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Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives, nominalizations Involvement – First Person References, Speaker’s Mental processes, Monitoring of Information Flow, Emphatic Particles, Fuzziness, Direct Quotes 2. Oral Literature 英英英英英英英英英英 Instructor: 英英英英英 Presenter: 英英英 20 978L020

Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

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Page 1: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Speaking, Writing, and Oral Literature

1. Speakers interact with their audiences, writers do not Detachment – the passives, nominalizations Involvement – First Person References, Speaker’s Mental processes, Monitoring of Information Flow, Emphatic Particles, Fuzziness, Direct Quotes

2. Oral Literature

英語語言學理論與研究 Instructor: 黃淑鴻教授Presenter: 胡美英 20978L020

Page 2: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do Not

Share knowledge concerning the environment of the conversation

Signal understanding

and ask for clarification

Monitor the effect

Has face to face contact

Is aware of an obligation to communicate what he or she has in mind in a way that reflects the richness of his or

her thoughts – not to present logical coherent but experiential stark skeleton

a speaker a listener

Page 3: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do Not

Readers

Are displaced in time

and space

results

1. The writer is less concerned with experiential richness.

2. The writer is more concerned with producing something that will be consistent and defensible when read by different people at different times in different places, something that will stand the rest of time.

Writers

Page 4: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do Not

Chafe will speak of

‘involvement’ with the audience as typical for a speaker, and

‘detachment’ from the audience as typical for a writer.

Page 5: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do Not

INVOLVEMENTDETACHMENT

The detached quality of written language is manifested in devices which serve to distance the language from

specific concrete states and events.

Suppressing the directive involvement of an agent in an action

A Device in English The Passive Voice

Page 6: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

INVOLVEMENTDETACHMENT

Speakers Interact with Their Audiences, Writers Do Not

Examples of the passive

1. Its use was observed on only a single occasion.

2. The resonance complex has been studied through experiments with an electronic violin.

From the written data, we don’t know who performed the action – i.e. the agent is unknown.

Page 7: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

INVOLVEMENTDETACHMENT

Speakers Interact with Their Audiences, Writers Do Not

1. Allowing predications to be integrated within larger sentences

2. Suppressing the directive involvement of an agent in an action

Another Device Nominalization

Nominalization pp. 39-40

Page 8: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

INVOLVEMENTDETACHMENT

Spoken Written

The Passive 5.0 25.4

Nominalization 4.8 55.5

Speakers Interact with Their Audiences, Writers Do Not

1. There were about five times as many occurrences of the passive in our written sample as in our spoken.

2. There were about eleven and a half times as many occurrences of nominalizations in our written data.

Page 9: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

INVOLVEMENTDETACHMENT

First Person References

Speaking Written

A speaker is more frequent reference to him

or herself.

First person reference is much less frequent in

formal written language.

Typical examples of reference in our spoken data were

(25a) I have a friend who’s …. About six foot and blond.

(25b) I was reading some of his stuff recently.

Speakers Interact with Their Audiences, Writers Do Not

Page 10: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

First Person References

Occurrences per thousand words of first person references, including I, we, me, and us were:

Spoken Written

61.5 4.6

Second person reference would seem to be also a symptom of involvement, but there were too few examples

in our data to demonstrate anything of interest.

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Page 11: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speaker’s mental processes

References to a writer’s own mental processes were conspicuously absent in our written data; some examples from spoken language follow:

(26a) and I had no idea how I had gotten there.

(26b) but … I can recall … uh… a big undergraduate class that I had.

(26c) and I thought … am I alive?

The occurrences of such references in our data were as above:

Spoken Written

7.5 0.0

INVOLVEMENTDETACHMENT

Speakers Interact with Their Audiences, Writers Do Not

Page 12: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

INVOLVEMENTDETACHMENT

Speakers Interact with Their Audiences, Writers Do Not

Monitoring of Information Flow

A speaker monitors the communication channel which exists with listener and attempts to make sure that the channel is functioning well. Colloquial expressions like well, I mean, and you know perform one or another of these functions:

(27a) Well I .. I took off four weeks.

(27b) But .. But as it is still I mean .. Everybody knows everybody.

(26c) So we..so we..you know, we have this confrontation.

Page 13: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Monitoring of Information Flow

These expressions were significantly present in our spoken sample, and entirely absent in the written:

Spoken Written

well 7.0 0.0

I mean 2.5 0.0

You know 13.6 0.0

Page 14: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Emphatic Particles

Particles expressing enthusiastic involvement in what is being said, like just and really, are also diagnostic:

(28a) I just don’t understand.

(28b) And he got..really furious.

