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    REQUIREMENTS

    INFORMATION

    INSTRUMENTAL JAZZ

    Additional Requirements and Information

    INSTRUMENTAL JAZZ SOLOS

    Please also refer to Section R - General Rules Regulations,

    which is located at the beginning of the Manual.

    Please note: The following information is for all Instrumental Jazz solos.

    ALL DRUM SET SOLOISTS must see the Drum Set page later in this section

    for specific reqnirements and information.

    All-State Audition Requirements

    Perform one Level VI jazz solo from the appropriate instrumental category in the current

    Manual. The solo must be played as written and without improvisation. The soloist may per-

    form the solo with a recorded rhythm section accompaniment, but the recording must not

    include the solo part.

    Sight-Read.

    Improvise. (see below for more information)

    Brass soloists

    will also be asked to playa scale of their choice that demonstrates the extremes

    of their range.

    Jazz Bass Soloists -

    When chord symbols and a written bass line are given, all bass soloists

    should attempt to improvise even in the simplest form. When only chord symbols are given,

    they should be improvised as part of the as part of the solo or study.

    o

    Electric Bass soloists must provide their own amplifier.

    Drum Set Soloists -

    please see the Drum Set page later in this section for specific require-

    ments and information.

    Regular Non All-State) Evaluation Requirements

    Perform one jazz solo from an appropriate level and instrumental category in the current

    Manual. The solo must be played as written and without improvisation. The soloist may per-

    form the solo with a recorded rhythm section accompaniment, but the recording must not

    include the solo part.

    Sight-Read.

    Improvise. (see below for more information)

    Jazz Bass Soloists -

    When chord symbols and a written bass line are given, all bass soloists

    should attempt to improvise even in the simplest form. When only chord symbols are given,

    they should be improvised as part of the as part of the solo or study.

    Electric Bass soloists must provide their own amplifier.

    Drum Set Soloists -

    please see the Drum Set page later in this section for specific require-

    ments and information.

    Improvisation Information

    Improvisation is a requirement for all instrumental jazz soloists performing for a rating.

    Use the Graded Improvisation Requirements for All Jazz Soloists following this page.

    Improvisation must be done with an electronically recorded accompaniment.

    Each instrumental jazz performer must provide their own compact disc (CD) or cassette

    tape of the accompaniment for the improvisation section of their performance.

    Cassette tapes must be cued up to the proper selection.

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

    9-1

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    IMPROVISATION REQUIREMENTS

    CD and cassette playback equipment will be provided at the audition site, but performers

    are encouraged to bring their own compatible playback equipment (portable stereo sys-

    tems, boom boxes, etc.) that allows the recording to be audible to the adjudicator.

    Other Information

    Drum Set Soloists - please see the Drum Set page later in this section for specific require-

    ments and information.

    Students auditioning on jazz bass and drum set may be chosen to perform with either the All-

    State Vocal Ensemble or the All-State Instrumental Jazz Ensemble.

    o

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

    9-2

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    IMPROVISATION REQUIREMENTS

    GRADED IMPROVISATION REQUIREMENTS

    FOR ALL INSTRUMENTAL JAZZ SOLOISTS

    except Drum Set)

    ALL MATERIALS COME FROM JAMEY AEBERSOLD JAZZ INC., P.O. BOX 1244, NEW

    ALBANY, INDIANA 47151-1244, (800) 456-1388, www.jazzbooks com

    PLEASE NOTE:

    All track numbers refer to CD recordings.

    Improvisations must be done with accompaniment.

    All improvisation tracks are listed in concert keys.

    LEVEL AEBERSOLD VOLUME SPECIFIC

    TRACK NUMBER INSTRUCTIONS

    I

    Volume

    24 -

    Major and Minor

    Play 24 measures.

    - Track 1, Bb Major

    II

    Volume 1 - How to Play Jazz and Improvise

    Play 24 measures.

    - Track 7, Blues in Key ofBb Concert

    III

    Volume 1 - How to Play Jazz and Improvise

    Play one of the Blues

    Choose One: Melodies (found at the

    - Track 8, Blues in Key of F Concert

    end of each section) then

    - Track 7, Blues in Key of Bb Concert improvise one chorus in

    the chosen key.

