Transcript
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    Ths pucton s sed on the coopeton poect Tousm

    Mnement t Wod Hete Stes of Potuuese On

    and Inuence that has been implemented in partnership byTusmo de Potu nd UNESCOs Wod Hete Cente.

    TOUr-WHPO PrOjECTPUbliCaTiON

    PrOjECT ParTNErSHiP

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    Edited byMargarida Alada, Katri Lisitzin, and Kerstin Manz

    Tuismo e Potul / UNESCO, Jnu 2013

    an onne eson of ths pucton cn e found t:

    http://www.tou-whpo.o

    Desn: atee Nunes e P - Potu

    Ti Pt W Hit CtRua Ivone Silva, Lote 6 7, Place de Fontenoy1050-124 lso 75352 Ps 07 SP

    Potu Fnce

    TOUr-WHPO PrOjECTPUbliCaTiON

    EDiTiON

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    Dscme

    The uthos e esponse fo the choce nd pesentton

    of the fcts contned n ths pucton nd fo the opnons

    expressed therein, which are not necessarily those of Turismode Potu o UNESCO nd do not commt the onztons.

    The designation employed and the presentation of materialthroughout this publication do not imply the expression ofany opinion whatsoever on the part of UNESCO concerningthe legal status of any country, territory, city or area or of itsuthotes, o concenn the demtton of ts fontes o

    oundes.

    TOUr-WHPO PrOjECTPUbliCaTiON

    DiSClaiMEr

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    PrefaCeforeWordaCkNOWlEDgEMENTS

    abbrEviaTiONS

    InTroduCTIon To THe ProjeCT ConTexT1. Wol Heite n Sustinble Touism the mewok

    2. Wol Heite o Potuuese Oiin the netwokin

    inititive

    3. Intouction to the Poject Expeiences

    . bef Pesentton of the Poect Pot Stes

    . bef Descptons of the Ptcptn Wod Hete Stes

    of Portuguese Origin and Inuence

    TourIsm aT World HerITage sITes of PorTugueseorIgIn and InfluenCe seleCTed aPProaCHes andexPerIenCes1. Mnement n Monitoin

    . Settn the scene: the concept of Outstndn Unes

    vue

    . Deeopn n nteted mnement ppochc. Stehode noement

    d. Monton

    2. INTErPrETaTION

    . Fom ntepetton to stoes

    . Won wth n ntepete fmewo

    c. intepetn the Wod Hete ue tnsmttn the

    key messages3. IdENTIfyINg TOUrISTIC aTTraCTIONS

    . lstn nd Mppn

    . Cetn Tousm Poducts

    managIng TourIsm aT World HerITage of PorTugueseorIgIn lessons learned andfuTure sTePs1. Some Lessons Lene

    2. futue Steps

    glossaryBIBlIograPHyannexes

    A.

    B.

    C.

    TaBle of ConTenTs

    TOUr-WHPO PrOjECTPUbliCaTiON

    TablE OF CONTENTS

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    PrEFaCE

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    PrEFaCE

    The oechn o of the World Heritage Convention s the potecton of cutu

    nd ntu popetes of Outstndn Unes vue (OUv). These popetes ealso some of the most well-known tourist destinations in the world. They representthe natural and cultural assets needed for a rapidly expanding tourism industry.In fact with millions of tourists visiting World Heritage sites each year, tourism hasbecome an important cross-cutting issue and a management concern at manyWod Hete stes.

    If undertaken responsibly, tourism at World Heritage sites can be a vehicle for thepeseton nd conseton of cutu nd ntu hete nd mo de

    fo sustne deeopment.

    Pesen the ues nd spt of the pce whe so podn soco-economc

    well-being and quality of life to its communities represents both an opportunityand a challenge to these World Heritage properties. It oers the opportunity forenhnced coopeton nd doue monst stehodes fom the puc nd

    pte sectos, cutu nsttutons nd tousm ndustes to ette mne

    tousm. The chene s tht n some nstnces the fu potent ue of the

    tourism is not being realized by local communities and the sites themselves, andunplanned or mismanaged tourism is having a negative eect.

    Tusmo de Potu nd the UNESCO Wod Hete Cente he sen to ths

    challenge to develop a project that features ecient heritage-sensitive approaches

    to visitor management at sites of Portuguese origin and inuence.

    The ont poect hs demonstted the mpotnce of od stehode

    enement n pnnn nd mnn tousm cttes tht tes destnton

    perspective. By stakeholders joining forces, World Heritage sites can achieve andded ue fo hete conseton nd oc deeopment. The poect hs so

    demonstted tht nown the stenths nd pesentn the ssets of ech ste

    reinforces the sites position in an economy where tourism is increasingly functioningas a creative industry with high-quality visitor experiences. This approach was alsoshown to make a dierence when it comes to developing and marketing heritagestes s sustne toustc destnton.

    Furthermore, by addressing the World Heritage sites needs and oering capacity-udn oppotuntes, ths ntte coesponds to the oe os of the UNESCO

    Wod Hete Centes Wod Hete nd Sustne Tousm Pomme

    adopted by the World Heritage Committee in 2012.

    i theefoe thn Tusmo de Potu nd the repuc of Potu fo the

    commtment nd suppot to the sfeudn nd sustne deeopment of

    Wod Hete thouh sustne tousm mnement.

    Kishoe roDecto of the UNESCO Wod Hete Cente

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    PrEFaCETusmo de Potu s the cent onzton fo pomotn Potu s te

    destination. We aim to communicate the beauty, diversity and vibrancy of thecountry to people in Portugal and abroad. Our activities include the developmentof marketing strategies based on specic themes and events and also bringingtogether and optimizing the diverse activities of partners in the travel industry.

    In this capacity, Turismo de Portugal assists destinations development that sustainsor enhances the geographical character of the places, dening and assessingpoces, s we s podn nfomton nd pomotn tnn to suppot nd

    qualify tourism activities. Our business goals are to increase the volume of touristtrac and strengthen Portugals prole as a business location and position thecountry as a diverse and attractive travel destination.

    Cultural tourings one of the 10 poducts to e deeoped nd consodted, s s

    emphasized by our National Strategic Plan for Tourism. There is clearly a demandfor heritage-based tourism. Culture is an increasingly important element of thetousm poducts, whch cetes dstncteness n cowded o metpce.

    We believe that, with the tourism economy estimated to grow over the nextyears, investing in our heritage makes sense now more than ever. Heritage as thecete epesson of ou eons tht cn oost the ttcteness hs ecome

    an integral part of our future as a pillar for the tourism industry, for the regional

    entrepreneurship and the nations economy.

    Wth one of the odest fontes of Euope nd ts tme of Dscoees, Potus

    history has left lasting traces in a rich and diversied heritage. Portugal is home to14 World Heritage sites, some of the greatest legacies of humankind recognized byUNESCO and additional 26 World Heritage sites with Portuguese origin or inuencecn e found oe fou contnents.

    Wod Hete stes e, pe eceence, the hhhts of ntons cutu

    expression and the main focus for an ever growing cultural tourism. They aremajor travel generators and marketing icons for the tourism industry and the wayto ttct stos to the eons dese hete. Whe esouce constnts

    may limit our ability to operate at heritage property level, tourism can be a crucialsource of income for their conservation and long term preservation. Key in this willbe to create good quality experiences for visitors at World Heritage destinations,whch e sed on poducts nd seces tht ene ette undestndn nd

    ppecton of the outstndn unes ues nd the cutu contet.

    Yet, deeopn Wod Hetes stes nto toust destntons s on nd coecte

    procedure in order to qualify the global experience for visitors and promoteheritage destinations in an increasingly competitive market. Skills are required to

    provide a high level tourism destination and innovative products are necessary tosucceed in a highly competitive market. In order to guarantee the sustainability at

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    PrEFaCE

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    these destinations, managers have to nd solutions that will preserve and enhance

    the unque ues of the stes whe nn ttcteness to the pces s we sgreater prosperity to the communities concerned.

    On ths ssumpton, Tusmo de Potu ptneed wth the UNESCO Wod

    Heritage Centre for a capacity building project with the aim to qualify PortugueseWorld Heritage sites and sites of Portuguese origin or inuence as tourismdestinations by strengthening capacities to use heritage values as a resource for acete pocess of sustne tousm deeopment.

    Wth ths poect Tourism Management at World Heritage Sites of Portuguese Origin

    (Tou-WHPO) we see to contute to new pdm, empowen the WHPO Net,

    shn common chenes nd ood pctces mon pofessons nd cetn

    a synergetic process of promotion of the best testimonies that in conjunction buildour identity and provide a strong basis for our sustainable future - one that caresfo the we-en of oc communtes nd the usness owth ooted on the

    uniqueness of their traditions and cultures and on their long-term diversity.

