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Biaff 2015 Catalogue

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BIAFF 2015 - Batumi Art-house Film Festival's Catalogue

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Page 1: Biaff 2015 Catalogue
Page 2: Biaff 2015 Catalogue
Page 3: Biaff 2015 Catalogue

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CONTENT

Greetings ...................................................................................................................................................................................2International Competition Jury - Feature Films ......................................................................................................11International Competition Jury- Documentary Films ...........................................................................................17 International Competition Jury - Short Films...........................................................................................................23Opening Film .........................................................................................................................................................................29International Competition - Feature Films ..............................................................................................................31International Competition - Documentary Films ..................................................................................................43 International Competition - Short Films ...................................................................................................................53Georgian Panorama ............................................................................................................................................................67Masters’ Collection ..............................................................................................................................................................73Retrospectives .......................................................................................................................................................................81 “SHORT MATTERS!” - European Film Academy’s Short Film Tour ................................................................89BIAFF 2015 Master classes ................................................................................................................................................97BIAFF 2015 Industry Platform “Alternative Wave” ...............................................................................................101BIAFF 2015 Program Outline ........................................................................................................................................104BIAFF Team ..........................................................................................................................................................................109Acknowledgements ..........................................................................................................................................................112

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ÝǼǣ��ĶNjs�_ɴ�ǼÌs�ǼsŘǼÌ�ɴs�Nj�ǼÌ�Ǽ�D�ǼȖŎÞ�ÌŸǣǼǣ�ǼÌs�Ŏ�ĠŸNj�sɚsŘǼ�¯ŸNj�ʩĶŎ�ĶŸɚsNjǣʳ�r�OÌ�ɴs�Nj�DÝ�®®�_sɚsĶŸƼǣ��Ř_�ǼÌs�different additional components are added. However, its goal remains the same - to contribute the development Ÿ¯�ʩĶŎ�ɚÞsɠÞض�OȖĶǼȖNjs�ÞŘ�µsŸNj¶Þ�ʳÝǼǣ�sɚsŘ�ŎŸNjs�ƼĶs�ǣ�ŘǼ�¯�OǼ�ǼÌ�Ǽ�ÞŘ�OȖNjNjsŘǼ�ǣÞǼȖ�ǼÞŸŘʰ�ɠÌsŘ�ǼÌs�Ŏ�NjĨsǼ�Þǣ�Ķ�Nj¶sĶɴ�ǣ�ǼȖNj�Ǽs_�ɠÞǼÌ�OŸŎŎsNjOÞ�Ķ�ʩĶŎǣʰ��Ǽ�¯sǣǼÞɚ�Ķ�ǼÌs��Ȗ_ÞsŘOs�O�Ř�ɠ�ǼOÌ�_ÞǣǼÞضȖÞǣÌs_��NjǼ˚ÌŸȖǣs�ʩĶŎǣʳ�®ÞĶŎ�OŸŘŘŸÞǣǣsȖNjǣ�ɠÞĶĶ�Ì�ɚs�_Þ¯ʩOȖĶǼ�OÌŸÞOs�ǼÌÞǣ�ɴs�Nj�ǼŸŸʰ�ǣÞŘOs��Ǽ�DÝ�®®�¯sǣǼÞɚ�Ķ�ɠÞĶĶ�Es�ƼNjsǣsŘǼs_�̊ �ˣ˟�¯ȖĶĶ�ĶsضǼÌ��ǣ�ɠsĶĶ��ǣ�ˣ˟�ǣÌŸNjǼ�ʩĶŎǣ�¯NjŸŎ��NjŸȖŘ_�s ˟�OŸȖŘǼNjÞsǣʳ�Ministry of Culture and Monument Protection is traditional supporter of festival. I congratulate all the winners and wish good luck to them in advance.

MIKHEIL GIORGADZEMinister of culture and monument protection of Georgia

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DEAR FRIENDS,

I am pleased that our city hosts X Batumi international Art House Film Festival. The festival has progress year by year and we are delighted that this event will be especially interesting.The warm welcome to the guests of the festival and I wish good luck to all participants.

GIORGI ERMAKOVIMayor of Batumi

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National Film Center, as usual, supports Batumi International Art-House Film Festival.

ǻÌs�®ÞĶŎ�®sǣǼÞɚ�Ķ�OŸŘǣÞǣǼǣ�Ÿ¯�¶ŸŸ_��Ř_�Řsɠ�ʩĶŎ�ǣONjssŘÞضǣʰ�ɚÞǣÞǼǣ�Ÿ¯�ÞŘǼsNjsǣǼÞض�ʩĶŎŎ�ĨsNjǣʰ�Ŏ�ǣǼsNj�OĶ�ǣǣsǣʳǻÌÞǣ� ɴs�Nj� �Ř� sɮOÞǼÞض� ǼÌÞض� Þǣ� ÞŘ� ǣǼŸNjs� ¯ŸNj� Ȗǣʲ� ǼÌs� ¯sǣǼÞɚ�Ķ�ɠÞĶĶ� Es�ŸƼsŘs_�ɠÞǼÌ� ��Řsɠ�ʩĶŎ�Eɴ�µsŸNj¶Þ�Ř�Ŏ�ǣǼsNj�ʩĶŎŎ�ĨsNj�ŷǼ�Nj�ÝŸǣsĶÞ�ŘÞ�˚�ˆɟÞŘǼsNj�ǢŸŘ¶ˇ�ɠÌÞOÌ�Ì�ǣ�ŸŘĶɴ�EssŘ�ǣONjssŘs_��Ǽ�ǼÌs�ĵŸO�NjŘŸ�®ÞĶŎ�®sǣǼÞɚ�Ķʳ�ǻÌs�ɴŸȖض�ʩĶŎŎ�ĨsNjǣʰ�OÞŘsŎ��ĶŸɚsNjǣ�ɠÞĶĶ�Es��EĶs�ǼŸ��ǼǼsŘ_�ÌÞǣ�Ŏ�ǣǼsNj�OĶ�ǣǣʳDsǣÞ_sǣ�ÞŘǼsNjsǣǼÞض�ʩĶŎǣʰ�ǼÌs�®ÞĶŎ�®sǣǼÞɚ�Ķ�Ÿ¯¯sNjǣ�ʩĶŎŎ�ĨsNjǣ�EȖǣÞŘsǣǣʰ�ÞŘ_ȖǣǼNjÞ�Ķ�ŎssǼÞضǣ�ɠÌsNjs�ǼÌsɴ�ɠÞĶĶ�Es��EĶs�ǼŸ�introduce and develop their projects, meet professionals from around the world, establish business relationships. ÝŘ_ȖǣǼNjÞ�Ķ�ŎssǼÞضǣ�Ķs�_�ǼŸ�Ŏ�ĨÞض�Řsɠ�ÞŘǼsNjsǣǼÞض�ʩĶŎǣʳ�This year Batumi Film Festival offers professionals a new industry platform “Alternative Wave” which allows Ƽ�NjǼÞOÞƼ�ŘǼǣ�ǼŸ�_sɚsĶŸƼ�ÞŘŘŸɚ�ǼÞɚsʰ�ǼNj�Řǣ˚Ŏs_Þ��ˀONjŸǣǣŎs_Þ��ʩĶŎ�ƼNjŸĠsOǼǣʳ�So far, Batumi had an active festival year: Jazz Festival, Folk Festival, Electronic Music Festival, Classic Music Festival, Fashion Week etc. It is nice that BIAFF, with it’s 10-year tradition, participates in this beautiful initiative.

I wish Batumi International Art-House Film Festival to set European standards and further develop.

NANA JANELIDZEDirector of Georgian National Films Centre

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Ladies and gentlemen,

ǻÌÞǣ�ɴs�Njʰ�D�ǼȖŎÞ�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ��NjǼ˚ËŸȖǣs�ʩĶŎ�̄ sǣǼÞɚ�Ķ�Þǣ�OsĶsENj�ǼÞض�ÞǼǣ��ŘŘÞɚsNjǣ�Njɴʳ�ǻsŘ�ɴs�Njǣ�Ƽ�ǣǣs_�ǣÞŘOs�ɠs�ǣǼ�NjǼ�to introduce to our viewers interesting program – new releases of contemporary cinema, master classes of famous cinematographers or iindustry meetings platform.

With the proper support, the festival will be of a great potential. Batumi’s pronounced festival facture, geographical and geopolitical location, transportation hub, growing international background and fantastic landscape – these factors create the great guarantee for it.

I would like to thank sponsors and supporters, because their support will be very useful to the future of the new Georgian cinema and integration of the one to the world cinema space.

I’d like to thank the viewers, who really loves this festival – and their activity also very important, anyone who participate – organizational groups or bloggers; Batumi International Art-House Film Festival is the result of their good job.

I’d like to welcome festival’s guests, juries and participants of the industrial part, it’s a great honor for me.

I’d like to wish viewers to spend the festival days interestingly.GIORGI GOGIBERIDZE,

Director of the Festival

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Already 10 years passed since BIAFF festival started in Batumi city. From little event it has grown to major ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�̄ sǣǼÞɚ�Ķ�ɠÌÞOÌ�ƼNjŸŎŸǼsǣ�ÌÞ¶Ì�LJȖ�ĶÞǼɴ��NjǼ˚ÌŸȖǣs�ʩĶŎǣʰ�ƼNjŸɚÞ_s�ŸƼƼŸNjǼȖŘÞǼɴ�ǼŸ�OÞŘsŎ��ĶŸɚsNjǣ�ŎssǼ�ɠÞǼÌ�¯�ŎŸȖǣ�ʩĶŎ�Ŏ�ĨsNjǣ��Ř_�ÞǼ�¶Nj�_Ȗ�ĶĶɴ�ƼĶ�ɴǣ�ǣÞ¶ŘÞʩO�ŘǼ�NjŸĶs�ÞŘ�ƼŸƼȖĶ�NjÞʊ�ǼÞŸŘ��Ř_�ENj�Ř_Þض�Ÿ¯�OÞǼɴʳ��¯ǼsNj�ǣsɚsNj�Ķ�ɴs�Njǣ�Ÿ¯�ŸNj¶�ŘÞʊÞض�ÞŘ_ȖǣǼNjɴ�ŎssǼÞضǣʰ�ǼÌÞǣ�ɴs�Nj�DÝ�®®�ǣǼ�NjǼǣ�ʩNjǣǼ�ǣǼsƼǣ�̄ ŸNj�̄ ŸNjŎ�ǼÞŸŘ�ÞŘ_ȖǣǼNjɴ�ƼĶ�Ǽ¯ŸNjŎ�which will have important outcomes for future. “Alternative Wave” - the new concept developed by BIAFF close Ƽ�NjǼŘsNjǣ�ʹµsŸNj¶Þ�Ř��Ř_�¯ŸNjsÞ¶Ř�ƼNjŸ_ȖOsNjǣʺ�ɠÞĶĶ�¯ŸOȖǣ�ŸŘ�ÞŘŘŸɚ�ǼÞɚs�ƼNjŸĠsOǼǣ�ÞŘ�ǼÌs�ʩsĶ_�Ÿ¯�ONjŸǣǣ˚Ŏs_Þ���Ř_�ǼNj�Řǣ˚media. With further local and international support, BIAFF industry platform has an excellent potential to become ŸŘs�Ÿ¯�ǼÌs�ÞŘǼsNjsǣǼÞض��Ř_��ǼǼNj�OǼÞɚs�ŎssǼÞض�ƼŸÞŘǼ�¯ŸNj�ʩĶŎ�ƼNjŸ¯sǣǣÞŸŘ�Ķǣʳ�ǻÌÞǣ�ɴs�Njʰ�ǣȖƼƼŸNjǼsNjǣ�Ÿ¯�DÝ�®�ÞŘ_ȖǣǼNjɴ�part traditionally are Ministry of Culture, Education and Sports of Ajara AR and Georgian National Film Center. Its tenth anniversary BIAFF meets with accumulated experience, networking of festival supporters and friends, _sO�_s�Ÿ¯�ŸNj¶�ŘÞʊÞض�ȖŘ¯ŸNj¶sǼǼ�EĶs�OÞŘsŎ�ǼÞO�ɠssĨǣ�ɠÞǼÌ�sɮOsĶĶsŘǼ�ʩĶŎ�ƼNjŸ¶Nj�Ŏʰ�̄ �ŎŸȖǣ�¶ȖsǣǼ��Ř_�Ŏ�ǣǼsNj�OĶ�ǣǣsǣ�etc. And from next year will start another, much more interesting decade of further development of BIAFF festival. We would like to thank all of our partners and supporters, who provided their generous support and contributed to development of BIAFF, all our long-term media partners who ensured media coverage and our dedicated bloggers who are effectively promoting BIAFF in social media networks. And of course special thanks goes to all BIAFF team members and volunteers without whom BIAFF festival will not be so interesting and will not have chance for further development.

ZVIAD ELIZIANIFestival Manager

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saavtoro kinos baTumis saerTaSoriso festivali

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DŸNjŘ�ÞŘ�ōŸǣOŸɠ�ÞŘ�ˠ˨ˣ˨ʰ�Ìs�ǣǼȖ_Þs_�ÞŘ�ǼÌs�ǣONjssŘɠNjÞǼÞض�¯�OȖĶǼɴ��Ǽ�ǼÌs�ǣǼ�Ǽs�ʩĶŎ�ǣOÌŸŸĶ�əµÝħ�ÞŘ�ǼÌs�ǣ�Ŏs�OÞǼɴ��Ř_�Ì�ǣ�ɠŸNjĨs_��ǣ���ʩĶŎ��Ř_�ǼsĶsɚÞǣÞŸŘ�ǣONjssŘɠNjÞǼsNj�ǣÞŘOs�ˠ˨˦˥ʳ�Ës�Ì�ǣ�NjsOsÞɚs_�ŘȖŎsNjŸȖǣ�awards and international prizes, including a Silver Bear at the Berlinale for the “idea and adaptation” Ÿ¯�ǼÌs�ʩĶŎ�ˆ��ƻĶ�ɴ�®ŸNj���ƻ�ǣǣsضsNjˇʳ�ËÞǣ�_ÞNjsOǼŸNjÞ�Ķ�_sEȖǼʰ�ˆǢŸ�NjÞضˇʰ�ǣONjssŘs_��Ǽ�ǼÌs�ˡ˟˟˦�əsŘÞOs�®ÞĶŎ�®sǣǼÞɚ�Ķʳ�ǢsOŸŘ_�¯s�ǼȖNjs�ʩĶŎ�ɠNjÞǼǼsŘ��Ř_�_ÞNjsOǼs_�Eɴ��Ķsɮ�Ř_sNj�ōÞŘ_�_ʊs�ÝŗŗŷNrŗǻ�Ǣ�ǻȕNJ^�ɳ�ɠ�ǣ�ƼNjsŎÞsNjs_��Ǽ�DsNjĶÞŘ�Ý®®�ÞŘ�ˡ˟ˠˠʳ�ÝǼ�ɠ�ǣ��ĶǣŸ�ƼNjsǣsŘǼs_��Ǽ�DÝ�®®�ʩĶŎ�¯sǣǼÞɚ�Ķ

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International Jury - Feature Films Competition

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13International Jury - Feature Films Competition

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15International Jury - Feature Films Competition

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Page 18: Biaff 2015 Catalogue

16 International Jury - Feature Films Competition

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Page 19: Biaff 2015 Catalogue

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Page 20: Biaff 2015 Catalogue

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Page 25: Biaff 2015 Catalogue

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µÄɼÏÄÉ�¬¼ÅÍÄÎÃÑÄÇÄ�Ò¼Î�½ÊÍÉ� ÄÉ�µ½ÄÇÄÎÄ �¨ÀÊÍÂļ������� ªÉ������Âͼ¿Ð¼ÏÀ¿�ÁÍÊÈ�´Ï¼ÏÀ�µÃÀ¼ÏÍÀ�¼É¿�§ÄÇÈ�¶ÉÄÑÀÍÎÄÏÔ�ÊÁ�¨ÀÊÍÂļ�ÒÄÏÃ�ÏÃÀ�ÌмÇÄÁľ¼ÏÄÊÉ�ÊÁ�ÁÄÇÈ�¿ÄÍÀ¾ÏÊÍ��¥ÄÍÀ¾ÏÀ¿�ÎÀÑÀͼÇ�ÎÃÊÍÏ�ÁÄÇÈÎ�<°ËÐÎ��= �<®ÔÎÏÀÍÄÀÎ=��­¼ÏÀÍ�ÎÃÀ�¾ÊÉÏÄÉÐÀ¿�ÎÏпÄÀÎ�¼Î�ËÍʿоÀÍ�ª§¢´¤�ÒÊÍÆÎÃÊË�ÁÊÍ�ËÍʿоÀÍÎ��ªÉ������Ò¼Î�ÎÀÇÀ¾ÏÀ¿�ÏÊ�˼ÍÏľÄ˼ÏÀ�¼Ï�¦¢·¦�¼Î�¼�ËÍʿоÀÍ��´ÄɾÀ�ÏÃÀÉ�üÎ�ËÍʿоÀ¿�ÎÀÑÀͼÇ�ÎÃÊÍÏ�ÁÄÇÈÎ �¿Ê¾ÐÈÀÉϼÍÄÀÎ�¼É¿�ÁÀ¼ÏÐÍÀ�ÁÄÇÈÎ��¢ÈÊÉÂ�ÏÃÀÈ�ÎÃÊÍÏ�ÁÄÇÈÎ�<¯ÀÎÏ=�¥ÄÍ��µ��£ÕļѼ�¼É¿�<£Ç¼¾Æ�®ÐǽÀÍÍÔ=�¥ÄÍ��¨��³¼Õȼ¿ÕÀ�ÎÃÊÒÉ�¼Ï�´ÐÉ¿¼É¾À �¤ÊÍÆ �±¼ÇÈ�´ËÍÄÉ �©ÊÉÂ�¬ÊÉÂ�ÁÄÇÈ�ÁÀÎÏÄѼÇÎ �ÁÀ¼ÏÐÍÀ�ÁÄÇÈ�<±¼Í¼Å¼ÉÊÑ=�¥ÄÍ��´��¢ÑÀ¿ÄÆÄ¼É �°��§ÀÏÄÎÊѼ�ËÍÀÈÄÀÍÀ¿�¼Ï�¬¼ÍÇÊÑÔ�·¼ÍÔ�ª§§��<£ÍÄ¿ÀÎ=�ÄÎ�ÃÀÍ�ÁÄÍÎÏ�ÁÀ¼ÏÐÍÀ�ÁÄÇÈ�ËÍʿоÀ¿�¼É¿�¿ÄÍÀ¾ÏÀ¿�½Ô�ÃÀÍ �ËÍÀÈÄÀÍÀ¿�¼Ï�£ÀÍÇÄÉ�§ÄÇÈ�§ÀÎÏÄѼÇ�

BIOGRAPHY

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28 International Jury - Short Films Competition

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saavtoro kinos baTumis saerTaSoriso festivali

PJa\WR\�ORUVROPENING FILM

Page 32: Biaff 2015 Catalogue

30 Opening Film

WINTER SONGFrance/Georgia, 2015; 117 min.

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���������PWLR� UZLJOZNKJ� `NUJ`\WQNKNTRJ�� NZ� NdNKJ� LRTRWlRVJPN� MJZeRT� ORZSWVlRZ � XRj`R� aRK[dRQ � lNjWjRZ� XNjRWM`R��ZJUdNMjW� SJXNTJVZ � LJVLZlNjRORQ� JUWZORjRVLNK[TR� USNjMRQ � jWUNTRm� eJjRZSJmNKZ � UWQJjN`NNKZJ� MJ�UWbJTJMNNKZ� VJQTJOZ�� SWUXJ]lWjRZ� URNj� LJQNTRT � XJjRPNT� UJkJVkJTJZJ� MJ� MRMR� SWjX[ZRZ� LJVJQTNK[T�SWVZRNjYZ �jWUNTRm�RJjJ^RQJm�OJcjWKZ��NjQ�`NVWKJ`R�QRQ]URZ�_ONTJ�J^VR`V[TR�XNjZWVJYR�NjQUJVNQZ�dOMNKJ���[ZJdTSJjWZ�LJjMJ �jWUNTZJm�XWTRmRJ�NjQR�JMLRTRMJV�UNWjNUMN�MJJlJjNKZ��JU�]JWZ`R�WmVNKRZ �ZR_OJj[TRZJ�MJ�UNLWKjWKRZ�MjW�UJRVm�jaNKJ �jJm�[SNQNZR�UWUJOTRZ�RUNMZ�lWONKZ�

BIOGRAPHY�¯ǼsNj�¶Nj�_Ȗ�ǼÞض�¯NjŸŎ�ǼÌs�ōŸǣOŸɠ�®ÞĶŎ�ǢOÌŸŸĶʰ�ǼÌs�ʩĶŎŎ�ĨsNjʰ�ŷǼ�Nj^�ɚÞ_ŸɚÞOÌÝŸǣǣsĶÞ�ŘÞ�ʹǻEÞĶÞǣÞʰ�µsŸNj¶Þ�ʰ�ˠ˨ˢˣʺʰ�learnt the job as an assistant director and then as an editor of documentaries at the Gruzija Film studios in Georgia Es¯ŸNjs�ƼNjŸ_ȖOÞض�ÌÞǣ�ŸɠŘ�ǣÌŸNjǼ�ʩĶŎǣʲ��Ĩɚ�NjsĶ�ʹˠ˨ˤ˧ʺ��Ř_�ǢŸŘ¶��EŸȖǼ���®ĶŸɠsNj�ʹˠ˨ˤ˨ʺʳ�ËÞǣ�ǼÌÞNj_�ʩĶŎʰ��ƼNjÞĶ�ʹˠ˨˥ˡʺʰ�was censored by the Soviet authorities. He worked as a sailor and as a factory worker for a time.

SYNOPSISSome resemblances are disturbing. That between a guillotined viscount, pipe in his mouth, during the Terror; an army chaplain with a tattooed chest like a gangster, baptizing soldiers, looters and rapists, as if on an assembly ĶÞŘsʱ���ƻ�NjÞǣÞ�Ř�ǼNj�ŎƼ�ʪ�ǼǼsŘs_�Eɴ���ǣǼs�ŎNjŸĶĶsNjʰ��Ř_�ǼÌs�ÌÞ¶ÌĶɴ�s_ȖO�Ǽs_�OŸŘOÞsNj¶sʰ�EȖǼ��ĶǣŸ��NjŎǣ�_s�ĶsNjʰ�Ÿ¯���large apartment block. A building where the lives of nearly all these characters intersect, except for the homeless who are roughly dragged from one place to the next by the police. And yet in the midst of all this chaos, there are ǣƼ�Osǣ�ǼŸ�_Njs�Ŏʰ�ĶŸɚs�ǣǼŸNjÞsǣʰ�ʩNjŎ�¯NjÞsŘ_ǣÌÞƼǣ�ǼÌ�Ǽ�ƼsNjÌ�Ƽǣ��ĶĶŸɠ�ÌŸƼs�ǼÌ�Ǽ�ǼŸŎŸNjNjŸɠ�ɠÞĶĶ�Es�EsǼǼsNj�ǼÌ�Ř�ǼŸ_�ɴʳ

DIRECTOR: Otar IosselianiPRODUCERS: ō�NjǼÞŘs�ō�NJݵŗ�N�˚�ŷǼ�Nj�ÝŷǢǢrĵÝ�ŗÝ�ʹƻ�ǣǼŸNj�Ķs�Productions - France)SCREENPLAY: Otar IosselianiCINEMATOGRAPHER: ğȖĶÞs�µNJȕŗrD�ȕōSOUND: �ŘŘs�ĵr�N�ōƻÝŷŗEDITING: ŷǼ�Nj�ÝŷǢǢrĵÝ�ŗÝʰ�rŎŎ�ŘȖsĶĶs�ĵrµrŗ^NJrMUSIC: ŗÞOŸĶ�ǣ�ʉŷȕNJ�DÝNËəÝĵÝCAST: Rufus, Amiran Amiranashvili, Pierre Étaix, Mathias Jung, Mathieu Amalric, Enrico GhezziProduction Co.: Co-production France-Georgia; Pastorale Productions / Studio 99

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saavtoro kinos baTumis saerTaSoriso festivali

VaJ]_[^UR�ORUVNKR\�\JN[?J>X[R\X�TXWT^[\RINTERNATIONAL COMPETITION - FEATURE FILMS

Page 34: Biaff 2015 Catalogue

32

UNDER ELECTRIC CLOUDSRussian Federation / Ukraine / Poland 2015, 138 min

���� ����JTN]ZNR� LNjUJVR� [UmjWZR� MJRKJMJ� ����� kNTZ� UWZSWO`R�� ����� kNTZ� MJJUQJOjJ� UWZSWORZ� LNjJZRUWORZ� ZJdNTWKRZ�SRVNUJlWLjJ\RRZ�ZJdNTUkR\W�[VRONjZRlNlR�������kNTZ�ZJMNKR[lW�VJ`jWUR��� [SJVJZSVNTR�UJlJjNKNTR<���LJMJR^W������� kNTZ� URZR� UNWjN� Zj[TUNljJYRJVR� \RTURZ� �� ]J^JTMRZ� eJjRZSJmRZ<� �� XjNURNjJ� ONVNmRRZ� ZJNjQJ`WjRZW�SRVW\NZlROJTPN�LJRUJjQJ�MJ�LNjUJVUJ� ZJ[SNQNZW�jNYRZWjRZ<�VWURVJmRJ`R�LJRUJjeOJ �dWTW�ZJ[SNQNZW�ZJWXNjJlWjW�VJ`jWURZQORZ� WPNTJZ<�eRTMWm�LJMJNmJ�������kNTZ �\RTURZQORZ� LJjXJZ[UR< �JTNSZNR�LNjUJV�[UmjWZR�ORZKJMNVRZ�SRVW\NZlROJTPN�ZJ[SNQNZW�jNYRZWjJM�MJZJdNTMJ�

���������j[ZNQR � ����� kNTR�� UZW\TRW� MRMR� WURZ� kRVJ`NJ�� UMRVJjRZ� [aON[TW� ZJVJXRjW� VRZTZJ� MJ� QWOT`RJ� LJdON[TR��mJQJUKeNVRZ� aWVadR�� Kjl_NT�jNTRN\PN�MJ[Zj[TNKNTR�UJLRZljJTNKR� aJVZ��TNVRVRZ� bNLTRZ�LJkOMRTR�UJjeONVJ�dNTR�JjJ\jRZSNV�UR[QRQNKZ��ZR[jNJTRZl[j�ZJU_JjW`R�dJTdR�[URPVWM�MJNdNlNKJ��bONTR�kNZNKR�J^Jj�UW]UNMNKZ �UNLWKjNKR� MJ� VJQNZJONKR� LJ[aRVJjMVNV � RMNJTNKR� ]JjUJ� kJR^W�� ZJP^OJjLJjNQRMJV� MJKj[VNK[T� ZJ`JZ� UJURZ�S[QOVRT�ZJU`NVNKTW�UWNMJVPN�jJUMNVRUN�JMJURJVR�dOMNKJ��_RjLRPR�U[`J �jWUNTRm�SWTNLNKZ�NbNKZ��Jj]RlN]lWjR �`[KTPN�SJ`SJ`J�kRQNTR�SJVRQ�MJ�LRMR �jWUNTRm�UWZSWORZ�KJjRSJMNKRZ�MjWZ�NTmRVRZ�LONjMRQ�RMLJ�

BIOGRAPHY DŸNjŘ�ˠ˨˦˥�ÞŘ�ōŸǣOŸɠʰ�NJȖǣǣÞ�ʳ�µNj�_Ȗ�Ǽs_�¯NjŸŎ�əµÝħ�®ÞĶŎ�ǢOÌŸŸĶ�ōŸǣOŸɠ�ÞŘ�ˡ˟˟ˠʳ�Ës�Ŏ�_s�ÌÞǣ�¯s�ǼȖNjs�_sEȖǼ�ɠÞǼÌ�ƻŷǢĵr^ŗɳ�ƻŷrʉ^�ˀ �ǻËr�ĵ�Ǣǻ�ǻNJ�Ýŗ�ÞŘ�l ˟˟ˢʳ�ÝŘ�l ˟˟˧ʰ�ÌÞǣ�ǼÌÞNj_�̄ s�ǼȖNjs�ʩĶŎ�Dȕō�ʉËŗɳ�Ǣŷĵ^�ǻ�ˀ �ƻ�ƻrNJ�Ǣŷĵ^ÝrNJ�Ì�_�ÞǼǣ�ƼNjsŎÞsNjs��Ǽ�əsŘÞOs�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�®ÞĶŎ�®sǣǼÞɚ�Ķ��Ř_�ɠ�ǣ��ɠ�Nj_s_�ɠÞǼÌ�ǼÌs�ǢÞĶɚsNj�ĵÞŸŘ�¯ŸNj�DsǣǼ�^ÞNjsOǼŸNj��Ř_�ǼÌs�ŷʊsĶĶ���ɠ�Nj_�¯ŸNj�DsǣǼ�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴʳ�ËÞǣ�ʩĶŎ�µ�NJƻ�Ǣǻȕō�ˀ�µ�NJƻ�Ǣǻȕō�ɠŸŘ�ǼÌs��ɠ�Nj_�®ŸNj�DsǣǼ�^ÞNjsOǼŸNj�Donated By The City Of Wiesbaden at goEast 2006.

SYNOPSISRussia, 2017. The world is on the verge of a great war. A bizarre riverbank in fog and snow. The skeleton of a ǣĨɴǣONj�ƼsNjʳ�ȕŘʩŘÞǣÌs_�ŎŸǼŸNjɠ�ɴ�ENjÞ_¶sǣ� ÞŘ� �� ʪ�Ǽ� Ķ�Ř_ǣO�Ƽsʳ��Ř_� �� ǣǼ�ǼȖs�Ÿ¯� ĵsŘÞŘ�ɠÌŸǣs�ŸȖǼǣǼNjsǼOÌs_� NjÞ¶ÌǼ�arm points into nothingness. People drift aimlessly through this surreal world. Old certainties no longer count, friends and relatives have disappeared, ideals have been blown away by the wind. Returning home from abroad, Ǣ�ǣÌ��˛�ɠÌŸǣs�_s�_�¯�ǼÌsNj�Ȗǣs_�ǼŸ�ŸɠŘ�ǼÌÞǣ�EȖÞĶ_Þض�ǣÞǼs�˛�ŘŸɠ�Ì�ǣ�ǼŸ�_s�Ķ�ɠÞǼÌ�ÌÞǣ�Ķs¶�Oɴʲ���ħɴNj¶ɴʊ�ɠŸNjĨsNj�ɠÌŸ�is searching his colleagues; an architect with glowing red skin on his forehead; a tour-guide who once stood next ǼŸ�ɳsĶǼǣÞŘ��Ǽ�ǼÌs�E�NjNjÞO�_sǣ�ÞŘ�ōŸǣOŸɠʳ

Director: Aleksey German Jr.Screenwriter: Aleksey German Jr.Cinematographer: Evgeniy Privin, Sergey MikhalchukEditor: Sergey IvanovComposer: Andrey SurotdinovActors: ĵŸȖÞǣ�®Nj�ŘOĨʰ�ōsNj�EŗÞŘÞ_ʊsʰ�əÞĨǼŸNjÞɴ�ħŸNjŸǼĨŸɚ�ʰ�NÌȖĶƼ�ŘħÌ�Ŏ�ǼŸɚ�ʰ�əÞĨǼŸNj�DȖ¶�ĨŸɚʰ��Ř�ǣǼ�ǣÞɴ�ōsĶŘÞĨŸɚ�ʰ�ƻÞŸǼNj�GasowskiProducer(s): �NjǼsŎə�ǣÞĶÞsɚʰ��Ř_Njsɴ�Ǣ�ɚsĶÞsɚʰ�NJȖǣÌ�Řŗ�ǣÞEȖĶÞŘʰ�ǢsNj¶sɴ��ŘǼŸŘŸɚʰ�r¶ŸNjŷĶsǣŸɚʰ�^�NjÞȖǣʊğ�EňŸŜǣĨÞʰ�əÞŸĶsǼǼ�ħ�ŎÞŜǣĨ�ʰ�Ýʊ�EsĶ��ɟżĠOÞĨʰ�ħNjʊɴǣʊǼŸ¯�ʉ�ŘȖǣǣÞProduction company: ōsǼNj�ʩĶŎǣ

International Competition - Feature Films Section

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33

TIKKUNIsrael, 2015; 120 min.

���� ����jNYRZWjR� MJ� ORP[JT[jR� dNTWOVNKRZ� ZXNmRJTRZlRJOR`JR� ZROJVR� MJRKJMJ� ����� kNTZ� RZjJNT`R�� URZR� VJU[`NOjNKR�RZjJNTRZJ� MJ� NOjWXRZ� LJTNjNNKZJ� MJ� U[PN[UNK`R� R_W� kJjUWMLNVRTR�� ZJVJU� XRjONT� Zj[TUNljJYRJV� \RTUZ � UWdNlRJTNZ< �LJMJR^NKMJ �N]ZXNjRUNVl[T�\RTUNKZ�]UVRMJ��UJQ�`WjRZ�R_W�`ORMVJkRTRJVR�DLJ_RV[TR�jNYRZWjRZ�ZJXVRZ�WXNjJ< �jWUNTUJm������kNTZ�RNj[ZJTRURZ�SRVW\NZlROJTPN�eRTMW�MJRUZJd[jJ�������kNTZ�URZUJ�\RTUUJ��� QRS[VR<���RNj[ZJTURZ�SRVW\NZlROJTPN�ZJ[SNQNZW�Zj[TUNljJYRJVR�\RTURZ �ZmNVJjRZ �ZJWXNjJlWjW�VJU[`NOjRZJ�MJ�UZJdRWKR�SJmRZ�VWURVJmRNK`R�LJRUJjeOJ��JLjNQON �TWSJjVWZ�SRVW\NZlROJTPN�JaONVNZ �ZJMJm�YR[jRZ�ZXNmRJT[jR�eRTMW�MJ�MWV�SRdWlRZ�XjRPR�LJMJNmJ��

���������fJRU�JJjWVR�LJVJQTNK[TR �UJjQTUJMRMNKNTR �jNTRLR[jR�ZkJOT[TRJ�MJ�RNj[ZJTRU`R�mdWOjWKZ��URZR�VRcRZJ�MJ�QJOMJMNKRZ�_ONTJZ�̀ [jZ��NjQ�ZJ^JUWZ �QORQVNK[jR�UJjdORZ�̀ NUMNL �fJRU�JJjWVR�LWVNKJZ�SJjLJOZ��N]RUNKR�USOMjJM�JmdJMNKNV �Q[UmJ�UJUJ�Jj�VNKMNKJ�MJ �_ONTJ�UWTWMRVRZ�UR[dNMJOJM �fJRU�JJjWVR�mWmdTMNKJ��JU�RVmRMNVlRZ�`NUMNL�fJRU�JJjWVR�QJORZR� SOTNONKRZ� URUJjQ� L[TLjRTR� dMNKJ�� ZJS[QJjR� ZdN[TRZ� UW[TWMVNTR� LJmWmdTNKRZ� `NUMNL�NcOWKZ �jWU�^UNjQUJ�URZR�LJUWmMJ�LJMJk_ORlJ�MJ�jkUNVRZ�J^ZJMLNVJM�LPRMJV�LJMJdONORZ�`NZJdNK�\R]jWKZ��UJUJ�`ORTRZ�`NmOTRT�]mNOJZ�JUaVNOZ�MJ�URZ�XJlRNKJZ�mMRTWKZ�� UJUJZ�URJaVRJ �jWU�`ORTRZ�LJmWmdTNKRQ�[\TRZ�VNKJ�[Jj_W�MJ�JURZ�LJUW�N`RVRJ�

BIOGRAPHY�ɚÞǣÌ�Þ�ǢÞɚ�Ř�ʹEŸNjŘ�ÞŘ�ˠ˨˦˦�ÞŘ�ÝǣNj�sĶʺ�Þǣ���ʩĶŎŎ�ĨsNj��Ř_�ɚÞǣȖ�Ķ��NjǼÞǣǼʳ�ËÞǣ�ɠŸNjĨ�Ì�ǣ�EssŘ�ǣÌŸɠŘ�ÞŘ��NjǼ�¶�ĶĶsNjÞsǣ��Ř_�ŎȖǣsŎǣ�ÞŘ�ÝǣNj�sĶ��Ř_�rȖNjŸƼsʳ�ƻNjÞŸNj�ǼŸ�ÌÞǣ�ʩNjǣǼ�¯s�ǼȖNjsʰ�ǻËr�ɟ�ŗ^rNJrNJʰ�Ìs�Ŏ�_s�sɮƼsNjÞŎsŘǼ�Ķ�ʩĶŎǣʰ�ÞŘOĶȖ_Þض�ǼÌs�seven-part series “The Soap Opera of a Frozen Filmmaker”, which won an award at the Jerusalem Film Festival in ˡ˟˟˦ʳ�ÝŘ�ˡ˟ˠˤʰ�ÌÞǣ�¯s�ǼȖNjs�ǻÝħħȕŗ�ɠŸŘ�ǼÌs�DsǣǼ�ÝǣNj�sĶÞ�®s�ǼȖNjs�®ÞĶŎʰ�DsǣǼ�ǢONjÞƼǼʰ�DsǣǼ�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ��Ř_�DsǣǼ��OǼŸNj��ɠ�Nj_ǣ��Ǽ�ğsNjȖǣ�ĶsŎ�®ÞĶŎ�®sǣǼÞɚ�Ķ��Ř_�ɠ�ǣ��ĶǣŸ�ǣONjssŘs_��Ǽ�ĵŸO�NjŘŸ�®ÞĶŎ�¯sǣǼÞɚ�Ķʰ�ɠÌsNjs�ÞǼ�ɠŸŘ�ǼÌs�ǢƼsOÞ�Ķ�ğȖNjɴ�ƻNjÞʊsʰ�ǼÌs�ǢƼsOÞ�Ķ�ōsŘǼÞŸŘ�¯ŸNj�DsǣǼ�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ��Ř_�ǼÌs�^ŸŘ�džȖÞĠŸǼs�ƻNjÞʊsʳ

SYNOPSISË�ÞŎ˚��NjŸŘ�Þǣ���ENjÞ¶ÌǼʰ�ȕĶǼNj�˚ŷNjǼÌŸ_Ÿɮ�NjsĶÞ¶ÞŸȖǣ�ǣOÌŸĶ�Nj�ĶÞɚÞض�ÞŘ�ğsNjȖǣ�ĶsŎʳ�ËÞǣ�Ǽ�ĶsŘǼǣ��Ř_�_sɚŸǼÞŸŘ��Njs�sŘɚÞs_�by all. One evening, following a self-imposed fast, Haim-Aaron collapses and loses consciousness. The paramedics announce his death, but his father takes over resuscitation efforts and, beyond all expectations, Haim-Aaron comes back to life. After the accident, try as he might, Haim-Aaron remains apathetic to his studies. He feels overwhelmed by a sudden awakening of his body and suspects this is God testing him. He wonders if he should ǣǼNj�ɴ�¯NjŸŎ�ǼÌs�ƼNjsǣONjÞEs_�Ƽ�ǼÌ��Ř_�ʩŘ_���ɠ�ɴ�ǼŸ�NjsĨÞŘ_Ķs�ÌÞǣ�¯�ÞǼÌʳ�ǻÌs�¯�ǼÌsNj�ŘŸǼÞOsǣ�ÌÞǣ�ǣŸŘ˅ǣ�OÌ�ضs_�EsÌ�ɚÞŸNj�and tries to forgive him. He is tormented by the fear of having crossed God’s will, the night he resuscitated his son.

Director: Avishai SivanScreenplay: Avishai SivanCinematography: Shai GoldmanSound: Aviv Aldema, Alfred TeslerEditing: Nili Feller, Avishai Sivan Cast: �Ì�NjŸŘ�ǻNj�ÞǼsĶʰ�ħÌ�ĶÞ¯��ŗ�ǼŸȖNjʰ�NJÞĨÞ�DĶÞOÌʰ�µȖNj�ǢÌsÞŘEsNj¶Producers: Ronen Ben Tal, Avishai Sivan

International Competition - Feature Films Section

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Page 36: Biaff 2015 Catalogue

34

MAZAR E SHARIFIran, 2015, 87 min.

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BIOGRAPHY Abdolhassan Barzideh was borne in 1960. He began his work in cinema since 1988 as an actor and director �ǣǣÞǣǼ�ŘǼ�Ÿ¯�ˆĵŸŸĨÞض�¯ŸNj�ǼÌs�ËsNjŸˇʳ

SYNOPSISThis is the story of Taliban’s attack to Iranian Consulate in Mazar-e Sharif (1998) that results in the martyrdom of some Iranian diplomats.

Director:Abdolhassan BarzidehCast:ËŸǣǣsÞŘ�ɳ�NjÞʰ�ō�ÌǼ�E�ħsNj�Ŏ�ǼÞ�ō�ǣŸȖ_�NJ�ɴs¶�Ř

International Competition - Feature Films Section

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Page 37: Biaff 2015 Catalogue

35

MUSTANGFrance/Germany/Turkey/Qatar,

2015, 97 min.

