INTRODUCTION ..... 3THE pLAyINc pRocEss . .. . . 3Left Hand.
Holding the Violin .......... gThe Fingerboard .. . . 4Right Hand.
Holding rhe Bow .......... 5The FingerboardRight Hand. Holding the
BowL H (LBl*l HAND) Active lifting and dropping of the fingers on
the strings .... ... TRH. (RIGHT HAND) Movement between first and
second position .. .. .. . . . T[ L.H Sliding the fingers along the
string using a motion of the upper phalanx -....... ZR.H. Moving
between second and third positions ..... zIII L.H. Free fall of the
fingers in sequence ......... ER.H. Second position at the end and
at the beginning of the bow-stroke .. . . . . . gIV L.H. Dexterity
in threnote combinations .... ......... gR-H. t sing the whole bow
by connecting the three positions ...... gV L.H. Dexterity in
four-note combinations .-.. .......... ER H Smooth control of the
bow while changing the sound volurne. Breathing control ...... gVI
L.H. Stretching the fingers .......... gR.H. Bowings . .........
gvII L.H. sliding the fingers by harf-steps of the chromatic scare
. ....... gR.H. Changing strings .. .. .VIII L.H. Diatonic sequence
in every position ........ gR.H. Several legato and dtach bowing
variations .......... gIX L.H. Diatonic sequenceon each string
......... l0R.H. Several elementary bowings ........ l0X L.H.
Landing on the orientation points ........ l0R.H. Smooth motion
combined with a push . ......... l0XI L.H. Changing position . . -
.. .. . . .. . l0R.H. Smooth movement of the bow . ....... lzXII
L.H. Fingerings for scalelike patterns ... lzR.H. Motion of the bow
when changing the dynamic ....XIII L.H. oneposition scale, going
through the ciicre of fifths ......... 12R.H. A series of basic
bow-strokes .... ......... lzXIV L.H. Scales on each string
......... lgRH. Free choice of bowings ....... laXV L.H. Arpeggios
on each string .... 13R.H. Free cboice of bowings ....... 14xvl L H
Three- and four-octave scales, broken thirds, arpeggios, in
chromatic order ... 14R.H. Free choice of bowings ....... 14xvII
L.H. Doublenote scares and chords, in chromatic order .. .. L4R.H.
Movernent of the bow with double notes and chords ........ rbxvlrl
L.H. Broken and arpeggiated double notes and chords ..... lbR.H.
Bowings for broken and arpeggiated double notes and chords .....
16
L.H. Dexterity in threnote combinations ....R-H. tsing the whole
bow by connecting the three positionsL.H. Dexterity in four-note
combinations .-..R H Smooth control of the bow while changing the
sound volurne. Breathing control ......L.H. Stretching the
fingersR.H. Bowings .