    Following the valuable results already shown, it would be desirable that thisexperience would be shared and utilized by an ever growing number of heritagesites creating networking opportunities for capacity building and collaboration

    oth to those stes on the nton Tentte lsts n ode to e ette pepedfo the oppotuntes nd chenes potent econton mht n, nd to

    othe hete ssets whch e mpotnt compements of the Wod Hete

    properties, as they are part of the soul of the place and contribute to build richertravel experiences. By building great destinations we are also building great placesto e.

    feeico Cost

    Pesdent of Tusmo de Potu

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    PrEFaCE

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    FOrEWOrDTourism demand worldwide is increasing and diversifying, especially at cultural

    destntons, nd Wod Hete ste mnes he to ddess the od neof mpcts s esut fom mnn stton to competn fo the stos

    ttenton nd fo economc nestment s toustc destnton. Epeence t

    the ste ee, howee, contnues to ee tht the mutu undestndn of nd

    dialogue between the tourism world and the heritage world remains a majorobstacle in the process of nding solutions and addressing such challenges. Yet,if managers are not adequately prepared to address these issues, the result canbe tourism that is socially, culturally and economically disruptive, and have adevastating eect on fragile environments, cultural fabric and local communities.

    The stakes are thus high yet so are the goals: Protecting World Heritage sites andtheir Outstanding Universal Value while ensuring that tourism delivers benets forthe conseton of the popetes, sustne deeopment fo oc communtes,

    as well as provides a quality experience for visitors. This will require skills to planand implement ecient actions that reconcile heritage preservation and economicbenets and help mitigate visitation pressures. Daily management of heritagesites around the world illustrates that it is not easy for site management to liveup to these hh epecttons nd tht thee s contnuous need fo dequte

    esouces, tnn nd s deeopment.

    Such skills can be acquired through professional capacity-building programmes.but enn cn so e eceed thouh the echne of epeences nd ood

    pctces mon Wod Hete stes. Ths concton hs een t the coe of thepoect Tousm Mnement t Wod Hete Stes of Potuuese On nd

    Inuence (Tour-WHPO).

    budn upon the Netwo of Wod Hete Stes of Potuuese On nd

    Inuence (WHPO), founded in 2010 (see also Chapter A.2), and valorizing thempotnce nd suppot tht Tusmo de Potu es to tousm mnement

    t Wod Hete stes, ths poect hs med to the mnes nd othe

    stehodes fom Wod Hete stes n Potu nd fom Wod Hete stes

    with heritage of Portuguese inuence to exchange and learn about concrete stepsin sustainably planning visitation at their sites. The format of interactive workshopsws consdeed to e the most conduce fmewo fo enn, questonn nd

    openly discussing the issues at stake.

    Portugal hosted two project workshops at their World Heritage sites the Monasteryof the Hieronymites in Lisbon, and the Historic Centre of vora and thereby alsoallowed all participants to see World Heritage from a meta-touristic perspective epeencn the stes whe dscussn spects of the pesentton, stton

    nd toustc nfstuctue.

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    FOrEWOrD

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    Such dual eect is also hoped to be the longer-term outcome for the projectparticipants: Not only to have experimented specic approaches to tourismpnnn t Wod Hete stes, ut so to he enfoced the enn esut

    through the personal experience of identifying layers of shared history and heritagebeyond geographical borders as members of the WHPO network.

    We are condent that the participating sites and all sites involved in the existingNetwork of World Heritage of Portuguese Origin and Inuence (WHPO), whilebeneting from this project initiative, will also serve as platforms for disseminatingood pctces nd essons ened to Wod Hete nd othe cutu hete

    destntons.

    Mi al Kestin Mnz

    Tusmo de Potu UNESCO Wod Hete Cente

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    FOrEWOrD

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    This project has only been made possible by a large number of dedicated individualswho he suppoted the poect thouhout ts pepton nd mpementton.

    We theefoe wsh to thn n ptcu:

    National Museums of Kenya: Mr Idle Omar Farah and his team at Fort Jesus,M M adh, Ms Sdu Hshm rshd nd M go rshd ad

    (Moms)

    City of vora: Mr Jos Ernesto de Oliveira (Mayor) and Ms Claudia Sousa Pereira(Vereadora), Mr Nuno Domingos and his planning team (vora)

    Fundao do Vale do Ca: Mr Fernando Real and Mr Antonio BatardaFenndes

    Monastery of the Hieronymites and Tower of Belm: Ms Isabel Cruz de Almeidand he tem

    National Commission of Portugal for UNESCO: Ambassador Fernando Andresengumes, Ms Mnue ghdo nd Ms C C

    ICOMOS Portugal: Ms Ana Paula Amendoeira ICCROM: Gamini Wijesuriya and Joseph King African World Heritage Fund: Mr Jacob Nyangila and Ms Inge Herbert TUI Travel Portugal: Ms Jasmin Lotter

    TOI Secretariat: Ms Cristina Civili

    Turismo de Portugal: Ms Teresa Ferreira, Ms Maria Jos Coelho, Mr AlbertoMques

    World Heritage Centre: Mr Peter DeBrine, Ms Petya Totcharova, Ms Lise Sellem,Ms id Fedec Puese nd M Cos Edudo Seno vzquez, M lze

    Eloundou and Ms Jana Weydt Mr Jon Kohl, UNESCO consultant and workshop facilitator Mr Arthur D. Pedersen, former UNESCO tourism specialist

    We nally like to thank all participants, who were the protagonists of the twopoect woshops, fo the enthussm, pofesson commtment nd ue

    contutons.

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    aCkNOWlEDgEMENTS

    aCknoWledgemenTs

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    dmoICCrom

    IComosIuCnngonmkouV

    PaVC

    PsmlPuPros

    ToToI

    T-WHPo

    TPTuI

    unesCo

    unWToWHC

    WHPoWHsT

    Destnton Mnement OnztonInternational Centre for the Study of the Preservation andRestoration of Cultural Propertyintenton Counc on Monuments nd Stes

    intenton Unon fo the Conseton of Ntue

    Non-goenment Onzton

    National Museums of KenyaOutstndn Unes vue

    Parque Arqueologico do Vale do Ca(Ca Valley Archaeological Park)Parques de SintraMonte da Lua (public company)Puc Use Pnnn

    Recreational Opportunity SpectrumTou-Opeto

    Tou Opetos intte

    Tousm Mnement t Wod Hete Stes of Potuuese

    Origin and InuenceTusmo de Potu

    Toust Unon intenton

    United Nations Educational, Scientic and CulturalOnzton

    Unted Ntons Wod Tousm OnztonWod Hete Cente

    World Heritage Sites of Portuguese Origin and InuenceWod Hete nd Sustne Tousm Pomme

    TOUr-WHPO PrOjECTPUbliCaTiON

    abbrEviaTiONS

    aBBreVIaTIons

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    a. iNTrODUCTiON TO THE PrOjECT CONTExT 13

    THE WOrLd HErITagE aNd SUSTaINaBLE TOUrISMPrOgraMME the mewok

    iNTrODUCTiON TO THE PrOjECTCONTExT

    a.

    a.1

    Fo moe thn decde, the WHC hs een ened n suppotn WH stes

    in their tourism planning and visitor management eorts at the request of theWod Hete Commttee. in 2012, the Commttee enewed ts equest to the

    WHC by adopting the (new) World Heritage and Sustainable Tourism Programmeof the Wod Hete Cente (see anne 3). The Pomme s desned to see

    s n ntenton fmewo fo the coopete nd coodnted cheement

    of shed nd sustne outcomes eted to tousm t Wod Hete

    popetes. To chee ts oectes, the Pomme tes sttec ppoch

    in its implementation by working in partnership with the key stakeholders:nton uthotes, ste mnes, the tousm secto, destnton mnement

    onztons s we s oc communtes.

    Th ccpt: titi ppch - a Wod Hete destnton s eophc spce n whch the ente tousm epeence tes pce. Fo Wod

    Heritage destinations this encompasses the World Heritage property itself and the

    suoundn e.

    As World Heritage properties are primary drivers of tourism, to realise their fullvalue requires a broader destination approach that reects local conditions andneeds. Ecient collaborative partnerships involving key stakeholders are neededto enhance a destinations sustainability. The Programme therefore includes waysof udn destntons n deeopn n tune wth the peseton of hete

    ues (n ptcu the Outstndn Unes vue, OUv), own to enhnce

    hete ues oth wthn nd outsde the potected popetes nd ensun

    tht the tousm deeopment does not compomse the ue nd potent

    contuton of Wod Hete to sustne deeopment n the on tem.

    Priority support is provided to the development and implementation of tourismdeeopment pns tht consde the destnton s whoe ncudn the hete

    values that exist outside the World Heritage property. Key in this will be to creategood quality experiences for visitors at World Heritage destinations which are basedon sustne tousm poducts nd seces tht ene ette undestndn nd

    ppecton of Wod Hete ues (OUv) nd conseton of the tne nd

    intangible heritage at the destination. It is essential that any destination planningbe preceded by an assessment of the capacity of the World Heritage property intems of the nume nd nds of stos t cn ecee, s we s n tems of the

    eted nfstuctue t cn ccommodte.

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    a. iNTrODUCTiON TO THE PrOjECT CONTExT 14

    Objective A: Integrate sustainable tourism principles into the mechanisms of the World

    Heritage Convention.

