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Colloque Thomas Hardy, Far from the Madding Crowd
Vendredi 4 : Université Paris 3 5 rue de l’Ecole de Médecine
Samedi 5 mars : Ecole Normale Supérieure
45 rue d’Ulm
Conférencière invitée : Professor Rosemarie Morgan
Organisation Isabelle Gadoin et Agnès Derail isabeluis2@free.fr
agnes.derail@ens.fr
Vendredi 4 mars, Paris 3, Grand Amphi :
14h : Discours d’accueil
14h30 – 15h30 : Conférence de Rosemarie Morgan “The Hermeneutics of Compassion: the Case of Fanny Robin”
15h30 - 16h : Pause 16h – 16h45 : Thierry Goater, univ. Rennes2 :
“’A Series of seemings, or personal impressions’: the power of impressions in FFMC”
16h45 – 17h30 : Emily Eells, univ. Paris Ouest-Nanterre-La Défense :
“Tenebrae ex Luce: reverse images in Hardy’s FFMC” 17h30 – 18h15 Isabelle Gadoin, univ. Paris3-Sorbonne Nouvelle
“Of Gargoyles and Men: creative vitality in FFMC”
Samedi matin, ENS, Salle des Actes :
9h00 – 9h45 : Isobel Heald, univ. Angers : “Bathsheba – the Fictitious and the Biblical. The seducer or the seduced?”
9h45 – 10h30 : Catherine Lanone, univ. Toulouse2 : “New wine in old bottles: recycling motifs in FFMC” 10h30-11h00 : Pause 11h00 – 11h45 : Michel Morel, univ. Nancy2 : “’Mise en abyme' as seduction in FFMC”. 11h45 – 12h30 : Annie Ramel, univ. Lyon2 : “The object and the Thing in FFMC”
Samedi après-midi: ENS, Salle des Actes :
14h – 14h45 : Peggy Blin-Cordon, IUFM Cergy : “High culture and popular culture in FFMC” 14h45 – 15h30 : Nathalie Bantz, IDEA Nancy2 : “FFMC and the Anxiety of Place” 15h30 – 16h15 : Laurence Estanove, univ. Toulouse2 / Paris-Descartes :
“FFMC and its adaptations: generic and tonal instability”
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