovnica: Petra ŠvajgerPregled besedil: Petra BevekUredniški odbor: Damjana Celcar (glavna urednica), Sabina Puc, Simona Jevšnik, Jure Purgaj, Jože Vižintin, Almina Duraković, Lidija RotarIzdal in založil: Visoka šola za dizajn v Ljubljani, pridružena članica Univerze na PrimorskemLeto in kraj izdaje: Ljubljana, januar 2013

Vse pravice pridržane. Vsakršno razmnoževanje pub-likacije, posameznega dela ali celote je brez vnaprejšnjega soglasja založnika prepovedano.

Contents: Projects of students of Textile and clothing de-sign 2011/12, Academy of design in Ljubljana, Associated Member of University of PrimorskaEditors: Damjana Celcar, Sabina PucAuthors: Damjana Celcar, Sabina Puc, Tanja Devetak, Sonja Šterman, Anda Klančič, Mateja Benedetti, Martina Šušteršič, Petra Bole, Lara PlajhLayout and design: Sabina Puc, Petra Švajger, Sabina Špilak, Anamarija Pirc, Lara BernotCover design: Petra ŠvajgerLector: Petra BevekEditorial board: Damjana Celcar (Editor in chief), Sabina Puc, Simona Jevšnik, Jure Purgaj, Jože Vižintin, Almina Duraković, Lidija Rotar Published by: Academy of design in Ljubljana, Associated Member of University of PrimorskaYear and place of publishing: Ljubljana, January 2013

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means without written permission of copyrights owner.

Projects of students of Textile and clothing design

CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana

7.05:646.4(497.4)”2011/2012” 745.52(497.4)

START [Elektronski vir] : projekti študentov oblikovanja tekstilij in oblačil 2011/12 = projects of students of textile and clothing design / [avtorji Damjana Celcar ... [et al.] ; urednici Damjana Celcar, Sabina Puc]. - El. knjiga. - V Ljubljani : Visoka šola za dizajn, 2013

ISBN 978-961-92619-6-5 (swf) 1. Celcar, Damjana

265268992

KazaloContents

Arhitekturna oblačilaArchitectural clothing

3Re 2012Reduce/ Re-use/ Recycle

UvodnikEditorial

(Ne) vidni v družbi(In) visible in society

Top ToperTop Toper

Prečkanje/identitetaCrossing/Identity

Slovenska identiteta –

Slovenian identity – (in)visibility(ne)vidnost

Polstene tekstilije

Felted interior textilesza interier

Nevidni in pletenineInvisibles & knitwear

Kolekciji oblačilClothing collections

Nevidne španske steneInvisible folding screens

Zračna čipkaMachine-embroidered lace

UvodnikEditorial

doc. dr. Damjana CelcarPredstojnica katedre za oblikovanje tekstilij in oblačil

Assist. Prof. PhD Damjana CelcarHead of Textile and clothing design department

Visoka šola za dizajn v Ljubljani, pridružena članica Univerze na Primorskem ponuja inter-disciplinarni učni program, ki postavlja šolo med sodobne evropske visokošolske ustanove s področja oblikovanja. Visokošolskemu študijskemu programu »DIZAJN«, ki ima tri smeri: Notranja oprema, Tekstilije in oblačila ter Vizualne komunikacije, je v letu 2012 sledila akreditacija magistrskega študija 2. stopnje. V letih obstoja smo zvesto sledili temeljnemu cilju študijskega programa, ki stremi k usposabljanju oblikovalcev s strokovnimi znanji, potrebnimi za pripravo inovativnih dizajnerskih rešitev, ki bodo povečale možnosti prodora in razvoja sloven-skega oblikovanja. Uspehi in rezultati preteklih let so omogočili, da Visoka šola za dizajn danes ponosno stopa na pot preobrazbe v Fakulteto za dizajn. Vsaka preobrazba nam prinaša nekaj poseb-