    Objective B: Strengthen the enabling environment by advocating policies, strategies,

    frameworks and tools that support sustainable tourism as an important vehicle for

    protecting and managing cultural and natural heritage of Outstanding Universal Value.

    Objective C: Promote broad stakeholder engagement in the planning, development and

    management of sustainable tourism that follows a destination approach to heritage

    conservation and focuses on empowering local communities.Objective D: Provide World Heritage stakeholders with the capacity and the tools to manage

    tourism eciently, responsibly and sustainably based on the local context and needs.

    Objective E: Promote quality tourism products and services that encourage responsible

    behaviour among all stakeholders and foster an understanding and appreciation of the

    concept of Outstanding Universal Value and protection of World Heritage.

    These complex and ambitious objectives can only be achieved by creating synergiesand adding value to existing initiatives so as to potentiate the existing regulatorymechnsms ned to the World Heritage Convention s we s the Wod Hete

    Cente estn ptneshps wth puc nd pte enttes nd the especte

    policy-guiding and decision-making instruments.

    The new World Heritage and Sustainable Tourism Programme thereby aims tocontribute to a new paradigm that is guided by the World Heritage Convention ndtht pomotes tousm s ehce fo ensun the conseton, pesentton nd

    tnsmsson of Wod Hete popetes wth the utmte o en sustne

    deeopment. amon othes, ths eques n open doue wth the tousm secto

    oth the pte usnesses nd the oenment dmnstton concened nd

    a clear focus on local community development.

    at the oc ee s teted n the contet of ths Tou-WHPO poect the

    Programme concretely seeks to (a) promote broad stakeholder engagement inthe pnnn, deeopment nd mnement of sustne tousm tht foows

    destnton ppoch to hete conseton nd focuses on empowen oc

    communities, (b) provide World Heritage stakeholders with the capacity and thetools to manage tourism eciently, responsibly and sustainably based on thelocal context and needs, and (c) promote quality tourism products and servicestht encoue esponse ehou mon stehodes nd foste n

    undestndn nd ppecton of the concept of Outstndn Unes vue

    nd potecton of Wod Hete.

    Since it is understood that capacity-building is the key instrument to achievethe oe-mentoned oectes t the oc ee, the Tou-WHPO poect hs

    sought to contribute its part to identifying needs at the site level, supporting anechne ptfom, nd nfomn out toos nd ppoches sustne tousmmnement.

    THe World HerITage and susTaInaBle TourIsm oBjeCTIVes

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    a. iNTrODUCTiON TO THE PrOjECT CONTExT 15

    WOrLd HErITagE Of POrTUgUESE OrIgIN aNd INfLUENCE the netwok inititive

    a.2

    The de of fosten coopeton mon Potuuese Wod Hete stes nd Wod

    Heritage sites that have experienced Portuguese inuences over time emergedbased on a joint initiative by the University of Coimbra (Portugal), ICOMOS Portugalnd Potuuese nton uthotes eted to Cutue, n ptcu the Nton

    Commission of Portugal for UNESCO and IGESPAR. In 2006, a rst internationalmeeting of this initiative, called World Heritage of Portuguese Origin and Inuence(abbreviated as WHPO), was hosted by the University of Coimbra.

    Deliberately of academic and scientic nature, the initiative prompted a pioneeringprocess in the history of Portuguese cultural cooperation. The originality of thisinitiative lies on the fact that, for the rst time, eorts have been made to joinWorld Heritage properties with cultural heritage of Portuguese inuence to discusseective methods of cooperation related to the conservation and management ofWod Hete popetes nd of those stes on the ptcptn Sttes Ptes

    Tentte lsts.

    The broad participation and positive feedback at the rst meeting reected thenteest of ths coopeton ntte nd ed to the fom ceton of the so-ced

    WHPO Netwo dun the second ntenton meetn n 2010, whee so othe

    ptne nsttutons such s Tusmo de Potu oned.

    The World Heritage Sites of Portuguese Origin and Inuence Network was created inthe spirit of exchange and mutual support, which is well reected in the Declarationof Com of 2010 tht so set out the mn os of ths ntte.

    Ana Paula Amendoeira

    []

    We know about the conictual dimension of the history that we share and the heritage that

    we want to know, to conserve, to use and to live. We know, like the poet Fernando Pessoa

    told us, that the civilization consists of giving something a name that is not appropriate,

    and then to dream about the result. And, in fact, the false name and the true dream create

    a new reality. The object really becomes another, because we turn it into another. We

    manufacture realities.

    exTraCT of THe DeClArAtion of CoimBrA

    fIgure 1

    The oo of the Wod Hete of Potuuese On Netwo

    ws ceted n the couse of deeopn the ont ntte snce 2006.

    Unesdde de Com (Potu)

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    a. iNTrODUCTiON TO THE PrOjECT CONTExT 16

    The sea was yesterday what the heritage can be today, all we have to do is to defeat

    someAdamastores (Mia Couto), no longer the ones from the writer Lus de Cames,

    but the ones from the obstacles created throughout history, in these vast and dierent

    territories, so complex and so common, and whose consequences led in part to our

    unequal world. We want to beat them with knowledge and culture. To know, to research,to study more and more and in network, and to cooperate, putting at everyones disposal

    all we were able to obtain in order to manage, safeguard and protect our amazing, and

    sometimes brilliant shared heritage and everything that we will build for a culture of

    quality and hope in our territories, from the values of freedom, peace and knowledge:

    no people is grand for having only luxuries to tell, but for the freedoms that it was

    able to live and for the love that it has to give. This teaching by the writer from Timor,

    Fernando Silvan, shows us how the youngest country in the world, Timor Loro Sae, can

    teach us lessons on fundamental values.

    We also and always acknowledge the importance and the presentness of the historical

    and visionary words by great leaders of the African continent, such as Lopold

    Senghor, who have never given up stating that culture is the beginning and the end

    of development and they are a pillar for the future of this Network project, whose

    formation the University of Coimbra is honoured to welcome today in its founding act.

    PHoTo 1

    The second intenton

    Confeence on Wod

    Hete of Potuuese

    Origin and Inuencews hed n Com n

    Octoe 2010, hosted

    by the University ofCom, nd theed

    ptcpnts fom

    fou contnents. it

    also provided the rstoccson to pesent the

    de of nd pepton

    towds ths ont

    Tou-WHPO poect.

    University of Coimbra

    amon the eecses tht wee ced out wthn the fmewo of ths Tou-WHPO

    poect, one med t estshn n ntepete fmewo tht coud see s

    common denomnto of the WHPO Netwo.

    During the rst workshop, the shared history of exchanges and common features ofthe sites served as a baseline for group work on identifying major events, productsnd pesontes ned to ech Wod Hete stes poston n the WHPO Netwo

    and its relation to Portuguese inuence. Participants elaborated on the theme of

    the ntecton of nd wth the Potuuese peope oe centues nd the echnet hs ouht out n tems of tne nd ntne hete.

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    By drawing attention to the importance of exchange and the values of mutuallyshared heritage in the territories, another layer of each WH sites history wasintended to be revealed and thereby added to the messages and interpretationof each site. While the tangible inuence of Portuguese culture in World Heritage

    stes outsde of Potu s often efeed to when descn the stes ues,World Heritage sites in Portugal do not necessarily relate their history to thelinkages with other territories or continents. Beyond the well-known history ofthe discoverers, the lesser known stories of inuences experienced by Portugalthrough the imported goods, habits and know-how are yet to be elaborated inmoe det. Ths theme w so ow mn concete connecton to ntne

    hete ues, ncudn food poduce.

    PHoTo 2

    Foown ont

    nstomn on the

    shared history of WHPOstes, the ptcpnts

    elaborated on specicspects tht te fed

    into the rst draft of theintepete Fmewo;

    Monastery of theHieronymites, Lisbon(Potu). jon koh

    The Project is a tool to spread the cultural diversity of dierent countries of the world.

    And at once a tribute to the Portuguese who brought their culture to those areas. Is

    a permanent dialogue in time and space. It is a way to get together the Portuguese

    culture that had been spread across all continents since the beginning of the voyages

    of discovery.

    Statement by Nelsys Fusco-Zambetogliris, Colonia de Sacramento (Uruguay)

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    INTrOdUCTION TO THE PrOJECT EXPErIENCESa.3

    PHoTo 3

    The rst Tour-WHPOwoshop ws hed

    in the Monastery ofthe Hieronymites inlson nd theed 26

    epesenttes fom

    Wod Hete stes n

    Potu nd fom Wod

    Hete stes wth

    Portuguese inuence aswe s epesenttes

    of ptne nsttutons,

    ncudn igESPar nd

    iCOMOS Potu.

    jon koh

    Managing tourism at a World Heritage site on a day-to-day basis is not always

    straightforward. Striking the right balance between quality of life of the inhabitantsand quality experience of the visitors, while ensuring above all that the heritageues e en mntned, cn e chene.

    Keeping in mind the wide spectrum of World Heritage sites, it can be dicult toprovide specic guidance on tourism planning. Each World Heritage propertyis unique in its character, in the kind of attractions it oers and in its specicmanagement challenges. Even the visitors are dierent.