���� ����MNVRP�LJUPN�NjLR[ONVR�MJRKJMJ������kNTZ�Q[j]NQRZ�MNMJ]JTJ]�JVSJjJ`R �Q[UmJ�mdWOjNKRZ�[UNlNZR�VJkRTR�J``�ZJ�MJ�ZJ\jJVLNQ`R�LJJlJjJ �ZJMJm�XjNZlRY[TR�SRVWZSWTJ�­¼�§ÿÈÄÎ�MJJUQJOjJ��URZR�ZJMRXTWUW�VJU[`NOJjR � k_TRZ�kONQR<� ���� � Q[j][T� ZJPWLJMWNKJ`R� JjZNK[TR� JOlWjRlJj[TR� MJ� XJljRJj]Jl[TR� lNVMNVmRNKRZ� kRVJJ^UMNL�]JTNKRZ� KjbWTJZ� NdNKJ�� NZ�\RTUR� SJVRZ� SRVW\NZlROJTPN � ¤ÄÉÿÁÊÉ¿¼ÏÄÊÉ�RZ�\JjLTNK`R� JaONVNZ�� SRVW\NZlROJTPN�TWSJjVW`R� UWUJOTRZ� JOJPNKRZ<� XjNZlRY[TR� eRTMW� JR^W�� KWTW� MjWZ� NjLR[ONVR� TWZ�JVeNTNZ`R� UWUdMJjR�mVWKRTR�JeJV_NKNKRZJ�MJ������kNTZ�XWTRmRRZ�bJTJMWKRZ�`NZJdNK�Zj[TUNljJYRJV�\RTUZ�R^NKMJ �Q[UmJ� U[ZlJVLRZ<������LJMJ^NKRZ�URPVRQ�U[`JWKJ�MjWNKRQ�`NJaNjJ�� U[ZlJVLRZ<�XjNURNjJ�kNTZ�SJVRZ�SRVW\NZlROJTPN� jNYRZWjQJ�WjSORjN[TRZ<�\JjLTNK`R�LJRUJjQJ�

���������JMjN[TR� PJ\d[TR�� ajMRTWNQ� Q[j]NQRZ� ZW\NT`R� TJTN� MJ� URZR� WQdR� MJ� ZSWTRMJV� Kj[VMNKRJV� MJ� KRcNKZ�NQJUJ`NKRJV��UJQR�QJUJ`RZ�[PVNWKJZ�ZSJVMJTR�MJ�UW[TWMVNTR�̀ NMNLR�UWZMNOZ��WeJdRZ�ZJdTR�mRdNM�R]mNOJ �ZSWTJZ�WeJdRZ�`N]UVRZ�ZkJOTNKJ�mOTRZ�MJ�]WjkRVNKRZQORZ�LJjRLNKJ�Rk_NKJ��QJORZ[\TNKRZ�UW_OJj[TR�MNKR�`NP^[MONKRZ�LJMJTJdORZ�LPNKZ�XW[TWKNV�

BIOGRAPHY^sŘÞʊµ�ŎʊsrNj¶ȤɚsŘ�ʹEʳ�ˠ˨˦˧ʰ��ŘĨ�Nj�ʺ�ɠ�ǣ�EŸNjŘ�ÞŘ�ǻȖNjĨsɴ�EȖǼ�ǣƼsŘǼ�ŎȖOÌ�Ÿ¯�ÌsNj�ɴŸȖǼÌ�ÞŘ�ǼÌs�ȕŘÞǼs_�ǢǼ�Ǽsǣ��Ř_�ÞŘ�®Nj�ŘOsʰ�ɠÌsNjs�ǣÌs�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ǼÌs�ƼNjsǣǼÞ¶ÞŸȖǣ�ĵ��®wŎÞǣ�ʩĶŎ�ǣOÌŸŸĶʳ�ËsNj�ǣÌŸNjǼ�¶Nj�_Ȗ�ǼÞŸŘ�ʩĶŎ�DÞNj_�ŎĶ�ǣȖ�ʹˡ˟˟˥ʺ� ˛� �ŘŸǼÌsNj� ʩĶŎ��EŸȖǼ�ɠŸŎsŘ˅ǣ� ǣǼNjȖ¶¶Ķs� �¶�ÞŘǣǼ� ǼÌs� �ȖǼÌŸNjÞǼ�NjÞ�Ř� �Ř_�Ƽ�ǼNjÞ�NjOÌ�Ķ� ǼsŘ_sŘOÞsǣ� ÞŘ� ǻȖNjĨÞǣÌ�ǣŸOÞsǼɴ�˛�ɠ�ǣ�ɠsĶĶ�NjsOsÞɚs_��Ř_�ɠ�ǣ�ǣÌŸɠŘ��ǣ�Ƽ�NjǼ�Ÿ¯�ǼÌs�NÞŘw¯ŸŘ_�ǼÞŸŘ�ǣsOǼÞŸŘ��Ǽ�N�ŘŘsǣʳ�ǢÌŸNjǼĶɴ�ǼÌsNjs�¯ǼsNjʰ�ÞǼ�ɠŸŘ�ǼÌs�ƼNjsǣǼÞ¶ÞŸȖǣ�ĵsŸƼ�Nj_ǣ�Ÿ¯�ǻŸŎŸNjNjŸɠ��ɠ�Nj_�¯ŸNj�ɴŸȖض��NjǼÞǣǼǣ�ÞŘ�ĵŸO�NjŘŸʳ�ōŸǣǼ�NjsOsŘǼĶɴʰ�ǣÌs�ɠ�ǣ�ɠŸNjĨÞض�ŸŘ���¯s�ǼȖNjs˚ĶsضǼÌ�_sEȖǼ��EŸȖǼ�ǼÌs�ÞŘ¯�ŎŸȖǣ�NjÞŸǼǣ�ÞŘ�ĵŸǣ��ضsĶsǣ�¯ŸĶĶŸɠÞض���O�ǣs�Ÿ¯�ƼŸĶÞOs�ɚÞŸĶsŘOs�ÞŘ�ˠ˨˨ˡʳ�ǢÌs�ƼŸǣǼƼŸŘs_�ɠŸNjĨ�ŸŘ�ǼÌ�Ǽ�ʩĶŎ�ǼŸ�Ŏ�Ĩs�ōȖǣǼ�ض�ʹˡ˟ˠˤʺʰ�ɠÌÞOÌ�ɠ�ǣ�ƼNjsŎÞsNjs_�ÞŘ�ǼÌs�^ÞNjsOǼŸNjǣ˅�®ŸNjǼŘÞ¶ÌǼ�ǣsOǼÞŸŘ��Ǽ�this year’s festival in Cannes.

SYNOPSISr�NjĶɴ�ǣȖŎŎsNjʳ� ÝŘ���ɚÞĶĶ�¶s� ÞŘ�ŘŸNjǼÌsNjŘ�ǻȖNjĨsɴʰ�ĵ�Ķs��Ř_�ÌsNj�¯ŸȖNj�ǣÞǣǼsNjǣ��Njs�ɠ�ĶĨÞض�ÌŸŎs�¯NjŸŎ�ǣOÌŸŸĶʰ�ƼĶ�ɴÞض�innocently with some boys. The immorality of their play sets off a scandal that has unexpected consequences. The family home is progressively transformed into a prison; instruction in homemaking replaces school and marriages ǣǼ�NjǼ�EsÞض��NjNj�ضs_ʳ�ǻÌs�ʩɚs�ǣÞǣǼsNjǣ�ɠÌŸ�ǣÌ�Njs���OŸŎŎŸŘ�Ƽ�ǣǣÞŸŘ�¯ŸNj�¯Njss_ŸŎʰ�ʩŘ_�ɠ�ɴǣ�Ÿ¯�¶sǼǼÞض��NjŸȖŘ_�ǼÌs�constraints imposed on them.

Director: Deniz Gamze ErgüvenScreenplay: Deniz Gamze Ergüven, Alice WinocourDir. of Photography: David Chizallet, ErsinGökMusic: Warren EllisEditor: ō�ǼÌÞĶ_s�ə�Ř�_s�ōŸŸNjǼsĶProducer: Charles GillibertProduction: Nµ�NÞŘwŎ�Coproduction: ND�Ŏ�ʩĶŎʰ�əÞǣǼ�Ŏ�Nj�®ÞĶŎ�ƼNjŸ_ȖĨǼÞŸŘʰ�ȕÌĶ�Ř_�ʩĶŎʰ�Doha Film InstituteCast: Günes Sensoy, Doga Zeynep Doguslu, Elit Iscan, Ilayda Akdogan, Tugba Sunguroglu

International Competition - Feature Films Section

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Page 38: Biaff 2015 Catalogue

36

PEACE TO US IN OUR DREAMSLithuania/France/Russia, 2015; 107 min.

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���������PJ\d[TRZ�NjQ�M^NZ�SJmR �URZR�JdTJM`NjQ[TR�mWTR�MJ�]JTR`ORTR�[]UNNKRZ�LJZJlJjNKTJM�ZW\NT`R�URNULPJOjNKRJV��UR[dNMJOJM�RURZJ �jWU�mWT�]UJjZ�NjQUJVNQR�[_OJjZ �UJQR�[jQRNjQWKJ�UJRVm�MJbJK[TRJ�MJ�]WjkRVNKJZ�ZJ\jQdN�NU[]jNKJ��k_ORTRZ�]JTR`ORTR�NjQ�KRcZ�[UNLWKjMNKJ �jWUNTRm�UWVJMRjNQJ�SWUXJVRRMJV�WXlRS[jR�dNMORZ�`J`dJVJZ�RXJjJOZ�MJ�ZW\NT`R�MRMR�MNOVJ�Rk_NKJ�

BIOGRAPHY DŸNjŘ�ÞŘ�ǢÌÞ�ȖĶÞ�Þʰ�ĵÞǼÌȖ�ŘÞ��ÞŘ�ˠ˨˥ˣʰ�ǢÌ�NjȖŘ�ǣD�NjǼ�ǣ�Ì�ǣ�EssŘ�ǼÌs��NjǼÞǣǼÞO�_ÞNjsOǼŸNj�Ÿ¯�ʩĶŎ�ǣǼȖ_ÞŸ�D�ض��ÞŘ�ħ�ȖŘ�ǣʰ�ĵÞǼÌȖ�ŘÞ��ǣÞŘOs�ˠ˨˧ˣʳ�Ës�sŘǼsNjs_�ǼÌs�ʩĶŎ�ǣOÌŸŸĶ�əµÝħ�ÞŘ�ōŸǣOŸɠ�ÞŘ�ˠ˨˧˥��Ř_�¶Nj�_Ȗ�Ǽs_�ÞŘ�ˠ˨˨ˠʰ�ÝNj�ĨĶÞħɚÞNjÞĨ�_ʊs�Ŏ�ǣǼsNj�OĶ�ǣǣʳ�ÝŘ�ˠ˨˧˨ʰ�Ìs�¯ŸȖŘ_s_�ǼÌs�ʩĶŎ�ǣǼȖ_ÞŸ�ħÞŘsŎ��˚�ǼÌs�ʩNjǣǼ�ÞŘ_sƼsŘ_�ŘǼ�ʩĶŎ�ǣǼȖ_ÞŸ�ÞŘ�ĵÞǼÌȖ�ŘÞ�ʳ�ËÞǣ�Ķ�ǼsǣǼ�ʩĶŎ�Þǣ�ƻr�Nr�ǻŷ�ȕǢ�Ýŗ�ŷȕNJ�^NJr�ōǢʰ�ǣsĶsOǼs_��Ǽ�ǼÌs�^ÞNjsOǼŸNjǣ˅�®ŸNjǼŘÞ¶Ì

SYNOPSISOne summer day, a man, his new wife and his daughter arrive to their countryside house to spend a weekend. Despite the fact the man and his wife love each other, their relationship is tensed, on the brink of collapse. The _�Ȗ¶ÌǼsNj�Es¯NjÞsŘ_ǣ���EŸɴ�ɠÌŸ�ŸOO�ǣÞŸŘ�ĶĶɴ�ǣǼs�Ķǣ��Ř�ŸƼǼÞO�Ķ�ǣÞ¶ÌǼ�NjÞʪs�¯NjŸŎ���ÌȖŘǼsNjǣ˅�OŸŎƼ�Řɴ��Ř_���EÞ¶�OÌ�ǣs�in the countryside starts.

Director: Sharunas BartasScenario: Sharunas BartasProducer: ğȖNj¶��^ÞĨOÞȖɚÞ�Řsʰ�ğ�ŘĠ�ħNj�ĶĠʰ�ƻÌÞĶÞƼƼs��ɚNjÞĶPhoto: Eitvydas Doskus Production: ǢǼȖ_ÞŸ�ħÞŘsŎ�ʰ�ħÞŘŸ�rĶsĨǼNjŸŘʰ�ĵŸŸĨ�ʩĶŎCast: ǢÌ�NjȖŘ�ǣ�D�NjǼ�ǣʰ�ĵŸNj��ħŎÞsĶÞ�ȖǣĨ�ÞǼsʰ�ÝŘ��ō�NjÞĠ��D�NjǼ�ÞǼ�ʰ�Edvinas Goldsteinas

International Competition - Feature Films Section

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Page 39: Biaff 2015 Catalogue

37

ITSI BITSIDenmark, Croatia, Sweden, Argentina,

2014, 107 min

kJjUJlNKJZ� URJ^kRJ�� UWUMNOVW� kNTZ� URZR� MjJUJ� �� XjJ^J<� �� LJUWORMJ � UJMZ� URSNTZNVRZJ� MJ� ZlRVN� ZlNVLJMNZ�UWVJkRTNWKRQ �dWTW������kNTZ�UJMZNVRZ�[PWUWM�ZJZJmRTW�SWUNMRJ��� Z[XNjSTJZRSW<���J``�RZ�SRVWJSJMNURRZ���ZJ[SNQNZW�[mdWNVWOJVR�\RTURZ�ZRJ`R�UWdOMJ�MJ�d[QN[T`R�VWURVRjNKJUMN�UdWTWM�NjQR�VJKReR�MJJSTMJ��WTN�SjRZlRJVUJ�lNTNZROjmN`Rm�UVR`OVNTWOJVR�SOJTR�MJlWOJ�mVWKRTR�ZNjRJTRQ��� WKWKJ<����� �ZNjRJTNKRZ��� lJ]ZJ<������MJ� XRjONTR�MJVJ_W\R<�����������jNYRZWjWKRQJ�MJ�JUNjRS[TR�ZNjRJTRQ��� KJV`R<����������WTN�SjRZlRJVRZ�VJ`jWUNKR� SjRlRSWZNKRZLJVJm�MJMNKRQ� `N\JZNKNKZ� R^NKZ�MJ� SWUNjmR[TJMJm� kJjUJlNK[TRJ � jRZ� LJUWm�MJVRJ`R�\RTUNKRZ�NjQ�NjQR�_ONTJPN�kJjUJlNK[TR�`NU]UVNTRJ�

��������������kNTZ�UQNTR�QJWKJ�RZN�mdWOjWKZ �QRQ]WZ�dOJTRVMNTR�M^N�Jj�JjZNKWKMNZ��JdJTLJPjMJ�J]lRORZlRZ �JRS�ZSJTWNZ �mdWOjNKJ�QJOMJ_RjJ�MLNKJ �jWMNZJm�U`ORMWKRZ�TJUJPR�J]lRORZlR �RKNV�VJLNT�jJZU[ZNVR �[_OJjMNKJ�MJ�RKNVRm�JUJON�LjbVWKRQ�XJZ[dWKZ��Q[UmJ�RKNVR�RU�XNjRWMZ�M^RZ�kNZjRLZ�NUWjaRTNKJ�MJ�QJORZ[\JT�ZR_OJj[TZJ�MJ� ZN]ZPN� [JjZ� Jj� JUKWKZ�� LWLWVJ� JMJURJVQJ� UNZJS[QjNWKJZ� Jj� mVWKZ�MJ� NjQ� SJmZ� Jj�ZeNjMNKJ � jWmJ� jJUMNVRUNZ� _WTJ� `N[bTRJ�� JRSR� QJORZR� ZR_OJj[TRZQORZ� lRX[j � jWUJVlRS[T� KjbWTJZ� Rk_NKZ��jWLWjm� XWNlR � UkNjJTR� MJ� UWU^NjJTR � RKNVZ� U[MUROJM� ZR_OJj[TZ� [dZVRZ � UJLjJU� KWTWZ� UJjmdZ� NL[NKJ� MJ�VNXJT`R�QJORZR�ZJ_OJjNTR�XJkJkRVJZ�LJjN`N�URNULPJOjNKJ �R]RMJV�SR�JjJZWMNZ�Kj[VMNKJ�

EsO�Ŏs�Ƽ�NjǼ�Ÿ¯�ǼÌs�̂ Ÿ¶Ŏs˚ɠ�ɚs�ÞŘ�l ˟˟ˠ�ɠÞǼÌ�ħÝNJ�˅Ǣ�NJr�Ǣŷŗ�̊ ���ĵŷər�ǢǻŷNJɳʰ�Ì�_���ĶŸO�Ķ�ǣŎ�ǣÌ�ÌÞǼ�ɠÞǼÌ��ŗµrĵǢ�Ýŗ�®�Ǣǻ�ōŷǻÝŷŗ�ÞŘ�ˡ˟˟ˤʰ�¯ŸĶĶŸɠs_�ȖƼ�ǼÌs�ɴs�Nj��¯ǼsNj�ɠÞǼÌ�ǼÌs�ENjs�Ĩ˚ȖƼ�_Nj�Ŏ��ƻNJ�µȕr�ǣǼ�NjNjÞض�ō�_ǣ�ōÞĨĨsĶǣsŘ��Ř_�ǢǼÞŘs�ǢǼsض�_s��Ř_�ŎŸǣǼ�NjsOsŘǼĶɴ�ÞŘ�l ˟ˠˡ�Ķ�Ř_s_�ÌÞǣ�ÌÞĶ�NjÞŸȖǣ�OȖĶǼȖNjs˚OĶ�ǣÌ�OŸŎs_ɴ�ǢȕƻrNJNĵ�ǢÝNŷ�ŸŘ�ǼÌs�ȕǢ��O�_sŎɴ˅ǣ�˨�ʩĶŎ�DsǣǼ�®ŸNjsÞ¶Ř�ĵ�ضȖ�¶s�ǣÌŸNjǼĶÞǣǼ�ǼÌsNjsEɴ��ĶŎŸǣǼ�Ŏ�ĨÞض�ǼÌs�ʩŘ�Ķ�OȖǼ�Ÿ¯�ˤ�ŘŸŎÞŘssǣʳ�ŷĶs�NÌNjÞǣǼÞ�Ř�has also left a strong mark in tv helming the acclaimed series THE SPIDER (2000) and having directed installments ŸŘ�ǣsNjÞsǣ�ǣȖOÌ��ǣ�ǻ�ɭ��ʹˠ˨˨˦ʺ��Ř_�ȕŗÝǻ�ŷŗr�ʹˡ˟˟ˡ˚˟ˣʺ��Ř_�ǼÌs�ȕǢ�ǣsNjÞsǣ�D�ŗǢËrr�ʹˡ˟ˠˢ˚ˠˣʺʳ�ŷĶs�NÌNjÞǣǼÞ�Ř˅ǣ�ɠŸNjĨ�ŎÞɮsǣ�ONjÞǼÞO�Ķ�ǣȖOOsǣǣ�ɠÞǼÌ�OŸŎŎsNjOÞ�Ķ�OĶŸȖǼ�Ŏ�ĨÞض�ÌÞŎ�ŸŘs�Ÿ¯�^sŘŎ�NjĨ˅ǣ�ŎŸǣǼ�OŸŘǣÞǣǼsŘǼĶɴ�ǣȖOOsǣǣ¯ȖĶ�ʩĶŎ�directors.SYNOPSISˠ˨˥ˡ�Þǣ�ǼÌs�ɴs�Nj�ɠÌsŘ��Ř�sŘǼÞNjs�¶sŘsNj�ǼÞŸŘ�ĶÞɚsǣ�ĶÞ¯s��ǣ�ǼÌŸȖ¶Ì�ÞǼ�ɠ�ǣ�ǼÌsÞNj�Ķ�ǣǼ�_�ɴʳ�ɳŸȖض��OǼÞɚÞǣǼ�rÞĨǢĨ�Ķƪs�Ì�ǣ�ÌÞǣ�entire life turned upside down when he falls head over heels in love with the beautiful peace activist Iben Nagel Rasmussen, and she falls in love with him. But Iben is a child of the times, and freely accepts the order of the day: free love and sex. She renounces personal right of ownership and will not settle for one man when she can have several. In typically romantic fashion, he begins a struggle to win all of her love. As a poet, writer and singer he constantly confesses his love to her. But Eik must accept defeat, and in 1968 he travels without his beloved ItsiBitsi ǼŸ�ŗsƼ�Ķʰ�ǼÌs�ĵ�Ř_�Ÿ¯�^Njs�Ŏǣ�ÞŘ�ǼÌs�r�ǣǼʳ���ĠŸȖNjŘsɴ�¯NjŸŎ�ɠÌÞOÌ�Ìs�ɠÞĶĶ�ŘsɚsNj�NjsǼȖNjŘʳ

Dirctor: Ole Christian Madsen Producer: ĵ�Njǣ�DNjs_Ÿ�NJ�ÌEsĨScreenplay: Bo hr. Hansen, Ole Christian Madsen Cinematographers: ğƪNj¶sŘ�ğŸÌ�ŘǣǣŸŘ Editors: ǢƪNjsŘ�Dʳ�rEEs Music: ËsŘNjÞĨ�ĵÞŘ_ǣǼNj�Ř_

International Competition - Feature Films Section

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���� ����WTN� SjRZlRJV� UJMZNVR� ZSJVMRVJORRZ� NjQ�NjQR� ZJ[SNQNZW� jNYRZWjRJ��DXJkJkRVJ<� URZR� UN��� UdJlOj[TR� \RTURJ�� UJMZNVRZ� kRVJ� VJU[`NOjNKZ�`WjRZJJ� QjRTNjR� UNWjN� UZW\TRW� WURZ� `NZJdNK� �� JTR� MJ� mRljWVR<����� �jWUNTUJm�MJVRRZ�SRVWQNJljNK`R�UR^NK[TR�`NUWZJOTRQ�jNSWjMR�MJJU_JjJ� MJ� KWTWZ� ���PN� UNl� lNjRlWjRJPN� LJR_RMJ�� ����� kNTZ� XRmRZ�UN\RQ<� `NUMLJjR� MNKR[lRZ� UNjN� WTN� ]jRZlRJVR� ����� kNTZ� MWLURZ�lJT^RZ<�UWVJkRTN�LJdMJ�\RTURQ��� SRjJZ�URPNPR���ZR_OJj[TRZ�RZlWjRJ<������� kNTZ� \RTURQ� �� ZkjJ\JM� UWbjJOR� JVLNTWPNKR<� JMLRTWKjRO�

BIOGRAPHYOle Christian Madsen is one of Scandinavia’s top directors. ITSI DÝǻǢÝ�EsÞض�ÌÞǣ�˦ ǼÌ�̄ s�ǼȖNjs�ʩĶŎ�ÌÞǣ�ƼNjsɚÞŸȖǣ�EŸ_ɴ�Ÿ¯�ɠŸNjĨ�ÞŘOĶȖ_sǣ�ǼÌs�ɟŸNjĶ_�ɟ�Nj�ÝÝ�ǼÌNjÞĶĶsNj�®ĵ�ōr�˓�NÝǻNJŷŗ�ʹˡ˟˟˧ʺʰ�ɠÌÞOÌ�ǣsǼ�EŸɮ�Ÿ¯ʩOs�NjsOŸNj_ǣ�ÞŘ�^sŘŎ�NjĨ��Ř_�ɠ�ǣ�sɚsŘǼȖ�ĶĶɴ�ǣŸĶ_�ǼŸ�ŎŸNjs�ǼÌ�Ř�˥˟� ǼsNjNjÞǼŸNjÞsǣʳ�^sEȖǼÞض� ÞŘ�ˠ˨˨˨�ɠÞǼÌ�ƻÝʉʉ��ħÝŗµʰ�ŷĶs�NÌNjÞǣǼÞ�Ř�

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38

SONG OF SONGSUkraine, 2015, 76 min

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BIOGRAPHY rɚ��ŗsɴŎ�ŘŘ�ʹEʳ�ˠ˨˦ˣʰ�ʉ�ƼŸNjŸʊÌɴsʰ�ȕĨNj�ÞŘsʺ�ǣǼȖ_Þs_�Ķ�ɠ��Ǽ�ȖŘÞɚsNjǣÞǼɴ�ÞŘ�ǼÌs�µsNjŎ�Ř�ǼŸɠŘ�Ÿ¯�ō�NjEȖNj¶��Ř_�ʩĶŎ�_ÞNjsOǼÞŸŘ��Ǽ�ǼÌs�µsNjŎ�Ř�®ÞĶŎ��Ř_�ǻsĶsɚÞǣÞŸŘ��O�_sŎɴ�ÞŘ�DsNjĶÞŘʳ��¯ǼsNj�ÌsNj�ǣȖOOsǣǣ¯ȖĶ�ǣÌŸNjǼ�ʩĶŎ�®NjÞsNjssÞŘʰ�Ǽ�Ȗs��Ȗ¯�ʹˡ˟˟ˠʺ�ǣÌs�Ŏ�_s�ǣsɚsNj�Ķ�_ŸOȖŎsŘǼ�NjÞsǣ�ɠÌÞOÌ�ɠsNjs�ǣONjssŘs_��Ǽ�ɚ�NjÞŸȖǣ�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ʩĶŎ�¯sǣǼÞɚ�Ķǣ�ʹğȖǣǼ�ĵÞĨs�ŷĶ_�Times / Wsepo-staromu / Allen beimalten, 2004; Das Meer sehen, 2005; God’s Ways / PutiGospodni / WegeGottes, ˡ˟˟˦ʺʳ�ÝŘ�ˡ˟˟˦�ǣÌs�ǼȖNjŘs_�ŸȖǼ�ÌsNj�¯s�ǼȖNjs�ʩĶŎ�_sEȖǼ��Ǽ�ǼÌs�NJÞɚsNj�ʹȕ�NjsĨÞʺʰ�ɠÌÞOÌ�NjsOsÞɚs_�ÞǼǣ�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ƼNjsŎÞsNjs��Ǽ� ǼÌs�NJŸǼǼsNj_�Ŏ� Ý®®ʳ�ËsNj� ǣsOŸŘ_� ¯s�ǼȖNjs�ʩĶŎ�ËŸȖǣs�ɠÞǼÌ���ǻȖNjNjsǼ� ʹ^ŸŎ�ǣ�E�ǣÌsŘĨŸɴʰ�ˡ˟ˠˡʺ�ɠ�ǣ� ǣONjssŘs_� ÞŘ�ħ�NjĶŸɚɴ�ə�Njɴ˅ǣ�r�ǣǼ�Ÿ¯�ǼÌs�ɟsǣǼ�OŸŎƼsǼÞǼÞŸŘʳ�ǢŸŘ¶�Ÿ¯�ǢŸŘ¶ǣ�Þǣ�ÌsNj�ǼÌÞNj_�¯s�ǼȖNjsʳ

SYNOPSISǻÌs��OOĶ�ÞŎs_�ɠŸNjĨ�Eɴ�NjsŘŸɠŘs_�ɳÞ__ÞǣÌ�ɠNjÞǼsNj�ǢÌŸĶsŎ��ĶsÞOÌsŎ�ǣsNjɚs_��ǣ�ÞŘǣƼÞNj�ǼÞŸŘ�̄ ŸNj�ǼÌs�ȕĨNj�ÞŘÞ�Ř�ʩĶŎŎ�ĨsNjʰ�whose third picture offers a markedly stylized vision of the lost world of the Jewish shtetl at the beginning of the 20th century. Poetic scenes created using truly magical images are loosely connected via the motif of childhood ĶŸɚsʰ�ɠÌÞĶs�ǼÌs�ʩĶŎ˅ǣ�ÞŎ�¶ÞŘ�ǼÞɚs�¯ŸNjŎ�Þǣ�ÞŎEȖs_�ɠÞǼÌ�ŘŸǣǼ�Ķ¶Þ�ʳ

Director: Eva NeymannScreenplay: rɚ�ŗsɴŎ�ŘŘƼŸ_ĶsǣǼsĠŘŸĠŎsŘŘwÌŸƼǏâE{ÌȖ�ˀ�E�ǣs_�on a story by the same name by Sholem AleichemDir. of Photography: ğNJÞŎŎɚɴ_�ǣ�ĵsÞƼȖǣEditor: Gennadiy Popov, Ilya Iovu Producer: �ĶsĨǣ�Ř_sNj�ǻĨ�OÌsŘĨŸʰ�ݶŸNj�ħŸĶŸŎŸÞǣĨɴProduction: 1+1 Production, Milena Tsibulskaya, ɳsɚÌsŘÞɴħŸ¶�Řʰ��NjÞŘ�ƻŸǣǼŸĶŸɚ�˚ǻÞÌÞƼĨŸʰ��NjǣsŘÞɴCast: ǢsŎsŘŸɚʰ�ħ�NjsŘ�D�_�ĶŸɚʰ�əÞǼ�ĶÞŘ�DÞEĶÞɚ

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Page 41: Biaff 2015 Catalogue

39

CHEMOPoland, 2015, 105 min.

���� ����KJjlNS� XjWSWXWORaR� MJRKJMJ� ����� kNTZ� XWTWVNQRZ� ]�� TWb`R�� XWTWVNQRZ� NjWOV[T� SRVWZSWTJ`R� MJN[\TJ�WXNjJlWjRZ�dNTWOVNKJZ��XWTWV[jR�MJ�[mdW[jR�lNTNSWUXJVRNKRZQORZ�JZPN�UNlR�LJMJmNUJ�LJMJR^W�MJ�ZdOJMJZdOJ�MWS[UNVl[j�Q[�UdJlOj[T�\RTUPN�SjYR`lW\�SjJ[mNZ �\RTRX�KJRWVRZJ�MJ�JVMjYNR�OJRMJZ�LONjMRQ�RU[`JOJ��mWTRZ�ZRSOMRTRZ�`NUMNL�QJORZR� XRjONTR�\RTURZ�LJMJ^NKJ�LJMJk_ORlJ�� ]RURJ<� �����jNYRZWjRZ�XRjJM�LJUWmMRTNKJZ�N\[bVNKJ� MJ� ZJZRSOMRTW� MJJOJMNKJZQJV� UNKjbWTR� k_ORTRZ� RZlWjRJ`R� ZR_OJj[TRZ � QJOMJMNKRZJ� MJ� jkUNVRZ�bJTRZ�MNUWVZljRjNKJZ�JdMNVZ�

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BIOGRAPHYD�NjǼsĨ�ƻNjŸĨŸƼŸɠÞOʊ�ʹEʳ�ˠ˨˦ˡʰ�Ňż_ʌʰ�ƻŸĶ�Ř_ʺ�ǣǼȖ_Þs_�ʩĶŎ�ƼÌŸǼŸ¶Nj�ƼÌɴ��Ǽ�ǼÌs�ƻŸĶÞǣÌ�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ�ǢOÌŸŸĶ�ÞŘ�Ňż_ʌ�(1995). He has made more than a hundred programmes for Polish and foreign television companies. He was ÞŘɚŸĶɚs_�ÞŘ�ɚ�NjÞŸȖǣ�_ŸOȖŎsŘǼ�Njɴ��Ř_�¯s�ǼȖNjs�ʩĶŎǣʰ�ɠŸNjĨÞض��ĶŸŘ¶ǣÞ_s�ħNjʊɴǣʊǼŸ¯�ħNj�Ȗʊsʰ�®ÞĶÞƼ�D�ĠŸŘ��Ř_��Ř_NjʊsĠ�ɟ�Ġ_�ʳ��¯ǼsNj�ÌÞǣ�ɠÞ¯s˅ǣ�_s�ǼÌ�Ìs�_sOÞ_s_�ǼŸ�_ÞNjsOǼ�ÌÞǣ�ʩNjǣǼ�ʩĶŎʳ�NÌsŎŸ�ʹˡ˟ˠˤʺ�Þǣ�EȖÞĶǼ�ȖƼŸŘ�ÌÞǣ�ŸɠŘ�sɮƼsNjÞsŘOsǣ�and demonstrates the strength of love, determination and faith in a story of a couple having to cope with terminal illness.SYNOPSIS�¯ǼsNj���ŘŸŘǼNj�_ÞǼÞŸŘ�Ķ�NjŸŎ�ŘOs�EĶŸǣǣŸŎǣ�EsǼɠssŘ�DsŘsĨ��Ř_�ĵsŘ�ʰ���ɴŸȖض�OŸȖƼĶs�ÞŎŎsNjǣs_�ÞŘ�LJȖsǣǼÞŸŘǣ�Ÿ¯�ĶÞ¯s�and death, they decide to defy the natural order by having a baby. A mournful yet lightly-rendered tale about the ǣs�NjOÌ�¯ŸNj�Þ_sŘǼÞǼɴʰ�ʩŘ_Þض�ĶŸɚsʰ��Ř_�ǼÌs�E�ǼǼĶs��¶�ÞŘǣǼ���¯�Ǽ�Ķ�ÞĶĶŘsǣǣ�ǼÌ�Ǽ�Þǣ�Řs�NjĶɴ�ÞŎƼŸǣǣÞEĶs�ǼŸ�ɠÞŘʳ

Director: Bartek ProkopowiczScreenplay: ħ�Ǽ�NjʊɴŘ��Ǣ�NjŘŸɠǣĨ�Dir. of Photography: Jeremiasz ProkopowiczMusic: ōÞĨNjŸŎȖǣÞOʰ�^�ɠÞ_�ħŸNjE�OʊɴŜǣĨÞʰ�ŗ�Ǽ�ĶÞ��µNjŸǣÞ�ĨEditor: ƻÞŸǼNj�ħŎÞsOÞĨʰ�NJŸEsNjǼ�µNjɴĨ�Producer: ǢǼ�ŘÞǣň�ɠ�^ʊÞs_ʊÞOProduction: ®ÞĶŎŸĨNj�OĠ�ʰ�ËDŷʰ�əȕr�ōŸɚÞsʰ�^Ý®�OǼŸNjɴʰ�®ÞĶŎ�Produkcja, Film illuminationCoproduction: Soundplace, Polish Film InstituteCast: �¶ŘÞsǣʊĨ��ʑȖĶsɠǣĨ�ʰ�ǻŸŎ�ǣʊ�ǢOÌȖOÌ�Nj_Ǽʰ�rNjɴĨ�ĵȖEŸǣʰ�Danuta Stenka

International Competition - Feature Films Section

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 ����� ����� ¢���� ����������£��� �����¢� �����¢� ������� ��������� �¢� ����� ������� ������������¢��������¢ ����������� ��� ¢�� ���� ������ ����¢������������������ ������ ��������������)LOPRNUDFMD��+%2��98(�0RYLH��',)DFWRU\��)LOP�3URGXNFMD��)LOP�,OOXPLQDWLRQ�� ¢��� ��������������6RXQGSODFH�������������������¢�¢�¢� ���������������������������¢��������� �¢���� ���������������¢���¢����

Page 42: Biaff 2015 Catalogue

40

BROTHER DEJANRussia/Serbia, 2015, 113 min.

���� ����KJS[j� KJS[jJbN� MJRKJMJ� ����� kNTZ� QKRTRZ`R�� MJJUQJOjJ� UWZSWORZ� SRVNUJlWLjJ\RRZ� ZJdNTUkR\W� RVZlRl[lRZ�ZJjNYRZWjW�S[jZNKR��URZR�XRjONTR�\RTUNKR��� `[TlNZR<������MJ� UWVJMRjN<��������SJVRZ�SRVW\NZlROJTRZQORZ�SWVS[jZRZQORZ�R]VJ�`NjaN[TR��JZNON��� jNYRZWjQJ�WjSORjN[TRZJ<�MJ� LJVZJS[QjNK[TR�dNMORZQORZ<�KJS[j�KJS[jJbN�LJdTJOQ�\RTUNKRZ� RVlRU[jR�VJkRTNKRZ<������MJ� j[Z[TR�jKWTJZ<������XjWM[ZNjR�

���������KJTSJVNQRZ� WURZ� _W\RTR� LNVNjTRZ � MNRJV� ZlJVRaRZ � ZRmWmdTRZ� KWTW� QWjUNlR� QON�� JQR� QORZ� UJVbRTPN�UJjQTUZJe[TNKRZLJV� MJUJTOJ� [kNOMJ�� ZdOJMJZdOJ� ZJRM[UTW� ZJUdNMjW� KJPJPN� _W\RTR� R[LWZTJORRZ� ZRZdTRZ�ZJUJjQTRZ�ZJNjQJ`WjRZW�ljRK[VJTZ�NUJTNKWMJ��KWTWZ�UQJ`R �NjQ�XJlJjJ�ZW\NT`R �UWd[m�ZTJOSWZQJV�fXWOJ�QJO`NZJ\JjR��[SRM[jNZ�RPWTJmRJ`R�U_W\�MNRJVZ�JjJ�UJjlW�JdJT�LJjNUWZJ�MJ�jNJTWKJZQJV�̀ NL[NKJ�[kNOZ �JjJUNM�kJjZ[TRm�Jj�JZONVNKZ�

BIOGRAPHYBorn in 1969 Tbilisi, Bakur Bakuradze graduated from the directors’ program at the Russian State Institute of NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ� ʹəµÝħʺʳ�ËÞǣ� ǼɠŸ� ʩNjǣǼ� ¯s�ǼȖNjs� ʩĶŎǣʰ� ǢÌȖĶǼsǣ� ʹˡ˟˟˧ʺ� �Ř_� ǻÌs�ËȖŘǼsNj� ʹˡ˟ˠˠʺ�ɠsNjs� EŸǼÌ� ǣsĶsOǼs_�ÞŘ�N�ŘŘsǣʰ� NjsǣƼsOǼÞɚsĶɴ� �Ǽ� ǼÌs�^ÞNjsOǼŸNj˅ǣ� ®ŸNjǼŘÞ¶ÌǼ� �Ř_�ȕŘ�NsNjǼ�ÞŘ�NJs¶�Nj_ʳ� D�ĨȖNj� D�ĨȖNj�_ʊs� �ĶǣŸ�ɠŸNjĨs_� �ǣ� ��ƼNjŸ_ȖOsNj�ŸŘ�ǣȖOÌ�ʩĶŎǣ��ǣ�ÝŘǼÞŎ�Ǽs�ƻ�NjǼǣ�ʹˡ˟ˠˢʺ��Ř_�NJȖǣǣÞ�Ř�NJ�Os�ʹˡ˟ˠˣʺʳ

SYNOPSISǻÌs�Ķ�ǣǼ�ǼɠsĶɚs�ŎŸŘǼÌǣ�ÞŘ�ǼÌs�ĶÞ¯s�Ÿ¯�̂ sĠ�Ř�ǢǼ�ŘÞQʰ���̄ ŸNjŎsNj�¶sŘsNj�Ķ�ÞŘ�ǼÌs�D�ĶĨ�Ř�ɠ�Njʳ�®ŸNj�ǼsŘ�ɴs�Njǣʰ�Ìs�ɠ�ǣ�̄ ŸNjOs_�ǼŸ�ÌÞ_s�¯NjŸŎ�ĠȖǣǼÞOsʰ�sǣƼsOÞ�ĶĶɴ�ǼÌs�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�NNjÞŎÞŘ�Ķ�ǻNjÞEȖŘ�Ķ�¯ŸNj�ǼÌs�¯ŸNjŎsNj�ɳȖ¶ŸǣĶ�ɚÞ�ʰ�ŸŘ�ɚ�NjÞŸȖǣ�ȖŘ_ÞǣOĶŸǣs_�ŎÞĶÞǼ�Njɴ�E�ǣsǣʳ�Ës�ʩŘ�ĶĶɴ�¯ŸȖŘ_�Njs¯Ȗ¶s�ɠÞǼÌ�ǢĶ�ɚĨŸʰ��Ř�ŸĶ_�Ŏ�Ř�ĶÞɚÞض�ÞŘ���ǣŎ�ĶĶ�ɚÞĶĶ�¶s�ÞŘ�ǼÌs�ŎŸȖŘǼ�ÞŘǣʳ�ǢȖ¯¯sNjÞض�from extreme isolation, Dejan will not only have to face a new environment and a new reality but won’t be able to escape his past.

Director: Bakur BakuradzeScreenwriter: Bakur Bakuradze, Ilya MalakhovaCinematography: ŗÞĨŸĶ�Þ�ə�ɚÞĶŸɚCast: Marko Nikolic, Misa TirindaProduction: NŸʲNŸ˚ƼNjŸ_ȖOǼÞŸŘ�NJȖǣǣÞ�˚ǢsNjEÞ�ʱ�əÞǼ���ĨǼÞɚ�

International Competition - Feature Films Section

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 ����� ������� ����� ����£��� �����¢� ��������� ����� ��������������������� �¢� ������������������� ���������� ���������£��������¢� ������� ������ �������������� ������� ������� ����������¡� �������9LWD�$NWLYD

Page 43: Biaff 2015 Catalogue

41

JAMES WHITEUSA, 2015; 86 min.

BIOGRAPHY ğŸǣÌ�ōŸŘ_�Ì�ǣ� ƼNjŸ_ȖOs_� ¯ŸȖNj� ¯s�ǼȖNjs� ʩĶŎǣ�ɠÞǼÌ� ÌÞǣ� ƼNjŸ_ȖOǼÞŸŘ� OŸŎƼ�Řɴ�DŸNj_sNjĶÞŘs� ®ÞĶŎǣʰ� �ŘǼŸŘÞŸ�N�ŎƼŸǣ˅��®ǻrNJǢNËŷŷĵ� ʹˡ˟˟˧ʺ� �Ř_� ǢÝōŷŗ� ħÝĵĵrNJ� ʹˡ˟ˠˡʺʰ� Ǣs�Ř� ^ȖNjĨÞŘ˅ǣō�NJǻË��ō�NJNɳ�ō�ɳ�ō�NJĵrŗr� ʹˡ˟ˠˠʺ� �Ř_��Ķ�ǣǼ�ÞNj�D�ŘĨǣ�µNjÞ¯ʩŘ˅ǣ�ǻɟŷ�µ�ǻrǢ�ŷ®�Ǣĵrrƻ�ʹˡ˟ˠ˟ʺʳ�Ës�Ì�ǣ�_ÞNjsOǼs_�ǣsɚsNj�Ķ�ŎȖǣÞO�ɚÞ_sŸǣ�ǣȖOÌ��ǣ�ˆħÞ_ǣ�ÞŘ�ĵŸɚsˇ�Eɴ�ō�ɴ_�ɴ�ƻ�Nj�_s��Ř_�OŸŎŎsNjOÞ�Ķǣ�¯ŸNj�OĶÞsŘǼǣ��ǣ�ɚ�NjÞŸȖǣ��ǣ�ÝǣĶ�Ř_�^s¯�ğ�Ŏʰ��ǼĶ�ŘǼÞO�NJsOŸNj_ǣʰ�®ŸŸǼ�ĵŸOĨsNj��Ř_�Ebay. Josh Mond was the recipient of the 2010 Annenberg Film Fellow grant from the Sundance producers’ lab. In 2015, his feature JAMES WHITE, won the Audience Award at Sundance FF and the 2nd Junior Jury Prize at FF ĵŸO�NjŘŸʳ

SYNOPSISğ�Ŏsǣ�ɟÌÞǼs�Þǣ���ǼNjŸȖEĶs_�ǼɠsŘǼɴǣŸŎsǼÌÞض�ǼNjɴÞض�ǼŸ�ǣǼ�ɴ��ʪŸ�Ǽ�ÞŘ���¯NjsŘʊÞs_�ŗsɠ�ɳŸNjĨ�NÞǼɴʳ��ǣ�Ìs�NjsǼNjs�Ǽǣ�¯ȖNjǼÌsNj�into a hedonistic lifestyle, his mother’s battle with a serious illness faces a series of setbacks that force him to �ǣǣȖŎs�ŎŸNjs�NjsǣƼŸŘǣÞEÞĶÞǼɴʳ�ɟÞǼÌ�ǼÌs�ƼNjsǣǣȖNjs�ŸŘ�ÌÞŎ�ŎŸȖŘǼÞضʰ�ğ�Ŏsǣ�ŎȖǣǼ�ʩŘ_�Řsɠ�NjsǣsNjɚsǣ�Ÿ¯�ǣǼNjsضǼÌ�ŸNj�NjÞǣĨ�imploding completely.