nega, vidnega ali nevidnega. Biti viden ali neviden – to je zdaj vprašanje s katerim so se študenti pod mentorstvom strokovnjakov ukvarjali v akademskem letu 2011/12. Nekateri projekti bolj, drugi manj so se dotikali krovne teme INVISIBLES in nastali so zanimivi, kreativni in inovativni tekstilni ter oblačilni izdelki, ki vam jih s pono-som predstavljamo v prvem katalogu Katedre za oblikovanje tekstilij in oblačil. Tekstilije in oblačila nas obdajajo v okolju v katerem živimo, delamo in se zabavamo – so del nas in ker je ustvarjalnost, ki smo jo v zadnjih letih krepili na Visoki šoli za dizajn, dobila VIDNA krila, vam sporočam, da bomo v prihodnje na Katedri za oblikovanje tekstilij in oblačil skrbeli za vidnost in seveda kreativnost izdelkov – ki so del nas. Pre-prosto zato, ker želimo biti prisotni in biti VIDNI.

Academy of Design in Ljubljana, associated member of University of Primorska offers an in-terdisciplinary study programme that situates the school among modern European higher education institutions in the field of design. The undergradu-ate programme »DESIGN« that offers education in the following three area: Interior design, Textiles and clothing design and Visual communication, was upgraded in 2012 with the accreditation of the master programme »Design«. We have faithfully followed the basic goal of the program, which is to educate designers with the required skills to cre-ate innovative design solutions that will increase the potential for better market infiltration and development of Slovenian design. Thus the suc-cess and results of the past years have enabled the Academy of Design to proudly stand on its way to transform to Faculty of Design. Each transformation creates something spe-

cial, visible or invisible. To be visible or invisible – is the question that students were resolving under the men-torship of experts in the academic year 2011/12. Some projects have more, some less embraced the umbrella theme INVISIBLES and the results are interesting, creative and innovative textile and clothing products, which we are proud to present in this first catalogue of the Department of Textile and Clothing Design. Textiles and clothing accompany us in the en-vironment we live, work and have fun in – therefore they form an inherent part of us. By cultivating cre-ativity at the Academy we have grown VISIBLE wings and we stand firm that we shall continue to procure visibility of design and creative products developed at the Department of Textile and Clothing design, be-cause they are a part of us. Simply because, we want to be present and be VISIBLE.

13Re 2012Reduce/ Re-use/ RecycleŠtudenti so sodelovali v vseslovenski akciji Očistimo Slovenijo 2012. Nastale kreacije in modni dodatki so ustvarjeni iz starih neuporabnih oblačil v kombinaciji z embalažnimi izdelki blagovne znamke »MU« Ljubljanskih mlekarn.Students have participated in the national environmental campaign Clean Slovenia 2012. Creative products and fashion accessories are created from old, unusable clothing in combination with packaging products of the »MU« brand of Ljubljanske mlekarne.Mentor: Assist. Prof. Mateja BenedettiStudents: Nina Čehovin, Tanja Gerčer, Sara Henigman, Hana Hees Pavlinc, Teja Jeglič, Maša Jurgelj, Admir Kapić, Petra Kolarič, Manca Matičič Zver, Mirela Murič, Zala Opara, Kaja Polajnar, Tea Poličnik, Valerija Rimele, Maxi Tavčar, Evgenija Zafirovska, Lidija Weber

Fashion show 3Re, Čopova ulica, Ljubljana, 7th March 2012Technical assistance: Olga Marguč

Tea Poličnikphot

o: K

atja

Pin

tar /

VSŠ

ŠC

Seža

na

Teja Jeglič Manca Matičič ZverHana Hees Pavlinc

phot

o: B

lažk

a Be

nčin

a /

VSŠ

ŠC S

ežan

a

phot

o: P

olon

a Ip

avec

/ V

SŠ Š

C Se

žana

phot

o: K

atja

Pin

tar /

VSŠ

ŠC

Seža

na

1ArhitekturnaArchitectural clothingMentor: Assist. Prof. Tanja Devetak oblačilaFashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012 Exhibition, Pokrajinski muzej Koper, Koper, 17th July – 15th September 2012

Students: Nina Čehovin, Tanja Gerčer, Hana Hees Pavlinc, Teja Jeglič, Maša Jurgelj, Admir Kapić, Petra Kolarič, Manca Matičič Zver, Mirela Murič, Zala Opara, Kaja Polajnar, Valerija Rimele, Maxi Tavčar, Evgenija Zafirovska

Pri projektu so študenti razvili močne dizajnerske oblačilne podobe, ki odsevajo njihove koncepte, pridobljena znanja in spretnosti. Nastali inovativni dizajni predstavljajo nove možnosti v razvoju funkcionalnih oblačil in dinamiki silhuete človeškega telesa.