    IV

    Volume 1 - How to Play Jazz and Improvise

    Play through once

    - Track 6, Four Measure Cadences

    (48 measures).

    V Volume 54 - Maiden Voyage

    Play melody/head then

    Choose anyone selection (track)

    improvise one chorus

    except the last one.

    VI Choose any one selection (track) marked

    Play melody/head then

    with an * below: improvise two choruses

    Volume 6 - All Bird

    *Track 2, Billie's Bounce

    *Track 2, Now's the Time

    Volume 7 - Miles D avis

    *Track 10, Tune Up (Fast Version)

    Volume

    8-

    Sonn y Rollins

    *Track 2, Doxy

    *Track 3, St. Thomas

    *Track 6, Tenor Madness

    Volume 14 - Benny Golson

    *Track 9, Blues March

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

    9-3

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    D

    1.

    ~

    J J

    J J

    ~

    ~

    ~

    t

    ~

    ~

    . . . . .

    o

    Z

    t..l

    C

    NYSSMASIGHT READING CRITERIA: JAZZ SAXOPHONE

    Key/Iempo

    Time

    Written

    Intervals Rhythms

    Accidentals

    Rests

    Articulation Dynamics

    Style

    Signature

    Range

    G,C

    2/4 Diatonic

    ~

    None None No slurs

    None

    I

    .1.72

    ~

    simple ties

    4/4

    AddF Same as Add 1-2 Add Simple None Same None

    Swing and

    II

    Level I

    ~

    simple skips

    alteration of

    Straight

    .1.72-80

    ofa 3rd

    ~

    one or two 8ths

    notes per

    example

    Add D

    Same as

    Limited

    Add Expand

    Simple slurs

    None Same as

    III

    Level I

    ~

    use of

    ~

    slightly

    ~

    within bar Level II

    .1.88

    3rds/4ths

    ~

    AddE',B'

    Add 3/4

    More

    Add all Expand as

    Add

    _ . 1\

    P-F Same as

    IV

    ~

    frequent

    16th note

    required

    as Level II

    .1.88

    use of

    rhythms

    musically

    ~

    appropriate

    3rds/4ths

    to style

    Same

    Same as Add 5ths

    Add triplets

    Same as Same as Same as

    P-F Same as

    Level IV

    ~

    Level IV

    Level IV Level IV Level II

    V

    .1.108

    ~

    AddA,A'

    Same as

    As needed Same as

    Same as

    Add

    Same as P-F

    Same as

    c2

    for

    VI

    Level IV

    ~

    Level V

    Level IV

    Level IV

    Level II

    .1.108

    musicality

    ~

    ~

    ~

    ~

    o

    ~

    ~

    ::

    t

    ~

    N

    . . .

    N

    ~ J J

    > .....

    N~

    J J ~

    ~

    > < ~

    0>

    ~~

    = . . . . .

    OZ

    Z~

    ~j

    ~

    ~

    ~

    ~

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    I

    C>

    ~

    z

    ~

    rJJ

    rJJ

    ~

    ~

    ~

    ~

    ~

    . . . .

    >- 3

    . . . .

    o

    z

    ~

    NYSSMASIGHT READING CRITERIA: JAZZ PIANO

    tli

    ~

    tli

    n

    >- 3

    ~

    ~

    ~

    N

    =

    -

    N

    Key/Tempo

    Time

    Other

    Interv~~

    Rhythms

    Accidentals Rests Articulation

    Dynamics Style

    Sianature Chord es

    C,G

    E a ch h a nd

    2nds

    3rds

    ~

    None Legato only None Straight

    I

    4/4

    s e pa ra te -

    Eighths

    J 6

    No h a nd s

    ~Ogether.

