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    Arundhati Roy--Biography

    My mother says that

    some of the incidents in

    the book are based on

    things that happened

    when I was two years

    old. I have no

    recollection of them.But obviously, they

    were trapped in some

    part of my brain.

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    Arundhati Roy

    The God of Small Things

    Pinchia Feng

    NCTU

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    Arundhati Roy-- childhood

    born as Suzanna Arundhati Roy on11/24/1961

    mother--Mary Roy (Christian)--a well-

    known social activist, ran an informalschool (Corpus Chrisiti )

    father (a Bengali Hindu tea planter)

    uncle--George Issac (owned the Palat

    Pickles--the slogan: Emperor in the

    realm of taste)

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    Arundhati Roy--childhood

    feeling of insecurity because of the

    broken marriage--on the edge of the

    community (GSMp.60)

    When I think back on all the things I

    have done I think from a very early age,

    I was determined to negotiate with the

    world on my own. There were no

    parents, no uncles, no aunts; I was

    completely responsible for myself."

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    Adult Life and Career

    left home at 16 and lived in a squatterscolony in Delhi

    The Delhi School of Architecture

    marriage (Gerard Da Cunha)--divorced after4 years

    a role inMassey Saab

    The Banyan Tree--TV series screenplay--In Which Annie Gives It Those

    Ones /Electric Moon

    a critique ofBandit Queen

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    Kerala and the Meenachil river

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    Influence ofKerala

    A lot of the atmosphere of A God of SmallThings is based on my experience of what it

    was like to grow up in Kerala. Most

    interestingly, it was the only place in the

    world where religions coincide, there isChristianity, Hinduism, Marxism and Islam

    and they all live together and rub each other

    down. When I grew up it was the Marxismthat was very strong, it was like the

    revolution was coming the next week.

    To me, I couldnt think of a better location

    for a book about human beings.

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    The Rural Environment

    I think the kind of landscape that you grewup in, it lives in you. I dont think its true

    of people whove grown up in cities so

    much, you may love building but I dontthink you can love it in the way that you

    love a tree or a river or the colour of the

    earth, its a different kind of love. Im not a

    very well read person but I dont imagine

    that that kind of gut love for the earth can

    be replaced by the open landscape.

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    The God of Small Things

    Completed in May 1996

    published in 4/4/1997 by

    Random House

    the Booker Price--Oct. 1997

    (Indias 50th anniversary of

    independence)--the first

    non-expatriate Indian authorand the first Indian woman

    to win the price

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    Arundhati on Writing the Novel

    inspiration--the image of this sky bluePlymouth stuck at the railroad crossing with

    the twins inside and this Marxist procession

    raging around it

    so much of fiction is a way of seeing, of

    making sense of the worldand you need a

    key of how to begin to do that. This was

    just a key. For me (the novel) was fiveyears of almost unchanging and mutating,

    and growing a new skin. Its almost like a

    part of me.

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    Biology and Transgression

    I have to say that my book is not

    about history but biology and

    transgression. And, in fact is that

    YOU CAN NEVER UNDERSTAND

    THE NATURE OF BRUTALITYUNTIL YOU SEE WHAT HAS BEEN

    LOVED BEING SMASHED. And the

    book deals with both things--it dealswith our ability to be brutal as well as

    our ability to be so deeply intimate and

    so deeply loving.

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    The Title

    To me the god of small things is theinversion of God. Gods a big thing and

    Gods in control. The god of small

    thingswhether its the way the childrensee things or whether its the insect life in

    the book, or the fish or the stars--there is a

    not accepting of what we think of as adult

    boundaries. This small activity that goes onis the under life of the book, All sorts of

    boundaries are transgressed upon.

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    Its a story that examines things very

    closely but also from a very, very

    distant point, almost from geologicaltime and you look at it and see a

    pattern there. A patternof how in

    these small events and in these smalllives the world intrudes. And because

    of this, because of people being

    unprotectedthe world and the socialmachine intrudes into the smallest,

    deepest core of their being and changes

    their life.--a last minute title

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    Characters

    The Ipe family

    Papachi (Benaan John)--Mammachi (Shoshamma)

    Margaret--Checko Ammu (1942-73)--Baba

    Sophie Mol Esthappen Yako (Estha) RachelBaby Kochamma (Navomi Ipe)

    the Untouchables: Vellya Paapen Velutha Paapen

    Comrade K. N. M. Pillai

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    Language and Structure

    Repetition I love, and used because it made me

    feel safe. Repeated words and phrases have

    rocking feeling, like a lullaby. They help take

    away the shock of the plot.