On the project students have developed strong design images that reflect their concepts, knowledge and skills. The results represent new possibilities in the development of functional clothing and dynamics of the body silhouette.

Technical assistance: Lidija Rotar

phot

o: A

leš

Rom

aniu

k

Hana Hees Pavlinc Teja Jeglič Maxi TavčarNina Čehovin

phot

o: A

leš

Rom

aniu

k

Tanja Gerčer Valerija RimeleAdmir KapićEvgenija Zafirovska

phot

o: A

leš

Rom

aniu

k

2(Ne) vidni(In) visible in societyMentor: Assist. Prof. Sonja Šterman v družbiFashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012

Students: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Sara Savnik, Laura Spreitzer, Sabina Špilak, Tadeja Šraj, Petra Švajger, Klara Ušaj

Projekt spodbuja obravnavo besede nevidni v različnih pomenih besede. Nekateri študenti so pri razvoju ideje poudarili nekaj, kar je sicer nevidno ali skrili, kar je vidno. Drugi so opozorili na skupino ljudi, ki so zaradi svoje drugačnosti v ozadju, ali opozorili na druge omejitve, ki označujejo posameznike v družbi.

The project Invisibles stimulates understanding of different insights into the meaning of the word and encourages finding creative solution by realising a way of styling or a collection. Do we want to show something that is invisible or hide something that is apparent? Do we want to draw attention to the group of people that is because of its distinction hidden in the back?

Technical assistance: Lidija Rotar

Nenad J. Nenadićphot

o: A

leš

Rom

aniu

k

Kaja Julia Hrovat

phot

o: M

aja

Slav

ec

Lara Bernot

phot

o: L

uka

Kom

atar

2Top ToperTop ToperMentor: Assist. Prof. Sonja ŠtermanStudents: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Sara Savnik, Laura Spreitzer, Sabina Špilak, Tadeja Šraj, Petra Švajger, Klara Ušaj

Fashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012

Študenti so pri projektu upoštevali nekatere vidike, ki so vezani na izvorno kolek-cijo Toper in jo nadgradili v model, ki eno izmed lastnosti kolekcije potencira in s tem pritegne pozornost zaradi kreativnosti, unikatnosti, nenavadnosti, neformal-nih oblik ali nase opozori kako drugače.

The projects has stimulated students to take into account certain aspects that are related to the original collection Toper and to upgrade the model by accentuating one of the elements of the collection and thus draw attention with its creativity, uniqueness, peculiar or informal shapes or by other distinctions.

Technical assistance: Olga Marguč & Lidija Rotar

Lara Bernotphot

o: L

ara

Bern

ot

Lara Bernot

phot

o: L

ara

Bern

ot

Kaja Julia Hrovat Sabina Špilak

phot

o: M

aja

Slav

ec

phot

o: S

abin

a Ši

plak

2Prečkanje/Crossing/IdentityMentor: Assist. Prof. Petra Bole, assistant: Almina DurakovićidentitetaRaziskovanje identitete skozi gibanje Neue Slowenishe Kunst je bilo del mednarodnega pro-jekta, kjer so študenti z vidika lastnega razumevanja gibanja in tedanjega časa, pripovedovali svojo osebno zgodbo. Iz konceptualnih idejnih zasnov so nastala oblačila, ki s svojo provoka-tivnostjo in drugačnostjo obravnavajo probleme naše sodobne družbe. Exploring identity through the movement Neue Slowenishe Kunst was a part of an international project, where students in terms of their own understanding of movement and the period in question, expressed their personal story. They created clothing from conceptual design ideas with their pro-vocative and distinctive way to address the problems of our modern society.Students: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Laura Spreitzer, Sabina Špilak, Tadeja Šraj, Petra Švajger, Klara Ušaj

Fashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012Technical assistance: Lidija Rotar

