History Midterm 2 Year (1)

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    I. THE AMERICAN FAMILY

    A. Long days Journey Into night

    Characters:

    James Tyrone - The husband of Mary and the father of Jamie and Edmund, he wasonce a famous actor who toured the U.S. with his wife. Because his Irish fatherabandoned him at age 10, forcing him to work immediately to support himself, he hasa strong work ethic and an appreciation for money that leads to strong financial

    prudence--bordering on stinginess.Mary Tyrone- The wife of Tyrone and mother of Jamie and Edmund, she strugglesfrom a morphine addiction that has lasted over two decades. While she has broken theaddiction several times, she always resumes her morphine use after spending moretime with her family. She is on morphine in each scene of the play, and her use

    increases steadily as the day wears on. Although she loves Tyrone, she oftentimesregrets marrying him because of the dreams she had to sacrifice of becoming a nun ora concert pianist.Jamie Tyrone - The elder Tyrone son, he is in his early thirties. Because hesquanders money on booze and women, he has to rely on his parents for support. Hedropped out of several colleges and has very little ambition, much to the dismay of his

    parents.Edmund Tyrone- The younger Tyrone son, he is ten years younger than Jamie. Anintellectual and romantic dreamer, he learns during the play that he is afflicted withconsumption (tuberculosis), which means that he will have to spend up to a year in asanatorium. Like his brother and father, he is partially alcoholic, and he has atendency to squander money, although he works harder than Jamie. Mary alwaysholds out hope that he will become a success one day.Cathleen- The Tyrone family maid. She appears in the play only briefly. She isflirtatious and, by Act III, drunk.

    How is the play structured? How is it built?

    The best answer would reflect the fact that the structure in parts mimics thedisintegration that occurs over the course of the day. The first four scenes are builtaround meals, either before or after. In the case of the former, the scene functionswith an air of expectation of something important to come, the meal, and even with asense of urgency when the family must gather everyone together before the food getscold. In the scenes set after a meal, the family engages in the process of deciding howto kill time until the next meal. Meals are very important because they bring thewhole family together, but the meal cycle breaks down at the end of the play. It getstougher and tougher to round up the family for each meal, and in fact Jamie does noteven come home for supper. The meal plan falls apart, and this mimics the increasingcollapse seen in the affairs rest of the family as they get more and more drunk and fallinto despair.

    B. Whos afraid of Virginia Woof?

    George- A 46-year-old member of the history department at New Carthage

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    Judgment Day. Gabriel exudes a child-like exuberance and a need to please.Jim Bono - Troy's best friend of over thirty years. Jim Bono is usually called"Bono" or "Mr. Bono" by the characters in Fences. Bono and Troy met in jail, whereTroy learned to play baseball. Troy is a role model to Bono. Bono is the onlycharacter in Fences who remembers, first-hand, Troy's glory days of hitting homeruns

    in the Negro Leagues. Less controversial than Troy, Bono admires Troy's leadershipand responsibility at work. Bono spends every Friday after work drinking beers andtelling stories with Troy in the Maxson family's backyard. He is married to a womannamed Lucille, who is friends with Rose. Bono is a devoted husband and friend.Bono's concern for Troy's marriage takes precedent over his loyalty to theirfriendship.Lyons Maxson - Troy's son, fathered before Troy's time in jail with a woman Troymet before Troy became a baseball player and before he met Rose. Lyons is anambitious and talented jazz musician. He grew up without Troy for much of hischildhood because Troy was in prison. Lyons, like most musicians, has a hard timemaking a living. For income, Lyons mostly depends on his girlfriend, Bonnie whom

    we never see on stage. Lyons does not live with Troy, Rose and Cory, but comes bythe Maxson house frequently on Troy's payday to ask for money. Lyons, like Rose,

    plays the numbers, or local lottery. Their activity in the numbers game representsRose and Lyons' belief in gambling for a better future. Lyons' jazz playing appears toTroy as an unconventional and foolish occupation. Troy calls jazz, "Chinese music,"

    because he perceives the music as foreign and impractical. Lyons' humanity andbelief in himself garners respect from others.Raynell Maxson - Troy's illegitimate child, mothered by Alberta, his lover. AugustWilson introduces Raynell to the play as an infant. Her innocent need for care andsupport convinces Rose to take Troy back into the house. Later, Raynell plants seedsin the once barren dirt yard. Raynell is the only Maxson child that will live with fewscars from Troy and is emblematic of new hope for the future and the positive values

    parents and older generations pass on to their young.Alberta- Troy's buxom lover from Tallahassee and Raynell's mother. Alberta dieswhile giving birth. She symbolizes the exotic dream of Troy's to escape his real life

    problems and live in an illusion with no time.Bonnie- Lyons' girlfriend who works in the laundry at Mercy Hospital.Mr. Stawicki - Cory's boss at the A&P.Coach Zellman- Cory's high school football coach who encourages recruiters tocome to see Cory play football.Mr. Rand - Bono and Troy's boss at the Sanitation Department who doubted that

