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The University for Creative Careers | SCAD...– interior room drawing – still life or portrait with a strong light source – landscape – close-up nature sketch For more information

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  • 2— scad.edu/summer

  • 6— SCAD.EDU/SUMMER

    FEESApplication fee (nonrefundable) . . . . . $35

    Residential . . . . . . . . . . . . . . . . . . $1,100

    Nonresidential . . . . . . . . . . . . . . . . $900

    All payments must be submitted online. Students who

    are unable to make an online payment should contact

    the Summer Seminars oce.

    PAYMENT OPTIONS The program fee can be paid in one or two installments.

    Option A is a full payment of $1,100 (residential) or $900

    (nonresidential). Option B requires an initial minimum

    payment of $400 and a final payment of the remain-

    ing balance. The initial payment secures a place in

    workshops. If the final payment is not received by May

    15, the student is removed from workshops. Students

    admitted on or after May 15 must make payment in full.

    ADMISSION REQUIREMENTS Admission to SCAD Summer Seminars is competitive.

    Applicants should demonstrate academic strength

    and social maturity as well as a desire to succeed in

    the arts.

    Application materials should be submitted to the

    intended SCAD Summer Seminars location. If applying

    to both locations, all application materials, including the

    application fee, must be submitted to both locations.

    The following application materials are required and

    must be received by May 1:

    – Completed online application

    – $35 application fee

    – High school transcript; ocial is preferred (include

    Fall 2012 grades)

    – One recommendation. The recommendation should

    be completed by a teacher—preferably of art.

    Recommendations from family members or friends

    are not considered.

    – Essay no longer than one page discussing your

    long-term goals as an artist and how the SCAD

    Summer Seminars program can help you achieve

    these goals

    The high school transcript, recommendation and

    essay should be mailed together in one envelope to

    the intended SCAD Summer Seminars location, or the

    documents can be uploaded to the online application.

    APPLICATION DEADLINESMarch 1

    – Scholarship nomination application (if applicable)

    and all required documents

    May 1

    – Completed online application

    – Application fee

    – Supporting documents

    May 15

    – Program fee (residential and nonresidential)

    – After May 15, completed application files are

    reviewed on a space-available basis.

    WAITING LIST A waiting list is established when all spaces in a SCAD

    Summer Seminars session are filled. Only students

    who have been accepted into the program are eligible

    to be placed on the waiting list. If the preferred session

    is full, the student may request to be placed on a wait-

    ing list. If a space becomes available at least two weeks

    prior to the start of a session, the student is notified. If

    the student chooses to accept an available space, all

    fees are due immediately.

    CANCELLATION/REFUND POLICYStudents who have been accepted into a SCAD

    Summer Seminars session and have paid their pro-

    gram fee are considered enrolled in the program.

    SCAD Summer Seminars sessions are limited in size

    and are filled on a first-come, first-served basis by

    accepted applicants who have paid the program fee.

    Students who cancel enrollment more than two weeks

    prior to the start date of their session receive a full

    refund less a $50 processing fee. Students who can-

    cel enrollment later than two weeks prior to the start

    date of their session receive a refund of 80 percent

    of the program fee. Students who cancel enrollment

    due to extenuating circumstances may submit a writ-

    ten request for a full refund less the $50 processing

    fee. Refunds are not granted to students who are

    dismissed from the program for disciplinary reasons.

  • 8— SCAD.EDU/SUMMER

    AUTOMOBILES/TRANSPORTATIONSCAD Summer Seminars students are permitted to

    bring cars, but these must remain in SCAD parking lots

    during the program. Students are not permitted to

    drive cars during the program. Transportation to and

    from class and activities is provided.

    ARRIVALStudents arrive and check in at the residence hall

    between 4 and 5 p.m. on Sunday, the first day of the

    program. International students may arrive one day

    before check-in but must notify the SCAD Summer

    Seminars oce at least three weeks prior to the start

    of their session.

    DEPARTUREResidential students must vacate assigned rooms by

    10 a.m. on Saturday, the last day of the program.

    HOUSINGThe program offers double occupancy housing in a

    SCAD residence hall. Rooms are equipped with beds,

    drafting tables and private baths. Bed and bath linens

    are not provided; however, linens are available for pur-

    chase during online program fee payment. Each stu-

    dent is assigned a roommate; no exceptions are made.

    A professional residence director and resident

    assistants supervise students in the residence hall.

    SUPERVISION/SECURITYAll students are assigned a resident assistant at check-

    in. Each RA is responsible for a group of students and

    reports to a professional residence director. Security

    guards are posted at the residence hall entrance 24

    hours a day. A current SCAD ID card is required for

    access to any SCAD building/residence hall.