    As a rst step, it is important to understand that visitation requirements and tourismstrategies need to be an integral part of the overall management cycle of a World

    Heritage site. This not only ensures the compatibility of conservation objectivesand tourism development goals but also creates synergies between these two andenhances the potential of their respective benets for the local communities.

    To ddess some of the chenes, ths poect ut upon estn esouce

    materials for World Heritage and public use planning, and, by doing so, also aimedat testing the eectiveness of these resource materials for a broad typology ofWorld Heritage sites, particularly those located in an urban context.

    Key reference documents including the Practical Manual for World Heritage Site

    Managers on Managing Tourism at World Heritage Sites, published by UNESCOn 2002 n the sees of the Wod Hete Ppes, s we s esouce mnus

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    published by the Advisory Bodies, such as the UNESCO-IUCN Resource Manual onMnn Ntu Wod Hete Popetes, uded the two poect woshops

    hed n Potu.

    Particular attention was given to the Public Use Planning Manual by Jon Kohl.Public use planning is one of several ways of conceiving participatory planning andmnement. The concept hs emeed fom epeences t ntu potected

    areas and has been updated over the recent years of its application at selectedWod Hete stes nd othe potected es ound the wod. Tn od

    ppoch to tousm ste pnnn whe so podn hnds-on eecses, the

    mnu ntoduced the ptcpnts to technques fo fcttn meetns nd

    engaging stakeholders, creating an interpretive framework, identifying the sitesattractions and mapping their potential to provide quality experiences for visitors,and eventually dening touristic products.

    PuBlIC use PlannIng In THe World HerITage ConTexT

    Public use planning is understood as a participatory planning approach for any

    touristic, educational, interpretive, recreational, and investigative uses by visitors

    who participate in activities that do not extract (except for sport and research)

    or introduce resources into a natural or cultural heritage area at site level. (PUP

    Manual)

    Over the last years, this approach proposed by the Public Use Planning Manual hadbeen applied and experimented in a number of World Heritage properties around

    the world. While rst experiences were gathered in natural World Heritage sites, more

    recent planning work was also carried out at cultural World Heritage sites, such as

    Hoi-An in Vietnam (see article in WH Review 58). Its goal is to serve as a training-of-the-

    trainers guidance. The manuals structure by separate training modules was considered

    an adequate guidance to familiarize the project participants with key aspects of

    participatory tourism planning in a step-wise fashion.

    ProjeCT meTHodology

    The poect ws stuctued n two dstnct cttes: Two tnn woshops

    were held in Portugal. The rst workshop in December 2011 (Monastery ofthe Hieronymites, Lisbon) and the second in April 2012 (vora) allowed broadparticipation by representatives from WHPO sites (see List of ParticipatingWHPO Stes n Chpte a.3.. nd lst of Woshop Ptcpnts n anne 2). The

    ptcpnts fom afc, as, Euope nd ltn amec contuted the ews

    nd epeences whe enn out nd testn:

    how to facilitate stakeholder involvement,

    how to develop their sites messages for dierent types of audiences, what can be an attraction at their sites, and what kind of experiences their sites could oer to visitors.

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    Following the rst introductory workshop, additional eld work was carried out atthree World Heritage sites the Historic Centre of vora (Portugal), the Portuguesecomponent of the Prehistoric Rock Art Sites of Ca Valley and Siega Verde (Portugal/Spain) and Fort Jesus, Mombasa (Kenya). This revealed the need to engage in more

    in-depth testing of the public use planning approach at dierent types of sitesnd ed to concete steps ten n the pnnn pocess t the nddu stes.

    Throughout this process, the participating sites were oered assistance andguidance by the project consultant and the author of the planning manual.

    PHoTo 4

    The second Tou-WHPO

    woshop theed

    25 ptcpnts fom

    nne countes coss

    fou contnents s we

    s epesenttesfom nton nd

    ntenton puc

    nd pte enttes. it

    was hosted by the Cityof vora, and therebyundened the oc

    uthotes suppot of

    the poect cttes.

    Tusmo de Potu,

    Margarida Alada

    aBouT THIs PuBlICaTIon

    This publication provides snapshots of the various practical approaches andepeences tht wee found to e most mpotnt fo the Wod Hete stes

    wthn the Tou-WHPO poect s hete toust destntons.

    The o hs een to showcse the cheements nd ch epeences of ech of

    the ptcptn Wod Hete stes.

    We further sought to situate the experiences and ndings in the larger framework ofUNESCO Wod Hete nd Sustne Tousm Pomme nd Wod Hete

    Capacity Building Strategy and to give inspiration to expand on this work in thecontext of becoming good practice examples and contributing to the current bodyof nowede on sustne tousm mnement t hete stes. Epeence

    has shown that some concepts and techniques are not easily adaptable to anycultural and institutional context but can be valuable in complementing policy

    udenes nd pnnn eutons.

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    The following central part of this publication rst gives an overview of managementnd monton ssues tht shoud e consdeed when pnnn tousm n nd

    around a World Heritage property, placing the approach of public use planningn the fmewo of Wod Hete nd ts coe pncpes nd efen to the

    key documents and other tourism-related resources. It also situates the projectepeences t the ste ee wthn the Wod Hete contet.

    In a next step the sites project activities in interpretation, identication of attractionsnd deeopment of toustc poducts e en pesented, ech ccodn to

    thee steps: the Wod Hete contet, the Puc Use Pnnn ppoch nd

    seected epeences fom Cse Studes.

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    Bie Pesenttions o the Poject Pilot Sitesa.3..

    as epned oe, thee of the ptcptn Wod Hete popetes decded

    to apply the tourism planning approach at the site-level. Each of these pilot sitesrepresents a dierent type of site and thereby ensured a diversied basis for thetestn of the ppoch. The epeences of the foown Wod Hete popetes

    therefore form the core of the body of case studies.

    forT jesus, momBasa (kenya)The Fort, built by the Portuguese in 1593-1596 to the designs of Giovanni BattistaCt to potect the pot of Moms, s one of the most outstndn nd we

    preserved examples of 16th Portuguese military fortication and a landmark inthe history of this type of construction. The Forts layout and form reected theRenaissance ideal that perfect proportions and geometric harmony are to be foundin the human body. The property covers an area of 2.36 hectares and includes thefots mot nd mmedte suoundns.

    Fot jesus, Moms, ws nsced on the Wod Hete lst n 2011 nd s thus

    young member of the World Heritage family with a recent experience in preparinga comprehensive nomination dossier and complying with the requirement of aWorld Heritage management plan. Along with its inscription, the property has aSttement of Outstndn Unes vue n pce tht foms the sene fo ts

    mnement.

    This property is a single monument and is managed by the local branch of the

    national public institution of National Museums of Kenya (NMK).

    PHoTo 5

    The Wod Hete

    property of Fort Jesus,Mombasa (Kenya)nsced s sne

    monument n 2011.

    UNESCO/Lucia Iglesias

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    HIsTorIC CenTre of Vora (PorTugal)

    This museum-city, whose roots go back to Roman times, reached its golden agein the 15th century, when it became the residence of the Portuguese kings. Its

    unique quality stems from the whitewashed houses decorated with azulejos andwrought-iron balconies dating from the 16th to the 18th century. Its monumentshad a profound inuence on Portuguese architecture in Brazil.

    The Historic Centre of Evora was inscribed in 1986 and has since then accumulatedsustnt epeence wth mnn the cente s Wod Hete ste. it s

    compe un ste tht fces mutpe chenes due to ts ous functons

    and users. The property is in the process of presenting its retrospective Statementof Outstndn Unes vue, whch sh ecome the mn efeence fo ts

    conservation and management decision. With a relatively low number of tourists,the city authorities felt that the proposed tourism planning approach of the projectcan be of additional benet to the overall management that is implemented by theMunicipality.

    PHoTo 6

    The Wod Hete

    property of HistoricCentre of vora(Potu) nsced

    in 1986. UNESCO,Thrin-Weibe

    PreHIsTorIC roCk arT sITes In THe Ca Valley and sIega Verde(PorTugal/sPaIn)

    The two Prehistoric Rock Art Sites in the Ca Valley (Portugal) and Siega Verde(Spain) are located on the banks of the rivers Agueda and Ca, tributaries of the riverDouo, documentn contnuous humn occupton fom the end of the Peothc

    Age. Hundreds of panels with thousands of animal gures (5,000 in Foz Ca andound 440 n Se vede) wee ced oe see menn, epesentn the

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    most eme open- enseme of Peothc t on the ien Pennsu.

    Ca Valley and Siega Verde provide the best illustration of the iconographic themesnd onzton of Peothc oc t, usn the sme modes of epesson n

    ces nd n the open , thus contutn to ete undestndn of ths

    artistic phenomenon. Together they form a unique site of the prehistoric era, richn mte edence of Uppe Peothc occupton.

