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Glossary of Commonly used Terms and Expressions
Basic Ideas and ConceptsSeifukan 西風館 Hall (dojo) of the West Wind
Haragei 腹芸 Using the lower abdomena s t h e c e n t e r o fpower/movement, breatha n d c o n c e n t r a t i o n(Sanchin)
Karategi 空手着 Karate uniform also Keikogi (稽古着) "training uniform"
Karateka 空手家 Karate practitioner
Keikogi 空手着 Training uniform
Ki 気; 氣 Life force; breath; vitalenergy; breath-energy;breath-power; spirit
Kiai 気合 Shout on focusing a strike
Makiwara 巻藁 Striking post
Seifukan Goju-ryu Karate Dojo Canberra Australia Page 1 of 26 Glossary of Terms
Muchimi 餅身 Stickiness/ heaviness
Morote 双手 With both hands
Obi 帯 Belt
Uwagi 上衣 Jacket
Zubon ズボン Pants
Numbers, Counting and EraIchi; Hitotsu; Itsu 一 or 壱 1: one
Ni; Futatsu 二 or 弐 2: two
San; Mittsu 三 or 参 3: three
Shi, Yon; Yotsu 四 or 肆 4: four
Go; Itsutsu 五 or 伍 5: five
Roku; Muttsu 六 or 陸 6: six
Shichi, Nanatsu; Nana 七 or 漆 7: seven
Hachi; Yatsu 八 or 捌 8: eight
Kyu; Kokonotsu 九 or 玖 9: nine
Ju; To 十 or 拾 10: ten
Hyaku 百 or 陌 100: one hundred
Sen 千 or 阡和 1,000: one thousand
Showa 昭和 The Era (Enlightened Peace) of Emperor Hirohito (the ShowaEmperor: 19261225 - 19890107)
Heisei 平成 The Era (Peace Everywhere) of Emperor Akihito (the HeiseiEmperor: 18980108 -)
Note: the second, more complex kana shown are used in legal documentsand may be used on Kokusai Goju Kobujutsu Kenkyukai certificates
CommandsDamatte keiko! 黙って稽古 Shut up and train!
Hajime! 始め Begin!
Hanshi Nitaishite Rei! 範士に対して礼 Bow to Hanshi!
Kiwotsuke! 気を付け Come to attention!
Kyoshi Nitaishite Rei! 教士に対して礼 Bow to Kyoshi
Mawatte! 回って Turn around!
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Moichido! もう一度 One more time!
Mokuso! 黙想 Close eyes and meditate!
Mokuso Yame! 黙想止め Cease meditation!
Otagaini Nitaishite Rei! 御互いにに対して礼 Bow to each other!
Rei!; Lei! 礼 Bow!
Renshi Nitaishite Rei! 練士に対して礼 Bow to the Renshi!
Seiza! 正坐 Assume formal kneelingposture!
Semete! 攻め手 You are the attacker!
Sensei Nitaishite Rei! 先生に対して礼 Bow the teacher!
Shihan Nitaishite Rei! 師範に対して礼 Bow to the Shihan!
Shinden Nitaishite Rei! 神殿に対して礼 Bow the dojo shrine!
Shomen Nitaishite Rei! 正面に対して礼 Bow to the front of the Dojo!
Tate!; Kiritsu! 立て; 起立 Stand up!
Ukete! 払い手 You are the defender!
Yame! 止め Stop (what you are doing!)
Yasume! 休め Relax!
Yoi! 用意 Ready! (assume Heiko-dachi)
Yoshi! 良 OK, continue!
Kokusai Goju Kobujutsu Kenkyukai Teaching TitlesHanshi 範士 Most senior teaching title
Kyoshi 教士 2nd most senior teaching title
Shihan 師範 3rd most senior teaching title
Renshi 練士 4th most senior teaching title
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Sensei 先生 5th most senior teaching title
EtiquetteArigato Gozaimasu! 有り難う御座います Thank you very much!
Hai! はい Yes!
Iie! いいえ No!
Onegai Shimasu! お願いします Please, help me!
