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Music of the Classical Period (1750- 1820)

Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

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Page 1: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Music of the Classical Period

(1750-1820)

Page 2: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Classicial Historical Highlights

Age of Enlightenment; using reason to solve social problems

Age of violent upheavals - French & American Revolutions, Napoleonic Wars

Political power shifts from noble courts and church to the newly empowered middle class – Composers move from high-class servants to free-lance, self-

employed artists

Page 3: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

“Classical” Defined A “classic” is any supreme accomplishment of lasting

appeal (for example a movie classic or classic rock song)

“classical” music (lowercase “c”) usually refers to any music that is NOT rock , jazz, folk, or popular

“Classical” music (uppercase “C”) refers to music written between 1750-1820, which exhibits some of the artistic ideas found in “Neoclassic” visual art and architecture– In visual art and architecture, “Classical” Art refers to Greek

and Roman antiquity

Page 4: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Classical Artistic Highlights New emphasis on balance and clarity of

structure– Neoclassic Architecture and Painting

• firm lines & clear structure• balance & symmetry• moralistic subject matter• Greek & Roman references

Arts meant to please and entertain rather than instruct: new emphasis on naturalness & pleasing variety– Rococo artists: Watteau; Fragonard

Page 5: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Upper Belvedere, Vienna 1721-22

Page 6: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Karlskirche, Vienna 1716-33

Page 7: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Petite Trianon at Versailles, 1726-68

Page 8: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Temple of Love at Versailles, 1775

Page 9: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

David,Mars disarmed by Venus, 1824on next page

Paris & Helen, 1788

Page 10: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent
Page 11: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Fragonard

–The Bathers

–The ReaderWatteau

–Pierrot

Page 12: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent
Page 13: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent
Page 14: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent
Page 15: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Classical Musical Highlights New emphasis on pleasing variety

– Highly flexible rhythms (i.e. all different lengths of short and long notes) – More difference between musical ideas within a single movement or

piece– Introduction of crescendo and diminuendo into varied dynamic changes

New emphasis on naturalness– Demand for simplicity and clarity in melody and harmony– Use of secular pop/folk “tunes” in art music– More melody & accompaniment (homophonic) textures– New emphasis on morality, common people, and everyday life in OPERA

Example: – W.A. Mozart’s Act 1, Scene 1 from Don Giovanni

Page 16: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Opera

Sung theatrical work Staged with costumes and sets Example: WOLFGANG AMADEUS MOZART Act 1,

excerpt from Opening Scene from Don Giovanni

Page 17: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Classical Music Genres

Vocal Music Genres– Opera

Instrumental Music Genres– Orchestral Music

• Symphony• Concerto

– Chamber Music• String Quartet• Serenade

Page 18: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Classical Music Style Characteristics

Timbre End of basso continuo; evolution of standard orchestra with all four “choirs”; strings, woodwinds, brass, percussion; transition from harpsichord to piano

Rhythm Emphasis on flexibiliy and naturalness; unexpected pauses; syncopations; frequent changes from long to short note patterns

Melody Tuneful, easy to remember; folk-like, often “borrowed”; balanced and symmetrical phrase lengths; tend to be rounded

Form New emphasis on symmetrical structures and clear formal designs; new emphasis on rounding; new emphasis on multi-movement instrumental works; widespread use of Sonata form

Dynamics Widespread use of gradual dynamic changes (I.e.crescendos & diminuendos); transition from harpsichord to piano

Texture Basically HOMOPHONIC MELODY & ACCOMPANIMENT but flexible; sudden appearances of small bits of imitative polyphony

Harmony Less dense; simpler and more stretched out harmonic progressions; gradual abandonment of basso continuo

Mood Emphasis on variety and contrast

Page 19: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Wolfgang Amadeus Mozart

Page 20: Music of the Classical Period (1750-1820) Classicial Historical Highlights Age of Enlightenment; using reason to solve social problems Age of violent

Ludwig Van

Beethoven