Kaja Julia Hrovatphot

o: M

aja

Slav

ec

Klara Ušaj Lara BernotTina Rutar

phot

o: G

rega

Val

anči

č

phot

o: L

ara

Bern

ot

phot

o: A

leš

Rom

aniu

k

2Slovenska identiteta –Mentors: lect. Martina Šušteršič & lect. Lara PlajhSlovenian identity – (in)visibility(ne)vidnostV okviru projekta so študenti raziskovali pomen slovenske identitete ter njeno vidnost oziroma nevidnost v današnjem času. Navdih so črpali iz vzorcev modrotiska – ene najstarejših tiskarskih tehnik na Slovenskem. Vzorce so potiskali na zavese podjetja Velana d.d. z barvami podjetja Mumino d.o.o.Within this project students explored the importance of the Slovenian identity and its visibility or invisibility today. They drew inspiration from the samples of blue printing – one of the oldest printing techniques in Slovenia. The patterns were printed on the curtains donated by company Velana d.d. using printing pastes donated by company Mumino d.o.o.Students: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Laura Spreitzer, Sabina Špilak, Tadeja Šraj, Petra Švajger, Klara Ušaj

Scenography, fashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012Exhibition, showroom Velana, Ljubljana, 20th July - 31st December 2012

Kaja Julia Hrovat

Lara Bernot Nika Potokar Laura Spreitzer Tadeja ŠrajNenad J. Nenadić Sandra Keržan

phot

o: Ja

smin

a Pe

rovš

ek

2Polstene tekstilijeFelted interior textilesza interierPri projektu so se študenti posvetili oblikovanju izdelkov za opremo interierja, predvsem senčilom svetil in izraznim vlaknenim formacijam. Končni izdelki so bili zasnovani kot up-orabni predmeti, izdelani v tehnikah suhega in mokrega polstenja. Poleg svoje uporabnosti nosijo individualna razmišljanja svojih snovalcev v okvirih krovne naloge (ne)vidnega.On the felting project students devoted their attention to the interior design products, above all to lampshades and expressive fiber formations. The final products have been conceived as applied objects, manufactured in dry-needle felting and wet felting technique. Moreover they carry the individual reflection of their creators within the topic frame of the (in) visible.Mentor: Assist. Prof. MA Anda KlančičStudents: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Tanja Maroh, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Sara Savnik, Laura Spreitzer, Sabina Špilak, Petra Švajger

Exhibition, exhibition area Visoka šola za dizajn, Ljubljana, 27th February - 19th March 2012Exhibition, showroom Velana, Ljubljana, 20th July - 31st December 2012

Tanja Marohphot

o: A

nda

Klan

čič

Sabina Špilak Laura Spreitzer Sabrina OprešnikLara Bernot

phot

o: A

nda

Klan

čič

2Nevidni inMentors: lect. Martina Šušteršič & Assist. Prof. Sonja ŠtermanInvisibles & knitwearpletenine“Kakšen je moj odnos do okolja? Sem viden ali neviden? Kakšna je moja vloga v okolju v katerem živim? Kakšen je odnos okolja do mene?”Študenti so raziskovali svoj odnos do družbe in okolja ter odnos družbe in okolja do posameznika.“What is my relation to the environment? I am visible or invisible? What is my role in the environment in which I live? What is the relation of the environment towards me?”Students investigated their relationship to society and the environment and the relation-ship of the society and the environment in regards to the individual.Students: Lara Bernot, Kaja Julia Hrovat, Sandra Keržan, Tanja Maroh, Nenad J. Nenadić, Sabrina Oprešnik, Nika Potokar, Tina Rutar, Sara Savnik, Laura Spreitzer, Sabina Špilak, Petra Švajger

Lara Bernotphot

o: L

ara

Bern

ot

Sabina ŠpilakSandra Keržan

phot

o: S

andr

a Ke

ržan

phot

o: S

abin

a Ši

plak

3Zračna čipkaMentor: Assist. Prof. MA Anda Klančič

Students: Anja Bavčar, Marieta Milanović Trapo, Nina Pečlin, Neža Vidmar

Machine-embroidered lace

Pri projektu so študenti spoznavali prosojne tvorbe čipk, njihov pojav, raznovrstnost, zgodovinski razvoj in uporabo, tako na področju oblikovanja kot tudi umetnosti. Pos-vetili so se raziskavi osnovam tehnike zračne čipke in v tej tehniki zasnovali kreacije uporabnih ali izraznih izdelkov.