    Ca Valley has been inscribed on the World Heritage List since 1998 and recentlybecame a serial transnational property with the Spanish component of Siega Verde(extension in 2010). The project activities were only carried out by the Portuguesecomponent of this archaeological site, Ca Valley, which corresponds to the gureof an archaeological park, which is managed by the public entity of the Foundationof Ca Valley. The site is located in a remote area, which does not facilitate easyaccess and visitation in particular by international visitors.

    The number of foreign visitors to the (Archaeological) Park has always been low. Hence,

    the main reason for the Park to participate in the Tour-WHPO project and become a

    pilot site was raising the international prole of the Park and the rock-art it manages.

    Antonio Batarda (PAVC, Ca Valley)

    PHoTo 7

    The Wod Heteproperty of PrehistoricRock Art Sites in the CaValley and Siega Verde(Portugal/Spain), thePotuuese component

    of Ca Valley beinginscribed since 1998nd etended s se

    transnational propertyn 2010. jon koh

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    CIdade VelHa, HIsTorIC CenTre of rIBeIra grande (CaPe Verde)The town of Ribeira Grande, renamed Cidade Velha in the late 18th century, was therst European colonial outpost in the tropics. Located in the south of the island ofSantiago, the town features some of the original street layout impressive remains

    including two churches, a royal fortress and Pillory Square with its ornate 16thcentury marble pillar.

    PHoTo 10

    The Wod Hete ste of Cdde veh, Hstoc Cente of req

    Grande (Cape Verde) inscribed in 2009 CRATerre / UNESCO

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    PHoTo 11

    The Wod Hete ste

    of fots n Cstles,

    Volt, gete acc,

    Centl n Westen

    reions (Ghana)inscribed in 1979 Jacob Nyangila (AWHF)

    forTs and CasTles, VolTa, greaTer aCCra, CenTral and WesTernregIons (gHana)The remains of fortied trading-posts, erected between 1482 and 1786, can stillbe seen along the coast of Ghana between Keta and Beyin. They were links in the

    trade routes established by the Portuguese in many areas of the world during theire of et mtme epoton.

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    PHoTo 12

    The Wod Hete

    ste of Chuches n

    Convents o go (India)inscribed in 1986 UNESCO

    CHurCHes and ConVenTs of goa (IndIa)The chuches nd conents of go, the fome cpt of the Potuuese indes

    particularly the Church of Bom Jesus, which contains the tomb of St Francis-Xavier illustrate the evangelization of Asia. These monuments were inuential in

    spedn foms of Mnuene, Mnnest nd boque t n the countes ofas whee mssons wee estshed.

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    PHoTo 13

    The Wod Hete

    ste of Centl Zone o

    the Town o an o

    Heoismo in the azoes(Potu) nsced n

    1983

    Tusmo de Potu

    CenTral zone of THe ToWn of angra do HeroIsmo In THe azores(PorTugal)Situated on one of the islands in the Azores archipelago, this was an obligatoryport of call from the 15th century until the advent of the steamship in the 19th

    century. The 400-year-old San Sebastio and San Joo Baptista fortications areunique examples of military architecture. Damaged by an earthquake in 1980,an s en estoed snce then.

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    PHoTo 14

    The Wod Hete ste

    of Convent o Chist

    in Tom (Portugal)inscribed in 1983 Tusmo de Potu,

    vcto Huo

    ConVenT of CHrIsT In Tomar (PorTugal)Originally designed as a monument symbolizing the Reconquest, the Convent ofthe knhts Temp of Tom (tnsfeed n 1344 to the knhts of the Ode

    of Christ) came to symbolize just the opposite during the Manueline period the

    openn up of Potu to othe cztons.

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    PHoTo 15

    The Wod Hete

    ste of Monste o

    Btlh (Portugal)inscribed in 1983 Tusmo de Potu

    monasTery of BaTalHa (PorTugal)The Monastery of the Dominicans of Batalha was built to commemorate the victoryof the Potuuese oe the Cstns t the tte of auot n 1385. it ws to

    be the Portuguese monarchys main building project for the next two centuries.

    Here a highly original, national Gothic style evolved, profoundly inuenced byManueline art, as demonstrated by its masterpiece, the Royal Cloister.

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    PHoTo 16

    The Wod Hete

    ste of Monste

    o the Hieonmites

    n Towe o Belm

    in Lisbon (Portugal)inscribed in 1983

    pe 33 UNESCO,kestn Mnz

    pe 34 Tusmo

    de Potu, antno

    Scchett

    monasTery of THe HIeronymITes and ToWer of Belm In lIsBon(PorTugal)Standing at the entrance to Lisbon harbour, the Monastery of the Hieronymites construction of which began in 1502 exemplies Portuguese art at its best.

    The nearby Tower of Belm, built to commemorate Vasco da Gamas expedition,s emnde of the et mtme dscoees tht d the foundtons of the

    moden wod.

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    PHoTo 17

    The Wod Hete

    ste of Monste o

    alcob (Portugal)inscribed in 1989 Tusmo de Potu,

    vcto Huo

    pe 36 vcto Huo

    monasTery of alCoBaa (PorTugal)The Monastery of Santa Maria dAlcobaa, north of Lisbon, was founded in the 12thcentury by King Alfonso I. Its size, the purity of its architectural style, the beautyof the mtes nd the ce wth whch t ws ut me ths mstepece of

    Cstecn gothc t.

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    PHoTo 18

    The Wod Hete ste

    of Cultul Lnscpe

    o Sint (Portugal)inscribed in 1995oe Tusmo de

    Potueow jon koh

    CulTural landsCaPe of sInTra (PorTugal)In the 19th century Sintra became the rst centre of European Romantic architecture.Ferdinand II turned a ruined monastery into a castle where this new sensitivitywas displayed in the use of Gothic, Egyptian, Moorish and Renaissance elements

    and in the creation of a park blending local and exotic species of trees. Other nedwens, ut on the sme nes n the suoundn se, ceted unque

    combination of parks and gardens which inuenced the development of landscapechtectue thouhout Euope.

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    PHoTo 19

    The Wod Hete

    ste of Histoic Cente

    o Opoto (Portugal)inscribed in 1996 Tusmo de Potu,

    above and page 39

    joo Puo

    HIsTorIC CenTre of oPorTo (PorTugal)The city of Oporto, built along the hillsides overlooking the mouth of the Douroriver, is an outstanding urban landscape with a 2,000-year history. Its continuousowth, ned to the se (the romns e t the nme Potus, o pot), cn e

    seen in the many and varied monuments, from the cathedral with its Romanesquechoir, to the neoclassical Stock Exchange and the typically Portuguese Manueline-style Church of Santa Clara.

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    PHoTo 20

    The Wod Hete ste

    of alto douo Wine

    reion (Portugal)nsced n 2001

    Tusmo de Potu,

    above J. P. SottoMayor,eow Fncsco

    Pqueo,

    pe 41 Fncsco

    Pqueo

    alTo douro WIne regIon (PorTugal)Wine has been produced by traditional landholders in the Alto Douro region forsome 2,000 years. Since the 18th century, its main product, port wine, has beenworld famous for its quality. This long tradition of viticulture has produced a

    cultural landscape of outstanding beauty that reects its technological, social andeconomc eouton.

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    PHoTo 21

    The Wod Hete ste

    of Histoic Cente o

    guimes (Portugal)nsced n 2001

    Tusmo de Potu,

    joo Puo

    HIsTorIC CenTre of guImares (PorTugal)The hstoc town of gumes s ssocted wth the emeence of the Potuuese

    national identity in the 12th century. An exceptionally well-preserved and authenticempe of the eouton of mede settement nto moden town, ts ch

    building typology exemplies the specic development of Portuguese architecturefrom the 15th to 19th century through the consistent use of traditional buildingmtes nd technques.

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    PHoTo 22

    The Wod Hete ste

    of Lnscpe o the

    Pico Isln VineCultue (Portugal)nsced n 2004

    kestn Mnz

    landsCaPe of THe PICo Island VIneyard CulTure (PorTugal)The 987-ha site on the volcanic island of Pico, the second largest in the Azoreschpeo, conssts of eme ptten of spced-out, on ne ws

    running inland from, and parallel to, the rocky shore. The walls were built to protect

    the thousnds of sm, contuous, ectnu pots (cus) fom wnd ndseawater. Evidence of this viniculture, whose origins date back to the 15th century,is manifest in the extraordinary assembly of the elds, in houses and early 19th-century manor houses, in wine-cellars, churches and ports. The extraordinarilyeutfu mn-mde ndscpe of the ste s the est emnn e of once

    much moe wdesped pctce.

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    PHoTo 23

    The Wod Hete ste of Isln o goe (Senegal) inscribed in1978 Our Place The World Heritage Collection/UNESCO

    Island of gore (senegal)The island of Gore lies o the coast of Senegal, opposite Dakar. From the 15thto the 19th century, it was the largest slave-trading centre on the African coast.Ruled in succession by the Portuguese, Dutch, English and French, its architecture

    is characterized by the contrast between the grim slave-quarters and the eleganthouses of the slave traders. Today it continues to serve as a reminder of humanexploitation and as a sanctuary for reconciliation.

