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Figure 1: Map of Pompeii. Large houses containing Second Style painting are shaded black. (Adapted from Heinrich 2002, 54.)

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Figure 2: Alabaster (Kelsey Museum of Archaeology accession nos. 0000.00.2112,

0000.00.2396, 0000.00.6267, 0000.00.6766)

Figure 3: Carystian marble (Kelsey Museum of Archaeology

accession no. 0000.00.6737)

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Figure 4: Chian marble (Kelsey Museum of Archaeology accession nos. 0000.00.2176,

0000.00.2053, 0000.00.2362, 0000.00.2050)

Figure 5: Lucullan marble (Kelsey Museum of Archaeology accession

nos. 0000.00.2079, 0000.00.2385, 0000.00.2384, 0000.00.2094)

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Figure 6: Luna grey marble (Kelsey Museum of Archaeology accession no. 0000.00.2251)

Figure 7: Numidian marble (Kelsey Museum of Archaeology accession nos. 0000.00.2192,

0000.00.2188, 0000.00.2353, 0000.00.2179)

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Figure 8: Taenarian marble (Kelsey Museum of Archaeology accession nos. 0000.00.2076,

0000.00.6752)

Figure 9: Phrygian marble (Kelsey Museum of Archaeology accession nos. 0000.00.2406,

0000.00.2060)

Figure 10: Porphyry (Kelsey Museum of Archaeology

accession no. 0000.00.2208)

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Figure 11: Diagram of First Style decoration from Casa di Sallustio

(after Laidlaw 1985, Plate 16).

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Figure 12: Basilica, Pompeii. Masonry Style decoration of north interior wall, showing

lacunae where pieces were removed. (Photo: author, by permission of the Ministero per IBeni e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e

Pompei.)

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Figure 13: Plan of Casa del Fauno, Pompeii.

(After Clarke 1991, Figure 22.)

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Figure 14: Casa del Fauno, Pompeii. Opus sectilepavement of the fauces.Note the single

piece of Phrygian marble 3.5 rows from the bottom, center. (Photo: author, by permission

of the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per i Beni

Archeologici di Napoli e Pompei.)

Figure 15: Casa del Fauno, Pompeii. Opus sectilepavement of the tablinum.(Photo: author,

by permission of the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale

per i Beni Archeologici di Napoli e Pompei.)

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Figure 16: Casa del Fauno, Pompeii. Opus sectile pavement of the impluvium. (Photo:

author, by permission of the Ministero per i Beni e le Attivit Culturali Soprintendenza

Speciale per i Beni Archeologici di Napoli e Pompei.)

Figure 17: Casa del Fauno, Pompeii. Stone chip/crustaepavement of ala.(Photo: author, by

permission of the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per i

Beni Archeologici di Napoli e Pompei.)

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Figure 18: Casa del Fauno, Pompeii. First Style decoration of fauces (east wall). (Photo:



Figure 19: Casa dei Quattro Stili, Pompeii. First Style decoration showing breccia design.

(Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali

Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei.)

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Figure 20: Casa del Cenacolo, Pompeii. First Style decoration showing breccia design.



Figure 21: Casa del Centauro, Pompeii. First Style decoration showing diagonally divided

block. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


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Figure 22: Casa del Centauro, Pompeii. First Style decoration showing breccia design.



Figure 23: Casa del Centauro, Pompeii. First Style decoration showing breccia design.



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Figure 24: Casa dei Quattro Stili, Pompeii. First Style decoration showing alabaster design

and mappa. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


Figure 25: Casa del Cenacolo, Pompeii. First Style decoration showing alabaster design.



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Figure 26: Casa del Menandro, Pompeii. First Style decoration showing alabaster design.



Figure 27: Casa di Epidio Sabino, Pompeii. First Style decoration showing human

figures. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


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Figure 28: Villa A at Oplontis. Mosaic and crustae pavement of Room 15. (Photo: author,



Figure 29: Villa dei Misteri, Pompeii. Crustae pavement of P2. (Photo: author, by



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Figure 30: Villa dei Misteri, Pompeii. Crustae/mosaic pavement of atrium. (Photo: author,



Figure 31: Villa dei Misteri, Pompeii. Opus sectilepavement of Room 5. (Photo: author, by



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Figure 32: Villa A at Oplontis. Pavement of Room 14: mosaic with colored tesserae and

central emblema. (Photo: author, by permission of the Ministero per i Beni e le Attivit

Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei.)