Shitsurei Shimasu 失礼します Excuse me
The VirtuesDojo-kun’yu 道場訓諭 Dojo Admonition, Dojo
rules, “the virtues;” alsoknown as Dojo-kun (道場訓)
The five precepts of the Kokusai Goju Kobujutsu Kenkyukai , the Dojo Kun’yu, are:
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OrganisationDan 段 Grade; black belt rank
Dojo 道場 “Way place” – training place
Dojo-cho 道場長 Dojo head
Kai 会 Association
Kai-cho 会長 Association Head
Kai-ha 会派 Tradition, eg, “Ceberano-ha”
Kokusai Goju 国際剛柔古武術研究会 International Goju TraditionalKobujutsu Kenkyukai Martial Arts Research Society
Kohai 後輩 Less senior student (to you)
Kyu 級 Grade below black belt
Mudansha 無段者 Non black belt member
Sempai 先輩 More senior student (to you;)in the IGK specifically 1st and2nd dan members
Shibu-cho 支部長 Branch head
Shihan-kai 師範会 An association of Shihans
Kodansha 高段者 Black belt above 5th dan
Yudansha 有段者 Black belt, 1st dan – 4th dan
Yudansha-kai 有段者会 Association of Yudansha
TrainingAshi wo kaeru 足を変える Change legs
Ate-waza 当て伎 St r i k ing ( smash ing)techniques
Awase-gumite 合わせ組手 Slow, light, cooperativesparring
Bunkai-gumite 分解組手 Paired analysis of kataapplication; in the IGK:fixed application of kata
Chibu Jutsu (Tsubo Jutsu) 壷術 The art of attacking thevital points. Okinawanname for Kyusho/Kinsho-jutsu
Fudo-gumite 不動組手 Stationary, hands onlysparring
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Go-waza 剛伎 Hard techniques:punches, strikes & kicks
Henka-waza 変化伎 Changing techniques;adap t i ng a s pe c i f i ct e c h n i q u e t o t h ec i r c u m s t a n c e s o rchanging it into anothertechnique, according tothe circumstances
Ju-waza 柔伎 Soft techniques:throws, joint-locks andstrangulations
Jyu-kumite 由自組手 Free sparring
Kansetsu-waza 関節伎 Joint-manipulationtechniques
Kata 型; 形 Solo form or pattern
Kawashi-waza 躱し伎 Evasion techniques (Tai-sabaki, Ashi-sabaki andTenshin)
Keri-waza (Geri-waza) 蹴り伎 Kicking techniques
Kihon 基本 Basic; elementary
Kihon-ido; Ido-kihon 基本移動; 移動基本 Moving basics
Ko-waza 小伎 Execution or training oftechniques using smallmovements of the body,limbs and/or center ofgravity
Kumite; Gumite 組手 Fighting exercise
Kyusho-waza 急所伎 Vital point techniques
Kyougi-gumite 教義組手 Teaching the meaning oft h e se l f d e f e n c eapplications of kata
Morote-waza 双手伎 Two handed techniques
Nage-waza 投げ伎 Throwing techniques
Ne-waza 寝伎 Ground techniques
O-waza 大伎 Execution or training oftechniques using largemovements of the body,limbs and/or center ofgravity
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Renraku-waza 連絡伎 Combination techniques
Semete 攻め手 the attacker
Shime-waza 絞め伎 Strangulation techniques
Suwari-waza 座り伎 Seated techniques
Tachi-waza 立ち伎 Standing techniques
Te wo kaeru 手を変える Change arms
Tsuki-waza 突き伎 Punching techniques
Tuidi or Tuite (Torite) 取手 Grappling; wrestling
Uchi-waza 打伎 Striking techniques
Ukete 受け手 the defender
Uke-waza 受け伎 Blocking/deflectingtechniques
Ukemi-waza 受け身伎 Break fall techniques
Levels and DirectionsJodan 上段 Upper level
Chudan 中段 Middle level
Gedan 下段 Lower level
Hiza-shita 膝下 Lowest level; below the knee
Embujo 演武場 Centre of the dojo;practice area