    PHoTo 24

    The Wod Hete

    ste of ruins o Kilw

    Kisiwni n ruins

    o Sono Mn(Tnzn) nsced n

    1981 UNESCO

    ruIns of kIlWa kIsIWanI and ruIns of songo mnara (TanzanIa)The remains of two great East African ports admired by early European explorersare situated on two small islands near the coast. From the 13th to the 16th century,

    the merchants of Kilwa dealt in gold, silver, pearls, perfumes, Arabian crockery,Pesn ethenwe nd Chnese pocen; much of the tde n the indn Ocen

    thus pssed thouh the hnds.

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    a. iNTrODUCTiON TO THE PrOjECT CONTExT 45

    PHoTo 25

    The Wod Hete ste

    of Histoic Qute o

    the Cit o Coloni el

    Scmento (Uruguay)inscribed in 1995 luc iess

    HIsTorIC QuarTer of THe CITy of ColonIa del saCramenTo (uruguay)Founded by the Portuguese in 1680 on the Ro de la Plata, the city was of strategicimportance in resisting the Spanish. After being disputed for a century, it was nallylost by its founders. The well-preserved urban landscape illustrates the successful

    fusion of the Portuguese, Spanish and post-colonial styles.

    in ddton to ste epesenttes fom the oe-mentoned Wod Hete stes,

    ptcpnts so ncuded epesenttes fom the reon Dectote of Cutue

    of ae nd the afcn Wod Hete Fund (aWHF).

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    MaNagEMENT aNd MONITOrINg

    TOUriSM aT WOrlD HEriTagESiTES OF POrTUgUESE OrigiNaND iNFlUENCE seectedppoches nd epeences

    B.

    B.1

    La propuesta de Turismo para el Plan consiste en un proyecto de difusin territorial

    y recualicacin turstica, a travs de mecanismos de coordinacin y metodologas de

    participacin comunitaria. Se parte de la sociedad, desde su trama y espesor, para

    (re)valorizar su(s) cultura(s) y condicionar el turismo para evitar que l nos condicione

    a nosotros. [..] El impacto esperado es el aumento de la calidad y competitividad

    del destino a travs de la (re)valorizacin del Patrimonio y del espacio turstico, en

    el marco de la sostenibilidad y de la rentabilidad socioeconmica con nfasis en el

    desarrollo local.

    Siedlecki Huerta (2011) on the role of tourism in the recently approved ManagementPlan for the World Heritage property of Colonia del Sacramento.

    PHoTo 26

    ae ew of thehstoc coe of the

    City of Colonia delScmento suounded

    by the Rio de la Plata(Uruguay). Jos delCeo

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    Settin the Scene: The concept o Wol Heite OutstninUnivesl Vlue

    B.1..

    The concept of Outstndn Unes vue undepns the Wod Hete

    Conenton. it s the touchstone fo nsced popetes. The sc pupose ofnominations is to explain what a property consists of, why it demonstrates potentialOutstndn Unes vue, nd how ths ue w e sustned, potected,

    conseed, mned, montoed nd communcted. a poces, oectes nd

    actions must prioritize and take into account the values, which have justied thepropertys inscription on the World Heritage List.

    otti uiv V stnds on thee ps: 1) the cte fo tsinscription, 2) its condition the notions of authenticity and integrity and 3) theconservation and management. The criteria tells why the property has beeninscribed, the justication of its global importance.

    athticit (for cultural properties only) stands for that the value is truthfullyand credibly expressed through attributes (key elements) such as form, design,mtes, functon, tdtons, settn, nue nd not to foet the spt.

    both ntu nd cutu hete popetes must so meet the condton of

    itit, whch efes to whoeness of the ste. Fo empe, s t e enouhto include all necessary key features? Is it robust enough to face the changes overtime and is it in a good state?

    Mntnn the Outstndn Unes vue of the ste s the o fo consetonnd deeopment mesues of the ste s we s the ss fo ts pesentton

    and promotion. A shared understanding by all involved about the values andabout the responsibilities required by signing the World Heritage Convention istheefoe essent to decson-mn out nteentons edn the ste. in

    Wod Hete stes, poces nd oectes must e n ne wth the Outstndn

    Universal Value as it was dened when the site was inscribed.

    The Tour-WHPO pilot sites found that it is sometimes necessary to go back to thenomnton dosse fo udnce out the Wod Hete ue. it ecme ce

    that those sites which were inscribed a long time ago might need specic attention

    in comparison with those who have recently worked with the nomination dossierfo the ste nd foowed the whoe nomnton nd euton pocess.

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    fIgure 2

    The thee ps of

    Outstndn Unes

    vue. Souce: iUCN

    (2007)

    developin n intete mnement ppochB.1.b .

    aPProaCH

    World Heritage sites have always attracted visitors. Tourism is part of the growingcomplexity of management challenges, and is now recognized as having cultural,ecooc, soco-economc nd potc dmensons (Wod Hete Ppe 31).

    Inadequately managed tourism can have severe consequences compromising the(World Heritage) value of the sites, depriving the local communities of benetsand potentially degrading the destination itself. Sustainable tourism developmentrequires therefore a proactive management approach respecting the capacity of the

    property to accept visitation without degrading or threatening heritage values.

    A World Heritage property should already have a management system in place.In many sites, a separate tourism management plan or strategy is prepared,often with outside experts. In order for it to be eective - to be understood andimplemented the tourism strategy should be integrated with the general propertymnement pn.

    a hete mnement pn s n eement, puc contct etween the

    management organization and the community and all stakeholders of the property.It is also a tool for clarifying responsibilities and roles in the implementation processnd estshes fmewo fo decson-mn. The mnement must nce

    conservation and community interest to ensure a sustainable development of thepce.

    An eective management plan must give clear directions and guidance, andtherefore it should be one document, which addresses the key managementchallenges including tourism and integrates the dierent contributions fromstakeholders and interest groups. For its eective implementation it is essentialtht the mnement pn oectes nd ctons e nteted n the cuent

    planning processes in the area, whether they are territorial or urban plans, socio-

    economc o enonment pns. Ths ppoch, so ced ues sedmanagement requires the early involvement of all stakeholders.

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    A key part of the Management Plan is the Action Plan. Its function is to give anoverview about concrete actions, which implement the specic objectives ofthe Management Plan. These plans or projects can be in dierent phases; to be

    nanced or already ongoing. It is important that actions or projects are feasibleand shared by all stakeholders involved. If they are not updated and realistic, theywill only be a wish-list instead of a strategic tool.

    A MANAGEMENT PLAN IS NOT atourismmanagementplan

    businessplan

    urbanconservationplan

    monumentrestorationplan

    natureconservationplan

    BUT it coordinates, sets priorities and provides a tool for decision-making.

    tHinK

    ABoUt

    exPerIenCes from PuBlIC use PlannIng Work

    Tour-WHPO project pilot sites conrm the need to have a shared understandingof the meaning and value of the property, as management objectives must beclearly and understandably linked to the values of the site. The stepping stone for

    successfu hete mnement s to te nto ccount the epecttons nd needsof the local community and to develop a benet sharing mechanism. Keeping inmind that benets are not only valued in economic terms!The Puc Use Pnnn udnce used dun the Tou-WHPO poect stesses the

    importance of an updated plan even monthly and the need for capacity buildingso tht the stehodes cn mpement the pn wthout outsde suppot.

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    The site management entity of Cultural Landscape of Sintra, Parques de Sintra-Monte da Lua (PSML), represents one of the more recent management structurecreated in Portugal. It is set up as a public company, governed through a boardof public institutions shareholders, while nancially functioning according to

    private market rules in the sense that it does not receive public subsidies butsolely depends on revenues from visitation and additionally gained project

    grants from private and public entities (e.g. EEA grants). PSMLs business modelis therefore focused on ensuring nancial stability and economic sustainability inorder to carry out its primary role as conservation manager of the World Heritage

    property.

    It is crucial to ensure the funding for the daily management on site. Tourismcan play an important role of in site management provided that priority remainswith conservation of the site, rather than increased visitor number. The structuremust also be exible enough to handle its budget on its own.

    experienCes:

    lessonslearned

    exPerIenCes from sInTra - susTaInIng a managemenT sTruCTure usInga BusIness model

    fIgure 3

    The Strategy forSustainabilitydeveloped by Parquesde Snt-Monte d

    lu (PSMl) n ew ofeconomic stability forcarrying out the coremsson of the ste

    management entity.Souce: PSMl

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    Stkehole involvementB.1.c.

    Atendiendo el espritu que lidera el proceso de elaboracin del Plan de Gestin del sitio

    Patrimonio Mundial nunca se debe olvidar que el patrimonio es un barrio, sus casas y

    calles, un paisaje, un subsuelo que guarda trazas arqueolgicas, donde hay autoridadespara su gobierno y especialistas para su investigacin, pero donde lo esencial es su

    signicado para la sociedad y el aprecio que sta siente por su patrimonio. Es en este

    sentido que se convocaron a decenas de instituciones pblicas y privadas durante la

    elaboracin del plan para que volcaran sus ideas..