The project enabled the students to receive knowledge about laces transparent formations, their appear-ance, variety, historical development, and application in the field of design and art as well. They dedicat-ed their special attention particularly to the machine embroidered lace basic technique. With the help of this technique students designed and manufactured some excellent usable or expressive artistic objects.

phot

o: A

nda

Klan

čič

Exhibition Design week, exhibition area Visoka šola za dizajn, Ljubljana, 5th-8th June 2012

Every once in a while, a person needs an escape from the surrounding world. Seeking that certain comfort zone is seeking that same feeling we have experienced in a place that of-fered us the most comfort we could acquire.

Marieta Milanović Trapo

phot

o: A

nda

Klan

čič

3NevidneInvisible folding screensšpanske steneStudents: Jana Govedič, Luka Ivanišević, Marieta Milanović Trapo, Neža Vidmar

Pri projektu so se študenti posvetili predstavitvi nevidnega na španskih stenah velikega formata. Temo nevidno so predstavili preko medčloveških odnosov, odnosov do sebe sa-mega in odnosov posameznika do drugih v človeški družbi. V različnih tekstilnih tehnikah so razmišljanja prenesli v likovna dela s pomočjo igre prosojnosti, barve in oblikovanja vlaken.

The students developed the task dedicating their attention to the presentation of the invisible on large sized folding screens. They presented the theme invisible applying the interpersonal relationship, the relation of the person to oneself and the relation of the individual to others in the human society. The students transferred these reflections in their works by the help of transparency, color, fiber design in diversified textile techniques.

Exhibition, Ljubljanski grad, exhibition area Stanovska dvorana, Ljubljana, 5th June 2012Exhibition Design week, exhibition area Visoka šola za dizajn, Ljubljana, 5th-8th June 2012

phot

o: A

nda

Klan

čič

Mentor: Assist. Prof. MA Anda Klančič

ArhetipArchetype

321x200x3cm, triptych, mixed techniques: wet and needle felting; carded wool, woolen & synthetic yarn, silicone, wooden frame, 2012

Vlaknena formacija predstavlja arhetip reševanja notranjega nevidnega problema življenjske situ-acije, ki nas je potisnila v kot in prisilila na pot reševanja. To dejanje nas obogati za nenadomestljivo izkušnjo. Arhetip iskanja poti k samemu sebi se izraža s postopnim izčiščevanjem, s stopnjevanjem prosojnosti, dodajanjem zračnosti in uporabo prispodob meduze, ptiča, leta …

The fiber formation represents the archetype of solving an internal problem of invisible life situations, by which we were pushed into a corner, and forced to find a solution. This pursuit enriches the life experience. Archetype expresses the search of the path towards oneself by gradual visual purification, with the escalation of transparency, adding the metaphor of jellyfish, bird and flight ...

Marieta Milanović Trapo

phot

o: A

nda

Klan

čič

Mentor: Assist. Prof. MA Anda Klančič

NeskončnostInfinity

Avtorica je želela izraziti misli o neskončnosti sveta, povezanega z vidnim, nevidnim ter zabrisan-im v medčloveških odnosih in zaprekah življenja. Razmišljanje je izrazila s stiliziranimi cvetovi in sipinami, ki jih je s stopnjevanjem od čiste, jasne grafičnosti do večje zabrisanosti, ki se nadaljuje v neskončnost, preko meja okvirja in daje posamezniku možnost individualne interpretacije.

Author wanted to express thoughts about the infinity of the world, associated with the visible, invis-ible and blurred interpersonal relations and obstacles of life. She visually expressed this meditation with the stylized flowers and dunes, by escalation from the clear graphics to greater blur, which continues into infinity, beyond the frame, giving the possibility to an individual interpretation.