Director: Josh MondScreenwriter: Josh MondCinematographer: Matyas ErdelyEditor: Matt HannamMusic: Scott MescudiCast: Christopher Abbott, Cynthia Nixon, Scott, Mescudi ō�OĨsŘʊÞsʰ�ĵsÞ¶Ì�^�ɚÞ_ʰ�N�ĶĶ�NJŸŘʰ�ĵÞɚÞضǣǼŸŘ

International Competition - Feature Films Section

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���� ����eW`� UWVMUJ� QJORZR� ZJXjWMR[ZNjW� SWUXJVRJ� £ÊÍ¿ÀÍÇÄÉÀ� §ÄÇÈÎ�RQ� WQdR� Zj[TUNljJYRJVR� \RTUR� `N]UVJ�� JVlWVRW�SJUXWZRZ� ZSWTJMJUQJOjNK[TNKR<������MJ� USOTNTR�ZJRUWVR<����� �`WV�MNjSRVRZ� UJjQJ�UJjZR�UNR�UJjTRVR<������MJ�JTJZlNj�KNVSZRZ� bRTRZ�WjR�SJjRKcN<�������UWVMUJ�U[ZRSJT[jR�ORMNWNKRm�LJMJR^W �UJQ�`WjRZ���®¼Ô¿¼Ô�±¼Í¼¿À�RZ�ZRU^NjRZQORZ� `N_OJjNK[TR�KJO`ONKR<�MJ�ZdOJMJZdOJ�ZJdRZ�jNSTJUJ�̀ NUMNLR�STRNVlNKRZQORZ��ªÎǼɿ�¥ÀÁ�«¼È �¢ÏǼÉÏľ�³À¾ÊÍ¿Î �§ÊÊÏ�­Ê¾ÆÀÍ�MJ�¦½¼Ô�������kNTZ�eW`�UWVMUJ�JVNVKNjLRZ�LjJVlR�URR^W�������kNTZ�URZUJ�\RTUUJ� eNRUZ�[JRlR<�ZJVMNVZRZ�SRVW\NZlROJTPN�UJ_[jNKNTQJ�eRTMW�URR^W �dWTW�TWSJjVWZ�SRVW\NZlROJTPN���YR[jRZ�UN���XjRPR�

���������eNRUZ� [JRlR� ��� kNTZ� LJMJmRTNK[TR� JMJURJVRJ� MJ� mMRTWKZ � Ua]N\JjN� VR[�RWjS`R� Jj� aJRbRjWZ�� fNMWVRZl[jR�mdWOjNKRQ�LJlJmNK[TR�eNRUZRZ�MNMJ�ZNjRWP[T�MJJOJMNKJZQJV�KjbWTJZ�Rk_NKZ��NZ�MJ�ZdOJ�XjWKTNUNKR�SJmZ�UNlR�XJZ[dRZULNKTWKRZ�J^NKJZ�JRb[TNKZ��kVNdRZ�]ON`�UW]mN[TUJ�eNRUZUJ�bJTJ�[VMJ�LJUWVJdWZ �QWjNU�J\NQ]NKJ�NU[]jNKJ�

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Page 44: Biaff 2015 Catalogue
Page 45: Biaff 2015 Catalogue

saavtoro kinos baTumis saerTaSoriso festivali

MXT^VNW]^[R�ORUVNKR\�\JN[?J>X[R\X�TXWT^[\RINTERNATIONAL COMPETITION - DOCUMENTARY FILMS

Page 46: Biaff 2015 Catalogue

44 International Competition- Documentary Films Section

THE TOUCH OF AN ANGELPoland/Germany, 2015; 60 min.

���� ����jNYRZWjR � ZmNVJjRZlR� MJ� XjWMR[ZNjR� �� UJjNS� lWUJ`� XJOTWOZSR� MJRKJMJ� ����� kNTZ�� MJJUQJOjJ� OJj`JORZ� QNJljRZ�VJmRWVJT[jR�JSJMNURRZ�ZJjNYRZWjW�\JS[TlNlR��jNYRZWjZ�LJMJ^NK[TR�J]OZ�[JUjJOR�ZJlNTNORPRW�Q[�MWS[UNVl[jR�\RTUR �UJQ�̀ WjRZ�mVWKRTR�XjWN]lNKR��DJSjbJT[TR�ZR_OJj[TRZ�RZlWjRJ��KjWVRJ�MJ�LNjfJjMR<������kNTR �DLJ]mN[TR<������kNTR �DL[TLJlNdRTQJ�mRjSR<������kNTR�

���������\RTUR�RU�JMJURJVRZ�RZlWjRJZ�LOR_ONKJ �jWUNTRm�[JUjJO�NKjJNTZ�MJNdUJjJ�ZJSWVmNVljJmRW�KJVJSRMJV�LJ]mNOJ`R�

BIOGRAPHYBorn in 1963. Director, screenwriter, producer and educator. Graduated from the National Theater Academy in Warsaw, ^ÞNjsOǼÞض�̂ sƼ�NjǼŎsŘǼʳ�ƻNjŸ_ȖOsNj��Ř_�_ÞNjsOǼŸNj�Ÿ¯�Ŏ�Řɴ�ǼÌs�ǼNjs�ƼsNj¯ŸNjŎ�ŘOsǣʰ�ǻə�ƼNjŸ_ȖOǼÞŸŘǣ��Ř_�ÞŘǼsNjŘ�ǼÞŸŘ�ĶĶɴ��OOĶ�ÞŎs_�_ŸOȖŎsŘǼ�Njɴ�ʩĶŎǣʰ�ÞŘOĶȖ_Þض�ˆǻÌs�®ŸNjEÞ__sŘ�ĵŸɚsʳ���ǢǼŸNjɴ�Ÿ¯�DNjŸŘÞ���Ř_�µsNjÌ�Nj_ˇ�ʹˡ˟˟ˡʺʰ�ˆǻÌs�NJȖŘ�ɠ�ɴˇ�ʹˡ˟˟˦ʺʰ�ˆǻÌs�Heartbroken Circus” (2009), all played at the PFFA. He now completes “A Touch of an Angel.”

SYNOPSISō�NjsĨ�ǻŸŎ�ǣʊ�ƻ�ɠĶŸɠǣĨÞ˅ǣ�_ŸOȖŎsŘǼ�Njɴ�ǻÌs�ǻŸȖOÌ�Ÿ¯��Ř��ضsĶ�ƼNjŸʩĶsǣ���Ŏ�Ř�ɠÌŸ�ÌsĶƼs_�¶sǼ�ŘȖŎsNjŸȖǣ�ğsɠǣ�ŸȖǼ�Ÿ¯��ȖǣOÌɠÞǼʊ�Es¯ŸNjs�ǼÌs�ÞŘ¯�ŎŸȖǣ�ŗ�ʊÞ�OŸŘOsŘǼNj�ǼÞŸŘ�O�ŎƼ�EȖÞĶǼ�ǼÌsNjs�EsO�Ŏs�ŸƼsNj�ǼÞŸŘ�Ķʳ�ǻÌs�ʩĶŎŎ�ĨsNjǣ�sɮƼĶŸNjs�ÌŸɠ�ǼÌs�policies of many foreign countries kept more lives from being spared.

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Director: Marek Tomasz PawlowskiWriter: Marek Tomasz Pawlowskicast: Zuzia Dudek, Jacek Flasz, Miroslaw Ganobis

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Page 47: Biaff 2015 Catalogue

45International Competition- Documentary Films Section

AMYUk, 2015, 127min.

���� ���� KJ\lJZ<� U\TWKNTR� JZR\� SJXJMRJ� ����� kNTZ� MJRKJMJ�� RLR� LJVZdOJONK[T � [SRM[jNZJM� MJ[VMWKNT� LJjNUW`R�UmdWOjNKR�XNjZWVJYNKRZ�`NZJdNK�`QJUKNcMJOR�\RTUNKRZ�`N]UVRQ�JjRZ�mVWKRTR��URZR�VJ`jWUNKR�UQNT�UZW\TRW`RJ�LJOjmNTNK[TR�MJ�KjRlJV[TR�SRVNUJlWLjJ\RRZ�UjJOJT\NjWOVNKJZ�LJUWdJlJOZ��JZR\�SJXJMRJZ�eRTMWZ�U\TWKNT�\RTUNKZ�`WjRZJJ�UWSTNUNljJYRJVR� mdOjRZ�][jMR<����� �URZR�XRjONTR�Zj[TUNljJYRJVR�\RTUR� UNWUJjR<������MJ� ZNVJ<�������JZNON�SJXJMRJZ�NS[QOVRZ� MJKj[VNKJ<������MJ� `WjN[TR�ajMRTWNQR<������

��������� WZSJjRZ<� U\TWKNTR� \RTURZ � ZNVJZ< � jNYRZWjRZ� �� JZR\� SJXJMRJZ� �UWUJeJMWNKNTR � NUWmR[jR � ZJRVlNjNZW� MJ�`QJUKNcMJOR �MWS[UNVl[jR�\RTUR������kNTZ�LJjMJmOTRTR�ZJWmjJM�VRcRNjR �Q[UmJ�ZJ`RVTJM�XjWKTNU[jR�NUR�[JRVfJ[ZRZ�LJUJWLVNKNT�UR^kNONKZJ�MJ�QJOKj[MJUdONO�MJmNUNKZ�JZJdJOZ��\RTU`R�LJUW_NVNK[TRJ�ZJ`RVJW�aJVJkNjNKR �UWKRT[jR�lNTN\WVNKRQ� LJMJ^NK[TR�MJ� ZJJj]ROW� aJVJkNjNKR�� ZNOMJVJjNO�\RTU`R� eJMWZV[jR � U[ZRSJT[jR�MJ�ZJWmJjR�VRcRNjNKRZ�JUZJdONTR�ZmNVNKRJ�

BIOGRAPHY D�®ǻ��ɠÞŘŘÞض�ʩĶŎŎ�ĨsNjʰ��ǣÞ¯� ħ�Ƽ�_Þ�� Þǣ� ĨŘŸɠŘ� ¯ŸNj� ÌÞǣ� ɚÞǣȖ�ĶĶɴ� ǣǼNjÞĨÞض�ʩĶŎǣ� sɮƼĶŸNjÞض� OÌ�Nj�OǼsNjǣ� ĶÞɚÞض� ÞŘ� ǼÞŎsĶsǣǣʰ�sɮǼNjsŎs��Ř_�ȖŘ¯ŸNj¶ÞɚÞض�Ķ�Ř_ǣO�Ƽsǣʳ�ËÞǣ�ʩĶŎǣ�Ì�ɚs�EssŘ��ɠ�Nj_s_��Ř_�_ÞǣǼNjÞEȖǼs_�ÞŘǼsNjŘ�ǼÞŸŘ�ĶĶɴ��Ř_�ǣÌŸɠŘ�ÌŸɠ�ɚsNjǣ�ǼÞĶs��Ř_�sɮƼNjsǣǣÞɚs�DNjÞǼÞǣÌ�OÞŘsŎ��O�Ř�Esʳ��ǣÞ¯�ħ�Ƽ�_Þ�˅ǣ�́ Eʳ�ɣ ˨˦ˡʺ��ɠ�Nj_˚ɠÞŘŘÞض�ʩĶŎǣ�ÞŘOĶȖ_s�ÌÞǣ�ǣÌŸNjǼǻÌs�ǢÌssƼ�ǻÌÞs¯�́ ˠ˨˨˦ʺʰ�ʩNjǣǼ�¯s�ǼȖNjs�ǻÌs�ɟ�NjNjÞŸNj�ʹˡ˟˟ˠʺʰ��Ř_ǢsŘŘ��ʹˡ˟ˠ˟ʺʳ�ËÞǣ�ŸǼÌsNj�ŎŸɚÞsǣ�ÞŘOĶȖ_s�ǻÌs�NJsǼȖNjŘ�ʹˡ˟˟˥ʺ��Ř_®�Nj�ŗŸNjǼÌ�ʹˡ˟˟˦ʺʳ

SYNOPSIS�Ř��EǣŸNjEÞضʰ�ŎŸɚÞضʰ�ÞŘǣÞ¶ÌǼ¯ȖĶ��Ř_�ƼŸɠsNj¯ȖĶ�_ŸOȖŎsŘǼ�Njɴ�̄ NjŸŎ��ǣÞ¯�ħ�Ƽ�_Þ��́ ɠÌŸ�_ÞNjsOǼs_�ǼÌs�ŷǣO�Nj˚ɠÞŘŘÞض�_ŸOȖŎsŘǼ�Njɴ�Senna) that charts the amazing highs and terrible lows in the life of the wonderfully talented but terribly troubled Amy Winehouse, who died in 2011. Great use of home video, camera phones, archive footage and interviews combine to craft ��ŎsǣŎsNjÞǣÞض�˛��Ř_�Ÿ¯ǼsŘ�ɚsNjɴ�ǣ�_�˚�ʩĶŎ�ENjÞŎŎÞض�ɠÞǼÌ�Ŏ�¶ÞO�Ķ�ŎȖǣÞO�Ķ�ŎŸŎsŘǼǣʰ�Ÿ¯¯sNjÞض���NjsŎ�NjĨ�EĶs�ƼŸNjǼNj�ÞǼ�Ÿ¯���wonderful talent.

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Director: �ǣÞ¯�ħ�Ƽ�_Þ� Producer: James Gay-Rees Editor: NÌNjÞǣ�ħÞض Music: Antionio PintoCast: Amy Winehouse, Mark Ronson, Tony Bennett, Salaam Remi

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Page 48: Biaff 2015 Catalogue

46

CARTEL LANDU.S.A./Mexico, 2015, 98 min.

���� ����JUNjRSRZ�lNTNORPRRZ� JSJMNURRZ� eRTMWZ� �� DNURZ<� �� VWURVJVlR�jNYRZWjR � UNQR[� fNRVUJVR � VR[� RWjS`R�mdWOjWKZ�� URZR� \RTURZ� �� D¦Î¾¼ËÀ� §ÄÍÀ<� �� XjNURNjJ� ¤¯¯�PN� `NMLJ�� DSJjlNTRZ� URkJ<� ZJVMNVZRZ�SRVW\NZlROJTPN�JaONVNZ �ZJMJm�fNVUJVUJ�ZJ[SNQNZW�jNYRZWjRZ�eRTMW�UWRXWOJ�

���������DSJjlNTRZ� URkJ<� PNMJUdNMONTNKRZ� DOReRTJVlNKRZ<�Wj� eL[\PN� LOR_ONKJ �jWUNTQJm� ZJNjQW�UlNjR �UN]ZRS[jR� VJjSW� SJjlNTR� f_JOQ�� UN]ZRSRZ� NjQ�NjQ� `lJl`R � DNT� MWSlWjRZ<� ZJdNTRQ� mVWKRTR�N]RUR �dWZN�URjNTNZR�UWZJdTNWKJZ�SJjlNTNKPN�JeJV_NKRZSNV�UW[kWMNKZ��XJjJTNT[jJM �JjRPWVJ`R�UmdWOjNKR� WURZ� ONlNjJVR � lRU� DVNRTNj<� \WTR � UmRjN� jJPUZ� ]UVRZ� ZJP^OJjPN� JjZNK[TR� ZRl[JmRRZ�LJZJSWVljWTNKTJM�

BIOGRAPHY ō�ǼǼÌsɠ�ËsÞŘsŎ�Ř� Þǣ��Ř�rŎŎɴ˚ŘŸŎÞŘ�Ǽs_�ʩĶŎŎ�ĨsNj�E�ǣs_� ÞŘ�ŗsɠ�ɳŸNjĨʳ�Ës�ƼNjsɚÞŸȖǣĶɴ�_ÞNjsOǼs_�rǣO�Ƽs�®ÞNjsʰ�ɠÌÞOÌ�ƼNjsŎÞsNjs_�ŸŘ�Nŗŗʳ�N�NjǼsĶ� ĵ�Ř_�ƼNjsŎÞsNjs_� ÞŘ� ǼÌs�ȕʳǢʳ�^ŸOȖŎsŘǼ�Njɴ�NŸŎƼsǼÞǼÞŸŘ��Ǽ� ǼÌs�ǢȖŘ_�ŘOs�®ÞĶŎ�Festival and won the Best Director Award.

SYNOPSISN�NJǻrĵ�ĵ�ŗ^�Þǣ���Ì�NjNjŸɠÞض�ĶŸŸĨ��Ǽ�ǼɠŸ�ŎŸ_sNjŘ˚_�ɴ�ɚÞ¶ÞĶ�ŘǼs�¶NjŸȖƼǣ��Ř_�ǼÌsÞNj�ǣÌ�Njs_�sŘsŎɴ�˛�ǼÌs�ŎȖNj_sNjŸȖǣ�Mexican drug cartels. In the Mexican state of Michoacán, Dr. Jose Mireles, a small-town physician known as “El ^ŸOǼŸNjʰˇ�Ķs�_ǣ�ǼÌs��ȖǼŸ_s¯sŘǣ�ǣʰ���OÞǼÞʊsŘ�ȖƼNjÞǣÞض��¶�ÞŘǣǼ�ǼÌs�ɚÞŸĶsŘǼ�ħŘÞ¶ÌǼǣ�ǻsŎƼĶ�Nj�_NjȖ¶�O�NjǼsĶʳ�ōs�ŘɠÌÞĶsʰ�ÞŘ��NjÞʊŸŘ�˅ǣ��ĶǼ�Nj�ə�ĶĶsɴʰ�ǻÞŎ�ˆŗ�ÞĶsNjˇ�®ŸĶsɴʰ���ȕǢ�ɚsǼsNj�Řʰ�Ìs�_ǣ���Ƽ�Nj�ŎÞĶÞǼ�Njɴ�¶NjŸȖƼ�˚��NjÞʊŸŘ��DŸNj_sNj�NJsOŸŘ�˚�ɠÌŸǣs�goal is to stop Mexico’s drug wars from seeping across our border. Filmmaker Matthew Heineman embeds himself in the heart of darkness as Nailer, El Doctor, and the cartel each vie to bring their own brand of justice where institutions have failed.

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Director: Matthew HeinemanProducer: ō�ǼǼÌsɠ�ËsÞŘsŎ�Řʰ�ǻŸŎ�ɳsĶĶÞŘEditor: Matthew Hamachek, Matthew Heineman, Bradley J. Ross, Pax WassermannCinematographer: Matthew Heineman, Matt PorwollExecutive Producer: ōŸĶĶɴ� ǻÌŸŎƼǣŸŘʰ� ^�ɚÞ_�ōOħÞĶĶŸƼʰ� NJŸEsNjǼ�DebitettoComposer: H. Scott Salinas, Jackson Greenberg

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International Competition- Documentary Films Section

Page 49: Biaff 2015 Catalogue

47

ONCE MY MOTHERAustralia/Poland/Ukraine, 2014, 75 min.

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���������aONVZ�U`WKTNKZ�SJjLJM�Jj�ORmVWKQ���ZkWjNM�JURZ�Q]UJ�Z[jZ�ZW\RJ�l[jSRNORaZ �mMRTWKZ�LJJjSORWZ �jJlWU�MJlWOJ�MNMJU�KJO`OQJ�ZJdT`R��ZW\RJZ�MNMJ �NTNVJ �XWTWVNQ`R�MJRKJMJ �WUJUMN��UJV�ZJ`RVNTR�`RU`RTR �LJZJcRjR�MJ�ZR^JjRKN�LJUWRJjJ��NTNVJZ�JjNjQdNT�UW[kRJ�ZJmdWOjNKNTR�JMLRTRZ�`NmOTJ�jNYRZWjR� RbRNKZ� MNMRZJ� MJ� ZJS[QJjR� mdWOjNKRZ� ZJSOJbW� LJjNUWNKNKZ� MJ� mMRTWKZ � UVR`OVNTWOJV�SRQdONKZ�LJZmNZ�XJZ[dR�

BIOGRAPHY DŸNjŘ�ÞŘ���ƻŸĶÞǣÌ�Njs¯Ȗ¶ss�O�ŎƼ�ÞŘ��¯NjÞO�ʰ�ǢŸƼÌÞ���NjNjÞɚs_�ÞŘ��ȖǣǼNj�ĶÞ�ʳ�ǢÌs�¶Nj�_Ȗ�Ǽs_��ȖǣǼNj�ĶÞ�Ř�®ÞĶŎʰ�ǻsĶsɚÞǣÞŸŘ�˓�NJ�_ÞŸ�ǢOÌŸŸĶ�ÞŘ�ˠ˨˦˧��Ř_�Ì�ǣ�Ŏ�ÞŘĶɴ�ɠŸNjĨs_��ǣ���_Nj�Ŏ��_ÞNjsOǼŸNjʳ�ËsNj�ONjs_ÞǼǣ�ÞŘOĶȖ_s�ǼÌs�ˠ˨˧ˣ�¯s�ǼȖNjs�ʩĶŎ�ˆǢÞĶɚsNj�City”, which won 3 AFI Awards, and Best Film at the Sydney Film Critics Awards. She lectured in the Directing Department at the Australian Film, Television and Radio School.

SYNOPSISɟs�_Ÿ�ŘŸǼ�Njs�ĶĶɴ�ĨŘŸɠ�ŸȖNj�Ƽ�NjsŘǼǣʳ�ǻÌÞǣ�Þǣ�ɠÌ�Ǽ�ǼÌs�ʩĶŎŎ�ĨsNj�ƼsNjǣȖ�_sǣ�Ȗǣ�ǼŸ�EsĶÞsɚs�ɠÌÞĶs�ǼNjɴÞض�ǼŸ�ʩŘ_�ŸȖǼ�ɠÌɴ�her mother left her in an orphanage many years ago. Born in pre-war Poland, Helena experienced orphanhood and homelessness herself, went through a gulag and a period of wandering around the world. Reconstructing her biography at the backdrop of the 20th century history, the director discovers the circumstances that determined the lives of both women. Will she be able to forgive her mother now?

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Direction: ǢŷƻËÝ��ǻȕNJħÝrɟÝNʉScript : ǢŷƻËÝ��ǻȕNJħÝrɟÝNʉCinematography: NJŷ^�®NJrr^ō�ŗʰ�ğŷ�ŗŗr�ƻ�NJħrNJʰ�ǢǻrƻËrŗ�SCHEDINGArt Direction: ōÝNË�ĵÝŗ��Ňȕħ�ǢÝħMusic: Nrʉ�NJɳ�ǢħȕDÝǢʉrɟǢħÝEditing: ^rŗÝǢr�Ë�ǢĵrōSound: ōÝNË�rĵ�µÝǢǢÝŗµʰ�ō�NJħ�ħr�ǻÝŗµProduced by: NË�ŗµr�®ŷNȕǢ�ōr^Ý�Producer: ROD FREEDMAN

International Competition- Documentary Films Section

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Page 50: Biaff 2015 Catalogue

48 International Competition- Documentary Films Section

DOUBLE ALIENSLatvia/Georgia, 2015, 60min.

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���������ZJUmdN�eJOJdNQ`R� [UNlNZJM� ZWUNdR� UWZJdTNWKJ� mdWOjWKZ�� ]JjQONTR� \WlWLjJ\R� MJ� TJlORNTR�jNYRZWjR� ZkWjNM� JU� jNLRWV`R� UWLPJ[jWKNV� MJ� R]� UmdWOjNKR� dJTdRZ� _WONTM^R[j� XjWKTNUNKPN�UWLORQdjWKNV�

BIOGRAPHY ^ÞNjsOǼŸNjʰ�ƻNjŸ_ȖOsNjˀ�ħĶÞƼȖ�®ÞĶŎȖ�^�NjEŘ�̽O�ʳ�DŸNjŘ�ŸŘ�ō�NjOÌ�ˣʰ�ˠ˨˧ˠ�ÞŘ�rNj¶ĶÞʰ�ĵ�ǼɚÞ�ʳ�ɟÌÞĶs�ǣǼȖ_ɴÞض�ĠŸȖNjŘ�ĶÞǣǼÞOǣ��Ř_�ƻNJ�ÞŘ�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�ĵ�ǼɚÞ�ʰ�ȕ¶Þǣ�ǣǼ�NjǼs_�ǼŸ�ɠŸNjĨ�ŸŘ�ɠssĨĶɴ�sŘɚÞNjŸŘŎsŘǼ�Ķ�ǻə�ƼNjŸ¶Nj�ŎŎs�ˆəÞ_sǣ�®�ĨǼÞˇʰ�ɠÌÞOÌ�Ķs�_�ǼŸ��Ř��ɠ�Nj_�Ÿ¯�ĵ�ǼɚÞ�Ř�ŗ�ǼÞŸŘ�Ķ�ǻə��Ř_�Nj�_ÞŸ�OŸȖŘOÞĶ��ǣ�ǼÌs�EsǣǼ�ǻɚ�ĠŸȖNjŘ�ĶÞǣǼ�ÞŘ�ˡ˟˟ˢʳ�ÝŘ�ˡ˟˟ˠ�ȕ¶Þǣ�ĠŸÞŘs_�D�ĶǼÞO�Njs�ĶÞǼɴ�ǻə�ǣÌŸɠ�ˆǣȖNjɚÞɚŸNjˇ�ONjsɠ�¯ŸNj�ˢ�ɴs�Njǣʳ�ǻÌÞǣ�sɮƼsNjÞsŘOs�¯ŸNjOs_�ÌÞŎ�ǼŸ�ǣÌÞ¯Ǽ�ÌÞǣ�ƼNjŸʩĶs�¯NjŸŎ�ǻə�ĠŸȖNjŘ�ĶÞǣŎ�ǼŸ�ǻə�ƼNjŸ_ȖOǼÞŸŘ��Ř_�_ÞNjsOǼÞضʳ��ǣ���_ÞNjsOǼŸNj�Ìs�ǼsŘ_ǣ�ǼŸ�Ķs�NjŘ�sɚsNjɴ�sĶsŎsŘǼ�Ÿ¯�ʩĶŎŎ�ĨÞض�˛�¯NjŸŎ�s_ÞǼÞض�ǼŸ�ǣŸȖŘ_�_sǣÞ¶Řʰ�ǼŸ�sɮƼ�Ř_�ÌÞǣ�ONjs�ǼÞɚs�ǼÌÞŘĨÞضʳ�NȖNjNjsŘǼĶɴ�ȕ¶Þǣ�ǣǼÞĶĶ�ɠŸNjĨǣ�¯ŸNj�sŘɚÞNjŸŘŎsŘǼ�Ķ�ǻə�ƼNjŸ¶Nj�ŎŎs�ÞŘ��__ÞǼÞŸŘ�ǼŸ�_ÞNjsOǼÞض�ǻə��_ǣʰ�OŸĶŸNj�¶Nj�_Þض�ʩĶŎǣ�Ÿ¯�ŸǼÌsNj�_ÞNjsOǼŸNjǣ��Ř_�s_ÞǼÞض�sɚsNjɴ�ƼÞsOs�Ÿ¯�¯ŸŸǼ�¶s�ǼÌ�Ǽ�Řss_ǣ�ǼŸ�Es�OȖǼʳ�®ȖǼȖNjs�ƼĶ�Řǣ��Njs�ŸNjÞsŘǼs_�ǼŸɠ�Nj_ǣ�Ŏ�ĨÞض�ǣsɚsNj�Ķ�ǣÌŸNjǼ�ʩOǼÞŸŘ�ʩĶŎǣʳ

SYNOPSISThe Samtskhe-Javakheti region in South Georgia, with a mostly Armenian population, suffers under silent ethnic ǼsŘǣÞŸŘǣ�O�Ȗǣs_�Eɴ���ÌÞǣǼŸNjÞO�Ķ�EȖNj_sŘʳ���ȖŘÞLJȖs�ƼĶ�Os�ǼŸ�ǣǼȖ_ɴ�ǼÌs�NjŸĶs�Ÿ¯�ǼÌs�ÌȖŎ�Ř�¯�OǼŸNj�ÞŘ�sǼÌŘÞO�OŸŘʪÞOǼǣ�ǼÌNjŸȖ¶Ì�ǼÌs�sɴsǣ�Ÿ¯���µsŸNj¶Þ�Ř�ƼÌŸǼŸ¶Nj�ƼÌsNj��Ř_�s�Njǣ�Ÿ¯���ĵ�ǼɚÞ�Ř�ʩĶŎ�_ÞNjsOǼŸNjʳ

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Director: ȕ¶Þǣ�ŷĶǼsCo-producer :Ǣ�ħ^ŷN�ʹµsŸNj¶Þ�ʺScriptwriter: ȕÄÞǣ�ŷĶǼsCinematographers: ə�Ķ_Þǣ�NsĶŎÞŪǫʰ�ȕĶ_Þǣ�NsĨȖĶÞǣEditor: ȕÄÞǣ�ŷĶǼsSound: µ�ǼÞǣ�ʉ�IJÞǣOriginal Music: ğ�ŘÞǣ�ǪÞƼĨ�ɚÞOǣʰ�NJsÞŘÞǣ�Ǣ�Ġ�Řǣ�ʹÝŗǢǻNJȕōrŗǻÝʺProducers: ȕĶ_Þǣ�NsĨȖĶÞǣʰ��ŘŘ��^ʊÞ�ƼǣÌÞƼ�Supported by: ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ�NsŘǼNjs�Ÿ¯�ĵ�ǼɚÞ�ˀµsŸNj¶Þ�Ř�®ÞĶŎ�NsŘǼNjsCompany: ə®Ǣ�®ÞĶŎǣ

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49International Competition- Documentary Films Section

THE RUSSIAN WOODPECKERUSA/Ukraine, 2014, 82 min.

���� ����jNYRZWjR�MJ�MjJUJl[LR�aJM�LJjZRJ����kNTRJ�VR[�RWjSRZ�QNJlj`R�U[`JWKZ��URZ�XRNZNKZ�MLJUNV�JUNjRSRZJ�MJ�NOjWXRZ�kJU_OJV�QNJljNK`R��Dj[Z[TR�SWMJTJ<�jNYRZWjRZ�XRjONTR�\RTURJ�

���������aNjVWKRT`R �bONTR�ZJKcWQJ�LJMJUmNURZ�`NZkJOTRZJZ �\RWMWj�JTN]ZJVMjWORaR�ZJRM[UTW�`NQ]U[TNKRZ�SOJTZ� J^UWJaNVZ�� JdTJ� UJZ� UdWTWM� NjQR� URPJVR� JUWbjJONKZ� �� LJJjSORWZ � jJU� LJUWRkORJ� ZRVJUMORTN`R�SJlJZljW\J �jJZ�UJTJOMJ�ZJKcWQJ�UQJOjWKJ�MJ�jJm�UQJOJjRJ �LJUWRmVWZ�jJlWU�MLJZ�eJjQRZ�[PJjUJPJjR�LjWOJ�SJlJZljW\RZ�JMLRTQJV�JdTWZ�

BIOGRAPHY NÌ�_�µNj�OÞ��Ì�ǣ�ɠŸNjĨs_�ÞŘ�ŗsɠ�ɳŸNjĨ�ǼÌs�ǼNjs�¯ŸNj�Řs�NjĶɴ�ˡ˟�ɴs�Njǣ��ǣ���ƼNjŸ_ȖOsNj��Ř_�ƼĶ�ɴɠNjÞ¶ÌǼʰ�ɠÞǼÌ���¯ŸOȖǣ�ŸŘ�ƼĶ�ɴǣ�ÞŘ�ɚsNjǣsʳ�ËÞǣ�ɠŸNjĨǣ�Ì�ɚs�ǣssŘ�ƼNjŸ_ȖOǼÞŸŘǣ�ÞŘ�ɚ�NjÞŸȖǣ�OÞǼÞsǣ�ÞŘ�ǼÌs�ȕŘÞǼs_�ǢǼ�Ǽsǣ��Ř_�rȖNjŸƼsʳ�Ës�OŸ˚ɠNjŸǼs�Gilgamesh, a drama based on the Sumerian epic, and has long collaborated with the American verse playwright ħÞNjĨ�ɟŸŸ_�DNjŸŎĶsɴʳǻÌs�NJȖǣǣÞ�Ř�ɟŸŸ_ƼsOĨsNj�Þǣ�ÌÞǣ�ʩNjǣǼ�ʩĶŎʳ

SYNOPSISFedorAlexandrovich was 4 years old in 1986, when he was exposed to the toxic effects of the Chernobyl nuclear meltdown and forced to leave his home. Now he has a singular obsession with the catastrophe - why did it actually happen? Was there more to the story than the Soviet government let on? And, most importantly, what did this all have to do with the giant, mysterious steel pyramid now rotting away 2 miles from the disaster site, “The Russian Woodpecker”? In this documentary thriller Alexandrovich tries to decide whether to risk his life amid growing OĶŸȖ_ǣ�Ÿ¯�ȕĨNj�ÞŘs˅ǣ�sŎsNj¶Þض�NjsɚŸĶȖǼÞŸŘ��Ř_�ɠ�Njʳ

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Director: Chad GraciaProducer: ōÞĨs�ĵsNjŘsNjʰ�NJ�Ŏ�^sɚÞŘsŘÞCinematography: Artem RyzhykovEditing: Chad Gracia, Alan Berliner, Devin TanchumMUSIC: ħ�Ǽɴ��ōÞÌ�ÞĶŸɚ�

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Page 52: Biaff 2015 Catalogue

50 International Competition- Documentary Films Section

A SYRIAN LOVE STORYUnited Kingdom, 2015, 80 min.

kNTR�MJ�DRJXWVRJ��ZR_OJj[TRZJ�MJ�ZRb[TORTRZ�RZlWjRJ=������kNTR��UJSJTRZlNjRZ� \RTUNKR� UZW\TRWZ� ZdOJMJZdOJ� ]ON_JVJ`R� UmdWOjNK� JMJURJVNKPN� UWLORQdjWKZ��QRQWN[TR� VJU[`NOJjR� JU� JMJURJVNKRZ� L[Tkj\NTR� MJ� RVlRU[jR� XWjljNlRJ � JURlWUJmJJ � jWU�UJ_[jNKTRZQORZ�[k_ONl�`QJLWVNKRZ�k_JjWZ�kJjUWJMLNVZ�

���������JUNjR� MJ� jJLMJ� NjQUJVNQZ� mRdN`R� `NdOMVNV � WjRON� XWTRlRS[jR� XJlRUJjR� R_W�� `WV� UJSJTRZlNjUJ�RZRVR�WmkTRJVR�QJVJmdWOjNKRZ�`NUMNL�LJRmVW��k_ORTZ�[SON���`ORTR�f_JOMJ��LJVUNWjNKRQR�XJlRUjWKRZ�`NUMNL �jJLMJZ�[NmjJM�JQJORZ[\TNKNV��UQNTZ�WeJdZ�[dJjRJ �LJVZJS[QjNKRQ�SR �WQdR�kTRZ�KRc[VJZ �KWKZ��jNYRZWjRZJ� MJ� UQJOJjR� LURjNKRZ� mdWOjNKJ� NjQUJVNQZ� ZJU[MJUWM� [SJO`RjMNKJ� �� UJSJTRZlNjZ�QJOJMJm�JXJlRUjNKNV�� JUNjR�MJ�jJLMJ�Rb[TNK[TNKR�JjRJV�TRKJV`R�LJR]mVNV�MJ�`ORTNKR�[ZJ\jQdW�JMLRTJZ�LJMJR_OJVWV�

BIOGRAPHYDŸNjŘ�ÞŘ�ħÞضǣǼŸŘ˚ȖƼŸŘ˚ËȖĶĶ�ÞŘ�rضĶ�Ř_�ÞŘ�ˠ˨˥ˤʳ�ĵs�ɚÞض�ǣOÌŸŸĶ��Ǽ�ǼÌs��¶s�Ÿ¯�ǣÞɮǼssŘʰ�Ìs�ɠŸNjĨs_�ÞŘ���ŘȖŎEsNj�Ÿ¯�¯�OǼŸNjÞsǣ� ÞŘ� ǼÌs�ŘŸNjǼÌ�Ÿ¯�rضĶ�Ř_�Es¯ŸNjs��ǼǼsŘ_Þض� ǼÌs�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ��Ř_�ǻsĶsɚÞǣÞŸŘ�ǢOÌŸŸĶ� ÞŘ�Ds�OŸŘǣ� ˚�ʩsĶ_ʰ�graduating in 1996. After several awardwinning television documentaries he founded his own production company, Tenfoot Films, in the year 2000.

SYNOPSISAmer met Ragda, when both were locked up in a Syrian jail for speaking out against an oppressive regime. Twenty ɴs�Njǣ��Ř_�¯ŸȖNj�ǣŸŘǣ� Ķ�ǼsNjʰ�ʩĶŎŎ�ĨsNj�Ǣs�Ř�ōO�ĶĶÞǣǼsNj�OŸŎsǣ� ÞŘǼŸ�ǼÌsÞNj� ĶÞɚsǣʰ��ǣ��ŎsNj� Þǣ�ɠ�ÞǼÞض�¯ŸNj�NJ�¶_�ʰ�ɠÌŸ�has once again been imprisoned. When she is unexpectedly released, the family is overjoyed - they need her, particularly three year-old Bob. McAllister and his subjects’ lives become irrevocably intertwined when McAllister ÌÞŎǣsĶ¯�Þǣ�Ġ�ÞĶs_ʰ��Ř_�¯ŸŸǼ�¶s�Ÿ¯�ǼÌs�¯�ŎÞĶɴ�Þǣ�OŸŘʩǣO�Ǽs_ʳ��ŎsNj��Ř_�NJ�¶_��ŎȖǣǼ�ʪss�ŸɚsNjŘÞ¶ÌǼ�ǼŸ�ĵsE�ŘŸŘʰ�ɠÞǼÌ�nothing but their children.

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DIRECTOR: Sean McAllisterPRODUCERS: Elhum Shakerifar, Sean McAllister

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Page 53: Biaff 2015 Catalogue

51International Competition- Documentary Films Section

THE LAST DAYS IN VIETNAMUSA, 2014, 98 min.

���� ����jWjR� SNVNMR� mVWKRTR� XjWMR[ZNjR � jNYRZWjR� MJ� UkNjJTRJ�� RZ� QJORZ� XJjlVRWj� TRP� LJjK[ZQJV�NjQJM�ZJXjWMR[ZNjW�SWUXJVRJ�<®ÊÓÄÀ�§ÄÍÀ¾Í¼¾ÆÀÍ�§ÄÇÈÎ=�RZ�QJVJMJU\[bVNKNTRJ��kTNKRZ�LJVUJOTWKJ`R�jWjRZ�U[`JWKMJ�RZNQ�kJU_OJV�lNTNJjdNKQJV �jWLWjRmJJ�©£° �±£´ �­ÄÁÀÏÄÈÀ�µÀÇÀÑÄÎÄÊÉ �¢�¦ �¤ÊÐÍÏ�µ· �µÃÀ�°ÓÔÂÀÉ�¯ÀÏÒÊÍÆ�MJ�µÃÀ�­À¼ÍÉÄÉÂ�¤Ã¼ÉÉÀÇ��jNYRZWjR�QJORZ�\RTUNK`R�UVR`OVNTWOJV�ZWmRJT[j�Q[�XWTRlRS[j�QNUNKZ�LJVRdRTJOZ��̀ RMZR �JMJURJVQJ�[\TNKNKR �WeJd[jR�bJTJMWKJ �ZR^JjRKN �VJjSWUJVRJ�MJ�J�`�

���������ORNlVJURZ� WURZ� KWTW� M^NNKR�� ajMRTWNQ� ORNlVJUNTQJ� JjURJ� ZJRLWVZ� [JdTWOMNKJ�� `N`RVNK[TR� UWZJdTNWKJ�LJ]mNOJZ� mMRTWKZ�� JUNjRSNTR� eJjRZSJmNKR� UWjJT[jR� MRTNURZ� kRVJ`N� MLJVJV�� MJNUWjaRTWV� UQJOjWKRZ�LJVSJjL[TNKJZ� MJ� ZJ`R`R� PWVRMJV� LJUWR_OJVWV� UdWTWM� JUNjRSNTR� MRXTWUJlNKR� Q[ � ZJS[QJjR� ZRmWmdTRZ�ZJ\jQdN`R�aJLMNKRZ�\JZJM �JMLRTWKjROR�UWZJdTNWKRZ�LJMJjaNVJm�ZmJMWV�

BIOGRAPHY NJŸNjɴ�ħsŘŘs_ɴ�Þǣ��Ř��ɠ�Nj_˚ɠÞŘŘÞض�ƼNjŸ_ȖOsNjʰ�_ÞNjsOǼŸNj��Ř_�ɠNjÞǼsNjʳ�ǢÌs�Þǣ�OŸ˚¯ŸȖŘ_sNj�Ÿ¯�ōŸɮÞs�®ÞNjsONj�OĨsNj�®ÞĶŎǣʰ��Ř�ÞŘ_sƼsŘ_sŘǼ�_ŸOȖŎsŘǼ�Njɴ�ƼNjŸ_ȖOǼÞŸŘ�OŸŎƼ�Řɴ�ǼÌ�Ǽ�ǣÌs�NjȖŘǣ�ɠÞǼÌ�Ƽ�NjǼŘsNj�ĵÞʊ�µ�NjEȖǣ�ʹˆǻÌs�®�NjŎˇʺʳ�ħsŘŘs_ɴ�Ì�ǣ�ƼNjŸ_ȖOs_��Ř_ˀŸNj�_ÞNjsOǼs_�_ŸOȖŎsŘǼ�NjÞsǣ�¯ŸNj�ËDŷʰ�ƻDǢʰ�ĵÞ¯sǼÞŎs�ǻsĶsɚÞǣÞŸŘʰ��˓rʰ�NŸȖNjǼ�ǻəʰ�ǻÌs�ŷɮɴ¶sŘ�ŗsǼɠŸNjĨ��Ř_�ǻÌs�ĵs�NjŘÞض�NÌ�ŘŘsĶʰ�OŸɚsNjÞض���ɚ�NjÞsǼɴ�Ÿ¯�ǼŸƼÞOǣ�ÞŘOĶȖ_Þض�ǼÌs�¶ĶŸE�Ķ��Ý^Ǣ�ONjÞǣÞǣʰ�ÌȖŎ�Ř�NjÞ¶ÌǼǣʰ�_ŸŎsǣǼÞO�abuse, poverty, drug addiction, labor struggle and political corruption.