    Troy would win his discrimination case.Miss Pearl - Gabe's landlady at his new apartment.

    II. Family Betrayal

    D. How I learned to Drive

    Li'l Bit -

    Uncle Peck -

    Male Female Greek Chorus

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    Teenage Greek Chorus

    Greek chorus leader

    E. August Osage County

    Beverly Weston:Husband of Violet / Father to his three 40-something daughters. Aone-time world class poet and full-time alcoholic. Polite, soulful, melancholy, andultimately suicidal.

    Violet Weston:The devious matriarch. She has lost her husband. She is addicted topainkillers (and any other pill she can pop). She suffers from cancer of the mouth. Butthat doesnt stop her from spewing her cynicism or her hilariously sinister insults.

    Barbara Fordham:The eldest daughter. In many ways, Barbara is the strongest and

    most sympathetic character. Throughout the play she tries to gain control of herchaotic mother, her dilapidated marriage, and her pot-smoking 14 year old daughter.

    Ivy Weston:The middle daughter. A quiet librarian, stereotypically mousy. Ivy hasstayed close to home, unlike the other errant Weston sisters. This means Ivy has hadto endure the acid tongue of her mother. She has been maintaining a secret love affairwith her first cousin. (And if you think that sounds like a Jerry Springer episode, justwait till you read Act Three!)

    Karen Weston:The youngest daughter. She claims to have been unhappy her entire

    adult life, prompting her to move away from the family and reside in Florida.However, she returns to the Weston home bringing along a fianc in towasuccessful 50 year old business man who, unbeknownst to Karen, turns out to by themost loathsome character within the play.

    Johnna Monevata:TheNative-Americanlive-in housekeeper. She is hired byBeverly just days before his disappearance. She may not have many lines, but she isthe most compassionate and morally grounded of all the characters. She claims to stayin the caustic household simply because she needs the job. Yet, there are times whenshe swoops in like a warrior-angel, saving characters from despair and destruction.

    F. The Conduct of Lifeby Maria Irene Fornes

    The Conduct of Lifefollows a series of interactions amongOrlando, Leticia, Olimpia, and Nenain which powerrelationships are negotiated and defined. Reclining in hisbasement as Nena "is curled up on the floor," Orlando equates"love" and "want" and defines them as "a desire to destroy and

    to see things destroyed and to see the inside of them" (scene 13).Love, gain, success, power, and extraordinary violence are

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    continually conflated and confused by the characters.

    III. Myth of The American Dream

    G. The America playby Suzan Lori Parks

    The America Playis a two-act play bySuzan-Lori Parks.It premiered at theYale Repertory Theater in January 1994 The plot revolves around an unnamedAfrican-Americangravediggerwho gains a measure of fame due to hisuncanny resemblance toAbraham Lincoln.His fame comes from an attractionhe runs that, for the cost of apenny,allows customers to take on the role ofJohn Wilkes Boothand re-enactLincoln's assassination.Some consider itdifficult to understand because, as with most of Suzan-Lori Parks' writing, it isanything but straightforward.

    H. The a Tooth of Crimeby SAM SHEPARD

    This two-act play with music tells the tale of the battle betweentwo rock stars, Hossand his young rival, Crow. It is a style warin which each battles for psychic territory. A combination of aheavyweight prizefight, a showdown, and the conventionalgunfight in Westerns, the confrontation between Hoss and Crow

    is fought with music and competing styles. (Shepard wrote bothlyrics and music.) Hoss, who has a self something to fall back

    on in a moment of doubt or terror or even surprise, seems to

    discover before his suicide that his self is linked to rules and

    codes that Crow ignores. Before putting a gun in his mouth,Hoss claims to be a "True killer" in whom Everything is wholeand unshakeable. Knows where he stands. Lives by a code. Hisown code. Crow has shaken all of this, has pulled and pushed

    Hoss around from one image to another. Crow, conversely,forms himself from a congeries of images, as he boasts in hissong: But I believe in my maskThe man I made up is me. In

    Round Three of their showdown, Cross warns Hoss to get the

    image in line, but Hoss fails to do so, Crow scores K.O. overhis badly beaten opponent. Hoss is defeated, which is notmerely personal defeat but also the destruction of the entiresystem in which he found self-definition.