Neža Vidmar

321x200x3cm, triptych, mixed techniques: hand painting, needle felting; carded wool, silk organza, acrylic, wooden frame, 2012

phot

o: A

nda

Klan

čič

Mentor: Assist. Prof. MA Anda Klančič

KitsuneKitsune

Tekstilna formacija ponazarja proces osebnih intimnih zgodb. Delo avtorju pomeni prikaz oseb-nega razvoja in čustvenega napredovanja, ki se navezuje na simboliko lisice (jap. “kitsune”) kot prenašalca informacij, čuvaja pred zlim. Vključuje lastnosti natančnosti, hitrosti razmišljanja, prila-godljivosti, modrosti, zvitosti, strasti, želnosti, izraznosti in intenzivnosti.

The textile formation illustrates intimate personal stories. The artwork represents for the author an instru-ment for expression of his personal development and emotional progression, which is linked to the symbol-ism of the fox (jap. “kitsune”), as transmitter of information and guardian against evil. It includes properties of accuracy, speed of thinking, flexibility, wisdom, slyness, passion, eagerness, expressiveness and intensity.

Luka Ivanišević

321x200x3cm, triptych, mixed techniques: wet felting, heat application; carded wool, silk organza, acrylic, wooden frame, 2012

phot

o: A

nda

Klan

čič

Mentor: Assist. Prof. MA Anda Klančič

RazsvetljenjeEnlightenment

Problematika prikritega kaosa v medsebojnih odnosih, ki vlada v svetu, je predmet likovno-tekstilne predstavitve. V tekstilni formaciji je avtorica postopno, s predstavitvijo stiliziranih človeških figur in njihovih spreminjajočih prepletov, velikostnih razmerij in barve, predstavila možnost reševanja problematike z odmikom od zunanjega sveta ter soočanjem in večjim stikom samega s seboj.

The chaos in relationships, which reigns in the world, is the subject of the textile presentation. The author presented a possible solution to this problem, with the presentation of stylized human figures and their gradually changing splices, size and color relationships. She presented the possible solution by proposing shifting from the outside world, and confronting oneself, increasing contact towards oneself.

Jana Govedič

phot

o: A

nda

Klan

čič

Mentor: Assist. Prof. MA Anda Klančič

321x200x3cm, triptych, mixed techniques: hand painting, needle felting; carded wool, cotton organdie, acrylic, wooden frame, 2012

3KolekcijiClothing collectionsoblačilKdo sem, kaj me navdihuje in kako se lahko umestim, kot bodoči oblikovalec oblačil, v slovensko in evropsko okolje?Nastale so manjše kolekcije oblačil, ki nosijo izrazito osebne zgodbe, najsi sežejo v srž drugih kultur ali v osebno izpoved preteklosti, ki seže celo dlje od otroštva.

Who am I, what inspires me and how can I situate myself as a future fashion designer in the Slovenian and European environment?Small clothing collections show distinctly personal stories, whether they go to the core of other cultures or past personal confessions, which go even beyond childhood.

Fashion show Invisibles, Ljubljanski grad, Ljubljana, 5th June 2012

Students: Anja Bavčar, Sara Kostanjšek

phot

o: A

leš

Rom

aniu

k

Mentor: Assist. Prof. Mateja BenedettiTechnical assistance: Olga Marguč

Pozabljene zgodbeThe lost stories

Kolekcija je nastala z namenom, da odkrije in ohrani zgodbe, ki bodo kmalu izginile. Poskuša ohraniti smisel in graciozno eleganco tistih časov, vendar svojo podobo širi s svežim pridi-hom, kompleksnejšimi materiali in spremenjenimi kroji, ki so v soskladju z današnjim hitrim časom, ko nimamo več toliko časa posvečati se naravi, bližnjim, in konec koncev, sebi.

The collection was created with the aim to reveal and preserve stories that will soon disappear. The collec-tion is attempting to maintain the sense and graceful elegance of those times, but it expands its appear-ance with a fresh touch, more complex materials and changing patterns that are in harmony with today’s fast time when we do not have so much time devoted to nature, loved ones, and ultimately, ourselves.