Genkan 玄関 Entry to the dojo
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Hidari 左 Left
Joseki 上席 Upper s ide of dojo;Seniors side; right handside
Kamiza 上坐 Seat of honour; dojospirit’s seat; front of dojo
Migi 右 Right
Mae; zen 前 Front
Shimoseki 下席 Lower side of dojo;Juniors side; left handside
Shimoza 下坐 Lower seat; rear of thedojo
Shinden 神殿 Dojo shrine
Shomen 正面 Front of the Dojo
Ushiro 後 back; behind; rear
Stances/PosturesTachi (Dachi) 立ち Stance
Kamae 構 Posture
Bensoku-dachi 便側立ち Cross behind step fromSeipai – similar to kosa-ashi
Fudo-dachi 不動立ち Immovable stance
Hanzenkutsu-dachi 平前屈立ち Half or short front stance
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Heiko-dachi 併行立ち Parallel stance: shoulderwidth, knees slightlybent, feet slightly turnedin
Heisoku-dachi 閉塞立ち Closed foot stance: Feettogether
Hikui shiko-dachi 低い四股立ち Deep Shiko-dachi(thighs horizontal)
Hikui zenkutsu-dachi 低い前屈立ち Deep front stance
Kiba-dachi 騎馬立ち Horse riding stance; like Shiko-dachi but withparallel feet
Kokutsu-dachi 後屈立ち Back stance
Kosa-ashi-dachi 交叉足立ち Cross leg stance
Koshi-dachi 腰立ち Squat stance
Musubi-dachi 結立ち Closed stance (with heelst o u ch i n g ) ; u s ed a sformal attention stance
Moto-dachi 基立ち Basic fighting stance
Naifanchin-dachi 内汎戦立ち Stance from Naifanchin
Neko ashi-dachi 猫足立ち Cat foot stance
Renoji-dachi レ−の字立ち "L" Re/Le) shaped stance
Sagi ashi-dachi 鷺足立ち Heron stance; ‘one leg stance’
Sanchin-dachi 三戦立ち Three battles stance
Shiko-dachi 四股立ち Straddle leg stance
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Shiko-dachi kujudo 四股立ち九十度 Sideward 90o shiko-dachi
Shiko-dachi yokomuki 四股立ち横向 Sideward 90o shiko-dachi
Shiko-dachi naname 四股立ち傾 Diagonal 45o shiko-dachi
Shiko-dachi yonjugodo 四股立ち四十五度 Diagonal 45o shiko-dachi
Soto-hachi-dachi 外八立ち Shoulder width stancefeet turned out at 45o
Uchi hachi-dachi 内八立ち One foot width widerthan shoulder width, feetparallel
Zenkutsu-dachi 前屈立ち Forward stance
Footwork and BodyworkAshi-sabaki 足捌き Foot shifting
Ayumi-ashi 歩み足 Natural step
Gyaku-kaiten 逆回転 Reversed turn (of the hips)
Happo-ido 八方移動 Movements in 8/All directions
Hiki-ashi 引足 Pulling back the leg
Hiki-ayumi-ashi 引歩み足 Pull back/step over
Hiraki-yose-ashi 開寄足 Side stepping
Hiraki-kosa-ashi 開交叉足 S i d e s t e p p i n g w i t hkamae change
Hojo-oshi 補助押し Augmented strike fromSeiyunchin
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Hojo-oshi
Issokucho 一足長 One foot (distance)
Jun-kaiten 順回転 Regular turn (of the hips)
Keri-ashi 蹴り足 Kicking foot
Kotai 後退 Backward
Sa-yu 左右 Sideward
Sa-yu kotai naname 左右後退傾 Diagonal backward
Sa-yu zenpo naname 左右前方傾 Diagonal forward
Suri-ashi 摺足 Sliding foot step
Tai-sabaki 体捌き Generally: body shiftLiteral: handling the bodyUsually used to denoteevasion techniques inwhich a combination offoot movements andturning of the body isused
Tenshin 転進 Movemen t ; mov ing .Used to denote evasiontechniques based on footmovements
Tsugi-ashi 次足 Shuffling foot step
Yori-ashi 寄り足 Dragging foot step
Zenshin 前進 Forward
Body PartsAshi 足 Leg/foot
Hara 腹 Belly/Abdomen
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Ken 拳 Fist
