Diamorfosi tautotitas kai nea mesa

7/30/2019 Diamorfosi tautotitas kai nea mesa

1/30


2/30

: :

- -

- .


3/30

: :

: : (, ) .

: - : . . :


4/30

,

, , ,

.

.

.


5/30

MUD , !

.

MUD (multi-user domains)


6/30

MUD, Turkle

, . avatars. ,

.

MUD Sherry Turkle

in the story of constructingidentity . . . experiences on the Internetfigure prominently, but these experiencescan only be understood as part of a larger

cultural context. That context is the storyof the eroding boundaries between thereal and the virtual, the animate and theinanimate, the unitary and the multiple self. . . (Turkle, 1995, p. 10)


7/30

On MUDs, ones body isrepresented by ones owntextual description, so theobese can be slender, the

beautiful plain, the nerdysophisticated, the young old,and the male female or vice

versa, in a dizzyingcombination of digital selves

(Turkle, 1995, p. 12).


8/30

MUD Sherry Turkle

,

. MUD

.

.

avatars .


9/30

MUD Virtual Worlds - MMOG

MUD Virtual Worlds MMOG. MUD chatrooms

, Virtual Worlds Avatar .


10/30


11/30

Sherry Turkle vs Erik Erikson

H Turkle ,

Erik Erikson moratorium.

.

.

,

. moratorium.


12/30

moratorium Erikson,

, .

, moratorium Erikson, Turkle,

, . ,

, moratorium, ,

, ,

.



13/30


Buchner online

, .

, online offline.

offline .


14/30

Mead Internet

Mead

. .

.

.


15/30

Lurking:

, blog,chartroom .

, site,

.

.

.

Mead Internet


16/30


17/30

As Pearson (2009) notes, The mediated nature of [onlinesocial networks] means that most information about thevirtual self and its place in the network is given through

deliberate construction of signs. That is, by virtue of the

fact that communication is mediated, rather than FtF, thepresentation of the self is manufactured to a greaterextent than during offline interaction. For one, CMC is

often asynchronous (unlike FtF interaction), affording theuser greater control over how the self is presented

(Trevino and Webster, 1992). Furthermore, CMC alsominimizes the expression of nonverbal cues thus making self

presentation online less subject to unintentional cues(Walther, 1996).

;


18/30

The very language ofsocial relationships is being reframed;

today, people construct their profile, make it publicor private, they

comment or message their top friends on their wall,

they block or addpeople to their network and so forth.It seems that for many, creating and networking online

content isbecoming an integral means of managing ones identity,

lifestyle and socialrelations.


19/30

(, ,, )

site .( site )

.


20/30

socialnetworks, . (406)

, .

.


21/30

, (, design, )

. ,

design .

I think layouts really show likewho you are. So look at the

rainbow in that. Ithink that would make you

sound very, like, bubbly I liketo have different

ones its different likes,different fashion, different

feelings on that day.

I cant really see the point.This isnt to show off about my

personality.Im not trying to say, oh, I lovepurple or I love hearts Its

more just liketalking to three friends and,

seeing as my friends know me,theres no real need

for me to advertise mypersonality


22/30

Ziehe ,

. ,

.


23/30

I dont have any too personal things on it, like, Im very happy to say Im Jewishor *have+ conservative political views and Im happy to say my birthday or Im

from London. Theres nothing too detailed that will give anyone too big a

picture of me.

(, ).

.

, Livingstone (2006) ,

.


24/30

You dont mind [other] peoplereading it, but its yourparents, you dont really

want your parents seeing it,because I dont really like my

parents sort of lookingthrough my room and stuff,

because thats, like, myprivate space.

,

.


25/30

internet

,

.


26/30

Moreover, social networkers aresupposedly wholly narcissistic:MySpace is about me, me, me, andlook at me and look at me (Fairfax Digital News, 2007).

Myspace angles


27/30

,

. .

, .

Ta Myspace Angles , .

, , - .

, ,

.

, myspace angles, , .

mySpace Angle, :

: , .

Myspace angles


28/30

Myspace angles vs MUDs

Myspace angles .

Myspace angles ,

MUD chatrooms ( Turkle),

.


29/30

, social networks

Goffman.

, ( Myspace angles)

., ,

. (Mead)

Myspace angle (Mead)

.


30/30

.

,() .

; myspace angles ;

( )

internet.

Documents

Diamorfosi tautotitas kai nea mesa