    ...for me the book is not about what happenedbut about how what happened affected people.

    in some way the structure of the book

    ambushes the story. In the first chapter I moreor less tell you the story, but the novel ends in

    the middle of the story.--p.32 Suddenly they

    become the bleached bones of a story.

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    Syrian Christian Community

    less than 5% of Indians population

    more than 20%-1/3 in Kerala are

    Christians

    the Syrian Church is one of the

    oldest branches of Christianity--came to India with St. Thomas in

    52 CE.

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    Controversy England--derivative--about India

    India--communist critique from E M S

    Namboodiripad--Anybody who attacks

    Communists anywhere in the world will be

    welcomed by the captains of the industry ofbourgeois literature in the world. + sexual

    anarchy

    + obscenity case--Sabu Thomas-- affront Indiantradition, culture, and morality; excites sexual

    desires and lascivious thoughts; hurts the

    Syrian Christian community

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    Women in Kerala

    Relative freedom for women in Kerala

    assertive, energetic, courageous

    women

    instances of patriarchal oppression

    How are the women being

    characterized in the novel?

    (Mammachi, Baby Kochamma, Ammu,

    Rahel)

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    Timeline 1969--communist march (p.62-69);

    Sophie Mols visit, death, and funeral;

    Ammu and Velutha; Veluthas death

    1973--Ammus death (31), p.5 aviable die-able age

    1992--the narrative present--Estha

    (the quietness, re-Returned); Rahel(divorced, back for the States); Baby

    Kochamma (satellite TV and diary)

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    Children--Two-Egg Twins P.4-5 In those early amorphous years when

    memory had only just begun, when life was full

    ofBeginnings and no Ends, and everything was

    Forever, Esthappen and Rahel thought of

    themselves together as Me, and separately, asWe orUs. As though they were a rare breed of

    Siamese twins, physically separate, but with

    joint identities.--now she thinks of Esthaand Rahel as Them, because, separately, the two

    of them are no longer what They were or

    thought Theydbe.--p.81-82

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    Chapter 2 (1)

    time: 12/1969 (the day before SophieMols arrival)

    place: Ayemenem-----Cochin

    pop culture: The Sound of Music (1965);Elvis puff, Love-in-Tokyo p.37

    language: p.37 Malayalam vs English

    (PreNUNsea ayshun--example ofsmall transgression)/ cuff-link p.50

    p.38 the Terror--p.74

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    Chapter 2 (2) Ammu--life had been lived p.38-44 Unsafe

    Edge (p.44)

    The fate of the wretched man-less woman. (p.

    44-5)

    Paradise Pickles & Preserves

    Mammachis pickles (and violin) vs

    Pappachis moth (p.48)--colonized/ power and

    knowledge

    other (post)colonial issues: CCP and

    Anglophile p.50-51

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    History

    The History House (p.51-54)

    Chackos--an old house at night. (p.51)

    childrens--Kari-Saipus house

    --in 1990s: Toy Histories for rich tourists to play

    in. Like the sheaves of rice in Josephs dream,like a press of eager natives petitioning an English

    magistrate, the old houses had been arranged

    around the History House in attitudes of deference.Heritage, the hotel was called. (p.120)

    geological time: the Earth woman (p.52)

    K

    urtz and the Heart of Darkness

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    Symbolic Language--questions

    Rahels watch (p.37) frogs (p.42)

    Chacko--airplanes and pickle baron (p.55-56)

    reading backwards--Satan in their eyes (p.58)

    ambulance (Sacred Heart Hospital) and wedding

    party (p.58)

    Murlidharans keys and cupboards, clutteredwith secret pleasure (p.61)

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    Marxism in Kerala

    The first Communist government in the

    world was elected in Kerala in 1957, and

    from then on it became a big power to

    contend with. I think in '67 the

    government returned to power after

    having been dismissed by Nehru, and so

    in '69 it was at its peak. And it was as if

    revolution was really just around the

    corner. + (GMSp.64-65)