Eliezer RyanGandes PunjungMitchell EdbertRichard EngelbertTesalonika Simanjuntak

FRENCH GARDEN

Prinsip - prinsip1. Memiliki central axis

Central axis biasanya berupa: Air Mancur, Pohon Besar,

Palace of Versailles

Titik fokus biasanya berupa: rumah, istana, kastil

Prinsip - prinsip2. Memiliki fokus (mengarahkan pada

tujuan)

Prinsip - prinsip3. Memiliki sifat simetris

Titik fokus biasanya berupa: rumah, istana, kastil

Prinsip - prinsip4. Air : elemen penting dalam French

Garden

Berupa kolam / air mancur berbentuk melingkar / persegi.Berperan sebagai penguat sifat simetris & simbol ketenangan

Prinsip - prinsip5. Pemandangan pada titik akhir tidak

terhalang

Palace of Versailles

Ketika mendekati titik akhir, pohon-pohon & taman akan semakin mengecil untuk memperluas jarak pandang terhadap titik akhir tujuan (rumah/istana)

HEDGES

Vaux-le-VicomteParis/FranceDemonstration of wealth and power (over nature and over men )Owner : Nicholas Fouquet

1,200-acre park André Le Nôtre

“a formal garden that remained the same throughout the seasons, and he achieved this

with large, dramatic parterres framed with low boxwood hedges, wide pebble alleys, statues,

fountains, basins, grottoes, and a canal”

Axis, Nodes, and Edge

Clear and definite edge.Kontras dengan alam disekitarnya.

The Axis is Hierarchical (the parterre de broderie, the parterre (de gazon), and the bosquet ).Main Axis to suggest infinity.

4 titik node, yang dihubungkan oleh axis linear.

Dari ketinggian tangga di bangunan, terlihat bentang site yang sangat lebar dan megah‘Wealth and Power’

Anamorphosis Abscondita/Hidden distortionSymmetry, scale, and

perspective were used to create a sweeping view from the château

that makes the garden appear longer and larger than it actually is.

The anamorphosis abscondita creates visual effects which are not encountered in nature, making the

spectacle of gardens designed in this way extremely unusual to the

viewer (who experiences a tension between the natural perspective

cues in his peripheral vision and the forced perspective of the formal

garden).