13
CAMILA UNDURRAGA P. Chilean designer. PORTFOLIO 1. Mapulawen (Mapuche Book). Intangible Heritage. 2. Veo Verde. Online Community about sustainability. 3. Pucón Sustentable. Urban & Territorial Planning. 4. Stakeholder Engagement software. Data visualization. 5. Shapes of a Journey. Travel drawings & sketches. 6. Children Park Nursery project. Community Engagement. 7. Chilean Poster & Public Space. Academic Research. 8. Heritage Park Master Plan project. Landscape Design studies. Tabl of Cont nts Pag

Landscape Portfolio 2016

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Landscape Portfolio 2016

CAMIL A UNDURR AGA P.Chilean designer.

PORTFOLIO

1. Mapulawen (Mapuche Book). Intangible Heritage.

2. Veo Verde. Online Community about sustainability.

3. Pucón Sustentable. Urban & Territorial Planning.

4. Stakeholder Engagement software. Data visualization.

5. Shapes of a Journey. Travel drawings & sketches.

6. Children Park Nursery project. Community Engagement.

7. Chilean Poster & Public Space. Academic Research.

8. Heritage Park Master Plan project. Landscape Design studies.

Tabl of Cont nts Pag

Page 2: Landscape Portfolio 2016

1. Mapulaw n*

*(medicinal herbal landin mapuche language; mapudungun)

project manager

creator editor researcher graphic

designer Thesis and

final project for obtaining my Graphic Design degree from Universidad Diego Portales, Santiago, Chile

The objective of this project was to reassess and rescue the traditional Mapuche Medicine and Worldview while the creation of a book that would work as a cultural promoter and valuable in itself for its design, art, and content. The project is divided into three main parts. The first one was developed around Puerto Saavedra City close to Budi Lake (picture above) in the mid-south of Chile within a Mapuche community. The current design is bilingual, with English and Mapudungun languages.

1. Lorenzo Aillapán Jr. in *Lafkenche territory. *(from the coast or sea).

2. Puerto Saavedra city

3. Public city sign in Puerto Saavedra.

4. Myself while staying in the Poet s -Lorenzo Aillapan- home with his family in Puerto Saavedra

5. River mouth of Budi Lake in the Pacific Ocean

12

3

4

5

INTAN IBLH RITA

Page 3: Landscape Portfolio 2016

1. PART 1: THE POET Recounts the Origins of the World from the Mapuche perspective Involves the collaboration of the Mapuche poet, healer, bird-man, and artist Lorenzo Aillapán.

2. PART 2: THE MACHI An Interview driven at the Machi s* home in La Florida, Santiago. Manuel Lincovil is a renowned *Mapuche Medicine Practicioner.

3. PART 3: THE KIDERGARTEN Educators, parents and children from Antu Mapu intercultural pre-scholar educational establishment, participated creating objects, art and crafts from ancestral heritage Mapuche stories specially for and from this project.

4. Inside the Ruka; (home in Mapudungun) in the kindergarten

5. Machi doll made by the children.

6. Budi Lake. (refence landscape image.)

1

23

4

5

6

Page 4: Landscape Portfolio 2016

2. V ov rd .co

A small team in Chile founded the currently most influential spanish-speaking community about sustanability matters in the world. The “blog” is part of Betazeta Networks, the largest network of internet communities in Latin America in which millions of people meet to share their interests.

During the first years I colaborated with identity design and visual communication.

ONLINCOMMUNIT Y

1. Check out the anniversary post on Nov. 2010: https:// www.betazeta.com/ anibal/veoverde/ post/bienvenidos-al- nuevo-veoverde/

2. Current online illustration & web design has been adapted by designers Rodrigo García and Leonardo Prieto.

3. Plant illustrations.

logo designer

illustrator

1

2

3

Page 5: Landscape Portfolio 2016

CABURGALAKE

N

Professional design internship with the environmentalist Rodrigo Calcagni and architect David Rosenbluth who were working at that time with the Municipality of Pucón, on the Teritorial & Department.