    ~

    inger

    patterns

    AddF Same as Hands 4ths

    5ths Add Simple

    Add Same as None Swing and

    Level I

    together, but

    alteration of

    Level I

    Straight

    II J 7 2

    one hand

    ~

    one ortwo

    ~

    8ths

    easier

    notes per

    example

    AddB', D

    Same as

    Twopart

    All

    Add Expand

    Add Add

    P-F Same as

    Levell

    broken

    intervals to

    ~

    slightly

    Level II

    J 8

    chord or octave

    ~

    ~

    arpeggio

    ~

    Those performing in Levels IV - VI on piano will be required to do sight reading that is melodic and harmonic (chord symbols only)

    AddE'

    Add 3/4

    All intervals

    Add all

    Expand as Same as Add

    P-F Same as

    to octave,

    16th note

    required

    Level III

    Level II

    IV

    J .92

    major and

    rhythms

    musically

    ~

    minor triads

    Add A

    Same as All intervals Add triplets

    Same as

    Same as

    Add Add cresco

    Same as

    V

    Level IV

    to octave.

    Level IV

    Level III

    decresc.

    Level II

    J .92

    Add7th, 9th

    m

    altered

    ; , =

    chords

    AddE,A'

    Same as

    All intervals

    Same as Same as Same as Same as

    Same as

    Same as

    VI

    Level IV

    to octave.

    Level V Level IV

    Level III Level V

    Level V

    Level II

    J .108

    Add 13th

    altered

    chords

    rJJ

    . . . .

    ~

    ~

    5 2

    ~

    >n

    N~

    N

    d > - 3

    tli

    ~

    Z. .

    0>

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    'P

    z

    ~

    [J).

    ~

    ~

    ~

    >

    r-

    ~

    o

    I-0

    o

    (1

    ~

    ~

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    D

    -b

    ~

    r n

    r n

    ~

    ~

    o

    >

    t

    trj

    I : :

    ~

    o

    z

    ~

    NYSSMA SIGHT READING CRITERIA: JAZZ BASS

    KeylI empo

    Time

    Range

    Intervals

    Rhythm s Accidental s

    Rests Articulation

    Dynamics Style

    Signature

    Chord Types

    D

    All strings 2nds 3rds None

    None Legato

    None

    I

    4/4

    1st position

    ~

    j=60

    AddG, F Same as 112or

    4ths

    5ths

    Add Simple

    None Same as

    None Swing and

    Level I

    1st position

    alteration of

    Levell

    Straight

    II

    j.72

    No shift

    ~

    one or two 8ths

    notes per

    example

    AddC, BI

    Same as

    or

    All

    Add Expand

    Same as

    None Same as

    III

    Level I

    1stposition intervals to

    ~

    slightly

    ~

    Levell

    Level II

    j.80 With shift

    octave

    ~

    Those performing in Levels IV . VI on bass wil l be required todo s ight reading tha t i smelodic and harmonic chord symbols only )

    Add A, E'

    Add 3/4 LowEtoD

    All intervals

    Add all

    Expand as

    Add

    Add -,.,

    P-F

    Same as

    on theG

    to octave,

    16th note required

    as

    Level II

    IV

    j .92

    string

    majorand

    rhythms

    musically

    ~

    appropriate

    inor(Chord

    Symbols)

    to style

    AddE

    Same as

    LowEto

    Allintervalso

    Add triplets

    Same as Same as

    Same as P-F

    Same as

    Level IV

    high Eon

    octave.Add

    Level IV Level IV

    Level IV

    Level II

    V

    7th,9th

    j : 120

    the G string

    altered

    i , = chord

    symbols

    Add A' Same as LowEtoF

    All intervals

    Same as

    Same as

    Add

    Same as P-F

    Same as

    VI

    Level IV on the G

    to octave.