    DININGResidential students are provided breakfast, lunch and

    dinner Monday through Friday in a SCAD dining hall.

    Dinner is provided Sunday; continental breakfast is

    provided on Saturday. Commuting students are pro-

    vided lunch Monday through Friday.

    Lunch for students who arrive early on Sunday is

    not included, but may be available for purchase.

    ACTIVITIES/FREE TIME/CURFEW SCAD Summer Seminars students have limited free

    time. At 7 p.m., students are required to be in the resi-

    dence hall for the evening activity. After 11 p.m., students

    are required to be in their assigned rooms. Between

    workshops, students have lunch and are encouraged to

    participate in planned activities that may include cam-

    pus tours, academic program demonstrations, cultural

    outings, shopping and social events.

    STUDENT CONDUCTSmoking is prohibited at SCAD Summer Seminars and

    in all SCAD facilities, including classroom buildings and

    residence hall rooms/hallways.

    SCAD maintains a zero tolerance policy for all illegal

    activities, including possession or use of drugs or alco-

    hol. At the discretion of the university, any student in

    violation of policies or otherwise creating an unsafe or

    unproductive climate is dismissed from the program.

    VISITORSOnly family members and other SCAD Summer

    Seminars students are permitted to visit in the resi-

    dence hall. Overnight guests are not permitted.

    WORKSHOP FORMATWorkshops may include demonstrations, lectures,

    studio work and local field trips. Students have access

    to SCAD’s extensive facilities, resources and libraries.

    Supplies are provided. Students participate in two

    dierent workshops, one in the morning and one in the

    afternoon. Families are invited to view student work

    from all workshops displayed at a closing exhibition

    Friday evening. Details are provided at check-in.

    Students select workshops online after they are

    admitted to the program and the initial online pro-

    gram fee payment is submitted. Students are placed

    according to availability and receipt of the initial

    program fee. Students are notified of their workshop

    placement approximately two weeks prior to the

    start of their session.

  • SCAD.EDU/SUMMER—9

  • 10— SCAD.EDU/SUMMER

  • 12— SCAD.EDU/SUMMER

    ADMISSION Admission to Pre-college: Rising Star is highly selective

    and preference is granted to applicants with a grade

    point average of 3.0 or higher on a 4.0 scale, a strong

    visual arts portfolio, and demonstration of maturity,

    leadership and responsibility.

    ADMISSION REQUIREMENTS – Completed online application and $35 application

    fee. The application is available at scad.edu/apply.

    Applications should be submitted before support-

    ing documents. Be sure to select Summer 2013 as

    the intended entry term.

    – Ocial high school transcript

    – Visual portfolio

    – One recommendation (forms are available online at

    scad.edu/rs). The recommendation should be com-

    pleted by a teacher in the student’s main area of

    interest. Supplemental recommendations may be

    completed by teachers, counselors or community

    leaders. Recommendations may not come from fam-

    ily members unless the student is home-schooled.

    – A 500-word statement of purpose providing an

    overview of the applicant’s academic and personal

    experience and readiness for college study

    Supplemental Requirements

    – Ocial report of SAT or ACT scores (optional for

    Pre-college: Rising Star admission; required for

    freshman admission)

    – Evidence of English proficiency for students whose

    first language is not English

    – If applicable, any other documents or materials

    required to obtain a student visa

    FEESApplication fee (nonrefundable) . . . . . $35

    Program fee (nonrefundable) . . . . . . . $250

    Tuition . . . . . . . . . . . . . . . . . . . . . $4,000

    Housing and meals . . . . . . . . . . . . . . $1,000

    Total . . . . . . . . . . . . . . . . . . . . . . . $5,285

    PORTFOLIO REQUIREMENTS Portfolios are evaluated on the following qualitative

    measures: aesthetic awareness, composition, drawing,

    design, color perception, spatial perception, quality of

    presentation, technique and originality. Strong 2-D and

    3-D work that shows attention to technique, drawing,

    scale and original design are favorably considered.

    Portfolios should consist of 10–15 pieces that represent

    the student’s best work.

    SUGGESTED PORTFOLIO PIECESStudents are encouraged to submit their strongest

    work in any visual arts medium (drawing, painting,

    photography, animation or film short, etc.). Listed

    below are suggested basic drawing submissions.

    Students should draw from observation whenever

    possible.