SYNOPSIS^ȖNjÞض�ǼÌs�OÌ�ŸǼÞO�ʩŘ�Ķ�ɠssĨǣ�Ÿ¯�ǼÌs�əÞsǼŘ�Ŏ�ɟ�Njʰ�ǼÌs�ŗŸNjǼÌ�əÞsǼŘ�Ŏsǣs��NjŎɴ�OĶŸǣsǣ�ÞŘ�ŸŘ�Ǣ�Þ¶ŸŘ��ǣ�ǼÌs�Ƽ�ŘÞOĨs_�ǢŸȖǼÌ� əÞsǼŘ�Ŏsǣs� ƼsŸƼĶs� _sǣƼsNj�ǼsĶɴ� �ǼǼsŎƼǼ� ǼŸ� sǣO�Ƽsʳ� ŷŘ� ǼÌs� ¶NjŸȖŘ_ʰ� �ŎsNjÞO�Ř� ǣŸĶ_ÞsNjǣ� �Ř_� _ÞƼĶŸŎ�Ǽǣ�OŸŘ¯NjŸŘǼ�ǼÌs�ǣ�Ŏs�ŎŸNj�Ķ�LJȖ�Ř_�Njɴʲ�ɠÌsǼÌsNj�ǼŸ�ŸEsɴ�ɟÌÞǼs�ËŸȖǣs�ŸNj_sNjǣ�ǼŸ�sɚ�OȖ�Ǽs�ȕʳǢʳ�OÞǼÞʊsŘǣ�ŸŘĶɴ˚˚ŸNj�ǼŸ�NjÞǣĨ�ǼNjs�ǣŸŘ��Ř_�ǣ�ɚs�ǼÌs�ĶÞɚsǣ�Ÿ¯��ǣ�Ŏ�Řɴ�ǢŸȖǼÌ�əÞsǼŘ�Ŏsǣs�OÞǼÞʊsŘǣ��ǣ�ǼÌsɴ�O�Řʳ

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Director: NJŸNjɴ�ħsŘŘs_ɴScreenplay: ħsɚsŘ�ōO�ĶsǣǼsNjScreenplay: Mark BaileyProducer:�NJŸNjɴ�ħsŘŘs_ɴ

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Page 54: Biaff 2015 Catalogue

OF THE NORTHCanada, 2015, 74 min.

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BIOGRAPHYDominic Gagnon is an inventor, director, installer and active performer on the international scene. He considers cinema as a technique for measuring the immeasurable or as a discipline of chaos. Since 1996, he has made public presentations of moving images, invent machines and concepts, performs sound works, built facilities and creates performances in various galleries, festivals and biennials around the world.

SYNOPSISÝŘ�ǼÌÞǣ�Řsɠ�ʩĶŎ�ǼÌ�Ǽʰ�ĶÞĨs�ÞǼǣ�ƼNjs_sOsǣǣŸNjʰ�_Nj�ɠǣ�ŸŘ��Ŏ�ǼsȖNj�ʩĶŎǣ�ƼŸǣǼs_�ŸŘ�ɳŸȖǻȖEsʰ�^ŸŎÞŘÞO�µ�¶ŘŸŘ�ǣÌŸɠǣ�ǼÌs�_sǣOsŘ_�ŘǼǣ�Ÿ¯�ŗ�ŘŸŸĨ�ÞŘ�ǼÌs�ƼNjŸOsǣǣ�Ÿ¯�Ŏ�ĨÞض�ˆǼÌsÞNj�Ÿɠء�OÞŘsŎ�ʳ�Ës�ONjs�Ǽsǣ��Ř��ŘǼÞ˚sɮŸǼÞO�əsNjǼŸɚÞ�Ř�ˆħÞŘŸ˚rɴsˇʰ�ɠÌÞOÌ�Njsɚs�Ķǣ�ǼNj�ǣÌɴ��Ř_�ȖŘENjÞ_Ķs_��OOȖĶǼȖNj�ǼÞŸŘ��Ř_�Ǽ�Ĩsǣ��Ƽ�NjǼ�ǼÌs�sɮÞǣǼÞض�OĶÞOÌwǣ��EŸȖǼ�ǼÌs�ÝŘȖÞǼʰ�ǼŸŸ�Ÿ¯ǼsŘ�OŸŘʩŘs_�ǼŸ�ǼÌs�EŸNj_sNjǣ�Ÿ¯�ǼÌs�OŸŘǼsŎƼŸNj�Njɴ�ɠŸNjĶ_ʳ

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Director: Dominic GagnonScreenwriter: Dominic GagnonProducer: Dominic Gagnon

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Page 55: Biaff 2015 Catalogue

saavtoro kinos baTumis saerTaSoriso festivali

VXTUNVN][J<RJWR�ORUVNKR\�\JN[?J>X[R\X�TXWT^[\R�INTERNATIONAL COMPETITION - SHORT FILMS

Page 56: Biaff 2015 Catalogue

54 International Competition - Short Films Section

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BIOGRAPHYə�ĨÌǼ�ض�ʹǻ�ǼŸʺ�ħŸǼsǼÞǣÌɚÞĶÞ�ɠ�ǣ�EŸNjŘ�ÞŘ�ˠ˨˧˦�ÞŘ�µsŸNj¶Þ�ʳ�Ës�ʩŘÞǣÌs_�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ�OŸȖNjǣs��Ǽ�ǼÌs�ǢÌŸǼ��NJȖǣǼ�ɚsĶÞ�ǻÌs�ǼNjs��Ř_�®ÞĶŎ�ȕŘÞɚsNjǣÞǼɴʳ�ǢÞŘOs�ˡ˟˟˧ʰ�Ìs�Þǣ�ǣǼȖ_ɴÞض�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ��Ǽ�ǼÌs�ƻŸĶÞǣÌ�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ�ǢOÌŸŸĶ�ʹƻɟǢ®ǻəÞǻʺ�ÞŘ�ĵŸ_ʊʳ�ħŸǼsǼÞǣÌɚÞĶÞ�Ì�ǣ�ɠŸNjĨs_��ǣ���O�ŎsNj�Ŏ�Ř�ŸŘ�ŘȖŎsNjŸȖǣ�ǣǼȖ_sŘǼǣ˅�ʩĶŎǣʳ�Ës�Þǣ��ĶǣŸ���_ÞNjsOǼŸNj��Ř_�ƼÌŸǼŸ¶Nj�ƼÌsNjʳ�ħŸǼsǼÞǣÌɚÞĶÞ�Ì�ǣ�Ŏ�_s�ǣsɚsNj�Ķ�ǣÌŸNjǼǣ�ʩĶŎǣ��ǣ���_ÞNjsOǼŸNj��Ř_�^ʳŷʳƻʳʰ�ÞŘOĶȖ_Þض��®ǻrNJ�ƻ�NJǻɳʰ�ərǢǢrĵʰ�ǻ�ō�µŷǻNËÝʰ�ɟ�ǻrNJōrĵŷŗʳSYNOPSISMurad and Masha decide to get married, but before achieving their goal, life has some unbelievable and sad stories in store for them.

BIOGRAPHYµÞŸNj¶Þ�ǻǣÞĶŸǣ�ŘÞ�Þǣ�ɴŸȖض�_ÞNjsOǼŸNjʰ�¯NjŸŎ�µsŸNj¶Þ�ʳ�Ës�¶Nj�_Ȗ�Ǽs_�µsŸNj¶Þ�Ř�ʩĶŎ�ȖŘÞɚsNjǣÞǼɴ�ÞŘ�ˡ˟ˠˤʰ��Ř_�ˡ�ɴs�Njǣ�Ÿ¯��NjǼ��O�_sŎɴ�ÞŘ�ˡ˟˟˨ʳ�ŗŸɠ�Ìs�OŸŘǼÞŘȖsǣ��_ȖO�ǼÞŸŘ�ÞŘ�Ŏ�¶ÞǣǼsNj�ƼNjŸ¶Nj�Ŏ�Ÿ¯�ŗsÞNjŸ�ǣOÞsŘOsǣ��Ř_�ƻǣɴOÌŸĶŸ¶ɴ��Ř_��ĶǣŸ�ɠŸNjĨǣ�ÞŘ�ʩĶŎ�ÞŘ_ȖǣǼNjɴʳ�Ës�Ŏ�_s�ÌÞǣ�¶Nj�_Ȗ�ǼÞŸŘ�ʩĶŎʰ�ǻËr�ƻNjsƼ�Nj�ǼÞŸŘʰ�ɠÞǼÌ�ǼÌs�OŸŎƼ�Řɴ�ˆōÞĶĶÞŎsǼsNj�®ÞĶŎˇ�ÞŘ�ˡ˟ˠˤʳSYNOPSISThis is the story of the family living in the small village One evening during the dinner grandmother feels bad, doctor’s diagnose increases tension. Grandmother is afraid of death, sees phantom of the death everywhere, everything predicts that end is very close. ®�ǼÌsNj�ȖŘ_sNjǣǼ�Ř_ǣ�ǼÌ�Ǽ�̄ �ŎÞĶɴ�Þǣ��Ǽ�ǼÌs�s_¶s�Ÿ¯�ʩŘ�ŘOÞ�Ķ�ONjÞǣÞǣ��Ř_�ǣǼ�NjǼǣ�̄ ȖŘsNj�Ķ�ƼNjsƼ�Nj�ǼÞŸŘʳ�DȖɴǣ�OŸ¯ʩŘ��Ř_�ƼĶ�Osǣ�ÞǼ�ÞŘ�ǼÌs�ɴ�Nj_ʰ�O�ĶĶǣ�relatives to see her last time. But grandmother is still alive.

OGASAVARA Georgia, 2015, 8 min.

THE PREPARATIONGeorgia, 2015; 20 min.

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Director: Giorgi TsilosaniEditing: Giorgi Tsilosani

Screenplay: Giorgi TsilosaniCinematography: Ǣ�Ř_NjŸ�ħÌȖǼǣÞǣÌɚÞĶÞ

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Director: ǻ�ǼŸ�ħŸǼsǼÞǣÌɚÞĶÞScreenplay: Nikoloz Mdivani,

ǻ�ǼŸ�ħŸǼsǼÞǣÌɚÞĶÞCinematography: ǻ�ǼŸ�ħŸǼsǼÞǣÌɚÞĶÞ

Production: Ǣ�ħ^ŷN�®Ýĵō

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Page 57: Biaff 2015 Catalogue

55International Competition - Short Films Section

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BIOGRAPHYĵsɚ�Ř�ĵŸŎĠ�NjÞ��ʹˠ˨˧ˣʺ�Þǣ���ɴŸȖض�µsŸNj¶Þ�Ř�ʩĶŎŎ�ĨsNj��Ř_��NjǼÞǣǼʰ�ɠÌŸ�ɠŸNjĨǣ�ÞŘ�_Þ¯¯sNjsŘǼ�ʩsĶ_ǣ�Ÿ¯�ɚÞǣȖ�Ķ�OȖĶǼȖNjs��Ř_�Řsɠ�Ŏs_Þ�ʳ�ǻÌs�main characteristic of his work is a deep and conceptual reference to the various areas of artistic and philosophical world. �¯ǼsNj�ɠŸNjĨÞض� �Ǽ� ǣsɚsNj�Ķ� ǻə� OÌ�ŘŘsĶǣ� ĶÞĨs� ˆÝŎs_Þ� ǻɚˇ� �Ř_� ˆNJȖǣǼ�ɚÞ� ˡˇʰ� ÞŘ� ˡ˟ˠˡʰ� Ìs� sǣǼ�EĶÞǣÌs_�ÌÞǣ� ŸɠŘ�ƼNjŸ_ȖOǼÞŸŘ� OŸŎƼ�Řɴ� ˆ�^Ȗ_�®ÞĶŎ�NŸŎƼ�Řɴ�ˆ�ĵǻ^ʳ�^ȖNjÞض�ˡ˟ˠˢ�˚�ˡ˟ˠˤʰ�Ìs�ǣǼ�NjǼs_��Ř_�¶Nj�_Ȗ�Ǽs_���ǼɠŸ˚ɴs�Nj�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ʩĶŎŎ�ĨÞض�ƼNjŸ¶Nj�Ŏ�ʹō®�ʺ�ÞŘ�Ǣ�Nj�ĠsɚŸ��Ǽ�ʩĶŎʳ¯�OǼŸNjɴˀǢ�Nj�ĠsɚŸ�®ÞĶŎ��O�_sŎɴʰ�ȖŘ_sNj�ǼÌs�Ķs�_sNjǣÌÞƼ�Ÿ¯�NjsŘŸɠŘs_�ËȖض�NjÞ�Ř��ȖǼÌŸNj�DwĶ�ǻ�NjNjʳSYNOPSISMost important poems of 20th century, it has different layers of symbolic interpretations and cultural allusions. First of all, it following the legend of the Holy Grail, but at the same time it has also the direct and very close connections on contemporary society. It is an adventure of the poet into different locations, time and space.”

THE WASTE LAND2015, Georgia, 31.41 min.

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Director: ĵsɚ�Ř�ĵŸŎĠ�NjÞ�Script: ĵsɚ�Ř�ĵŸŎĠ�NjÞ�

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BIOGRAPHY ŷNjÞ¶ÞŘ�ĶĶɴ� ¯NjŸŎ� rȖNjŸƼs�Ř� µsŸNj¶Þ�� �ɚǼ�Ř_ÞĶ� NÌ�OÌÞE�Þ�� ŎŸɚs_� ǼŸ� ǼÌs� ȕŘÞǼs_� ǢǼ�Ǽsǣ� ÞŘ� ˡ˟˟˨ʳ� Ës� ɠ�ǣ� ɠŸNjĨÞض� �ǣ� ¯NjssĶ�ŘOs�ƼÌŸǼŸ¶Nj�ƼÌsNjˀ_ÞNjsOǼŸNj� ¯ŸNj� ɚ�NjÞŸȖǣ� ÞŘǼsNjŘ�ǼÞŸŘ�Ķ� ENj�Ř_ǣʳ�ËÞǣ� ǣǼȖ_sŘǼ� ʩĶŎ� ˆǢŎsĶĶ� Ÿ¯�ŷĶ_�ËŸȖǣs�Ÿ¯�ŷȖNjǣʰˇ�ɠÌÞOÌ�Ìs�Ŏ�_s�ɠÌÞĶs��ǼǼsŘ_Þض�DNjŸŸĨĶɴŘ�NŸĶĶs¶sʰ�ƼNjsŎÞsNjs_��Ǽ�N�ŘŘsǣ� ÞŘ�ˡ˟ˠˡ��Ř_�ɠ�ǣ��� ǣsŎÞ˚ʩŘ�ĶÞǣǼ� ¯ŸNj� ǼÌs�ˡ˟ˠˡ�ǢǼȖ_sŘǼ��O�_sŎɴ��ɠ�Nj_ǣʳ�ËÞǣ�ǣsOŸŘ_�ǣǼȖ_sŘǼ�ʩĶŎ�Ì�ǣ�ƼNjsŎÞsNjs_��Ǽ�DN®®��Ř_�ɠŸŘ�ŗ�ǼÞŸŘ�Ķ�DŸ�Nj_�Ÿ¯�NJsɚÞsɠ˅ǣ�ƼNjsǣǼÞ¶ÞŸȖǣ�µNj�ŘǼʳ�NȖNjNjsŘǼĶɴ�NÌ�OÌÞE�Þ��Þǣ�ɠŸNjĨÞض�ŸŘ�ÌÞǣ�ʩNjǣǼ�¯ȖĶĶ�ĶsضǼÌ�ǣONjssŘƼĶ�ɴ�ǼŸ�Es�ʩĶŎs_�ÞŘ�ˡ˟ˠ˥ʳ�SYNOPSIS A moral fable about a bear trying to get revenge on humans who took the life of his mother. A moral fable about a bear trying to get revenge on humans who took the life of his mother.

THE BEARUSA, 2015; 10 min.

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Director: Avtandil ChachibaiaWriter: Avtandil Chachibaia

Editor: Ben RemetzDirector of photography: Ronald WraseStars: Richard Waterhouse, Monica Blaze

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Page 58: Biaff 2015 Catalogue

56 International Competition - Short Films Section

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BIOGRAPHYǢǼȖ_sŘǼ�Ÿ¯�ƻÌÞĶŸǣŸƼÌɴ��Ř_�NJȖǣǣÞ�Ř��Ǽ�ŷɮ¯ŸNj_�ȕŘÞɚsNjǣÞǼɴʳ�ÝŘǼsNjŘs_��Ǽ�ǼÌs�ǢǼʳ�ƻsǼsNjǣEȖNj¶�ǢǼ�Ǽs��O�_sŎɴ�Ÿ¯�ǻÌs�ǼNjs�Arts and the Rustaveli Theatre, Tbilisi.SYNOPSISō�NjĨ�Ì�ǣ���Ƽ�ÞŘ¯ȖĶ�ʩ¶ÌǼ�ɠÞǼÌ�ÌÞǣ�ɠÞ¯s��Ř_�_sOÞ_sǣ�ǼŸ�Ķs�ɚs�¯ŸNj�ÌÞǣ�Ƽ�NjsŘǼǣ˅�ÞŘ�ǼÌs�OŸȖŘǼNjɴǣÞ_s�ǼŸ�Ŏ�Ĩs�ȖƼ�ÌÞǣ�ŎÞŘ_�about a divorce. Whilst going for a walk near his parents’ house, he takes comfort from rural freedom, beauty, and spaciousness, and spies a young girl waiting alone. Moved by the girl’s sorrow, Mark makes a decision about divorcing his wife.

BIOGRAPHYBorn in Molodechno, Belarus, 29.06.1986 Graduated from Belarusian State Academy of Arts Master’s degree (Film-Ŏ�ĨÞضʺ�^ŸOȖŎsŘǼ�Njɴ�ʩĶŎǣ�¯ŸNj�ǻə�ʹˆĵ�Ř_�DsĶ�NjȖǣǣÞ�ءʺSYNOPSISEvery individual has his or her own understanding of an ideal place for living. For some people it is desperation, for others – a norm. Some perish in such environment, others live by virtue thereof. It’s a story of an 80-year old man, Adam by name, remaining alone in the land abandoned by people several decades ago. All hardships and pleasures that Adam experiences in the abandoned and at the same time his dear land.

CATKINSUK, 2015; 9’33 min.

ADAMBelarus, 2014, 34 min.

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Director: Alexander DerbyScript: Alexander Derby

Director: ɳȖĶÞɴ��Ë�ŘOÌ�Nj�ʹğʳəʳƻŸǼǼsNjʺ Script: ɳȖĶÞɴ��Ë�ŘOÌ�Nj�ʹğʳəʳƻŸǼǼsNjʺ

Producer: ɳȖĶÞɴ��Ë�ŘOÌ�Nj�ʹğʳəʳƻŸǼǼsNjʺ

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57International Competition - Short Films Section

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BIOGRAPHYħǣsŘÞ��NÌsNjǼŸɚÞOÌ�DŸNjŘ�ÞŘ�DsĶ�NjȖǣʰ�ōÞŘǣĨʳ�ˡˠ�ɴs�Njǣ�ŸĶ_�µNj�_Ȗ�Ǽs_�¯NjŸŎ�ǼÌs�DsĶ�NjȖǣÞ�Ř�ǢǼ�Ǽs��O�_sŎɴ�Ÿ¯��NjǼǣ�ɠÞǼÌ�ǼÌs�Ŏ�ĠŸNj�˚�ʩĶŎ��Ř_�ǻə�_ÞNjsOǼÞضʳ�ǢÌs� Þǣ�ɠŸNjĨÞض��ǣ���ǣONjÞƼǼɠNjÞǼsNj��Ř_�ƼNjŸ_ȖOǼÞŸŘ�_ÞNjsOǼŸNj�Ÿ¯�ǼÌs�ƼNjŸŎŸǼÞŸŘ�Ķ�videos in Minsk at the moment.SYNOPSISTwo people walk along the road. He is a strolling actor and she is suffering from the psychological blindness. He rescued her from the starvation and now they make their way with the only suitcase and the last piece of bread to ǼÌs�OÞǼɴ�ōÞǣsNjɴ�ÌŸƼÞض�ǼŸ�ǣȖNjɚÞɚsʳ�ǻÌsÞNj�Ƽ�ǼÌ�¶Ÿsǣ�ǼÌNjŸȖ¶Ì�ǼÌs�_sǣsNjǼs_�ɚÞĶĶ�¶sǣʰ��ĶŸŘ¶�ǼÌs�sŎƼǼɴ�ʩsĶ_ǣ��Ř_�NjŸ�_ʰ�and no one driver stops to pick them up. Except one…

PEOPLE ON EARTHBelarus, 2015; 15 min.

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Director: ħǣsŘÞ��NÌsNjǼŸɚÞOÌProducer: ħǣsŘÞ��NÌsNjǼŸɚÞOÌ

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BIOGRAPHY ŷĶsǣɴ�ōŸNj¶ȖŘsǼǣ˚Ýǣ�sŘĨŸ� ʹEŸNjŘ�ˠ˨˧ˣʰ�ħŸʊsĶsǼǣ� ɚÞĶĶ�¶sʰ�ȕĨNj�ÞŘsʺµNj�_Ȗ�Ǽs_� ¯NjŸŎ�ħ�NjƼsŘĨŸ˚ħ�Njɴ�ȕŘÞɚsNjǣÞǼɴ� �Ř_�ɠŸNjĨs_��ǣ���ǣǼ�¶s�_ÞNjsOǼŸNj��Ǽ�ƻ�ɚĶŸɚ�ǢǼȖ_ÞŸʳ�ÝŘ�ˡ˟ˠˠʰ�ŷĶsǣɴ��Ŏ�_s���¯�ÞNjɴ�Ǽ�ĶsǢO�NjsONjŸɠ��Ř_�ĵÞǼǼĶs�ǢǼŸNjĨ�ˆǻÌs�ǼsNjˇ�rĶsƼÌ�ŘǼÞŘsʳ�ÝŘ�ˡ˟ˠˡʰ�ǣÌs�Ŏ�_s��Ř��NjǼ�ɚÞ_sŸ�¯ŸNj�ƼsNj¯ŸNjŎ�ŘOs�ǻɠŸ�ĵ�_Þsǣ�ÞŘ�ǼÌs�^ÞNjsOǼÞŸŘ�Ÿ¯�ǼÌs�ŗŸNjǼÌ�¯ŸNj�_Nj�Ŏ��and comedy theatreSYNOPSISō�Ř� �Ř_� ɠŸŎ�Ř�ŎsǼ� _ȖNjÞض� ǣsNjsŘs� �ȖǼȖŎŘ� _�ɴ� ÞŘ� ǼÌs�ŎÞ__Ķs� Ÿ¯� NNjÞŎs�Ř� ʩsĶ_ʳ� ÝǼ� ɠ�ǣ� ŸOO�ǣÞŸŘ�Ķ� ŎssǼÞض�prevented by many events, which we would know at the end of their journey.

VIOLONCELLOUkraine, 2014; 23’10 min.

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Director: Olesya Morgunets-IsaenkoProducer: Nataliya Tsegelnyk

Script: Marina StepanskaDirector of Photography:

Serhiy StetsenkoCast: Isaenko, Mukola Boklan, Irma Tzareva

Production companys: National Dovzhenko Film Studio

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58 International Competition - Short Films SectionInternational Competition - Short Films Section

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BIOGRAPHYĵs�� əÞ_�ĨŸɚÞO� ʹˠ˨˧ˢʰ� ǢsNjEÞ�ʺ� ŎȖĶǼÞŎs_Þ�� �NjǼÞǣǼʰ� ɠÌŸ� ɠŸNjĨǣ� ÞŘ� ǼÌs� ʩsĶ_� Ÿ¯� �NjǼ� ÞŘǣǼ�ĶĶ�ǼÞŸŘ� �Ř_� ƼȖƼƼsǼ� �ŘÞŎ�ǼÞŸŘʳ� ˡ˟ˠ˟� D�� ÞŘ��ŘÞŎ�ǼÞŸŘʰËəŷʰ�ŗŸNjɠ�ɴʳ�ˡ˟˟˥˚ˡ˟ˠ˟�ǣǼȖ_Þs_�¶Nj�ƼÌÞO��NjǼ��Ǽ�ǼÌs��O�_sŎɴ�Ÿ¯�ʩŘs��NjǼǣʰ�ʉ�¶NjsEʰ�NNjŸ�ǼÞ�ʰ�¶Nj�_Ȗ�Ǽs_�ÞŘ�ˡ˟ˠˠʳ�ˡ˟ˠˡ�ō��Ÿ¯��Ȗ_ÞŸɚÞǣȖ�Ķ��NjǼǣ�˚��ŘÞŎ�ǼÞŸŘʰ�NJŸɴ�Ķ��O�_sŎɴ�Ÿ¯��NjǼǣ�ʹħ�Ǣħʺʰ�DsĶ¶ÞȖŎʳ�ǢÌs�Ì�ǣ�sɮÌÞEÞǼs_�ÞŘǼsNjŘ�ǼÞŸŘ�ĶĶɴ�ŸŘ�ǣŸĶŸ��Ř_�¶NjŸȖƼ�sɮÌÞEÞǼÞŸŘǣʰ��Ř_��ŘÞŎ�ǼÞŸŘ�¯sǣǼÞɚ�Ķǣʰ��Ř_�Þǣ���ɠÞŘŘsNj�Ÿ¯�ǣsɚsNj�Ķ��NjǼʰ��Ř_�ʩĶŎ��ɠ�Nj_ǣʳSYNOPSIS A fox hunter and a porcelain shopkeeper lady, the scientist brothers, a seal, a boy and a music box. Six characters in their rooms ʩĶĶs_�ɠÞǼÌ�ǼNj�Osǣ�Ÿ¯�ĶŸŘ¶Þضʰ�ǣsƼ�Nj�Ǽs_�Eɴ���ɚ�ǣǼ��Ř_�EĶs�Ĩ�Ķ�Ř_ǣO�Ƽsʳ®ŸȖNj�ǣǼŸNjÞsǣ�ŸŘ�ĶŸɚsʰ�OŸŘǼsŎƼĶ�ǼÞŸŘ��Ř_�ʹǣsĶ¯ʺ_sǣǼNjȖOǼÞŸŘʳ

THE VAST LANDSCAPE - PORCELAIN STORIES

Croatia, 2014, 11 min.

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BIOGRAPHYrŎNjs�ħ�ɴÞǣ�ɠ�ǣ�EŸNjŘ��Ř_�Nj�Þǣs_�ÞŘ��ŘĨ�Nj�ʰ�ǻȖNjĨsɴʳ��¯ǼsNj�ŸEǼ�ÞŘÞض���D��ÞŘ�ĵ�ɠʰ�Ìs�ǣǼ�NjǼs_�ǼŸ�ɠŸNjĨ�ÞŘ�ǼÌs�ʩĶŎ�ÞŘ_ȖǣǼNjɴ�ÞŘ�ɚ�NjÞŸȖǣ�ƼNjŸ_ȖOǼÞŸŘ�NjŸĶsǣ��Ř_�¯ŸĶĶŸɠÞض�ÌÞǣ��OOsƼǼ�ŘOs�ǼŸ�ĵŸŘ_ŸŘ�®ÞĶŎ�ǢOÌŸŸĶʰ�Ìs�ŎŸɚs_�ǼŸ�ĵŸŘ_ŸŘʳ�NȖNjNjsŘǼĶɴʰ�Ìs�Þǣ�ɠŸNjĨÞض��ǣ���_ÞNjsOǼŸNj�ÞŘ��ǼĶ�ŘǼÞĨ�®ÞĶŎ�āǣǼ�ŘEȖĶʳ�ËÞǣ�Ŏ�ÞŘ�ÞŘǼsNjsǣǼǣ��Njs�ǼŸ�ƼŸNjǼNj�ɴ�ŎŸNj�Ķ�ÞǣǣȖsǣ�ȖŘ_sNj�ǣŸOÞ�Ķ�OÞNjOȖŎǣǼ�ŘOsǣ��Ř_�ǼŸ�sɮƼĶŸNjs�Þ_sŘǼÞǼɴ�ÞǣǣȖsǣ�and themes such as immigration and the outsider in a community. SYNOPSISɳǣȖ¯�Þǣ���ˠˢ�ɴs�Njǣ�ŸĶ_�Njs¯Ȗ¶ss�ɠÌŸ�ĶÞɚsǣ�ÞŘ���ǣŎ�ĶĶ�ǻȖNjĨÞǣÌ�EŸNj_sNj�ǼŸɠŘ�ÞŘ�sɮÞĶsʳ�Ës�ɠŸNjĨǣ�ŸŘ���ǣ�Ř_�LJȖ�NjNjɴ�ǼŸ�ǣȖƼƼŸNjǼ�ÌÞǣ�¯�ŎÞĶɴʳ�ǻÌs�ŸŘĶɴ�ǼɠŸ�ÞŘǼsNjsǣǼÞض�ǼÌÞضǣ�ÞŘ�ɳȖǣȖ¯˅ǣ�ĶÞ¯s��Njs�ǼÌs�ǼȖŎEĶÞض�ƼÞ¶sŸŘǣ��Ř_���ˠˤ�ɴs�Njǣ�ŸĶ_�¶ÞNjĶʰ��ŎÞŘ�ʰ�ɠÌŸ�_ŸsǣŘ˅Ǽ�ĨŘŸɠ��EŸȖǼ�ÌÞŎʳ�ŷŘs�_�ɴ�ǣÌs�OŸŎsǣ�ǼŸ�ÌÞŎ��ǣĨÞض�¯ŸNj�ÌÞǣ�ÌsĶƼʰ�ɠÌÞOÌ�Ŏ�Ĩsǣ�ÌÞŎ�sɮOÞǼs_�EȖǼ��¯ǼsNj�Njs�ĶÞʊÞض�ÌsNj�ÞŘǼsŘǼÞŸŘ�ɳȖǣȖ¯�ʩŘ_ǣ�ÌÞŎǣsĶ¯�ÞŘ�a position that gives him unique power. He has to make a decision between using this power wisely and abusing it.���� ����NUjN� SJRZR� JVSJjJ`R� MJRKJMJ�� ZJUJjQJTUmWMVNWKRZ� KJSJTJOjRJlRZ� MJZj[TNKRZ� `NUMNL� SRVWRVM[ZljRJ`R�ZdOJMJZdOJ�XWPRmRJPN�U[`JWKMJ��UWLORJVNKRQ�TWVMWVRZ�SRVWZSWTJ`R�aJJKJjJ�MJR]ON�MJZJdTMJ��JUYJUJM�¢ÏǼÉÏÄÆ�§ÄÇÈ�ªÎϼɽÐÇ�RZ�MRjN]lWjRJ��URZQORZ�ZJRVlNjNZW�QNUNKRJ��UWjJT[jR�ZJSRQdNKR�ZdOJMJZdOJ�ZWmRJT[j�LJjNUW`R �RMNVlWKRZ�XjWKTNUNKRZ�SOTNOJ �RURLjJmRJ�MJ�LJjR_[TWKJ�ZJPWLJMWNKJ`R�

���������R[Z[\R����kTRZ�MNOVRTRJ�MJ�Q[j]NQRZ�XJlJjJ�ZW\NT`R�LJMJZJdTNKJ`R�RU_W\NKJ��WeJdRZ�ZJjaNVJM�ZJUlNdTW`R�U[`JWKZ��URZ�mdWOjNKJ`R�UdWTWM�WjR�jJU�JjRZ�ZJRVlNjNZW��UW`RVJ[jNK[TR�UljNMNKR�MJ����kTRZ�LWLWVJ�JURVJ �jWUNTUJm�R[Z[\RZ�`NZJdNK�JjJ\NjR�RmRZ��NjQdNT�JURVJ�KRcZ�MJdUJjNKJZ�ZQdWOZ��LJdJjNK[TR�R[Z[\R�UWLORJVNKRQ�dOMNKJ �jWU�[VRSJT[jR�bJTJ�URNmJ��JdTJ�[VMJ�LJMJk_ORlWZ �JU�bJTRQ�jJZ�UWRUW]UNMNKZ�

THE TRANSLATOR Uk/Turkey, 2014; 23 min.

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Director: rŎNjs�ħ�ɴÞǵScreenplay: rŎNjs�ħ�ɴÞǵ

Director of Photography: Nick CookeEditor: Ricardo Saraiva

Producer: ŷɴǼȖŘ�ħ�ĶProduction:

əÞOs�əsNjǣ��®ÞĶŎǣʰ�ĵŸŘ_ŸŘ�®ÞĶŎ�ǢOÌŸŸĶʰTurkish General Directorate of Cinema

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Director: ĵs��əÞ_�ĨŸɚÞOScreenplay: ĵs��əÞ_�ĨŸɚÞO

Cinematographer: ĵs��əÞ_�ĨŸɚÞOEditor: ĵs��əÞ_�ĨŸɚÞO

Animation: ō�NjÞŸŘ�Ķs�µȖÞĶĶŸȖ��Ř_�ĵs��əÞ_�ĨŸɚÞO

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59

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WHAT THE NIGHT BRINGSBosnia and Herzegovina, 2014, 20 min.

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Director / Screenplay: ĵs��ǻNjÞEŸȖĶsǼDirector of Photography: Andre Gil Mata

Editor: Tomas BaltazarProduction: Film Factory

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BIOGRAPHYŗÞĨŸŘ�NJŸŎ�ŘOÌsŘĨŸ�ɠ�ǣ�EŸNjŘ�ÞŘ�ˠ˨˨ˠ�ÞŘ�ħɴÞɚʳ�ÝŘ�ˡ˟ˠˣ�Ìs�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ǻə�_ÞNjsOǼŸNjǣ�¯�OȖĶǼɴ�Ÿ¯�ħɴÞɚ�ŗ�ǼÞŸŘ�Ķ�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�ǻÌs�ǼNjsʰ�®ÞĶŎ��Ř_�ǻə�Ř�Ŏs_�Eɴ�Ýʳħ�NjƼsŘĨŸ˚ħ�Njɴʳ�ōsŎEsNj�Ÿ¯�ŗµŷ�ˆNȕNˇ�ʹˆNŸŘǼsŎƼŸNj�Njɴ�ȕĨNj�ÞŘÞ�Ř�Cinema”)SYNOPSISA young couple wants to leave the country. The girl’s parents have divorced long ago. They mind her relationship with the young ¶Ȗɴʳ�ǻÌs�¶Ȗɴ�Þǣ�ǣƼÞs_�ȖƼŸŘʳ�ÝŘ�ǣƼÞǼs�Ÿ¯��ĶĶ�ǼÌ�Ǽʰ�ǼÌs�¶ÞNjĶ�Þǣ�ǼNjɴÞض�ǼŸ�ʩŘ_�ǼÌs�ɠ�ɴ�ŸȖǼʳ

CAROUSELUkraine / 2015 / 15 min.

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Director: Nikon Romanchenko Producers: Nikon Romanchenko,

Iryna RomanchenkoWriter: Nikon Romanchenko

DOPs: Oleksandr Snizhko,Nikon Romanchenko

Cast: �Ř�ǣǼ�ǣÞɴ��ĵɴǣsŘĨŸʰ�ǢsNjÌÞɴ�ËŸNjŘɴʰ�Anatoliy Chumachenko

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International Competition - Short Films Section

Page 62: Biaff 2015 Catalogue

60 International Competition - Short Films Section

THE OTHER SIDE OF THE WATER

Turkey, 2015; 18’44 min.

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BIOGRAPHY ŷNj�ǻÞĶÞضsNjʰ�ɠ�ǣ�EŸNjŘ�ÞŘ�ħ¯�Nj�Ǣ�E���Ř_�Nj�Þǣs_�ÞŘ�Ë�_sNj�ʰ�ÝǣNj�sĶʳ�µNj�_Ȗ�Ǽs_�ˣǼÌ�ɴs�Nj��ŘÞŎ�ǼÞŸŘ�ǣǼȖ_Þsǣ�ɠÞǼÌ�ÌŸŘŸNjǣ�at Minshar Art College, Tel Aviv.Majors in 2d animation, Flash and After Effects.His short movie “Strangers’ Faces” participated in the “2012 Maratoon”.His work was chosen to be presented in the “MiniArt” exhibition at the Jaffa Antique Museum.SYNOPSISSomewhere on faraway China in a huge rock forest, lives a shepherd named Jasio on the edge of a cliff with his ǣÌssƼʳ�ŷŘs�_�ɴ� ǼÌsɴ�ʩŘ_� ǼÌsŎǣsĶɚsǣ�ǣǼȖOĨ� ¯�Nj��ɠ�ɴ� ¯NjŸŎ�ÌŸŎs��¯ǼsNj��Ř�s�NjǼÌLJȖ�Ĩs�ONj�OĨǣ� ǼÌs� NjŸOĨ� ÞŘǼŸ� ǼɠŸ�separate parts. Jasio would do anything to return home.

BIOGRAPHY Ës�ɠ�ǣ�EŸNjŘ�ÞŘ�ɣ ˨˨ˢ�ËŸƼ�ʳ�Ës�ĶÞɚs_�ɠÞǼÌ�ĵ�ʊ�OȖĶǼȖNjs�ÞŘ�ËŸƼ��ǻŸ�NŸĶĶ�¶s��¶sʳ�Ës�Es¶�Ř��ŘǼ�Ķɴ���Ĩ_sŘÞʊ�ȕŘÞɚsNjǣÞǼɴʰ�®�OȖĶǼɴ�Ÿ¯�NŸŎŎȖŘÞO�ǼÞŸŘʰ�NJ�_ÞŸʰ�ǻsĶsɚÞǣÞŸŘ��Ř_�NÞŘsŎ��^sƼ�NjǼŎsŘǼ� āŘ�ˡ˟ˠˡʳ�ō�ĨÞض�ǣÌŸNjǼ�ʩĶŎǣ��ǣ�ɠsĶĶ��ǣ���variety of Cinematography.SYNOPSISǻÌs�ʩĶŎ�Ǽ�Ĩsǣ�ƼĶ�Os�ÞŘ�ˠ˨ˡ˟˅ǣ�ÞŘ�ǼÌs�ɚÞĶĶ�¶s�Ÿ¯�Ǣ�NjƼ�ɠÌÞOÌ�Þǣ�ŘŸɠ�ǼÌs�EŸNj_sNj�EsǼɠssŘ�ǻȖNjĨsɴ��Ř_�µsŸNj¶Þ�ʳ�ÝǼ�ǼsĶĶǣ�of a family that separates continuously because of the border. As the time alienates the family to the other side of the water, it also accustoms them to the place where they live. The father is aware of the situation, after his wife’s death he passes to the other side of the water.

SEVENTH HEAVENIsrael, 2014; 10’30 min.

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Director: Or TilingerScreenplay: Or Tilinger

Director of Photography: Or TilingerMusic: ĵÞŸNj�®NjsŘĨsĶEditor: Or Tilinger

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Director: Resul SakinmazProducer: �ā®��ʹ�Ĩ_sŘÞʊ�ȕŘÞɚsNjǣÞǼɴ�

Communication Faculty Film Atelier)

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Page 63: Biaff 2015 Catalogue

61

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BIOGRAPHY ǻÌs�ɴŸȖضsǣǼ�Ÿ¯��ĶĶ�ǼÌs�ʩĶŎŎ�ĨsNjǣ�ÞŘ�ŸȖNj�ǣsĶsOǼÞŸŘʰ�DsÌʊ�_��ʊ�_Þ�ɠ�ǣ�EŸNjŘ�ÞŘ�ˠ˨˨˟ʳ�Ës�Ì�ǣ�ǣǼȖ_Þs_�^Nj�Ŏ�ǼÞO�ĵÞǼsNj�ǼȖNjs��Ř_�Ì�ǣ�EssŘ�Ŏ�ĨÞض�ǣÌŸNjǼ�ʩĶŎǣ�ǣÞŘOs�ˡ˟˟˨ʳ�ǻsŎƼŸNj�Njɴ�Þǣ�ÌÞǣ�Ķ�ǼsǣǼ�ɠŸNjĨ�ɠÌÞOÌ�Ì�ǣ�EssŘ�ÞŘ�ǼÌs�Ÿ¯ʩOÞ�Ķ�ǣsĶsOǼÞŸŘ�Ÿ¯�DȖǣ�Ř�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�Film Festival.SYNOPSIS Four teenage friends have big plans for their lives. They want to be rich in a short time by dealing drugs in the neighborhood. First, they have to test the drug they’ve got from the smuggler. But there’s an unexpected twist in the plan and the situation goes out of control

SLAUGHTERHOUSEIran, 2015, 24 min.