Anja Bavčar

phot

o: A

leš

Rom

aniu

k

Mentor: Assist. Prof. Mateja BenedettiTechnical assistance: Olga Marguč

AfrikaAfrica

Kolekcija temelji na raziskovanju afriških plemen in njihove samoiniciativnosti pri ust-varjanju njim estetskih stvari. Avtorica je ustvarjalnost njihovega sveta želela pretvoriti v evropski moderni svet s posebnim poudarkom na iskanju tistega elementa, ki bi izpostavl-jal njegovo neobičajnost ter v končnem izdelku priklical vzdušje afriškega sveta.

The collection is based on the research of African tribes and their initiative in creating them aesthetic belongings. The author wanted to convert the creativity of their world into the European modern world with special emphasis on finding those elements that expose the unusual and evoke the “African atmosphere” in the final product.

Sara Kostanjšek

Mentor: Assist. Prof. Mateja BenedettiTechnical assistance: Olga Marguč

phot

o: A

leš

Rom

aniu

k

TEKSTILIJE IN OBLAČILA

tekstilni materiali (3)

zgodovina oblačenja (3)

strokovna terminologija v tujem jeziku (4)

modna ilustracija (4)

oblikovanje tekstilij I. (5)

oblikovanje oblačil I. (13)

konstrukcija in modeliranje oblačil I. (4)

risanje inslikanje I. (7)

teorija barv (8) vizualni jezik (5)

ustvarjalnost (4)

tekstilije v oblikovanju interierjev (4)

oblikovanje tekstilij II. (5)

oblikovanje oblačil II. (5)

konstrukcije inmodeliranje oblačil II. (9)

sodobnamoda (7)

1. letnik

2. letnik

video v oblikovanju (3)

komunikacijske strategije (3)

oblikovanje tekstilij II. (vaje) (7)

oblikovanje oblačil II. (vaje) (7)

digitalnooblikovanje I.

(7)

fotografija I. (3)

blagovne znamke

(5)oblikovanje tekstilij III.

(7)

oblikovanje oblačil III.

(7)

konstrukcije in modeliranje oblačil III. (3)

modni stilizem (3)

digitalno oblikovanje II. (5)

modni stilizem (vaje) (4)

izbirne ure (17)praktično

usposabljanje (vaje) (9)

oblikovanje tekstilij III. (vaje) (10)

digitalno oblikovanje II.

(vaje) (7)

oblikovanje oblačil III. (vaje) (10)

konstrukcije in modeliranje

oblačil III. (vaje) (7)

3. letnik

TEXTILES and FASHION DESIGN

materials and textile (3)

dressing history (3)

technical terminology in foreign language(4)

fashion illustration (4)

textile design I. (5)

fashion design I. (13)

construction and modelling I. (4)

drawing and painting I.(7)

theory of colours (8) visual language (5)

creativity (4)

textile fabrics within interior design (4)

textile design II. (5)

fashion design II. (5)

construction and modelling II. (9)

fashion style and new

trends (7)

1. year

2. year

video in design (3)

communicational strategies (3)

textile design II. (lab) (7)

fashion design II. (lab) (7)

digitaldesign I.

(7)

photography I. (3)

brands (5)

textile design III.

(7)

fashion design III.

(7)

construction and modelling III. (3)

style and fashion (3)

digital design II. (5)

style and fashion (lab) (4)

choice of a subject (17)

stage in fashion industry -

professional practice (9)

textile design III. (lab) (10)

digital design II. (lab) (7)

fashion design III. (lab) (10)

construction and modelling

III. (lab) (7)

3. year

risanje perspektive interierjev I. (6)

risanje perspektive interierjev I. (vaje)

(20)

strokovna terminologija v tujem jeziku (4)

zgodovina pohištva in notranje opreme (6)

NOTRANJA OPREMA

kulturna dediščina (4)

zgradba, lastnosti in raba lesa (6)

notranja oprema stanovanjskih objektov (4)

površinska obdelava lesa (3)

materiali in postopki za oblikovanje

interierjev (8)

risanje inslikanje I. (7)

teorija barv (8)

vizualni jezik (5)

ustvarjalnost (4)

1. letnik

2. letnik

tekstilije v oblikovanju interierjev (5)

oblikovanje in teh. kovinskih izdelkov (3)

video v oblikovanju (3)

komunikacijske strategije (3)

notranja oprema stanovanjskih objektov (vaje)