    I.The Dinning Roomby A.R Guerneys

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    Fukin a lot of characters!!!!

    J. The Adding Machineby Elmer Rice

    Mr. Zero Mr. Zero, a small, thin, sallow, and partially bald man in hislate forties or early fifties. For twenty-five years, he has worked as a

    bookkeeper in a large department store, where he adds up the days

    receipts after arranging sales figures in columns. For his dedicated work,he expects a raise, not having received one in seven years, but instead helearns that he is to be replaced by an adding machine. His mind is

    preoccupied with figures, and he reveals all the prejudices of the lowermiddle class, though by temperament he is stolid...

    K. The Little Foxesby Lilliam Hellman

    Regina Hubbard Giddens, who struggles for wealth and freedom within theconfines of an early 20th century society where a father considered only sonsas legal heirs. As a result, her avaricious brothers Benjamin and Oscarareindependently wealthy, while she must rely upon her sickly, wheelchair-usinghusbandHoracefor financial support.

    Oscar has married Birdie, his much-maligned, alcoholic wife, solely to acquireher family'splantationand its cotton fields. Oscar now wants to join forceswith his brother, Benjamin, to construct acotton mill.They approach theirsister with their need for an additional $75,000 to invest in the project. Oscarinitially proposes marriage between his son Leoand Regina's daughterAlexandrafirst cousinsas a means of getting Horace's money, but Horaceand Alexandra are repulsed by the suggestion. When Regina asks Horaceoutright for the money, he refuses, so Leo, a bank teller, is pressured intostealing his uncle Horace's railroadbondsfrom the bank's safety deposit box.

    Horace, after discovering this, tells Regina he is going to change his will infavor of their daughter, and also will claim he gave Leo the bonds as a loan,thereby cutting Regina out of the deal completely. When he suffers a heartattack during this chat, she makes no effort to help him. He dies within hours,

    without anyone knowing his plan and before changing his will. This leavesRegina free to blackmail her brothers by threatening to report Leo's theft unlessthey give her 75% ownership in the cotton mill (it is in Regina's mind, a fairexchange for the stolen bonds). The price Regina ultimately pays for her evildeeds is the loss of her daughter Alexandra's love and respect. Regina's actionscause Alexandra to finally understand the importance of not idly watching

    people do evil. She tells Regina she will not watch her be "one who eats theearth," and abandons her. Having let her husband die, alienated her brothers,and driven away her only child, Regina is left wealthy but completely alone.

    L. Holidayby Philip Barry

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    Johnny Case,who is a corporation lawyer on Wall Street. He has a lot offinancial prospects, but not a lot of social background. Before the start of the

    play, Julia, the eldest daughter of the Seton family, has met Johnny atLake

    Placid.During the ten-day trip, they have fallen in love and are to be married.But there is one person who does not want the marriage this quickly: Julia'sfather, Edward, who questions Johnny's life's goal "to retire early and worklate."

    Linda Seton... Johnny Case... Julia Seton... Ned Seton... Professor Nick Potter... Edward Seton

    ... Mrs. Laura Cram

    ... Mrs. Susan Elliott Potter

    M. Awake and sing!By Clifford Oddets

    Myron Bergerthe father of the family

    Bessie Bergerhis wife

    Hennie Bergertheir daughter, age 26

    Ralph Bergertheir son, age 22 Uncle MortyBessie's brother, a successful businessman

    Jacobfather of Bessie and Morty; a Marxist; he lives with the Bergers

    Moe Axelroda friend of the family who eventually boards with the Bergers

    Sam Feinschreiberan immigrant who courts Hennie

    Schlosserthe janitor in the Bergers' apartment building

    V.The Rural Experience

    N. Picnicby William Inge

    Flo OwensFlo is a woman who has worked hard to keep her family alive.The father to her children is long gone, so she has to be both mother and fatherto her two girls. She raises them cautiously, almost overbearingly, as she triesto lead them on the right path and make sure they are more successful in lifethan she turned out to be. Flo has big dreams for her daughters, and seems tolive vicariously through them. She is hesitant about accepting outsiders,

    because she is very comfortable with the way she leads her life.