While spending an entire summer there, I got involved in a woderful moment for the area s progress into sustainability and environmental protection. I designed a urban symbol system and experienced bicycle paths and hike trails to bring into consideration for turism and local landscape living.

professional internship

graphic designer

symbol system designer

bike & pedestrian trails evaluator

3. PucónSust ntabl *

*advisory urban & territorial area of the municipality of the city of pucon 2006 - Región de la Araucanía -southern Chile.

URBAN &T RRITORIALPLANNIN

All images in this page are property of Pucón Sustentable: http://www.blog.arcopucon.cl/territorio/They are shown here with their permission and to have a perspective of the project and place, besides they were handled to me for image treatment and to involve myself into the overall project.

VILLARRICA VOLCANO

TOLTÉN RIVER BASIN

VILLARICALAKE

N

N

PUCÓN

N

Page 6: Landscape Portfolio 2016

River

Snow

Land

Religious Landmarks

— The urban & territorial symbol system had to be created from the city s popu-lar and cultural landmarks, and activities and sports practiced in the area. I devel-oped a sistematic analysis for the city s different turistic atractions involving symbol design and circuits that I clas-sificated into 5 perspectives: historical, religious, cultural, ecological, and sports. This was to be used in maps, brochures, signage systems, touristic information, and a zone trail & paths guide.

N

Lake

Particularly beautiful setting

Panoramic view

Natural cientific observation

Sightseeing

Urban Landmarks

VILLARICALAKE

Page 7: Landscape Portfolio 2016

6789

Type of questioning the App provoques

Hugo Vergara, Chilean representative of BSD Consulting, (global office that creates sustainable strategies for stakeholder management and matters related to sustainabili-ty), needed graphics and structure for his own com-pany software or app that could engage everyone in an organization and give useful results for planning strategies.

The project aimed for big organizations to grow in a sustainable manner con-sidering, and engaging, their stakeholders, and the environment around them.

— “Regarding this (X) company or organization goal, will the citizens have a good perception of our company after we move on with this project? Are THEY a prioritary “audience” to have in mind?”

— “Are we taking relevant measures to any environmental impact this (x)actions may cause? What about starting conversations with the local environmental department about what we are working on?”

4. Stak hold r ngag mnt*

*software design for sustainable (organization & company) growth and development

graphic designer

UI designer

DATAVISUALIZATION& U I D SIN

Page 8: Landscape Portfolio 2016

5. Shap s ofa journ y

illustrator draftswoman adventure

traveller

1. View from Yoga teacher training course Ashram, Nasik, India.2. Cochin, Kerala, India.3. Murray River edge forest, in Cobram city, Victoria State, Australia.4. Myself in a lone bike trip into Australian subtropical Rainforests, near Byron Bay city, in New South Wales.5. View to Dhauligiri Mountain from Ghorepani, Annapurnas Range, Himalayas, Nepal.

TRAV L &DRAWIN S

1

2

5

3 4

Page 9: Landscape Portfolio 2016

6. Manaslu Mountain, Chame, Annapurnas, Nepal.7. Besi sahar city, Nepal.8. My hiking team and I in Thorong La mountain pass, the highest in the world, at 5,416 metres above sea level in Annapurnas, Nepal.9. Cochin urban public space, Kerala, India.10. Indian boy sitting outside public school, in rural village near Nasik, Maharastra, India.

6

7

9

8

10

Page 10: Landscape Portfolio 2016

6. Childr n ParkNurs ry Proje ct

project management partner

co-creator

Beeing both professional single mothers raising our young children in a 6-million habitants city, my friend and colleague Natalia Montero and I, felt our social en-vironment was not developing into social community engament, and alternative spaces for caring young children (with arts, music, and healthy and fun scenari-os) were a need and opportunity for cul-tural exchange. Together, we have been more than a year working in a Children Nursery Project to be settled; in a first stage, in public parks in eastern Santiago.