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Director: Behzad AzadiProducer: Behzad Azadi, Elmira Arzanipoor

Cinematography: Shahin AraqiEditor: Fereshteh Parnian

Director of Photography: ǢÌ�ÌÞŘ��NJ�džÝ

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BIOGRAPHYµ�ENjÞsĶ��ENj�ŘǼsǣʰ�EŸNjŘ�ÞŘ�ŗŸNjǼÌ�N�NjŸĶÞŘ�ʰ�ȕǢ�ʰ�ÞŘ�ˠ˨˧ˣʰ�Ìs�ǣǼȖ_Þs_��Ǽ�ǼÌs�NŸŸƼsNj�ȕŘÞŸŘ�¯ŸNj�ǼÌs��_ɚ�ŘOsŎsŘǼ�Ÿ¯�ǢOÞsŘOs��Ř_��NjǼ�ÞŘ�ŗsɠ�ɳŸNjĨʰ��Ǽ�ǼÌs�ŗ�ǼÞŸŘ�Ķ�ǢOÌŸŸĶ�Ÿ¯�®ÞŘs��NjǼǣ�ÞŘ�ƻ�NjÞǣ��Ř_��Ǽ�ĵs�®NjsǣŘŸɴ�ÞŘ�ǻŸȖNjOŸÞضʰ�®Nj�ŘOsʳ�Ës�Ì�ǣ�Ŏ�_s�ˠˤ�ǣÌŸNjǼ�ʩĶŎǣ��Ř_���¯s�ǼȖNjs�ʩĶŎ��Ř_�ÌÞǣ�ɠŸNjĨ�Ì�ǣ�ǣONjssŘs_��Ǽ�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ʩĶŎ�¯sǣǼÞɚ�Ķǣ�ÞŘOĶȖ_Þض�əsŘÞOsʰ�ĵŸO�NjŘŸ��Ř_�ǻŸNjŸŘǼŸʳ�ËÞǣ�ɠŸNjĨ��ǣ���ɚÞǣȖ�Ķ�artist has been exhibited in Boston, Tokyo and Paris.SYNOPSISĵȖâǣə�ʊ�_s�N�ŎƂsǣʰ�ǼÌs�¶Njs�ǼsǣǼ�ƻŸNjǼȖ¶Ȗsǣs�NJsŘ�Þǣǣ�ŘOs�ƼŸsǼʰ�ǣǼNjȖ¶¶Ķsǣ�ONjs�ǼÞɚsĶɴ�ɠÌÞĶs�sض�¶Þض�ÞŘ���Ìs_ŸŘÞǣǼÞOʰ�OŸƼNjŸƼÌ�¶ÞOʰ��Ř_� _NjȖ¶˚�__Ķs_� ĶÞ¯sǣǼɴĶsʳ� ǻÌs� ʩĶŎ� ¯ŸĶĶŸɠǣ� ǼÌs� ƼŸsǼʰ� �Ř_� ÌÞǣ� ĶŸɚsNj� ^ÞŘ�ŎsŘsʰ� �ǣ� Ìs� ɠNjÞǼsǣ� ÌÞǣ� Ŏ�ǣǼsNjƼÞsOsʰ� ǼÌs� sƼÞO� ƼŸsŎ�ŷǣĵȖǣâ�_�ǣʳ�Ës�ǼNj�ɚsĶǣ�¯NjŸŎ�ǼÌs�O�OŸƼÌŸŘɴ�Ÿ¯�ǼÌs�ÝŘ_ÞO�ĠȖضĶsǣʰ�ǣȖNjNjŸȖŘ_s_�Eɴ��ĶĶs¶ŸNjÞO�Ķ�sĶsƼÌ�ŘǼǣ��Ř_�NjÌɴŎÞض�Ŏ�O�LJȖsǣʰ�ǼŸ�the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

TAPROBANAPortugal/Sri Lanka/Denmark 2014, 24 min.

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Director: Gabriel AbrantesProducer: Gabriel Abrantes

Screenplay: µ�ENjÞsĶ��ENj�ŘǼsǣʰ�əÞŎȖĨǼÌÞ�ğ�ɴ�ǣȖŘ_�Nj��˓�^�ɚÞ_�ĵ�ǣ�ŘǼÌ�

story Editor:NatxoChecaCinematography: Gabriel Abrantes

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International Competition - Short Films Section

Page 64: Biaff 2015 Catalogue

62 International Competition - Short Films SectionInternational Competition - Short Films Section

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BIOGRAPHYDŸNjŘ�ÞŘ�ĵÞǣEŸŘ�ƻŸNjǼȖ¶�Ķʰ�ŗȖŘŸ�OȖĶǼÞɚ�Ǽs_�ÌÞǣ�Ƽ�ǣǣÞŸŘ�¯ŸNj�ǼÌs�ɚÞǣȖ�Ķ��NjǼǣ�¯NjŸŎ���ɚsNjɴ�ɴŸȖض��¶sʳ�Ës�ɠŸNjĨs_��ǣ���_sǣÞ¶ŘsNj�¯ŸNj�ǣsɚsNj�Ķ�ɴs�Njǣ�Es¯ŸNjs�ǣǼ�NjǼÞض�ÌÞǣ�ʩĶŎŎ�ĨÞض�O�NjssNj�ÞŘ�ŎȖǣÞO�ɚÞ_sŸǣ��Ř_�OŸŎŎsNjOÞ�Ķǣʰ�ɠÌsNjs�Ìs�sŘǼsNjs_���ɠÌŸĶs�Řsɠ�ɠŸNjĶ_�Ÿ¯�ƼŸǼsŘǼÞ�Ķ�¯ŸNj�ɚÞǣȖ�Ķ�ONjs�ǼÞɚs�sɮƼNjsǣǣÞŸŘʳ�ÝŘ�l ˟ˠˣ�ŗȖŘŸ�OŸŎƼĶsǼs_�̂ ŸOs�ĵ�Njʰ��ǣǣȖŎÞض�ǼÌs�NjŸĶsǣ�Ÿ¯�ɠNjÞǼsNjʰ�_ÞNjsOǼŸNjʰ�ƼNjŸ_ȖOsNj��Ř_�s_ÞǼŸNj�Ÿ¯�ǼÌs�ʩĶŎʳSYNOPSISIn an abandoned prison complex, without any basic conditions, a man survives like a wild animal. When his security and tranquility are threatened, he resorts to violence to defend his home.ĵ�ǼsNjʰ�OŸŘʩŘs_�ǼŸ���ǣŎ�ĶĶ�NjŸŸŎ�ɠÞǼÌŸȖǼ��OOsǣǣ�ǼŸ�ǼÌs�ŸȖǼǣÞ_s�ɠŸNjĶ_ʰ�Ìs�ĶŸŘ¶ǣ�ǼŸ�NjsǼȖNjŘ�ǼŸ�ÌÞǣ�OsĶĶ�ɠÌsNjs�Ìs�¯ssĶǣ�ǣ�¯s��Ř_�¯Njssʳ

SWEET HOME Portugal, 2014; 14’53 min.

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Director: Nuno Baltazar  ����� ��������������� �

���� ����eJZlRV�W[SR�JdJTJLJPjMJ�jNYRZWjRJ�VR[\J[VMTNVMRMJV��URZR�VJU[`NOjNKR�ZJNjQJ`WjRZW�UJZ`lJKRQ�R]VJ�VJaONVNKR��eJZlRVUJ� kJjaRVNKRQ�MJJUQJOjJ�jJRNjZWVRZ� [VRONjZRlNl`R� SRVWUmWMVNWKRZ�\JS[TlNlR�� JUYJUJM� eJZlRVR�QJORZ�XRjONT�Zj[TUNljJYRJV�\RTUPN � UMRVJjRZ�ZJQJONPN< �U[`JWKZ �jWUTRZ�LJMJ^NKJ������kTRZ�URk[j[TZ�MJRk_NKJ�

���������]JjR`dTRZ�MJk_NKJUMN�`N]UVRTR�ZJLJVLNKW�UMLWUJjNWKRZ�LJUW�VR[\J[VMTNVMRZ�ZW\NT`R�UljJM�LJMJSRMNK[T�UNQNOPNNKZ�SWV\TR]lRZ�LONjMPN�LJMJMNKJ�[kNOQ�

Biography ğȖǣǼÞŘ�ŷ�Ĩsɴ�Þǣ��Ř��ɠ�Nj_˚ɠÞŘŘÞض�ʩĶŎŎ�ĨsNj�¯NjŸŎ�NjȖNj�Ķ�ŗsɠ¯ŸȖŘ_Ķ�Ř_ʰ�Nj�Þǣs_�ŸŘ�ÌȖŘǼÞضʰ�ʩǣÌÞضʰ��Ř_�ǣǼŸNjɴǼsĶĶÞضʳ�His work has screened internationally and has been described as atmospheric and tense, with a quiet sense of Ř�ǼȖNj�ĶÞǣŎʳ�Ës�NjsOsÞɚs_�ÌÞǣ�D®��ɠÞǼÌ�ËŸŘŸȖNjǣ�ÞŘ�®ÞĶŎ�ǢǼȖ_Þsǣ�¯NjŸŎ�NJɴsNjǣŸŘ�ȕŘÞɚsNjǣÞǼɴʳ�ğȖǣǼÞŘ�Þǣ�OȖNjNjsŘǼĶɴ�_sɚsĶŸƼÞض�ÌÞǣ�ʩNjǣǼ�¯s�ǼȖNjs�ʩĶŎʰ�NJÞɚsNjÌs�_ʰ�ǣsǼ�ǼŸ�¶Ÿ�ÞŘǼŸ�ƼNjŸ_ȖOǼÞŸŘ�ÞŘ�Ķ�Ǽs�ˡ˟ˠˤʳSynopsisŷŘ�ǼÌs�sɚs�Ÿ¯���ǣǼŸNjŎ�ÞŘ�NjȖNj�Ķ�ŗsɠ¯ŸȖŘ_Ķ�Ř_ʰ�¯sȖ_Þض�ʩǣÌsNjŎsŘ��Njs�¯ŸNjOs_�ǼŸ�ǣsǼ�ǼÌsÞNj�OŸŘʪÞOǼǣ��ǣÞ_s�ɠÌsŘ��Ř�sŎsNj¶sŘOɴ��NjÞǣsǣʳ

FLANKERSCanada, 2014; 14’10 min.

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Director: Justin OakeyProduction: ŷ�Ĩ�˓��NjNjŸɠ

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Page 65: Biaff 2015 Catalogue

63International Competition - Short Films Section

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���������WjR�WjLJVRPUR�k_OMRJM`R�NjQR�ZRVJQTRZ�LJUW�NjQUJVNQZ�NeRKjNKJ�MJ�UJQR�JUKJOR�K[VNKRZ�UNj_NO�K[VNKJZ�JOTNVZ�

BIOGRAPHY^�ŘÞsĶ�^NjȖŎŎŸŘ_�Þǣ�¯NjŸŎ�Ǣ�Ÿ�ĵȖâǣʰ�DNj�ʊÞĶʳ�ÝŘ�ˡ˟ˠ˟�Ìs�NjsOsÞɚs_���ǣOÌŸĶ�NjǣÌÞƼ�¯NjŸŎ�ǼÌs�ÝŘǣǼÞǼȖǼs�Ÿ¯�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�Education, and moved to California to attend Dodge College of Film and Media Arts. Through his studies in composition, color and movement, Daniel developed a passion for honest storytelling through striking visuals.

SYNOPSIS As two organisms compete for the one light amid the darkness, their story reveals the volatile nature of power.

Director:Daniel Drummond

Music:�ȖǣǼÞŘ�NJ�ɳ

Sound:Carson FRENCH

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���� ��������� kNTZ� LNjJZRUWORZ� ZJd�� SRVNUJlWLjJ\RRZ� RVZlRl[l`R� ZJWXNjJlWjW� \JS[TlNlR� MJJUQJOjJ�� ����� kNTZ� VRSRlJ�URdJTSWORZ�ZJPJ\d[TW�SRVWJSJMNURJ`R�ZkJOTWKMJ�

��������JdJTLJPjMJ�\WlWLjJ\W�UW[TWMVNTJM�[mVJ[jR�ZJLVRZ�\WlWZ�R^NKZ��ZRPUjNKR�MJ�jNJTWKJ�NjQUJVNQZ�JMLRTZ�[mOTRZ��\WlWLjJ\R�OR^JmRZ�VJMJOTR�dMNKJ�

BIOGRAPHYÝŘ�ˡ˟˟ˢ�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ǼÌs�əµÝħ�Ÿ¯�Ǣʳ�ʳµsNj�ǣÞŎŸɚʰ�ŸƼsNj�ǼŸNj� ¯�OȖĶǼɴ� ʹŎ�ǣǼsNj¯ȖĶ�əʳÝʳɳȖǣŸɚ�ʺʳ� ÝŘ�ˡ˟ˠˡ�¶Nj�_Ȗ�Ǽs_�from Nikita Mikhalkov’s Summer Film academy.SYNOPSISA young photographer suddenly catches some strange object with his camera.Dreams and reality trade places.The photographer becomes a fair game for someone.

FRAGMENTATION Russia, 2015, 12min.

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Director:Anna Ovanesova

Producer:Natalia Makhanko (“ART-N production”)

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CHIAROSCUROUSA/Brazil, 2014; 7’48 min.

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Page 66: Biaff 2015 Catalogue

64 International Competition - Short Films Section

���� ����\RPJT�K[TR\JZ�UWSTNUNljJYRJVR�\RTUR� `NUJ\JZN<�jNYRZWjRZ�UNWjN�VJ`jWURJ �jWUNTRm�SJVRZ�SRVW\NZlROJTPN �jNYRZWjQJ�WjSORjN[TRZ�\JjLTNK`R�ZJaONVNKTJM�̀ NRjaJ��URZR�NjQ�NjQR�JMjRVMNTR�\RTUR�<k_NOTJm=������kNTZ�VJaONVNKR�R_W�SJVRZ�SRVW\NZlROJTPN�MJ�JZNONKJQ[URZ�SRVW\NZlROJTPN�

���������UWPJjMR�UNbJORZ �SWSWZ �XWjljNlR�

BIOGRAPHY®ɴʊ�Ķ�DŸȖĶÞ¯��Ì�ǣ�EssŘ�ǣsĶsOǼs_�ǼŸ�ǣONjssŘ�ÞŘ�^ÞNjsOǼŸNjǣ˅�®ŸNjǼŘÞ¶ÌǼ��Ǽ�N�ŘŘsǣ�¯ŸNj�ǼÌs�ǣsOŸŘ_�ǼÞŎs�ɠÞǼÌ�ÌÞǣ�ǣÌŸNjǼ�ʩĶŎ�‘Rate Me’. The last time he attended was in 2012 with his Moroccan-set fable ‘The Curse’, which was screened at BIAFF festival too.

SYNOPSISA portrait of teenage escort, ‘Coco’

RATE MEUK, 2015, 15 min.

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Director:Final Boulifa

Director of photography:Taina GalisProducer:

Too True Films

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���������UWmNSOJON�jRlURZ�`NLjbVNKJZ�SJjLJOZ �jRZ�`NUMNLJm�`R`RZ �MJVJ`J[TRZ�LjbVWKRZJ�MJ�ZRjmdORTRZ�MJbTNOJ�[kNOZ�

BIOGRAPHY D�OÌsĶŸNj�ÞŘ�ʩŘs��NjǼǣ�˚Ƽ�ÞŘǼÞض��Ǽ�¯�OȖĶ_�_s�Ÿ¯�ʩŘs��NjǼǣ�Ÿ¯�ǼÌs�ȖŘÞɚsNjǣÞǼɴ�Ÿ¯�ƼŸNjǼŸ�ʹˡ˟ˠ˟˚ˡ˟ˠˣʺsɮOÌ�ضs�ǣǼȖ_sŘǼ��Ǽ�the animation department of Moholy-Nagy university of art and design budapest (2012-2014)volunteer at several ʩĶŎ�¯sǣǼÞɚ�Ķǣ�ĶÞĨs�OȖNjǼ�ǣɚÞĶ��_Ÿ�OŸŘ_sʰ�ǼÞǼŘÞOʩĶŎ¯wǣʊǼÞɚ�Ķ��Ř_�¯NjÞǣǣÌȚǣEȖ_�ƼsǣǼʳ

SYNOPSIS A dancer loses her rhythm. an expedition through the interior of fear, guilt and shame.

WITHINPortugal/Hungary, 2015; 3 min.

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Director:NatáliaAzevedo Andrade

Script/Editing:Natalia Azevedo Andrade

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Page 67: Biaff 2015 Catalogue

65International Competition - Short Films Section

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���������NVR�]jRZQJV�[jQRNjQWKJZ�NcO]ON`�J_NVNKZ �jWUNTZJm�ZN]Z[JT[jR�ZRJUWOVNKJ�[\jW�JRVlNjNZNKZ �ORMjN�Z[TRNjR�NjQL[TNKJ�� ]jRZQJV� MJ`WjNKRZ� `NUMNL� NVR� jWUJVlRS[TR� ZR_OJj[TRZ� URUJjQ� jkUNVJZ� `NRVJja[VNKZ � JdJTR�\[jmTRZ�LJMJZJ`TNTJM�UPJM�R]VNKJ

BIOGRAPHYĵÞĶɴ�ɠ�ǣ�EŸNjŘ�ÞŘ�ō�ÞŘĶ�Ř_�NÌÞŘ���Ř_�¶Njsɠ�ȖƼ�ÞŘ�ǣsɚsNj�Ķ�_Þ¯¯sNjsŘǼ�ȖŘÞɚsNjǣÞǼÞsǣ�˚�ǼÌs�ŎŸǣǼ�NjsOsŘǼ�ŸŘsǣ�EsÞض�ǼÌs�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�ō�ŘOÌsǣǼsNjʰ�ĵŸŘ_ŸŘ�®ÞĶŎ�ǢOÌŸŸĶʰ�ɠÌsNjs�ǣÌs�Ì�ǣ�_ÞǣOŸɚsNjs_�ÌsNj�Ƽ�ǣǣÞŸŘ��Ř_�Ǽ�ĶsŘǼ�ÞŘ�ǣONjssŘɠNjÞǼÞض�and directing. She likes to tell stories inspired by interesting people and hope to share such inspiration with people all over the world.SYNOPSISAnne starts to doubt her relationship with Chris, who seems to be more interested in sexual pleasure than spiritual _sɚŸǼÞŸŘʳ�ɟÌsŘ�ǣÌs�ʩŘ�ĶĶɴ�ENjs�Ĩǣ�ȖƼ�ɠÞǼÌ�NÌNjÞǣʰ�ɠŸȖĶ_�ǣÌs�ǣǼÞĶĶ�EsĶÞsɚs�ÞŘ�NjŸŎ�ŘǼÞO�ĶŸɚsʷ�ɟŸȖĶ_�ǣÌs�Es�Njs�_ɴ�ǼŸ�turn over a new leaf?

MY BONNIE BUTTERFLYUK, 2015; 8’31 min.

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Director:ĵÞĶɴ�^ŸŘ¶

Producer:ĵÞĶɴ�^ŸŘ¶

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���� ���������kNTZ�SWT[UKRRZ�]��KWLWlJ`R�MJKJMNK[TUJ�UJjRJU�SRVW�lNTN�dNTWOVNKJ�`NRZkJOTJ��ZkJOTRZ�JMjN[T�NlJWPN�ljJMRmR[TR�JVRUJmRJ�J^UWJaRVJ�MJ�UJZ�`NUMNL�ljJMRmR[TR�UNQWMNKRZJ�MJ�mR\j[TR�ZJ`[JTNKNKRZ�SWUKRVJmRRQ�N]ZXNjRUNVlNKZ� JlJjNKZ�� bONTR<� URZR� XRjONTR� UWSTNUNljJYRJVR�\RTURJ� ljJMRmR[TR� JVRUJmRRQ�MJ�QRQ]URZ� ��kTRZ�`jWURZ�`NMNLZ�kJjUWJMLNVZ�

���������KJjR � ZJMJm� JjJ\NjR� U[`JWKZ���� UNZJS[QjNZ� ZbRVJOZ���� URZ� LONjMRQ� U_W\R� bJ^TR� KJjZ� MJjJeWKZ�� UWd[mR� SJmR�UJLRMNKPN� MJjaNVRTR� ZJZUNTRZ� KWTW� kONQNKZ� RXJjJOZ�� KWTWZ� _ONTJ\NjR� RSJjLNKJ���� URPNPRm� SR�� [SJVJZSVNTR�ZJZUNTR�UJQ�SOTJO�JMJURJVNKJM�J]mNOZ�

BIOGRAPHYDŸNjŘ�ÞŘ�DŸ¶ŸǼʰ�NŸĶŸŎEÞ�ʰ�ÞŘ�ɣ ˨˧˧ʰ�ǣǼȖ_Þs_�ʩĶŎ��Ř_�ǻəʳ�əsNjɴ�s�NjĶɴ�ÞŘ�OŸĶĶs¶sʰ�ǣÌs�_ÞǣOŸɚsNjs_�ǼNj�_ÞǼÞŸŘ�Ķ��ŘÞŎ�ǼÞŸŘ��Ř_�since then she has developed her own projects experimented with the combination between traditional techniques �Ř_�_Þ¶ÞǼ�Ķ�ǼŸŸĶǣʳ�ˆŸĶ_ˇ�Þǣ�ÌsNj�ʩNjǣǼ�ǣÌŸNjǼ�ʩĶŎ�ÞŘ�ǼNj�_ÞǼÞŸŘ�Ķ��ŘÞŎ�ǼÞŸŘ��Ř_�ǼŸŸĨ�Řs�Nj�ǼŸ�ǼÌNjss�ɴs�Njǣ�Ÿ¯�ɠŸNjĨʳSYNOPSIS A bar in which nothing works... the owner sleeps… a dog at her side attends the place… an old man steals the last drops of the drinks left on the tables. At the end everything gets lost, even the reason ... one last drink will make them human.

Director: ō�Njâ��NNjÞǣǼÞŘ��ƻwNjsʊProducers:

ħ�ǼÌsNjÞŘs�N�ENjsNj�ʰ�ō�ȖNjÞOÞŸ�NȖsNjɚŸʰō�Njâ��NNjÞǣǼÞŘ��ƻwNjsʊ

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OLDColumbia, 2014; 9’20 min.

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66

���� ����jNYRZWjR� MJ� UNUWVlJYN � [VJ� L[VRJSR � MJRKJMJ� ZJjJNOW`R�� JUYJUJM� mdWOjWKZ� TWVMWV`R�� MJJUQJOjJ� l[jRVRZ�[VRONjZRlNlRZ� ZJjNYRZWjW� \JS[TlNlR� MJ� LJNjQRJVNK[TR� ZJUN\WZ� SRVWZJ� MJ� lNTNORPRRZ� ZSWTJ� UNUWVlJYRZ�ZXNmRJTWKRQ�

���������UW]UNMNKJ� ZJjJNOW`R � ����� kNTZ�dMNKJ�� ZNTUJZ�MJKJMNKRZ�M^NPN� kRkRTJZ� Ja[]NKNV�� �� kTRZ� LWLWVJ� dOMNKJ �jWU�kRkRTJZ�MRMR�dVRZ�ZRmWmdTN�Jj�[kNjRJ�MJ�URZ�LJ`ONKJZ�LJMJk_ONlZ��ZNTUJ�ONj�dOMNKJ �jWU�ZJOJTJTW�`NmMWUJ�MJ[`OJ���KJO`ORZ�MNMJ�kRkRTRZ�MJcNjJZ�mMRTWKZ�MJ�ZVJRXNjRZ�UZdONjXTR�dMNKJ�

BIOGRAPHYȕŘ�µȖŘĠ�Ĩ�Þǣ���Ǣ�Nj�ĠsɚŸ�EŸNjŘʰ�ĵŸŘ_ŸŘ�E�ǣs_�_ÞNjsOǼŸNj��Ř_�s_ÞǼŸNjʳ�ƻNjsɚÞŸȖǣĶɴ�ǣÌs�ǣǼȖ_Þs_�®ÞĶŎ��Ǽ�ǼÌs�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�ǻŸNjÞŘŸ��Ř_�r_ÞǼÞض��Ǽ�ǼÌs�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ��Ř_�ǻə�ǢOÌŸŸĶ�ÞŘ�ȕħʰ�ɠÌsNjs�ǣÌs�¶Nj�_Ȗ�Ǽs_�ɠÞǼÌ��Ř�ō�ʳSYNOPSISAs a present for her 6th birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to. While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. It’s Sarajevo, year running 1993.

THE CHICKEN Germany/Croatia 2014, 15 min.

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Director: ȕŘ�µȖŘĠ�ĨComposer: Bernd SchurerProducer: JelenaGoldbach

Screenplay: ȕŘ�µȖŘĠ�ĨEditor: Anja Siemens

Cinematography: Matthias PilzSound: ǢsE�ǣǼÞ�Ř�ōŸNjǣOÌ˓�NJ�ŸȖĶ�DNj�Ř_

Production company: Zak Film Productions

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Page 69: Biaff 2015 Catalogue

saavtoro kinos baTumis saerTaSoriso festivali

ZJ[?^UR�YJWX[JVJGEORGIAN PANORAMA

Page 70: Biaff 2015 Catalogue

68 GEORGIAN PANORAMA

LINE OF CREDITGeorgia France / Germany, 2014,

85 min.

BIOGRAPHYBorn in 1966 in Tbilisi, Georgia. She graduated from Tbilisi State Academy of Fine Arts. In 1988-1992 Nutsa worked �ǣ���ǣsǼ��Ř_�OŸǣǼȖŎs�_sǣÞ¶ŘsNj�ŸŘ�ǣsɚsNj�Ķ�¯s�ǼȖNjs��Ř_�ǣÌŸNjǼ�ʩĶŎǣʰ��ǣ�ɠsĶĶ��ǣ�¯ŸNj�ǼÌs�ǼÌs�ǼNjs�ƼNjŸ_ȖOǼÞŸŘǣʳ�ÝŘ�ˠ˨˨ˡ˚˨˥�ǣÌs�ǣǼȖ_Þs_�ʩĶŎ�_ÞNjsOǼÞض��Ǽ�ǼÌs�®NjsŘOÌ�ǣǼ�Ǽs�ʩĶŎ�ǣOÌŸŸĶ�ĵ��®wŎÞǣ�ÞŘ�ƻ�NjÞǣʰ�ɠÌsNjs�ǣÌs�ǣÌŸǼ�ǣsɚsNj�Ķ�ǣÌŸNjǼ��Ř_�_ŸOȖŎsŘǼ�Njɴ�ʩĶŎǣʳ�ËsNj� ǣÌŸNjǼ�ʩĶŎ�®rĵÝNÝǻ�� ʹˡ˟˟˨ʺ�ɠŸŘ� ǼÌs�NŸNjǼŸ�NŸNjǼÞǣǣÞŎŸ� ĠȖNjɴ�ǢƼsOÞ�Ķ�ōsŘǼÞŸŘ��Ǽ� ǼÌs�˥˥ǼÌ�əsŘÞOs�®ÞĶŎ�®sǣǼÞɚ�Ķʳ�ĵÝŗr�ŷ®�NNJr^Ýǻ�Þǣ�Ǣ�ĶŸŎs��ĶsɮÞ˅ǣ�ʩǣNjǼ�¯s�ǼȖNjs˚ĶsضǼÌ�ʩĶŎʳ�ÝǼ�ɠ�ǣ�ƼNjsŎÞsNjs_��Ǽ�əsŘÞOs�®ÞĶŎ�Festival 2014, section Orizzonti.

SYNOPSISŗÞŘŸʰ�ɠŸŎ�Ř�ÞŘ�ÌsNj�ˣ˟ǣʰ�Ķs_���OŸŎ¯ŸNjǼ�EĶs�ĶÞ¯s�ÞŘ�ǼÌs�ǢŸɚÞsǼ�ȕŘÞŸŘʰ�EȖǼ�ÞŘ�ŎŸ_sNjŘ�µsŸNj¶Þ��ǣÌs�ʩŘ_ǣ�ÞǼ�Ì�Nj_�ǼŸ�ĨssƼ�ȖƼ�ɠÞǼÌ�ǼÌs�OÌ�ضsǣʳ�ŗÞŘŸ�NjsǣŸĶɚsǣ�ǼŸ�ǼÌs�ŎŸǣǼ�ɠÞ_s˚ǣƼNjs�_�ƼNj�OǼÞOs�Ÿ¯�¶sǼǼÞض���ŎŸNjǼ¶�¶s�ĶŸ�Ř��Ǽ�ÌÞ¶Ì�ÞŘǼsNjsǣǼʳ�ĵÞǼǼĶs�Eɴ�ĶÞǼǼĶs�ǣÌs�¶sǼǣ�_ssƼsNj�into debts, which becomes a vicious circle she cannot escape.

Director: Salome Alexi (Nutsa Alexi-Meskhishvili) Screenplay: Salome Alexi (Nutsa Alexi-Meskhishvili) Cinematography: ğs�Ř˚ĵŸȖÞǣ�ƻ�_Þǣ Music: NJsʊŸ�ħÞĨŘ�_ʊs�ƻNjŸ_ȖOǼÞŸŘ Editing: Salome Alexi (Nutsa Alexi-Meskhishvili) Sound: Salome Alexi (Nutsa Alexi-Meskhishvili)Producer: Ǣ�ĶŸŎs��ĶsɮÞ�ʹŗȖǼǣ���ĶsɮÞ˚ōsǣĨÌÞǣÌɚÞĶÞʺʰ�ħŸĨ��Togonidze Cast: ŗÞŘŸ�ħ�ǣNj�_ʊsʰ�ʉ�Ř_��ÝŸǣsĶÞ�ŘÞʰ��Ř��ħ�OÌsÞǣÌɚÞĶÞʰ�D�OÌŸ�Chkheidze, Nino Arsenishvili, Tamar Mamulaishvili, David ^�NjOÌÞ�ʰ�µÞŸNj¶Þ�ħÞƼÞ�ŘÞʰ�ǻ�ǼȖĶÞ�^ŸĶÞ_ʊsʰ�ǻ�Ŏ�ʊ�ǻsɚʊ�_ʊsʰ�ĵÞʊ��ħ�Ķ�Ř_�ʊsProduction: 3003 Film Production Georgia/3003 Film Production Germany

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Page 71: Biaff 2015 Catalogue

69GEORGIAN PANORAMA

I AM BESOGeorgia, 2014; 92 min.

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BIOGRAPHYDŸNjŘ�ÞŘ�ˠ˨˧˧�ÞŘ�ǻEÞĶÞǣÞʰ�µsŸNj¶Þ�ʳ�Ës�ǣǼȖ_Þs_�ʩĶŎ�_ÞNjsOǼÞض��Ǽ�ǼÌs�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴ�ÞŘ�ǻEÞĶÞǣÞʳ�ɟÌÞĶs�ǣǼȖ__Þض�Ìs�Ŏ�_s�ǼÌNjss�ǣÌŸNjǼ�ʩĶŎǣʲ�ŷȕNJ�®�ōÝĵɳʰ�ƻ�NJǻ�ŷ®�ĵÝ®r��Ř_�_ÞƼĶŸŎ��ɠŸNjĨ�ǻNJ�ŗħÝŗµ�NŷŗŗrNǻÝŷŗǢʳ� ÝŘ�ˡ˟ˠˠ�Ìs�Ŏ�_s�ÞŘ_sƼsŘ_sŘǼ�ʩĶŎ�ËŷDȕŗʰ�ɠÞǼÌŸȖǼ��Řɴ�ʩŘ�ŘOÞضʳ�ÝŘ�ˡ˟ˠˡ�Ìs�Ŏ�_s��ŘŸǼÌsNj�ǣÌŸNjǼ�ǻrōŷ�ɠÞǼÌ�ÌsĶƼ�¯NjŸŎ�ĶŸO�Ķ�ʩĶŎ�production house, which can’t be completed because of lack of funds. I AM BESO is his feature debut. It was ƼNjsŎÞsNjs_��Ǽ�ǼÌs�ˡ˟ǼÌ�Ǣ�Nj�ĠsɚŸ�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�ʩĶŎ�®sǣǼÞɚ�Ķʳ

SYNOPSISBeso is a boy of 14 who lives in an abandoned village. Beso’s family has numerous problems: his father is an old man, disabled as ��NjsǣȖĶǼ�Ÿ¯�ǼÌs�ǼNj�¶s_ɴ�Ÿ¯�NÌsNjŘŸEɴĶʳ��ĶĶ�_�ɴ�ĶŸŘ¶�Ìs�ɠ�ǼOÌsǣ�ǻə��Ř_�ǣɠs�Njǣ��Ǽ�ÌÞǣ�¯�ŎÞĶɴʳ�DsǣŸ˅ǣ�ŎŸǼÌsNj�Þǣ�ǼÌs�ENjs�_˚ɠÞŘŘsNj�ÞŘ�ǼÌs�¯�ŎÞĶɴʳ�rɚsNjɴ�ŎŸNjŘÞض�ǣÌs�¶Ÿsǣ�ǼŸ�ǼŸɠŘ�¯ŸNj�ÌsNj�ǣŎ�ĶĶ�NjsǼ�ÞĶ�EȖǣÞŘsǣǣʳ�DsǣŸ˅ǣ�ENjŸǼÌsNj�ĵsNjÞ�Þǣ���¶�ɴ�ɠÌŸ�¶Þɚsǣ�ƼNjÞɚ�Ǽs�_�ŘǣÞض�ĶsǣǣŸŘǣ�at home. Beso and his friend Beka are often insulted by their classmates. Despite these problems, Beso and Beka have a good time and playing childish games. Beso composes and records rap music. His dream is to become rich and famous an to help his family.

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Director: ĵ�ǣÌ��ǻǣĨɚÞǼÞŘÞ_ʊs Screenplay: ĵ�ǣÌ��ǻǣĨɚÞǼÞŘÞ_ʊs Cinematography: Shalva Sokurashvili ProductionEditing: Nodar Nozadze Sound: Paata Godziashvili Producer: Nodar Nozadze Cast: Tsotne Barbakadze, Soso Tarqashvili, Zaza Salia, Nanuli ħÌɚs_sĶÞ_ʊsʰ�ĵsNjÞ�DsĨ�ȖNjÞʰ�ǢsNj¶Ÿ�µ�ĶǣǼɴ�Řʰ�əÞĨǼŸNj�D�NjE�Ĩ�_ʊsProduction: Pansional Film

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70 GEORGIAN PANORAMA

CATTLEMENGeorgia, 2015; 25 min.

BIOGRAPHYZurab was born in 1953, in Tbilisi. He graduated Shota Rustaveli State Theatre Institute in 1983 majoring in Theatre �Ř_�NÞŘsŎ�ʳ�Ës�ɠŸNjĨs_�ÞŘ�ʩĶŎ�ǣǼȖ_ÞŸǣ�ˆµsŸNj¶Þ�Ř�®ÞĶŎˇʰ�ō�NjĠ�ŘÞǣÌɚÞĶÞ�ǢǼ�Ǽs�^Nj�Ŏ��ǻÌs�ǼNjsʰ�ǼÌs�ÞŘ_sƼsŘ_sŘǼ�ʩĶŎ�ǣǼȖ_ÞŸ�ˆ̛ˠˇʳ�NȖNjNjsŘǼĶɴ�Ìs�Þǣ�ɠŸNjĨÞض��ǣ�D�ǼȖŎÞ�ǢÌŸǼ��NJȖǣǼ�ɚsĶÞ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴ˅ǣ��ǣǣŸOÞ�Ǽs�ƼNjŸ¯sǣǣŸNj�Ÿ¯�ǼÌs�®�OȖĶǼɴ�of Arts.

SYNOPSISThis movie is about the cattlemen work during the summertime on pastures. About the life of two families living in the alpine region of Adjara

Director: Salome Alexi (Nutsa Alexi-Meskhishvili) Screenplay: Salome Alexi (Nutsa Alexi-Meskhishvili) Cinematography: ğs�Ř˚ĵŸȖÞǣ�ƻ�_Þǣ Music: NJsʊŸ�ħÞĨŘ�_ʊs�ƻNjŸ_ȖOǼÞŸŘ Editing: Salome Alexi (Nutsa Alexi-Meskhishvili) Sound: Salome Alexi (Nutsa Alexi-Meskhishvili)Producer: Ǣ�ĶŸŎs��ĶsɮÞ�ʹŗȖǼǣ���ĶsɮÞ˚ōsǣĨÌÞǣÌɚÞĶÞʺʰ�ħŸĨ��Togonidze Cast: ŗÞŘŸ�ħ�ǣNj�_ʊsʰ�ʉ�Ř_��ÝŸǣsĶÞ�ŘÞʰ��Ř��ħ�OÌsÞǣÌɚÞĶÞʰ�D�OÌŸ�Chkheidze, Nino Arsenishvili, Tamar Mamulaishvili, David ^�NjOÌÞ�ʰ�µÞŸNj¶Þ�ħÞƼÞ�ŘÞʰ�ǻ�ǼȖĶÞ�^ŸĶÞ_ʊsʰ�ǻ�Ŏ�ʊ�ǻsɚʊ�_ʊsʰ�ĵÞʊ��ħ�Ķ�Ř_�ʊsProduction: 3003 Film Production Georgia/3003 Film Production Germany

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71

Page 74: Biaff 2015 Catalogue

72 GEORGIAN PANORAMA

SOLOMONGeorgia, 2015; 65 min.

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BIOGRAPHYʉ�ʊ��ħÌ�Ķɚ�ǣÌÞ�˚�®ÞĶŎ�^ÞNjsOǼŸNjʳ�ˠ˨ˤ˦ʳ˟ˤʳˠ˦ʰ�D�ǼȖŎÞ�ʹµsŸNj¶Þ�ʺʳ�ˠ˨˦˨�˚�ǻEÞĶÞǣÞ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴʰ�®�OȖĶǼɴ�Ÿ¯�ƻÌÞĶŸĶŸ¶ɴʳ�ˠ˨˧ˡ�̊ �ǻEÞĶÞǣÞ�ǻÌs�ǼNjs�ÝŘǣǼÞǼȖǼsʰ�®�OȖĶǼɴ�Ÿ¯�®ÞĶŎ�̂ ÞNjsOǼÞض�̨ �ǻsضÞʊ��EȖĶ�_ʊs��Ř_�NJsʊŸ�NÌĨÌsÞ_ʊs˅ǣ�ǢǼȖ_ÞŸʳ�ɟŷNJħÝŗµ�rɭƻrNJÝrŗNrʲ�ˠ˨˦˦˚ˡ˟˟ˣ�˚���_ÞNjsOǼŸNj��Ǽ�®ÞĶŎ�ǢǼȖ_ÞŸ�ˆµsŸNj¶Þ�Ř�®ÞĶŎˇʳ�ǢÞŘOs�ˠ˨˨˦�˚�Ǽs�OÌsǣ�ʩĶŎ�_ÞNjsOǼÞض��Ǽ�D�ǼȖŎÞʳ��NjǼ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴʱ�ƻNjŸ¯sǣǣŸNjʱ�ǻÌs�Ës�_�Ÿ¯�®ÞĶŎ˚ǻə��NjǼǣ�^sƼ�NjǼŎsŘǼ�Ÿ¯�D�ǼȖŎÞ��NjǼ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴʳ�ˡ˟˟ˣ˚ˡ˟˟ˤ�˚�ǻÌs�Ës�_�Ÿ¯�ǻə˚NJ�_ÞŸ�^sƼ�NjǼŎsŘǼ�Ÿ¯��_Ġ�Nj��ˡ˟˟˦˚ˡ˟ˠˡ�˚�ō�Ř�¶sNj�Ÿ¯�D�ǼȖŎÞ�ÝĶÞ��NÌ�ɚOÌ�ɚ�_ʊs�ǢǼ�Ǽs�^Nj�Ŏ��ǻÌs�ǼNjsʳ�ǢÞŘOs�ˡ˟ˠˢ�˛�NÌ�ÞNj�Ÿ¯�ǼÌs�DŸ�Nj_�Ÿ¯�ƻȖEĶÞO�DNjŸ�_O�ǣǼsNj��Ġ�Nj�ǻə��Ř_�NJ�_ÞŸʳ�ʉ�ʊ�˅ǣ�ʩĶŎǣ�ÞŘOĶȖ_s�˚�ˆǻÞŎsˇ�ʹˠ˨˧ˠʺ�ˢ˟˅ʰ�ˆrOÌŸˇ�ʹˠ˨˧ˤʺ�ˢ˟˅ʰ�ˆǻÌsNjs�ʰ�ɠÌsNjs�Ý�ĶÞɚsʴˇ�ʹˠ˨˨˟ʺ�˦ˤ˅ʰ�ōÞǣsNjsNjsˆ�ʹˠ˨˨˥ʺ�˧ˡ˅ʰ�ˆNJŸȖ_˚^�ŘOs�Ÿ¯�ɟŸĶɚsǣˆ�ʹǻə�- 12 series, 2003), “Solomon” (2015) 70’

SYNOPSISǻÌs�ʩĶŎ�ˆǢŸĶŸŎŸŘˇ�_sƼÞOǼǣ���ǣǼŸNjɴ�Ÿ¯�ŸŘs�ȖŘĨŘŸɠŘʰ�Ǽ�ĶsŘǼs_�ŎȖǣÞOÞ�Řʰ�ɠÌŸ�Þǣ�ǼNjɴÞض�ǼŸ�sǣǼ�EĶÞǣÌ�ÌÞŎǣsĶ¯�ǼÌNjŸȖ¶Ì�ÌÞǣ��NjǼ�ÞŘ�ŸŘs�Ÿ¯�the provincial Black Sea cities of post-Soviet Georgia, which is characterized by nihilism and indifference.Solomon’s music can only be heard during feasts, in the basements or on the beach. The only person, who understands him, for whom his existence is essential, is his small daughter, who lives in the orphanage and rarely sees her divorced parents.

�£��� �����¢� ����� ����� ���PJPJ�dJTOJ`R��� �¢� ���UJU[SJ�cWcR�adRSOJbN��������ZWTWUWV�UJdJjJbN���¢�� ���]NQR�OJaNR`ORTR���¢�����P[jJK�]JOQJjJbNZWTWUWV�UJdJjJbN ��������P[jJK�]JOQJjJbN��VRVJ�adRSOJbN��VJlJTRJ�MRJZJURbN��URVNjOJ�\[lSJjJbN��NM[JjM�U[ZJNTRJVR��eNUJT�QNMWjJbN��PJPJ�PWRbN��PJ[j�LNMNVRbN�

Director: ʉ�ʊ��ħÌ�Ķɚ�ǣÌÞScript: ʉ�ʊ��ħÌ�Ķɚ�ǣÌÞDOP: Mamuka (Chochi) ChkhikvadzeMusic: Solomon MakharadzeDesigner: ħsǼÞ�ə�OÌsÞǣÌɚÞĶÞEditors: Zurab kavtaradze, Solomon MakharadzeCast: ʉȖNj�E�ħ�ɚǼ�Nj�_ʊsʰ�ŗÞŘ��NÌĨÌÞĨɚ�_ʊsʰ�ŗ�Ǽ�ĶÞ��^Þ�ǣ�ŎÞ_ʊsʰ�Minerva Putkaradze, Eduard Musaelyan, Jemal Tedoradze, Zaza Zoidze, Zaur Gedenidze.

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73

SOMALI CAPTIVESGeorgia, 2015, 47’37 min.