    Madge OwensMadge is a beautiful girl growing gracefully into adulthood.Some call her materialistic and conceited because she spends quite a bit of time

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    with makeup and beauty products. She is not as naive as she may seem; shedefinitely has some hidden knowledge about the world. Madge may not openherself to many people, but she is able to relate to others if she tries. On theoutside, she wants to be wealthy and gorgeous all her life. But on the inside,she is sick of always being the pretty one, and she just wants to find her placein the world. Madge desperately wants to be loved, and at first she thinks thatAlan is enough for her. But getting to know Hal changes her completely.

    Millie OwensThroughout most of the play, Millie is wild and tomboyish, yetshe has a softer, more artsy side to her. Millie shows herself to the world as atough kid, but she is really nervous about what other people think of her. Shewants to be noticed, but in the right way. Millie wants to be somebody. Shewants to experience city life and make a difference in the world.

    Helen PottsA bit past her prime, Helen longs for the days when she was awild young girl. She used to love going against the conventions and

    challenging authority, which has given her much wisdom in her older years.She is easygoing, still loves fun and wants to share her knowledge with theyoung people around her.

    Hal CarterHal is young, handsome, crazy, impulsive and has seen someharsh times. He has been to reform school, a few colleges, a part of a fraternity,

    been chased by the police and claims other things that may or may not be true.He is a confident fellow, and he loves attention. He is capable of crumblingthough, as shown after Rosemarys vicious words. Hal has a soft inner side thatreally wants to be accepted and fit in somewhere.

    Alan SeymourAlan is a rich young man looking to settle down with abeautiful girl. He loves Madge, whether their relationship is superficial or not.Alan is level-headed most of the time and tends to criticize those who makedecisions without thinking them through.

    BomberA small character in the play, he tends to reinforce Madges beautyas well as criticize Millie for being the oddball.

    Rosemary SydneyRosemary is an aging schoolteacher who likes to callherself an independent. She brags about not having a man and doing whatevershe wants. She tends to gossip with her friends and make eyes at Hal when he

    comes into the scene. She is rather unconventional for a schoolteacher, sinceshe is not reserved and scholarly. She has a breakdown when she realizes thatshe is not as young as shed like to be. Rosemary ends up begging Howard to

    marry her.

    Howard BevansHoward is a businessman who is rather set in his way oflife. He has accepted that this is all he can be and even decided that he may notget married and have a happy ending. He has been seeing Rosemary, but is notsure what she wants from him or where their relationship is going. He is easyto get along with but not extremely assertive of what he wants. Howard is areasonable guy who does what he can to live each day. When Rosemary begshim to marry her, he is unsure what to say at first. He tries to tell her she is just

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    drunk, but Rosemary is very persistent. He finally agrees to marry her and doeshis best to be happy about it even though he is unsure.

    Irma Kronkiteand Christine SchoenwalderThese two ladies areschoolteachers with Rosemary. They are slightly younger than Rosemary and

    definitely like gossip. Irma has known Rosemary for a bit longer, sinceChristine just moved to the town and started teaching there.

    O. Crimes of the Heartsby Beth Henley

    At the core of thetragic comedyare the three MaGrath sisters, Meg, Babe, andLenny, who reunite at Old Granddaddy's home inHazlehurst, MississippiafterBabe shoots her abusive husband. The trio was raised in adysfunctional family

    with a penchant for ugly predicaments and each has endured her share ofhardship and misery. Past resentments bubble to the surface as they're forced todeal with assorted relatives and past relationships while coping with the latestincident that has disrupted their lives. Each sister is forced to face theconsequences of the "crimes of the heart" she has committed.

    P. Book of Daysby Lanford Wilson

    RUTHBOYD

    GINGER

    MARTHA

    SHARON

    JAMES

    LOUANN

    WALT

    EARL

    REVEREND GROVES

    SHERIFF ATKINS

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    Q. Triflesby Susan Glaspell

    Mrs. Hale:She had not visited the Wright household for over a year because of its

    bleak, cheerless atmosphere. She believes that Mr. Wright is responsible for crushingthe merriment out of Mrs. Wright. Now, Mrs. Hale feels guilty for not visiting moreoften. She believes she could have improved Mrs. Wrights outlook on life.

    Mrs. Peter:She has tagged along to bring back clothes for the imprisoned Mrs.Wright. She can relate to the suspect because they both know about stillness. Mrs.