    Level V

    Level IV

    Level IV

    Level II

    j .120

    string

    Add 13th

    ~

    lteredc hord

    symbols

    trj

    : ;g

    trj

    ( :l

    ~

    ~

    ~

    N

    =

    N

    r n

    ~

    ~

    Z

    c ; ~

    >( :l

    N~

    N

    ~~

    >trj

    r n ~

    r n>

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    JAZZ PIANO SOLOS

    LEVEL ONE

    JAZZ PIANO SOLOS--707.1

    707.U--LEVEL ONE

    Marlais.H, - In Recital With Jazz, Blues, Rags-Bk.2 (Any 2) FJH

    Electric B1ues

    House of the Rising Sun

    Ice Cream Rag

    Market Street Square

    Miller,C. - Boogie Beat. WILL

    Norton.C, - Connections for Piano, Book 3 (Any 2) FH

    Sowash.B. - That's Jazz, Book 2 (Any 2) KJOS

    Strommen.C. - And All That Jazz, Vol.2 (Any 2) CF

    707.12--LEVEL TWO

    Austin.G. - Jazz Kats WILL

    6 Karp.D. - Jazz Train WILL

    Kelley,R. - Five Moods in a Popular Style (Any 1) WILL

    Kellcy.R. - Wishing Buena Suerte Three Stylings (Both) WILL

    Marlais.H. - In Recital With Jazz, Blues, Rags-Bk.3 (Any 2) FJH

    Ain't We Got Fun

    Alarm Clock Blues

    Frankie and Johnny

    Grey's Blues

    Mama Don't 'Low

    Zig Zag

    Marlais,H. - In Recital With Jazz, Blues, Rags-Bk.3 (Any 1) FJH

    Entertainer

    Peacherine Rag

    Mehagan,J. - Ballade

    The Jazz Pianist, Book

    2 SF

    Norton,C. - Connection for Piano, Book 4 (Any 2) FH

    Olsen,K./McLean,E. - In the Key of Jazz-Bk.I (Any 2) FJH

    Sifford.J. - Gumshoes (Any 1) FJH

    Sowash,B. - That's Jazz, Book 3 (Either) KJOS

    Down Side Up

    Summer Vacation

    Strommen,C. - And All That Jazz, Vol.3 (Any 2) CF

    707.13--LEVEL THREE

    Bober,M. - Secret Agent WILL

    Gillock.W. - More New Orleans Jazz Styles (Any 1) WILL

    Gillock.W. - New Orleans Jazz Styles (Any 1) WILL

    Gillock,W. - Still More New Orleans Jazz Styles (Any 1) WILL

    Griebling,S. - Jazz Piece WILL

    Hayes,M. - Jazz Hymns for the Intermediate Pianist (Any 1) : LORZ

    This Lit tle Light of Mine

    We're Marching to Zion

    Kail.B, - Jazz Piano Cocktails (Either) SAN

    I'm Confessin'

