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: :
- -
- .
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: :
: : (, ) .
: - : . . :
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,
, , ,
.
.
.
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MUD , !
.
MUD (multi-user domains)
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MUD, Turkle
, . avatars. ,
.
MUD Sherry Turkle
in the story of constructingidentity . . . experiences on the Internetfigure prominently, but these experiencescan only be understood as part of a larger
cultural context. That context is the storyof the eroding boundaries between thereal and the virtual, the animate and theinanimate, the unitary and the multiple self. . . (Turkle, 1995, p. 10)
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On MUDs, ones body isrepresented by ones owntextual description, so theobese can be slender, the
beautiful plain, the nerdysophisticated, the young old,and the male female or vice
versa, in a dizzyingcombination of digital selves
(Turkle, 1995, p. 12).
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MUD Sherry Turkle
,
. MUD
.
.
avatars .
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MUD Virtual Worlds - MMOG
MUD Virtual Worlds MMOG. MUD chatrooms
, Virtual Worlds Avatar .
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Sherry Turkle vs Erik Erikson
H Turkle ,
Erik Erikson moratorium.
.
.
,
. moratorium.
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moratorium Erikson,
, .
, moratorium Erikson, Turkle,
, . ,
, moratorium, ,
, ,
.
Sherry Turkle vs Erik Erikson
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Sherry Turkle vs Erik Erikson
Buchner online
, .
, online offline.
offline .
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Mead Internet
Mead
. .
.
.
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Lurking:
, blog,chartroom .
, site,
.
.
.
Mead Internet
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As Pearson (2009) notes, The mediated nature of [onlinesocial networks] means that most information about thevirtual self and its place in the network is given through
deliberate construction of signs. That is, by virtue of the
fact that communication is mediated, rather than FtF, thepresentation of the self is manufactured to a greaterextent than during offline interaction. For one, CMC is
often asynchronous (unlike FtF interaction), affording theuser greater control over how the self is presented
(Trevino and Webster, 1992). Furthermore, CMC alsominimizes the expression of nonverbal cues thus making self
presentation online less subject to unintentional cues(Walther, 1996).
;
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The very language ofsocial relationships is being reframed;
today, people construct their profile, make it publicor private, they
comment or message their top friends on their wall,
they block or addpeople to their network and so forth.It seems that for many, creating and networking online
content isbecoming an integral means of managing ones identity,
lifestyle and socialrelations.
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(, ,, )
site .( site )
.
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socialnetworks, . (406)
, .
.
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, (, design, )
. ,
design .
I think layouts really show likewho you are. So look at the
rainbow in that. Ithink that would make you
sound very, like, bubbly I liketo have different
ones its different likes,different fashion, different
feelings on that day.
I cant really see the point.This isnt to show off about my
personality.Im not trying to say, oh, I lovepurple or I love hearts Its
more just liketalking to three friends and,
seeing as my friends know me,theres no real need
for me to advertise mypersonality
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Ziehe ,
. ,
.
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I dont have any too personal things on it, like, Im very happy to say Im Jewishor *have+ conservative political views and Im happy to say my birthday or Im
from London. Theres nothing too detailed that will give anyone too big a
picture of me.
(, ).
.
, Livingstone (2006) ,
.
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You dont mind [other] peoplereading it, but its yourparents, you dont really
want your parents seeing it,because I dont really like my
parents sort of lookingthrough my room and stuff,
because thats, like, myprivate space.
,
.
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internet
,
.
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Moreover, social networkers aresupposedly wholly narcissistic:MySpace is about me, me, me, andlook at me and look at me (Fairfax Digital News, 2007).
Myspace angles
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,
. .
, .
Ta Myspace Angles , .
, , - .
, ,
.
, myspace angles, , .
mySpace Angle, :
: , .
Myspace angles
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Myspace angles vs MUDs
Myspace angles .
Myspace angles ,
MUD chatrooms ( Turkle),
.
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, social networks
Goffman.
, ( Myspace angles)
., ,
. (Mead)
Myspace angle (Mead)
.
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.
,() .
; myspace angles ;
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internet.