    Peters reveals that her first child died at the age of two. Because of this tragicexperience, Mrs. Peters understands what it is like to lose a loved one (in Mrs.Wrights case it was her songbird).

    Mrs. Wright:Before she was married to John Wright, she was Minnie Foster. Shewas more cheerful in her youth. Her clothes were more colorful. She loved to sing.Those attributes diminished after her wedding day. Mrs. Hale describes Mrs. Wrights

    personality:

    "She was kind of like a bird herselfreal sweet and pretty, but kind of timid andfluttery. Howshedidchange."

    VI. Ethnic Identity

    R. A view from the bridgeby Arthur Miller

    Eddie Carbone- A Longshoreman. Eddie lives with his wife, Beatrice and orphanedniece, Catherine, in Red Hook Brooklyn. Eddie is an inarticulate character and is

    powerless in the face of his tragic fate. He harbors a secret lust for his niece Catherinewhich causes his eventually destruction.Catherine- The niece of Eddie Carbone and Beatrice. Catherine is a beautiful,

    smart, young Italian girl who is very popular among the boys in the community.Catherine seeks approval from her uncle and struggles when Eddie does not approveof Rodolpho, the man she intends to marry.Beatrice- The wife of Eddie Carbone and aunt of Catherine. Beatrice has raisedCatherine from the time she was very young and acts Catherine's mother. Beatrice is awarm and caring woman, more reasonable than Eddie. Like Catherine, Beatrice is nota very well-developed character in the play.Marco- The cousin of Beatrice. Marco comes to the U.S. to work and make moneyto send back to his wife and children in Italy. Marco is a hard working Italian manwho is a powerful, sympathetic leader.Rodolpho- Beatrice's young, blonde cousin from Italy. Rodolpho prefers singing

    jazz to working on the ships. To Eddie and the other Longshoremen, Rodolpho seemseffeminate because he also cooks, sews and loves to dance. Rodolpho desires to be an

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    American and have all the privileges of Western society including wealth and fame.Alfieri- An Italian-American lawyer. Alfieri is the narrator of the story. He speaksdirectly to the audience and attempts to make clear the greater social and moralimplications of the story.Mike- A Longshoreman and friend of Eddie's. Mike is often seen with Louis outside

    the Carbone home.Louis- A Longshoreman and friend of Eddie's. Louis hangs out with Mike outsideEddie's home.Tony- A friend of the Carbones. He assists Marco and Rodolpho off the ship and

    brings them safely to Beatrice's home.First Immigration Office- One of two officers from the Immigration Bureau whocomes to look for Marco and Rodolpho at Eddie's request.Second Immigration Officer- One of two officers from the Immigration Bureauwho comes to look for Marco and Rodolpho at Eddie's request.Mr. Lipari- A butcher who lives upstairs from the Carbone's. Eddie blames Mr.Lipari for the arrest of Marco and Rodolpho.

    Mrs. Lipari- The upstairs neighbor of the Carbone's. Mrs. Lipari agrees to giveMarco and Rodolpho a room in her home when Eddie kicks the men out of his house.Two "Submarines"- Two illegal immigrants hiding upstairs from the Carbone's inthe Lipari house.

    S. Dutchmanby Leroi Jones

    The action focuses almost exclusively on Lula, a 30-year-old white woman,and Clay, a 20-year-old black male, who both ride the subway in New YorkCity. Clay's name is symbolic of the malleability of black identity and blackmanhood. It is also symbolic of integrationist and assimilationist ideologieswithin the contemporary black civil rights movement.[2]Lula boards the traineating an apple, an allusion to the Biblical Eve. The characters engage in along, flirtatious conversation throughout the train ride.

    T. Funnyhouse of a Negroby Adrieen Kennedy

    Sarahis in the final phase of a state of acute schizophrenia brought on by a history ofvarious physical and emotional abuses and, in a larger conception, colonization. Four

    personas coexist in her mind:Patrice Lumumba,Jesus, Queen Victoria, and theDuchess ofHapsburg.Patrice Lumumba represents the African aspect of Sarah'smultiethnicand multicultural heritage. The other three personas are antagonistictoward the African presence, who is charged in several mad monologues with the rapeof Sarah's white-looking mother. They are informed by an irrational logic that allensuing problems have emanated from that signal event. Blackness has infected andtainted Sarah's existence.

