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Journal of Humanities and Social Sciences, Vol. 5, No. 2, pp. 77-91 (2009)
77
25
51591 168
Alberto Ginastera, 1916-1983 20
1965 25
Harp Concerto Op.25 25
25
1. 2.
3. 4.
A Study of Ginasteras Harp Concerto Op. 25:
A Compositional Perspective
HSIU-CHUAN SUNG Liberal Arts Center, Da-Yeh University
No. 168, University Rd., Dacun, Changhua, Taiwan 51591, R.O.C.
ABSTRACT Alberto Ginastera (1916-1983) is widely regarded as one of the most important
twentieth-century composers from Argentina. Argentine folk songs and traditional dance elements are
prolifically used within his works, especially in the form of adaptations of traditional melodies and
rhythms. The purpose of this study is to analyze Ginasteras Harp Concerto Op. 25 from a
compositional perspective. The discussion includes: (1) a survey of Ginasteras life and his various
compositional styles; (2) the compositional background and analysis of this work; (3) characteristic
applications to harp techniques and interpretation with regard to performance practices; and (4) a
conclusion.
Key Words: Ginastera, Argentina, Harp
78
19
nationalism
20
Alberto Ginastera, 1916-1983
1965 25
25
25
1.
2001
2001
2005
Op.22
2005
Uturbey (1972)
Ginastera en Cino
Movimientos.Buenos AiresEditorial Victor Ler
The New Grove Dictionary of Music and Musician
Bakers Biographical Dictionary of Musicians
2.
25
1.
2. 3.
4.
1
1916 4 11
Buenos Aires
7
12 Williams Conservatory
19
Conservatorio Nacional de Msica
1934
Impresiones de
la Puna
El Unisono
1935 Panambi Op.1
1937 Danzas
1
20012005
http://en.wikipedia.org/wiki/Alberto_Ginastera
http://www.boosey.com/pages/cr/composer/composer_main.asp?compose
rid=2699
25
79
Argentinas Op.2Antonio De
Raco1938
Psalm CL(Uturbey,
1972)
1941 12
Lincoln Kristein
Estancia
Op.812
(Slonimsky, 1991)
1945 12
Guggenheim Foundation 1
TanglewoodAaron Copland,
1900-1990
(Uturbey, 1972)
1947
Pampeana no.
1 Op.16
1951
Cuateto de Cuerdas No.1
International Society for
Contemporary Music, ISCM25
1952
Carnegie Institute
The Pittsburgh
International Festival
1958 1955 1956
60
1961
Fromm Music Foundation
La cantata para Amrica mgica
Op.27Kousevitzky Foundation
Concierto No.1 para
piano y orquesta Op.28 1963
Concierto para violin y orquesta Op.30
Don Rodrigo Op.31 1964
7 (Uturbey, 1972)
1969 1971
Aurora Ntora
70
Punea No.2
Op.45Sonata para
chello y piano Op.49Concierto
No.2 para violincello y orquesta Op.501981
University of MichiganAnthony
di Bonaventura
1982 Barbara Nissman
1983 6 23 67
(Uturbey, 1972)
3
1937-1947 objective nationalism
1947-1954 subjective nationalism
1954-1983 neo-expressionism (Chase,
1980)
1. 1937-1947
(Chase, 2001)
Op.16Gaucho2
2005
2 Gaucho
2008 10 15 http://en.wikipedia.org/wiki/Gaucho
80
2. 1947-1954
20
(Chase,
1980)
1948
2005Chase, 2001
(Chase)
3. 1954-1983
(Chase,
1980)
25
(Chase)
1965
25
1956
Philadelphia Orchestra
Edna Phillips
Samuel Rosenbaum
1958
2001Uturbey, 1972
3
Nicanor Zabaleta, l907-1993 (Chase,
1980) 20
25
4Carlos
Salzedo, 1885-1961
25 1965 2
18
Eugene Ormandy, 1899-1985
2001 25Ginastera, 1965,
p. 1
25
1965 2 19
3 Nicanor Zabaleta, 1907-1993San
SebastinMadrid1925
20 D
Milhuad, 1892-1974W. Piston, 1894-1976
-HVilla-Lobos, 1887-1959
4 Carols Salzedo, 1885-1961 20
1916
1921
Edgard Varse, 1883-1965
International Composers Guild
25
81
2001 25-26
1965 2 25
52001 26
25
(Ginastera, 1962, p. 10)
25
sonata form
ABArondo form
atonal musictonal
center2001
1.