    Pereira and Fusco-Zambetogliris (2012) Colonia de Sacramento, Uruguay

    Tourism management brings in a wide range of stakeholders and expertise. Theyall may have dierent perspectives on future development of the site, manyopnons nd epected ctons. lenn out ech othes epecttons, ews

    on the benets and potentials that tourism can bring is the base for a collaborativemanagement. Without this competing agendas may lead to unnecessary andlengthy conicts of interest and priorities.

    exPerIenCes from THe PuBlIC use PlannIng Work

    The rst step of the public use planning suggests how to form a core planning team,

    carry out an organizational analysis, research the planning framework (that is, all the

    policies and expressions of will that aect and give direction to the strategic planning),

    initial interviews with stakeholders, logistical preparations, and among others, the

    terms of reference designed to forge agreements about how to conduct the planningprocess.

    It was emphasized that these activities, and particularly the terms of reference, require

    the heritage site to transparently negotiate its intentions with other stakeholders. While

    aiming to provide additional techniques and create opportunities to power share and

    jointly make decisions, the success of any external guidance essentially depends on

    whether or not the site is willing and able to apply the suggested techniques.

    Jon Kohl

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    fIgure 4

    The puc use pnnn

    ppoch suests

    ded stuctue of

    stehode oups

    and key actors of thepnnn cttes.

    Souce: koh, jon (2012)

    PHoTo 27

    Meetns e ths one

    of the coe pnnn

    tem t the pot ste

    of vora are the rststep n the pocess

    towds pnnn

    nd stehode

    noement. jon koh

    World HerITage ConTexT

    The World Heritage Sustainable Tourism Programme has identied a range ofstehode oups n Wod Hete nd sustne tousm nd the potent

    roles. Among them are actors who are not always included in World Heritagemnement, s the tousm pte secto nd so ced Destnton Mnement

    Organisations, who typically undertake marketing activities.

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    An informed appreciation of the sites Outstanding Universal Value and the implications

    of potential adverse impacts through tourism on heritage values are essential to

    decision-making by a broad range of tourism stakeholders including:

    a) States Parties wishing to establish and implement policies and strategies to realise

    development objectives and long-term benets for local and other communities;

    b) The tourism industry wanting to realise long-term commercial prots;

    c) Visitors seeking full appreciation of the World Heritage, guidance to appropriate

    behaviour, and a potential incentive to contribute towards their maintenance and

    protection;

    d) Local communities seeking improved quality of life while maintaining the integrity

    of and access to their natural and cultural heritage representing their history and

    identity.

    World Heritage Sustainable Tourism Programme (WHC-12/36.COM/5E)

    However, participatory approach does not only mean including a greaternume of stehodes, ut so emphszn the sto pespecte. The mens

    of communcton nd nfomton shn shoud e estshed t the stt of

    any consultative process and should have agreed goals and objectives - and allowenouh tme.

    Therearedierentdegreesofparticipationand interests in power-sharing.

    tHinK

    ABoUt

    Tousm cttes do ed to soco-economc chnes oe tme. Whe ene

    guidance on planning can be dicult to give because of dierent social, economicand political realities of places, working together with the community has provento be a way of re-dening and strengthening the sense of community identity.

    Restoring a sites vitality and spirit is a complicated operation that cannot be obtained

    by means of monetary investment (as is the case with physical restoration of heritage).

    Rather, it tends to involve social issues that aect local communities, which often have

    had no control over the situation in which they nd themselves. It is important to bear

    in mind that any solution that attempts to replace the true protagonists of the site runs

    the risk of ending up like a theme park.

    Vials, MJ. and Morant, M. (2012): Heritage, tourism and local community interactions

    within the framework of site management. in World Heritage paper 31

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    fIgure 5

    The puc use pnnn

    ppoch suests usn

    few key questions abovein order to identify

    the concens ndinterests of the dierentstehode oups nd

    to stuctue the focus

    of the ptcpton nd

    fctton pocess.

    Souce: koh, jon (2012)

    PHoTo 28

    Youn peope usn

    the puc spce ht

    outsde Fot jesus,Moms, consttute

    stehode oup ust

    s oc usnesses o

    othe nhtnts; the

    nteests need to e

    ten nto ccount n

    the pnnn pocess s

    we. jon koh

    Therearedierentwaysonecanidentifyinterestedpeople,forexampleaskingthe

    following questions:

    Who knows about local natural and cultural heritage?

    Who owns heritage places in the local area?

    Who has custodial, caretaker or legal responsibility for local heritage places?

    Who has worked at or earned a living from local heritage places?

    Who is interested in using local heritage places, now or in the future?

    Who is interested in protecting or conserving local heritage places?

    Who is interested in your goals? Who would support action towards reaching your

    goals?

    Who will the achievement of your goals aect, either positively or negatively?

    Who has had similar goals to yours in the past?

    Who needs to be kept informed about progress towards reaching your goals?

    Source: Protecting Local Heritage Places: A Guide for Communities, Australian

    Heritage Commission, 2000, pp.11-13.

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    Following rst coordination steps, the team started to identify and involve keystakeholders in the planning process. A substantial number and large diversity ofstakeholder groups were invited to engage in the planning process and underlinedthe validity of the proposed participatory approach, which allowed gathering alarge range of stakeholders in the city for the rst time.The following entities pledged to sign an agreement that determines the terms ofreference of this planning commitment in November 2012.

    Municipality of vora Regional Directorate for Culture of Alentejo University of vora Foundation Eugnio de Almeida Arch-Diocese of vora Regional Tourism Board of Alentejo Association of Salespeople Association of Hotel Directors Association of Guides and Interpreters (AGIA) Association of Hotels, Restaurants and Similar Businesses of Portugal (AHRESP)

    Association of Companies (APECATE) Coleo B CENDREV P de Xumbo Eborae Mvsica Association Do Imaginrio

    (see complete document in Annex 9.a.).

    PHoTo 30

    The coe pnnn tem

    of vora during one ofts won sesson.

    jon koh

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    While full stakeholder participation in and regularity of meetings have been achallenge from the beginning, the positive experience of the city of vora hasshown that complex urban sites can succeed in mobilizing local communities and

    stakeholder groups through persistent dialogue. The group that formed can beseen as an advisory group of stakeholders as it is recommended for all WorldHeritage properties.

    Another eect of the citys engagement can be seen in the capacity-building ofthe core planning team: The head of the planning team familiarized quickly with

    facilitation skills for a participatory process to such an extent that he alreadyapplied it successfully in several other meetings and occasions.

    lessonslearned

    PHoTo 31

    The suppot of the

    participatory planningby the local decision-makers is a keynedent fo the

    success of the cttes

    Mayor Jos Ernesto deOe wth the hed

    of the pnnn tem

    M Nuno Domnos

    dun the Tou-WHPO

    workshop in vora. jon koh

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    Following the rst Tour-WHPO workshop, the three professionals from Fort Jesus,

    Mombasa, involved in the project set out to convince their institution, NMK, toengage in the tourism planning activities and to form a core planning team. Theteam was completed and a rst external stakeholder meeting held could bereported on during the second workshop of the Tour-WHPO project in vora.The invitation to meet was well attended and widely appreciated by externalstakeholders. The site being managed by the local branch of a central Stateinstitution (NMK), the rst stakeholder meeting also provided an opportunity to(re)dene the sites relationship with its neighboring communities.This tourism-focused planning exercise furthermore allowed this recentlyinscribed World Heritage site to apply and elaborate its revised WH management

    plan through continuous dialogue with the local communities.Based on its rst planning experience, Fort Jesus produced a rst stakeholderagreement (see Annex 9.b)

    This experience of working with Public Use Planning has made us revisit theissue of stakeholders, i.e. it has helped us to rethink, identify and work with ourstakeholders hand in hand ()Statement by the Fort Jesus Planning Team

    experienCes:

    lessonslearned

    exPerIenCes from forT jesus, momBasa sHarIng neW PersPeCTIVes

    PHoTo 32The coe pnnn

    tem of Fot jesus,

    Moms, dun one

    of the nfomton nd

    consutton meetns

    wth oc stehodes.

    jon koh

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    Having started with a rather problematic relationship between the localcommunities and the site management due to the creation of the ArchaeologicalPark in 1996, the Ca Valley team reported in 2008 that the greater part of the localcommunity now sees the Park as an invaluable partner in achieving a common

    goal: that of developing, in a sustainable fashion, regional tourism overall, withthe rock art sites as the main attraction. This was achieved through a numberof activities such as special free of charge visits for the local population havebeen conducted. The PAVC organized the open days through local interest groups:one open day was only for restaurant owners/managers, another was focused ontourist accommodation owners, another for wine producers, etc. Many of theseactivities were enhanced by visits to wine producing farms. Furthermore, onthe Parks important anniversaries (such as its creation, or the inscription onthe World Heritage List), special commemoration programmes are organized inorder to foster the interaction of visitors and local residents. Such programmesinclude concerts, exhibitions, talks, wine and local food tasting, and experimentalinterpretations of Upper Palaeolithic meals.