    Yon Made Me Love Yon

    NYSSMA MANUAL EDITION 30

    9-36

    EFFECTIVE JULY 2012

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    JAZZ PIANO SOLOS

    LEVEL THREE

    Karp,D. - Jazz 'n Such WILL

    Tap Dance

    Marlais,H. - In Recital With Jazz, Blues, Rags-Bk.5 (Any 1) FJH

    Alexander's Ragtime Band

    Chatterbox Rag

    Jazz Toccata

    Ragamuffin

    Royal Garden Blues

    The St. James Infirmary

    McHugh,B. - Dream Street. PTP

    Norton,C. - Connections for Piano, Book 6 (Any 2) FH

    Olsen,K./McLean,E. - In the Key of Jazz-Bk.2 (Any 1 exc. Boogie Blaster) FJH

    Olsen,K. - River Rhythms (Any 1) FJH

    Smith,P. - Jazz Ballads (Both) MB

    Alan's Theme

    Just Pretty

    Snidero,J. - Jazz Conception - 21 Solo Etudes (No.1 or 2) ADV

    707.14--LEVEL FOUR

    Deutsch,H. - The Nancy Jo Notebook. PULS

    Chris's Moonlight Walk

    Grier,J. - Three Scats Etudes in Jazz PTP

    Fwee-loo

    Hayes,M. - Jazz Hymns for the Intermediate Pianist (Any 1) LORZ

    Here's One Blessed Assurance

    I've Got Peace

    Like a River

    Wayfaring Stranger

    Kail,B. - Jazz Piano Cocktails (Any 1) SAN

    It Had To Be You

    Poor Putterfl y

    St. Louis Blues

    The Birth of the Blues

    Way Down Yonder in New Orleans

    Karp,D. - Jazz 'n Such (Any 1) WILL

    Dreamland

    Mr. HB Goes to College

    Phrygian Foilable

    Summertime Stroll

    Mandel,R. - Jazz Tunes for Friends (Both) SAND

    Blues for James

    For Billy Strayhorn

    Marlais,H. - In Recital With Jazz, Blues, Rags-Bk.6 (Any 1) FJH

    Angel Eyes

    Bach and Blue

    Boogie Woogie Fantasy

    Don't Say Goodbye

    Jelly Roll Blues

    Saint Louis Blues

    The Memphis Blues

    Wild Romantic Blues

    McHugh,B. - Bailey and the Bean PTP

    McHugh,B. - Rocky Rag Tune PTP

    McHugh,B. - Steamboat Rag PTP

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

    9-37

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    JAZZ PIANO SOLOS

    LEVEL FOUR

    McLean,E. - Jazz Nocturnes, Vol.2 (Any 1) FJH

    Norton.C. - Connections for Piano, Book 7 (Any 2) FH

    Smith,P. - Jazz Solos for Piano (pg.2,9,15,24,30-Any 1 piece) MB

    Snidero,J. - Jazz Conception - 21 Solo Etudes (No.3,4,7,8,9,1l,12-Any 1) ADV

    707.1S--LEVEL FIVE

    Evans,B. - Bill Evans the 70's (Any 1) LM

    B Minor Waltz

    Maxine

    Song for Helen

    Evans,B. - Bill Evans: The Last Compositions PLY

    Letter To Evan

    Grier,J. - Jack and Jill Get Hip PTP

    Kai1,B. - Jazz Piano Cocktails SAN

    After You've Gone

    Marlais,H. - In Recital for the Advancing Pianist-Jazz and Blues (Any 1) FJH

    My Foolish Heart

    Off Balance Blues

    This Masquerade

    Until theMoment

    Marohnoc,C. - Christmas Jazz, Five Carols for Piano - Set 1 (Any 2) MORN

    Morton,J./Strunk,S. - The Original 'Jelly Roll' Blues VIRG

    Smith,P. - Jazz Ballads (Must play both) MB

    From Top to Bottom

    Here We Are the Tow OfUs

    Smith,P. - Jazz Solos for Piano MB

    Funky Punky

    Snidero,J. - Jazz Conception (No.5,10,13,14,15,20-Any 1) ADV

    Strazzeri,F. - Jazz Piano Solos (Any 1) TRY

    JoAnn

    My Lament

    Nature

    Revelation

    Up in the Strazzophere

    Tarro,M. - Creative Jazz Piano Arranging SAN

    (Any 1 exc. Sharp 9 Blues and Traveling Theme)

    707.16--LEVEL SIX

    Evans,B. - Bill Evans Plays At Town Hall (Any 1) LM

    One For Helen

    Turn Out the Stars

    Who CanI TurnTo

    Evans,B. - Bill Evans: The Last Compositions PLY

    Two Lonely People

    Evans,B. - Mastery of Bill Evans HL

    Waltz for Debby

    Gershwin,G./Hinson,M. - Gershwin at the Piano ALF

    (Any 2 except Preludes and Three Quarter Blues)

    Grier,J. - Three Scats Etudes in Jazz PTP

    Oop-a-doo-wah, bah-doo, wah

    Safane,C. - Bud Powell, Jazz Masters Series (Any 1) AMSC

    Celia

    Hallucinations

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

    9-38

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    JAZZ PIANO SOLOS

    LEVEL SIX

    Night in Tunisia

    Strictly Confidential

    Schiff,R. - Solos for Jazz Piano (Either) CF

    All the Things You Are

    The Man I Love

    Schiff,R. - Solos for Jazz Piano (Any 2) CF

    Christopher Columbus

    Georgia On My Mind

    llRemember April

    Taboo

    Un Poco Loco

    Snidero,J. - Jazz Conception - 21 Solo Etudes (No.16,17,18,19,21-Any 1) ADV

    Sourisse,C. - Jazz Piano (Any 1) (Must be played with recorded accomp LED

    and must play melody plus 2 improv. choruses before melody again to the end)

    JAZZ GUITAR SOLOS--70S.1

    Jazz Guitar soloists must provide their own amplifier at the evaluation festival.