3/46/8allegro giusto
1 2 Eb
5
1. 25
Allegro giusto 1-2 3-22 23-30 31-72a tempo non rallentare 73-90 91-110
111-129 130-149 150-159 160-187appena meno mossoa tempo 188-228
cadenza 229-252 253-272dolce ed express 273-276a tempo e precipitandomolto veloce 277-287 288-304 304-317
318-328
B
7 E 1
23
E
73
gacd 9
82 g
2
130 3
229
273
82
1. 25 1-6
2. 25 80-85
2.
25
ABA 2
C A
Imolto moderato; tempo IB
IIpochiss. piu mosso; tempo IIA
I A
2. 25
A Molto moderato; Tempo I 1-10
B Pochiss. Piu mosso; Tempo II 11-50
A al Tempo I 51-63
C Bb D C 4
25
83
3. 25 128-131
4. 25 1-4
B E
5 51
A
I
C
3.
25
ABA C A 3
EbAbDbGbBbEb
6liberamente
capriccioso
ABA C A
A Eb
vivaceB
A A
C A A
A
A
7
9 A#
13-16
AAA
8
A 17 A# E
36-37
fff 38
84
3. 25
Liberamente capriccioso
A Vivace 1-37
B Horn.f 38-83
A sfp 84-113
C p 114-173
A 174-196
Sempre in tempo, estreamente giusto 197-236
B 9 A B
B 38
9
45 4/8
51-56
2/8 3/8 4/8 2/8 3/8
10 B
A A
C A
122 B
7 11 C
A B
174
197
12
5. 25 11-15
25
85
6. 25
7. 25 1-5
8. 25 11-14
86
9. 25 35-39
10. 25 51-57
11. 25 120-123
25
87
12. 25 234-236
67
36
128 13
6
6
19
Elias Parish- Alvars, 1808-1849
7 harmonic
synonyms8
39
12
8
C Cb
Cb B C B
19
9 tone cluster
88
timpanic
soundsliding of pedalswhistling
soundfalling-hail effect
gushing chordaeolian chord
200510
1.
14
10
2005
2.
15
2005
3.
2001 26
16
2005
13. 25 36
25
89
14. 25 151-154
15. 25
16. 25
4.
2001 26
17
2005
5.
9
2005
90
6.
18
2005
20 1965
25
20
2001
17. 25
18. 25
25
91
2005
2005
Op. 22
2001
Boosey & Hawkes (2008, October 15). Alberto Ginastera.
Retrieved October 15, 2008, from http://www.boosey.
com/pages/cr/composer/composer_main.asp?composerid
=2699
Chase, G. (1980). Alberto Ginastera. In S. Saide (Ed.), The
New Grove Dictionary of Music and Musician (Vol. 7,
pp. 387-390). London: Macmillan.
Ginastera, A. (1962). Alberto Ginastera speaks. Musical
America, 82(10), 10-11.
Ginastera, A. (1965). Harp Concerto Op.25. London: Boosey
& Hawkes Music Publishers Ltd.
Slonimsky, N. (Ed.) (1991). Bakers biographical dictionary of
musicians (7th ed.). New York: Schirmer Books.
Uturbey, P. S. (1972). Ginastera en Cino Movimientos. Buenos
Aires: Editorial Victor Ler.
Wikipedia (n.d.). Alberto Ginastera. Retrieved October 15,
2008, from http://en.wikipedia.org/wiki/Alberto_
Ginastera
Wikipedia (n.d.). Gaucho. Retrieved October 15, 2008, from
http://en.wikipedia.org/wiki/Gaucho
98.02.18 98.04.21 98.06.01
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