Seika-tanden 臍下丹田 One’s centre
Shu; Te 手 Hand
Shita-hara 下腹 Lower abdomen
Blocking/Deflecting TechniquesAge-uke 上げ受け Rising Deflection
Chudan-gedan shita-barai 中段下段下払い Combination middle level/lowlevel deflection
Chudan soto-uke 中段外受け M i d - l e v e l o u t w a r ddeflection
Chudan uchi-uke 中段内受け M i d - l e v e l i n w a r ddeflection
Gedan-barai 下段払い Low sweeping deflection
Harai otoshi-uke 払い落し受け Low sweeping deflectionwith the palm
Hiji-uke 肘受け Elbow deflection
Hiza-uchi-uke 膝内受け Inward knee deflection
Hojo-uke 補助受け Augmented deflectionfrom Seiyunchin
Jodan-uke 上段受け Upper level deflection
Kaki-te 鈎手 Hooking hand
Kaki-uke 鈎受け Hooking deflection
Kosa-uke 交叉受け Crossed arm deflection
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Ko-uke 曲受け Controlling deflectionwith the back of thehand from Kururunfa
Kuri-uke 繰り受け Inside-out circular elbowdeflection, as used inKururunfa
Mawashi-uke 回し受け Two handed c i rcu lardeflection (also known astora-guchi or tigers mouth)
Nagashi-uke 流し受け Flowing palm deflection
Shuto-uke 手刀受け Sword hand deflection
Sukui-uke 掬い受け Scooping deflection
Tora-guchi 虎口 Tiger's Mouth (also knowas Mawashi-uke)
Ude-uke 腕受け Inside of arm deflection
Yumi-barai 弓払い Archer pose sweepingdeflection
Striking TechniquesAge ura-zuki 上げ裏突き Rising inverted punch
from Seiyunchin
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Age-zuki 上げ突き Rising punch
Choku-zuki 直突き Straight punch
Chudan-zuki 中段突き Mid-level punch
Empi-uchi 猿臂打 Elbow strike
Furi-uchi 振り打 Circular haito-uchi
Furi-zuki 振り突き Circular punch
Gaiwanto-uchi 外腕刀打 O u t s i d e s w o r d a r m(forearm) strike
Gedan Hiraken-uchi 下段平拳打 Lower level flat handstrike from Seipai
Gedan-zuki 下段突き Lower level punch
Gyaku-zuki 逆突き Reverse punch
Haishu-uchi 背手打 Back of hand strike
Haito-uchi 背刀打 Blunt side sword handstrike
Haiwanto-uchi 背腕刀打 Backward outside swordarm (forearm) strike
Heiko-zuki 併行突き Parallel punch from Saifa
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Hiji-ate 肘当て Elbow strike
Hiki kai-zuki 引下突き Combination hiki ayumi-ashi, lead hand harai-otoshi and gyaku-zuki
Hikite 引手 Pulling back the oppositehand to the breast
Hiraken-uchi 平拳打 Flat fist strike
Hira-nukite 平抜き手 Flat spear hand thrustfrom Seiyunchin
Jodan-zuki 上段突き Upper-level punch
Kage-zuki 鈎突き Hook punch
Kata-ate 肩当て Shoulder strike
Keito-uchi 鶏刀打 Chicken's head strik
Kentsui-uchi 拳椎打 Hammer fist strike (alsoknown as Tetsui-uchi 鉄椎打 Iron Hammer strike)
Kizami-zuki 刻み突き Jab punch
Koken-uchi 曲拳打 Bent wrist strike (alsoknown as Kakuto-uchi 角刀 打 Bent sword strikeand as Kakuken 角 拳Bent fist
Koshi-ate 腰当て Body strike (bump)
Kouto-ate 後頭当て Head butt with back ofhead
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Kumade 熊手 Bear hand strike
Morote awase-zuki 双手合わせ突き Doub l e p un ch f r omGekisai Dai Ichi
Naiwanto-uchi 内腕刀打 I n s i d e s w o r d a r m(forearm) strike
Nakayubi ippon-ken 中指一本拳 Middle knuckle fist
Nukite 抜き手 Spear hand thrust
Ippon-nukite 一本抜き手 Single finger Spear handthrust
Nihon-nukite 二本抜き手 Two finger Spear handthrust
Yonhon-nukite 四本抜き手 Four finger Spear handthrust
