42
THE RENAISSANCE: ARCHITECTURE María Jesús Campos learningfromhistory.wikispaces.com

Reinassance: Architecture

Embed Size (px)

Citation preview

Page 1: Reinassance: Architecture

THE RENAISSANCE: ARCHITECTURE

María Jesús Camposlearningfromhistory.wikispaces.com

Page 2: Reinassance: Architecture

HISTORICAL CONTEXT Independent Italian

States Bourgeoisie:

traders, bankers Rome as the centre

of Christianity Patronage

Page 3: Reinassance: Architecture

RENAISSANCE: GENERAL CHARACTERISTICS Revival of Classical Greek and

Roman Culture Anthropocentrism: Humans

became the centre of philosophical and artistic reflection

Rationalism and critical thinking: explain the world through science and rational thinking (end of theocentrism)

Importance of knowledge: intellectual curiosity, new techniques

Desire to create order, proportion and harmony.

Use of math and rationality: scale and proportion

Page 4: Reinassance: Architecture

CHRONOLOGY Trecento (14th century): evolution and remains

from Gothic style Quattrocento (15th century): harmony and

proportion Cinquecento (16th century): Mannerism (from 1530 till the Baroque):

dramatic effects, harmony and proportion are abandoned…

Page 5: Reinassance: Architecture

ARCHITECTURE

Page 6: Reinassance: Architecture

ARCHITECTURE

Harmony, simplicity. Ideal scale and proportion:

symmetrical buildings with evenly distributed parts. Harmony between horizontal and vertical elements.

Open, diaphanous spaces Peace and pleasure.

Optimism Materials:

Stone Marble Brick

Page 7: Reinassance: Architecture

Supporting elements: Columns Pillars

Sustained elements: Beams Lintels Architrave Domes Semi-circular arches (romanesque) Coffered ceilings

Decorations: Triangular pediments Friezes Geometric degsigns Scrolls

Plans: open spaces Longitudinal and central-plan

(cirulcar, square, Greek cross)

Page 8: Reinassance: Architecture

SUSTAINING ELEMENTS: COLUMNS Parts of the column:

Stereobate Stylobate Shaft Capital Entablature:

Architrave Frieze

Pediment Cornice

Page 9: Reinassance: Architecture

Used Greek and Roman Orders: Doric Ionic Corinthian Tuscan and Composite

Page 10: Reinassance: Architecture
Page 11: Reinassance: Architecture

Doric Order• Simple. • No base. • Plain capital• The shaft is wider at the

bottom that at the top. • The shaft has got 20 sides. • The capital is smooth.• The capital is composed of 2

pieces: • Equine• Abacus

• The architrave is smooth• The frieze is organized in

trighlyps and metopes.• Metopes have reliefs

Page 12: Reinassance: Architecture

Greek Art Examples

Page 13: Reinassance: Architecture

Ionian Order• Base• Capital made with two

scrolls• The shaft is wider at

the bottom that at the top.

• The architrave is divided into three stripes or bands

Page 14: Reinassance: Architecture

Greek Art Examples

Page 15: Reinassance: Architecture

Corinthian Order• Base• Capital made with acanthus

leaves and some small scrolls

• Entablature enriched by molds and decorative elements.

Page 16: Reinassance: Architecture

Greek Art Examples

Page 17: Reinassance: Architecture
Page 18: Reinassance: Architecture

Greek Art Examples

Page 19: Reinassance: Architecture

Architrave

Lintel

Arch

SUSTAINED ELEMENTS Beams Lintels Architrave Domes Semi-circular arches (romanesque) Coffered ceilings

Beams

Coffered ceilings

Page 20: Reinassance: Architecture

Domes

Page 21: Reinassance: Architecture

Vaults Barrel Vault: semicircular vault unbroken

by ribs Groin vault: vault formed by intersection

of two vaults

Page 22: Reinassance: Architecture
Page 23: Reinassance: Architecture

San Andrés de Mantua. Alberti San Andrés de Mantua. Alberti

Page 24: Reinassance: Architecture

Basílica de Sta María de los Ángeles y de los Mártires. Roma. Miguel Ángel

Basílica de San Lorenzo. Florencia. Brunelleschi

Page 25: Reinassance: Architecture

PLANS A square,

symmetrical appearance in which proportions are usually based on a module which is often the width of the aisle

Page 26: Reinassance: Architecture
Page 27: Reinassance: Architecture
Page 28: Reinassance: Architecture

Basilica of Saint Andrea, Mantua. By

Alberti

Page 29: Reinassance: Architecture
Page 30: Reinassance: Architecture

DECORATIONS

Rusticated ashlar masonry

Highly finnished ashlar masonry

Page 31: Reinassance: Architecture

TYPES OF BUILDINGS Religious buildings: Churches Civil Architecture:

Urban Palaces Town Halls Squares Hospitals Theatres…

Page 32: Reinassance: Architecture

Harmony, simplicity.Ideal scale and proportion:

Brunelleschi: Capilla PazziAlberti: Santa María Novella

(Firenze, 15th century)

Brunelleschi: Palazzo Pitti

Page 33: Reinassance: Architecture

Brunelleschi: Capilla Pazzi

Page 34: Reinassance: Architecture

Alberti: Santa María Novella (Firenze, 15th century)

Page 35: Reinassance: Architecture

Brunelleschi: Palazzo Pitti

Page 36: Reinassance: Architecture

Open, diaphanous spaces

Brunelleschi: Capilla PazziAlberti: Santa María Novella

(Firenze, 15th century)

Brunelleschi: Palazzo Pitti

Page 37: Reinassance: Architecture

BRUNELLESCHI: CÚPULA DE SANTA Mª DEI FIORE

Page 38: Reinassance: Architecture

BRUNELLESCHI: SAN LORENZO

Page 39: Reinassance: Architecture

ALBERTI: PALACIO RUCELLAI

Page 40: Reinassance: Architecture

ALBERTI: TEMPLO MALATESTIANO

Page 41: Reinassance: Architecture

BRUNELLESCHI: HOSPITAL DE LOS INOCENTES

Page 42: Reinassance: Architecture

Developed by María Jesús CamposChusteacherwikiteacher