BIOGRAPHYDŸNjŘ�ˠ˨˦ˡʰ�ĵsɚ�Ř��_�ŎÞ��ǣǼȖ_Þs_�Ƽ�ÞŘǼÞض��Ǽ�ŗÞĨŸĶ�_ʊs��NjǼ�ǢOÌŸŸĶʰ�ǻEÞĶÞǣÞ��O�_sŎɴ�Ÿ¯�®ÞŘs��NjǼǣ��Ř_�Ķ�ǼsNj�ʩĶŎ�˓�ǼsĶsɚÞǣÞŸŘ��Ǽ�r_ÞŘEȖNj¶Ì�NŸĶĶs¶s�Ÿ¯��NjǼʳ�Ës�¶Nj�_Ȗ�Ǽs_�ɠÞǼÌ���E�OÌsĶŸNj�_s¶Njss�ÞŘ�ˠ˨˨˦ʳ�ĵsɚ�Ř��_�ŎÞ��Ì�ǣ�Ŏ�_s�ŘȖŎsNjŸȖǣ�_ŸOȖŎsŘǼ�Njɴ�ʩĶŎǣ�¯ŸNj�_Þ¯¯sNjsŘǼ�ǻə�OÌ�ŘŘsĶǣʳ�ŷŘs�Ÿ¯�ǼÌsŎʰ�ħÝ^Ǣ�DrËÝŗ^�D�NJǢʰ�OŸŎŎÞǣǣÞŸŘs_�Eɴ�DDN�and Discovery channel, won him an Emmy for outstanding individual achievement in research in 2002

SYNOPSISǻÌs�µNjssĨ�Ǽ�ŘĨsNj�ŷĵÝD�µ�ɠ�ǣ�ǣ�ÞĶÞض�¯NjŸŎ�^ȖE�Þ�ǼŸ�ÝŘ_Þ��ɠÞǼÌ���ONjsɠ�Ÿ¯�ˠˤ�µsŸNj¶Þ�Řǣ��Ř_�ˢ�ǻȖNjĨÞǣÌ�ǣ�ÞĶŸNjǣʰ�ŘŸŘs�Ÿ¯�ɠÌŸŎ�ĨŘsɠ�that the ship-owner had given them false documents and the wrong coordinates. The ship was captured by Somali pirates who _sŎ�Ř_s_�ˠˤ�ŎÞĶĶÞŸŘ�ȕǢ�_ŸĶĶ�Nj�ÞŘ�Nj�ŘǣŸŎʳ�ǻÌs�ǣ�ÞĶŸNjǣ˅�O�ƼǼÞɚÞǼɴ��Ř_�ǼŸNjǼȖNjs�ɠ�ǣ�ǼŸ�Ķ�ǣǼ�¯ŸNj�ˠ˥�ŎŸŘǼÌǣʳ

Director:ĵsɚ�Ř��_�ŎÞ� Screenplay: Nino Chutkerashvili Cinematography: ĵsɚ�Ř�ĵsĨÞ�ǣÌɚÞĶÞʰ�DsǣŸ�µ�ƼNjÞŘ_�ǣÌɚÞĶÞ Music: Nika Machaidze Editing: ǻÞŘ�ǼÞŘ�ŗÞĨȖNj�_ʊs�ʰ�ĵsɚ�Ř��_�ŎÞ�Sound: Tinatin Nikuradze Producer: Nino Chutkerashvili Production: EBC studio (Georgia)

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GEORGIAN PANORAMA

Page 76: Biaff 2015 Catalogue

74 GEORGIAN PANORAMA

BROTHERFrance / Georgia, 2014, 94min.

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BIOGRAPHYTeona Mghvdeladze DŸNjŘ�ÞŘ�ǻEÞĶÞǣǣÞʰ�ǢŸɚÞsǼ�µsŸNj¶Þ�ʰ�ǢÌs�ǣǼȖ_Þs_�ōȖǣÞO�ÞŘ�ǻEÞĶÞǣÞ��Ř_�®ÞĶŎ�ÞŘ�ƻ�NjÞǣ��Ǽ�ĵ��®wŎÞǣʳ�ËsNj� ¶Nj�_Ȗ�ǼÞŸŘ� ǣÌŸNjǼ� ʩĶŎ�ōÝəÝǻǢħrDȕĵÝ� ƻ�NJǻÝǻȕNJ�� ʹǻÌs� ĵŸǣǼ� ǢOŸNjsʰ� ˡ˟˟˧ʺ� ɠ�ǣ� ǣsĶsOǼs_� ÞŘ� ŸɚsNj� ˣ˟� ¯sǣǼÞɚ�Ķǣ�throughout the world and won 5 awards.Thierry Grenade ǻÌÞsNjNjɴ�µNjsŘ�_s�ɠŸNjĨs_��ǣ��Ř��ǣǣÞǣǼ�ŘǼ�_ÞNjsOǼŸNj��Ř_�ĶÞŘs�ƼNjŸ_ȖOsNj�ŸŘ���¯sɠ�ǣÌŸNjǼ�ʩĶŎǣ��Ř_�Ì�ǣ�also produced a documentary trilogy shot in China. ǻsŸŘ���Ř_�ǻÌÞsNjNjɴ�ŎsǼ�ǼsŘ�ɴs�Njǣ��¶Ÿ�ŸŘ�ǼÌs�ǣsǼ�Ÿ¯���ǣÌŸNjǼ�ʩĶŎ��Ř_�OŸĶĶ�EŸNj�Ǽs_�ŸŘ�ɚ�NjÞŸȖǣ�ƼNjŸĠsOǼǣʳ�^ʉō��ˀ�DNJŷǻËrNJ�Þǣ�ǼÌsÞNj�ʩNjǣǼ�¯s�ǼȖNjs�ʩĶŎʳSYNOPSISTbilissi, early 1990’s. A few families living in the old part of town must each in their own way confront the changes taking place in their city. Maia witnesses her eldest son, Giorgi, slipping away from her while her youngest son, Datuna, a young and very talented pianist, must cope with the violence that is little by little becoming a part of their daily lives. In the building across the street, another tragedy has struck: young Datuna’s dear old friend, Archil, has lost his grandson in the war. The old man is bedridden, sick ɠÞǼÌ�¶NjÞs¯ʳǻÌs�ʩĶŎ�ǣÌŸɠǣ�ɠÌ�Ǽ�ǼÌÞǣ�Ȗض�ÞŘĶɴ�Ƽ�NjǼ�Ÿ¯�ǻEÞĶÞǣÞ�ĶŸŸĨǣ�ĶÞĨsʰ�ɠÌ�Ǽ�ǼÌs�OÌ�ĶĶsضsǣ��Njs�¯ŸNj�ǼÌs�ĶŸO�Ķǣʰ�ɠÌ�Ǽ�ǼÌsÞNj�ÞŘǼsNjsǣǼ��Ř_��ǣƼÞNj�ǼÞŸŘǣ��Njsʰ�ɠÌ�Ǽ�ŎŸɚsǣ�ǼÌsŎ��Ř_�ÌŸɠ�ǼÌsɴ�Ŏ�Ř�¶s�ǼŸ�¯�Os�ǼÌs�Njs�ĶÞǼɴʳ�ȕĶǼÞŎ�ǼsĶɴʰ�ǼÌs�ʩĶŎ�Þǣ���ƼŸNjǼNj�ÞǼ�Ÿ¯�ǼÌs�ǣŸOÞsǼɴʰ�ɠÌsNjs�the close-up of individuals, their emotions and hopes are shown against the background of the concrete jungle.

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Director: Teona Mghvdeladze, Thierry Grenade Screenplay: Teona Mghvdeladze, David ChubinishviliCinematography: Julie Grunebaum Production Editing: Pauline Rebière Sound: Thomas Fourel, Antoine Bailly, Pierre Bariaud Producer: ō�NjÞs˚ƻÞsNjNjs�ō�OÞ�ʰ�ğȖĶÞsǼǼs�ĵsƼŸȖǼNjsʰ�ʉȖNj�E�Magalashvili, Suliko Tsulukidze Cast: Irakli Basil Ramishvili, Zuka Tsirekidze, Natasha Shengelaia, ħ�ÌĨÞ ħ�ɚǣ�_ʊsʰ�rĶsŘs�µĶȖNjĠÞ_ʊsProduction:MPM Film (France), Cinetech (Georgia), Millimeter Film (Georgia),in co-production with: Arte France Cinema

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Page 77: Biaff 2015 Catalogue

saavtoro kinos baTumis saerTaSoriso festivali

MRMX\]J]?J�TXUNZLRJMASTERS’ COLLECTION

Page 78: Biaff 2015 Catalogue

76 Masters’ Collection

EISENSTEIN IN GUANAJUATO Belgium, Finland, Mexico, Netherlands,

2015, 105 min.BIOGRAPHYIconoclastic provocateur Peter Greenaway creates cinema that is a collage of academia and art. Rejecting devotion ǼŸ�ɠÌ�Ǽ�Ìs�OŸŘǣÞ_sNjǣ� ǼÌs�ɚ�¶�NjÞsǣ�Ÿ¯� ǼNj�_ÞǼÞŸŘ�Ķ� ǼsɮǼȖ�Ķ�Ř�NjNj�ǼÞɚsʰ�µNjssŘ�ɠ�ɴ˅ǣ�Ƽ�ÞŘǼÞضǣʰ�ʩĶŎǣʰ�ŘŸɚsĶǣʰ�ŸƼsNj�ǣʰ�exhibitions, and installations instead utilize visual language. The resulting works are richly realizes explorations of _s�ǼÌʰ�ǣsɮȖ�Ķ�ƼĶs�ǣȖNjsʰ�ŸEǣsǣǣÞŸŘʰ��Ř_��NjOÌÞǼsOǼȖNjsʳ�ǢsĶsOǼs_�ɠŸNjĨ�ÞŘOĶȖ_sǣ�ǻÌs�NŸŸĨʰ�ǼÌs�ǻÌÞs¯ʰ�ËÞǣ�ɟÞ¯s�˓�ËsNj�ĵŸɚsNj�ʹˠ˨˧˨ʺʰ�ƻNjŸǣƼsNjŸ˅ǣ�DŸŸĨǣ�ʹˠ˨˨ˠʺʰ�ǻÌs�ƻÞĶĶŸɠ�DŸŸĨ�ʹˠ˨˨˥ʺʰ��Ř_�µŸĶǼʊÞŸȖǣ��Ř_�ǼÌs�ƻsĶÞO�Ř�NŸŎƼ�Řɴ�ʹˡ˟ˠˡʺʳ

SYNOPSIS^�NjÞضʰ� ǣsɮȖ�ĶĶɴ� sɮƼĶÞOÞǼ� �Ř_� ɠÞĶ_Ķɴ� ¯ȖŘŘɴʰ� ƻsǼsNj� µNjssŘ�ɠ�ɴ˅ǣ� Ķ�ǼsǣǼ� ʩĶŎ� _sƼÞOǼǣ� NJȖǣǣÞ�Ř� ʩĶŎŎ�ĨsNj� ǢsNj¶sÞ�rÞǣsŘǣǼsÞŘ˅ǣ�ɚÞǣÞǼ�ǼŸ�ōsɮÞOŸ�ÞŘ�ˠ˨ˢˠ�ǼŸ�ǣÌŸŸǼ���Řsɠ�ʩĶŎʰ�ʶdžȖs�əÞɚ��ōwɮÞOŸʵʳ�Ë�ɚÞض�EssŘ�NjsĠsOǼs_�Eɴ�ËŸĶĶɴɠŸŸ_ʰ��Ř_�ȖŘ_sNj�ƼNjsǣǣȖNjs�ǼŸ�NjsǼȖNjŘ�ǼŸ�ǢǼ�ĶÞŘÞǣǼ�NJȖǣǣÞ�ʰ�rÞǣsŘǣǼsÞŘ�ʩŘ_ǣ�ÌÞŎǣsĶ¯�ƼŸĶÞǼÞO�ĶĶɴ��Ř_�ʩŘ�ŘOÞ�ĶĶɴ�ɚȖĶŘsNj�EĶsʳ�ɟÌsŘ�Ìs��NjNjÞɚsǣ�ÞŘ�ǼÌs�OÞǼɴ�Ÿ¯�µȖ�Ř�ĠȖ�ǼŸʰ�Ìs�ʩŘ_ǣ�ÌÞŎǣsĶ¯�ǣsɮȖ�ĶĶɴ�ɚȖĶŘsNj�EĶs�ǼŸŸʳ�ǻŸ¶sǼÌsNj�ɠÞǼÌ�ÌÞǣ�ōsɮÞO�Ř�¶ȖÞ_sʰ�Palomino, he explores the ties between sex and death in the ten days that would ultimately shape his life and career. Greenaway splits screens, shoots from unusual angles, and creates a sensual and visually immaculate world. The result is enthralling, sometimes shocking and raucously funny: a worthy addition to the body of work of one Ÿ¯�ǼÌs�ŎŸǣǼ�ÞŘɚsŘǼÞɚs�ʩĶŎŎ�ĨsNjǣ�Ÿ¯�ŸȖNj�ǼÞŎsʳ

Director: Peter GreenawayScreenwriter: Peter GreenawayProducer: DNjȖŘŸ�®sĶÞɮʰ�NNjÞǣǼÞŘ��əsĶ�ǣOŸ�ĵʳʰ�®sŎĨsɟŸĶǼÞضʰ�San Fu MalthaCinematographer: Reinier van BrummelenEditor: rĶŎsNj�ĵsȖƼsŘCast: rĶŎsNj�D�OĨʰ�ĵȖÞǣ��ĶEsNjǼÞʰ�ō�ɴ��ʉ�Ƽ�Ǽ�

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Page 79: Biaff 2015 Catalogue

77Masters’ Collection

MOUNTAINS MAY DEPARTChina, Japan, France, 2015, 131min.

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BIOGRAPHYDŸNjŘ�ÞŘ�ˠ˨˦˟�ʹ®sضɴ�ضʰ�ǢÌ�ŘɮÞ�ƻNjŸɚÞŘOsʺʰ�ğÞ��ʉÌ�ضĨs�ǣǼȖ_Þs_�Ƽ�ÞŘǼÞضʰ�_sɚsĶŸƼs_��Ř�ÞŘǼsNjsǣǼ�ÞŘ�ʩOǼÞŸŘʰ��Ř_�ÞŘ�ˠ˨˨ˤ�¯ŸȖŘ_s_�ǼÌs�ɳŸȖǼÌ�rɮƼsNjÞŎsŘǼ�Ķ�®ÞĶŎ�µNjŸȖƼʰ�¯ŸNj�ɠÌÞOÌ�Ìs�_ÞNjsOǼs_�ǼɠŸ��ɠ�Nj_˚ɠÞŘŘÞض�ɚÞ_sŸǣʳ�Ës�¶Nj�_Ȗ�Ǽs_�ÞŘ�ˠ˨˨˦�¯NjŸŎ�ǼÌs�DsÞĠÞض�®ÞĶŎ��O�_sŎɴʰ��Ř_�ÌÞǣ�ʩNjǣǼ�¯s�ǼȖNjsʰ�ɭÝ�ȕ�ɟȕ�ʹˠ˨˨˧ʺ�ɠ�ǣ�ɚsNjɴ�ǣȖOOsǣǣ¯ȖĶ��Ǽ�ǼÌs�DsNjĶÞŘʰ�ŗ�ŘǼsǣ��Ř_�ə�ŘOŸȖɚsNj� ¯sǣǼÞɚ�Ķǣʳ�ǻÌs� ¯ŸĶĶŸɠÞض�ʩĶŎǣ�ʉË�ŗǻ�Ý� ʹƻĶ�Ǽ¯ŸNjŎʰ�ˡ˟˟˟ʺʰ��Ř_�NJrŗ�ɭÝ�ŷ�ɳ�ŷ�ʹȕŘĨŘŸɠŘ�ƻĶs�ǣȖNjsǣʰ�ˡ˟˟ˡʺ�ɠsNjs�ǣsĶsOǼs_�ÞŘ�OŸŎƼsǼÞǼÞŸŘ�NjsǣƼsOǼÞɚsĶɴ��Ǽ�əsŘÞOs��Ř_�N�ŘŘsǣʳ�Ës�sǣǼ�EĶÞǣÌs_�ɭǣǼNjs�Ŏ�ƻÞOǼȖNjsǣ�in 2003 in order to promote young talented directors from all over China. He directed SHIJIE (The World) in 2004 �Ř_�ÌÞǣ�Ķ�ǼsǣǼ�ʩĶŎ�Ǣ�ŗɭÝ��Ë�ŷNJrŗ�ʹǢǼÞĶĶ�ĵÞ¯sʺ�NjsOsÞɚs_�ǼÌs�µŸĶ_sŘ�ĵÞŸŘ��ɠ�Nj_��Ǽ�ǼÌs�əsŘÞOs�®ÞĶŎ�®sǣǼÞɚ�Ķ�ˡ˟˟˥ʳ

SYNOPSISNÌÞŘ�ʰ�ˠ˨˨˨ʳ�NÌÞĶ_ÌŸŸ_� ¯NjÞsŘ_ǣ�ĵÞ�ضʊÞ��Ř_�ʉÌ�ض��Njs�EŸǼÌ� ÞŘ� ĶŸɚs�ɠÞǼÌ�ǻ�Ÿʰ� ǼÌs� ǼŸɠŘ�Es�ȖǼɴʳ�ǻ�Ÿ�sɚsŘǼȖ�ĶĶɴ�decides to marry the wealthier Zhang. They soon have a son he names Dollar…From China to Australia, the lives, loves, hopes and disillusions of a family over two generations in a society changing at breakneck speed.

Director: ğÝ��ʉÌ�ضħs Script / Dialogue: ğÝ��ʉÌ�ضħsMusic: Ë�ŗŗŷ�ɳŸǣÌÞÌÞNjŸEditor: ō�ǼǼÌÞsȖ�ĵ�Nĵ�ȕSound: ʉË�ŗµ�ɳ�ض Director of Photography: ɳȕ�ĵÞĨ˚ɟ�Þ Cast: ʉË�ŷ�ǻ�Ÿʰ�ʉË�ŗµ�ɳÞʰ�ĵÝ�ŗµ�ğÞض_ŸŘ¶ʰ�ǢɴĶɚÞ��NË�ŗµʰ�DONG Zijang

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Page 80: Biaff 2015 Catalogue

78 Masters’ Collection

MY MOTHER Italy, France / 2015 / 106 min.

BIOGRAPHY�Ř�ÝǼ�ĶÞ�Ř�ʩĶŎ�_ÞNjsOǼŸNjʰ�ƼNjŸ_ȖOsNjʰ�ǣONjssŘɠNjÞǼsNj��Ř_��OǼŸNj�µÞŸɚ�ŘŘÞ�ˆŗ�ŘŘÞˇ�ōŸNjsǼǼÞ�ɠ�ǣ�EŸNjŘ�ÞŘ�ˠ˨ˤˢ�ÞŘ�DNjȖŘsOĨʰ�ǢŸȖǼÌ�ǻɴNjŸĶʰ� ÝǼ�Ķɴʳ�ŷŘs�Ÿ¯�ÌÞǣ�ʩNjǣǼ�ʩĶŎǣʰǢɠssǼ�^Njs�Ŏǣʰ�¶ŸǼ�ǢÞĶɚsNj�ĵÞŸŘ�˛���ǢƼsOÞ�Ķ� ğȖNjɴ�ƻNjÞʊs�Ÿ¯� ǼÌs�əsŘÞOs�®ÞĶŎ�Festival in 1981. He is The Palme d’Or winner forThe Son’s Room in 2001, in 2012 he was the President of the Jury at the Cannes Film Festival. Among his other prizes are Silver Bear at Berlin International Film Festival (The Mass Is Ended, 1986), FIPRESCI Prize at European Film Awards (Dear Diary, 1994), Best Film from Cahiers du cinema (We Have a Pope, 2011).

SYNOPSISō�Nj¶ÌsNjÞǼ��Þǣ���_ÞNjsOǼŸNj�ǣÌŸŸǼÞض���ʩĶŎ�ɠÞǼÌ�ǼÌs�¯�ŎŸȖǣ��ŎsNjÞO�Ř��OǼŸNjʰ�D�NjNjɴ�ËȖ¶¶ÞŘǣʰ�ɠÌŸ�Þǣ�LJȖÞǼs���Ìs�_�OÌs�on set. Away from the shoot, Margherita tries to hold her life together, despite her mother’s illness and her daughter’s adolescence.

DIRECTOR: Nanni MorettiPRODUCER: Nanni Moretti, Domenico ProcacciWRITERS: ŗ�ŘŘÞ�ōŸNjsǼǼÞʰ�®Nj�ŘOsǣOŸ�ƻÞOOŸĶŸʰ�ə�ĶÞ�Ǣ�ŘǼsĶĶ�ʰ�µ�Þ��ō�ŘʊÞŘÞʰ�NÌÞ�Nj��ə�ĶsNjÞŸCAST: ō�Nj¶ÌsNjÞǼ��DȖɴʰ�ğŸÌŘ�ǻȖNjǼȖNjNjŸʰ�µÞȖĶÞ��ĵ�ʊʊ�NjÞŘÞʰ�ŗ�ŘŘÞ�Moretti, Beatrice Mancini, Stefano AbbatiPRODUCTION: Ǣ�OÌsNj�®ÞĶŎʰ�®�Ř_�ضŸʰ�ĵs�ƻ�OǼs

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Page 81: Biaff 2015 Catalogue

79Masters’ Collection

ONE ON ONESouth Korea, 2014; 122 min.

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���������ZSWTRZ� UWZkJOTN� LWLWVJZ� ZJZlRSJM� J[XJlR[jNKNV� MJ� STJONV � MJUVJ`JON� SJmNKR� SR� MJ[ZeNTNKR� jaNKRJV � Q[UmJ�`NUMNL�NjQ�NjQ�UJQLJVZ�SJjLJM�LJkOjQVRTR�QJOMJUZdUNTNKRZ�RM[UJTR�eL[\R�RlJmNKZ��LJlJmNK[TZ�USOTNTWKRZ�J^RJjNKRZ�MJkNjJZ�kJUNKRQ�JRb[TNKNV�MJ�JQJORZ[\TNKNV��ljJOURjNK[TR�SJmR�RLNKZ �jWU�LWLWVJZ�USOTNTWKRZ�ZdOJ�UWVJkRTNNKUJm�RLRON�LJMJRlJVNZ�� XJZ[dNKRZ�bRNKJ`R � SJmR�UWUMNOVW�UZdONjXTZ�UR_ONKJ�MJ�QJOMJUZdUNTNKRZ�ZJUJTJOZ�XW[TWKZ��N]ZljNUJT[jR�QNUNKRQJ�MJ�QJUJUR�ZR[YNlNKRQ�mVWKRTUJ�jNYRZWjUJ�SRUUJ�J^VR`VJ �jWU�\RTUR�ZJUdjNQ�SWjNJZ�NdNKJ���]ON_JVJZ �ZJMJm�QORQWV�mdWOjWKZ�MJ�DUR[dNMJOJM�RURZJ �NQJVdUNKRQ�Q[�JjJ�MJZJZj[TZ �[VMJ�[_[jWQ<�

BIOGRAPHY�¯ǼsNj�ǣǼȖ_ɴÞض��NjǼ� ÞŘ�ƻ�NjÞǣʰ�ħÝō�ħÝ˚^ȕħ�ʹˠ˨˥˟ʰ�DŸŘ¶Ìɠ�ʰ�ǢŸȖǼÌ�ħŸNjs�ʺ�NjsǼȖNjŘs_�ǼŸ�ǢŸȖǼÌ�ħŸNjs���Ř_�Es¶�Ř�ÌÞǣ�career as a screenwriter. He made his directorial debut with a low-budget movie, Crocodile, in 1996. Since then, he has been hailed by both critics and audiences for his hard-to-express characters, shocking visuals, and ȖŘƼNjsOs_sŘǼs_�Ŏsǣǣ�¶sǣʳ�Ës�OŸŘǼÞŘȖs_�Ŏ�ĨÞض�ÞŘǼsNjŘ�ǼÞŸŘ�ĶĶɴ��OOĶ�ÞŎs_�ʩĶŎǣ�ǣȖOÌ��ǣ�Ǣ�Ŏ�NjÞǼ�Ř�µÞNjĶʹǢÞĶɚsNj�Ds�Nj��ɠ�Nj_�¯ŸNj�DsǣǼ�^ÞNjsOǼŸNj��Ǽ�DsNjĶÞŘ�ˡ˟˟ˣʺʰ�ˢ˚ÝNjŸŘ�ʹǢÞĶɚsNj�ĵÞŸŘ��ɠ�Nj_�¯ŸNj�DsǣǼ�^ÞNjsOǼŸNj��Ǽ�əsŘÞOs�ˡ˟˟ˣʺʰ��NjÞNj�ض�ʹȕŘ�NsNjǼ�ÞŘ�NJs¶�Nj_�ƻNjÞʊs��Ǽ�N�ŘŘsǣ�ˡ˟ˠˠʺʳ�ōŸǣǼ�ŘŸǼ�EĶɴʰ�ƻÞsǼ��ɠŸŘ�ǼÌs�µŸĶ_sŘ�ĵÞŸŘ��ɠ�Nj_�¯ŸNj�DsǣǼ�®ÞĶŎ��Ǽ�ǼÌs�ˡ˟ˠˡ�əsŘÞOs�®ÞĶŎ�®sǣǼÞɚ�Ķʳ

SYNOPSISA high school girl is brutally raped and murdered and the men responsible for the heinous act get off scot-free.That is, until one of them gets abducted by a shadowy group of highly trained assailants. Tortured and forced to ɠNjÞǼs���OŸŘ¯sǣǣÞŸŘ�Ÿ¯�ǼÌs�ŎȖNj_sNjʰ�ǼÌs��E_ȖOǼss�Þǣ�ǼÌsŘ�NjsĶs�ǣs_ʳ�ǻNj�ȖŎ�ǼÞǣs_�Eɴ�ǼÌs�sɮƼsNjÞsŘOsʰ�Ìs�Ķ�ǼsNj�ʩŘ_ǣ�ŸȖǼ�that others involved in the murder have also gone through the same ordeal.Eager for answers, he tails the next person he expects to be victimised, and discovers the hideout of his tormentors.^ÞNjsOǼŸNj�ħÞŎʰ�ĨŘŸɠŘ�¯ŸNj�ÌÞǣ�sɮǼNjsŎs�ǼÌsŎsǣ��Ř_�ȖŘʪÞŘOÌÞض�ǣǼŸNjɴĶÞŘsǣʰ�Ì�ǣ�ǣ�Þ_�ÞŘ���ǣǼ�ǼsŎsŘǼ�ǼÌ�Ǽ�ǼÌÞǣ�ʩĶŎ�Þǣ��EŸȖǼ�ˆǼÌs�OŸȖŘǼNjɴ�ɠÌsNjs�Ý�ĶÞɚsʰ�ǢŸȖǼÌ�ħŸNjs�ˇ��Ř_�ǼÌ�Ǽ�ˆɠÌsǼÌsNj�ɴŸȖ��¶Njss�ɠÞǼÌ�ǼÌs�sŘ_Þض�ŸNj�ŘŸǼ�ʳʳʳ�ɴŸȖ�ǣÌŸȖĶ_�ɠ�ǼOÌ�ÞǼʳˇ

Screenplay: ħÞŎ�ħÞ˚_ȖĨCinematography: ħÞŎ�ħÞ˚_ȖĨEditor: ħÞŎ�ħÞ˚_ȖĨProducer: ħÞŎ�ǢŸŸŘ˚ŎŸExecutive producer: ħÞŎ�ħÞ˚_ȖĨMusic: ƻ�NjĨ�ɳŸȖض˚ŎÞŘCast: ^ŸŘ�ĵssʰ�ħÞŎ�ɳŸȖض˚ŎÞŘʰ�ĵss�ɳÞ˚ĨɴȖضʰ�NÌŸ�^ŸŘ¶˚ÞŘʰ�ɳŸŸǻsŸʰ��ÌŘ�ğÞ˚Ìɴs�ʰ�ğŸ�ğ�s˚NjɴŸŘ¶ʰ�ħÞŎ�ğŸŸŘ¶˚ĨÞProduction: ħÞŎ�ħÞ˚_ȖĨ�®ÞĶŎ

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80

WINTER SONGFrance/Georgia, 2015; 117 min.

Masters’ Collection

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���������PWLR� UZLJOZNKJ� `NUJ`\WQNKNTRJ�� NZ� NdNKJ� LRTRWlRVJPN� MJZeRT� ORZSWVlRZ � XRj`R� aRK[dRQ � lNjWjRZ� XNjRWM`R��ZJUdNMjW� SJXNTJVZ � LJVLZlNjRORQ� JUWZORjRVLNK[TR� USNjMRQ � jWUNTRm� eJjRZSJmNKZ � UWQJjN`NNKZJ� MJ�UWbJTJMNNKZ� VJQTJOZ�� SWUXJ]lWjRZ� URNj� LJQNTRT � XJjRPNT� UJkJVkJTJZJ� MJ� MRMR� SWjX[ZRZ� LJVJQTNK[T�SWVZRNjYZ �jWUNTRm�RJjJ^RQJm�OJcjWKZ��NjQ�`NVWKJ`R�QRQ]URZ�_ONTJ�J^VR`V[TR�XNjZWVJYR�NjQUJVNQZ�dOMNKJ���[ZJdTSJjWZ�LJjMJ �jWUNTZJm�XWTRmRJ�NjQR�JMLRTRMJV�UNWjNUMN�MJJlJjNKZ��JU�]JWZ`R�WmVNKRZ �ZR_OJj[TRZJ�MJ�UNLWKjWKRZ�MjW�UJRVm�jaNKJ �jJm�[SNQNZR�UWUJOTRZ�RUNMZ�lWONKZ�

BIOGRAPHY�¯ǼsNj�¶Nj�_Ȗ�ǼÞض�¯NjŸŎ�ǼÌs�ōŸǣOŸɠ�®ÞĶŎ�ǢOÌŸŸĶʰ�ǼÌs�ʩĶŎŎ�ĨsNjʰ�ŷǼ�Nj^�ɚÞ_ŸɚÞOÌÝŸǣǣsĶÞ�ŘÞ�ʹǻEÞĶÞǣÞʰ�µsŸNj¶Þ�ʰ�ˠ˨ˢˣʺʰ�learnt the job as an assistant director and then as an editor of documentaries at the Gruzija Film studios in Georgia Es¯ŸNjs�ƼNjŸ_ȖOÞض�ÌÞǣ�ŸɠŘ�ǣÌŸNjǼ�ʩĶŎǣʲ��Ĩɚ�NjsĶ�ʹˠ˨ˤ˧ʺ��Ř_�ǢŸŘ¶��EŸȖǼ���®ĶŸɠsNj�ʹˠ˨ˤ˨ʺʳ�ËÞǣ�ǼÌÞNj_�ʩĶŎʰ��ƼNjÞĶ�ʹˠ˨˥ˡʺʰ�was censored by the Soviet authorities. He worked as a sailor and as a factory worker for a time.

SYNOPSISSome resemblances are disturbing. That between a guillotined viscount, pipe in his mouth, during the Terror; an army chaplain with a tattooed chest like a gangster, baptizing soldiers, looters and rapists, as if on an assembly ĶÞŘsʱ���ƻ�NjÞǣÞ�Ř�ǼNj�ŎƼ�ʪ�ǼǼsŘs_�Eɴ���ǣǼs�ŎNjŸĶĶsNjʰ��Ř_�ǼÌs�ÌÞ¶ÌĶɴ�s_ȖO�Ǽs_�OŸŘOÞsNj¶sʰ�EȖǼ��ĶǣŸ��NjŎǣ�_s�ĶsNjʰ�Ÿ¯���large apartment block. A building where the lives of nearly all these characters intersect, except for the homeless who are roughly dragged from one place to the next by the police. And yet in the midst of all this chaos, there are ǣƼ�Osǣ�ǼŸ�_Njs�Ŏʰ�ĶŸɚs�ǣǼŸNjÞsǣʰ�ʩNjŎ�¯NjÞsŘ_ǣÌÞƼǣ�ǼÌ�Ǽ�ƼsNjÌ�Ƽǣ��ĶĶŸɠ�ÌŸƼs�ǼÌ�Ǽ�ǼŸŎŸNjNjŸɠ�ɠÞĶĶ�Es�EsǼǼsNj�ǼÌ�Ř�ǼŸ_�ɴʳ

DIRECTOR: Otar IosselianiPRODUCERS: ō�NjǼÞŘs�ō�NJݵŗ�N�˚�ŷǼ�Nj�ÝŷǢǢrĵÝ�ŗÝ�ʹƻ�ǣǼŸNj�Ķs�Productions - France)SCREENPLAY: Otar IosselianiCINEMATOGRAPHER: ğȖĶÞs�µNJȕŗrD�ȕōSOUND: �ŘŘs�ĵr�N�ōƻÝŷŗEDITING: ŷǼ�Nj�ÝŷǢǢrĵÝ�ŗÝʰ�rŎŎ�ŘȖsĶĶs�ĵrµrŗ^NJrMUSIC: ŗÞOŸĶ�ǣ�ʉŷȕNJ�DÝNËəÝĵÝCAST: Rufus, Amiran Amiranashvili, Pierre Étaix, Mathias Jung, Mathieu Amalric, Enrico GhezziProduction Co.: Co-production France-Georgia; Pastorale Productions / Studio 99

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Page 83: Biaff 2015 Catalogue

81Masters’ Collection

MY GOOD HANSGermany/Russia, 2015, 110 min.

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BIOGRAPHYDŸNjŘ�ÞŘ�ōŸǣOŸɠ�ÞŘ�ˠ˨ˣ˨ʰ�Ìs�ǣǼȖ_Þs_�ÞŘ�ǼÌs�ǣONjssŘɠNjÞǼÞض�¯�OȖĶǼɴ��Ǽ�ǼÌs�ǣǼ�Ǽs�ʩĶŎ�ǣOÌŸŸĶ�əµÝħ�ÞŘ�ǼÌs�ǣ�Ŏs�OÞǼɴ��Ř_�Ì�ǣ�ɠŸNjĨs_��ǣ���ʩĶŎ��Ř_�ǼsĶsɚÞǣÞŸŘ�ǣONjssŘɠNjÞǼsNj�ǣÞŘOs�ˠ˨˦˥ʳ�Ës�Ì�ǣ�NjsOsÞɚs_�ŘȖŎsNjŸȖǣ��ɠ�Nj_ǣ��Ř_�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ƼNjÞʊsǣʰ�ÞŘOĶȖ_Þض���ǢÞĶɚsNj�Ds�Nj��Ǽ�ǼÌs�DsNjĶÞŘ�Ķs�¯ŸNj�ǼÌs�ˆÞ_s���Ř_��_�ƼǼ�ǼÞŸŘˇ�Ÿ¯�ǼÌs�ʩĶŎ�ˆƻĠsǣǣ�^ĶĠǣƻ�ǣǣ�ǣOÌÞNj�ˇ�ʹˆ��ƻĶ�ɴ�®ŸNj���ƻ�ǣǣsضsNjˇʺʳ�ËÞǣ�_ÞNjsOǼŸNjÞ�Ķ�_sEȖǼʰ�ˆǢŸ�Njˇʰ�ǣONjssŘs_��Ǽ�ǼÌs�ˡ˟˟˦�əsŘÞOs�®ÞĶŎ�®sǣǼÞɚ�Ķʳ

SYNOPSISExceptionally private, full of emotional experiences story of an engineer Hans F. who arrived with a business trip ǼŸ�ȕǢǢNJ�ŸŘ�ǼÌs�sɚs�Ÿ¯�ɟŸNjĶ_�ɟ�Nj�ÝÝ�ʹ�ȖǼȖŎŘ�Ÿ¯�ˠ˨ˣ˟�ƻ�ǣƼNjÞض�Ÿ¯�ˠ˨ˣˠʺʳ�ǻÌs�ƼĶŸǼ�Þǣ�E�ǣs_�ŸŘ�ǼÌs�Njs�Ķ�ĶÞ¯s�sɚsŘǼǣ�Ÿ¯�ƼNjsɠ�Nj�ƼsNjÞŸ_ʰ�ŸŘ�ǼÌs�ŎsŎŸNjÞsǣ�Ÿ¯�ÞǼǣ�_ÞNjsOǼ�Ƽ�NjǼÞOÞƼ�ŘǼǣʳ��ǣ���Ŏ�ǼǼsNj�Ÿ¯�¯�OǼ�ǼÌs�ʩĶŎ�NjsƼNjsǣsŘǼǣ�ĶÞǼǼĶs�ĨŘŸɠŘ�EĶ�ŘĨ�spot of the European history when soon after the Molotov-Ribbentrop pact had been signed a short period of ¯NjÞsŘ_ǣÌÞƼʰ�OĶŸǣs�OŸĶĶ�EŸNj�ǼÞŸŘ��Ř_�sɮOÌ�ضs�Ÿ¯�ǣƼsOÞ�ĶÞǣǼǣ�ǣǼ�NjǼs_�EsǼɠssŘ�ȕǢǢNJ��Ř_�µsNjŎ�Řɴ�˚�Es¯ŸNjs�ǼÌsǣs�ǼɠŸ�countries confronted each other in the mortal combat.

Director: Alexander MindadzeScreenplay: Alexander MindadzeDirector of photography: Oleg MutuMusic: ə�ĶsNjɴ�ǢÞĶɚsNjCast: JakobDiehl, AndryusDaryala, BirgitMinichmayr, NJŸʊ�ħÌ�ɴNjȖĶĶÞŘ�ʰ�ō�NjĨ�ɟ�ǣOÌĨsʰ�ǢsE�ǣǼɴ�Ř��ŘǼŸŘʰ�ō�NjO�ËŸǣsŎ�ŘŘʰ�ǢɚsǼĶ�Ř��ħŸǣŸĶ�ƼŸɚ�ʰ�ğsɚ¶sŘÞǢ�NjŎŸŘǼʰ��ضsĶÞŘ��RimashevskayaProduction company: Ma.Ja.De. Filmproduktions GmbH (Berlin), Passenger Film Studio (Moskau)Producer: ĵÞ_Þ���ŘǼŸŘŸɚ�ʰ��Ķsɮ�Ř_sNj�ōÞŘ_�_ʊsʰ�ĵsŸŘ�Nj_�Blavatnik

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82

LOVEFrance/Belgium, 2015

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BIOGRAPHYµ�ǣƼ�Nj�ŗŸwʰ�EŸNjŘ�ÞŘ�ˠ˨˥ˢʰ�Þǣ��Ř��Nj¶sŘǼÞŘÞ�Ř�ʩĶŎ�_ÞNjsOǼŸNj��Ř_�ǣONjssŘɠNjÞǼsNjʳ�Ës�Þǣ�ǼÌs�ǣŸŘ�Ÿ¯��Nj¶sŘǼÞŘÞ�Ř�Ƽ�ÞŘǼsNjʰ�ɠNjÞǼsNj��Ř_�ÞŘǼsĶĶsOǼȖ�Ķ�ĵȖÞǣ�®sĶÞƼs�ŗŸwʳ�ŗŸw�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ĵŸȖÞǣ�ĵȖŎÞuNjs�NŸĶĶs¶sʳ�ĵ�ǼsNj�Ìs�ǣǼ�Ǽs_�ǼÌ�Ǽ�ǣssÞض�2001: A Space Odyssey at the age of seven changed his life, without which experience he would never have EsOŸŎs���_ÞNjsOǼŸNjʳ�ËÞǣ�ʩĶŎ�ĵŸɚs�ƼNjsŎÞsNjs_��Ǽ�ǼÌs�µNj�Ř_�ǻÌs�ǼNjs�ĵȖŎÞuNjs�ÞŘ�ǼÌs�ōÞ_ŘÞ¶ÌǼ�ǢONjssŘÞضǣ�ǣsOǼÞŸŘ��Ǽ�the 2015 Cannes Film Festival.

SYNOPSISJanuary the 1st, early morning. The telephone rings. Murphy wakes up next to his young wife and 2-year-old child. He listens to his voicemail: Electra’s mother, sick with worry, wants to know whether he has heard from her daughter. Electra’s been missing for a long time. She’s afraid something really bad has happened to her.

Director: Gaspar NoeDOP: Benoît Debie Script: µ�ǣƼ�Nj�ŗŸw Cast: µ�ǣƼ�Nj�ŗŸwʰ��ŸŎÞ�ōȖɴŸOĨʰ�ħĶ�Nj��ħNjÞǣǼÞŘʰ�ħ�NjĶ�µĶȖǣŎ�Řʰ�Benoît DebieProducers: DNj�ÌÞŎ�NÌÞŸȖ�ʰ�əÞŘOsŘǼ�ō�Nj�ɚ�Ķʰ�µ�ǣƼ�Nj�ŗŸwʰ�Rodrigo Teixeira, Edouard WeilPRODUCTION: ĵsǣ�NÞŘsŎ�ǣ�_s�Ķ��ʉŸŘsʰ�NJǻ�®s�ǼȖNjsǣʰ�NJsOǼ�ضĶs�Productions, Wild Bunch

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saavtoro kinos baTumis saerTaSoriso festivali

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BIOGRAPHYË�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�Ř�ʹEŸNjŘ�ˠ˨ˤˤʰ��ĨÌ�ĶĨ�Ķ�ĨÞʰ�µsŸNj¶Þ�ʺʰ�Þǣ���_ÞNjsOǼŸNjʰ�ƼNjŸ_ȖOsNjʰ�ǣONjÞƼǼɠNjÞǼsNjʰ��Ř_�ËŸŘŸNjs_��NjǼÞǣǼ�Ÿ¯�NJ�ʳ�ǢÞŘOs�ˡ˟˟˥ʰ�ħÌ�OÌ�ǼNjɴ�Ř�Þǣ���ɚŸǼÞض�ŎsŎEsNj�Ÿ¯�rȖNjŸƼs�Ř�®ÞĶŎ��O�_sŎɴʰ�^ÞNjsOǼŸNj�Ÿ¯�µŸĶ_sŘ��ƼNjÞOŸǼ�®N^ʰ��Ř_�ǣÞŘOs�ˡ˟˟ˣ�ǼÌs�NŸ˚¯ŸȖŘ_sNj��Ř_�ǼÌs�µsŘsNj�Ķ�^ÞNjsOǼŸNj�Ÿ¯�µŸĶ_sŘ��ƼNjÞOŸǼ�ɳsNjsɚ�Ř�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�®ÞĶŎ�®sǣǼÞɚ�Ķʳ�ħÌ�OÌ�ǼNjɴ�Ř�ɠ�ǣ��ɠ�Nj_s_�ɠÞǼÌ�ǼÌs�ƻNjÞŘOs�ħĶ�Ȗǣ��ɠ�Nj_�ÞŘ�ˡ˟˟˦ʳ�ÝŘ�ˡ˟˟˧ʰ�Ìs�EsO�Ŏs���NÌsɚ�ĶÞsNj�Ÿ¯�ǼÌs�ŷNj_sNj�Ÿ¯��NjǼǣ��Ř_�ĵsǼǼsNjǣ�Eɴ�ǼÌs�ōÞŘÞǣǼNjɴ�Ÿ¯�Culture of France.