    In her opening monologue, Negro-Sarah asserts that there is no logical relationshipamong her selves, no theme, and this assertion about the play was generally echoed

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    by some early critics who pannedFunny-housefor being too abstract. A funnyhouseis a place of grotesque distortions, and Kennedy's play is rife with metaphor, surrealvisual imagery, and allegorical complexity. Still, the relationship among madness,irrationality, discrimination, and oppression is clearly implicated. The creation of aschizophrenic character embodying ethnic and cultural diversity allows Kennedy to

    engage in simultaneous discourses on racial, sexual, and political matters. Earlycriticisms of her work as incoherent and flawed may reflect more upon a lack of

    preparedness by individual critics than upon Kennedy's abilities.

    U. Street Sceneby Elmer Rice

    Summary:The entire play takes place on a street in New York whenneighbors actually talked to each other and sat on their stoops in an attempt toobtain the most recent gossip. The neighborhood contains a wide range ofimmigrants and people who are fairly comfortable discussing their ownreligious biases and prejudices. No one seems to have much money, but it alsodoesn't seem to matter very much.

    From the outset, the older married females in the play are gossiping about Mrs.Maurrant who is having a not so secret affair with the milk collector.Meanwhile, Mrs. Maurrants daughter Rose is starting to have feelings for a

    neighbor boy named Sam. Sam's sister cautions Rose against falling in lovewith her brother because he is Jewish, stating that mixed marriages are just toocomplicated. Ultimately, Mrs. Maurrants husband shoots the milk collector ina jealous rage. However, after all of this excitement, things in the neighborhoodseem unchanged. Love will remain unrequited and gossip will continue to bean insidious way to make the time pass.

    Thoughts:Random library selection caused me to read this play the day afterreading Why Marry?and I was impressed that another play written decades agocontained women with such progressive attitudes toward the relationship

    between love and marriage.

    Street Sceneis aplaybyElmer Ricethat opened at the Playhouse Theatre in

    New York Cityon January 10, 1929 and ran for a total of 601 performances. [1]The action of this ambitious, groundbreaking play takes place entirely on thefront stoop of aNew York Citybrownstoneand in the adjacent street in theearly part of the 20th century. It studies the daily and complex lives of the

    people living in the building (and surrounding neighborhood) and their sad,often tragic interactions.

    The main characters are Anna Maurrant, dealing with issues of infidelity; RoseMaurrant, her daughter, who struggles with the demands of her job and bossand her attraction to a Jewish neighbor, Sam Kaplan; Frank Maurrant, the

    domineering and sometimesabusivehusband and father of Anna and Rose;Sam, a caring and concerned neighbor in love with Rose; and many other

    http://en.wikipedia.org/wiki/Play_(theatre)http://en.wikipedia.org/wiki/Play_(theatre)http://en.wikipedia.org/wiki/Play_(theatre)http://en.wikipedia.org/wiki/Elmer_Ricehttp://en.wikipedia.org/wiki/Elmer_Ricehttp://en.wikipedia.org/wiki/Elmer_Ricehttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/Brownstonehttp://en.wikipedia.org/wiki/Brownstonehttp://en.wikipedia.org/wiki/Brownstonehttp://en.wikipedia.org/wiki/Spousal_abusehttp://en.wikipedia.org/wiki/Spousal_abusehttp://en.wikipedia.org/wiki/Spousal_abusehttp://en.wikipedia.org/wiki/Spousal_abusehttp://en.wikipedia.org/wiki/Brownstonehttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/New_York_Cityhttp://en.wikipedia.org/wiki/Elmer_Ricehttp://en.wikipedia.org/wiki/Play_(theatre)
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    neighbors and passersby.

    Abraham KaplanGreta Fiorentino

    Emma JonesOlga OlsenWillie MoranAnna MoranDaniel BuchananFrank MoranGeorge JonesSteve SanketAgnes CushingCarl OlsenShirley KaplanFilippo FiorentinoAlice SimpsonLaura HildebrandMary HildebrandCharlie HildebrandSamuel KaplanRose MoranHarry EasterMay JonesDick McGannVincent JonesDr. John Wilson

    Officer Harry MurphyA MilkmanA Letter-CarrierAn Ice-ManTwo College GirlsA Music StudentMarshall James HenryFred CullenAn Old-Clothes ManAn InterneAn Ambulance DriverA Furniture Mover

    Two Nurse-MaidsPolicemenTwo Apartment HuntersPassers-By (In the 1931film version thosecharacters with the surnameMoran were changed toMaurrant.)