(12)

fotografija I. (3)

razsvetljava (3)

razvoj interierjev in oblikovanje (3)

razvoj interierjev in oblikovanje II. (4)

management inovativnosti in tehnologij (3)

računalniški mediji v oblikovanju (3)

notranja oprema javnih objektov

(9)

feng shui – vzhodnoazijska bivalna kultura (6)

notranja oprema javnih objektov

(vaje) (20)

praktično usposabljanje

(vaje) (10)

3. letnik

blagovne znamke

(5)

perspective draw. of interiors I. (6)

perspective drawing of interiors I. (lab)

(20)

history of furniture and interior design (6)

INTERIOR DESIGN

cultural heritage (4)

structure, qualities and

usage of wood (6)

interior design of residential buildings (4)

surface treatment of wood (3)

materials and procedures for interior design

(8)

creativity (4)

textile fab. within interior design (5)

design and technol. of metal objects (3)

video in design (3)

communicational strategies (3)

interior design of residential buildings (lab)

(12)

lighting (3)

development and modelling of interiors II. (4)

management of innovations and technologies (3)

computer media in design (3)

interior design of public edifices

(9)

feng shui – east asian living culture (6)

interior design of public edifices

(lab) (20)

practical qualification in interior design

(lab) (10)

brands (5)

1. year

3. year

visual language (5)

drawing and painting I.(7)

theory of colours (8)

technical terminology in foreign language(4)

photography I. (3)

mater. and proc. of interior des. (3)

2. year

načrtovanje vizualnih komunikacij I. (3)

tipografija I. (3)

VIZUALNE KOMUNIKACIJE

risanje in slikanje I. (vaje) (4)

tipografija I. (vaje) (3)

osnove vektorske grafike in rač. obdelava slike (4)

načrtovanje vizualnih

komunikacij I. (vaje) (9)

zgodovina vizualnih

komunikacij (6)

tipografija II. (2)

ilustracija I. (9)

tehnologija grafičnih procesov (4)

računalniška podpora oblikovanju I. (6)

načrtovanje vizualnih komunikacij II. (4)

1. letnik

2. letnik

tipografija II. (vaje) (6)

načrtovanje vizualnih

komunikacij II. (vaje) (12)

video v oblikovanju (vaje) (3)management inovativnosti in tehnologij (3)

računalniški mediji v oblikovanju (3)

načrtovanje vizualnih

komunikacij III. (14)

fotografija II. (5)

tipografija III. (vaje) (3)

ilustracija II. (12)

rač. mediji v oblikovanju (vaje) (5)

3. letnik

strokovna terminologija v tujem jeziku (4)

risanje inslikanje I. (7)

teorija barv (8)

vizualni jezik (5)

ustvarjalnost (4)

kulturna dediščina

(5)

video v oblikovanju (3)

fotografija I. (3)

blagovne znamke

(5)

praktično usposabljanje

(vaje) (10)

komunikacijske strategije (3)

planning visual communications I. (3)

typography I. (3)

VISUAL COMMUNICATIONS

drawing and painting I. (lab) (4)

typography I. (lab) (3)

bas. of vect. graph. and pict. edit. with com. m. (4)

planning visual

communications I. (lab) (9)

history of visual com-munication

(6)typography II. (2)

illustration I. (9)

technology of graphical processes (4)

computer aid in designing I. (6)

planning visual communications II. (4)typography II. (lab) (6)

planning visual

communications II. (lab) (12)

video in design (lab) (3)management of innovations and technologies (3)

computer media in design (3)

planning visual

communications III. (14)

photo-graphy II.

(5)

typography III. (lab) (3)

illustration II. (12)

computer media in design (lab) (5)

cultural heritage

(5)

video in design (3)

communicational strategies (3)

photography I. (3)

practical qualification

(lab) (10)

1. year

3. year

creativity (4)

visual language (5)

drawing and painting I.(7)

theory of colours (8)

technical terminology in foreign language (4)

brands (5)

2. year

SVisoka šola za dizajn v Ljubljanisamostojni visokošolski zavodpridružena članica Univerze na PrimorskemVojkova 631000 Ljubljana

i : www.vsd.si e : info@vsd.si t : + 386 59 23 5010 f : + 386 59 23 5012