Harutyun Khachatryan

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85RETROSPECTIVE

ENDLESS ESCAPE, ETERNAL RETURN

Armenia/The Netherlands/Switzerland, 2014, 87 min.

SYNOPSISDsǼɠssŘ�ˠ˨˧˧��Ř_�ǼÌs�s�NjĶɴ�ˠ˨˨˟ǣʰ� ǼÌNjss�sɚsŘǼǣ�ǣÌŸŸĨ��NjŎsŘÞ�ʲ���ǼsNjNjÞEĶs�s�NjǼÌLJȖ�Ĩsʰ� ǼÌs�ŗ�¶ŸNjŘŸ˚ħ�Nj�E�ĨÌ�ɟ�Nj��Ř_�ǼÌs�ENjs�Ĩ˚ȖƼ�Ÿ¯�ǼÌs�ǢŸɚÞsǼ�ȕŘÞŸŘʳ��ǣ���OŸŘǣsLJȖsŘOsʰ�Ƽ�NjǼ�Ÿ¯�ǼÌs�ƼŸƼȖĶ�ǼÞŸŘ�OÌŸǣs�ǼŸ�ĶÞɚs�ÞŘ�sɮÞĶsʳ�ǻÌs�ʩĶŎŎ�ĨsNj�¯ŸĶĶŸɠǣ�ǼÌs�Ƽ�ǼÌ�Ÿ¯�ŸŘs�Ÿ¯�ǼÌsǣs�ŎsŘʰ�NjsOŸȖŘǼÞض���_ssƼĶɴ�ŎŸɚÞض�sƼÞO�Ǽ�Ķs�Ÿ¯��Ř�ÞŘ_ŸOÞĶs�Ŏ�Ř��Ř_��Ř�extraordinary storyteller.

Director: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�ŘProducer: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�ŘCinematography: əNjsʊÌ�ƻsǼNjŸǣɴ�Řʰ�ǢȖNjsŘ�ǻ�_sɚŸǣɴ�ŘSound: Ë�ɴĨ�ÝǣNj�sĶɴ�Řʰ�ħ�NjsŘ�ǻǣ�ǼȖNjɴ�ŘEditing: ħ�NjÞŘs�ə�Nj_�Řɴ�Řʰ�ħ�NjsŘ�D�¶ÌÞŘɴ�ŘPRODUCTION: µŷĵ^rŗ��ƻNJÝNŷǻ�®N^�ǻ�ǼɚsÞĨ�ō�ŘŸȖĨɴ�Ř�µŷĵ^rŗ��ƻNJÝNŷǻ�®N^�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�Ř

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86

DOCUMENTARISTArmenia, 2003; 80 min.

SYNOPSIS�Ř�ȖŘʪÞŘOÌÞض�ǣǼ�ǼsŎsŘǼ��EŸȖǼ�ǼÌs�Ì�Nj_ǣÌÞƼǣ�Ÿ¯�Ŏ�ĨÞض���ʩĶŎ�ǼÌ�Ǽ�ǣǼÞOĨǣ��ǣ�OĶŸǣs��ǣ�ƼŸǣǣÞEĶs�ǼŸ�Njs�ĶÞǼɴ��Ř_�ǼNjȖǼÌʳ�Dɴ�ÌÞ¶ÌĶÞ¶ÌǼÞض�ǼÌs�ŎŸNj�Ķ��ŎEÞ¶ȖÞǼÞsǣ�Ÿ¯�ǼÌs�_ŸOȖŎsŘǼ�Njɴ�_ÞNjsOǼŸNjʰ�ħÌ�OÌ�ǼNjɴ�Ř��ƼƼNjŸ�OÌsǣ�ǼÌs�OŸŘǼNj�_ÞOǼÞŸŘǣ�Ÿ¯�a whole country that is facing hardships and challenges. An acute snapshot of Armenia shortly after the collapse Ÿ¯�ǼÌs�ȕǢǢNJʰ�ǼÌs�ʩĶŎ�Þǣ���Ì�ȖŘǼÞض�ƼŸNjǼNj�ÞǼ�Ÿ¯���OŸȖŘǼNjɴ��Ǽ���ONjŸǣǣNjŸ�_ǣʳ

Director: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�ŘScript: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�Řʰ�ōÞĨ�ɴsĶ�ǢǼ�ŎEŸĶǼǣɴ�Řʰ�ə�ĶsNjÞ�GasparyanDirector of Photography: ə�Ì�¶Ř�ǻsNj˚Ë�ĨŸEɴ�ŘMusic by: Avet TerteryanSound: �Ř�ÌÞǼ�ħsǣ�ɴ�ŘEdit: Sophia GabrielyanCast: ǢȖNjsŘ�D�E�ɴ�Řʰ�Ë�NjȖǼɴȖŘ�ğ�ɚ�ʊɴ�Ř�ʽË�NjŸȖǼÞĨʾʰ�ħŸǣǼ�ǣ�ħ�Ķ�¯�ǼÞǣ�ʽrĨŎsĨOÌɴ�Řʾʰ��¶�Ǽ��ə�ŘȖŘǼǣʰ�NJȖEsŘ�ħÌ�OÌ�ǼNjɴ�Řʰ�ĵsɚŸŘ�µÌ�ʊ�Njɴ�Řʰ�ǢȖǣ�ŘŘ��µÌ�ʊ�Njɴ�ŘProduction company(-ies): Ë�ɴʩĶŎ�ǢǼȖ_ÞŸ�ƻȖǣÌĨÞŘ�ǢǼNjʳ�ˢ˧ʰ�˟˟ˠ˟�ɳsNjsɚ�Řʰ��NjŎsŘÞ�Production: Golden Apricot Fcd

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87

WHITE TOWN Armenia, 1988; 37 min.

SYNOPSIS�ĨÌ�ĶĨ�Ķ�ĨÞ�Þǣ���ǼŸɠŘ�ÞŘ�µsŸNj¶Þ�ʳ�ÝǼ�Þǣ�ɠÌsNjs�Ë�NjȖǼɴȖŘħÌ�OÌ�ǼNjɴ�Ř�ɠ�ǣ�EŸNjŘ�ÞŘ�ˠ˨ˤˤ��Ř_�ɠÌsNjs���ǣǼNjŸŘ¶��NjŎsŘÞ�Ř�OŸŎŎȖŘÞǼɴ�ǣƼŸĨs�Ŏ�ÞŘĶɴ�ÞŘ�ÞǼǣ�ŎŸǼÌsNj�ǼŸŘ¶Ȗsʳ�ĵÞĨs�ÞŘ���ǣÌŸNjǼ�ǣǼŸNjɴ�Eɴ�µŸ¶ŸĶʰ�ǼÌs�ʩĶŎ�Þǣ���OŸĶĶsOǼÞŸŘ�Ÿ¯�ɚÞ¶ŘsǼǼsǣ�and sketches that depict life in Akhalkalaki in a way that is both burlesque and tragic. The White Town is one of ħÌ�OÌ�ǼNjɴ�Ř˅ǣ�ŎŸǣǼ�ǼŸȖOÌÞض�ʩĶŎǣʳ

Director: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�ŘWriters: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�Řʰ�ōÞĨ�ɴsĶ�ǢǼ�ŎEŸĶǼǣɴ�ŘPRODUCTION: ArmenFilm

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88

KONDArmenia, 1987; 40 min.

SYNOPSISǻÌs�ʩĶŎ�OÌNjŸŘÞOĶsǣ�ǼÌs�sɚsNjɴ_�ɴ� ĶÞ¯s� ÞŘ�ħŸŘ_ʰ�ŸŘs�Ÿ¯� ǼÌs�ŸĶ_sǣǼ�_ÞǣǼNjÞOǼǣ� ÞŘ�ɳsNjsɚ�Řʳ�ǢǼNjÞOĨsŘ�Eɴ�ƼŸɚsNjǼɴʰ�ħŸŘ_�EsO�Ŏs�ǼÌs�ŸEĠsOǼ�Ÿ¯���ɚsNjɴ� ĶŸŘ¶�ǣǼȖ_ɴ��Ř_�ŸEǣsNjɚ�ǼÞŸŘ�Eɴ�ħÌ�OÌ�ǼNjɴ�Řʳ�ǻÌs�_ÞNjsOǼŸNj�OĶŸǣsĶɴ�ǣONjȖǼÞŘÞʊsǣ�_�ÞĶɴ�NjÞǼȖ�Ķǣ��Ř_�ÌȖŎ�Ř�Ì�EÞǼǣʳ�rɚsNjɴ�ŎŸNjŘÞضʰ�ɠÌsŘ�ǼÌs�ǣȖŘ�OŸŎsǣ�ȖƼʰ�ĶÞ¯s�ǣǼ�NjǼǣ�ŸŘOs��¶�ÞŘʳ���ʩĶŎ��ɠ�Nj_s_�ÞŘ�ˠ˨˧˦�ËŸŘŸȖNj�EĶs�ōsŘǼÞŸŘ�Eɴ�ǼÌs�ğȖNjɴ��Ǽ�ǼÌs�®sǣǼÞɚ�Ķ�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�_s�OÞŘwŎ�_ŸOȖŎsŘǼ�ÞNjs�_s�ŗɴŸŘʳ

Director: Ë�NjȖǼɴȖŘ�ħÌ�OÌ�ǼNjɴ�ŘWriter: S. DarbinyanPRODUCTION: ArmenFilm

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89

SEVERAL INTERVIEWS ON PRIVATE ISSUES

USSR/Georgia 1977; 95 min.ˠ˨ˤ˦��Ř_�ɠ�ǣ�Ķs�_Þض�ǼÌs�ʩĶŎ�_ÞNjsOǼŸNjǣ˅�ǣǼȖ_ÞŸ��Ǽ�NJȖǣǼ�ɚsĶÞ�ǻÌs�ǼsNj�ǣÞŘOs�ˠ˨˦ˤʳ�ÝŘ�ˠ˨˧˧ʰ�ǣÌs�EsO�Ŏs�ǼÌs�_ÞNjsOǼŸNj�Ÿ¯�ˆµsŸNj¶Þ�Ř�®ÞĶŎ�ǢǼȖ_ÞŸˇʳ�ĵ�ǼsNj�ǣÌs�ǣǼ�NjǼs_�ÌsNj�ƼŸĶÞǼÞO�Ķ�O�NjNjÞsNj��Ř_�ÞŘ�ˠ˨˨ˡ�EsO�Ŏs�ǼÌs�ŎsŎEsNj�Ÿ¯�ǼÌs�Ƽ�NjĶÞ�ŎsŘǼʳ�Since 1999 was the ambassador extraordinary and plenipotentiary of Georgia to the Council of Europe and in 2004, ǣÌs�ɠ�ǣ��ƼƼŸÞŘǼs_��ǣ��Ř��ŎE�ǣǣ�_ŸNj�Ÿ¯�µsŸNj¶Þ��ǼŸ�®Nj�ŘOsʳËsNj�ʩOǼÞŸŘ��Ř_�_ŸOȖŎsŘǼ�Njɴ�ŎŸɚÞsǣ�Ì�ɚs�ɠŸŘ�ǣsɚsNj�Ķ�international awards.ĵ�Ř��µÌŸ¶ÌŸEsNjÞ_ʊs�Þǣ�ǼÌs�OŸ˚�ȖǼÌŸNj�Ÿ¯�ǼÌs�ǣONjssŘƼĶ�ɴǣ�¯ŸNj��ĶĶ�Ÿ¯�ǼÌs�ʩĶŎǣ�ǣÌs�Ì�ǣ�_ÞNjsOǼs_�˛�ˆȕŘ_sNj�ǼÌs�Ǣ�Ŏs�ǢĨɴˇ�ʹˠ˨˥ˠʺʱ�ˆÝ�N�Ř�Ǣss�ǼÌs�ǢȖء�ʹˠ˨˥ˤʺʱ�ˆǻÌs�ǻNj�Řǣʩ¶ȖNj�ǼÞŸŘˇ�ʹˠ˨˥˧ʺʱ�ˆɟÌsŘ��ĶŎŸŘ_ǣ�DĶŸǣǣŸŎs_ˇ�ʹˠ˨˦ˡʺʱ�ˆǻÌs�Turmoil at the Feast” (1975); “Few Interviews on Personal Issues” (1978); “The Night has Changed by Day” (1984); “The Turmoil” (1986); “The Waltz on Pechora” (1992).SYNOPSISɳŸȖض�ŘsɠǣƼ�ƼsNj�ǣǼ�¯¯sNj�ǢŸʩĨŸNÌÞ�ȖNjsĶÞ� Þǣ�Ƽ�ǣǣÞŸŘ�ǼsĶɴ�ÞŘɚŸĶɚs_�ÞŘ�ÌsNj�ɠŸNjĨ�˜�ÞŘǼsNjɚÞsɠÞض�ƼsŸƼĶs�ɠÌŸ�Ì�ɚs�sent letters of complaint to the editor. One of the women she converses with is her mother, and the pair’s onscreen NjsĶ�ǼÞŸŘǣÌÞƼ�sɚŸĨsǣ�ǼÌs�ǼNj�¶ÞO�s�NjĶɴ�ĶÞ¯s�Ÿ¯�ǼÌs�ʩĶŎŎ�ĨsNj��Ř_�ÌsNj�ŸɠŘ�ŎŸǼÌsNjʰ�Ŏ�ĨÞض�ǼÌÞǣ���ɚsNjɴ�ƼsNjǣŸŘ�Ķ�ƼNjŸĠsOǼʳ�Combining documentary technique and psychological drama, this becomes a powerful testament about women, ɠŸNjĨʰ�¯�ŎÞĶɴ��Ř_�Ŏ�NjNjÞ�¶sʰ�s�NjŘÞض�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ��OOĶ�ÞŎ��ǣ�ǼÌs�ʩNjǣǼ�¯sŎÞŘÞǣǼ�ʩĶŎ�Ÿ¯�ǢŸɚÞsǼ�OÞŘsŎ�ʰ��ǣ�ɠsĶĶ��ǣ�ǼÌs�ʩNjǣǼ�ǼŸ�ŸɚsNjǼĶɴ�ŎsŘǼÞŸŘ�ǢǼ�ĶÞŘ˅ǣ�O�ŎƼǣʳ

DIR/SCR/PROD: ĵ�Ř��µŸ¶ŸEsNjÞ_ʊsSCR: Erlom Akhvlediani, Zaira Akhvlediani

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RETROSPECTIVE

BIOGRAPHYĵ�Ř��µÌŸ¶ÌŸEsNjÞ_ʊs�ɠ�ǣ�EŸNjŘ�ŸŘ�ŷOǼŸEsNj�ˠˢʰ�ˠ˨ˡ˧� ÞŘ�ǻEÞĶÞǣÞʳ� ÝŘ�ˠ˨ˤ˟ʰ� ǣÌs� ¶Nj�_Ȗ�Ǽs_� ¯NjŸŎ� ǻEÞĶÞǣÞ� ǢǼ�Ǽs� ȕŘÞɚsNjǣÞǼɴʰ� ǼÌs� ¯�OȖĶǼɴ� Ÿ¯�ƼÌÞĶŸĶŸ¶ɴ��Ř_� Ķ�ǼsNj� ¯NjŸŎ�ōŸǣOŸɠ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴʰ� ǼÌs� ¯�OȖĶǼɴ�Ÿ¯�cinematography. In 1954, she earned degree of candidate of philological sciences. Has worked in “Georgian Film Studio” since

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Page 92: Biaff 2015 Catalogue

90

PEOLAGeorgia, 1970, 36 min.

BIOGRAPHYD��_ȖNj�ǻǣȖĶ�_ʊs�ɠ�ǣ�EŸNjŘ�ŸŘ�ō�NjOÌ�ʕ ʰ�ɣ ˨ˢˤ�ÞŘ�D�ǼȖŎÞʳ�Ës�¶Nj�_Ȗ�Ǽs_�̄ NjŸŎ�ǼÌs��ĶĶ˚ȕŘÞŸŘ�ǢǼ�Ǽs�ÝǣǼÞǼȖǼs�Ÿ¯�NÞŘsŎ�ǼŸ¶Nj�ƼÌɴ�ÞŘ�ōŸǣOŸɠ�ɠÌsNjs�Ìs�ǣǼȖ_Þs_�ʩĶŎ�_ÞNjsOǼÞض�ɠÞǼÌ�ǼÌs�¶ȖÞ_�ŘOs�Ÿ¯��ĶsĨǣ�Ř_Njs�̂ ŸɚʊÌsŘĨŸ��Ř_�ōÞĨÌsÞĶ�NÌÞ�ȖNjsĶÞ�́ ˠ˨˥ˠʺʳ�ËÞǣ�¶Nj�_Ȗ�ǼÞŸŘ�ƼNjŸĠsOǼ�ɠ�ǣ���ǣÌŸNjǼ�ʩĶŎ�̂ ƻNjÞʊsˇʳ�Ës˅ǣ���ŎsŎEsNj�Ÿ¯�NÞŘsŎ�ǼŸ¶Nj�ƼÌsNjǣ˅�ȕŘÞŸŘ�ǣÞŘOs�ɣ ˨˥˨ʳ�µsŸNj¶Þ�˅ǣ�ËŸŘŸNjs_��NjǼÞǣǼ�́ ˠ˨˦˨ʺ�Ì�ǣ�EssŘ��ɠ�Nj_s_��Ǽ�ǼÌs�ˢNj_�NJÞ¶��ȕŘÞŸŘ�®sǣǼÞɚ�Ķ�Ÿ¯�ǢƼŸNjǼ�®ÞĶŎǣ�ʹˠ˨˦˟ʺʰ�NÝǢ��Ř_�D�ĶǼÞO�ǢǼ�Ǽsǣ˅�ˠˣǼÌ�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�®ÞĶŎ�®sǣǼÞɚ�Ķ�ˆħÞŘŸǣÌŸĨˇ�ÞŘ��Ř�Ƽ��ʹˡ˟˟ˤʺ�˛�ğȖNjɴ�ǣƼsOÞ�Ķ�ƼNjÞʊs�¯ŸNj�EsǣǼ�ǣȖƼƼŸNjǼÞض��OǼŸNj�ÞŘ�ˆǻEÞĶÞǣÞ˚ǻEÞĶÞǣÞˇʳ�ǻǣȖĶ�_ʊs�ɠŸNjĨǣ��ǣ���_ÞNjsOǼŸNj��Ǽ�ħ�NjǼȖĶÞ�®ÞĶŎÞ�ǣǼȖ_ÞŸ�ǣÞŘOs�ˠ˨˥ˠʳSYNOPSISA House Management worker Bondo is assigned to form a teenagers’ football team. Bondo approaches this task ÞŘ_Þ¯¯sNjsŘǼĶɴʳ�Ës�ɠ�ŘǼǣ�ǼÌs�Ǽs�Ŏ�ǼŸ�¯�ÞĶ�ÞŘ�ǼÌs�ʩNjǣǼ�OŸŎƼsǼÞǼÞŸŘ�ĠȖǣǼ�ǣŸ�Ìs�O�Ř�Es�NjsĶÞsɚs_�Ÿ¯�ǼÌÞǣ�_ȖǼɴ�EȖǼ�ĨÞ_ǣ�ĨssƼ�winning. Bondo starts putting all his efforts into the team. Boys call him Peola. After winning a gold medal the team is sent to France for the championship but a professional coach is sent with them instead of Peola.

Director: Baadur TsuladzeWriters: Revaz Gabriadze, Gogi CharkvianiCinematography: Iuri FednevProduction design: Giorgi Aleqsi-MeskhishviliMusic: µÞ��ħ�ŘOÌsĶÞN�ǣǼʲ�ÝƼŸĶÞǼs�ħÌɚÞOÌÞ�ʰ�µ�ENjÞĶs�ǻǣÞŘǼǣ�_ʊsʰ�ĵsɚ�Ř�ǢÌ�ŎÞĶŸɚʰ�ə�ǣÞĶ�Chkhaidze, Jemal Ghaghanidze, Shota Gabelaia, Sergei Filippov, ÝĶÞ��D�Ĩ�ĨȖNjÞʰ�ʉȖNj�E�ħ�ʩ�ŘÞ_ʊsʰ�µÞŸNj¶Þ�ǻĨsǣÌsĶ�ǣÌɚÞĶÞ�Producer: ǢÌŸǼ��ĵ�ƼsNj�_ʊs

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Page 93: Biaff 2015 Catalogue

saavtoro kinos baTumis saerTaSoriso festivali

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- “SHORT MATTERS!”

Page 94: Biaff 2015 Catalogue

92 “SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYōŸNj¶�Ř�ħŘÞEEs�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ǼÌs�ŗsǼÌsNjĶ�Ř_ǣ�®ÞĶŎ��O�_sŎɴ�ÞŘ�ˡ˟ˠˡ�ɠÞǼÌ�ÌÞǣ�ǣÌŸNjǼ�sɮƼsNjÞŎsŘǼ�Ķ�ʩĶŎ���ǻɠÞǣǼ�ÞŘ�ǻÌs�®�ENjÞO�Ÿ¯�ǢƼ�Os�ǣsĶsOǼs_�̄ ŸNj�ǼÌs�Ý^®���Ř_��ɠ�Nj_s_�ɠÞǼÌ�ɟÞĶ_O�Nj_�Eɴ�ǼÌs�ŗsǼÌsNjĶ�Ř_ǣ�®ÞĶŎ¯ȖŘ_ʳ�ËÞǣ�ǣsOŸŘ_�ǣÌŸNjǼ�ʩĶŎ�Þǣ�ǢÌÞƼɠNjsOĨʳ�NȖNjNjsŘǼĶɴʰ�ōŸNj¶�Ř�Þǣ�_sɚsĶŸƼÞض���¯s�ǼȖNjs˚ĶsضǼÌ�ʩĶŎ�ɠÌÞOÌ�ɠÞĶĶ�NjsɚŸĶɚs��NjŸȖŘ_�ǼÌs�ĶÞɚsǣ�Ÿ¯�Njs¯Ȗ¶ssǣ��Ǽ�ǼÌs�EŸNj_sNjǣ�Ÿ¯�rȖNjŸƼsʳSYNOPSISŷŘ�ˢ�ŷOǼŸEsNj�ˡ˟ˠˢʰ���EŸ�Ǽ�O�NjNjɴÞض�ˤ˟˟�rNjÞǼNjs�Ř� Njs¯Ȗ¶ssǣ�ǣȖŘĨ�Ÿ¯¯� ǼÌs�OŸ�ǣǼ�Ÿ¯� ǼÌs� ÝǼ�ĶÞ�Ř� ÞǣĶ�Ř_�ĵ�ŎƼs_Ȗǣ�ʳ�ōŸNjs� ǼÌ�Ř�ˢ˥˟�people drowned. Abraham, one of the survivors, walks through a graveyard of shipwrecks and vividly remembers the nightmarish sɮƼsNjÞsŘOsʳ�ōs�ŘɠÌÞĶsʰ�OÌ�Ÿǣ�ENjs�Ĩǣ�ĶŸŸǣs��Ǽ�ǼÌs�Ì�NjEŸȖNjʰ�ɠÌÞĶǣǼ�ÌȖŘ_Njs_ǣ�Ÿ¯�OŸ¯ʩŘǣ��Njs�EsÞض�ĶŸ�_s_�ŸŘǼŸ���ŎÞĶÞǼ�Njɴ�ǣÌÞƼʳ

BIOGRAPHYrŸÞŘ� ^Ȗ¯¯ɴ� Þǣ� �Ř� ÝNjÞǣÌ� ʩĶŎŎ�ĨsNj� ŘŸɠ� ĶÞɚÞض� �Ř_� ɠŸNjĨÞض� ÞŘ� ə�ŘOŸȖɚsNj� N�Ř�_�ʳ� rŸÞŘ� Ì�ǣ� ONjs�Ǽs_� �� EŸ_ɴ� Ÿ¯�independent work that has gone on to secure multiple accolades including a dozen major festival wins, 3 Oscar accredited festival wins, a nomination for the upcoming European Film Awards, an IFTA nomination and a shortlisting for the 86th Academy Awards SYNOPSISGeorge Takei narrates this multi-award-winning fable about a wise squirrel on an increasingly existential quest to ʩŘ_�ÞǼǣ�ǣO�Nj¯ʳ

SHIPWRECKThe Netherlands 2014, 15 min.

THE MISSING SCARFIreland, 2014, Colour, 7 min.

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Director: ōŸNj¶�Ř�ħŘÞEEsComposer: Carlos dalla-Fiore

Producer: Jos de PutterEditor: ōŸNj¶�Ř�ħŘÞEEs

Cinematography: ōŸNj¶�Ř�ħŘÞEEsProduction company: Deepfocus

Director: Eoin DuffyProducer: Jamie Hogan

Cinematography: Eoin DuffySound: µ�ɚÞŘ�ĵÞǼǼĶsʰ�ğŸs�ōOËȖ¶Ì

Editing: EoinDuffya

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93“SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYDŸNjŘ�ÞŘ�ˠ˨˧˥ʰ�ÞŘ�µsŸNj¶Þ�ʰ�ō�NjÞ�Ŏ�ħÌ�ǼOÌɚ�ŘÞ�ǣǼȖ_Þs_�®ÞĶŎ�^ÞNjsOǼÞض��Ǽ�ǼÌs�ǢÌŸǼ��NJȖǣǼ�ɚsĶÞ�ǻÌs�ǼNjs��Ř_�®ÞĶŎ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴʳ�ǢÌs�_ÞNjsOǼs_�Ŏ�Řɴ�ǣÌŸNjǼ�_ŸOȖŎsŘǼ�NjÞsǣʲ�əsNj_ʊŸE��ʹˡ˟˟˥ʺʰ�DsɴŸŘ_�ǼÌs�ɟÞŘ_Ÿɠ�ʹˡ˟˟˦ʺʰ��Ř_�ĵÞOÌ�ŘÞǣÌÞ��Ř_�ħɚÞNjÞĨŸE��ʹˡ˟˟˨ʺʳ�^ÞŘŸĶ��ʹˡ˟ˠˢʺ�Þǣ�ÌsNj�ʩNjǣǼ�ʩOǼÞŸŘ�ǣÌŸNjǼʳ�ÝǼ�Ì�ǣ�EssŘ�ÞŘɚÞǼs_�ŸŘ�Ŏ�Řɴ�ÞŎƼŸNjǼ�ŘǼ�ʩĶŎ�¯sǣǼÞɚ�Ķǣʲ�ˢ˥ǼÌ�NĶsNjŎŸŘǼ˚®sNjNj�Ř_�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�ǢÌŸNjǼ�®ÞĶŎ�Festival, 37th Norwegian Short Film Festival in Grimstad nominee to EFA...SYNOPSISThe mountains, strict law doesn’t give a chance to be together mother with her child. In the harsh mountainous countryside of Ǣɚ�ŘsǼÞ�ʹµsŸNj¶Þ�ʺʳ�Ë�ƼƼÞŘsǣǣ�Þǣ�ENjÞs¯��Ř_�ǼÌs�ĶŸɚs�Ÿ¯�ĶÞ¯s�Ÿ¯�ǼÌs�^ÞŘ��_Þsǣʳ�ǻNj�_ÞǼÞŸŘ�ǣ�ɴǣ�ǣÌs�ŎȖǣǼ�Ŏ�NjNjɴ�ǼŸ�ǼÌs�ʩNjǣǼ�Ŏ�Ř�ɠÌŸ�Ÿ¯¯sNjǣ�his hand and leave her child.

BIOGRAPHYGudmundurArnarGudmundsson was born in Reykjavik, Iceland in 1982. He has a Fine Arts Degree from the ÝOsĶ�Ř_ÞO��NjǼ��O�_sŎɴ��Ř_� ǣǼȖ_Þs_� ǣONjssŘɠNjÞǼÞض� ÞŘ�^sŘŎ�NjĨʳ�Ës�ŘŸɠ�ɠŸNjĨǣ� �ǣ� �� ʩĶŎŎ�ĨsNj� �Ř_� ��Ƽ�NjǼ� ǼÞŎs�teacher in screenwriting, directing and video art.SYNOPSISǻÌs�ʩĶŎ�ǣÌŸɠǣ���ǣǼNjŸŘ¶�EŸŘ_�EsǼɠssŘ�ǼɠŸ�ENjŸǼÌsNjǣ�ǼÌ�Ǽ�ĶÞɚs�ÞŘ���NjsŎŸǼs�¯ĠŸNj_�ɠÞǼÌ�ǼÌsÞNj�Ƽ�NjsŘǼǣʳ�ɟs�ĶŸŸĨ�ÞŘǼŸ�their world through the eyes of the younger brother and follow him on a journey that marks a turning point in the brothers’ lives.

DINOLAGeorgia 2013, 14’38 min.

WHALE VALLEY Denmark/Iceland, 2013, Colour, 15 min.

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Director: ō�NjÞ�Ŏ�ħÌ�ǼOÌɚ�ŘÞProducer: əĶ�_ÞŎsNj�ħ�ǼOÌ�Nj�ɚ�

Screenplay: ō�NjÞ�Ŏ�ħÌ�ǼOÌɚ�ŘÞEditor: ĵsɚ�Ř�ħȖĨÌ�ǣÌɚÞĶÞ

Cinematography: ħŸŘǣǼ�ŘǼÞŘs˚ōÞŘ_Þ��rǣ�_ʊsProduction company: 20 Steps Productions

Director: Guðmundur Arnar GuðmundssonProducer: Máni Svansson, Guðmundur

Arnar GuðmundssonCinematography: Guðmundur Arnar

GuðmundssonSound: Gunnar Óskarsson

Editing: Anders Skov

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94 “SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYJan-GerritSeyler (*1979), committed to visual as well as performing arts since childhood. He has taken part in a ɠÌŸĶs�ŘȖŎEsNj�Ÿ¯�ǣÌŸNjǼ�ʩĶŎ�ƼNjŸĠsOǼǣ�ÞŘ�ǢOÌĶsǣɠÞ¶˚ËŸĶǣǼsÞŘʰ�Ë�ŎEȖNj¶�ʹµrNJʺ��Ř_�^sŘŎ�NjĨ�ɠÞǼÌÞŘ�ǼÌs�Ķ�ǣǼ�ǣÞɮ�ɴs�Njǣʰ�including camera and directing work, sound, editing, lighting technician, assistant director, production manager and actor. SYNOPSISō�NjOŸ��Ř_�ĵÞǣ���Njs� ÞŘ� ĶŸɚsʳ�ŷŘĶÞŘsʰ� ǼÌsɴ�ʩ¶ÌǼ� ǣÞ_s�Eɴ� ǣÞ_s��¶�ÞŘǣǼ�_Njs�_¯ȖĶ�ŎŸŘǣǼsNjǣʳ�ǢŸŎsǼÞŎsǣ� ǼÌsɴ�_Þs�ŸŘ�ǼÌsÞNj�ŎÞǣǣÞŸŘʰ�EȖǼ�ǼÌsNjs�Þǣ��Ķɠ�ɴǣ�ŸŘs�ĶÞ¯s�ǼŸ�ǣƼ�Njsʳ�ǢǼÞĶĶʰ�ĵÞǣ��Njs¯Ȗǣsǣ�ǼŸ�ŎssǼ�ō�NjOŸ�¯ŸNj�Njs�Ķʳ�ɟÌsŘ�ŸŘs�_�ɴ�ǣÌs�ǣǼŸƼǣ�ǣÌŸɠÞض�ȖƼ�¯ŸNj�ǼÌs�¶�Ŏsʰ�ō�NjOŸ�_sOÞ_sǣ�ǼŸ�¶Ÿ�ǣs�NjOÌÞض�¯ŸNj�ÌsNjʳ�DȖǼ�ÞŘ�ĵÞǣ�˅ǣ�ɠŸNjĶ_ʰ�ǼÌsɴ�ɠÞĶĶ�Řss_��ĶĶ�ǼÌsÞNj�strength and courage to really meet each other.

WALLHungary 2013, 11 min.

STILL GOT LIVESGermany 2013, 23 min.

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Director: Simon SzabóComposer: Ekaros Ekaros

Producer: əÞĨǼŸNjÞ��ƻsǼNj�ŘɴÞScreenplay: Simon Szabó

Editor: Albert CzombaCinematography: Albert Czomba

Production company: Proton Cinema

Director: Jan-Gerrit SeylerComposer: Stefan Paul Goetsch

Screenplay: ħ�Ǽ�NjÞŘ��ħŸĨǣǼsÞŘEditor: Max Mittelbach

Cinematography: ğȖNj¶sŘ�ħsŎŎsSound: ËsŘ_NjÞĨ�ĵȖÌ_ŸNj¯¯

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95“SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYÝ_��ËȖEsĶ�Þǣ��Ř�ÝǣNj�sĶÞ�ʩĶŎ�Ŏ�ĨsNjʳ�Ës�¶Nj�_Ȗ�Ǽs_�¯NjŸŎ�ǼÌs�ˆǢ�Ŏ�ǢƼÞs¶sĶ�ǢOÌŸŸĶ�Ÿ¯�®ÞĶŎ��Ř_�ǻsĶsɚÞǣÞŸŘˇ�ÞŘ�ğsNjȖǣ�ĶsŎʳ�Ës�wrote and directed two student shorts that have been screened at festivals all over the world, and won several awards. ËÞǣ�ʩNjǣǼ�¯s�ǼȖNjs�ʩĶŎ�ˆǻÌs�NȖǼ�ŷ¯¯�ō�ء�ɠ�ǣ�ƼNjsŎÞsNjs_�ÞŘ�ˆəsŘÞOs�®®�ˡ˟ˠˡ˚ŷNjÞʊŸŘǼÞˇ��Ř_�¶ŸǼ�¶Njs�Ǽ�NjsɚÞsɠǣ�EŸǼÌ�ÞŘ�ÝǣNj�sĶ�and world wide.

SYNOPSISJonathan loves chocolate. One day he steals the last remaining chocolate in the jar. When his stepmother catches him and his brothers ostracize him, he decides to run away.

BIOGRAPHYË�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘʰ�EŸNjŘ�ÞŘ�ˠ˨˧˟ʰ�¶Nj�_Ȗ�Ǽs_��ǣ���ʩĶŎ�_ÞNjsOǼŸNj�¯NjŸŎ�ǼÌs�ËsĶǣÞŘĨÞ�ƻŸĶɴǼsOÌŘÞO�ǢǼ�_Þ��ÞŘ�ˡ˟˟ˣʳƻsĨĨ�əsÞĨĨŸĶ�ÞŘsŘʰ�EŸNjŘ� ÞŘ�ˠ˨˧ˡʰ� ǣǼȖ_Þs_�¶Nj�ƼÌÞO�_sǣÞ¶Ř��Ǽ� ǼÌs�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯��NjǼ� �Ř_�^sǣÞ¶Ř�ËsĶǣÞŘĨÞʳ�Ës�Ì�ǣ�worked with animation and illustrations since 2000.SYNOPSISDsÞض�ÌȖŎ�Ř�Þǣ���¯Nj�¶ÞĶs��Ř_�ʪssǼÞض�ŸƼƼŸNjǼȖŘÞǼɴ�ǼŸ�sɮƼsNjÞsŘOs�ĶÞ¯s��Ř_�ǼÌs�ȖŘÞɚsNjǣs��NjŸȖŘ_�Ȗǣʳ�ÝŘ�ǼÌs�¯�Os�Ÿ¯�ŸɚsNjɠÌsĶŎÞض�_�NjĨŘsǣǣ��ĶĶ�ɠs�O�Ř�_Ÿ�Þǣ�ǼŸ�NjsĶɴ�ŸŘ��Ř_�ʩŘ_�ǣŸĶ�Os�ÞŘ�ŸŘs��ŘŸǼÌsNjʳ�ǻÌs�ʩĶŎ�Þǣ�E�ǣs_�ŸŘ��ȖǼÌsŘǼÞO�sŎsNj¶sŘOɴ�O�ĶĶǣ��Ř_�Nj�_ÞŸ�ǼNj�¯ʩOʳ

DAILY BREAD Israel 2014, 19’42 min.

EMERGENCY CALLS Finland 2013, 15 min.

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Director: Idan HubelProducer: ħŸEÞ��ʊNj�Ř

Cinematography: David StagmeisterSound: Moshe SilverEditing: Idan Hubel

Director:Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘʰ�ƻsĨĨ��əsÞĨĨŸĶ�ÞŘsŘ

Screenplay:Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘ�˓�ƻsĨĨ��əsÞĨĨŸĶ�ÞŘsŘ

Editor:Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘ�˓�ƻsĨĨ��əsÞĨĨŸĶ�ÞŘsŘ

Cinematography:Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘ�˓�ƻsĨĨ��əsÞĨĨŸĶ�ÞŘsŘ

Producer: Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘProduction company: Pohjankonna Oy

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96 “SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYƻ�ɚsĶ�µʳ�əsǣŘ�ĨŸɚ�Þǣ��Ř��ɠ�Nj_�ɠÞŘŘÞض�DȖĶ¶�NjÞ�Ř�ʩĶŎ�_ÞNjsOǼŸNj�EŸNjŘ�ÞŘ�ˠ˨˧˦ʳ�Ës�ÌŸĶ_ǣ���D�OÌsĶŸNj˅ǣ�_s¶Njss�ÞŘ�əÞǣȖ�Ķ��NjǼǣ��Ř_���ō�ǣǼsNj˅ǣ�^s¶Njss�ÞŘ�®ÞĶŎ��NjǼǣ�¯NjŸŎ�ǼÌs�ŗsɠ�DȖĶ¶�NjÞ�Ř�ȕŘÞɚsNjǣÞǼɴʳ�Ës�Þǣ�¯�ŎŸȖǣ�¯ŸNj�ÌÞǣ�ÌÞ¶ÌĶɴ�Njs�ĶÞǣǼÞO��Ř_�provocative ideas exploring the degradation of contemporary Bulgarian society.

SYNOPSISō�ŘŸĶ�̊ ���NjsǼÞNjs_�¶sŘsNj�Ķʰ���ĶŸɚÞض�¶Nj�Ř_¯�ǼÌsNj�̊ �Þǣ���Ƽ�ǼNjÞ�NjOÌ�Ÿ¯�ʩNjŎ�ŎŸNj�Ķǣ��Ř_�ʩɮs_�EsĶÞs¯ǣʰ�ɠÌÞOÌ�Ìs�Ì�ǣ�ȖƼÌsĶ_�in his household. But on this day he learns that the boy he raised is gay. The life choices of his loved ones challenge his values in a battle he has lost by default.

BIOGRAPHYµ�ENjÞsĶ��ENj�ŘǼsǣʰ�EŸNjŘ�ÞŘ�ŗŸNjǼÌ�N�NjŸĶÞŘ�ʰ�ȕǢ�ʰ�ÞŘ�ˠ˨˧ˣʰ�Ìs�ǣǼȖ_Þs_��Ǽ�ǼÌs�NŸŸƼsNj�ȕŘÞŸŘ�¯ŸNj�ǼÌs��_ɚ�ŘOsŎsŘǼ�Ÿ¯�ǢOÞsŘOs��Ř_��NjǼ�ÞŘ�ŗsɠ�ɳŸNjĨʰ��Ǽ�ǼÌs�ŗ�ǼÞŸŘ�Ķ�ǢOÌŸŸĶ�Ÿ¯�®ÞŘs��NjǼǣ�ÞŘ�ƻ�NjÞǣ��Ř_��Ǽ�ĵs�®NjsǣŘŸɴ�ÞŘ�ǻŸȖNjOŸÞضʰ�®Nj�ŘOsʳ�Ës�Ì�ǣ�Ŏ�_s�ˠˤ�ǣÌŸNjǼ�ʩĶŎǣ��Ř_���¯s�ǼȖNjs�ʩĶŎ��Ř_�ÌÞǣ�ɠŸNjĨ�Ì�ǣ�ǣONjssŘs_��Ǽ�ÞŘǼsNjŘ�ǼÞŸŘ�Ķ�ʩĶŎ�¯sǣǼÞɚ�Ķǣ�ÞŘOĶȖ_Þض�əsŘÞOsʰ�ĵŸO�NjŘŸ��Ř_�ǻŸNjŸŘǼŸʳ�ËÞǣ�ɠŸNjĨ��ǣ���ɚÞǣȖ�Ķ��NjǼÞǣǼ�Ì�ǣ�EssŘ�sɮÌÞEÞǼs_�ÞŘ�DŸǣǼŸŘʰ�ǻŸĨɴŸ��Ř_�ƻ�NjÞǣʳSYNOPSISĵȖâǣə�ʊ�_s�N�ŎƂsǣʰ�ǼÌs�¶Njs�ǼsǣǼ�ƻŸNjǼȖ¶Ȗsǣs�NJsŘ�Þǣǣ�ŘOs�ƼŸsǼʰ�ǣǼNjȖ¶¶Ķsǣ�ONjs�ǼÞɚsĶɴ�ɠÌÞĶs�sض�¶Þض�ÞŘ���Ìs_ŸŘÞǣǼÞOʰ�OŸƼNjŸƼÌ�¶ÞOʰ� �Ř_� _NjȖ¶˚�__Ķs_� ĶÞ¯sǣǼɴĶsʳ� ǻÌs� ʩĶŎ� ¯ŸĶĶŸɠǣ� ǼÌs� ƼŸsǼʰ� �Ř_� ÌÞǣ� ĶŸɚsNj� ^ÞŘ�ŎsŘsʰ� �ǣ� Ìs� ɠNjÞǼsǣ� ÌÞǣ�Ŏ�ǣǼsNjƼÞsOsʰ� ǼÌs� sƼÞO� ƼŸsŎ�ŷǣĵȖǣâ�_�ǣʳ� Ës� ǼNj�ɚsĶǣ� ¯NjŸŎ� ǼÌs� O�OŸƼÌŸŘɴ� Ÿ¯� ǼÌs� ÝŘ_ÞO� ĠȖضĶsǣʰ� ǣȖNjNjŸȖŘ_s_� Eɴ�allegorical elephants and rhyming macaques, to the frontier of Heaven and Hell, where he is confronted by his fantasy: fame and immortality.

PRIDEBulgaria/Germany 2013, 30 min.

TAPROBANAPortugal/Sri Lanka/Denmark 2014, 24 min.