    – self portrait

    – still life

    – drawing of a hand

    – homage to an artistic movement

    – perspective drawing

    – interior room drawing

    – still life or portrait with a strong light source

    – landscape

    – close-up nature sketch

    For more information on portfolio submission guide-

    lines, visit scad.edu/portfolio.

    APPLICATION TIMELINEApril 15 is the priority deadline. The application, nonrefundable $35 application fee

    and all supporting materials are required to complete

    a file for admission.

    SCHOLARSHIPS Students who would like to be considered for Pre-

    college: Rising Star scholarships should indicate this

    on the application and submit all documentation by

    April 15. Funding is limited and is awarded to the earli-

    est qualifiers. Scholarship awards are available to both

    U.S. citizens and international students.

  • SCAD.EDU/SUMMER—13

  • 16— SCAD.EDU/SUMMER

    PRE-COLLEGE: RISING STAR COURSES

    Foundation Studies Foundation studies classes consist of studio work augmented

    by slide lectures, demonstrations, field trips and critiques.

    Students expand their critical thinking abilities and deepen

    their understanding of visual language, which can be applied

    to concepts and materials encountered in major programs

    and in the professional world.

    DRAW 100 Drawing I: Form and SpaceStudents learn basic skills and techniques for drawing from

    direct observation using subjects such as still life, landscape

    and architecture. The depiction of form, light and spatial

    depth is emphasized along with accurate proportion and

    scale. Research tools such as thumbnail sketches, quick stud-

    ies, sketchbooks and digital resources are used to develop

    ideas. Analysis of drawings, critiques and classroom discus-

    sions build vocabulary and enrich the students’ understand-

    ing of drawing.

    DSGN 100 Design I: Elements and OrganizationStudents develop an understanding of the organizational

    methods used in 2-D work. They utilize the elements and

    principles of design while working in black-and-white and

    color media. Problem-solving processes and research are

    integrated into the development, refinement and evaluation

    of images. The work of professionals in a variety of art and

    design fields is analyzed to demonstrate the application of

    2-D design. The importance of presentation and craftsman-

    ship is emphasized.

    General Education Courses General education is an essential component of the under-

    graduate curriculum at SCAD, developing students as critical

    thinkers by providing an intellectual foundation and breadth

    of knowledge for lifelong learning.

    CMPA 110 Advanced Survey of Computer Art ApplicationsThis course is designed for students already well-versed in

    the use of art and design computer applications. The course

    covers basic components of digital design tools including

    vector, raster, modeling language and animation, culminat-

    ing in the completion of a final project. Following an over-

    view of HTML and webpage design, students create their

    own home pages.

    Major/Elective Courses These courses offer students the opportunity to develop

    creative problem-solving skills and to communicate their own

    sensibility and vision. These courses fulfill introductory

    requirements in respective majors and also may fulfill a studio

    elective requirement. Placement is contingent on portfolio

    and transcript evaluation.

    ARCH 101 Introduction to ArchitectureThis lecture/seminar course introduces students to the theo-

    ries and profession of architecture and encourages creative

    and analytical thought. By considering the entire scope of

    the discipline and the profession, the course focuses on

    developing an ability to ask appropriate questions in relation

    to decision making regarding the built environment. Students

    explore the abstract, spatial, social/cultural, environmental

    and tectonic concepts that aect the built environment.

    FASH 100 Fashion TechnologyIn this studio course, students are introduced to professional

    standard sewing techniques and apparel construction.

    Through assignments, the techniques are applied to produce

    finished garments.

    FILM 101 Introduction to Video Production This course introduces students to basic video production

    techniques and provides an overview of film and television

    theory and criticism. By combining theory and hands-on

    exercises, students are expected to develop the technical,

    analytical and critical foundations necessary in the video

    preproduction, production and postproduction phases.

    Students may acquire the conceptual abilities needed to plan

    and execute a variety of video projects.

    PHOT 113 Photographic Foundations IThrough a combination of lectures, demonstrations, assign-

    ments and critiques, students learn to see photographically

    through an exploration of the basic tools, techniques and

    aesthetics of digital photography, with an emphasis on the

    creative use of camera controls, exposure, digital imaging

    software, and an awareness of the critical issues in contem-

    porary photography.

    VSFX 101 Survey of Visual EectsThis course introduces students to the history and develop-

    ment of visual eects through lectures, readings and screen-

    ings of important works. Students examine the various ways

    in which artistic and technological tools have been used to

    create convincing visual eects for film, television and games.

    Studies focus on the variety of ways in which visual eects

    techniques have evolved to keep up with increasingly dis-

    cerning audiences.

  • SCAD.EDU/SUMMER—17

  • 18— SCAD.EDU/SUMMER