Oi-zuki 追突き Lunging punch
Oyayubi Ippon-ken 親指一本拳 Thumb Fist
Ryuto-ken 龍登拳 Rising Dragon Fist
Sanbon-zuki 三本突き Three consecutive punches
Seiken-zuki 正拳突き Normal Fist punch
Seiryuto-uchi 生立刀打 Standing sword hand strike
Sho-ken 小拳 Single knuckle fist {smallfist} (also known as Ryu-ken 龍拳 Dragon fist)
Shotei-uchi 掌底打 Heel of hand strike (alsoknown as Teisho-uchi 底掌打)
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Shuto 手刀 Hand sword (also knownas Te-gatana 手刀)
Shuto-mawashi-uchi 手刀回し打 Circular hand swordstrike
Shuto-uchi 手刀打 Hand sword strike
Tate-ken-zuki 立拳突き Standing (vertical) fiststrike
Ura Hiraken-uchi 裏平拳打 Inverted flat hand punchfrom Kururunfa
Ura-zuki 裏突き Inverted punch
Uraken-uchi 裏拳打 Back fist strike
Washide-uchi 鷲手打 Eagle hand (claw) strike
Yoko Oi-zuki 横追突き Sideward lunge punch
Yoko Ura-zuki 横裏突き Sideward inverted punch
Zento-ate 前後頭当て Head butt with front ofhead
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Kicking TechniquesGyaku-Mawashi-Geri 逆回し蹴り Reverse roundhouse kick
Hiza-geri 膝蹴り Knee kick
Kakato-Geri 踵蹴り Back of the heel kick
Kansetsu-geri 関節蹴り Sokuto-geri to the knee
Keage-geri 蹴上蹴り Snap kick
Kekomi-geri 蹴込蹴り Thrust kick
Kin-Geri 金蹴り Groin kick with the instep
Kinteki-geri 金的蹴り Groin kick with the instep
Kogan-geri 睾丸蹴り Deep groin kick (with shin)
Mae-Geri 前蹴り Front kick
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Mawashi-Geri 回し蹴り High roundhouse kick
Mawashi-geri: chosoku 回し蹴り:長足 High roundhouse kick:Strike with the ball of the foot
Mawashi-geri: haisoku 回し蹴り:背足 High roundhouse kick:Strike with the instep
Sokutei furi-geri 足底振蹴り Swinging sole of the footkick from Suparinpai
Sokuto-Geri 足刀蹴り Thrusting kick strikingwith the edge of the foot
Sune-Geri 脛蹴り Kick with the shinbone
Ushiro-Mawashi-Geri 後回し蹴り Backward roundhouse kick
Yoko-Geri 横蹴り Low roundhouse kick
Yoko-geri: chosoku 横蹴り:長足 Low roundhouse kick:Strike with the ball of the foot
Yoko-geri: haisoku 横蹴り:背足 Low roundhouse kick:Strike with the instep
Grappling TechniquesUra-waza 裏伎 Reversing techniques
Tsukami-waza 掴み伎 Grabbing techniques
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Hiki-waza 引伎 Pulling techniques
Oshi-waza 押し伎 Pushing techniques
Hazushi-waza 外し伎 Avoidance techniques
Kaeshi waza 返し伎 Reversal techniquesHiji-age 肘上 Elbow lifting
Osae waza 押え伎 Controlling techniques;techniques to control theopponent
Throwing TechniquesAshi-nage 足投げ Leg throw
Ashi-barai 足払い Foot sweep
Ashi-basami 足鋏 Leg scissors
Koshi-nage 腰投げ Hip throw
Kata-nage 肩投げ Shoulder throw
Te-nage 手投げ Hand throw
Ashi-dori 足捕り Grabbing the leg
Furi-nage 振投げ Swinging throw
Sukui-nage 掬い首投げ Scooping throw
Kubi-nage 首投げ Neck throw
Sutemi-nage 捨身投げ Sacrificial throw
Joint TechniquesAshi-garami 足絡み Leg entwine. Joint lock in
which the legs of theattacker is bend andtwisted into a lock
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Ashikubi kansetsu-waza 足首関節伎 Ankle-joint manipulationtechniques
Hiji-garami 肘絡み Technique in which theelbows of the opponentare crossed in order tocreate an arm lock
Hiji Kansetsu-waza 肘関節伎 Elbow-joint manipulationtechniques.