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Figure 33: Villa A at Oplontis. Second Style painting in Room 11. (Photo: author, by



Figure 34: Villa dei Misteri, Pompeii. Second Style painting in Room 5. Detail of alabaster

panels. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


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Figure 35: Villa dei Misteri, Pompeii. Second Style painting in Room 6. Detail of turquoise

(?) and alabaster panels. (Photo: author, by permission of the Ministero per i Beni e le

Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei.)

Figure 36: Villa dei Misteri, Pompeii. Second Style painting in Room 5, south wall. (Photo:



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Figure 37: Villa dei Misteri, Pompeii. Second Style painting in Room 3. (Photo: author, by



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Figure 38 Villa dei Misteri, Pompeii. Second Style painting in Room 6. Detail of Numidian

marble pilaster with inlaid strip of Lucullan marble in center. (Photo: author, by

permission of the Ministero per I Beni e le Attivit Culturali Soprintendenza Speciale per

i Beni Archeologici di Napoli e Pompei.)

Figure 39: Plan of Villa A at Oplontis. (After Bergmann 2002b, Figure 2.3.)

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Figure 40: Villa A at Oplontis. Second Style painting in Room 23, west wall. (Photo: author, by permission of the Ministero per i Beni e le


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Figure 41: Villa A at Oplontis. Second Style painting in Room 23, south wall. (Photo: author, by permission of the Ministero per i Beni e le


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Figure 42: Villa A at Oplontis. Second Style painting in Room 23, north wall. (Photo: author, by permission of the Ministero per i Beni e

le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei.)

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Figure 43: Villa A at Oplontis. Second Style painting in Room 23, north wall. Detail of glassbowl. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


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Figure 44: Villa A at Oplontis. Second Style painting in Room 23, north wall. Detail of

corner, shield. (Photo: author, by permission of the Ministero per i Beni e le AttivitCulturali Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei.)

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Figure 45: Plan of Casa del Labirinto, Pompeii.(After Strocka and Frlich 1984, Figure 44.)

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Figure 46: Casa del Labirinto, Pompeii. Oecus 43. (Photo: author, by permission of the

Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per i Beni


Figure 47: Casa di Marco Fabio Rufo, Pompeii. Second Style painting. (Photo: author, by



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Figure 48: Insula Occidentalis, Pompeii (looking towards southeast). (Photo: author, by



Figure 49: Monumental tombs along Via dei Sepolcri, outside Herculaneum Gate, Pompeii.



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Figure 50: Plan of Fondo Azzolini cemetery. Roman numerals indicate Samnite period

burials; Arabic numbers indicate Roman period burials. (After Della Corte 1916, Figure

1.)

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Figure 51: Monumental tomb on Via dei Sepolcri, Pompeii with two columellaeon left, near

front of precinct. (Photo: author, by permission of the Ministero per i Beni e le Attivit


Figure 52: Casa di Obellio Firmo, Pompeii. Second Style painting in tablinum. (Photo:



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Figure 53: Plan of Casa di Cerere, Pompeii. (After Dickmann 1999, Tafel 8.)

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Figure 54: Casa di Cerere, Pompeii. Second Style painting in Room d. (Photo: author, by

permission of the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per iBeni Archeologici di Napoli e Pompei.)

Figure 55: Casa di Cerere, Pompeii. Second Style painting in Room d. Detail of Chian

marble (left) and alabaster (right). (Photo: author, by permission of the Ministero per i Beni

e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e

Pompei.)