The occurrences were: Spoken Written

just 7.5 0.4

really 5.1 0.0

Page 15: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Fuzziness

Vagueness and hedges are also more prevalent in speaking, and may also express a desire for experiential involvement as opposed to the less human kind of precision which is fostered by writing.

The following are examples of spoken fuzziness:

(29a) schemes for striking, lifting, pushing, pulling, and so on.

Page 16: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Fuzziness

(29b) moving the bridge or soundpost a millimeter or two.

(29c) Since this banker is something like forty-seven,

(29d) And he started sort of circling.

Counts of occurrences per thousand words of this kind of language were:

Spoken Written

18.1 5.5

Page 17: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do NotINVOLVEMENTDETACHMENT

Direct Quotes

Direct quotes also express an involvement in actual events which tends to be lacking in written language.

(30a) And uh..she said, ‘Sally can I have one of your papers?(30b) And I said, ‘Well no I’m afraid I don’t.’

The occurrences of direct quotes in our data were:

Spoken Written

12.1 4.2

Page 18: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Speakers Interact with Their Audiences, Writers Do Not

Written language Spoken language

Detachment

The use of passives

Nominalizations

Involvement

First person references

Speaker’s mental processes

Monitoring of information flow

Emphatic Particles

Fuzziness

Spoken Writtenextremes

Figures from maximally differentiated samples: spontaneous conversational language and formal academic prose

Summary

Page 19: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Seneca spoken in western New York has no written tradition.

Asher Wright, a missionary

An excellent orthography

Some religious materials

developed published

SenecaRich and varied

oral literatureNow only accessible from written records

Chafe examined features which

differentiate spoken and written language

Features of a similar sort may differentiate colloquial Seneca from the language

used in these rituals

Page 20: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Distinction between

colloquial and ritualDistinction between colloquial and written

parallel

reasons

????

Chafe thought that ritual language, like written language, has a permanence. The same oral ritual is presented again and again with a content, style and formulaic structure which remain constant from performance to performance.

Reason 1:

Page 21: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Distinction between

colloquial and ritualDistinction between colloquial and written

parallel

reasons

????

Reason 2:

The performer of a ritual is removed from his audience in a way that parallels the solitude of a writer. What he performs is a monologues with minimal feedback and no verbal interaction. Thus the situation is one which fosters detachment rather than in involvement.

Page 22: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature - differences

1. Seneca has no nominalizers performing the same function as the English nominalizers discussed above.

2. It has no participles.

3. It has no attributive adjectives either; adjectival meanings are expressed by stative verbs.

4. It has neither prepositions nor postpositions.

5. It has no complementizers like English ‘that’ or ‘to’.

6. It has no constructions which are like English relative clauses. These features arise in a language precisely

because of writing.

Page 23: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Spoken Seneca – fragmented quality

Three intonationally separate sentences, four syntatically independent clauses or idea units

Page 24: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature - a Seneca Thanksgiving Ritual

An integrated whole

The only sentence-final intonation occurs at the end of this sequence; the sequence of phrases or clauses is united into a single sentence. The phrases and clauses depend on one another.

Page 25: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Distinction between involvement and detachment

Evidence of Detachment

Seneca has an impersonal reference marker, a verb prefix which means ‘one’. As with the passive, this prefix allows the omission of

specific reference to the agent of an action.

Colloquial Ritual

‘one’ prefix 2 36

Page 26: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Distinction between involvement and detachment

Evidence of Involvement

Seneca has a variety of particles – agwas ‘really’ and do:gës ‘for sure'

Colloquial Ritual

agwas ‘really 5 0

do:gës ‘for sure' 4 0

Page 27: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Distinction between involvement and detachment

Evidence of Involvement

The occurrence of particles expressing fuzziness or evidentiality, whose occurrences per th

ousand words were as follows:

Page 28: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Oral Literature

Chafe gave the suggestion that oral literature may indeed has more like written than spoken language in some way.

Chafe thought that certainly the differences between colloquial language and oral literature do not in all always parallel those between spoken and written language.

Page 29: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Conclusion

Spoken and written language differ with regard to two sets of features.

fragmentation vs. integration

a consequence of differences in the use of

time in speaking and writing

involvement vs. detachment

The different relations of a speaker or writer

to the audience

Page 30: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,

Integration and Involvement in Literature

Conclusion

Chafe suggested that some of the same differences may distinguish colloquial language and oral literature, even in a lan

guage that has never been written. The reasons may be that oral literature has a kind of permanence analogous to that of written language, and that the reciter of oral literature is, like a writer, det

ached from direct person interaction.

Page 31: Integration and Involvement in Speaking, Writing, and Oral Literature 1. Speakers interact with their audiences, writers do not Detachment – the passives,