1. One of collages presented to Vitacura, Las Condes, and Providencia Municipalities of the east area of Santiago.

2. My daughter walking around Parque Bicentenario in Vitacura, Santiago.

3 & 5. My daughter s —at home— arts & crafts time after school hours.

4. My daughter and friend having fun with costumes and making art with recycling materials was our inspiration for the activities plannning, including yoga, and artistic and creative experiences for free children s imagination.

2

3

1

4

54

COMMUNIT YN A M NT

N

N N

Parque Aberto Hurtado

Parquede Las Esculturas

ParqueBicentenario

mapocho river

mapochoriver

Page 11: Landscape Portfolio 2016

7. Acad icR s archuniversidad diego portales.santiago, chile.

TH POST R IN CHIL B TW N 1965 AND 1973; VI WIN ACULTURAL PROJ CT.* See more details of this project in my Statement of Purpose and Resume.

1. My first ISI-Indexed co-authored published paper. Faculty of Arquitecture, Art & Design of Diego Portales University s Magazine; Revista 180.

2. Poster designed by Chilean designer Mario Quiroz for the Social Chilean State company; Polla de Beneficiencia, in 1973.

3. Poster for the First American Print Biennalle in Santiago, holded by Universidad de Chile in 1963.

6. Social Poster by Chilean painter and artist José Balmes.

4. 1973. Social Poster by Chilean Designer Waldo González.

5. Poster for celebrating the nacionalization of Chilean copper. Designed by Chilean designers; Vicente and Antonio Larrea, and Luis Albornoz, in 1972.

1

2

3 4 5

6

Page 12: Landscape Portfolio 2016

8. Spiritual andH ritag Parkin Pirque ,Me tropolitanR gion, Chil

middle project for obtaining my Landscape Design Diploma from Universidad Católica de Chile, (puc).

work team: sofía ochoa francisca navarrete, francisca cornejo, and camila undurraga.

Currently been developed, we finished the first stage of the semester course, with the design of a Master Plan for a Spiritu-al Park to be settled by a colonnial house —dating from 1810— in the rural area of Pirque, in the skirts of the Andes, in a vast valley ocuppied before by Pehuenche au-toctonal people. The peculiar territory it s insert within a Mediterranean and Foot-hill climate at the south of Santiago in the Río Clarillo Valley at the start of the Mai-po River basin. The strong views to the mountain range, with the presence of the old constructions, —beeing the house the first spanish settlement in area—, gives an heritage importance to the site and makes it an emblematic location.

1. Watercourses, textures and densities, human settlements, lines, roads, and views were part of the territorial analysis

2. Rainfalls and river esporadical floodings were studied for choice of species and overall design.

3. The church next to the house it s and iconical vertical axis of the entrace area of the park.

4. Clarillo River Natural Reserve located in the area, showed us native flora witch we used as a starting point of species selection.

LANDSCAPD SI N

N

Problem

DISSOCIATION, WITH CONTEXT AND IT´S PARTS

Proposal

INTEGRATION FROM PUBLIC TO PRIVATE

territorial analysis

1

2

4

3

Page 13: Landscape Portfolio 2016

public

private

TOWN OFPIRQUE

CONVENTIONS CENTER

COMMUNITY VEGETABLE GARDENS

EXISTENTBUILDINGS

PROPOSAL BUILDINGS ACCORDING TO REQUIRED PROGRAM

HOTELMUSEUM

CHURCHSERVICES

PERIMETRAL BIKE LANE

PARKING AREA

RESTAURANT

WOODEN WALKWAY & DECKS

UNDERGROWTH PLANT

MAST RPLAN*

*(Qualified with a 6.2 grade in the Chilean numeric scale from 1.0 to 7.0, from PUC).

GOOGLE EARTH VIEW OF THE SITE

- P R S N T D I N 1 : 5 0 0 -