    70S.H--LEVEL ONE

    Bower,B. - Rhythms Complete (treble clef) (Rhythm Nos.l,2,3,4,5,6-Any 2) ..... CC

    Leavitt,W. - Melodic Rhythms For Guitar (Study No.31-32, 31-32A) (Either) .. BERK

    Snidero,J. - Jazz Conception (Either) ADV

    Amen

    Groove Blues

    70S.12--LEVEL TWO

    Bower,B. - Rhythms Complete (treble clef) CC

    (Rhythm Developed, Nos.l,2,3,4,5,6-Any 2)

    Leavitt,W. - Melodic Rhythms For Guitar (Study Nos.3,3A,3BAA,4B-Any I) .. BERK

    Mintzer,B. - 15 Easy Jazz, Blues and Funk Etudes (C Insts.) BELW

    No.6-Blues 2

    Snidero,J. - Jazz Conception (Any 1) ADV

    A Doll

    Grease

    Total Blues

    70S.13--LEVEL THREE

    Bower,B. - Rhythms Complete (treble clef) (Rhythm Combos Developed CC

    Nos.9,1O,11,12,13,14-Any 2) or (Rhythm in Review No.125, 126-Either)

    Leavitt,W. - Melodic Rhythms For Guitar (Study Nos.5,5A,6,7,8A - Any 1) BERK

    Mintzer,B. - 15 Easy Jazz, Blues and Funk Etudes (C Insts.) (Any 1) BELW

    No.3-Funky

    No.4-Swingin' 2

    No.9-Funky 2

    Paker,C.lAebersold,J. - Yardbird Suite

    Vol.6-Charlie Parker All Bird

    JA

    (Quarter note=200)

    NYSSMA MANUAL EDITION 30 EFFECTIVE JVLY 2012

    9-39

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    JAZZ GUITAR SOLOS

    LEVEL THREE

    Snidero,J. -

    Jazz Conception

    (Any 1) ADV

    Blue Minor

    Father Song

    Proxy

    70S.14--LEVEL FOUR

    Carubia,M./Jarvis,J. -

    Effective Etudes for Jazz Guitar

    (Any 1) KM

    Dido

    I Got Yer Rhythm

    Isle ofMelon

    It's From Heaven

    Coltrane,J./Aebersold,J. -

    The Promise Vol.27-John Coltrane

    (Quarter note=164) JA

    Hall,J. -

    Exploring Jazz Guitar

    (Any 1)

    HL

    Crosscourt

    Jane

    Something Tells Me

    Three

    Leavitt,W. -

    Melodic Rhythms For Guitar

    BERK

    (Study No.6A,7A,8,9&1OA,18&19A) (Any 1)

    Mintzer,B. -

    15 Easy Jazz, Blues and Funk Etudes C Insts.)

    (Any 1) BELW

    No.OI-Blues I

    No.02-Swingin'

    No.OS-Ballad

    No.07-Bossa

    No.08-Shuffle

    NO.lO-Waltz

    No.l1-Blues 3

    No.13-Paul's Blues

    No.14-Malcom'

    s

    Tune

    Raney,J. -

    Play Duets with Jimmy Raney

    (Play top part of duet only) (Any 1) ..... JA

    Action

    Invention

    SambaTeekens

    SuspendedMotion

    The Flag Is Up

    Snidero,J. -

    Jazz Conception

    (Any

    1

    ADV

    Autumn

    INDLine

    Joe's Thing

    Miles

    Rose

    70S.15--LEVEL FIVE

    Aebersold,J. -

    Jazz Rhythm Section Workout VoI.30A) Jack Peterson s Solos ...

    JA

    (Any 1

    Bossa for Cheryl

    Fast Mode Al

    Lady's Bounce

    Carubia,M./Jarvis,J. -

    Effective Etudes for Jazz Guitar

    (Any 1 , KM

    Blue Note Blues

    The Moon Is High

    T

    Mel Bay s 2000 Jazz Guitar

    MB

    Campbell,R.-Bb Blues

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

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    JAZZ GUITAR SOLOS

    LEVEL FIVE

    Mintzer,B. - 15 Easy Jazz, Blues and Funk Etudes (C Insts.) (Any 1) BELW

    No.12-Swing-O-Rama

    No. IS-The End

    Raney,J. - Ten Favorite Jazz Standards (Any 1) JA

    Bout You

    Me

    Hotel Grande

    Nowhere

    Snidero,J. - Jazz Conception (Any 1) ADV

    Bird Blues

    Friends

    Great Love

    Somewhere

    Tunisia

    Sokolow,F. - Solos for Jazz Guitar (Any 1) CF

    Air Mail Special (1)