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Figure 56: Casa di Cerere, Pompeii. Second Style painting in Room k. Detail of alabaster

(directly above blue row). (Photo: author, by permission of the Ministero per i Beni e le


Figure 57: Casa di Cerere, Pompeii. Second Style painting in Room k. (Photo: author, by



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Figure 58: Casa di Cerere, Pompeii. Second Style painting in Room e. (Photo: author, by



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Figure 59: Casa di Cipio Panfilio, Pompeii. First Style decoration on upper wall; Second

Style painting on lower wall. (Photo: author, by permission of the Ministero per i Beni e le


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Figure 60: Casa dei Quattro Stili, Pompeii. View from in front of entrance, across atrium, to

room decorated in Second Style. (Photo: author, by permission of the Ministero per i Beni e


Figure 61: Casa di Cerere, Pompeii. Second Style painting showing splatter dado. (Photo:



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Figure 62: Casa dei Quattro Stili, Pompeii. Third Style painting showing splatter dado.



Figure 63: Villa A at Oplontis. Fourth Style zebra stripe painting showing splatter dado.



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Figure 64: Casa dei Casti Amanti, Pompeii. Third Style painting. (Photo: author, by



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Figure 65: Villa A at Oplontis. Real stone veneer dado in Room 64 (Sagarian marble

framed by Lucullan marble). (Photo: author, by permission of the Ministero per i Beni e le


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Figure 66: Casa di Ottavio Quartione, Pompeii. Fourth Style painting showing imitation

stone dado (Carystian marble, Numidian marble, Chian marble, and Lucullan marble).



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Figure 67: Casa di Ottavio Quartione, Pompeii. Fourth Style painting showing imitation

stone dado (porphyry, Numidian marble, Chian marble, Lucullan marble, Carystian

marble). (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


Figure 68: Casa della Caccia Antica, Pompeii. Fourth Style painting showing imitation

stone dado (Numidian marble, Chian marble, porphyry). (Photo: author, by permission of

the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per i Beni


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Figure 69: Casa di M. Lucrezio, Pompeii. Fourth Style painting showing imitation stone

dado (porphyry, Chian marble, and Numidian marble). (Photo: author, by permission of

the Ministero per i Beni e le Attivit Culturali Soprintendenza Speciale per i BeniArcheologici di Napoli e Pompei.)

Figure 70: Casa di M. Lucrezio, Pompeii. Tablinum with opus sectile emblema. (Photo:



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Figure 71: Casa di Apollo, Pompeii. Fourth Style painting showing imitation stone dado

(Chian marble and Numidian marble). (Photo: author, by permission of the Ministero per i

Beni e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli ePompei.)

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Figure 72: Casa di Arianna, Pompeii. Fourth Style painting showing imitation stone dado.



Figure 73: Casa di Arianna, Pompeii. Detail of Fourth Style painting showing imitation

stone dado. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


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Figure 74: Villa A at Oplontis. Zebra stripe painting in corridor. (Photo: author, by



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Figure 75: Villa A at Oplontis. Zebra stripe painting in Room 4, combined with imitation

Carystian marble and Numidian marble. (Photo: author, by permission of the Ministero

per i Beni e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli

e Pompei.)

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Figure 76: Villa A at Oplontis. Opus sectile pavement of Room 69 (alabaster, Chian marble,

Numidian marble, among others). (Photo: author, by permission of the Ministero per i Beni

e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e

Pompei.)

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Figure 77: Casa dellEfebo, Pompeii. Opus sectile pavement (Numidian marble, Chian

marble, Lucullan marble, Phrygian marble, Luna grey marble, among others). The central

emblemais made of glass paste. (Photo: author, by permission of the Ministero per i Beni e


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Figure 78: Casa di Vetutio Placido, Pompeii. Opus signinumpavement with simple marble

emblema. (Photo: author, by permission of the Ministero per i Beni e le Attivit Culturali


Figure 79: House I.6.3, Pompeii. Opus signinum pavement with marble insets (including

Carystian marble and Chian marble).(Photo: author, by permission of the Ministero per i

Beni e le Attivit Culturali Soprintendenza Speciale per i Beni Archeologici di Napoli e

Pompei.)

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Figure 80: Casa dei Marmi, Pompeii. Large pieces of Carystian marble and green porphyry

in corner of peristyle. (Photo: author, by permission of the Ministero per i Beni e le Attivit


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