    Among the lessons learned, the site management team concluded that it isnot possible for the Park to exist in isolation from its socio-economic context:in the long term, a sustainable future for the rock art will depend, to a greatextent, on the success of the Parks eorts in reaching the local community.

    The goal is to make the local population an active partner in the management,preservation and conservation of the Ca Valley heritage as a whole, and a keyplayer in regional sustainable development. Workshops, in which several localand regional stakeholders participated, also helped to further strengthen thealready protable connection between the Park and the community.Batarda et al. (PAVC, Ca Valley)

    experienCes:

    lessonslearned

    exPerIenCes from Ca Valley InVolVIng THe loCal CommunITy as anaCTIVe ParTner In sITe managemenT

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    MonitoinB.1..

    aPProaCH

    Monton cn demonstte f the mnement s chen ts os - o f chnesneed to e mde. it es nfomton nd s n ndcton out the cuent

    situation of the property, its state of conservation and its likely future. Moreover,monton esuts e usefu s uments to connce stehodes out the

    success of the mnement, o out chnes, whch must e done. a sc

    nowede of the ne of mpcts cn so d pnnn nd enete usefu

    checst fo deeopn tousm monton ndctos, essent fo detemnn

    whethe mnement oectes e en met (Wod Hete Ppe 1).

    Awareness of present visitor proles and of future tourism trends is essential for allmanagement activities. The analysis of the tourism structure must be continuallyupdated in order to serve as base for management decisions. An analysis of thestuctue of the tousm shoud e the se fo mnement decsons.

    fIgure 6

    The fmewo

    usttes the pocess

    of Wod Hete

    mnement. Souce:

    UNESCO (2008)

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    World HerITage ConTexT

    in ddton to the nomnton nd nscpton of hete popetes to the Wod

    Hete lst, thee e so the moe technc chenes of monton nd

    measuring impacts from tourism and using this to set parameters for propertypnnn, deeopment nd mnement. The mechnsms of the Wod Hete

    pocess (the nomnton pocess, recte Monton nd Peodc repotn,

    for example) represent an opportunity to identify situations where tourism mayepesent thet to the hete ues nd whee tousm s hn poste

    impact. The Periodic Reporting oers a tool for a self-assessment, which can form abasis for a database that is useful for informed decision making. It also oers a setof concete ndctos. These de wth mpcts oe tme, nsde nd outsde the

    ste nd not to foet oth poste nd nete mpcts.

    fIgure 7

    The Peodc repotn

    eecse s one of

    the statutory tools ofthe Wod Hete

    Conenton to monto

    the stte of conseton

    of Wod Hete stes.

    Being a State Party-den eecse, the

    ndctos used shoud

    so feed nto the stes

    monitoring systems.Souce: WHC Weste(whc.unesco.o)

    Being a World Heritage site brings about the exposure to international tourism.

    Receiving foreignvisitors needs specicattention inmanagementandshouldbe

    included in monitoring indicators.

    tHinK

    ABoUt

    Monitoring is also a follow-up activity of the existing management it is not meantto be a new layer of management or one more checklist to be lled in. It is alsompotnt to n the acton pn n the Mnement Pn to monton nd to see

    whch chnes e needed, o f t s tme to eew the acton Pn.

    When developing monitoring programmes it is therefore important to review anycurrent monitoring activities and choose the data collecting method that ts thepupose nd s e wth estn esouces.

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    Consider alternative methods. Dierent methods require dierent levels of resources,

    look for the most cost-eective option

    Involve the local community in monitoring, it also helps to increase local involvement

    in management and may have an added value in increasing understanding andsupport of the management objectives.

    Review monitoring activities regularly are the right things monitored, are the results

    used to improve management.

    Direct and simple ways can be as eective as complicated technical methods or

    time-consuming questionnaires; a photo of a place at a given time can give valuable

    information

    Cultural Heritage Guide Programme (2007) Unit 5

    As part of the project, we developed a questionnaire to nd out from the touristswhat they feel are the attractions in Fort Jesus. The Education Department dida survey recently and distributed a questionnaire to the visitors in the month of

    April (see Annex 9.c). We visit and readTripAdvisorwebsite to get feedback fromto the Fort.Statement by the Fort Jesus Planning Team

    The city ofColonia de Sacramento cooperates with the Ministry of Tourism andSport of Uruguay, among others to monitor the annual visitation to the site and

    in comparison with other major destination country-wide. Statistics show thatovernight stays have more than tripled over the last ten years, increasing from82.000 in 2002 to 270.000 in 2011, and that overnight stays only represent a thirdof the overall number of visitors to the site.

    experienCes:

    fIgure 8

    intenton vsto

    Sttstcs ofEvo

    (Potu). Souce:

    Anurio Estatstico da

    reo aenteo 2010(2011)

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    PHoTo 33

    Eectonc tcet conto ows the mnement of Pques de

    Snt-Monte d lu to monto stton pttens t ts ps nd

    pces, e t the Pen Pce oe tht epesents one of the

    mo ttctons of the Wod Hete ste.

    jon koh

    fIgure 9

    bsed on monton

    toos, the ste

    mnement

    estshes sttstcs

    tht hep to undestnd

    the numes nd ons

    of the stos; hee

    the empe of sto

    ons t Pen Pce.

    Souce: PSMl

    Making ample use of high-end technologies, the site management entity ofSintra,Parques de Sintra-Monte da Lua (PSML), has put in place a sophisticated visitormonitoring system for its parks and palaces applied at the larger territorial level.It has thereby gathered solid statistical data on the number and origins of its

    visitors.

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    The system that was implemented is one of restricted access, in that a strictdaily limit on visitor numbers was established, and also restricted in the sensethat the public may only visit the three sites that are open on Park-organizedvisits or on visits organized by the private companies certied by the Park.

    As there are strict daily limits on visitor numbers visitors are advised to book inadvance.It has been argued that recreational countryside areas have a perceptual carryingcapacity, a limit that has more to do with human psychology than with thecharacteristics of the setting itself. In that sense, the Ca Valley daily limits wereset by resorting to what we can partly classify as perceptual carrying capacityconstraints. In fact, the rule is that there should be no more than one group ofvisitors at any site at the same time. The maximum number of visitors per daywas calculated by taking advantage of the optimal light conditions essential forbest viewing of the engravings, by adjusting the departure times of the tours

    from the visitor centres and by taking into consideration the time needed to visitthe sites.The implementation of preventive surveillance measures, although essential tothe preservation of these sites, cannot, in itself, avoid all possible vandalismepisodes and other visitor pressure consequences.Therefore education, information and promotion have to form an important

    part of the overall cultural heritage management practices of any institutioninvolved.

    Public access to such delicate cultural resources as rock art sites is a double-edged sword: it can benet society globally but at the same time endangers the

    endurance of the heritage we choose to value, protect and present. That is whyit is so important, as the World Heritage Convention stresses, if we want thesesignicant places to endure in their full meaning and context, to employ defensive

    practical approaches when managing our relationship with the natural human-made world.Batarda (PAVC, Ca Valley)

    experienCes:

    lessonslearned

    exPerIenCes from Ca Valley - CroWdIng, CarryIng CaPaCITy andlImITs of aCCePTaBle CHange

    How are you using monitoring results? The above examples show that while

    monitoringresultsinabsolutenumbersvary,theyconrmthesamechallengehow

    to convince people to stay overnight!

    tHinK

    ABoUt

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    PHoTo 34

    In the Archaeological Park of Ca Valley, guided tourswth mted numes of stos e sc too fo

    monton sto mpct on fe oc t stes n the

    p. jon koh

    fom intepettion to stoiesB.2..

    Interpretation is the art of explaining the uncommon or new with language and images

    familiar to visitors.

    aPProaCH

    All World Heritage sites have more than one important story to tell about their history;

    the way they were constructed or destroyed, the people who lived there, the various

    activities there and the happenings, the previous uses of the site and perhaps tales of

    the notable treasures. In presenting and interpreting the historical story of the heritage

    site, it is necessary to be selective and to decide which elements will be of most interest

    to the kind of people that the site will attract; human interest stories are often the most

    popular.joehto n iCCrOM Mnement gudenes fo Wod Cutu Hete

    Sites (1998).

    Tourist preferences and expectations have changed considerably in recentyears, becoming much more diverse. Todays cultural heritage tourists are moreexperienced and better educated than previous generations and they expectmore from their travel experiences. This has made quality and authenticity morempotnt thn ee efoe. These hhe epecttons nd ncesn competton

    fo stos tme so men tht the st of ste hs to cete n mpesse ndpesonzed epeence.

    INTErPrETaTIONB.2

    Necesitamos ver de nuevo aquello que ya hemos visto, ver en primavera lo que vimos

    en verano, ver de da lo que vimos de noche, con el sol donde la primera vez llova

    necesitamos volver sobre los pasos ya dados para trazar al costado nuevos caminos

    Jos Saramago

    quoted n Sedec Huet (2011)

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    PHoTo 35

    a ude who cn epn

    the specicities of a sitein an entertaining yetnowedee fshon

    enhances greatly thesto epee


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