    Birds of Fire (1) or (II)

    Minor Swing

    70S.16--LEVEL SIX

    Carubia,M./Jarvis,J. - Effective Etudes for Jazz Guitar (Any 1) KM

    I Got Rid Of 'Em

    It's Nobody But Me

    My Glowing Moment

    Softly

    Sweet Georgia

    The Sum of Your Attributes

    This Is Love

    You're The Last One

    T Mel Bay's 2000 Jazz Guitar (Any 1) MB

    Hahn,J.-Down to the Wire (Melody and Solo)

    Petersen,J.-Groovey (Melody and Solo)

    Mel Bay's Master Anthology of Jazz Guitar Solos, Vol.2 (Any 1) MB

    Christiansen,e.-Got Milk? (Melody and Solo)

    Greene,B.-It Happened To Me (Melody and Solo)

    Johnston,R.-Pat and Wes (Melody and Solo)

    Raney,J. - Jimmy Raney Solos (transcribed from Vo1.29) (Any 1) JA

    Action

    Blues Andante

    Invention

    Jonathan's Waltz

    Samba Teekens

    Suspended Motion

    Raney,J. - Ten Favorite Jazz Standards (Any 1) JA

    B Flat Blues for Wes

    Confirmed

    Friends

    Groove Blues in F

    Like Somebody

    Rhythm in B Flat

    Snidero,J. - Intermediate Jazz Conception (Any 1) ADV

    Bird's Ballad

    Days Ago

    Night Eyes

    Stellar

    Things

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    JAZZ GUITAR SOLOS

    LEVEL SIX

    Snidero.J. - Jazz Conception (Any 1) ADV

    Lunar

    Passage

    Two Plus Two

    Sokolow,F. - Solos for Jazz Guitar (Any 1) CF

    Embraceable You

    Four on Six

    So This is Love

    This Can't Be Love

    Toronto Under Sign of Capricorn

    JAZZ BASS SOLOS--709.1

    Jazz Bass soloists may perform the solo on either upright or electric bass.

    Students must provide their own amplifier at the evaluation festival.

    When chord symbols are given, as well as a written bass line, improvisation

    should be attempted, even in the simplest form. When only chord symbols

    are given they should be improvised as part of the solo or study.

    709.11--LEVEL ONE

    Aebersold,J. - Jazz Rhythm Section Workout (VoI.30B) (study 3 or 4) JA

    709.12--LEVEL TWO

    Aebersold.J, - Jazz Rhythm Section Workout (VoI.30B) JA

    (study 5,6,7,8,9,1O,1l,12-Any 2)

    Seaton,L. - Jazz Solos Bass Vol. 1 (Solo 1) KM

    709.13--LEVEL THREE

    Alfred Jazz Easy Play-Along Series, Vol.2-Easy Standards (Any 1) (Bass solo only). ALF

    Coltrane,J.-Lazy Bird

    Coltrane,J.-Mr. PC

    Young,L.-Lester Leaps In

    6 Anderson,T. - I Walk The Line (Either) HP

    Failing Grade Blues

    Smooth Talker

    Seaton,L. - Jazz Solos Bass Vol. 1 (Solo 2 or 3) KM

    709.14--LEVEL FOUR

    Aebersold,J. - Charlie Parker All Bird (Either) JA

    Billie's Bounce

    Now's The Time

    Aebersold,J. - Jazz Rhythm Section Workout (VoI.30B) JA

    Scott's Waltz

    Alfred Jazz Easy Play-Along Series, YoU-Easy Standards (Any

    1)

    (Bass solo only). ALF

    Golson,B.-Cool Joe, Mean Joe

    Parker, e.-My Little Suede Shoes

    Tizol,J.- Perdido

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    JAZZ BASS SOLOS

    LEVEL FOUR

    Coolman,T. - The Bass Tradition (Any

    1

    JA

    All The Things You Are

    Blue Spring

    It Could Happen to You

    Stella By Starlight

    Will You Still Be Mine

    Coolman,T. - The Bottom Line (Any 1 JA

    Etude

    0.1

    (Blues)

    Etude NO.2 (Rhythm Changes)

