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!"##$%&'&Tirard Laurent, Moviemakiers Master Class: Private Lessons from the World's Foremost Directors, London: 2002 (C@@. $L. 1@/)EA" 2*MKK(), D+7>+,+ 609$%75*)+- +!1 ,%'- 69+$,/01,5(%'- 68&?(%$%'- E/$9+,%&(+

Frederic Strauss, Anne Huet, Faire un Film, Paris: 2006 (C@@. $L. 6,%F, T,P,@., 5 ',$,*/C)# +,& 2,+AF,&, 1O#A,: ?,$./"&,2009)

Siety Emmanuel,Le plan au commencement du cinema,Paris: 2001, (C@@. $L. 4I$#%"& ',%/,A+.&, !" #$%&",1O#A,: ?,$./"&, 2003)

,*"!/$%"'/%& S$S-$")*(+$(John Hill & Pamela Church Gibson, Film Studies: Critical approaches, (Oxford University Press, 2000) (C@@. $L., 3+*,KIK# *$+& '+A",$(K%,L+/M& 4-()JM&. '%+$+/M& ?%(*CKKF*C+&, 1O#A,: ?,$./"&, 2006)David Bordwell, Kristin Thompson, Film Art: An Itroduction (New York, 1997) (C@@. $L. ',$C%FA, '(//+AFJ", 3+*,KIK# *$"A 2MGA" $() '+A",$(K%.L(), 1O#A,: 6032, 2004)

Nicholas T. Proferes, Film Directing Fundamentals: From Script to Screen, Massachusetts: Focal Press, 2001Steven d.Katz, Film Directing: Cinematic Motion, California: MW, 2004

Robert Stam, Film Theory. An Introduction, (Blackwell Publishing, 2000, (C@@. $L. ',$C%FA, ',/@,.A", 3+*,KIK# *$"A =CI%F, $() '+A",$(K%.L(), 1O#A,: ?,$./"&, 2006)

Gilles Deleuze, Cinema I. L image-mouvement, (Le Editions de Minuit, 1983), (C@@. $L. 6+G.@"& 6.$*,&, '+A",$(K%.L(& 0. 5 3+/EA,-'FA"*", 1O#A,: 8#*(&, 2009)

Joseph V. Mascelli, The Five Cs of Cinematography, Ca: Silman - James Press 1965)

Jacques Aumont, Le Cinema et La mise en scene, Paris: Armand Colin, 2006) (C@@. $L. 6,%+.AA, '()$.@(), '+A",$(K%.L(& /,+ 4/"A(OC*F,, 1O#A,: ?,$./"&,2009)

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