Hiza-garami 膝絡み Knee entwine. Joint lockin which the legs of theattacker is bent andtwisted into a knee lock
Hiza kansetsu-waza 膝関節伎 Knee-joint manipulationtechniques
Kote-gaeshi 小手返し Wrist reversal (to throw)
Kote Kansetsu-waza 小手関節伎 Alternative name forwrist-joint manipulationtechniques
Kubi-hineri 首捻り Neck twist
Kubi kansetsu-waza 首関節伎 Neck-joint manipulationtechniques
Ude-osae 腕押え Forearm control used ina joint lock, for example,the elbow
Suhei-osae 水平押え Horizontal control
Maki-age 巻上 Rising (arm) roll
Tekubi kansetsu-waza 手首関節伎 Wrist-joint manipulationtechniques
Tekubi-gaeshi 手首返し Alternate for Kote-gaeshi
Ude-garami 腕絡み Arm entwine; Joint lockin which the arm of theattacker is bent andtwisted into an arm lock
Ude kansetsu-waza 腕関節伎 Arm-joint manipulationtechniques. This canrefer to wrist, elbow orshoulder joint.
Yubi-gaeshi 指返し Finger reversal (twist orbend)
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Yubi kansetsu-waza 指関節伎 Finger joint manipulationtechniques
Strangling and ChokingHadaka-jime 裸締め Naked strangulation
Eri-jime 衿締め Strangulation using the collar
Okuri Eri-jime 送り衿締め Strangulation sliding the collar
DrillsKihon-ido Ichi 基本移動一 Basic manoeuvring #1
Kihon-ido Ni 基本移動二 Basic manoeuvring #2
Kihon-ido San 基本移動三 Basic manoeuvring #3
Sanchin-shuho: Jodan 三戦手法:上段 Four directionmanoeuvring exerciseusing jodan-uke
Sanchin-shuho: Chudan 三戦手法:中段 Four directionmanoeuvring exerciseusing chudan-uke
Konji-ido 金字移動 Diamond patternmanoeuvring exercise
Yakusoku Kumite Ichi 約束組手一 Pre-arranged fighting #1
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Yakusoku Kumite Ni 約束組手二 Pre-arranged fighting #2
Yakusoku Kumite San 約束組手三 Pre-arranged fighting #3
Kihon Geri 基本蹴り Pre-arranged fighting Kicking
Yonhon Kumite 四本組手 Four part Sparring drill
Gohon Kumite 五本組手 Five part Sparring drill
Nanahon Kumite 七本組手 Seven part Sparring drill
KataTaikiyoku no Gata 大局の型 Kata of the “First Cause”A series of 6 kata developed by YAMAGUCHI Gogen Hanshi as kihon Gata orFoundational kata for his Goju-ryu organisation IKG Gojukai
Taikyoku: Jodan 大局:上段 First cause high level (attack)
Taikyoku: Chudan 大局:中段 First cause mid level (attack)
Taikyoku: Gedan 大局:下段 First cause low level (attack)
Taikyoku: Mawashi-uke 大局:回し受け First cause circular deflection
Taikyoku: Kake-uke 大局:鈎受け First cause hooking deflection
Taikyoku: Gousei 大局:合成 First cause combination kata
Sanchin 三戦 “Three Battles”
Gekisai Dai-ichi 撃砕:第一 “Attack and smash” #1
Gekisai Dai-ni 撃砕:第二 “Attack and smash” #2
Saifa 砕破 “Smash and Tear”(thought to come fromSaifa 獅法 “Lionmethod”)
Seiyunchin 制引戦 “Pull in and Battle”(thought to come fromSeiyouchin 鷹青戦 “BlueHawk Battle”)
Sanseru 三十六手 “Thirty six” (techniques)
Sesan 十三手 “Thirteen” (techniques)