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Director: ƻ�ɚsĶ�µʳ�əsǣŘ�ĨŸɚProducer: ə�Řɴ��NJ�ÞŘŸɚ�

Screenplay:ə�Řɴ��NJ�ÞŘŸɚ��˓�ƻ�ɚsĶ�µʳ�əsǣŘ�ĨŸɚ

Editor: ħ�NjsŘ�ǻŸŘŘsCinematography: Orlin RuevskiProduction company: Portokal

Director: Gabriel AbrantesProducer: Gabriel Abrantes

Screenplay: µ�ENjÞsĶ��ENj�ŘǼsǣʰ�əÞŎȖĨǼÌÞ�ğ�ɴ�ǣȖŘ_�Nj��˓�^�ɚÞ_�ĵ�ǣ�ŘǼÌ��ʹǣǼŸNjɴ

Editor: Natxo ChecaCinematography: Gabriel Abrantes

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Page 99: Biaff 2015 Catalogue

97“SHORT MATTERS!” -European Film Academy’s Short Film Tour

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SYNOPSIS��Řsɠ�sƼÞǣŸ_s�ÞŘ�ǼÌs��OOĶ�ÞŎs_�ǣsNjÞsǣ�˄ƻ�ŘÞLJȖs��Ȗ�əÞĶĶ�¶s˅ʵ�NŸɠEŸɴ��Ř_�ÝŘ_Þ�Ř�sɮƼsNjÞsŘOs�ǼÌs�ĶŸŘ¶sǣǼ�NÌNjÞǣǼŎ�ǣ�rɚs�Ÿ¯�their life.

BIOGRAPHYğŸNj¶s� ĵŸƼsʊ�ŗ�ɚ�NjNjsǼsʲ� DŸNjŘ� ÞŘ� D�NjOsĶŸŘ�ʰ� �¯ǼsNj�ɠŸNjĨÞض� ŸŘ� �_ɚsNjǼÞǣÞض� ¯ŸNj� ǣsɚsNj�Ķ� ɴs�Njǣ� Ìs� ǣǼ�NjǼ� _sɚsĶŸƼÞض�personal video projects. During this time, he attend a Filmmaking International Workshop in the San Antonio de ĶŸǣD�ŠŸǣ�NÞŘsŎ��ǢOÌŸŸĶ��Ř_�OŸŎƼĶsǼs���ō�ǣǼsNj�ÞŘ�^Þ¶ÞǼ�Ķ�əÞ_sŸ��Ǽ�ǼÌs�ƻŸŎƼsȖ®�ENj��ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�D�NjOsĶŸŘ�ʳ

SYNOPSISA dog and a mare embark upon a voyage together. With every step they take, the differences between them become inevitably clearer, and yet the profound mutual knowledge they develop over time shows the potential to suddenly produce a luminous moment between the two.

A TOWN CALLED PANIC: THE CHRISTMAS LOG

Belgium/France 2014, 26’30 min. animation

LITTLE BLOCK OF CEMENT WITH DISHEVELLED HAIR

CONTAINING THE SEA Spain 2013, 16 min.

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Director: əÞŘOsŘǼ�ƻ�Ǽ�Njʰ�ǢǼsƼÌ�Řs��ȖEÞsNjProducer: Steven de Beul

Screenplay:ǢǼwƼÌ�Řs��ȖEÞsNj�˓�əÞŘOsŘǼ�ƻ�Ǽ�Nj

Production company: Beast Animation

Director: ğŸNj¶s�ĵżƼsʊ�ŗ�ɚ�NjNjsǼsComposer: Carlo Marchionni

Screenplay: ğŸNj¶s�ĵżƼsʊ�ŗ�ɚ�NjNjsǼsEditor: ğŸNj¶s�ĵżƼsʊ�ŗ�ɚ�NjNjsǼs

Cinematography: Carlos MoraProducer: ğŸNj¶s�ĵżƼsʊ�ŗ�ɚ�NjNjsǼs

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98 “SHORT MATTERS!” -European Film Academy’s Short Film Tour

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BIOGRAPHYȕŘ�µȖŘĠ�Ĩ�Þǣ���Ǣ�Nj�ĠsɚŸ�EŸNjŘʰ�ĵŸŘ_ŸŘ�E�ǣs_�_ÞNjsOǼŸNj��Ř_�s_ÞǼŸNjʳ�ƻNjsɚÞŸȖǣĶɴ�ǣÌs�ǣǼȖ_Þs_�®ÞĶŎ��Ǽ�ǼÌs�ȕŘÞɚsNjǣÞǼɴ�Ÿ¯�ǻŸNjÞŘŸ��Ř_�r_ÞǼÞض��Ǽ�ǼÌs�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ��Ř_�ǻə�ǢOÌŸŸĶ�ÞŘ�ȕħʰ�ɠÌsNjs�ǣÌs�¶Nj�_Ȗ�Ǽs_�ɠÞǼÌ��Ř�ō�ʳSYNOPSISAs a present for her 6th birthday, Selma gets a live chicken. When she realises the animal is going to be killed to feed the family, she decides to save it and set it free, unaware of the high stakes such action will lead to. While trying to bring back the missing chicken, Selma’s mum becomes the target of a sniper shoot. It’s Sarajevo, year running 1993.

BIOGRAPHYɟŸĠOÞsOÌ� ǢŸEOʊɴĨ� �ŘÞŎ�Ǽs_� ʩĶŎ� _ÞNjsOǼŸNjʰ� ÞĶĶȖǣǼNj�ǼŸNj� �Ř_� ƼÌŸǼŸ¶Nj�ƼÌsNjʳ� Ës� ɠ�ǣ� EŸNjŘ� ÞŘ� ˠ˨˦ˣ� ÞŘ� ƻÞŸǼNjĨżɠ�ǻNjɴEȖŘ�ĶǣĨÞʳ�Ës�¶Nj�_Ȗ�Ǽs_� ¯NjŸŎ� ǼÌs�®�OȖĶǼɴ�Ÿ¯�µNj�ƼÌÞO��NjǼǣ� �Ǽ� ǼÌs��O�_sŎɴ�Ÿ¯� ®ÞŘs��NjǼǣ� ÞŘ�ħNj�ĨŸɠ�ɠÌsNjs�Ìs�OȖNjNjsŘǼĶɴ�ɠŸNjĨǣ��ǣ��Ř��O�_sŎÞO��Ǽ�ǼÌs��ŘÞŎ�Ǽs_�®ÞĶŎ�ǢǼȖ_ÞŸʳ�ËÞǣ��ŘÞŎ�Ǽs_�ʩĶŎǣ���ĵ�__sNj�ʹˠ˨˨˦ʺ��Ř_�ǢƼNjÞض�ˠ˨˨˨�ʹˡ˟˟˟ʺ�Ì�ɚs�EssŘ�ǣONjssŘs_��Ǽ�ŘȖŎsNjŸȖǣ�¯sǣǼÞɚ�Ķǣ��Ř_�ʩĶŎ�NjsɚÞsɠǣ�ÞŘ�ƻŸĶ�Ř_��Ř_��ENjŸ�_ʳSYNOPSISA pessimistic view of the human fate, a universal tale of the world possessed by evil. The same piece of land is shown multiple times in different scenes. However, the repetition is painful and pessimistic, the world, trapped in a vicious cycle of evil, is unable to break free.

THE CHICKENGermany/Croatia 2014, 15 min.

SUMMER 2014Poland 2014, 12 min, animation

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Director: ȕŘ��µȖŘĠ�ĨComposer: Bernd Schurer

Producer: Jelena GoldbachScreenplay: ȕŘ��µȖŘĠ�Ĩ

Editor: Anja SiemensCinematography: Matthias Pilz

Sound: ǢsE�ǣǼÞ�Ř�ōŸNjǣOÌ˓�NJ�ŸȖĶ�DNj�Ř_Production company: Zak Film Productions

Director: Wojciech SobczykComposer: Bartosz ChajdeckiProducer: Wojciech Sobczyk

Screenplay: Wojciech Sobczyk

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BATUMI INTERNATIONAL ART-HOUSE FILM FESTIVAL (BIAFF) 2015 EVENTS -MASTER CLASSES / Q & A

OTAR IOSSELIANI - dž˓��ɠÞǼÌ�¯�ŎŸȖǣ�µsŸNj¶Þ�Ř�ʩĶŎ�Ŏ�ĨsNjDate: 15 September, 13.00-15.00 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

Harutyun Khachataryan - ̂ ^ÞNjsOǼŸNj�ÞŘ�̄ ŸOȖǣˇ�̨ �ŎssǼÞض�ɠÞǼÌ�̄ �ŎŸȖǣ��NjŎsŘÞ�Ř�ʩĶŎ�_ÞNjsOǼŸNj�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�Ǽ�Njɴ�ŘDate: 15 September, 16.30-18.00 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

MAIA KOMOROWSKA - Master class in ActingDate: 16 September, 12.00-14.00 PMLocation: D�ǼȖŎÞ��NjǼǣ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴ�ʹˢ˦�ĵʳ�ǣ�ǼÞ�ŘÞ�ǢǼNjssǼʺ

NIKI KARIMI – dž˓��ɠÞǼÌ�¯�ŎŸȖǣ�ÝNj�ŘÞ�Ř��OǼNjsǣǣDate: 16 September, 15.30-17.00 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

MERAB NINIDZE - dž˓��ɠÞǼÌ�µsŸNj¶Þ�Ř��OǼŸNj� ¯ŸĶĶŸɠs_�Eɴ�ƼNjsǣsŘǼ�ǼÞŸŘ�Ÿ¯�DŸŸĨ� ˆōŸǣǼ� ÞŎƼŸNjǼ�ŘǼ� Þǣʰ� � ŘŸǼ� ǼŸ�become an Actor” Merab Ninidze with Marika Bakuradze Date: 17 September, 12.00-14.30 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

ANDREW VIAL - ˆ®Ýĵō�ħÝŗµ��ŗ^�®Ýĵō��NǻÝŗµˇ�˚ɟŸNjĨǣÌŸƼ�ɠÞĶĶ�¯ŸOȖǣ�ŸŘ�ƼNj�OǼÞO�Ķ��ǣƼsOǼǣ�Ÿ¯�ǣÌŸNjǼ�ʩĶŎ�Ŏ�ĨÞض��Ř_��OǼÞض�Eɴ�ōNjʳ��Ř_Njsɠ�əÞ�Ķ�ʹʩĶŎŎ�ĨsNjˀ�NjǼÞǣǼ�¯NjŸŎ��ȖǣǼNj�ĶÞ�ʺDate: 17 September, 14.30-16.30 PMLocation: D�ǼȖŎÞ��NjǼǣ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴ�ʹˢ˦�ĵʳ�ǣ�ǼÞ�ŘÞ�ǢǼNjssǼʺ

LANA GOGOBERIDZE & BAADUR TSULADZE - dž˓�� ɠÞǼÌ� µsŸNj¶Þ�Ř� ʩĶŎ� _ÞNjsOǼŸNjǣ� ʹDÝ�®®� ˡ˟ˠˤ� ĶÞ¯sǼÞŎs�achievement awards)Date: 18 September, 12.00-13.30 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

ZELIMIR ZILNIK – Master class about Documentary Film Making Date: 18 September, 13.30-15.00 PMLocation: D�ǼȖŎÞ��NjǼǣ�ǢǼ�Ǽs�ȕŘÞɚsNjǣÞǼɴ�ʹˢ˦�ĵʳ�ǣ�ǼÞ�ŘÞ�ǢǼNjssǼʺ

Presentation of “Creative Europe” Program – by Noshre Chkhaidze, representative of Creative Europe’s MEDIA sub-program in GeorgiaDate: 19 September, 12.00-13.00 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

Q & A with “Georgian Panorama” Section participants - ōssǼÞض�ɠÞǼÌ�ʩĶŎ�Ŏ�ĨsNjǣ�Ƽ�NjǼÞOÞƼ�ǼÞض�ÞŘ�ˇµsŸNj¶Þ�Ř�ƻ�ŘŸNj�Ŏ�ˇ�ʹŗȖǼǣ���ĶsɮÞ˚ōsǣĨÌÞǣɚÞĶÞʰ�ĵ�ǣÌ��ǻǣĨɚÞǼÞŘÞ_ʊsʰ�ĵsɚ�Ř��_�ŎÞ�ʰ�ʉ�ʊ��ħÌ�Ķɚ�ǣÌÞʰ�D�ĨȖNj�D�ĨȖNj�_ʊsʺDate: 19 September, 13.00-14.30 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

NASSTASJA KINSKI - dž˓���Ř_�ŎssǼÞض�ɠÞǼÌ�¯�ŎŸȖǣ��OǼŸNjDate: 19 September, 15.00-17.00 PMLocation: ^Ýə�ŗ�ǢȕÝǻrǢ�ËŸǼsĶ�ʹ�ˤˀˠˢ�ħŸǣǼ�ɚ�ˀʉʳ�µ�Ŏǣ�ĨÌȖNj_Þ�ʺ

Notice: The date and the time of Master classes may change due to some changes in travel plans of directors. ÝŘ¯ŸNjŎ�ǼÞŸŘ��EŸȖǼ��Řɴ�OÌ�ضsǣ�ɠÞĶĶ�Es�ƼȖEĶÞǣÌs_�ŸŘ� ¯sǣǼÞɚ�Ķ˅ǣ�ɠsEǣÞǼs� ʹɠɠɠʳEÞ�¯¯ʳŸNj¶ʺʰ�Ÿ¯ʩOÞ�Ķ�DÝ�®®� ¯�OsEŸŸĨ�page (www.facebook.com/biaffbatumi) and also will be printed and spread in cinema “Apollo”

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BIAFF INDUSTRY PLATFORM - ALTERNATIVE WAVE 2015

ǻÌs�ʩNjǣǼ�s_ÞǼÞŸŘ�Ÿ¯��ĶǼsNjŘ�ǼÞɚs�ɟ�ɚs� ÞŘÞǼÞ�Ǽsǣ�ǼÌs�OŸŘɚsŘǼÞŸŘ�Ÿ¯�ɴŸȖض�ʩĶŎŎ�ĨsNjǣ�ɠÞǼÌ��ĶǼsNjŘ�ǼÞɚs�ʩŘ�ŘOÞضʰ�_ÞǣǼNjÞEȖǼÞŸŘʰ�_sɚsĶŸƼŎsŘǼ�ǣǼNj�Ǽs¶Þsǣ��Ř_�Řsɠ�ONjs�ǼÞɚs��ƼƼNjŸ�OÌsǣʳǻÌs�Þ_s��EsÌÞŘ_�ǼÌÞǣ�ʩNjǣǼ�ǼÞŎs�sɚsŘǼ�Þǣʰ�ǼÌ�Ǽ�Ŏ�Řɴ�ʩĶŎŎ�ĨsNjǣ�_Ÿ�ŘŸǼ�Ì�ɚs��OOsǣǣ�ǼŸ�ƼȖEĶÞO�¯ȖŘ_Þض�ŸNj�ǣŸȖNjOsǣ�Ÿ¯�ʩŘ�ŘOÞض��Ř_�OŸŘɚsŘǼÞŸŘ�Ķ�_ÞǣǼNjÞEȖǼÞŸŘʳ�ɟÌÞĶs�Ƽ�Nj�_Þ¶Ŏǣ��ĶŸŘ¶�ǼÌs�ɠÌŸĶs�ʩĶŎŎ�ĨÞض��Ř_�_ÞǣǼNjÞEȖǼÞŸŘ�ƼNjŸOsǣǣ�ÞŘ�ǼÌs�sǣǼ�EĶÞǣÌs_�ʩĶŎ�Ŏ�NjĨsǼ��Njs�Nj�ƼÞ_Ķɴ�OÌ�ضÞض��Ř_�ǼÌs�ÞŘ_ȖǣǼNjɴ�Þǣ�ǼNjɴÞض�ǼŸ� �_�ƼǼʰ� ǣŸŎs� ʩĶŎŎ�ĨsNjǣ� ǣȖOOsǣǣ¯ȖĶĶɴ� ONjs�Ǽs_� ǼÌsÞNj� ŸɠŘ� ÞŘ_ÞɚÞ_Ȗ�Ķ� �ƼƼNjŸ�OÌ� �Ř_� ǣOÌsŎsʰ� Es� ÞǼ�forced by the lack of alternatives or by the pure ignorance of or disbelief in the standard practices. ǻÌÞǣ�¯ŸNjȖŎ�ɠ�ŘǼǣ�ǼŸ�ENjÞض�ǼÌsǣs�ʩĶŎŎ�ĨsNjǣ�ǼŸ¶sǼÌsNj�ǼŸ�sɮOÌ�ضs�Þ_s�ǣʰ�ƼNj�OǼÞOsǣ��Ř_�sɮƼsNjÞsŘOsǣ�by introducing and presenting not only the work they have done but also to talk and present future ideas. It is a lab to explore and to exchange. Also it is a place to learn from mistakes and fail.The event will take place in the week between the 15th and the 19th of September in Batumi/ Georgia on the Black Sea.Filmmakers will introduce and discuss their project amongst each other within a group and together with professionals coming from the background of crowd-funding, story-development, (online) marketing, production, distribution and immersive media. Further, each project will be in focus of each professional, to hands-on discuss potential further story-development, new approaches, the potential funding capacity and marketing strategies. Case-studies and Master classes will enrich the schedule and will be open to all interested industry members.

Selected projects for Alternative Wave, Batumi Art-house International Film Festival industry platform:

1. Nirvana, France - by Benoit Fouassier2. Help Maya, Georgia - by Tamta Gabrichidze3. Baloons, Georgia - by David Mirtskhulava4. Women Swimming Enguri, Georgia - by Ana Bukia5. Translator In Paris, Serbia - by Iva Brder and Dunja Petrovich˥ʳ� ɟsĶOŸŎsʰ�µsŸNj¶Þ��˚�Eɴ�ĵÞĨ��^�ȖǣÌɚÞĶÞ˦ʳ� NJȖǣǣÞ�Ř�ǻ�ŘĨʰ�ǻȖNjĨsɴ�˚�Eɴ�rNjsŘ��ɚŘÞO�Ř��Ř_�DsǣǼs�ɳ�Ŏ�ĶÞŸ¶ĶȖ

Alternative Wave organizers and moderators: ǻÞŘ�ǼÞŘ�ħ�ĠNjÞǣÌɚÞĶÞʰ�ĵ�ǣÌ��ħÌ�Ķɚ�ǣÌÞʰ�ʉɚÞ�_�rĶÞʊÞ�ŘÞʰ�ǻŸEÞ�ǣ�ƻ�ȖǣÞضsNjʰ�µȤĶÞŘ�ȣǣǼȤŘʰ�ŗÞÌ�Ř�ħ�ǼÞƼŸ¶ĶȖTutors: ƻ�ȖĶ�ǻɴĶsNjʰ��NjŘs�ĵȖ_ɠÞ¶ʰ�^Ȗɴ¶Ȗ�ǻ�NjÌ�Řʰ�ǻŸEÞ�ǣ�ƻ�ȖǣÞضsNjʰ�µȤĶÞŘ�ȣǣǼȤŘʳCase-studies by: ËsĶsŘ�ɳ�ŘŸɚǣĨɴ�ˀÝǣNj�sĶˀ��Ř_�ǢÞs¶¯NjÞs_�ˀ®Nj�ŘOsˀʳ�ĶǼsNjŘ�ǼÞɚs�ɟ�ɚs� Þǣ� ʩŘ�ŘOs_� Eɴ� DÝ�®®� ʹD�ǼȖŎÞ� �NjǼ˚ÌŸȖǣs� ÝŘǼsNjŘ�ǼÞŸŘ�Ķ� ®ÞĶŎ� ®sǣǼÞɚ�Ķʺʰ� ōÞŘÞǣǼNjɴ� Ÿ¯�NȖĶǼȖNjs�Ÿ¯��_Ġ�Nj���Ř_�µsŸNj¶Þ�Ř�ŗ�ǼÞŸŘ�Ķ�®ÞĶŎ�NsŘǼsNjʳ��ĶǼsNjŘ�ǼÞɚs�ɟ�ɚs�ɠÞĶĶ�Ǽ�Ĩs�ƼĶ�Os��Ǽ�ĵsŸ¶Nj�Ř_�ËŸǼsĶ�ʹD�ǼȖŎÞʺʰ�Ÿ¯ʩOÞ�Ķ�Ƽ�NjǼŘsNj�ÌŸǼsĶ�Ÿ¯�DÝ�®®�¯sǣǼÞɚ�Ķʳ�

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BIAFF 2015 LINE-UP

OPENING FILM – Winter Song, Otar Iosseliani, France/Georgia, 2015; 117 min.

INTERNATIONAL COMPETITION – FEATURE FILMS1. Brother Dejan, Bakur Bakuradze, Russia/Serbia, 2015, 113 min.2. Chemo, Bartek Prokopowicz, Poland, 2015, 105 min.3. Itsi Bitsi, Ole Christian Madsen, Denmark/Croatia/Sweden/Argentina, 2014, 107 min.ˣʳ� ğ�Ŏsǣ�ɟÌÞǼsʰ�ğŸǣÌ�ōŸŘ_ʰ�ȕǢ�ʰ�ˡ˟ˠˤʱ�˧˥�ŎÞŘʳ5. Mazare Sharif, Abdul Barzideh, Iran, 2015, 87 min.˥ʳ� ōȖǣǼ�ضʰ�^sŘÞʊ�µ�Ŏʊs�rNj¶ȤɚsŘʰ�®Nj�ŘOsˀ�µsNjŎ�ŘɴˀǻȖNjĨsɴˀdž�Ǽ�Njʰ�ˡ˟ˠˤʰ�˨˦�ŎÞŘʳ˦ʳ� ƻs�Os�ǼŸ�ȕǣ�ÞŘ�ŷȖNj�^Njs�Ŏǣʰ�ǢÌ�NjȖŘ�ǣ�D�NjǼ�ǣʰ�ĵÞǼÌȖ�ŘÞ�ˀ®Nj�ŘOsˀNJȖǣǣÞ�ʰ�ˡ˟ˠˤʱ�ˠ˟˦�ŎÞŘʳ˧ʳ� ǢŸŘ¶�Ÿ¯�ǢŸŘ¶ǣʰ�rɚ��ŗsɴŎ�Řʰ�ȕĨNj�ÞŘsʰ�ˡ˟ˠˤʰ�˦˥�ŎÞŘʳ9. Tikkun, Avishai Sivan, Israel, 2015; 120 min.ȕŘ_sNj�rĶsOǼNjÞO�NĶŸȖ_ǣʰ��ĶsĨǣsɴ�µsNjŎ�Ř�ğNjʳʰ�NJȖǣǣÞ�ˀȕĨNj�ÞŘsˀƻŸĶ�Ř_ʰ�ˡ˟ˠˤʱ�ˠˢ˧�ŎÞŘʳ

INTERNATIONAL COMPETITION - DOC FILMSˠʳ� ��ǢɴNjÞ�Ř�ĵŸɚs�ǢǼŸNjɴʰ�Ǣs�Ř�ōOĵs�ǣǼsNjʰ�ȕħʰ�ˡ˟ˠˤʱ�˧˟�ŎÞŘʳˡʳ� �Ŏɴʰ��ǣÞ¯�ħ�Ƽ�_Þ�ʰ�ȕħʰ�ˡ˟ˠˤʰ�ˠˡ˦�ŎÞŘʳˢʳ� N�NjǼsĶ�ĵ�Ř_ʰ�ō�ǼǼÌsɠ�ËsÞŘsŎ�Řʰ�ȕǢ�ˀōsɮÞOŸʱ�ˡ˟ˠˤʱ�ˠ˟˟�ŎÞŘʳˣʳ� ^ŸȖEĶs��ĶÞsŘǣʰ�ȕ¶Þǣ�ŷĶǼsʰ�ĵ�ǼɚÞ�ˀµsŸNj¶Þ�ʰ�ˡ˟ˠˤʱ�˥˟�ŎÞŘʳ5. Of the North, Dominic Gagnon, Canada, 2015; 74 min˥ʳ� ŷŘOs�ōɴ�ōŸǼÌsNjʰ�ǢŸƼÌÞ��ǻȖǣĨÞsɠÞOʊʰ��ȖǣǼNj�ĶÞ�ˀƻŸĶ�Ř_ˀȕĨNj�ÞŘsʰ�ˡ˟ˠˣʱ�˦ˤ�ŎÞŘʳ˦ʳ� ǻÌs�ĵ�ǣǼ�^�ɴǣ�ÞŘ�əÞsǼŘ�Ŏʰ�NJŸNjɴ�ħsŘŘs_ɴʰ�ȕǢ�ʰ�ˡ˟ˠˣʱ�˨˧�ŎÞŘ˧ʳ� ǻÌs�NJȖǣǣÞ�Ř�ɟŸŸ_ƼsOĨsNjʰ�NÌ�_�µNj�OÞ�ʰ�ȕħˀȕĨNj�ÞŘsˀȕǢ�ʰ�ˡ˟ˠˤʱ�˧ˡ�ŎÞŘʳ9. Touch of an Angel, Marek Pawlowski , Poland/Germany, 2015; 60 min.

INTERNATIONAL COMPETITION – SHORTS FILMSˠʳ� ŷǣs¶�ɚ�Njʰ�ǻ�ǼŸ�ħŸǼsǼÞǣÌɚÞĶÞʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˤʱ�˧�ŎÞŘʳ2. Preparation, Giorgi Tsilosani, Georgia, 2015; 20’18 min.ˢʳ� ɟ�ǣǼs�ĵ�Ř_ʰ�ĵsɚ�Ř�ĵŸŎĠ�NjÞ�ʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˤʱ�ˢˠ˅ˣˠ�ŎÞŘʳˣʳ� �_�Ŏʰ�ɳȖĶÞɴ��Ë�ŘOÌ�Njʰ�DsĶ�NjȖǣʰ�ˡ˟ˠˣʱ�ˢˣŎÞŘʳˤʳ� Ds�Njʰ��ɚǼ�Ř_ÞĶ�NÌ�OÌÞE�Þ�ʰ�ȕǢ�ʰ�ˡ˟ˠˤʱ�ˠ˟�ŎÞŘʳ˥ʳ� N�NjŸȖǣsĶʰ�ŗÞĨŸŘ�NJŸŎ�ŘOÌsŘĨŸʰ�ȕĨNj�ÞŘsʰ�ˡ˟ˠˤʱ�ˠˤ�ŎÞŘʳ˦ʳ� N�ǼĨÞŘǣʰ��Ķsɮ�Ř_sNj�^sNjEɴʰ�ȕħʰ�ˡ˟ˠˤʱ�˨˅ˢˢ�ŎÞŘʳ˧ʳ� NÌÞ�NjŸǣOȖNjŸʰ�^�ŘÞsĶ�^NjȖŎŎŸŘ_�ʰ�ȕǢ�ˀDNj�ʊÞĶʰ�ˡ˟ˠˣʱ�˦˅ˣ˧�ŎÞŘʳ9. Flankers, Justin Oakey, Canada, 2014; 14’10 min.10. Fragmentation, Anna Ovanesova, Russia, 2015; 12min.ˠˠʳ� ōɴ�DŸŘŘÞs�DȖǼǼsNjʪɴʰ�ĵÞĶɴ�^ŸŘ¶ʰ�ȕħʰ�ˡ˟ˠˤʱ�˧˅ˢˠ�ŎÞŘʳˠˡʳ� ŷĶ_ʰ�ō�Njâ��NNjÞǣǼÞŘ��ƻwNjsʊʰ�NŸĶȖŎEÞ�ʰ�ˡ˟ˠˣʱ�˨˅ˡ˟�ŎÞŘʳˠˢʳ� ƻsŸƼĶs�ŸŘ�r�NjǼÌʰ�ħǣsŘÞ��NÌsNjǼŸɚÞOʰ�DsĶ�NjȖǣʰ�ˡ˟ˠˤʱ�ˠˤ�ŎÞŘˠˣʳ� NJ�Ǽs�ōsʰ�®ɴʊ�Ķ�DŸȖĶÞ¯�ʰ�ȕħʰ�ˡ˟ˠˤʱ�ˠˤ�ŎÞŘʳ15. Seventh Heaven, Or Tilinger, Israel, 2014; 10’30 min.16. Slaughterhouse, Behzad AZADI, Iran, 2015; 24 min.17. Sweet Home, Nuno Baltazar, Portugal, 2014; 14’53 min.ˠ˧ʳ� ǻ�ƼNjŸE�Ř�ʰ�µ�ENjÞsĶ��ENj�ŘǼsǣʰ�ƻŸNjǼȖ¶�ĶˀǢNjÞ�ĵ�ŘĨ�ˀ^sŘŎ�NjĨ�ˡ˟ˠˣʰ�ˡˣ�ŎÞŘʳˠ˨ʳ� ǻÌs�NÌÞOĨsŘʰ�ȕŘ��µȖŘĠ�Ĩʰ�µsNjŎ�ŘɴˀNNjŸ�ǼÞ��ˡ˟ˠˣʰ�ˠˤ�ŎÞŘʳ20. The Other Side of the Water, Resul Sakinmaz, Turkey, 2015; 18’44 min.ˡˠʳ� ǻÌs�ǻNj�ŘǣĶ�ǼŸNjʰ�rŎNjs�ħ�ɴÞǣʰ�ȕĨˀǻȖNjĨsɴʰ�ˡ˟ˠˣʱ�ˡˢ�ŎÞŘʳˡˡʳ� ǻÌs�ə�ǣǼ�ĵ�Ř_ǣO�Ƽs�˚�ƼŸNjOsĶ�ÞŘ�ǣǼŸNjÞsǣʰ�ĵs��əÞ_�ĨŸɚÞOʰ�ˡ˟ˠˣʰ�NNjŸ�ǼÞ�ʱ�ˠˠ�ŎÞŘʳˡˢʳ� əÞŸĶŸŘOsĶĶŸʰ�ŷĶsǣɴ��ōŸNj¶ȖŘsǼǣ˚Ýǣ�sŘĨŸʰ�ȕĨNj�ÞŘsʰ�ˡ˟ˠˣʱ�ˡˢ˅ˠ˟�ŎÞŘʳˡˣʳ� ɟÌ�Ǽ�ǼÌs�ŘÞ¶ÌǼ�ENjÞضǣʰ�ĵs��ǻNjÞEŸȖĶsǼʰ�DŸǣŘÞ���Ř_�ËsNjʊs¶ŸɚÞŘ�ʰ�ˡ˟ˠˣʰ�ˡ˟˅ˠˡ�ŎÞŘʳ�25. Within, Natália Azevedo Andrade, Portugal/Hungary, 2015; 3 min.

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GEORGIAN PANORAMAˠʳ� DNjŸǼÌsNjʰ�ǻÌÞsNjNjɴ�µNjsŘ�_sˀǻwŸŘ��µNjsŘ�_sʰ�®Nj�ŘOsˀµsŸNj¶Þ�ʰ�ˡ˟ˠˣʱ�˨ˣ�ŎÞŘʳ2. Cattlemen, Zura kavtaradze, Georgia, 2015; 20 min.ˢʳ� Ý��Ŏ�DsǣŸʰ�ĵ�ǣÌ��ǻǣĨɚÞǼÞŘÞ_ʊsʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˣʱ�˨ˡ�ŎÞŘʳˣʳ� ĵÞŘs�Ÿ¯�NNjs_ÞǼʰ�ŗȖǼǣ���ĶsɮÞ˚ōsǣĨÌÞǣÌɚÞĶÞʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˣʰ�˧ˤ�ŎÞŘʳˤʳ� ǢŸĶŸŎŸŘʰ�ʉ�ʊ��ħÌ�Ķɚ�ǣÌÞʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˤʱ�˦˟�ŎÞŘʳ˥ʳ� ǢŸŎ�ĶÞ�N�ƼǼÞɚsǣʰ�ĵsɚ�Ř��_�ŎÞ�ʰ�µsŸNj¶Þ�ʰ�ˡ˟ˠˤʱ�ˣ˦˅ˢ˦�ŎÞŘʳ

MASTERS COLLECTION 1. Eisenstein in Guanajuato, Peter Greenway, Netherlands/Mexico/Finland/Belgium/France, 2015; 105 min.ˡʳ� ĵŸɚsʰ�µ�ǣƼ�Nj�ŗŸsʰ�®Nj�ŘOsˀDsĶ¶ȖŎʰ�ˡ˟ˠˤʱ�ˠˢˣ�ŎÞŘʳˢʳ� ōŸȖŘǼ�ÞŘǣ�ō�ɴ�^sƼ�NjǼʰ�ğÞ��ʉÌ�ض˚ħsʰ�NÌÞŘ�ˀğ�Ƽ�Řˀ®Nj�ŘOsʰ�ˡ˟ˠˤʰ�ˠˢˠŎÞŘʳ4. My Good Hans, Alexander MIndadze, Germany/Russia, 2015; 110 min.5. My Mother, Nanni Morreti, Italy/France, 2015; 106 min.˥ʳ� ŷŘs�ŸŘ�ŷŘsʰ�ħÞŎ�ħÞ�^ȖĨʰ�ǢŸȖǼÌ�ħŸNjs�ʰ�ˡ˟ˠˣʱ�ˠˡˡ�ŎÞŘʳ7. Winter Song, Otar Iosseliani, France/Georgia, 2015; 117 min.

RETROSPECTIVEˠʳ� ɟÌÞǼs�ǻŸɠŘʰ�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�Ǽ�Njɴ�Řʰ��NjŎsŘÞ�ʰ�ˠ˨˧˧ʱ�ˢ˦�ŎÞŘʳ�ˡʳ� ħŸŘ_ʰ�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�Ǽ�Njɴ�Řʰ��NjŎsŘÞ�ʰ�ˠ˨˧˦ʱ�ˣ˟�ŎÞŘʳˢʳ� ^ŸOȖŎsŘǼ�NjÞǣǼʰ�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�Ǽ�Njɴ�Řʰ��NjŎsŘÞ�ʰ�ˡ˟˟ˢʱ�˧˟�ŎÞŘʳ�ˣʳ� rŘ_Ķsǣǣ�rǣO�Ƽsʰ�rǼsNjŘ�Ķ�NJsǼȖNjŘʰ�Ë�NjȖǼɴȖŘ�ħÌ�OÌ�Ǽ�Njɴ�Řʰ��NjŎsŘÞ�ˀǻÌs�ŗsǼÌsNjĶ�Ř_ǣˀǢɠÞǼʊsNjĶ�Ř_ʰ�ˡ˟ˠˣʰ�˧˦�ŎÞŘˤʳ� ǢsɚsNj�Ķ�ÝŘǼsNjɚÞsɠǣ�ŸŘ�ƻNjÞɚ�Ǽs�ÝǣǣȖsǣʰ�ĵ�Ř��µÌŸ¶ÌŸEsNjÞ_ʊsʰ�ȕǢǢNJˀµsŸNj¶Þ�ʰ�ˠ˨˦˦ʰ�˨ˤŎÞŘʳ6. Gladiator, Baadur Tsuladze, Georgia, 1972, 16 min.7. Pheola, Baadur Tsuladze, Georgia, 1970, 36 min. SHORT MATTERS! EFA SHORT FILMS TOUR ˠʳ� ��ǻŸɠŘ�O�ĶĶs_�Ƽ�ŘÞOʲ�ǻÌs�NÌNjÞǣǼŎ�ǣ�ĶŸ¶ʰ�əÞŘOsŘǼ�ƻ�Ǽ�Njʰ�ǢǼsƼÌ�Řs��ȖEÞsNjʰ�DsĶ¶ÞȖŎˀ®Nj�ŘOs�ˡ˟ˠˣʰ�ˡ˥˅ˢ˟�ŎÞŘʳ2. Daily bread, Idan Hubel, Israel 2014, 19’42 min.ˢʳ� ^ÞŘŸĶ�ʰ�ō�NjÞ�Ŏ�ħÌ�ǼOÌɚ�ŘÞʰ�µsŸNj¶Þ��ˡ˟ˠˢʰ�ˠˣ˅ˢ˧�ŎÞŘʳˣʳ� rŎsNj¶sŘOɴ�O�ĶĶǣʰ�Ë�ŘŘsǣ�ə�NjǼÞ�ÞŘsŘʰ�ƻsĨĨ��əsÞĨĨŸĶ�ÞŘsŘʰ�®ÞŘĶ�Ř_�ˡ˟ˠˢʰ�ˠˤ�ŎÞŘʳ5. Wall, Simon Szabó, Hungary 2013, 11 min.˥ʳ� ĵÞǼǼĶs�EĶŸOĨ�Ÿ¯�OsŎsŘǼ�ɠÞǼÌ�_ÞǣÌsɚsĶs_�Ì�ÞNj�OŸŘǼ�ÞŘÞض�ǼÌs�ǣs�ʰ�ğŸNj¶s�ĵżƼsʊ�ŗ�ɚ�NjNjsǼsʰ�ǢƼ�ÞŘ�ˡ˟ˠˢʰ�ˠ˥�ŎÞŘʳ˦ʳ� ƻNjÞ_sʰ�ƻ�ɚsĶ�µʳ�əsǣŘ�ĨŸɚʰ�DȖĶ¶�NjÞ�ˀµsNjŎ�Řɴ�ˡ˟ˠˢʰ�ˢ˟�ŎÞŘʳ˧ʳ� ǢÌÞƼɠNjsOĨʰ�ōŸNj¶�Ř�ħŘÞEEsʰ�ǻÌs�ŗsǼÌsNjĶ�Ř_ǣ�ˡ˟ˠˣʰ�ˠˤ�ŎÞŘʳ9. Still got lives, Jan-Gerrit Seyler, Germany 2013, 23 min.10. Summer 2014, Wojciech Sobczyk, Poland 2014, 12 min.ˠˠʳ� ǻ�ƼNjŸE�Ř�ʰ�µ�ENjÞsĶ��ENj�ŘǼsǣʰ�ƻŸNjǼȖ¶�ĶˀǢNjÞ�ĵ�ŘĨ�ˀ^sŘŎ�NjĨ�ˡ˟ˠˣʰ�ˡˣ�ŎÞŘʳˠˡʳ� ǻÌs�OÌÞOĨsŘʰ�ȕŘ��µȖŘĠ�Ĩʰ�µsNjŎ�ŘɴˀNNjŸ�ǼÞ��ˡ˟ˠˣʰ�ˠˤ�ŎÞŘʳ13. The Missing Scarf, Eoin Duffy, Ireland, 2014, Colour, 7 min.ˠˣʳ� ɟÌ�Ķs�ə�ĶĶsɴʰ�µȖȒŎȖŘ_ȖNj��NjŘ�Nj�µȖȒŎȖŘ_ǣǣŸŘʰ�^sŘŎ�NjĨˀÝOsĶ�Ř_ʰ�ˡ˟ˠˢʰ�NŸĶŸȖNjʰ�ˠˤ�ŎÞŘʳ

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ACKNOWLEDGMENTS

Mikheil Giorgadze – Minister of Culture and monuments protection of Georgia �NjOÌÞĶ�ħÌ�E�_ʊs�˛�NÌ�ÞNjŎ�Ř�Ÿ¯��_Ġ�Nj���NJ�¶ŸɚsNjŘŎsŘǼ�Giorgi Ermakov – Mayor of Batumi city Irakli Cheishvili – Chairman of Batumi city hall�NjOÌÞ�ə�Ř�_ʊsʰ�ĵ�ŎʊÞNj��DŸĶLJɚ�_ʊs�˛�D�ǼȖŎÞ�OÞǼɴ�Ì�ĶĶGiorgi Tavamaishvil – Minister of Education, Culture and Sports of Adjara AR Nana Janelidze – Georgian National Film CenterÝNj�ĨĶÞ�DsNjÞ_ʊsʰ�µŸɚsNjŘŸNj˅ǣ�Ÿ¯ʩOs�Ÿ¯��_Ġ�Nj���NJGia Mikeladze – director of Batumi State Musical CenterAurelio Garcia – Manager of Batumi International Container TerminalħsǼsɚ�Ř�ŷNj�¶ɚsĶÞ_ʊs�˛�ō�NjĨsǼÞض�ō�Ř�¶sNj�Ÿ¯�D�ǼȖŎÞ�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�NŸŘǼ�ÞŘsNj�ǻsNjŎÞŘ�ĶZaza Purtseladze, Maya Darchia - British Councils Georgia ō�NjÞ�Ŏ�ħɚsǣsĶ�ɚ��˛�®NjsŘOÌ�ÝŘǣǼÞǼȖǼs�ʹǻEÞĶÞǣÞʺ�ħÌ�ǼȖŘ��ħŸE�Ķ�_ʊs�˛��Ķ_�¶Þ�DNÝNana Evgenidze, Gvantsa Goradze, Manana Tabidze – Interco TravelËŸǼsĶǣ�˛�^Þɚ�Řǣ�ǢȖÞǼsǣ�D�ǼȖŎÞʰ�ĵsŸ¶Nj�Ř_ʰ�NJNjOÌsȖĶÞ�ə�ŘÞĶĶ�ʰ��_ŎÞNj�Ķʰ�D�ǼȖŎÞ�ƻĶ�ʊ�ōs_Þ��˛�D�ǼȖŎĶsEsÞʰ�ŗsǼ¶�ʊsǼÞʰ��Ġ�Nj��ǻəʰ�NJ�_ÞŸ�®ŸNjǼȖŘ�ʰ�ƻȖEĶÞOÞǼɴʳ¶s�Robert Ferdman, Mikheil Doborjginidze – Metro GeorgiaNÌNjÞǣǼŸƼÌsNj�^ʳ�ħ�Ŏɴǣʊsɠ�˛�^ÞNjsOǼŸNjʰ�NÌÞO�¶Ÿ�ÝŘǼsNjŘ�ǼÞŸŘ�Ķ�^ŸOȖŎsŘǼ�Njɴ�®sǣǼÞɚ�ĶGia Mikeladze – Director of Batumi State Musical CenterThibault CarterotNika Tarielashvili Zaza PirtskhalaishviliGiorgi MeskhidzeShota GujabidzeDavid ChkoniaZaza GabelaiaIrma ChkhaidzeÝNj�ĨĶÞ�ħ�OÌsÞǣÌɚÞĶÞə�ĨÌǼ�ض�µÌĶŸŘǼÞAndrzej Slowicki Michal Bogucki ʉɚÞ�_�ħȖɮÞ�ŘÞ_ʊs

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Page 119: Biaff 2015 Catalogue

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Sponsored by POLISH FILM INSTITUTE, POLISH FILMMAKERS ASSOCIATION, VISEGRAD FUND, SLOVAK AUDIOVISUAL FUND, ESTONIAN FILM FOUNDATION, SOLOVENIAN FILM CENTER, ROMANIAN NATIONAL FILM CENTER, LITHUANIAN INDEPENDENT PRODUCERS ASSOCIATION, BULGARIAN NATIONAL FILM CENTER, GEORGIAN NATIONAL FILM CENTER, CZECH MINISTRY OF CULTURE, CROATIAN AUDIOVISUAL CENTRE

With the support of MEDIA PROGRAMME OF THE EUROPEAN UNION

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Notes

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