    Etude No.4 (Wave)

    Etude No.6 (Body

    Soul)

    Seaton,L. - Jazz Solos Bass Vol. 1 (Solo 4,6 or 7) KM

    Stinnett.J. - The Music of Paul Chambers (Any 1) JA

    Blue Spring

    Its A Blue World

    Trane's Blues

    You'd Be So Nice To Come Home To

    709.1S--LEVEL FIVE

    Aebersold.J, - Charlie Parker All Bird (CD available) JA

    Yardbird Suite

    Aebersold,J. - Jazz Rhythm Section Workout (VoI.30B) JA

    Fast Mode AI

    Alfred Jazz Easy Play-Along Series, Vol.3-Brubeck More (Any 1) ALF

    (Bass solo only)

    Dameron,T.-Good Bait

    Lewis,M.-How High The Moon

    Schwartz,A.-Alone Together

    Coolman,T. - The Bass Tradition (Any 1) JA

    Bittersui te

    Just You, Just Me

    S'posin

    Tricotism

    Nahrmann.V, - The Music of Oscar Pettiford, VoU (Any 1) JA

    I Got It Bad

    ILet A Song Go Out Of My Heart

    It Don't Mean A Thing

    The Man ILove

    There Will Never Be Another You

    Seaton,L. - Jazz Solos Bass Vol. 1 (Solo 8) KM

    Stinnett.J. - The Music of Paul Chambers (Any 1). . . . . . . . . . JA

    Black Out

    Chasin' The Bird

    Paul 's Pal

    Syeeda 's Song Flute

    The Theme

    709.16--LEVEL SIX

    Aebersold,J. - Charlie Parker All Bird (CD available) (Any 1) JA

    Confirmation

    Dewey Square

    Donna Lee

    Ornithology

    Scrapple from the Apple

    Thriving from a Riff

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    Brown.T. -

    Mallets In Mind Any 1) KM --..

    Latin Chiffon (pg.6)

    Samba Sonic (pg.lO)

    Time Has Come (pg.3)

    Molenhof,B. - Vibe Cycles (Either) KM

    AllOver But The Shoutin' ( 0.3)

    Line Riff Song ( 0.1)

    Schluter,W. - Solo Book for Vibraphone, VoI.2 (Any 1) SIM

    Ballad for Vibes (No.3)

    Evening Song (No.2)

    Saint Michel (No.4)

    JAZZ BASS SOLOS

    LEVEL SIX

    Aebersold,J. - Jazz Rhythm Section Workout (Vol.30B) (Either) JA

    Bye Bye Boston

    Lady's Bounce

    Coolman,T. - The Bass Tradition (Any 1) JA

    April In Paris

    Body and Soul

    Confirmation

    ardis

    Stardust

    Goodwin,G. - The Music of Gordon Goodwin, Vol.4 (Any 1) (Bass solo only) .. ALF

    High Maintenance

    The Jazz Police

    The Very Best of Times

    Nahrmann,V. - The Music of Oscar Pettiford,Vol.I (Any 1) JA

    Blue Bolivar Blues

    Caravan

    Green Haze

    You Are Too Beautiful

    Seaton,L. - Jazz Solos Bass Vol. I (Solo 11) KM

    JAZZ VIBRAPHONE SOLOS--710.1

    710.I4LEVEL FOUR

    710.IS--LEVEL FIVE

    Brown,T. - Mallets In Mind (Any 1) KM

    Alone (pg.20)

    Inagua (pg.4)

    Rhumballad (pg.14)

    Fink,R. - Songs for Vibes (Any 1) FINK

    Christina

    Linda Gail

    RuthAnn

    Friedman.D. - Mirror from Another irror rom Another BELW

    Huesgen,T. - Trilogy (Mvt.1 and mvt.2 or 3) (4 mallets) : MERE

    Molenhof.B. - Music of the Day (Waltz King) KM

    Molenhof.B. - The Sculptor's Eye for Detail Vibe Songs BELW

    Molenhof,B. - Vibe Cycles (Either) KM

    All You Monk Fans (No.2)

    Falling Trees (No.7)

    NYSSMA MANUAL EDITION 30 EFFECTIVE JULY 2012

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