Shisochin 四向戦 “Four way Battle” (thought tocome from Shisauchin 蟋蟀戦 “Cricket/MantisBattle”)
Seipai 十八手 “Eighteen” (techniques)
Kururunfa 久留頓破 “Holding Ground”(thought to come from
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Gorunfa 臥龍法 “LyingDragon Law”)
Suparinpai 壱百零八手 “One hundred and eighttechniques” (also known asPechurin ペッチュリン“100 continuous steps)”
Tensho 転掌 “Rotating Palms”
Sanchin-Tensho 三戦転掌 A combination of Sanchinkata and Tensho kata
Extension Kata: NafadiNaifunchin 内汎戦 “The battle within”
Naifunchin: Juho 内汎戦:柔法 “The battle within soft method”
Naifunchin: Zengou 内汎戦:前後 “The battle within backand forth method” Adevelopment kata basedon Naifunchin but usingan “X” shaped embusen
Aragaki no Sochin 新垣之壯鎮 ARAGAKI Seisho 新垣世璋s e n s e i ’ s v e r s i o n o fS o c h i n , “ M o n k s o fPeace;” a Nafadi 那覇手(Naha-te) kata well knownto both HIGASHIONNAs e n s e i a n d M I YA G ISensei
Geishusai 迎襲砕 A development katabased on Gekisai
Extension Kata: TumaidiMatsumora no Rohai 松茂良之鷺牌 MATSUMORA Kosaku 松茂
良興作 sensei's version ofTumaidi 泊手 (Tomari-te)kata Rohai "Vision of aWhite Heron"
Oyadomari no Patsai 親泊之抜砦 OYADOMARI Kokai 親泊興寛 sensei’s version ofPatsai (Passai/Bassai),“ T o r e m o v e a nobstruction;” a Tumaidi
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泊手 (Tomari-te) version ofthe well known Suidi kata
Tumai no Chintou 泊之戦東 “Battle in the east”
Tumai no Useishi 泊之五十四手 “Fifty Four” (techniques) alsoknown as Gojushiho 五十四方
Tumai no Wandou 泊之王道 “The kings way”
Extension Kata: SuidiMatsumura no Sesan 松村之十三手 MATSUMURA Sokon 松村
宗 棍 sei’s version ofSesan “Thirteen” a Suidi首 里 手 (Shuri-te) katarelated to the Goju-ryukata of the same name
Chokyu 長宮 No meaning – Combinesthe alternatepronunciation of the firstkanji of both NAGAMINEShoshin Sensei's andMIYAGI Chojun Sensei'snames
Sui no Niseishi 首里之二十四手 “Twenty Four” (techniques)also known as Nijushiho 二十四方
Extension Kata: White CraneNiipai 二十八歩 “Twenty Eight” (steps;) a
White Crane kata fromthe teachings of MIYAGIsensei's close friend WUXianhui 五乾卉 (GoKenki) Shifu
Paipuren 八歩連 "Eight Linked Steps;" Aprecursor to Sanchinfrom Quanfa Xing "BaBu Lien"
Go no Hakuchou 五之白鳥 “White Crane” alsofrom the teachings ofWU Xianhui 五乾卉 Shifu(also know as Paihou 白鴇 “White Ibis”)
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Matayoshi no Kakuken 又吉之鶴拳 “Crane Fist” also fromthe teachings of WUXianhui 五乾卉 Shifu fromKingai-ryu 金硬流,MATAYOSHI Shinpo 又吉眞豊 where it is know asHakutsuru 白鶴 “Whitecrane”
Matayoshi no Hakkaku 又吉之白鶴 “White Crane” also fromthe teachings of WUXianhui Shifu fromKingai-ryu 金硬流,MATAYOSHI Shinpo 又吉眞豊 where it is know asHakkaku Nidan 白鶴:二段
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